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R.SMITH &.CoO. LTD. . Duration: 10.00 “A Maritime Overture” was written in 1944 and published in 1946, ‘This edition was published in 1988, The score was prepared from the composer’ ( Richardson, and uses the same material as “Tritons’ — dating from the early 1900's. The development of the material h piece, ‘The work is conceived in F major ~ but it is 24 bars hefore:lreiand! establishes this tonality, Fortissimo chords of Bymajor open the work, and the Overture hovers between G minor and Bbas a restless rhythmic motif cd. As soon.as F major is finally established it is comradicted as themusic fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes ant! oboes in C major. Marked ‘espreéssivo € ben cantando’ this is a corhpiere' ontgast to the opening, although the first rhythmic motif provides the underlay — a remihdér, the opening storms that the calm surface of the sea is only masking the switling water underneath. “A Maritime Overture” has a freer approach to form than say the first movement of a vmphony might allow, enabling Ireland to introduce a totally new central section marked “poco meno mosso’ in F minor. A bold Cornet (not trumpet) heralds this new idea, in a passage marked ‘with freedony and perhaps for the only cme there is a true tranquility in the sextuplet accoftipaniment. Thus the restlessness js suspended, bith recapitulation allows the F major th sub-domipant (Bb) for long, as the opening storm returns and a sand the second theme ~ this time in the fo reassert themscives. R SMITH & CO. GRATEFUILY ACKNOWLEDGES FINANCIAL ASSISTANCE TOWARDS PUBLICATION COSTS FROM THE JOHN IRELAND TRUST, A Maritime OVERTURE Dedicated to Ralph Hawkes, Esq. Jon Tretanp Ailygto searcats (gh 49 paces ae eo Concert Flutes & Piccolo Bb Ctarinet Oboes Solo By Clarinet Jat Bb Clarinet and Bb Clarinet Bed Bb Clarinet E} Alto Clarinet ) Basé Clarinet EL Alte, Saxophone Bh Tenar Saxophone E> Baritone Saxophone! BS Bass Saxophone & Dh Contra Bass Clarinet 1st Bassoon 2nd Bassooa et & 2nd Horns in F j 3rd & 4th Homsin F | Solo & Ist By Cornet 2nd 9) Cornet Bi Trumpets Ist Tenor Trombone | 2nd Tenos Trombone Base Trombana Euphonium 9 t#aritoce) Basses String Bass ‘Timpani in By 6. ‘Triangle, Castanets, Side Dru, ae Cymbals & Gang “Allegro mareato (=86 appro=] Copyright 1946 John Ireland ‘Trust Published R. Smith & Co. Tid., England 1988) fan, uve Soo ni set ah ow ana when. ara mh. Balwant, wh ase en, ah asto sax, Bh Tee. Sex Bae. sax Bhmass sa, Sr contra Bose trot, ep. 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Bb catre ‘Dass Cit. tad mary soma st Bb remet aasebeorat Bb tps Af Gem xine 45 ow eben nee Seto uber, ssceb ent, aaashert, aranber, wracte cit. ff saben ci Wh Ano Sex. tan aay tab caiact tea whcuseet mT mp teegiere 46 fetes ey pochiss. rit. mbox. bee seenbot, at wieH, arash cte, baste eu. i mais ct, thane sex ab Yeses. wh pas.sas. sh aus sar, aabcene ‘Bass Ut se Bb uaceet tad mcuceet sto. ean. sire tase nay, been ‘poebiss. ri, (S01 a AT ——, oo SEE mp esgrers.|ten rantondo o = ap sapreon elton contento shen mp capresielpen cunlendo Ovves YP vapretsor|tew contra ‘sola mbes. p eaprossalian cantante sae mben. E arupbont, bane ext, wh ows ert, thane wo ten Sa, ah par. a eh Bans Sua! “pb ceeu walt. mai | save ret beer tea pbcvenet haps. 1 a saonb err. oun ere ace whet, Banu Bh hacen. sme Bb Mase Sax a cestrs Poe, waw | Suto se BS ert ea abcnaul shay. | oy Basses Tey. rams — = u shew. soto abet. we ab ot aeasbow. ara she, wbawcie, ab Baw ot. 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