Art Description: Amorsolo was known as “The Painter of Philippines Sunlight” because his illuminated landscapes displayed the magnificence of the country’s sunshine and portrayed traditional Filipino customs, culture, fiestas, and ordinary occupations, such as rice harvesting and mango picking. His pastoral works presented “an imagined sense of nationhood in counterpoint to American colonial rule” and were important to the formation of Filipino national identity. Amorsolo’s use of chiaroscuro—an Italian term for a backlighting technique meaning “light-dark” that involves the interplay of light and dark—became his artistic trademark as well as his greatest contribution to Philippine painting. In a typical Amorsolo painting, figures are outlined against a characteristic glow, and intense light on one part of the canvas highlights nearby details. Only one painting by Amorsolo is believed to include rain, as sunlight was his constant element. Art historian Eric Torres describes Amorsolo’s sunlight paintings as “…overflow[ing] with sweetness and optimism.” Others consider his countryside paintings to be the “true reflections of the Filipino Soul.”