Zapateado

( Spanish Dance )
Op.23
P. de Sarasate (1844-1908)
         
  
     
         p
     

             a tempo
                
        
molto rit.


16


   

       
           
21 0
0 2

         
ff
  
                    
      
26

   
 p 

31
      
       3

        
            
ff
   f
         on G
3
 1

 
36
   
0

             1 1


         p

1

       
       
     
1

      
1 1 3

     
1 1

   
1 2


41

 
   
         on A 
            
3 4

      
1
46

0 4

        
1

    
0


                     
    
50 2

  
0 0 0

 
ff p
 
                     pizz.  
55 0 0 0 0 0 0 0 0 0

     
 
ff
 Violin
      
     

     
arco

   
3


62 1 1

 
   
f

 
           
68 on G

3

  
    
         
ff 1 1
mf

             rit.
    a tempo
    

73
 
0 0 0

           
  mp

         

1
0

     
4 2

     
4
78 1 0

         
3 4 3 1
1

 
0 0

   
ff

    
         
            
83
   1


1

        

0

      2 1

            

  
                         
88 2
0 4

     
3


 3 1

 
     
on G

     
93
 4

 
4 3

                  
    
4


ff
  

      


97 0 0


0 0

   
                           

   mf
         
          
102 rit.
1 4

    
1

     1

ff p p on A

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2
 Violin
109
                    
       
2
2
0 1
2

  

 
  
         

         
               
113
1

 4 4 4 4
on A

   
 
             

     
               
117 2
2

     4 4 4 4
p

    rit. 
 a tempo         
121
        
2

          
2


0

  
2

     
molto rit.
     a tempo
         
2
0

 
126
 
2

  
3

      
4


 
1
on D

131
  
    
            
      rit.

2

    
 
1 2 2

 
1 1


3

 
 
on E 1
1

 

a tempo
         
  
             
136

      
4

    
ff
1 2
3 on G

                      
  
141

        
 

 1
 2

 
           
     
4

        
1
145
  
    
  
       


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3
 Violin
             
4

   
149 4

 
1


1

       
  
 


 
p
              
   
        
153     
    
4
1

     
 
1
on A on A
               
3
157
      
      
1
  0 0 1

   
2


1


0

      0

on A 
      
       
4

        
    
1

 
     
1
161

1

    
   
7  
f    
     
 
        
   
  
165
   
1
on G rit.

       

      
0 1 1

a tempo      
  
        
      
170

0

     
0

    

     rit.        
         
a tempo

174

             
     
2

            
178 0
20

            

        
ff   
            molto rit.
  
           

182
  
 
p

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4
 Violin
                
a tempo

          

187
  

 

        
3

 
192
  
2

              on A

      on E
ff
     
             
     
196

 
   
       
ff
  
201
               
                  
      
f
 

 
 
  on G     
     
206

       
1 1

    1

        p 4
1

 
        
 

                

211
      


      
            
               
216

   
 ff

         
  
220
                 
       
p

arco
    
               
225 pizz.
            
   
ff ff
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