Mu 786.3 WOLFF. c . 1 ;?

THE LITTLE PISCHNA. PIANO.

1.00+BNG A.

5fX,''VB'-l<;
LIBRARY THE BRANCH LIBRARIES
MY
3 3333 07078 2772

THE NEW YORK PUBLIC LIBRARY.

AT
LINCOLN CENTER ^-_,
111 Amsterdam Avenue
MY*
•'*
New York, N. Y. 10023

Records may be borrowed free for two weeks.

No renewals are allowed.
A fine of ten cents
per calendar day will be
charged for each overdue album.
Records must be returned to the branch from
which tliey were borrowed.
t*tm isjil
CARL FISCHER'S MUSIC LIBRARY No. 475

THE LITTLE
PISCHNA
FORTY-EIGHT EXERCISES
FOR PIANO

Price LOO

Carl Fischer INC.

62 Cooper Square, New York 3
a
BOSTON • CHICAGO • DAllAS • tOS ANGELES
ir^r-- --, _^,

wj ii.

IflftlT*!''

CARL FISCHERS MUSIC LIBRARY

N9 475

B.WOLFF
The Little Pischna

Forty- Eight Exercises

for

PIANO

Carl Fischer inc.

NEW YORK

\>
"1

>.•
 The little Pischna. Der kleine Pischna
Preparatory Exercises to Vorubung-en zu
PISCHNA'S PISCHNA'S
60 Daily Studies. 60 TUgliihen Studien.

Mo d Prat o. B.WOLFF.
Each iiicasurf' 4 times Jcder Takt 4 mal.

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^>^"r 'f r ^^ ^ ^ li tf r ^ ^^^=^

B i^ F=i»
^ ^^^ a ^eif: r"rrrf r ^E* te*s
grrrrm
^ ^r

Moderate
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fsempre legato

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1 2M1 fe
m £
a.) The small sliir_h<Te and clsp\vhcro_indioatcs a ppr- a) Drr kleive Bogen mird hier und a7ider->vfirts gebrnucht,
fcrt kgato connection bet'ween the l.'ist note of one meas- die goniiic legato Verbindiing zwischen dcr letzten
i/nt -

ure and the first note of the following bar. Note des ci)ieu mid der ersteii Note des folgenden Tak-
tes a7tziizeigen.

11081- 47 Copyright MCMVII 'n/ Cnrl Fischer, Xeii^-York.

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Moderato.
Each measure 4 times Jr-der Tnkt 4 mnl. 5 3

2 ^5
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f sempre
au. [Us
4^3 2
legato
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11081- 47
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Moderato.
Each measure 4 times Jeder Tnkt 4 7nal.

-4- -4-

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5.

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3
sempre legato

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11081-47
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^^m
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Moderato.

8.
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Each measure 4 times
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J aempre legato
m
Jeder Tnkt 4 nud.

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11081-47
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tf

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3. 1

9. -f sempre legato

^\\ W^ J ^ '
^i K
^^^^^^^^ ii£tfW££a'E^

IW^^?^^ s ^ te=p
rr-ry

11081-47
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Moderato.
Each measure 2 times Jeder Takt 2 mal.

^ ^
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^U
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i' 'I J J is:

is: iiJ J-

10. f sempre
f%
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legato

'' '
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*tertau
Jni- i
U iiJ ii 3

11.
Moderato.

2 ^
^ sempre
^^ k:
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^^
S
legato

^B ^P=f
ZP w-r

^^
f*^
i w i
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^J i fJ J J

11081-47
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^ T-n i

p =itefev £^^
Moderato.

11081-47
10
Moderate.
Each measure 2 times Jedcr Tnkt 2 mid.

hB '
TJjjjT, ig 1; J J . J m "^^M^ i^^-^
13.

^ ^ ^sejnpre legato

3 ^ ^
4 4 '5
^ ^

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y? ^^
"rttr
^^ ^
^ ^ g E
;J ^Imi

i cte'^cxr^
^Tija-mj^ H^ f^ &LL ^

[ fr

s ¥-Y^ :i^ tiff

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14.

^ J^ sempre legato

S V in. T "r ii
r r ^ ^
r ^f «. - r

iinKi-47
 11

i ^S ^
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fel ^Jqt
§! i

^ ^
Moderate.
Eiach measure 4 times Jcder Tnkt i mnl.
% 4

^Au^ -d— i
^
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15. ^'f sempre legato

s^ ^ F^S
tool
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^
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^^ ^^ ^ fei r r r r r ^r .
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s
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p
.^^ ^^ ^^ ^^^B^gs^ :^=» iil^^tlf rrrr
r r r r r
j*

a) This number is also to be practised with the following a) Diese Ninmner tnitss nuch mit dem folgenden Fi7iger-
fingering: .
\ sntz ffeiibt werdcn: ^

f ^
.
[71] rrp
p,
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gT7i ;tt^
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11081-47
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^ S^b^i^
p

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a) Practise also with the following finseriiif;;: a) Man iibc (inch iiiit dctn folffcndcii Fmgcrsutz:
,
'» r> •'« .') 4 5 •'i r> ^ r> 4 5 •'» 3 '» .'i

r. h. :»

I h* I I'-''-

1. h.a 13 etc
•'I 5 4 .1
I

I -5 5 /i T) I >i .-, '» r.

I
I ''I 5 4
Moderate.
Earh measure 'i times. _ Jcdcr Takt 2 mal.

'

Hold down all the left-hand fingers. Alle Finger dcr Ihiken Hitnd licgcn Itinscn.
U081-47
 li u*.-^i -^u IS m
13

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f_r r ^4r^Crj>jLrCr^^c:^Tj:f>jif^

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Moderate

18. <

Hold down all the left-hand timbers. Ai/c Fh/ficr dcr linlccn Hand /iCfiTii l/fsacii .

11081-47
14

19.
E t^
J
^
Moderate.
Each measure 2 times
•i

.s empre legato
Jeder Tnkt 2 mal

f
d 9 d • d
:s

pp
j| Jtt
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f
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in^'fj^ink

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11081-47
 15

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11081- 47
16
Lento,
Each measure 2 times. — Jedcr Takt 2 mtil.

S
1^
20.< J senipre legato

^ ^^

llOSl-47
 17

\l r f ^T \ r f r =P=^
 IS
Introductory Exercise to N? SI Vorijbung zu N9 21.
For the right hand alone. Fu7' die rechte Hand allein.

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1
7^ t4,|J^ W
b
1
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{through
'
all the keys.
diirch (die Tonartcn.

Moderate.
Each measure i. times. Jcder Takt i mul.
4 .->
•Z
•2 3

MVf^ ^
Wn^ii^i h«-i
ii fcn;m -rr
3 P^3^
t-^" o
21. f sempre legato

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I

P ^^ fe ii^ g
lit
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lie
i:

Introductory Exercise to N9 33. Vorubung zu N9 33.

For the left hand alone. Fiir die linke Hand allein.

^ i ^ Jjy^ ^ I
through all the keys.
(through
I

durrh a lie Tonarten.

Moderate.

22.
E
Each measure % times.

/*
2 ^
^
sempre legato
Jeder Takt 2
4

^
itial

^ i ^

11081-47
1

ffi^
3
5
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4
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 19

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23. /" sempre legato
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ettee

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it

jp^ ci:!a
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3 1

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5
24.

S^S
/* sempre legato

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8 times . 8 mat.

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25,

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8 times 8 mat.

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Moderate .
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^
26. f sempre legato

• 1
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4 times . ^ //w/.
f
11081-47
20
4 '•
^1

Moderate.

27
^<^ jT^^^-^
/* sempre legato
; ^ ^*
Se -^ 1? » »* irr, pJI^zi
1
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4 times. ^ ///ff/.

Moderato,
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28/ /*
t^T^j
sempre legato
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times, -f ///«/.
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29.
^^^p^ E^^
/* sempre legato
^
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;-:, »j *'
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3
1

'» times.
g>; 4 mal.

Moderato.

^^^yi^
^
4 13 ' 4 1

?w^^^^«j5£*jE|yi|-»>f;

30. f sempre lea-ato

trr
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1 4 ^ :t I '• i :t I '«
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\ timrs. 4 inn/.

Moderato. 1 .i

3
Vkl ^tett^,\>%l H

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f^l
'» tinii's. i i/inl.

IIOM-W
 21
Introductory Exercises to N9 33. Vorlibungen zu N9 33
a I
for tlie risjht hand alone: a) //// die rcchtc Hand itllein.
4 5 ^^^ ^^^ ^^^ «

JJJ J, » j3 J *J * J »J » WTj J »Jj|=«^=^

* ,in all the keys.
4
"
fiz ^ [t>
£= T on a r ten
9 sempre legato ^ ^ ''[^ ^ //^ alien .

b) for the left hand alone: bi fiirdir linke Hand ulleiii.

Tf^ 4 in all the keys.

\i)L alien Tonarten .

Moderate.
Each measure 2 times. Jedcr Takt 2 nial.
4
1 -i
5
^1 — ^
4
I

I
I

^* » « ^ * J 4 m-^
rf*' j : j j jl^ b^ |

2=^
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32. /* sempre legato

F
I I 1 I
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4 .->

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11081-47
oo

Introductory Exercises to N9 33. Voriibungen zu N9 33

'
For the right hand alone. Fiir die revhte Hand allein.

^^ :43s
g?^' 'If^^^f^/^ffrrrrr^''Tfrfrrr
^r f

,, i,
m'^i^^i^ ^w^i^.m ^
^ em.

Moderate,

i ^^^
5t=i ^
^ sempre legato
C ^'F P P P I '

pg^^^ lr=^ fe

^
33.

V(^ F F F F F ^^ ^6!3zfee
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3

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vj^ ^p p p
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d
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^ ^

e'~l>,#f.^p ^,»ff^g~Tfr je

iiosi-47
 Introductory Exercises to N9 34. Voriibungen zu N? 34.
For the left hand alone. Fiir die linke Hand allein.

a) 'Yo iTT3JJ3JJJJJJJJJ|J »?^J^,jr i

itc,

T
^ :i

54 t 5 *

Moderate,

^—-^ "
!

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^ #

11081-47
24
Introductory Exercise to N9 35. Vorubung zu N9 35.
(Right hand alone.) (Rechte Hand allein.)
\ 1 \ 1 4

Moderate. ,,
i

35. <

^ jr sempre legato
^3
S times A' /««/.
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i
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s^^^r^^a^ r r ^ r
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41,' 4 '4 4U '4

iU^^«i^^^*JL^=L

110Hl-'»7
 N9 36, 35
Introductory Exercise to I

Voriibung- zu N9 36,
(Left hand alone.) ---__- -_i_— (LinAe Hand allein.)

Moderato. 1 i 1 4 1

3 5 1 5 2 o I 4

K * i ''
J ^U ^
ji-J
3
36 .< /* sempre legato

H times.— 8 mid.

—
m- li^ "^
^J
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\^
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m^
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1^

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i 1 1

11081-47
26
Moderate.

S times * }niil

fe^a*2 4 '41 4
'fflf^hF^;'^fi'''"^r.??1
3 13 13 '*
1
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s it fe ^ *t.
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1
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^ ^^ 4
Fff,
3

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^ M 'Ju^Xlx
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S . * b* b* U "g ff«^ £
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^ i^
£f g . ^^

11081-47
 S7
Moderato, I Ibid 4 I I W
B^
4 3
i I

38. <
f
I I
se?npre legato

. !># !.>
n
<jf= „

ag r r "r

^?: \

V ^ ti^ ^fe
^ ^^ t^r f -f

t s

s
55?
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I'* hjL ^ b#-

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I £
*''£ ''£
frf ffrf
S rrf
fc

rrrrrr
P
i
i
* * *
U081-47
ZH
Moderate.
Each measurt- 2 times Jcdcr Takt 2 niiil.

3 vm m ./J
*)Practise this number also legatissimo:

liosi- 47
 29

40.
Moderate.

^
Each measure 2 times

32m:

*i

setup j-e legato •

— Jcder
^^g
Titkt 2

^
innl.

i
1^ it^*
i^ •n^rrTTT

*)

^^m ^ £ ^
1
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f^ ^ ^ I »

s ?i ^ I**
f s^ i^ ;^ a i^ ^ f;

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^fe. ^^ ^ ^E^^ ttrjffrj

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fe
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te
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*
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pt- f^^'I.J^^ ^^ *)Ebc)iso Icgatissimo:
i
^ l #^ "f r-
f J
i -''-

rCr-.

11081-47
30
Moderato.
1

41.

^W -F sempre legato

4 times 4 tual.

.l>-*l'f« ''fsk

>tts^e* ettitt

t;M,r»f^ri::ci^tf.:!f

*) The fingering shown in brackets is to be used when *)Der eijigeklnmmerte Ftngersatz ist zu nehmen, wenn
the scales are practised consecutively. die To7ileitern hinteremander gei'tbt werden.

11081-4?
 Mkfi S^teii*ii^

.1..

l\^^Mkt%t 'gSel^e

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^^ ^

l^r^:}^l^^ M ^r>p^
g^^
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i^f^Ilis (i

1 <5

^^
11081-47
g ^g g ^#
i
^ ^ f r f r
33

42.<
i2
Moderate.

fsempre
^
_3

legato
I

* d

4 times. ^ w^/

^ S
1

^
P

^^^f^ Mr^^^ C^^g^J r Iti m

*=*
f^S^P'i'^?
''^
(a)
^

*) The finffering shown in brarktts is to be used when *)Dpr cinffcklammcrlc Fi7i<Tfrsnfz fsf z// 7ichmen,tve)ni dip
the scales are practised cousecuti%'eIy. Tonlcitern hintereijiandcr geiibt n^erdcn.

U081-47
 33

^
m^m ^r^rJd
V r^^'tVff J

11081 - 47
34
Moderato.

!£!f_ f ffer
i
^ r^ f

4 f^f^ ^ttf
fuJiiffi^etf
;: r ii
'^r ii

Am Z% ± g!

The fingering shown used **

in brackets is to be Der et7igcklammerte Fiiigersatzist zunchmen,wenn
when the scales are practised consecutively. die To7iletter7i hintereinander geiibt werden.
11081- 47
 35

^^^^^^ ... a.,.

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4

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The fingering shown in brackets is to be used when *-'
Dcr euiffcklainmertc FinfLxrsatz ist zii nchmen, wenn.
the scales are practised consecutively. die Toiilcitcrti hititcrcuiaitdcr gciibt wcrden.
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Scales. Tonleitern.
A) Major Scales. B) Melodic Minor Scales.
Bur-Tovleitern. Melodische Moll-Tonleitem

Left hand octave lower. Die li7ike Hand einc Octave tiefer.
C major. C dm: A minor. Amoll.

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G major. Gdi/r. E minor. E moll.

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3 4

E major. E dur. Ct minor. Cis moll.

f-'
ftrr ^.,^ .n ¥n}i i

B major. H dur. Gi minor. Gis moll.

FH major. Fis dur.

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Db major. Des dur. Bb minor. B moll.

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F minor. Fmoll.

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F major. F dur.

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A minor. A moll. E minor. Emoll.
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1 1

D) Chromatic Scale.
Chromatische Tonleitern.

3 1 312 31 3 ^^S^A 3 13 12
12 3 1

12 8 4 8, 2
2 1 2
'^^\>'i^l\,l.
48
Scales in Thirds. Terzentonleitern.
3
1
35434345
1 3 -i I 2 I Z 3
3
1 113
3 3 5 5
8 2
153543 3 1 3 Z 1
4
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 Selected Music
for PIANO
from the
CARL FISCHER MUSIC LIBRARY
The Carl Fischer Music Library is

a universally accepted modem

edition of standard compositions,
instructive works and musical
classics..

Library Library
No. No.
525 Cramer-Buelow. SO Selected 380* Koehler. Op. 157. 12 Little
Studies 60
—Studies Complete 1.75
480* —Op. 242. Little School Vel 60
521
522 — Bookl
Bookll
75
75 350* —Op. 300. Practical Method.
523 — Booklll 75 Vol. 1 1.50
524 — Book IV 75 370 —Op.
— Op. 50. First Studies 75
.60
139. One Hundred 381 190. Very Easiest Exercises
371 Czerny. Op.
Practical Exercises 1.00 374* Kuhlau. Sonatinas. Vol. I

666 —Op. 261. Passage Playing 1.50 (Eckstein) 1.25

Op. 299. School of Velocity 473* Vol. 11. (Eckstein) 1.25
338* —Complete l.SO 450 Le Couppey. Op. 17. The Al-
Library 339* —Book 1 75 .75
No. phabet '.

340* —Book II 7S 466 —Op. 20. LAgilite 75

304 Bach. 2- and 3-Part Inventions 1.25 341* —Book III 75
254 —
5 2-Part Inventions 75 342* —Book IV 75
323* Lemoine. Op. 37. Etudes En-

255 — 1

15 3-Part Inventions 75 465 —Op. 553. Six Octave Studies. .60

fantines 75

5 6
1
—
Short Preludes and Fugues ... .75 365* —Op. 599. Practical Method. .75 .
.

.
880 Lichner. Op. 4. 49. 66. Nine
897* Bach-Busoni. 2-Part Inventions .75 482* —Op. 636. Preparatory School of Sonatinas. I.OO
898 —
3-Part Inventions 75 Finger Dexterity 75 Loeschorn. Op.
Bach-Carroll. First Lessons 685 —
Op. 718. Twenty-Four Piano
208
Studies for Beginners
65. Progressive
Book I .60
917* —Book 1 60 Studies for the Left Hand ... 1.00 343 Low. Teacher and Pupil. Vol. I 1.00
9I8» —Book II 60 396* —Op, 740. Art of Finger Dex-
562» Bach Album (Heinze) 75 terity. Complete 3.00 310' Mendelssohn. Songs Without
—Book
801
Beethoven. Sonatas (D'Albert)
—Vol. 1 4.00
390*
391* —Book
1

II
75
75 719 — Op.Words
25. Concerto in G Minor
2.00

802 —Vol. 2 4.00 392* —Booklll 75 (Ruthardt) 1.00

322 Berens. Op. 61. Newest School 394* —Book V 75
710 Mozart. Sonatas. Vol. I 2.25
of Velocity. Book I 60 395* —Book VI 75 711 —Vol. II 2.25
278 Bertini. Op. 29. 24 Studies 75 656 —Op. 821. One Hundred-Sixty 712 —Complete 3.50
417 —Op. 32. 24 Studies 75 Short Exercises 1.25
279 487* —Op. 849. Studies in Mechanism 1.00 484 Pischna. 60 Dally Studies 1.75
—Op. 100. 25 Easy Studies 75
561 — Twelve Preludes and Little 362 Diabelli. Op. 149. Melodious 1060 Rachmaninoff. 2nd Piano Con-
Pieces 60 Pieces 75 certo. 2-Piano Score 2.00
919* Brahms. Op. 39. Waltzes 665 —Op. 151. 168. Sonatinas 1.25 15* Schmitt. Five Finger Elxercises .60
(Freed) 60 361* Duvernoy. Op. 120. School of 1.00
722 Schubert. Op. 90. Impromptus
519 Brauer. Op. 15. Twelve Studies Mechanism 75 922 — Symphony in B Minor (No. 8) .75
for the Development of Veloci- 506 —Op. 76. Elem. Studies
1 60
176' Schulz. Scales & Chords 60
ty 75 423 Grieg. Up. /. Sonata (in E
324* Burgmuller. Op. 100. 25 Easy 689 Schumann. Op. 9. Carnival.. 1.00
and Prog. Exercises
minor) (Eckstein) 1.00
256 — Op. Kinderscena
15. 60
920* —Op. 105. (Eckstein)
75
75
510 —Op. 12. Lyrical Pieces. Vol. .50 1

726 —Op. Kreisleriana

16. 60
921 •
—Op. 75
737 —Op. 24. Ballad (Pinter) 75
690 — Op. 2 Noveletten 1.25
109 (Eckstein) 3 5
1
—Op. 46. Peer Gynt Suite 1 75
725 — Op. 1 .

Nachutiicke 60
889
743*
Chopin. Etudes
—Nocturnes
1.50
1.50 547 Gurlitt. Op. 83 Easiest Velocity 672' — Op. 23.
68. Albuin for the Young
Studies for Beginners 75 1.00
744
924*
—Polonaises
—Preludes (Eckstein)
1.50
1.00 Hanon. The Virtuoso Pianist. 81l< — Op.Complete
68. Album for the Young
309* —Waltzes 1.25 684* —Complete 1.75 together with Scenes from
302* dementi. 12 Sonatinas 728* —Book 1 60 Childhood. Op. 15 l.SO
729* —Bookll 509' Sonatina Album (Koehler) 1.50
Op. 36-37-38 1.00 75
589* —Op. 36. 6 Sonatinas 75 730* —Booklll 75 '
63. 12 Melodious
363' Streabbog. Op.
388 —Selected Studies 1.75 714 Haydn. 20 Sonatas. Book I ... . 1.50 Studies 75
540 Concone. Op. 24. 25 Melodious 327* Heller. Op 45. 25 Mel. Studies 1.00 383 —Op. 64. 12 Easy and Mel-
Studies (Eckstein) 75 328* —Op. 46. 30 Prog. Exercises 1.00 odious Studies 75
483* —Op. 25. 15 Studies in Style and
329* -Op. 47. 25 Studies for Rhythm 609 Tchaikovsky. Op. 39. Album
Expression 75 75
and Elxpression 1.00 for the Young
514 —Op. 30. 20 Etudes 75
6% —Op. 31.15 Etudes de Style. .75 . .
320* Herz. Scales and Elxercises 75 475 • Wolff. Little Pischna 75

CARL FISCHER, Inc. COOPER SQUARE, NEW YORK 3, N. Y.

BOSTON CHICAGO DALLAS • LOS ANGELES
Lithographed in U.S.A.
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