Professional Documents
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IN CLASSROOM DISCUSSION
ENGL 312
(TEACHING ENGLISH IN PRIMARY GRADES THROUGH LITERATURE)
S.Y. 2020 – 2021 (1ST SEMESTER)
Submitted by:
VALDEMOZA, SHENA MAE N.
zeeyhanamla@gmail.com
INTRODUCTION
Persuasive speaking is needed in a wide range of situations; from arguing with a
colleague, to haggling down a price, to performing a speech, or to creating discussions
in a classroom setting. Rhetoric is the key to developing this skill. To develop rhetoric as
your pedagogy in teaching, you need to go through its five canons; (1) The process of
developing an argument by picking effective content and sort through everything you
could say and decide what should be included or excluded; (2) Once you have
determined the content, you must organize and order your speech to create the most
impact, such as thinking about how long each section should be and what should follow
on from one point, (3) then, deciding how to present your chosen arguments, including
thinking tactically about how your audience will respond to your word choices. (4)
Memorizing your speech, (5) then the last is delivery which includes your projection,
gestures, eye contact, pronunciation, tone and pace.
CRITIQUE
While rhetoric approach in teaching is for the audience (students) to foster critical
thinking thereby enhancing or strengthening the core of classroom discussions it could
also lead into creating falsified informations and rigorous manipulation of facts. Critical
thinkers who have mastered the art of persuasion might deviate facts for his personal
motive. In the class, the rhetor (teacher) might mislead his audience to some
information in his attempt to persuade the class to agree in his very idea.
On the other hand, the rhetoric strategy on teaching enhances the capacity of the
rhetor and the audience to evaluate skillfully and fairly the quality of evidence about the
concepts being discussed and detect error, hypocrisy, manipulation, dissembling, and
bias." Unfortunately, presented with something like a speech from their favored others,
students will be hard-pressed to find error, hypocrisy, or bias. Critical reasoning will not
help them to “unpack” the text, as we say, though it may help when they are called upon
to construct a rigorous argument.
Teaching a class too much in this mode produces an unhappily smug series of
field trips through “our stupid popular culture,” “our stupid political landscape,” and so
on, along with the depressing feeling that nobody, the instructor included, will follow
through in practice on the overwhelmingly negative evaluations of culture that the
“critical thinking” method produces.
In reality, however, teachers tended to fall back on dogma whenever they tried to
perform a rhetorical critique of politically successful discourse. For example, if you
wanted to prove that Rodrigo Duterte has pacified and controlled illegal drugs in the
Philippines from spreading, you had to invoke your own personal theory that out there,
in the real world transcends discourse, things weren’t so “black and white.” Or, in a
different example, you might have to just announce that most scientists believe in
evolution or global warming, thus giving your students the “right answer” independent of
audience or Aristotle’s categories of appeals. Students will, of course, dutifully
reproduce this kind of information in the essays they submit, but the frame created by
the focus on rhetoric makes such information look like bias. Hanging over every
discussion is the idea that all perspectives contain bias, or the equivalent idea that
everyone has a valid belief. This relativism is inherent to rhetoric itself, when it is
isolated as a field of study. It is something that Aristotle narrowly avoided by simply
announcing that his essentially technical discourses on rhetoric were subordinate to
truth, and that only truthful orators could use rhetoric rightfully. His important corollary
has been lost in the contemporary revival of ethos, pathos, and logos. If everyone is
right, or everyone is biased, then alliances, not truths, are the highest values.
Most people have, within certain familiar realms, a very sophisticated, intuitive
understanding of rhetorical strategy. Teenagers know how to shift from one vocabulary
to another, depending on audience, and sound completely different in their essays than
they do in casual conversation or on IM programs. They have different ways of speaking
to parents and friends, and they work hard on crafting online and offline persona that
others will find appealing. One of the gratifying things about teaching rhetoric is that
students “get it” right away, because it relates to certain fundamental social skills. Thus,
when a class works together on a rhetorical analysis, students often manage to rapidly
produce useful observations. This is especially true when they are dealing with
something comfortable, like a scene from a movie.
CONCLUSIONS