Professional Documents
Culture Documents
Rehearsal 1 – “Hook” and introduction to the piece (tone set games, rote
introduction, and rote to note in the music.)
Rehearsal 2 – Map the piece and learn Section A - melody, harmony and
text
Rehearsal 3 - Review Section A and repeat it in all the A sections that are
The same or slightly different throughout the piece.
Rehearsal 8 - Sing all the way through, improving and perfecting tone and
adding reminders about meaning
GOALS AND OBJECTIVES: Learn the melody of the hook section using ETPs, solfege and text.
Assessment Strategies:
Throughout this rehearsal I will engage in formal assessment by: Assessing student participation and effort to
the best of their ability.
Throughout this rehearsal I will engage in informal assessment by: Observing student efficacy of solfege and
repetition of ETPs.
TRANSITION WITH: 1d. Please stand as you are able/sit with your best posture
TRANSITION WITH: 1d. Please echo me: (or just start singing tone set babble patterns of your
first song!)
Transition sentence
1a) Now listen as I show you how these ingredients are set in this
melody. Some of the patterns have different rhythms and some
notes are held longer, etc.
Transition sentence:
So, let me teach you this in the text!
Transition sentence:
Please open your score for Keep Your Lamps to page 4, measure 11...it should now
look familiar!
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to introduce Keep Your Lamps and learn the
melody of the hook!
We very clearly met those goals, as we learned our ETPs, solfege, and text of this melody!
1a/1d. Next time, we’ll focus on using that same technique while adding harmony into the hook
section!
GOALS AND OBJECTIVES: Structure mapping the piece and learning A sections in harmony!
Assessment Strategies:
Throughout this rehearsal I will engage in formal assessment by: Observing participation and effort!
Throughout this rehearsal I will engage in informal assessment by: Observing singer learning and efficacy in
learning!
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please take out a pencil and open Keep Your Lamps to page 1!
TRANSITION WITH: Let’s begin by reviewing our soprano melody from last class; I’ll sing it for
you and the second time around, you join me! Take a look at measure 11 where we’ll be starting
from.
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to map the piece and learn harmonies
We very clearly met those goals, as we mapped out the entire piece with an intro, a sections,
b sections and a coda, and we learned the four part harmony for every A section and variation!
1a/1d. Next rehearsal, we’ll take what we learned today and review it—it will also help us to easily
learn another section of the piece!
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer ability to transfer review
and chanting to singing!
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please echo me: (or just start singing tone set babble patterns of your
first song!)
Time (12/18/20) Activity 3: Song #1: Chunk 1: Review
Sections: Chunk 2: Measures 46-55
Chunk 3: Measure 29
Chunk 4: Review + connect!
Chunk 1: Review
1d. Let’s first review our A section at measure 11—everyone on their own parts on text!
2v.Choir sings mm.11-18
3sra/1d. Great job remembering! Let’s do that one more time with extra confidence!
2p. Choir sings again Wind it forward:
3sra/transition: You did a great job transferring what you already knew…now for a challenge!
Chunk 3: Measure 29
1d. Turn to page 7, measure 29—these notes are similar, but the lyrics are a bit different. Listen as I
chant!
1a. I chant the lyrics at measure 29
1d. Join me!
2v. Choir chants with me Wind it back:
1a. I sing melody line on text
1d. See how that ties in? Let’s do it in harmony now, everyone on their parts. Repetitive chanting
2v. Choir sings at measure 29 more times, going
3sr. Make sure you’re keeping your vowels tall but your rhythms short! Again! back and reviewing
2v. Choir sings at measure 29! the original hook
more if need be
TRANSITION WITH: Great work! Let’s summarize our learning for today!
Time: (1/20/20) Activity 6: Chunk 1: Reviewing rehearsal threads
Learning Summary and goals
Chunk 2: Transfer to next class
Chunk 3: Last announcements as
needed
1a. My rehearsal threads and goals for today were to get the rhythm in measure 29 and review
our A sections, learning those variations as well!
We very clearly met those goals, as we reviewed what we knew, looked at every A section,
and worked that A’ middle section together.
1a/1d. Next time, we’ll take the strategies we used to learn these A sections and start learning the B
sections!
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in solfege and
transferring throughout rehearsal
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please echo me: (or just start singing tone set babble patterns of your
first song!)
Time (11/19/20) Activity 3: Song #1: Chunk 1: Tone Set Babble Patterns
Sections: Chunk 2: Tone Set Solfege echos
Chunk 3:
Chunk 4:
Chunk 5:
Chunk 6:
Etc….
Activity 3: DIRECT INSTRUCTION SCRIPT: Activity 3: Song #1: Sections:
Chunk 2: Alto
1d. Let’s chant the alto line now on text.
2v. Choir chants alto line with me
1a. Echo me please: ETPs of alto line
2v. Choir echoes ETPs of alto line
1d. Sopranos and Tenors, sing the solfege of the soprano line. Altos and Basses, sing the alto line on
solfege. You both start on “la – do”.
2v. Choir sings in soprano and alto lines Wind it back:
1d. Again!
2v. Choir sings soprano and alto lines! Smaller chunks,
1d. Great! Let’s try them both on text. staying on solfege
2v. Choir sings soprano and alto lines on text. longer, really
3sra. Way to go! That harmony is sounding in tune and full! isolating parts and
spending more time
Chunk 3: Tenor on them
1d. Let’s all chant the tenor line together—you should recognize these rhythms!
2v. Choir chants tenor line
1a. Echo me: ETPs of tenor line
2v. Choir echoes ETPs of tenor line
1d. Everyone on the tenor line on solfege!
2v. Choir sings tenor line on solfege
1d. One more time!
2v. Choir sings tenor line on solfege
1d. Now sopranos and altos, join us on your part and tenors and basses sing tenor on text!
2v. Choir sings SAT lines together.
3sra. Wonderful job holding your own on those parts!
Chunk 4: Bass
Last but not least, let’s add those basses in! Let’s chant that bass line together!
2v. Choir chants bass line together
1a. Echo me: ETPs of bass line
2v. Choir sings ETPs
1d. Everyone look at the bass line and sing on solfege in an octave comfortable for you!
2v. Choir sings bass line
1d. Everyone now sing on your parts on solfege!
2v. Choir sings in 4 part harmony while I play/sing with basses
Chunk 5: Repetition!
1d. Great! Let’s try that two more times.
2v. Choir sings in 4 part harmony
3sra. Awesome job maintaining your own parts and singing with backspace! We’ve made some great
progress today!
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to learn the B section of our piece in four-part
harmony
We very clearly met those goals, as we layered parts by chanting, using our ingredients,
singing on solfege on every part and moving to text.
1a/1d. Next time, we’ll link our A sections and B section together! Great work today!
VMRC Intergenerational Choir
Rehearsal Number 5: Schedule and General Lesson Plan:
(50 x minutes = 30.9 min. = Golden Mean of the Class = Harder stuff before
this!)
GOALS AND OBJECTIVES: Reviewing the B section and linking it to the A section
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in text and
transferring throughout rehearsal
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please echo me: (or just start singing tone set babble patterns of your
first song!)
Time (5/13/20) Activity 3: Song #1: Chunk 1: Tone Set Babble Patterns
Sections: Chunk 2: Tone Set Solfege echos
Chunk 3:
Chunk 4:
Chunk 5:
Chunk 6:
Etc….
Wind it back:
Isolating parts or
more isolation
depending on
trouble spots
TRANSITION WITH: 3sra. Great job! Let’s go back now to measure 11 on page 4—our A
section!
1d. One more time—let’s make those contrasts really strong! Wind it forward:
2v. Choir sings A and B sections with dynamic contrast.
Dynamic contrast,
3sra. Way to go! You now know more than 75% of the notes for this piece! articulation and a
bit of meaning!
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to remember our A and B sections and
connect them!
We very clearly met those goals, as we worked that B section again and put it in the context
of our A sections as well.
1a/1d. Next time, we’ll look at the C section of the piece and see where it fits into our piece! Good
work today!
GOALS AND OBJECTIVES: Learning the C section and identifying the right vocal tone for this piece
Assessment Strategies
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in learning and
transferring throughout rehearsal
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please echo me, and keep a steady beat on your body. *Tenor/bass C
section rhythm chant on text.
TRANSITION WITH: 3sra. Great job! Let’s now move to our tone for this piece.
Wind it forward:
Emphasize more
phrasing and
dynamics if the
tone and diction are
excellent!
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads for today were “C” and tone color!
We very clearly met those goals, as we learned the C section by chanting rhythms and
looping and talked about what our tone should sound like, as well as putting it into action!
1a/1d. Next time, our goal is to have all of the notes learned for our piece and begin putting it
together!
1. LESSON # 7: NAME: Review what’s different OR link A and B to new – IF TIME run through
GOALS AND OBJECTIVES: Reviewing the C section, learning the ending and intro and singing the
entire piece.
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in music learning
and transferring throughout rehearsal
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: 1d. Please echo me: (or just start singing tone set babble patterns of your
first song!)
Chunk 1: Review
1d. Open to page 8, measure 37—let’s review what we sang through last time up to measure 55.
Everyone on text on your own parts!
2v. Choir sings 37-55
3sra. Great job remembering! Now let’s add that ending in at pickup to 56.
Wind it forward:
Chunk 2: Looping and layering! Adding in multiple
1d. Let’s loop in, starting with basses. parts at a time,
1d. Listen once, and then join in. connecting bigger
1a.I sing bass line chunks of piece at a
2v. Basses join loop time.
1d. Basses, keep singing this part over and over! Tenors, listen in!
1a. I sing upper tenor line
1d. Join us, tenors!
2v. Basses and tenors sing
1d. Altos, listen in!
1a. I sing alto line
2v. Basses, tenors and altos sing
1d. Sop 2s, listen in! Wind it back:
1a. I sing sop 2 line Isolating parts for
2v. Sop 2, ATB sing longer, isolating
1d. Sop 1s, listen in! phrases/chunks for
1a. I sing sop 1 longer, smaller
2v. Tutti choir sings ending phrase connection
1d. Once more! and reverting to
2v. Choir sings ending. solfege if needed.
TRANSITION WITH: 3sra. Great job! Let’s now move to the very beginning of our piece.
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to refine what we know and finish learning
what we didn’t know!
We very clearly met those goals, as we worked the C section of the piece, learned the intro
and coda sections, and sang the entire piece!
1a/1d. Next time, we’ll look at dynamics and continue tone production throughout the entire piece!
1. LESSON # 8: NAME: Sing all the way through, improving and perfecting tone; meaning reminders
GOALS AND OBJECTIVES: Sing the piece in its entirety with focus on dynamics and tone production.
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in self reflection,
musical improvements, and transferring throughout rehearsal.
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: Let’s open to the very beginning of Keep Your Lamps!
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to sing our piece while focusing on tone
production and dynamic contrasts.
We very clearly met those goals, as we improved our singing every time we sang the piece
and reflected on what went well and what could be improved.
1a/1d. Next time, we’ll talk about meaning and add buzzwords to our scores to remind you of the
meaning while we sing!
VMRC Intergenerational Choir
Rehearsal Number 10: Schedule and General Lesson Plan:
(50 x minutes = 30.9 min. = Golden Mean of the Class = Harder stuff before
this!)
GOALS AND OBJECTIVES: Add buzzwords to score and discuss meaning of the piece!
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in self reflection,
musical improvements, and transferring throughout rehearsal.
TRANSITION WITH: 1d. Please echo me: (or just start singing!)
TRANSITION WITH: Please take out a pencil and open your scores to measure 1!
TRANSITION WITH: Let’s stand (or sit tall) and sing this piece with our dynamics, tone, and most
of all…with hope!
Time: (5/19/20) Activity 4: Song #2: Chunk 1: Rehearsing entire piece
Sections:
Wind it forward:
Continuing extra
phrasing and line
work, adding more
emphasis to
articulations
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to add buzzwords and discuss the meaning of
the piece!
We very clearly met those goals, as we wrote in buzzwords throughout the piece, talked
about what gives us hope, and infused that into our singing!
Chunk 2: Transfer and continuation
1a/1d. Next rehearsal is our last rehearsal before performing, so we’ll make sure we remember all
we’ve worked on and fix anything we need to! Great work today!
GOALS AND OBJECTIVES: Fixing any trouble spots, and singing confidently with hope!
Assessment Strategies:
Throughout this rehearsal I will engage in informal assessment by: Observing singer efficacy in self reflection,
musical improvements, and transferring throughout rehearsal.
TRANSITION WITH: Great work! Let’s summarize our learning for today!
1a. My rehearsal threads and goals for today were to sing with HOPE and make sure our piece
was performance ready!
We very clearly met those goals, as we refined sections of our piece, sang it with dynamic
contrast and great tone, and remembered what brought us hope!
1a/1d. You have done fantastic work on this piece—now, we remember to sing with hope in all that
we do!