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The Green Mile (1998), directed by Frank Darabont and based on Stephen King's 1996
novel, is about Death Row prison guards and how one of their prisoners, a black man accused of
child murder and rape who possesses a strange gift, affects their lives. Because of its great
of Stephen King's The Green Mile generates a deep emotional response. The Green Mile asks the
audience to perceive the characters as actual people rather than stereotypes. Despite the film's
three-hour running time, it could be assumed that the length is a vital method in ensuring that
the viewer is emotionally committed. It may be a strategy that allows the audience to fully
comprehend the characters, allowing the filmmaker to focus on characterization and generate
Paul Edgecomb's life as a prison guard on death row in the 1930s is the focus of the film.
It's a "flashback" narrative told by an elderly Paul in a nursing facility. He tells a friend about his
time as a prison guard in charge of death row inmates in the summer of 1935. Because the
linoleum floor was green, his domain was dubbed "The Green Mile." The electric chair, "Old
Sparky" as they named it, was the star of the cellblock, resting contentedly, waiting for his next
victim. A new inmate shows up one day. John Coffey, a seven-foot-tall black guy, was convicted
of raping and murdering two young white girls. Coffey is instantly revealed to be a "gentle
giant," who keeps to himself and is occasionally moved to tears. Coffey soon demonstrates his
exceptional and miraculous healing abilities by curing Paul Edgecomb's urinary infection and
resurrecting a mouse from the dead. At the same time, everyone else in the cellblock is irritated
by Percy Wetmore, a nasty, cruel guard who delights in intimidating and harming convicts. He,
on the other hand, "knows people in high places," making it impossible for Paul or anybody else
to intervene in his aberrant behavior. Percy wants to be positioned upfront for an execution,
after which he vows to move to another government post and Paul will never hear from him
again. As the movie goes on and every other prisoner is electrocuted (except one that was shot
by Percy) when it is time for Coffey to walk on the green mile and meet “Old Sparky,” the scene
exceptionally breaks its viewer's hearts and moved them to a bucket of tears.
Because of the charming features of characters like Coffey and Dale, as a viewer, I can
create an intimate emotional bond with them because of the themes of redemption and
forgiveness. The protagonist, John Coffey, is the focus of the flashback part of the film, which
elicits a strong emotional response as I see the final moments leading up to his unlawful
execution. By placing the viewer in an omniscient position, Coffey becomes a protagonist with
whom the audience can empathize. We are aware of the character's innocence because he is
positioned in this manner, which elicits a strong emotional response when he is executed.
I believe Coffey's spiritual healing abilities resemble Jesus' embodiment, making him an
appealing figure since the viewer recognizes his sacrifice to take on the world's evils to save
others. Coffey's infantile thinking elicits a more sympathetic reaction since he is unable to
Percy, one of the prison guards, is perhaps the film's antagonist, based on his
performance of his character. He is the character that I personally dislike and am enraged by.
Percy is shown as a nasty bully who enjoys the agony and suffering of others throughout the
film. Although he may be perceived as weak and cowardly, the negative qualities of his
character influence me, and most likely other viewers, into feeling animosity toward him. Percy
is introduced as a spoiled brat who has risen to prominence through his uncle's connections
rather than through hard work or commitment, making him unrelatable in the way that
By the end of the film after Coffey was electrocuted and Percy was thrown into the
psychiatric ward he promised Paul to transfer to, however, not as a guard, but as a patient. The
irony somewhat left the audience a slight sense of relief. But when the film came back to the
present where Paul is an old man in a nursing facility, when Paul told his friend about his
seemingly long life and showed her the mice that Coffey once revived from death is still alive
after all these years, claiming that it might be a gift or a curse from Coffey, it felt warm and
suffocating at the same time that really moved me to tears and probably the other audience.
“ We each owe a death - there are no exceptions - but, oh God, sometimes the Green Mile
seems so long.”
-Paul Edgecomb