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I.

Approach and Open


A. Open set, reach social hook
B. Don’t seem needy or interested in the “target”
C. False time constraint
D. Demonstrate Higher Value and cross social hook point
1.The set decides they enjoy talking to you and want you to
stay

II. She’s into you – DHV and female IOI


A. Demonstrate higher value. This can include:
1.Stories

2.Humor

3.Patterns

4.Games

5.Routines

6.Palm reading
7.Anything that shows:

 Pre-selection from other women

 Leader of men

 Supporter and
protector of
those close to
you
B. Show disinterest in her  Not needy
1.Throw negs like pebbles  Unaffected
2.False disqualifiers  Social
intelligence
C. She shows Indicators of
Interest  Negging her

1.She laughs at your  Strong frame

jokes 2.She turns to face  Interesting


and fun
you 3.She makes eye
 Humor
contact 4.She touches you
 Emotional
5.She asks your name stimulation

 Socially “in
demand”

 Connecting
converstaional
ly

6.She reinitiates conversation when you stop talking

7.She plays with her hair

8.Etc. (see page 94 Mystery Method - Venusian Arts


Handbook)
D. Ask, “so how do you all know each other?”
E. Multiple conversational threads
F. Role playing
G. At some point lock in the set. Lean back, facing the
whole group. You are the comfortable focal point of the
group. Can use a lock in prop like hat or scarf.

III. You’re into her – Male IOI


A. Bait her into investing in the interaction, chasing
after you to earn your affection
1.Frame control

2.Hoop theory

3.Role reversal – you are screening her

 Are you always this forward?

 I don’t want to
rush into
things

 Hands off the


merchandise,
this stuff isn’t
free you know

 Is there more
to you than
meets the
eye?

 What are your


three best
qualities

B. Reward her efforts with Indicators of Interest


1.Kino escalation

2.Take aways – pretend to leave, when she pulls you back


reward her with IOI
3.Compliance test

4.Statement of interest

 When we first met I thought you were so-so, but


now that I get to know you, you’re incredible

Don’t mention her looks!

5.Bait, hook, reel, release

 DHV, chase, comply, qualify

 Challenge her,
She DHVs for
you, Give her
an SOI, False
disqualifier

C. Move to quiet area of bar or venue where you


begin building comfort

IV. Conversation
A. Grow from comfort and rapport to connection
B. Use freeze out when she’s not responding or if she
busts on you
C. Be talkative
D. Don’t explicitly try to impress or show off
E. Don’t ask a bunch of questions
F. Talk about fun interesting emotionally
compelling topics

V. Connection
A. Both of you feel good “vibe”
B. Kissing
C. Can bounce to nearby location or time bridge (set up
time in future to get together)
D. Phone Game
E. This phase can last several days
F. Eventually bounce to your apartment (seduction
location)

VI. Intimacy
A. Make out at seduction location
B. Move to bedroom or other sex location

VII. Foreplay
A. Physical escalation towards sex

VIII. Last Minute Resistance


A. Overcoming last minute resistance
1.You’ve hijacked my brain

2.We should stop

3.Play solid game in the first place and there won’t be LMR

4.Persistence (retreat, then continue)

5.Freeze-outs

6.Just go to sleep

IX. Sex
A. Self explanatory

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