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BY ANANYA VAJPEYI
I
n the intellectual history of modern India, 1909 was a turning point. That
year Mohandas Gandhi, a middleaged Gujarati lawyer based in South
Africa, wrote his slim but Galilean freedom charter, Hind Swaraj, or Indian
Home Rule, which made the case for ending British colonialism in India.
Vinayak Savarkar, eventually to be recognized as the father of Hindutva, or
majoritarian Hindu nationalism, published an English translation of his Marathi
history of the sepoy mutiny, The Indian War of Independence of 1857,
anonymously signed “By an Indian Nationalist.” And in the same year, down
south, Dr. R. Shamasastry, the Chief Librarian of the Mysore Government
Oriental Library, published the editio princeps of Kauṭilya’s Arthaśāstra, a
Sanskrit work on politics and statecraft then thought to date from the reign of
the Emperor Candragupta (c. 321–c. 297 BCE). Candragupta was the founder
of the Mauryan kingdom, the earliest imperial polity covering a huge swathe of
the subcontinent, more or less the entirety of what we now think of as “India.”
The influence of Gandhi and Savarkar on the making of modern India is
undisputed. But how did the Arthaśāstra, an erudite treatise from Indic
antiquity, become one of the key books from ancient India to have an important
career in modern times? The Arthaśāstra is not just a relic of a remote past; it
continues to animate discussions about political life in contemporary India.
Defense analysts, management gurus, and oped page pundits at Indian think
tanks are fond of quoting the Arthaśāstra. According to the political
psychologist and public intellectual Ashis Nandy, this text manifests, at least in
the fantasy of modernday hawks who like to flaunt their familiarity with the
classics, an ideology of power that could be described as “controlled pathology,”
though it cannot really be taken to advocate outandout tyranny or a state that
might be called dictatorial. 1
In an engaging account of the rediscovery of a manuscript of Lucretius’s 1st
century BCE Latin didactic poem De Rerum Natura (On the Nature of Things)
by a papal secretary, Poggio Bracciolini, in the library of a Benedictine
monastery in southern Germany, in 1417, Stephen Greenblatt argues that it was
the appearance of this book in early 15thcentury Europe that led to the
“swerve” toward Renaissance Humanism. 2 By putting Lucretius’s ideas back
into circulation after centuries of amnesia about this text, Bracciolini, a socalled
bookhunter, inadvertently became “a midwife to modernity.” Greenblatt traces
Lucretius’s influence throughout the literature and arts of the Renaissance, a
period in Europe’s cultural history that is by very definition about the “rebirth”
of Greek and Roman antiquity a thousand or more years later.
The “swerve” toward modernity—what philosopher Alasdair MacIntyre
might have called an “epistemological breakthrough” marking the transition
from the medieval to the modern world—can be seen in the work of a range of
figures, including Copernicus, Giordano Bruno, Spinoza, Galileo, Leonardo da
Vinci, Botticelli, Hobbes, and many others, who over time brought about a
profound change “from one way of perceiving and living in the world to
another.” A case stands to be made, I would suggest, that the discovery of the
Arthaśāstra in early 20thcentury southern India has a comparable role to play
in the stillevolving elaboration of the idea of an Indian modernity.
In India today, the Arthaśāstra is considered analogous to Aristotle’s
Politics and Machiavelli’s The Prince. Its topics include kingship, governance,
and law in early India. Its perspectives on these subjects have proved to be as
important to the project of Indian modernity as the theories of violence and
nonviolence, state, community, and selfrule authored by such political thinkers
and founding figures of the postcolonial Indian nation as Gandhi, Ambedkar,
Tagore, Savarkar, and their peers. British India’s foremost anticolonial leader
and free India’s first prime minister, Jawaharlal Nehru, brings up the
Arthaśāstra half a dozen times in his classic popular history, The Discovery of
India (1946), written in jail on the eve of Independence. Sixty years later,
Amartya Sen, Nobel Laureate in Economics, still treats this work as relevant to
our times.
First things first: what does the title mean? A śāstra is an authoritative work, a
master manual or a scientific treatise, in this case about something called artha.
What is artha? It can mean “meaning,” as in the meaning of a word. It can mean
“substance,” as in the material, the stuff out of which anything is made. It can
mean “purpose” or “goal,” the end that determines the means, the driver of an
action or the reason for an undertaking. The title Arthaśāstra refers to both the
substance and the purpose of political power. If power were a kind of material,
of which kingdoms are made, and because of which the king can do things, then
this book tells you in a rigorous and rational manner about the type of substance
power is, what it might do in the world, and how best to put it to use—if you
happen to be a king—to consolidate your own power, keep rivals in check, and
take care of your people. 3
The Arthaśāstra has two sections, the first dealing with the governance of
the kingdom (tantra, “home affairs,” so to speak), and the second dealing with
foreign relations (āvāpa, “external affairs”). There’s a prefatory table of
contents, and a concluding selfreflexive statement showing that the Arthaśāstra
itself is a wellconstructed text, ideal as a handbook for the ruler of a well
governed kingdom. All aspects of what we might think of as policy, planning,
infrastructure, strategy, security, war, treaties, alliances, law and order, trade,
taxation, revenue, property, fortifications, treasury, and defense are covered in a
systematic fashion.
The Arthaśāstra is an encyclopedic, in many ways unique source of
knowledge about the material culture of ancient India; it preserves information
that has otherwise disappeared from the historical and literary record. Even
though it does not refer to any historically specific domain, ruler, or set of
kingdoms, it is replete with breathtaking empiricism, using a vast and specialized
vocabulary to describe in detail a highly urbanized, diversified, and developed
economy, polity, and society. (Translating this vocabulary is itself a stupendous
task.) The Arthaśāstra does not, however, address the moral dimensions of
sovereign power or political conduct. Those are subjects for a related but
separate body of texts concerned with dharma, law or norms, in contrast to
artha, the pragmatics of governing a kingdom.
Olivelle’s meticulous scholarship puts to rest the most widely held belief about
Kauṭilya—that he was in fact the Brahman Cāṇakya, the prime minister of
Candragupta, who founded the Mauryan Empire sometime around 320 BCE.
When the Arthaśāstra was rediscovered at the beginning of the 20th century,
and subsequently published in constantly improving editions right into the
1960s, many Indian political thinkers and historians were only too happy to
equate its author with the Brahman advisor to Candragupta. Both the emperor
Candragupta and his Brahman prime minister, Cāṇakya, were taken to be near
contemporaries of the Greek king Alexander (who came to India) and the Greek
philosopher Aristotle, who was Alexander’s teacher.
The Arthaśāstra could therefore be seen as analogous to and
contemporaneous with Aristotle’s Politics. Nationalists could argue that Indian
antiquity had its own tradition of political thought to rival the Greek. This,
added to India’s long history of glorious and enormous precolonial indigenous
empires, from the Mauryan to the Gupta to the Mughal, could be presented as a
strong argument against the continuation of the British Empire in India, to be
defeated and replaced by Indian selfrule once again.
The Arthaśāstra became enfolded into the nationalist narrative of Indian
thinkers and leaders struggling against colonial domination, as a sign of
historical antiquity, political power, intellectual prestige, and cultural pride.
Nehru’s retelling of prime minister Cāṇakya’s role in the founding of the
Mauryan Empire is almost breathless with admiration for this kingmaker, who is
somewhat implausibly described as “bold and scheming,” “proud and
revengeful,” “simple and austere,” “unscrupulous and rigid,” and yet “wise”
and conciliatory—all at once. Even today, almost seven decades after
Independence, it takes a genuine effort of scholarly disambiguation to undo the
mythical aura that surrounds the Arthaśāstra and its purported author. 6
Over the past century since its rediscovery, the Arthaśāstra
has been attractive for modern Indian thinkers, especially its political leaders
doubling as historians and intellectuals, for its empiricist breadth as well as its
imagination of statecraft as a function of intelligence gathering, military strategy,
and panoptical surveillance. It has appealed to nationalists—both secular and
Hindu—more broadly because it seems to embody the impressive extent of
philosophical achievement that prevailed in ancient India, proving that Indian
intellectual culture was sophisticated to the highest degree, and that systematic
knowledge pertaining to all aspects of life was cultivated, honed, and valued.
1. Ashis Nandy, interview by the author, New Delhi, India, February 26, 2016.
2. Stephen Greenblatt, The Swerve: How the World Became Modern (Norton, 2011).
3. Nehru translates the title Arthaśāstra as “Science of Polity.” Amartya Sen writes in The
Argumentative Indian (2005): “Kauṭilya’s classic treatise on political economy and governance,
Arthaśāstra (translatable as ‘Economics’), initially composed in the fourth century BCE, is
basically a secular treatise, despite the respectful gestures it makes to religious and social
customs.” Sen thinks that arthaśāstra can be translated as “the discipline of material prosperity.”
4. These are, principally: daṇḍanīti, rājanīti, nītisāstra, rājaśāstra, and arthaśāstra. Olivelle
repeatedly acknowledges that it was his student Mark McClish who definitively established the
staggered composition, chronological layering, and multiple authorship of the Arthaśāstra in his
doctoral dissertation of 2009.
5. Olivelle has also critically edited and translated the Manusmṛti, which means he has considered
the separate and relative dates, sources, origins, traditions, authors, and redactions of both texts as
exhaustively as is possible.
6. A 47part Hindi serial titled Chanakya was broadcast on Indian television in 1991–92, and
another TV series titled Chandragupta Maurya has been airing on and off since 2011. Needless to
say, both shows enjoy a huge popularity with Indian audiences. Novels like Ashwin Sanghi’s
Chanakya’s Chant (Westland, 2012) do in the genre of pulp fiction what diplomatpolitician
Pavan K. Varma’s Chanakya’s New Manifesto to Resolve the Crisis within India (Aleph, 2013)
tries to do in the realm of a type of popular political theory.
Featured image: Asit Kumar Haldar, Megasthenes in Chandraguptas Court, Bengal, early 20th
century. Image courtesy Ananya Vajpeyi
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