ART APPRECIATION

School
Eulogio "Amang" Professor
Rodriguez Institute
of Science and Dolores Nieto
Technology

Submitted by:

Rafon, Daniel B.
 ART
the expression
or application of
human creative
skill and
imagination,
typically in a
visual form such
as painting or
sculpture,
producing works
to be
appreciated
primarily for

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their beauty or
emotional
power.
TYPES OR
DIVISION OF ARTS

01 Architecture

02 Conceptual Art

03 Drawing

04 Painting

Photography

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05

06 Sculputre
Visual Art

The visual arts are art forms that create

works that are primarily visual such as
ceramics, drawing, painting, sculpture,

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printmaking, design, crafts, photography,
video, film making and architecture.
ARCHITECTURE

the art or science of buildingsp

ecifically the art or practice of
designing and building
structures and especially
habitable ones.

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CONCEPTUAL
ART

Conceptual art, also called

post-object art or art-as-idea,
artwork whose medium is an
idea (or a concept), usually
manipulated by the tools of
language and sometimes
documented by photography.
Its concerns are idea-based
rather than formal
 PAITING
A painting is an image (artwork) created
using pigments (color) on a surface (ground)
such as paper or canvas. The pigment may
be in a wet form, such as paint, or a dry form,
such as pastels. Painting can also be a verb,
the action of creating such an artwork.
Elements

1. Color
2. Tone
3. Line
4. Shape

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5. Space
6. Texture
7. Composition
8. Direction
9. Time
10. Size
 Drawing
the art or technique of
representing an object
or outlining a figure,
plan, or sketch by means
of lines.

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 Photography
the art or process of
producing images by the
action of radiant energy
and especially light on a
sensitive surface (such as
film or an optical sensor)

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Method of
Presenting
of Arts
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Methods

1.Realism
2.Abstaction
3.Symbolism
.4 Fauvism
5.Dadaism
6.Futuresim
7.Surrealism

02
Realism
Realism art has less to do
with the photorealistic
painting of images and has
more to do with the realistic
subject matter. Photorealism
does play a part, but it is not
always present in the
paintings of Realism art.

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 Abstaction
Abstract art, also called nonobjective 07
art or nonrepresentational art,
painting, sculpture, or graphic art in
which the portrayal of things from
the visible world plays no part. All art
consists largely of elements that can
be called abstract—elements of
form, colour, line, tone, and texture.
Prior to the 20th century these
abstract elements were employed by
artists to describe, illustrate, or
reproduce the world of nature and of
human civilization—and exposition
dominated over expressive function.
 Symbolism
:the art or practice of
using symbols especially
by investing things with a
symbolic meaning or by
expressing the invisible
or intangible by means of
visible or sensuous
representations: such as
FAUVISM
Fauvism, style of painting that flourished in
France around the turn of the 20th century.
Fauve artists used pure, brilliant colour
aggressively applied straight from the paint
tubes to create a sense of an explosion on
the canvas

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DADAISM

a movement in art and literature

based on deliberate irrationality and
negation of traditional artistic values

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 Futurism
Futurism, Italian Futurismo, Russian Futurizm,
early 20th-century artistic movement centred
in Italy that emphasized the dynamism, speed,
energy, and power of the machine and the
vitality, change, and restlessness of modern life.
During the second decade of the 20th century,
the movement’s influence radiated outward
across most of Europe, most significantly to
the Russian avant-garde. The most-significant
results of the movement were in the visual arts
and poetry.
SURREALISM Surrealism, movement in visual art and literature,
flourishing in Europe between World Wars I and II.
Surrealism grew principally out of the earlier Dada
movement, which before World War I produced works of
anti-art that deliberately defied reason; but Surrealism’s
emphasis was not on negation but on positive expression.
The movement represented a reaction against what its
members saw as the destruction wrought by the
“rationalism” that had guided European culture and politics
in the past and that had culminated in the horrors of World
War I