Violas IL

BARBIERE DI SIVIGLIA
SINFONIA

           
Gioacchino Rossini


           
 
 
 
    

                
Andante sostenuto


   a punto d'arco   


  


  


                   


     
   
4

 Pizz.   


                                   
 

       
1

    
11



                                 
               
13

    

                                          
                  
15 Arco

 
 
 



                            


           


 
2

   
                
18

      
    
     


  
 

          
           
dim.

 
3 allegro con brio


22


                                  





        

28

          
                       
  
     
33 4

                   
       



  
          


    



40


            
2

5       
      
         
          
45

                      
                                          



49

                             

               
      
55

             
                 6
        
60

                  
   
 
            


   
  
    
         
65

 
             
                 
70

   
     7     
                        
  
     
75

 

  
 

             
8

  
      
               
battute
80



                                         



92

                                        
cresc. 

    

102

                    
9

                       
112 battute
stacc.

cresc. 
 3


    
118

    


cresc. dim.
123 10

 
      
 stacc.  cresc.
128

    


in
133

                       

                    



11 cresc.
138

           
          
                

12

 
148

                    
         


           

156


   
          
                      
       
161

                     


             
 
167 13

               
            




       


 

172

  battute
                           


           
176
14


 4

                                 
184

 


     stacc.
 
cresc. 

 
195
15


                                          
cresc.  
203



      
 cresc. dim.
208 16


                                          
(dim.) 
213


                                  
cresc.
218

       
                              


 
       
225 17 Più mosso

                           


                 
  
   
230

                 
       


          
       
238
18

             
                                

   
243

                                



                                

251
19
                
     
5

                     
256

*) Every instrument on the last page has it's own staff in the source. I have only notated instruments on their own staff if they had their own sta