The document discusses themes and techniques for a stage combat performance. It describes a storyline where a rivalry between fans of opposing football teams leads to a confrontation and brawl. The male character initially dominates the female in the fight but she ultimately overpowers and defeats him, subverting expectations. Dialogue emasculating the male character by questioning his masculinity is discussed as an effective way to provoke a reaction from him and further the storyline.
The document discusses themes and techniques for a stage combat performance. It describes a storyline where a rivalry between fans of opposing football teams leads to a confrontation and brawl. The male character initially dominates the female in the fight but she ultimately overpowers and defeats him, subverting expectations. Dialogue emasculating the male character by questioning his masculinity is discussed as an effective way to provoke a reaction from him and further the storyline.
The document discusses themes and techniques for a stage combat performance. It describes a storyline where a rivalry between fans of opposing football teams leads to a confrontation and brawl. The male character initially dominates the female in the fight but she ultimately overpowers and defeats him, subverting expectations. Dialogue emasculating the male character by questioning his masculinity is discussed as an effective way to provoke a reaction from him and further the storyline.
• Having a storyline will create a stand out performance.
Memorable dialogue. • Our fight is stated simply through team rivalry. Lauren is a West Ham fan, chanting down the street, and I am a Millwall fan, who’s looking for confrontation. • The brawl sparks because my character spits on her face. • Lauren plays a woman, and I a man - typically, the male character will dominate the female. We decide to play on this factor, of which I am controlling the fight at the start, but, unconventionally the female overpowers the male - and ultimately win the fight. • This component of the fight is ironic.
I could research East-London films, to inform my dialogue. This
would create a focus point for the audience, as the dialogue would be thought out and detailed.
We decided that remarks that emasculate my character are
effective. My character is a dominant, football-orientated, man. He is considered to be ‘macho’. So if he were antagonised about his powerful masculinity, a reaction would trigger. I believe this an appropriate build up. Phrases such as “bitch” and “is that all you got” would anger my character.