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What cadence does it end on? (Give key, type & m.#)
Transition Does the transition have any (or all) of these features?
rhythmic agitation
brief tonicizations of chords other than tonic. (v/ii, viio/vi, etc.)
expanded cadences.
passage work (repeated scales & arpeggios)
modulation to the parallel mode (ex. C Major becomes C minor)
What cadence does it end with? (Give key: type & m.#)
Theme Group II What sort of phrase structure is used for this theme? (account for every measure)
(Subordinate Theme)
What cadence does it end with? (Give key: type & m.#)
Closing section Does the closing section have any (or all) of these features?
tonic pedal
scale degree 1 prolonged in the top voice.
a decrescendo at the very end and/or a soft ending.
DEVELOPMENT
Is there a key that occurs more often during the dev?
(optional) Does the extra music before the core have any (or all) of these features?
recalls the main theme,
recalls the motto,
repeats the closing theme,
introduces a brand new theme.
Core Identify which bars from the exposition are used as a subject for the core.
mm. ______________________
Describe patterns you hear in the imitation.
RECAPITULATION
(optional) motto
Theme Group I Normal Modified
(Main theme) Theme 1 is the same length in the theme is restated in the exposition,
the recap as it is in the but it is not restated in the recap’.
exposition. The recapitulated harmonic sequences occur that were not
Theme 1 is either exactly the included in the exposition.
same or it is similar to the deletion of tonic cadence. The cadence
exposition version. that ended TG I in the exposition does not
occur in the recapitulation.
Transition Does the transition have any (or all) of these features?
Theme 1 was modified by a deletion of its cadence, so one cannot tell where
TG 1 ends and the transition begins because no tonic cadence divides them.
There is new material in this transition (give mm. #)
Exposition materials are (a) deleted or (b) compressed.