Professional Documents
Culture Documents
The Polish opposition very often used the term “dissident” as a neg-
ative benchmark. Thus, the “dissident” was conceived as passive, while
the “opposition” should be active; the “dissidents” are solitary, often
elitist and intellectual outsiders, while the opposition needs to estab-
lish a dialogue with the society, mobilize it and lead it. “Every opposi-
tionist is a dissident, but not every dissident is an oppositionist”—said
the East German opposition veteran Wolfgang Templin, suggesting
that a “dissident” simply meant a non-conformist, but an oppositionist
was someone who not only thought but also acted against the regime.4
This is similar to the variant of this definition (2a) which bears traces of
the Communist propaganda that tried to discredit the “dissidents” and
diminish their role by alienating them. Such a strategy had the exact
opposite consequence and in fact enabled the “figure of the dissident”
to come to life. However, some former “dissidents” explained to me
that isolation and intellectual ghettoization were their greatest fear, and
they saw the “dissident” as a negative example of such complete detach-
ment.5 “We felt elitist, perhaps”—says Seweryn Blumsztajn, recalling the
early 1970s—“but we first of all felt very lonely.”6 That loneliness was
seen even as late as 1977, as the Soviet exile Vladimir Bukovsky testified:
“Before he departed from Paris to Poland, Michnik asked me in confi-
dential terms: ‘tell me, sincerely, how many dissidents are there really in
the USSR?’ – ‘Generally speaking: enough’ – I replied evasively. – ‘In
Poland only a handful, almost none’ – replied Adam sadly, and added –
‘everyone around, such conformists’” (Bukovsky 1984).
In reality, especially since the late 1970s, both the Czechoslovak and
Polish communities constructed their position in relation to the nega-
tive benchmark of the Soviet dissidents, whose courage, intellectual,
and moral richness was beyond doubt, but whose position in the society
was universally seen as that of a grain of a tiny community in an ocean
of ignorance (Romaszewski 1979). The Polish opposition leader Jacek
Kuroń, who looked to his Russian counterparts for inspiration, none-
theless suggested that probably the names and deeds of the Soviet dis-
sidents were better known in Poland than they were in Russia (Artykuł
nadesłany z kraju 1974). “The label ‘dissidents’”—wrote a younger
oppositionist in the 1980s—“was associated with the actions of the
Soviet fighters for human rights (to whom the label was first attached
and so the characteristics of their practice began to delimit the mean-
ing of the word) which – with all due respect – everyone tried to avoid”
(Złotnik 1985, 34).
26 K. SZULECKI
dissident, everyone who opposes the system, not only the “brave people
in the Soviet Union and Eastern Europe” but also those who live in the
“capitalist Mega-Gulag” (Cooper 1978, 32). Julia Kristeva also tried to
extend the meaning of the term to cover all non-conformist intellectu-
als (Kristeva 1977). That was also the line of the radical periodical Tel
Quel in its special issue on the “dissidents” and “dissidence” (Hourmant
1996). The focus was only on the relation of opposition and not on the
context (i.e., consequences for dissidents in authoritarian and totalitarian
societies as compared to the “dissidents” in democracies). A similar move
is made in the emerging literature on “dissent,” which casts it as a polit-
ical category transcending the blurry division between authoritarian and
liberal political systems (Dorfman 2016a).
In contemporary writing, the following passage illustrates that con-
ceptual inflation: “An alternative figure to the intellectual of statecraft
is the dissident intellectual – the critically minded intellectual who is
less interested in obtaining and exercising power than in challenging
the prevailing ‘truths’ of geopolitics and the structures of power, polit-
ical economy and militarism they justify” (Ó Tuathail 1998, 10). This
unifying and eclectic approach is also found in Roland Bleiker’s book
(Bleiker 2009), where in one chapter he describes the artistic dissent of
the East German Prenzlauer Berg circle, refers to Solzhenitsyn, Havel,
and Michnik, while in another chapter presents Paul Celan’s poetry as
“political resistance” and “dissent” (Bleiker 2009, 97). This shows the
extent to which the concept is flexible and extendable. On the other
hand, Bleiker gives clear hints as to the way he defines it, for example
proposing a “dissident/collaborator” juxtaposition (Bleiker 2009, 116),
using the term “conventional dissidents” in contrast to the “linguistic
dissent” of the Prenzlauer Berg group. He also writes that “dissent has
too often been understood only in romantic terms, as heroic rebellions
against authority, exemplified by demonstrating masses, striking workers
and brick-throwing students. Dissent, however, is a far more daily and
far more intricate phenomenon” (Bleiker 2009, 118). This approach
carries the risk of overstretching the concepts of “dissent” and a “dis-
sident” leads almost to the point where any activity which is not fully
in line with the will of the regime becomes dissident. As such, it comes
close to the historical revisionism of some Central European historians,
trying to prove the thesis that Communist states saw mass dissent and
practically everyone was “against” the system, and so practically everyone
was an oppositionist. “You stole a brick, you were a dissident”—jokingly
28 K. SZULECKI
remarked Havel in the 1990s. The political goal of this sort of writing is
to diminish the role of the actual “dissidents,” that is, opposition activ-
ists, and we will return to this in the conclusion.
Dissent
That arguable overstretching of the meaning of the word “dissident”
requires another conceptual discussion, this time, defining three words
sharing the same semantic stem, and nearly synonymous, but neverthe-
less distinct. For the sake of clarity, in this section, I delineate three simi-
lar concepts which occur throughout the book, from the most general to
the most specific.
Dissent, by far the broadest category, is about saying “no,” as Ben
Dorfman, the editor of a recent volume dedicated to dissent, put it. In
his view, it is “a moment; an act” (Dorfman 2016b, 11). Barbara Falk
traces the Latin root of the word, which interestingly is not the same as
that of the dissident, in dissentere, to differ in sentiment. For her, dissent
implies “both the possibility and the opportunity to engage with and crit-
icize the status quo – literally, to ‘speak truth to power’” (Falk 2016, 24).
However, speaking truth to power is much more than saying no to power,
and Falk does not reflect on that. Her definition implies that dissenters are
in the right, while “the powers that be” are necessarily in the wrong. Such
a static attachment to truth has been characteristic for much of Central
European opposition under Communism and functioned well in the
black-and-white world of authoritarianism, state monopoly on informa-
tion, and censorship. It does, however, make dissent beyond authoritarian
contexts more problematic (Szulecki 2018). What it underlines though is
that labeling a political act “dissent” and the actor “dissenter” or “dissi-
dent” is morally charged and a sign of approval (Falk 2016, 30).
Although Falk suggests that dissent is a category narrower than resist-
ance, and that is because dissent has to be purposeful and in some way
public, there “is no clear-cut line” between them. It is therefore no
surprise that she is able to categorize a variety of political practices in
many geographical and historical contexts as part of the broad idea of
dissent, suggesting that, like the dissident category, it has religious roots
2 WHO ARE THE DISSIDENTS? 29
Dissidence
This book tells the history of dissidence in Central Europe and uses that
history as the basis for analyzing the transnational dimension of dissi-
dence, which is dissidentism. Dissidence refers to “a new form of politics
that began to emerge in Eastern Europe and the Soviet Union in the
late 1960s” (Brier 2013, 11). Following Havel, Robert Brier suggests
that it began with individual acts of defiance. But defiance is politically
meaningless, as is public demonstration of disagreement, if there are no
constraints on it and no pushback from the structures of power. In other
words, defiance becomes a dissident act when there is a sanction.
To understand how difficult societal change under Communism was,
let us for a moment imagine that we are civil society activists in the east-
ern part of Europe of the 2010s, and we want to take on corruption
among political elites, like Romanians did in 2018. It is not an easy
2 WHO ARE THE DISSIDENTS? 31
Dissidentism
If the former two terms needed definitions only for the sake of clarity
and perhaps a dose of academic pedantry, dissidentism is a conceptual
innovation which requires justification. Building on Havel’s observation
in the Power of the Powerless, I propose that we take his idea of disident-
ství seriously and move it from the realm of action to that of analysis.
What Havel finds itchy in that “spectre haunting Eastern Europe” is not
the actual practice of dissidence—which he usually refers to as “oppo-
sition” in the essay—but the peculiar dynamics that occur on the tan-
gent point between those practices in the East and their representations
and interpretations in the West. He particularly picks out the “dissident”
as a peculiar figure, which this book will trace and analyze. Dissidentism
2 WHO ARE THE DISSIDENTS? 33
Journalists care for the clarity of their message, but also have to take
into account the space on the page that they have. The word ‘dissident’
was supposed to fix everything; they saw no problem in that. For us it
was a problem, because we wanted to cut our links with the Party, with
Marxism, with that whole tradition … but to get to the people in the West
in an abbreviated manner, we were not fighting against that.8
Notes
1. This is suggested by Julia Metger who wrote her dissertation on the
Western German correspondents and the media coverage of the Soviet
activists’ trials (Metger 2016).
2. By “primary sources,” I mean samizdat and tamizdat articles, reflecting
on the term “dissident” and describing the opposition activities in Eastern
Europe as well as Western media articles and interviews. “Secondary
sources” refer to scholarship touching upon the topic of Eastern European
opposition.
3. Interview with E. Smolar, Warsaw, 30 March 2010.
4. Telephone interview with W. Templin, Berlin/Oslo, 27 February 2019.
5. Interview with M. Chojecki, Warsaw, 4 August 2010.
6. S. Blumsztajn at a meeting promoting A. Friszke’s book Anatomia buntu,
24 March 2010, Warsaw.
7. The Czech language has adopted disent directly from English, though
Havel does not use the word in his essay yet. In any case, disent is not
a translation of dissent, but rather Czech for dissidence. It appears that
Bolton is rather bringing disent back to English with the meaning of what
I call dissidence, rather than tapping into the “dissent studies” use. He also
picked up on the mis-translation of disidentství as well as the (ab)use of
quotation marks in Havel’s essay, seeing it too as a sign of ironic distancing
and “sheepishness in using the term” (Bolton 2018, 261).
8. Interview with E. Smolar, Warsaw, 30 March 2010.
9. Interview with J. Gruntorád, Prague, 11 May 2010.
2 WHO ARE THE DISSIDENTS? 35
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