I

- e*á"
I

:i -'

i
l
I

i,
2 tsowisxg and Rhyttuxmñc Variattoms
L
0 0 4 4
fea
4- -#,
2

--..T--- +
4

E
1___4_-_l_ \ ---H

6 ar'

E
n Vn
8
nVn
9
ñV
10
ñ
trñ V ¡ V¡

12 13 L4 E 15
V ¡ Vn V

t7 ñV
,ti
4--

=
18 Eq 22 23
B Vs ns V S tr
19 2L

E 0 4 @ 28

26

29 30 E! EA

33 '-_../
 Freparatony Shifts for F oundation Keys
:

Practice these shifting exercises before each Foundation Key. Play with the top fingerings in first
i
I
position, then repeat several times with bottom fingering shifts, with and without guide notes.
l

Key of G m. z m. 14-1s m. 25-26

2 3 2 0

I N.

i
i
2 1,- t\z t -1 2 )
1- L 0 1
1 L

m.33-34 m.41,-42 m.57

I
I
1 1, 3 2 4

lt-
1 1, 1, 1 a f-:-1 2
-
22 2

KeyofAm.s m. 11 m.26
2 3 2
1 2

---+¿H
I

2 2 2 1 1, 1 0 1- 1 1-10

m.30 m. 37 m.41 m.58

2 02 0 2 2

#
¡.

0 1- 1-1 0 -2 2 2
01 1 -L 0 0 1- L7 -1 0

i
¡
I
Key of Bb m. a m. 11 m. 26 m.30
I
2 2 1
I

!
I

+- # #
t I
)

L- 1. 1 -1 2L- 1-1 2 7- L t- 1,

m.37 m.41 m.58 m.60

1 3 1, 3 2

+- .14-

l
rt--r -t'-/t -2 2- 2 -2

KeyofCm.2 m. 14-15 m.25 m.29 m. 33

I L 2 1 1 l5 13 L4
?- __-+_]\i-+lr-
*.f #WF
1.- 1- 1- 1- .\v
¿-2 I
1, 1.
L =2L

m.37 m.41" m.45-46 m.49-50 m. 59

1"2
2 2
- -f-[I-7J'l 2
,
:3r-
-n----..-|- 2- 2 2-
2 2 2 3 2 0-1 1
T
-1 0 t t- 1 2
 4
KeyofDm.z m. 14-L5 m.25-26
2 3 2

2L 1 -1 l.-1 t 01 1 -10

m. 33-34 m.4L-42 m.49-50 m. 59 4

#p_
,J,
1_ - 1- 1 1,- 1 2L 1,-L 2 2-2 2-2

Preparatory Shifts for Remaining Keys

Practice these shifts before each key. Play first with the top fingering in the originating or a fixed
position, then repeat several times with the bottom fingering shifts, with and without the guide notes.

Key of Ab m. s m.25-26 m.33-34

2 t 2

2 2 2
1- L
3 3
1 2-2 3 3
-32

m.41,-42 m.45 m. 49
2 0 2 t 3

1 2-2 3 3
)¿ 0 1, 1-1 ¿ 2 -21,

Key of B m.3 m. 11 m.26 m.30

2 2 1
,- #
2 L-1. t-l 2 1.-t 1-1 2 1- 1 1- t t 1-

m. 60
m.37 m.41 m.45 m.58 2 4
13 1 13

11. 11 ! -2 2 2 2 -2 2 -2

Key of Db n.z m. 10-11 m.26 1 3 m.30

*n-;
2 2

1, -t 1-1 L - 1- 1-1 0 1-L 1-1 0 7 -t 1, -t

m. 5 9
m.33-34 m.41,-42 m.49
1
3 0 3 24
*<¿)]#r-
1 -l 1- L-1, 22 2 -2 2 -2
::. Keva of Eb m-¿ m. 14-15 5
m.25-26
1,-4 L

3 1-1 t-1 3 1-t 3 L -t 1 1 I I

m.33-34 m.4t-42 m. 58 4
m.59
2
2 2

il-
2 L-1 1-1 2 1-1 1 -L 2 2-2 2-2 2-2 2-2
Key of E
m.2 m. 14-15 m.25-26
3r,_$ L 4
+
3 1,-t 1-1 1-1 3 3 1-1 1 1, 1, 1,

m. 33-34 m.4!-42 m. 58 m. 59
2 4 2 4
'I1r-*-

1-1. 1. - 1. 2 t-1, 1- 1 2-2 2-2 2 -2 2 -2

Key of F
m.2 m.3 m. 5-6 m. 18
2 +)N \ 2

21 1.-t 2 1.-1. 1-1 2 1.-7 4 4 L-t 1 L-1 2

m. 26 3 m. 30 3 m.34 m. 38

3 1.-L 1.-1. 3 3 L-1 1-1 3 3 2-2 2-2 3 4 2-2 2-2 4

4
m.42 m.46 m.58 m. 59 4 m.60
5

f,
§-tr
4 2-7 2-2 4 3 1-1 L-L 3 2-2 2-2 2-2 2-2 2-2 2-2
Key of F#
m.2 m.3 2 m. 5-6 m. 18
) )
.i.-*E
L- 1, 1-1 2 1-1 1-1 2 1,-1, 4 4 1-1 t 1" L -1,

m.26L 3 m.30 1 m.34 1 m. 38

EFH
3 L-1 1-13 3 1-1 1-1 3 3 2-2 2-2 3 4 2-2 2-2 4

4
4 m.60
m.42 2 m.46 3 4 m. 58 4 m. 59

4 2-2 2-2 4 3 1-1 t-t 3 2-2 2-2 2-2 2-2 2-2 2-2
6
Foundatioxl Key of C
Major Practice Preparatory Shifts on page 3
2 4
0 0 0 4 4

+ -# 1-2
2-1 2 1 4 4

Melodic Minor
o
2
0 0 0 4 4
iht-
-a-
2-1 2 1 4 I_ 2

Harmonic Minor
17
0
Aug. 2nd

0
2 4 4

+
2-7 2 1, 4 1 2
4

Tonic Minor Tonic Major

¿a
03 2
4 03 2
4
ta-
0
1, 4 1
-0 0 -1
4 L
-0

Sub-mediant Sub-dominant Major

JJ 2
2 A
3 0 4 3 0

-+
1- 1, 242 1
-1 1-1 242 1,
-1

Sub-dominant Minor Diminished 7th

41
3 4
2
4 2413 120
#{.¡--
+
1-7 242 1
-1. 1-1 2

Dominant 7th
47 )
2
4213 142 U 4
qh--t-
+L €-
42 -ir--t-4 3 1-t 2-t 4 1, 2

Broken 3rds
54
4 0 4 0 4 0

2-2 2 1 42 23',J.4

o¿
4 4 4
-z-* ^
-]--z*F__<
t 2-2 o
 Chromatic 7
70
011223401122 4 0 1. 122340 712
--'-*-*- 1.-|-|# --e- C-
--d_{€__w_*%

F 2 2234
t
tl

77 2
.1 1 0 43 2211,0 4 22LL04322L10
t
p -#
4 3 3 2 2 1,-3 .l_
c
1st Fosition Double-Stops
Octaves
p
a4
3
3
13 4 4 4 1
4 43 3
0 3
0 0, 0 0 1

-{ ---a --z
h ---a ----
-a-{ -44 14 -1

l 90 3 3 0 1 34 4 414 43 1 5 4
0
! 1,

# $ a --1

J Thirds
96 0 1, 1, 0
202 0L233 313 3 2102 31 20

102
2
0
0 2
0123 1
3
31 1,
321,0 0
1 3 2O
r* -1-. -a-c -a-Q
*1 -:H--t
2
f
Sixths
108 3 4 L 4 3 4 1 4
4
23 3 0 3 3 2

_t
'¿--- -a-. -¿--. --l -t
--a --é
J
c

3 4 3 3 4 3
2 2
115 1 2 L2 ) 3 4 3
2
3 2 1
2 3 2

]I T r c- )- J- I:- )- ,- J- T 2-- =ei+

8 lst-3rd Position Douhle-Stops
Octaves 3
1zz 3 1 3
4 4
03 g1 3 4
10 0
_4
1 'l_ 1 1

+ 4
+ --7-'
l¿
o_

Shift 1&4together

126 4 43 1 43
4
1, 1,
4
7 L7 4
1 14 1

--u
1

3 3 4 4
130 4 4 4 3 4
0
1 t t 1
0 3,

---- ---- --a ---a ---a

---
F --- ---a ---a -1 -{ --a

138 3 -----1-
4
3 3 4 4 3
0
--é -Z --z
?- -----é

Thirds
146 3 0 03 1, 1, 2 0
7234 4ZZO 2 01 22
1
3
1.

30 3 101 20207231, 3-3 3-3 1-1- 1-1 3 1 3-3-1 3

).-..{,}.- 14
2
2

152
3210 0 2 1 1 1 0 23
2. 24 2 4 4321,3 1-1 1-1 3-3 3-3 3 1 3 313 32702 72 1030,
-a--t
.,J
2
"J 2-

157 3 0 0 1 1 2 0 1. 0 -2 1 1, 0 2 3
0 1 2 3 3 4 -2 3 2 3 3 2 7 j

'#r
**
4 --- ---

165 3 0 0 1 -1 2 0 1 U -2 1 -1, 0 2 3
1, 2 3 -3 4 -2 3 2 -4 3 -3 2 1 0

)------€ --*--é
 Sixths 9
1 1 2
173 3 4 1 2 4 2
3 4 1 2 4 a 1 0 1
2 2 3 3 0 0 1 2 2 3 0 1.
t--§-- ,--€---{
\-
r
I -H )-
3 4
-L -1 1 2 2 J 5

2
2
1
t 4 3 2 1
4
4 3
1 o 3 4 3 2 1 0 0 3 3 ? 3
1 0 1.

-fr' e__r -t- --*

\--
3
4 J 2
2
-f -3 3
3 2 1 1 2

181 34 L2 3 4 1
0
2
1
1
0
4 3 2 1 4 3
3 3 2 0 3 2
'-- -{ o
q -a -a ---a --- --{
-{ --- ---- --a
- j-a
3 2 -3
-1 23 2 1 -2

2
i8g 3 4 I 2 3 4 1,

0 L
7
0
4 3 2 1 4 3
3 1 2 3 3 2 1 0 3
----
--7
4 ---é
2 3 2 -3
a
33 2 t -2

Harmonics
197 4 4 4 4 4 4
03 1. 1 1 1 L 1 03 1. t 1 1

205 4 4 4 4 4 4
1 I t 1. 0 3 1 1, 1, t L 1 03
#

213 4 4 4 4 4 4 4
3 1 1 I 3 1. 1 3 1 3

\_- c
_i§+:d-

221
)
4 4 4 4 44 4
3
1, 1. 1 3 1_
3 1.

---<
10 Foundatiorn Key of A
Major Practice Preparatory Shifts on page 3

0 0 4 4 4

-€,-
2- 4t 2 4 2-

Melodic Minor
9
0 0 0 4 4

-p! 1¿+1
1, 4 t2 4 7- 1

Harmonic Minor Aug.^2nd

17
0
J\
15 4 4 2 4

#e+-
1 1" 412 4 1, 1

Tonic Minor Tonic Major

0 0 4 U 0 4
-t--
0- 1323 1- 0 0- 1323 1-0
I
Sub-mediant Sub-dominant Major
JJ
0 4 0 ñ 4
-+
0- 1424 1 -0 -7 3 424 n
0

Sub-dominant Major Diminished 7th

41
0 0 4 1,3 2 4 1

0- 13 42 3 1
-0 0- 1, 34

Dominant 7th
47
3
424 313 0 0 4 4 4

-¿Á.
2 4 1-0 0- 13 t 213 1-0

Broken 3rds
54
4 0
4 0
4 +
l-lQ
-?- -{}-F-
2 42

o¿
0 4 0 4 0 4 11

G
 Chromatic 11
70 3
L2234011 2234 1.22340 1.
1 2 2
+
a- e#-
tI
I ++

77 2
2I 1
0 43221, 1 43221.1,043221
f

I
-b

-e
1 st Position Double-Stops
Octaves
I
84 ¡J o1,344
1
4
t4 43L 63
-). -¿-
I
|
' {-)- a 1-{ 41 -{ --a

4 4 2

l 90 393 3 4L 4 It 4 3
0
(+) 0 0

_?_ --,f + -* T T

I
Thirds
J- 96 t2 2 1
42 31
312344 424 432L3

1,
5

l
102 1, L234 2
424
2 4321 1
42 3
1,
4 3

-C-t 4 + rl ry , t)4 t )
W
I

1
3
h

Sixths
4 4
108
3
4 4
3 0
1,
1
0
2
1,
t 4
3
1, 2 1.
3
---- ----
-¿-. 1-. -a{ ---- ---a ---1t --{ --a ---
G

4 4 3
1
2L
2
3
3
3 1
2
t
3
3 t 2
115
0
1 0
2
0
2
0 G
,+
)- )- J- 9--
 t2 lst-3rd Fosition Double-Stops
Octaves 3 3
122 1 1, 1,
3 0 1 4 4
1.
3
4 4 4 0
4L 4 4 1 4 1 10 1 1 1
4
10
_H --1-t
--?- ,.-+r2*
\,
Sh¡ft1&4together

126 5
0
3
4 4 44 43 3 4 4 4
1, 4
0 11 1,
1,
1.
--.-
1,
71. 1, 1 1 4 L

z--tr¿- --/- --ll__a

3
130 0

___-< ---- --------{ -------1

)_

4
tó+ 4
1

--l
)_ )_ -a
-{

3 4
138 3 0 4
1_

--7 --€
---é ?--

Thirds
146
44 t 1,7 2 0 1 1,2342
4 2 7 2 3-3 3-3 1,-7 7-7 3 1 3 -3-1 3 1.234 0 0
3l

¿-a _1'-

151
424
2 43271, 3210 0 2
4321- 3 1-1
t 7L 3 34 21 4
a
-A 2 1-1 3-33-3313-3-13 2

11
2

tcI 4 1. 1 L 20 1 2 7 o-) 1 -1 3 4
2 3 3 4 3 -3
-{ --e --z -a

165 4 ! 1 -1 2 0 1 2 1 0 -2 1 -1 3 4
1, 2 3 -3 4, -2 4 3 -3 Lt

1
 a
Sixths l J
173 4 L 2 3 4 1 2
4 1 1 2 3 2
3 3 0 1 1 3 4 3 0 0 1"
1.
2
r-J+-i1fT
__1.1f --l
lt_
-ü --?- -?- ,l--

2 2 3 L 1-

1 2 2 0 0

:]- 3 2 1 4 5
! i,. 177 3 2 2 5 2 1, 4
1 L 0 4 2 7
2 L 0 3 2 0 J
3 1 1, 0 3 3
*-H *-H
c-
3 ) 2
-3 -2 2
-2 2 1
t

181 4 L 2 2
4 1 2
t
3
2
¿
t t 4 3 2 1 4
3 T 2 3 0 0 3 2 1, 3
---z --a a- )* E -a ----
1
_L 2
2 0 1.
t

4 1
3 0
_T
2 3 3 2
2 3 4 1 1 4
1 2 2 1,
3 2 1 4
T 2 3 0 0 3 2 0 3
--é
9_- --é
-2 3 t 2 -2
-1 2 0 -a 1,

:n

4 4 4 4 4 4
1. 1 1 1. 1 t 03 1. 1 3

N-
c=.:

205
4 4 4 4 4 4
3 1, 1 1, 1 1 1 03 1 1 1, L 1 1

2.13
4 4 4 4 4 4 4 4 4 4 4 4
t 1 1 3 L 1 1 3 L 1 1 1. 1. 1

-E§--€r- -<

¿¿1
4 4 4 4 4 4 4 4 4 4 4 4
1, 1. 1 1 1 3 1 1r 3 1. 1, 1
t-------zt--
+-

\_
l4 Foundatioxr Key of Bb
Major Practice Preparatoory Shifts on page 3

20 _T-?*
4 4 4

-+
-4
2- 2 1-

Melodic Minor
o 4
4 4 4 4

AW- --Dl* tr¿*4-

1 2 l" 2

Harmonic Minor
17 4
4 4 4 4
_-Dp-:,
#W
2 1 412 1, 2

Tonic Minor Tonic Major

25
4 4 0 4
_|- tr- 2- -?-
1- 1, 2 T_ 1-1 2

Sub-dominant Major I
Sub-mediant
0 4 4 4

-*a- -p- --2-

1- I 2 Í: L --- 1- 1 2 2 2 1-1

Sub-dominant Minor Diminished 7th

41
2
4 4 1 3 0
H
-|- -*
1-1 2 2 2 3 1- t 1-1, 3 124

Dominant 7th
47 4 4
0 3 74 0 4 4 01
2-pp-
-F-l*= --?-
2427 1 1 1-1 31713 1,- 1

Broken 3rds
1
54
4 0 4 0 4
2 -2 L
c\

-2 2 3L 421,3 2

62
4 4 0 4
*-J-
4t3 2 2- c
 Cbromattc 1 5
4
2 23401122 J 4 U 112234 01- L 2 2 3
(t
--p- e- --ic---r

4r^Q 22 1 1,
0 43 221,L 4 3 2 2110432 2
rc:I--l-+-
H ll

--?'--t
o
lst Position Double-Stops
.:)
4 4
Octaves
363 3 4 1 4 1
5
0 4
0 0

ñ -"t ,- )- ,- ---¡ -N- >----- ú- a- )- 3- T ar- t-

3

t 34 43 10
4
3 0
4
4, 3
0 1 -+ -l- 0
-a-4 -a-a -a
nr
3

0 L 1, 0
o2 01233 2l?
3 2 tO2 31 20

2
0
2
0123 1
3 3
L 321,0 0 1,
2 3 2

-J-a
+1 4 +2 a---,
l'
]1
i.:
Sixths
1,
2
2 2? 2 L 3 2
2 2
1, 2 1
*a-. -e,_-¡, -a -o --é
-a --{ -

I2 23
t 232 3 4
4
3 232
3 2
1,
3
2
4
a
3
2

-J-a ¿--t -a ---a ---a ---a --'-

-H ---a -{ ---d
€-
16 1st-3rd Positiom Double-StoPs
Octaves 3 3

4! 4
1
4
10 0 1
1, L 10 0
1

4 -# 9-*
]+ 4 -P-
3 3
Sh¡ft1&4together

126 43 4 4
1,
4 4
0 LL t 1
--¿- 11 L

--)---. =H
+ }- -?-
l-

4
4 3
4 0
1,
130 4 4 3 1 1
1

--------a
--a
}- )- )--

4 4
134 1
'--
+- )-- -------{

4
3 4
138 4 4
4 4 4
0 ---f 7
4
1
1
1 1
-------6 --7
?--
?-- 9_

Thirds
146 01 11 12344 22
2 0 0123 1
3-3 3-3
2 0 2 012 3 3 3-3 3-3 L-1 1-1 313 313 0

+t

151
r-t 1-t 3 7
1
a 3131
1 2
44 4
2
4 4 13
t
1-7 1- 3-3 3-3 ,113 t t
-a-< -t- * 4

lco 10 0 ,1 1 1 0
2 24 2
2
4321,2 1-1 L-1, 3-3 3-3 3 1 J 2 1 3 32102
_H -ta-

160 n T 2 0 1 1 2 1 -1 0 -2 1 1 0
)
3
-I
-3 4 3 3 4 -3 2 -4 3 3

-t
2

l1-1-
4---ta- -,
 17
168 0 1. 1 4 U 1 -t 2 1 -1 0
)
) t 1 0
2 5 3 2 -2 3 -3 4 3 -3 4 3 3 2

:b-

Sixths 3 4
3 4 1 2 4
176 2 2 3
43
1,
1"
2 L 0 1.
1 2 3
0 1 1 2 3 0

§- =ü }-
3 -1 -2 1
3
2
1, 2

4 3 2 T a
180 3 3 2 4 3
1
1
1, 1 0 4 2 0 0
3 2 1 0 3 3 2 1

-t-- +
._i_ -z¡-
g
--H
-?- )-
2 z _1 2
\- 2 1
-2 3
2 1 -1 1,

5 4 3
2 2 7
1A4 2 3 4 1 2 3 2 4 3 2 1
1
0 L z 3 0 1 2 1 0 3 2 1 0

o- T a- )-
--a 1r- ¡F T 2,i -1 --a
a-
2
-2 3 1
t
-1, 2 0 1 -7 2 1 -1 0 -1

3 4 3
192 1 2 3 4 1 2
2 3 2 1
t 4 3 2 1,
1
t 2 3 0 0 3 2 1, 0
I t, ?- --T
rW 9- e- ------é
'1,
2 2 L
! -1
2 1,
21 -2
--L Z 0 1 1, 2 0 -1,

Harmonic S
200 4 4 4 4 4 4
1 1 1 1 03 L t 1, 1 1, 0 3 1, t
tK ---c H-

208 4 4 4 4 4 4
1, 1 0 3 1, 1 t 1 1, 1 03 1, 1, 1 1

216 4 4 4 4 4 4 4 4 4 4
1 1 3 1 L 1 3 L 3 1, 1 3 1 1

I 9- --€ h

224 4 4 4 4 4 4 4 4 4
4 4
T 1 1. 1,
1 3 T L 1, 3 1, 3 1
__p-
1,

9- bI
18
F oumdatioul Kev of C
Major Practice Preparatory Shilts"on page 3
3 4
30 L-1 2 3 41. 2
4 1-14 4
-?- -P_a
1, 4
2

Melodic Minor
9 3 4 3
2 2
30 t-1, 2 3
1 1,
4 1-1 4

_7T-f--f--
-pY
1 1 4
2

Hannonic Minor
17 4
2
30 1 1"2 3 4 1. 4 ,-* 4
-l!
7 4
2

Tonic Minor Tonic Major

¿5 4 4
3 1- L 3
1 1
3 1 -1 3 1- 1 3
1 1
31 -1
_+- --*
4 2 L 4 4 2 4
2 2

Sub-mediant Sub-dominant Major

JJ 4 ) 4
2 2 2
3 1- 1,3 31 -L 3 2- 7
4 4 13 -2

2
4 3 L
2
13 31

Sub-dominant Minor Diminished 7th

41 4
2 2 2
3 2 -3 1,
4 4
1, -2 3i.3 0 -1 3 4

2
13 31 2
4 13

4
Dominant 7th 4
47 2 3 3
4 3 1-0 3 1 3 1 1-1" 3
1
b 1-
3 1-1 1,

3 t 4
2
42 4 13 3 424L

Broken 3rds 4
54
)z
2t 3 2
+3 !
4 0

l--_T-.--l- -p- -*

6¿ 2_ 2
0 4 0 4
-------
G
 Chromatic t9
70 t 2 3
34011223 4 0 1122340 1, 12 1
2
b -&
,o--Ee--

77 1- 2 L-
b 2 1 1,
0 43 22110 4 3 21, 1043

-e
\-
1st Position Double-Stops
C)ctaves
33 61 34 4 4t 4 43 4
-+
84 1 3 3
0 1 1
0 1,
-)- 0
z___<¡t_ -a-{ -a-{ 14 --a -1

3 4 4 3
90 4 11 4 3 4 3
0 0
0 1, 1
0 0
(+)
,-
-Tt ---r- ,t- ---)- -? T J- at- T T 9- t-- r
\- 3

Thirds
96 L L234 2
2
0 o'J,23 L
42 2
4 1

-H, -4 *1 -a-, -*F-t nfr1 ------

3 2 T 2 1, 2- 1 2-

2
102
0
0
2 0
I2 3
1
3
23 442 4
1) 1,

32 3
4
0
2
--p-
2
1
2
1
2
3- 2
3
1,
3 3

Sixths
108 2 3 3 4 32 3 4 a

1,
2
2 343 2 2 5
i -ü -a--. ---a ---z
-a
- --4 ---{
\- --a- )- ,- )-----7,

3 4 3 3 4 3
2 4 2
115 3 2 3 3 2 2
3 2
2
t 1
2 3 L

+ T r )-- J* T 9_-
9--
20 1st-3rd Position Double-StoPs
4 4
Octaves 3 4
122 4
3
0 1
34 4 0
l" L
4 3.

41, 1 10 1 1 1

--H # ---u-p- 9-
-?- -3
--?-
Shift1&4togelher J

¡ z 4 43 3
\
I
126 0 4 4
1
0 11. 4 t 1 1-

)- -1

-
3
130 4 0
4 3
1,

--------{

4 4
!
)_ o-- -a --------{
)- }-

138 4 3
3 ------14 4
4 l
0 T
1l
1
¿ I
---é
-
Thirds
146 1 1 L 2
12 3 4 4-2 ?n
0 0123 L
3 3-3 3-3
313 3-3 3-3 7-1, 1,-l 313 -3 -1, 1,- -7
-?-
.,J

151 0 0^ 2
4321,
1
3-3
1,234 42 -2
L 1 1,

3
1
-3 -1 3 2 0 2-¿ 4 3 -1 -1 3 1, 3

-4 -^--
)t'-)
* --

156
-1
1
3210 0
-24 2
2
43213
1
1-1 1.-r 3-3 3-3 3 1
7
3 -3 -1 3
1,

j
4 --a--a
t

-2 -1 -2

w
160 1. -1, 2 0 L -1 2 0 1. 0 1 -1
3 -3 -2 3 3 4 -2 2 3 -3
--d-1-
#
 2 0
2t
168 1 -1 4 -2
1 -a
-3
2
-2
0
-2 1 0 -2 -1,
J
3 4 -4 3
-l
-3 2 -4
1-

3 -3

l
I Sixths 1
176 ) 3 4 0
t 1 2
3
1,
2
3

\ + -f
...---z- --?-- }-- }-
-*-

180 2
3
t -2 1, 1 3 2
0
--u
3 1

--=-* )_

) -2 3 2
184 4 1.
2
-l- 2 -3 2
2 3
2 3 0 1 2 1,
-2 L
1
0
4 21
3
-{ T > T a* )- T j*
.- --{ _a --

3
2 3 -2 2
-3
l
192 2 3 4 1
0 1 2
2
1_
-2
2
7
t 4 3 2
1. 2 3 n
3 2
I 9__ 9_
)
?-

S
200 4 4 4 4
4
I 03 L 1 0 3 1
4
1 t 1

tr -?+

208 4 4 4 4 4 4
1 1, 1 I 0 3 1 1 1- 1 L 03 1 t
-_--
--t---
t- -tr- ---6

216 4
4 4 4 4 4 4 4 4 4
L
4
1 3 3 1 1 7
3 7l
Í- a-
I

f ---§ ---§ 9< )- T T

-d-

4 4 4 4 4 4 4 4 + 4 4
L 3 1 L 3 1 L 1 3 1l l-l ? t
f.--
22 F'ouxrdation Kev of B
Major Practice Preparatory Shifts"on page 4
3 4
0 2-r 2 z1 1, 2
4
1,-2 0

+
1 L 4 2
2

Melodic Minor
o 3 4
2
0 2-'.1 2 3 4L b
4
7-2 0
p- -a-
_,{I.+F-r-
2
L t 4

Harmonic Minor
17
0 -\ -1 2 3 4 1,
b
2
4
4
1- + 4

+ ---O-
1 1 4
2 2

Tonic Minor Tonic Major

4 4
25 'l_

-1_l_3,
3 L_ 0 -L 3 1-
#
2
42 1 L2 4 42 L 12 4

Sub-mediant Sub-dominant Major

4 4
JJ 2 2
0 1-1 3 3,-1, 0 1*1 1, -t
--r- --?-
2
4 L 1 4
2
1 31 1

Sub-dominant Minor Diminished 7th

4
41 2 2
4
0 1, -L b 1-1, 024 1 3 4

,ur---{r- ,r- -#
2
1, 3 1, 1 4L 1

Dominant 7th
4 3 4
47 2
4 1
3 1-1 20 1- r 3 t-2 3
--r-
1 1 4
2
3 3L 24L
Broken 3rds
54
0 2 -2 ()
4 0
-{-

62 2
0 4 0 4
 Chromatic
23
70 2 3 4
01'J.223 401122340 1t 2 I2 1 2 lc}

__-_+- --*

4
77
3 2 21 3
b 2 1 1 0 43221L0 322 110
,2-

1st Position Double-Stops

33 34 t4 43
84

L4i#<.>- 1--
0 1 4
1
7 0 3

1{
1,
-+
4
-4- 0

-ai -- --a --a -a

3

Octaves
3
4 4
3
oñ 3 1 4 I7 4 3
0
(+) 0
1,
0 0

t --* ,t- :+ --? T >- T T )- r

Thirds
1- 2 01
1) 1,2344 2 0 2 012 3 3

2 3- 2-

1 t 1,2342 0 01.23 1,
3 42 0 3

#1 4-a +a 4 -tF-,
3 2 3 3
i

108
4 1 2 1
3 2 T
0

I
-¿-z 1-{ 14 --a ---z --{ --{ --- --"4 --{ ---a -7
----

-e

Sixths
115
33 4
4 I 0
L
41
4
3 3 0 3
-a-r --<
-a- >- O- ¡- ?+
24 trst-3¡'d Position Doubie-Stops
Octaves
3 4 4
122 3
4 0
1 1 1-

-{)- 1=e-t
r-+ -€- @-

Shift1&4together

126
4 43 4 4 43 1
0 4
11 1,
--)-
--?- )- --2- ----f=

3 4
130 5 U
1,
o

Z_#+t__t --------{
)_ )_

a
4
134 0 1

a_ )- _l

1
3 4
138 0 0 1,

---é ?- -------é
?-

Thirds
146
3 t31234
7
-22
0 0L22 1
3-3 3-3 7
1, 1
1,234
2
4-2 0
0 0723 1

0 -1 1, -3-1 3 2 3

l1
2 2
2nd pos. 1_

ta¿
13
7
3210 0 2t 1
3210 0 2
4 4"213
1, 1,
3
2 -2 1-1 1-1 J 15- 43213

2
1

158 1, 2 0 I -1 2 0 t 0 -2 1. -T 0 - 2'' L
3 -3 -2 2 -4 3 2t 3

-d-4-
-* -W,

too 1. 2 0 1 -1. 2 0 1,
0 -2 1 -1 0 -2 1,
3 4 4 -2 3 2 -4 3
 Sixths 25
3
4
174 2 1 2
3 4 0 1 2

-M
-H

178 2
2 -2 0 4
+
3 2

--2- l------t-
-?- o_-t

4
3 -2 3
3
3 2
-3 2
182 1"
2
2 -1 2 2 1 -2 1
1 4 3
3 0 1, 0 3 2

T r )- at- T L4
*---a

4 3
2 3 -2 3
2 3 2
2
-3 2
190 3 4 1
L
-1, 1
-2 1,
1, 4 3
2 3 0 3

9__
\-

\- 4
198 4 4 4 4 4
0
,J.
1, L 3 I 1, 1 I 1
1

)- o-
1,

---§ ++- T T #
--H

206 4 4 4 4 4 4
1,
1
1, L 1. t 0 3 1 L 1 t 1 0
LAl+--p-1o- o- a- T **- +
-w

4 4
214 4 4 4 4 4
1"
1r 3 1 3

--< --€ ,- )- { ,- t- ,{'* -§

4 4
4
1,
4
1
4
3
4
1 L
I 3

?-
-+--
26 Key of Ab VIajor/G# VIimor
Major Practice Preparatory Shifts on page 4
4 4 4 4

aa
1,2 4 2 2

Melodic Minor
I
t234 1,2 3 234 1 2 33 2
o4 32 3214 321
4-
1 1 2 3 4 !2 214 2 -1

Harrnonic Minor
17
12 3 4 7 t\ 7234 2' 33 4 32 4, '3 2'r 4 3 2 t
1-
1 2 3 4't 2 2 t4 -1

Tonic Minor Tonic Major

2 4 4 4 4
?»z-
L- 3 1323 1 3- 1- 3 323 3 -t

Sub-mediant Sub-dominant Major

4 4

2 -3 L424 t 3-2 4
2-3 2424 2 3 -2

Sub-dominant Major Diminished 7th

41
3
42 3 0 0 3 24 302 13 1,

2-
_1-r- -#
4
2 -3 24 24 '2 3 -2 13 1, 4
4 0

Dominant 7th
47 3
t 31 203 4
2 3 2
4 4
olr-
2 4 131 1- 5 13L2L3 132 -1
3

Broken 3rds
54
4 4 4 4 -e

62
4 4 4 4
)- a-,__*

G
 Chromatic 27
3
70
1.1.223401 1223 0 112234 0 1 1 2
+
44-Ed- '+.p-

77 2
2t 0 43 22Lt0 21. 1043221L
4p+p-
t_
D+
Octaves 4
a4 4 A4 7
r-l

-a J

}-

88 D4
G

_+ __{ -1
)_
4
92 4 A4 1"
D4
1, D
-T

Thirds
-
100 4 L 1 2 -1 2 -',t 2 t -2 1, -2 1 34
1, 2 3 4 -3 4 3 3 -4 3
-'-- ----
---a
-{

t )
108 4 t 1. 2 -1. 2 -t 2 1 -2 -2
-4
1 +
1 2 3 4 -3 -3 4 3 3 3 2 L

Sixths
116 2 J 2 3 2 3 2 3
2
2
1
3 2 3 2 32
) 1 1 2 1,
2 1 2
--a
---a
-
T a- T -{ ---a

2 3 3 2 2
3 3 2 3 2 3
124 2
L
3
2
2 J
2
2
1, 2 L
2 2 ,],
2 1 2 2 t
r+-
Harmonics D G
4 4
4 4 4 4 4 4 4 4 4 4 4
!-
1 1, 1 1 1 1 1, 1" t 1.

---< t-,
,-€ +#__tt_¿_ tr€

G
D
140 4 4 4 4 4 4 4 4 4 44 4 4
L
4
7
4
a
L 7
1 L 1 1 1, 1.

-É---- -c
---€
--§
28 Kev of B
Major Practice Preplratory Shifts on p. 3

2 4 0 4 4

-a-
2 1

Melodic Minor 4
9
0 0 4 4
#+lt_ 2- --
z

Harmonic Minor
4
0 4
0
_-Ea- J--:
4
---r--p-
't_
1,
-1 4 72 L 11

Tonic Minor Tonic Major

0 4 4 4
==-fit* 2- --O-- ^ - tD--
"r-
L-',), 2 1- -1, 2 1.

Sub-mediant Sub-dominant Major

33
4 4 0 4
=t=# ----- -p-
1- 1 2 1- 1 1- 1 2 1 -1,

Sub-dominant Minor Diminished 7th

41
0 4 1 13 4
2

---F)_ I
4F- -*. ---o-4 H+
1,- T 1-1 1- 1 3124

Dominant 7th
47 4 4
4 3 1.4 40 4 1,L
u- --tr--¿-*= --)-
242 1 1
-1 3 L 2 I 3 1- 1

Broken 3rds ?
54 2
4 1l Lt 4 0
2 1
c)

31 4213 2

62
0 4 1 11 4

41.3 2- :ú
 29
Chromatic
70
2 3 4 0 L 122 40 2 2 3 3
(\
4
3 4 0 1 12 LJ
1

#¡¿tr¡ _p-\r-a)_)_
-4;+.á"- -fl rl

77 4 J
3 2 2 1 I 0 4 3227 0 4 3 221 l" o 4 3 2

?- #1-- -o-TW l--*

§
B4
o ctaves E4
D1
4 A4
7 D

-------1 -{ ----{ ,__

t

A4 D4
D1

)_ 7- -_1

É4 A4 D4
92 4 A4 A1 D1 G
1 D1
---7
€1-€r- --é -------6
9_-
9-- e-

Thirds
100 X1 1 -1 2 -x1 1 -1 2 t -1 x1 2 L -1, x'1,

tu
4 3 2
2 3 -2 3 2

r#
108 t -1 2 -1 1 -1 1 -1 t -2 1 -t 1
1,

-3 _) 2
-3 2 -4 3 -3 2
2 3 4 3 -3 4 3

-P,___J2-

Sixths -2 3 4 f
2
-2 4 3 2 -2
116 2 -2 3 4 2
1 -1 3 2 1 -t 3 2
1 2 3
a- J- q ----
--- J- T a- )-z

1?4
-2 -2 3 4 3
1
2
-2 4 3 2-2
2
1
3 4
3
2
1 -1 2 3 1 -7 3 t
9-_ e- -a

G
D
132
Harmonics
4
D
1
A
1 t t 1.
L 4 4
4
1, 4 4
&
G
D
D A L 1.
140 1 7
L 1, 1, 4 4
4 4 4
4
t-
30 Kev- of Db MaioriC# Vlixror
Major Practice Preparator! Shilts on pagc 4
3 4
4 2-1 .1 41, 2
4
t- 2 4 4

1- 1 4
2

Melodic Minor
o 3
34 L 2- r
4
2-3 43
-a
1, 1, 2 1 2 34 4 4

Harmonic Minor
17 3
1
34 2-1 4
2-3 43
-a
1 2 3 4 t2 L 2 34 4 3 4
2

Tonic Minor 4 Tonic Major 4

25
0- 1 t 1-
42 3 0 3 242 1,
1,

2
2 1 3 24 2
2 3 2 4

Sub-mediant 4
Sub-dominant Major 4
2 2
4 2 1.-1, 3 1-1 4 1-1 1-1
____ta_ -l- --o-
3 4 L 1 4 3
2 2

Sub-dominant Minor 4 Diminished 7th

41 2 2
4 0 -L 4 h b 1-0 4\ t-L 3 4

-.-
2
1, 1 4
2
41, L

4 Dominant 7th 4
47 2 3
4 1
3 1-1 1, 4 2- 4',L 3 14 -2 3

-
áz -*¿)¿F- -t-
314 ) 42 3 J 247

Broken 3rds
54
4
2 -2 (c\
^
-p-

62 2- 2
4 4 4 4

W --- tJ-,
 Chromatic 31
4
70
t 2 1, 7 t 2 2 3
_o_
4011223 40112234 ñ
_#p_
ffir_

4
77
3 22 1-3 2 1 0 43 2211 4 2 t 10 4
ryp-

Octaves E4
4
a4 4 A4 1
A1

__a )-- )_ )__

)--
o

4 A4
1 4 D4
88 D1
G1

)_- )- ______tl ------{

)- )-
E4 4 A4
4 4 D4
92 444 1.
A1 1 D1
G

9--
9-

Thirds t
100 2 -1, 2-t 2 1, 2 -1 2 1 -2 L -2 -2
4 5 4 4 3 3

108 2 -1 2 -1 2 1, 2 -t
-3 -2 1, 2. 1 -2 1 -2
4
4 4 3 4 4 3

3 4 3
Sixths 3 -2 a 2 3 2
3 -2 -1, 2 2 7 2 -3 2 -3
116 3 -2 2 -t 2 7
-2 1
1
)- J- 2-{
T T

3 4 )
-2 3 -2 3 a
2
-3 2
-3
124 -2 3
-1 -1 2 1 2 -3
!
3
2 -1, 2 t
9-
9--

G
D
\*' Harmonics D
4 4
132 4 4 4 4 4 4
1
L ! 1.

,-ÉrL- ---c

D G
D A 4 4
140 4 4 4 4 4
4
1. t 1" 7

---ñ'- -6

\*
32

Major
Key of Eh 4
Practice Preparatory Shifts on page 5

3 A
1 2
4 4
1 4 3 -1 2 3
1-3
tdo -"o-
G 2 4 4 4
2

Melodic Minor 4
o 1 4
1 5-A L 3

tr-t- -lwa A
4 4
G 2
2

17
Harmonic Minor
L
-r'!_,
4 A
4
7 +
G
W -PY12a
2 4 4 4
2

Tonic Minor 4 Tonic Major 4

,E 1
1 1-1 3
1,-1, 1, -1. 7 -1
h-l l-

G 4 2 24 2 4 2 24
2

Sub-mediant 4 Sub-dominant Major 4

2 2
4
2-L 3
L-2 -1 t-2
t 4 I

24 3 34 2 1 3 31

Sub-dominant Major Diminished 7th

41 2 2
4
2 -1, 1,
-2 13 2 -l 3

--#z-
27 3 31 141 3

Dominant 7th 3 4 3
47 2 1
4 b 1,
3
1-2 0 3 13 1 3 -1 3 3
1 3134
--------1_----n- _v'7
14 2 4 4 4 241

Broken 3rds 3
54 2. 2 -2 1
3 2
I
1 4 4 4
-+-

62
2
-2 2
4 4 4 01
 Chromatic 33
12 1.
2 2 3
+4
70
1"122 34 112234 01 2 IL

p-

3
3 22 1-
77 3 2 t -2 I 0 4322110 4 3 2211
>-h- E*bp-ld# -4-++.

Octaves E4
84 A1

j- )__ )_-
)--
A4
88 D1

)_ )- )-
É.4 A4
oc D1

?- -)-

Thirds
100 2 4
2 1
2 1,
-2 L -2 2 I
1 2 -1, 3
4 3
-4 -4 4
-3 4 3 3

ffi
3 4 4

-t -1 2 -1 2 1 2 1 -2 1 -2 1,
108
3
L 2
4 -3
2
4 f, 4 -3 4 3 4 3 -A -4 3

Sixths
116 1" 2 3 4 1, 2 3 4 3 2 1 4 5 2 1.

z 3 0 1 2 3 1. 3 2 1, 0
0 1
--a 4 ----
---a ----
-{ --a --a )----

124 1 2 3 4 L 2 3 4 3 21, 3
2
2
7
1
0
0 1, 2 3 0 1 3 2 3
----
- - ----

D
Harmonics 4
132 4 4
'1. 7

-- a- W
='_ffi k
D
A
4
140 4 4 1
1 1
9t--
?--
34 Key 0f E Practice Preparatory Shifts on page 5
Major 2 3 4 A
4 L 4
1. 3 -1 2 3
1-3 4

-#l
-*
G 2 4 4 4
2

Melodic Minor 4
I 1 4
.t 3-1 2 1-3

G 2 4 4 4
2

Harmonic Minor 4 A
17
4
_/\
1,
2
L
-1, L

G 2 4 4 4
¿

Tonic Minor 4 Tonic Major 4

¿c D 1,

t 1, -7
3
1-1 1 1, -t L -1

G 4 2 2414 2 24
2

Sub-mediant 4 Sub-dominant Maj or 4

JJ
2 2
4
1 2-1, 3
L -2 10 2 -1, 1, -2

2 4 3 34 11, 3 31

Sub-dominant Major Diminished 7th

41 2 2
4 4
1, 2 -L t-2 L 3 -1 3

2t-#1- 3 31 2 4! ?

4 Dominant 7th 3 4 3
47 4 1 L
3
1-3 1 t 3-1 3 3
1-3 1 3 4
tr-
I 314 2 4 2 4 14 241

Broken 3rds 3 4 .3
54
2.,
1 2 -2 1 2
+
1 4 0
--+-- -J--- -?-

62
2- 2 2- 2
0 4 11,
 Chromatic 35
2 72 1,
2 2 5
q4
70
1"223 1 2234 011 2 1

@--
#W

4
3Z 2
3
;
1,
77 2 1 ¡3 2 1o43zz1!o 221,

Octaves 3
84 4 0
- ,-
\- o-
)_-
3 4
\- 88 0 t
)_- )-- )__ o_

3 3 4
92 4 U 0 L

?_-
9_

Thirds 2
100 20 t -1 2 U L
4
1 0 -2 1
-1 0 -2
-3 -2 3 3 3 -3 2

ffi
3 4 2
#,
ffi

\_-.

108 2 0 1 -1 2 0 1 2
4
1 0 -2 1 -t
-3
0 -2
-4
4 3 -3 4 -2 3 J 2 -4 3

Y Sixths
116 ) 2 3 4 2 -2 3 3 2 -2 4 3 2 -2
1, 1 2 1 2 3 1, 2 1. -t
q -a
\- ---- -'a -1 a----
---a --'a

124 2 -2 ) 4 2 -2 3 4 3 2 -2 4 3 2 -2
1 -1 2 J -a 2 3 1, t -1
é '¿--,--,e ----
--é ----

v,a Harmonics 4 4
4 4 3 1 3 1.
3 1

\- §

4 4
140 4 4 3
3 1
I
3 t
o-
36
Key ofl F' Practice Preparatory Shifts on page 5

M alor
"D E
2-t 1 4
2 0 2-1 4 4
_-{*
G D G L
2 4 4 4

Melodic Minor E
9 2 -1 .E-V
1 -4
,# 2 2-r f- 4
'-)#
G A D G L
2 4 4 4

Harmonic Minor
17 2 -1 1- E
4
b
2 2
_z+?r
-o-
G A D G 1
2 4 4 4

Tonic Minor 4 Tonic Major 4

25 D 5
1 1
3 3 _1 !
3
2 2 1 1 1A 2 27 'l_
24
#
G 2
2

OJ
Sub-mediant 2
4
2 Sub-dominant Mafl 2 2
3 4
20 3 21.3 1,
.I

2 2

Sub-dominant Minor 4 Diminished 7th

41 4- b
2
b
2
-4 3- 1,
3
2 3 2 13 1

2 2 42

4
3
Dominant 7th 4 3
47 1 3
_7 1- 3
1 2 4 t 42 1
_#
4243 2 4L

Broken 3rds
54 2- 2 2 -z 1 2
g
24 0 4 0
2 -2

2
62 2 2- 2 0 4 0 4

------r'----f------r-
 Chromatic 2 3 4 3/
70 2
1
I 2 -# 1 2
-o-
2234.0 11223 4 0 1 2
_1 2 1,

19_
--t40-

3 2 2 1 3
77 b 2 1
\-
2 1 1, 0 43 22LL 4 3 2

Octaves 3 3 A
84 4
0 0 7
1,

)- ,- T o- )* T )- )-
T a - -

3 3
92 4 4
U 0 1
1,

?- ?- 9-
9)-

Thirds -1 4 1
100 0 1 -a 2 0 1,
-3 2 -1 0 -2 ). -1.
2 3 -3 4 -2 3 3
-3 2 -4 3 J 2

t*

,!

108 0 1 -1 4 0 1 -1 2 L
-L 0 -2 -1, 0
2 3 -3 2 -2 3 -3 4 3 J 2 -4
1,

3 -3 2

+-----.

S ixths
116 2 3 4 1 2 3 4 t 4 3 2 14 3 2
1. 2 3 2 3 0 3 2 2 1

-{ --7 -- --a -- -{
--{ --a -z -a s- --a -7
-1 --a
2 3
1"2 1. 2

124 2 3 4 7 2 3 4 1 4 3 2 1 4 3 2
1 3 0 2 3 0 3 0 3 2 1,

-'7 -------€ -----€

i
?- 9_ -é --é
2 3 2 -3
L 2 1 -2
4
132 4 4
4 4 4 3 1 f, 4 4 4 4
1,
1, L 3 1,
1 3

o- T T

4
4 4 4 4 4 4
140 4 4 4 3 1. 3 4
I 3 1 1 1.
1. 3 t
_#
1. 1,
1

+---§ 9_ ?- ?-- --9-----<

38 Key of F# Practice Preparatory Shifts on page 5

Major 1- E
D 2 -1, 4
2 2-L 4
-a-p-
G D G
2 4 4 4

Melodic Minor 1- E
9 2 -1 4
2 2-1 4

-W
G D G
2 4 4 4

Harmonic Minor E
17 2 -1 1
4
2 2-
)#
G A D G
2 4 4 4

Tonic Minor 4 Tonic Major 4

25 D 5
1 1,_
3
_1 1,
3
2 2 1 1,
2 2 2 1,
2
2-#-
G 4 2
2

Sub-mediant 4 Sub-dominant Maj

2 2
4
9r, 2
3
2 3 1,
21,3

2 2

Sub-dominant Minor 2
4
2 Diminished 7th 3
41 4 4 3 1
2 3 2 13 1

-¡--*-*--#*-
Hl'__+tr---r|-
2 2 4 4 2

4 Dominant 7th 3
4
3
47
3
1, 3
1, 1-
t4 2 4 1 42 1

4243 2 4t

Broken 3rds 2- 2 1
3 2
54
2 2
2 2- 2
4
=
1,
2 1, 2 1

-+*
2
2
62 2 2
-2 r1 4 1

-#
 Chromatic 1, 2 3 4 39
70 2 1 2
2 _@
23 3, L 22 34 U L
1.
2 1 1

8-
e+pJ

4 3
3 2 2 1 3
77 2 7 3 2 1,
2 a 04 3221 0 3 2

-¿ffi-
Octaves E4 4 A4
4
84
t A1 t D1

T U* T )- T

E4 4
OD 4 A4
A1 1.
L D1

\.- 9_ 9_

Thirds 2 1
100 x 1, 1, -1, 2 -x1 1,
1,
4 -1. xL -2 1 - 1 v1
2 -3 4 -2 3 3 3 -3 2 -4 3

-?Én

2
x1 -1 -x1 -1, -1
108
2
'l_

3 -3
2
4 -2
1
3 -3 4
1,
3 -3
x1
2
-2 1
3
-L xL
2

Sixths
116 2 3 4 ) -2 3 -3 3 -3 2 -2 4 3 2
1 1, 2 -2 3 2 1,

--a -{ --z
a I --1
-{ --a

124 a 4 1A
\- 2 3 4 2 2
!
3 3 -3 2 3 2
1 2 3 2 -2 3 2 1 L
---- --é
------é
--é 7- ?-- --é

E
Harmonics A 4 4 1
D
132 4
\, 4
I L 4 4
1
4
1l

E
A
A 4 4 D
140 4
4 4 L 1, 4 4
1.
1.
1.

_< 9_ 9__
fl_
With more than 40 years of performing and teaching experience, violinist
and violist Barbara Barber joined the sales team at Robeftson & Sons
Violin Shop, one of the rvorld's premier bowed string instrument dealers,
in Albuquerque, NM in 2014. Barbara has concertized and presented
master classes and pedagogy clinics across the United States, and in
Canada, Mexico, El Salvador,Brazll, Peru, Colombia, Australia, New
Zealand, Korea, Tairvan, Hong Kong, Japan, Italy, Ireland, Finland,
Sweden and Bermuda. She received her Bachelor of Music and Master
of Music in performance at Texas Tech University with additional studies
at Interlochen Music Camp, Rocky Ridge Music Center, Accademia di
Chigiana in Italy, Taos School of Music and Banff Centre. Barbara has
held faculty appointments at Texas Tech lJniversity, Texas Christian
University and the University of Colorado. She has been recognized for
her many articles, presentations and roles on the advisory and editorial
boards of the American String Teachers Association and the Suzuki
Association of the Americas. Barbara's widely-used collections of books
and CDs are published by Preludio Music Inc. and distributed worldwide
by AIfred Music.
L

Circle of Sths
(

L
:-

C Major G Major
A Minor E Minor

F Major
D Minor
F F D Major
B Minor
L
L
L
L
FA

-Ü- F
L Bb Major A Major
\- G Minor F# Minor
L
L
L
L
Eb Major
C Minor *r+-
¡ ##r-
-T--
E Major
C# Minor
L

L
*#
_Ü-
Ab Major B Major
F Minor
#4+
d
Gf Minor

Db Major F#Major
Bb Minor D# Minor

.a
\_
Chord Functions in the Key of C
-

I ii t1I IV V VI vii" vii'/V V7IIV

: Tonic Super- Mediant Sub- Dominant Sub- Leading- Diminished Dominant
tonic dominant mediant tone 1th 7th