wo & www » oo bw wb a CAMERON MACKINTOSH Presents Based on the H.G. Wells novel “KIPPS: The Story of a Simple Soul” and the original musical by BEVERLEY CROSS and DAVID HENEKER Original Songs by DAVID HENEKER Book by JULIAN FELLOWES New Music and Lyrics by GEORGE STILES and ANTHONY DREWE Orchestrations by WILLIAM DAVID BROHN Co-created by CAMERON MACKINTOSH PIANO / VOCAL SCORE MUSIC THEATRE INTERNATIONAL Europe onbehatfot CAMERON MACKINTOSH LTD.KIPPS~ THE NEW HALF A SIXPENCE MUSICAL, 1al Version © Copyright 1963 David Heneker & Beverley Cross, by arrangement with the Wells Estare © Copyright 2015 / 2019 by The Music Trunk Edition © Copyright 2019 by Music Theatre Al Rights Reserved UNAUTHORISED REPRODUCTION OF ‘THIS COPYRIGHT MATERIAL IS ILLEGAL Applications to perform this work must be made, BEFORE REHEARSALS COMMEN MUSIC THEATRE INTERNATIONAL (EUROPE) 12-14 Mortimer Street London WIT 3)) United Kingdom “Tel: +44 (0)20 7580 2827 ‘www mtishows.co.uk, May 2019 PRADA heOeKIPPS The New Half A Sixpence Musical Cl 3 haracters Anruue Kives An Apprentice Shopman at Shalford's Bazaar. A ‘simple soul = Ann Pornrex Arthur's childhood companion. Youn ArrHuR => Younc ANN Aunt Susan Kirrs = Unete Bear Kivrs ‘Mr SHALFORD Portly, middle-aged proprietor of Shalford’s Bazaar. = CarsHor The floor-walker at Shalford's Bazaar. Sip Pornick Ann's brother, a Socialist. Prerce A dandy. | Apprentices at Shalford’s Bazaar. Buccins A pessimist. Fio Evans Head window dresser at Shalford’s Bazaar. Heten Watsinenam Educated, classy and beautiful 3 Mrs WatsincHam — Helen's mother. Fussy, tiresome, full of self-importance. James WatsincHam — Helen's brother. A financial adviser, Lapy PuNNet Wealthy friend of Mrs Walsingham. Haves / Miss Ross — Students at Helen's Evening Class. Currrertow ‘An actor, playwright and impressario. Foster Lady Punnet's butler. Lapy Dacre Me Bree Borrive ] Well-to-do friends of Lady Punnet Mr Maxwett An architect. Mary Sid's fiancée PHOTOGRAPHER ENSEMBLE Shoppers, Crowd, Party Guests, Policeman, Waiters, Posh Ladies ‘and Gentlemen on the Promenade, Wedding Party Guests, Mildred (Mrs Walsingham's maid), ec The action is set in Folkestone in the early years of the twentieth century.Musical Numbers 10a. 10b. Ma. |. End OF Act One (Instrumental)... ACT ONE Overture (Instrumental) Half A Sixpence ~ Pare 1 (Kipps, Ann)... Look Alive (Shalford, Carshot, Apprentices, Shopper) .. Look Alive — Reprise (Instrumental) Money To Burn — Part 1 (Sid, Flo, Pierce, Buggins, Kips) Woodworking Class (Instrumental) Believe In Yourself (Helen, Kipps) She’s Too Far Above Me (Kipps) ... ‘Watch Out! (Instrumental) Scene Change into Hope & Anchor (Instrumental) Money To Burn ~ Part 2 (Kips, Chitterlow, Crowd) Binge On A Mango (Kipps, Chitterlow, Company). A Proper Gentleman (Shalford, Kipps, Apprentices, Ensemble). New Romney (Instrumental) ... Half A Sixpence — Part 2 (Kipps, Ann) Long Ago (Anz)... The Grand Hotel (Jnstrumental) .. A Simple Lunch (James, Mrs Walsingham, Kippi) . ‘The Joy Of The Theatre (Chitterlow, Ensemble). ‘As Fine A Man (Jnstrumental) . Just A Few Little Things (Kipps, Helen)... Just A Little Touch Of Happiness (Ann, Flo) If The Rain's Got To Fall (Kips, Company)...ee ACT TWO 14b. Entr'acte (Instrumental) 15. The One Who's Run Away (Kipps, Chitterlow) . Scene Into Simple Tune (Instrumental) 15b. Lady Dacre’s Bassoon (Jnstrumental) .. ab wb wb 15. James’ Toccata (Jnstrumental)... Pick Out A Simple Tune (Kipps, Ensemble) I Never Get Anything Right / I Know Who I Am (Ann, Kipp). io On My Side (Instrumental) ore 18. We'll Build A Palace / 1 Only Want A Little House (Mrs Walsingham, James, Lady Punnet, Mr Maxwell, Kipps, Helen)... 18a. Fond Of Him (Jnstrumental)... & & 19. In The Middle There's Me (Kipps, Apprentice). 19a, Round The Corner (Jnstrumental) ... 20. Long Ago ~ Reprise (Kipps, Ann). .. Never Know A Good Day Again (Instrumental). . Believe In Yourself ~ Reprise (Kipps, Helen)... Flash, Bang, Wallop! (Kipps, Ann, Sid, Pearce, Buggins, Flo, Photographer, Ensemble).. Flash, Bang, Wallop! ~ Reprise (Chitterlow, Company) 3 3 3 3 > Half A Sixpence ~ Instrumental (w. Company) Bows (Kips, Company) 23, Play Out (Instrumental)Ran SD Ge @ a See Sas =———' ée=KIPPS | The New Half A Sixpence Musical ACT ONE > ; No. 1 — Overture ; {Inscramental) tga Masi nd Lis by David Hecker New Masieand Arrangement by George Sls } Con rubato Now Lye by Anthony Drewe 1 (Golo Banjo) ' ' of ) Tentative (Piano & Banjo) Pro cras penne KIPPS: Will you miss me, Ann? ANN: I shouldn't thinkso, ANN: Will you do mea favous, Arthur? Copyright © 2015 / 2019 The Music Trunk. All rights reserved, UNAUTHORISED REPRODUCTION OF THIS COPYRIGHT MATERIAL IS ILLEGAL.ray No, 1 ~ Overture SAR KL Seah bee Yee, eee | &) KIPPS: See, | got this sixpence and I managed to filet in half. T dunn smorning. av) Lb a PPeneteNo. 2 — Half A Sixpence — Part 1 (Kipps & Ann) Original Music 8 Lyrics by David Hencker (CUE: ANN: What's a "token"? New Music and Arrangement by George Stiles New Lyries by Anthony Drewe KIPPS: Well, you keep half and U keep half and when we're sep'rated, you look at your half and I look at mine - see? Moderato Kipps Piano! Con Ped. 5 KIPPS (cont'd): Then we think about each other, ANN: That's silly. KIPPS: No, ic ain‘. Pp Kipps Pro. Kips sweet-hearts are go -ing stea-dy ‘And walk-ing arm in arm Pho. ‘Copyright © 2015 / 2019 The Music Trunk. All rights reserved.4 No, 2~ Half A Sixpence Part 1 a & , i a 6 pi ta em a HD Like a ring or aluck-y charm & _S sean LA AP Re oe 2 fo fa 6 oot ©No, 2~ Half A Sispence Part 1 (Ac. Gtr. & Bass on Downbeats) 28 Ann Is bee-terthan ‘arf 2 far = thing, Is bet-terthan aR Pro. Think of it like this Pca‘No, 2— Half Sispence Part 1 ‘When you're miles aw - ay When I'mmiles a - Will make you think Ar ‘Then may-be chat = thur Kipps is mm & & * TPOre range aa ot pe Se eee aa te ae = 7 em « € € € en e& « ed) tfid th ee De ee ye & YY ew wD wD & ows wb» ww No, 2~ Half Sixpence Part 1 4, Kipps The kind. you might A ty ‘arf whoselips is | t i When I'm back with ‘When I'mback with you, ZA es erm One and one make — cwo. One and one make — two.8 No, 2 Half Sispence Part 1 e (A man and a woman, Uncle Bert and Aunt Susan, arrive) i or UNCLE BERT: Arthur! Come on! You're going to miss 55, Straight in 2 your train! Ann this! Kipps ereee UNCLE BERT: And mind you behave proper when you get there! Con moto Ty ——_— SS Se > ae et ll ee ee Pho. we. i pe i sannnnnerte iwb b&b w oe ee ww ee ee diy ‘No, 2~ Half A Sispence Part 1 AUNT SUSAN: Arthur's always proper, arent you, Arthur? KIPPS: ‘Course | am Aunty. I'd berter go. (He starts 0 join the other. Then Ann notices that he bas lef is banjo bebind. ‘She snatches it up and rans afer him.) ANN: Don't forget your banjo! Ss Pro. ceresc. poco a poco KIPPS; Don't forget me. ANN: ‘Course I won't, Ary. We're sweethearts now, aren’ We? pocorit. - - a £6, ~~ see ao~CO te ne eels f Pro. eS (The music swells asthe set changes t.. Folkestone.) Sweepingly aa a Po. =e = yO yONo, 2~ HalfA Sispence Pert 1 (Folkestone, We se young Arthur replaced with th adult Arthur, showing years have passed.) (Heis joined by nv0 more apprentices, Sid Pornick, Ann's brother, and Pierce, together with the main shop girh Flo, and the head windew-dreser, Carcho, all working at Shafords Bazar.) (Thy are grected by a portly man in middle age, Mr Shaford) ® ¥ ee a TAA AR A & € € e & e 2 annane | a O 2 Shlb No, 2~ Half A Sispence Part 1 SHALFORD: ‘Morning Mr, Carshot, morning Pierce. PIERCE AND CARSHOT: ‘Morning, Mr Shalford. 3 3 Pho. 3 ¥ a) SHALFORD: ‘Morning Mr Kipps, morning Mr Pornick, ‘moming Miss Evans. 9, ———QoE— S|} =) # : Pro ww KIPPS, SID AND FLO: ‘Morning, Mr Shalford. SHALEORD: Now, Mc Kipps, I hope you're good and ready. (SCENE CONTINUES) ral. bbb ewe due2 No. 3 — Look Alive (Shalford, Carshot, Apprentices & Shoppers) Music and Arrangement by George Stiles Lytics by Anthony Drewe (CUE: FLO: Is there anything you want the rest of us to shift, Mr Shalford? SHALFORD: The merchandise, girl. The merchandise. Mr Kipps, you've been here for seven years. 1 Steady 2 Shao Piano SHALFORD (Cont'd): What's the secret of the successful draper? KIPPS: ‘Fishency, si. SHALFORD: What else? 5 KIPPS: Economy, siz. SHALFORD: And most importandy? APPRENTICES: System, sit. >. . | 8, . Na Copyright © 2016 / 2019 The Music Trunk. All rights reserve. ® oomnnnnennnrrere | ae ee eet~*~ SSS eS SDS ee eS LS eM eS a SY Shalford Shalford Pao. 2B v7, No. 3 — Look Alive SHALFORD: System! And we've got the best system you could have, SHALFORD (cont'd): I made it, I ought to know. I began at the bottom of the ladder to0 - ‘APPRENTICES: When you were fourteen! We know! Sie Live by therules or face the fines Clearly in-scribed on —— + Busi-ness is buile on bottom lines If you'reto be a a\Y 4 No.3 — Look Alive Here neitherwaste nor squan-der (Win-cur my — wrath ee, ee SOG HE GE ins Hedi bs ee i ee el ee Ge ee please take note We cut our coat Ac = cor- ding to our pris es SHALFORD: [e's nine o'clock. Now open that door and get ready forthe customers! BUGGINS: Right away, Mr Shalford. SHALFORD: Not in your pyjamas, Mr Buggins! FLO: I'l do it, Mr Shalford. 3, Brisk Shalford > CLOCK CHIMES| Pro.CO OC SB EF OF EF OEE EEE No. 3 — Look Alive Wy #, (Fo) — Even so-cialclimbers Need Apps. [APPRENTICES] Ev-en so-cialdlimb-ers Need Shprs. (FHI: Novthingbut the fin-est mf [MALE SHOPPERS] AIL. thatyou de-sire Shprs. (M) Nocthingbut the fin-et All thatyou de-sire Pro. 4%, tein — the right attire ‘Shprs. (F)| You must make the right im-pres-sion One can’t af-ford to fail E- Shprs. (M)| E E = You must make the right im-pres-sion One can't af-ford to fail E-16 No.3 — Look Alive 8 f Look alive Look a-live Shpss. sta -blish your po-si-tion Up and down the so-cial scale Shprs (M) sa- blish your po-si-tion Up and down the so-cial scale Scill those wag-ging tongues Lookalive _lookalive Oh -my heart and lungs 35, (AO) Try the flow-eredeotson the Per - fect for thespring Ike's We all think i's roe-ten ( \ a2 ‘es f—1}—1) 7) 44 SHOT nanasg enn ead emia ea ek AAMAANDHMAD®! Ss ee es rma efNo. 3 — Look Alive Apps. 7 Weill rig them like a flagship Pro. [Ho] Look a-live Upand down the 3 cal vale Apps someare built like bar-ges Up and down the so~ cal scale Zid Pho. Car Show the lat-est rack look a-tive Apps Look a-live Shal-ford’s com-ing back Pro.18 Na. 3— Look Alive 103 Apps. Luck-i-ly the whale-bone Holds mp, Shprs. Tai-lorsaresuch wie-ards Ma - king Us look thin — the blub-ber in Shprs. (F) ‘They may be a bit ex-pemsive Bur fash - ion must pre-vail Pho. ‘Apps. stich them up com-plete - ly Up and down the so - cial scale stitch them up com-plete-ly Up and down the so - cial scale Pro, anennnn [fe =| | i ARAM a8 x SS = j } iw bw & hi & bbs a UY | No. 3 — Look Alive 19 1. [CARSHOT] Look a live Look-a- live Shprs. (8 Do you know who I Pro. U3 eel f Look a - live look a - live ‘pps [APPRENTICES - KIPPS & PEARCE (High) BUGGINS & SID (Lew) fe [BUGGING] Look a - live Mur - ton dressed as lambCar No-thingbuc the finest All__ that you de-sire Ev-en so-cal climb-ers [na] £ No-thing buethe fin-est AIL thac you de-sire Ey-en so-cial climb-ers Apps. FARCE (High), HUGGINS & SID dow) No-thingbucthe fin-estAll___chat you de-sire [FEMALE SHOPPERS ff. Ev-en_so-cial climb-ers Shprs. (F) No-thing but the fin-ex [MALE SHOPPERS) Sf All hat you de-sire Ev-en s0-cialelimb-crs Shprs. (M) No-thing burthe fin-est All that you de-sire Ev-en_so-cial climb-ers6obGdd dh 4 ww J w & bUUY YY w Ww & Ww No, 3 — Look Alive a Fightat-tie Youmust make therightim-pres-sion One can’t Fightat-e Youmust make therightim-pres-sion afford to fal Apps. i £ Tightat-tite Youmust make therightim-pression af-ford co fail \ Bix) Shprs. (F) : rightat-tire Youmust make therightim-pression One can’t af-fordto fall = E- (Din) (Onis) Shprs. (M) rightar-tire Youmust make therightim-pres-sion One can't af-ford to fail E~n No. 3— Look Alive 121 With Gusto Shalford Car Apps. Stitch shem up com-plete-ly Scitch-ahem up com-plete-ly Shp. {lee = sta - blish your po -si-tion E - sa-blish yourpo-si-tion Up and Shprs. (M) zi sta - blish your po si-tion E = sta-blish yourpo- si-tion Up and With Gusto Pro. ga gv A& AB 4 PA hha hnnrnnenenn @© & @ £8 ® A.= ¥UUE wv wy No. 3— Look Alive B 7—-- <== Py Shard io == Up and down the so - cial Up and down the so - cial scale. tr Pe EE = ' on SSS Up and down the so - cial Up and down the so - cial — Looka-livel Look a - live down the soo, cal seale. ‘Apps 3 (KIDS & PIERCE (gh), BUGGING (idl) & SID (Low) ———— Y down the so - cial ‘scale—____— MRS BINDOW-BOTTING (7h) |ALL SOPRANOS (Middle) 8 (Din) (ALL ALTOS ay) ____ = \ 1 Shpes. (F)| * oF + =] Up and down the so - cial Up and down the so - cial seale —___ (Din) [= h ——— Shprs. (M) | ep" $d ———— = ¥ Up and down the so - cial Up and down the so - cial scale a ae ae wlNo. 3— Look Alive z £ 3 a Apps CeCe Cee Cotte HW Shoes . @eeqeweuwuwee Shprs. (| Pro.&b6oGUWUCECbCECUCb’eae ww & UUHUUDY 2: No. 3a - Look Alive (Reprise) (instrumental) ‘SID: No Mr Shalford. Original Music by David Heneker (CUE: SHALFORD: That’ sculed, then. New Music and arrangement by George Stiles Lyrics by Anthony Drewe With Gusto il far ‘Copyright © 2016 2019 The Musi Trunk. llrightsreserved.OS bo oO Chee Oba UN i 6 ode ddan YRx@. GF TODOOSHOROVITBevUdud No, 3a Look Alive (Reprise) SHALFORD: Upstairs with you to che gir’ dormitory, Miss Evans, and don’t daw FLO: Goodnight, Mr Shalford. Py oS aes oe eee aad 3B.7 No. 4- Money To Burn — Part 1 (Sid, Flo, Pierce, Buggins & Kipps) ‘Original Music & Lyries by David Hencker New Music and Arrangement by George Sti New Lyrics by Anthony Drewe GUE: SID: Well, chink! What do we need to make ical happen? KIPPS, FLO, PIERCE & BUGGINS: Money! SID: You've got it! (0) 1, Steady cond Liv-ingherelike adrudge with Aorenses [APPRENTICES] 3 2. Liv-ingherelike drudge with Piano: a a fel - la s'posed to 2 Apps! posed to dream? el How is a fella siposed ro dream? Pro. Copyright © 2015 / 2019 The Music Trunk, All rights reserved.\ & & ® w® & Cee ee ce A A yee eo DOSTHHUGEESEDUddCS a a = = poco rall. —_ ich poco rall., . = If we were on-ly No. 4~ Money To Burn ~ Part 1 IF life could switch & 4 e = i Slower 1 [Fo]No.4 ~ Money To Burn ~ Part 1 29 hole in my pock-et @Ud¢udud CuUdsé i? 23 Tempo giusto Kipps Down to thetown with - out a Blow right in - the mus~ie shop And uUL Pho. | »UU u buy me aban-jo Clat-ter jang-a ring-a jang-a Buy me aban-jo Clat-terjangea ring-a jang-a you 3 3 3 i= vi |30 No.4 — Money To Burn — Part 1 Buy me aban-jo Clat-ter jang-a ring-a jang-a That's what { would do SID: An’ ‘ow will that “dp the workin’ man? Besides, you've gota banjo? KIPPS: No, i broke ages ago. PickingUp a zl Sa, Pho. : ™P KIPPS (cont'd): and I want someone to teach me on a proper one. poco accel... 40. PIERCE: like to teach Shalford a thing or two.some fun, Sid. It can't all be about fighting injustice. No, 4— Money To Burn — Part 1 KIDPS: (of Sid’ disapproving lok) You gotta ‘ave é i gf A & i ROARDRARRARRRARNDTTRADD DD £ &Pee ese De aoow help ‘em our Tdwane to Meno mosso 4 2 z 2 f 2 & i 3 (Ne. 4— Money To Burn — Part 1 Look at thework-ing clas - ses Ba strings i 2 = i E 8 z a . f ‘Tempo Primo a.No, 4 Money To Burn — Part 1 33 fol It gives me the va- pours cS 2 Colla Voce Td give up the dra- pees so DD 3 ATempo Colla voce Apps. Then [couldlive a pro-per_life I thinkI'dmake a love - ly wife And a7, ATempo poco accel. Td have a ba - by — oo-chie coo-chie coo-chie coo Have an-oth-er ba - by4 ‘No.4 = Money To Bur ~ Part} .00-chie co0-chie coo-chie coo What an-oth-er ba - by! — o0-chie coo-chie coo-chie coo oT fo With Movement That's what I would [ALL APPRENTICES] ‘That's what 1 would do all thar [KIPPS & PIERCE (High)) [BUGGINS & SID (Low) ———_[hucang that RHRaAAR YS eee en pe ft ht)No. 4— Money To Burn — Part 1 & i § & z Bo i RDPRPRPRARRMRAAAANADTAMD TD 936 (No. 4 Money To Burn ~ Part 1 ‘o0-chie coo-chie coo-chie coo Td have a banquet gob-ble gob-ble gob-ble gob-ble (i) ‘That's what I would do ‘APP PIERCE (Fgh) BUGGINS & SID (Low) Pro. GPRPRRAhAOANDRPRAHHT Hee eons ®@ @aQaa axaNa. 4— Money To Burn — Part 1 37 “o@d4s mon -ey all shat mon -ey could PIERCE (High) BUGGINS (Middle) SID (Low) YUU ECEE wu 1 had (ERCE (High) IGGINS & SID (Lew) w BeWuuUUuUUY38 No. 4— Money To Burn — Part 1 all that mon - ey PIERCE (High) BUGGINS (Middle) & SID (Low) KIPPS: Blimey! Betcer get going or I'll be late! How do I look? FLO: Smashing! LH \ & OHH OH & a) tion is aide me een os ne | ” i3 WV) Ww ub | | Ww w& TT & | w UU No.4 Money To Burn — Part 1 39 135 Steady pops | buy him his ban - jo dlat-ter jang-a ring-a_jang-a [BUGGINS] Him and his ban - jo 138 poco rall. Td strumbis ban - jo Clat-ter jang-a ring-a jang-a Clat-ter jang-a ring-a jang-a Pro. 14 Colla voce Atempo That's what I would do Apps PIERCE Wig), BUGGINS (id & SID Law) That's what I would do Colla voce ‘Aempo..No. 4a - Woodworking Class (Instrumental) Music and arrangement by George Seles ‘CUE: Applause Segue from No.4 - Money To Burn Part 1 Con Moto Pep |e se : : fe v lefz Peter |ctcretc fiefrreter eee ee = Ss = POSSIBLE CUT TO BAR 13 ms: Goer Spa Jo i Lirferfeflr efetifittrtrrrf 2 = SS = SS Copyright © 2015 /2019 The Music Trunk. All ights reserved.(MISS WALSINGHAM'S WOODCARVING CLASS. EVENING.) No, 4A— Woodworking Class PPRRARED RMN Senne POAATTO DTD TMD tof fe eri tt Lt2 No. 5 — Believe In Yourself (Helen & Kips) Music and Arrangement by George Stiles Lyrics by Anthony Drewe HELEN: That's flatering but you know what ic tells me? ‘That you chink there's something more in you than just a shop assistant, selling haberdashery. KIPPS: Do I? HELEN: Absolutely, and shall I tell you something els? I believe there's more in me than just a young woman following her mother around buying curtain material (CUE: KIPPS: Oh, I'm sure of that, Miss, HELEN: There you are, you sce. We have a great deal in common, you and I KIPPS: Really? om oe i © 9 | of ® fae a a e | Helen lieve inyour-self You may besur- prised Whena talentyouhide Be-comes e-cog — Ppnen pe | (Copyright © 2014 / 2019 The Music Trunk. Al sights reserved, arn =No. 5~ Believe hn Yourself 8 Helen ised Be- lieve inyour-self Whynot giveit a uy ‘There'ssome-times more {9 some-one than meets the eye Poco pitt mosso 3 13 lieve in your-self ‘There's strengthto be tapped Helen flee from a world. Inwhichyou feel trapped Believeinyour-self And_you'll Pro.SUSE OES E EET Tees pecuuuus G©WWUWEés6 WD | r = = KIPPS: I'll believe in you, Miss, ifyou'l believe in me. (No. 5 ~ Believe In Yourself HELEN: Mr Kipps, we have a deal. AlN hhieve_____ When you start co be - lieve smuch you'll a = chi (istx only) 23No 5~ Believe in Yourself 45 lieveinyour-self ——Tiy say-ing'T winsningtherace It's say-ing"T Helen ke we Fy] RFT SSS | Be- lieve in yourself You have noth ing to lose HELEN: I've ahways noticed you, you know. .. 33. poorll, 2 2 2 2 2 ee ATempo a TS HELEN (cont'd): There was something about you. KIPPS: Really? (He is geting flustered.) It's a bit hot in ‘ere, Miss. x a fe sh ae Pro. == a46 Na 5~ Bele In Yourelf HELEN: So itis, Mister Kipps. I'll open a window. Oh dear. KIPPS: Let me! (He runs over and pushes atthe glass with such eagernes that his hand goes through it) 3 ai Wo eae Pro. — HELEN: Oh no! You've cut yourself) KIPPS: Never mind, It's nothing. HELEN: But i's bleeding. z = QUE; KIPPS:1 don't think 0... Ohmy eau! a T= = Pho. = (Dialogue) # — — a HELEN: Let me te it up for you - I'm noc hurting you, am KIPPS: You coulda’t hurt me, Miss. MISS ROSS: Ic isn'c so much the cut atthe time asthe poisoning afterwards Espressivo a 3 z HELEN: How helpful, Miss Ross. There. That's done it. I think that’s enough, everyone. Let's call ia night. And don’e forget co take your carvings. o —— BS eS Pro. oid 2yy) No. 5~ Believe In Yourself a 3 Moving On 51 KIPPS: Thanks ever so, Miss ll wash it out and bring i back next week HELEN: I'm afraid not. This isthe final class of the eerm. We won't stare again 'til the end of summer. KIPPS: Bur how will I get it back to you? 7 ro HELEN: Don't worry. Keep it. Give it ro yourbest gil, KP: But you're... that is. you'll mis it... Miss. 7, a) =~, gas —, a Pao. 4 ‘ Nd HELEN: Don't be silly. I's a present. HELEN: And now, good night, Mr Kipps. > = ed HELEN: See you next term! 3 Cae Almost SegueNo. 6 — She's Too Far Above Me (Kipps) (Original Music & Lysis by David Heneker New Lyrics by Anthony Drewe CUE: KIPPS: It’s a present, From her to me. Who am Lkiding? Carl eter KIPPS (Cont'd): She'd never look at me. ral... 1. Bubbling T"sh9p assstane selling haberdashery Why would she? (KIPPS) ay Kipps Piano’ 5 Rubato con moto Teor Kips Copyright © 2015 / 2019 The Music Trunk. Al ights reserved. PPRNDHPNRy a ee °No, 6~ She's Too Far Above Me < But glance ______my_ way —, chanee_____ I'd ayy 2‘No, 6 ~ She's Too Far Above Me 3 @UCELECLEY © wd q 3 we she would Not half. woOuWUeuvuUduyJoy i SUVELE Ve eeu. ‘i 2 f4 Applause Segue cS = f al Hi: ten a eae — =e up in the air a OOO fai sy are ann re . Meno mosso ag fe i 50 Fite.i 4666 ee) evwvwvuwe No. 6a — Watch Out! (Instrumental) APPLAUSE SEGUE from No. 6~ She's Too Far Above Me Fast 4 \ Piano He hits KIPPS and knocks bim over. CHITTERLOW: I hope you're noc hurt? Slower aA Copyright © 2015 / 2019 The Music Trunk. All rights reserved. po ‘Original Music by David Hencker [New Masic and arrangement by George StilesNo. 6b — Scene Change Into Hope & Anchor (Instrumental) Masi by David Hencker Aranged by Geog Sls (CUE: CHITTERLOW: The Hope and Anchor's just around the cornet. Can you manage? Perky L ay a5 i aes POSSIBLE CUT TO BAR 17 Copyright © 2016 / 2019 The Music Trunk All rights tered,SOPH HOHE EHTEEEEEEE 55 No. 7 — Money To Burn — Part 2 (Kipps, Chitterlow & Crowd) Original Music & Lyries by David Heneker New music and Arrangement by George Stiles Now Lyrics by Anthony Drewe CHITTERLOW: They've gone to lor of teouble to find you. Why, expect you've come into a windfall 1 FEMALE CROWD MEMBER: Blimey, he's rich, this geezer! So the drinks ate on ‘im! (CUE: KIPPS: Bur Lhaven't gorit yet’ But, Moderate 2 (KIPPS] Kipps |[@5¢= : 1) had_mon- ey You don’t have 10 wor-ry Piano’ 5 Colla voce Kips 9 With movement Down to theFolkes-tone mu - sic store ‘Then I'd burst throughthe old front door And (Add Perc. bones) Copyright © 2015 /2019 The Music Trunk. All rights reserved56 ‘No. 7~ Money To Burn ~ Part 2 1. FEMALE CUSTOMER: i) CHITTERLOW: A banjo? ‘she want a banjo? jo clat-terjang-a ring-a jang-a That's what would 1, Pushing on all that (Add Guitar and Drums)No, 7 Money To Burn — Part 2 374 38 (No, 7— Money To Burn — Part 2 > (Drinks for Kipps are lined up (and sid) down the bar) CHITTERLOW: Landlord, cwo more helpings of (Old Mechusalah Four Star! ATempo (Tivo more are slid along.) 4 Slower z > A = z A oe Te says in the pa- pers af@ w~o~wtJ@Gewee wobdbvwowwbwvdvsbs Boeew w& iy ‘No, 7 ~ Money To Burn ~ Part 2 ae 26) Colla voce [errs] 5} A344 Tid give up the dra - pers Kipps Chit. Pho. wo, Steady Kipps And if the go-ing gets. too hard. We could busk on the prom-en - ade With Pre, . a o, Kips you on a ban - jo You on a ban -jo (cumrrentow) Chie. Clever jangra ring-a-jang-a [FGIRE CUSTOMER] Clacterjang-a ring-a jang-a {| BOY CUSTOMER & LANDLORD] CClacerjangea ving-a jang-aKipps Crowd Pro. No. 7~ Money To Burn ~ Part 2 You on a ban-jo 3 FEMALE CUSTOMERS & BARMIAD| You on 2 ban jo Gaverng ngs jnga Gusrpnge ipa pepe = a Se AI (Clacterjangea ring-ajangea You on a ban-jo Me on aban -jo. ALL GIRLS] Clatterjangea ting-a janga Clacterjang-a ring-a jang-a (Clacierjangea ring-a jangea (Chrcterjangea sing-a jang-a rip Fi 4 aR J = ie da Tewmaannan oe a oennn aa fF — til es a | a fi 9SECC Ube? J ine COA oe a No, 7— Money To Burn ~ Part 2 Crowd] Pho. Strumming, 84. (imitating banjo playing) Kips Bank badank ba-dank —bankbankbank Bank ba-dank —badank bank bank bank Pho, Ba-ga-dadank badank —Ba-ga-dacdank - badank Bank bank bank bank (GRIS] (Unix) Bank bank bank [BOYS] (Unix)Sate rca ea ae ae eeo7~O~C~ i— eee ob OO be oo ; yee oe Jee PE; n A Badank - badank bank bank bank. Ba-dadank —ba-dadank bank ( : LS 7 FL 3 j if ‘ ‘ i 2 i : 4 a 2 i i 2 i i : ) a A 8 3 3 7 5 : & » 3 Zama “li a ‘ rfUGE d w wu if euwuue a eA we 1 yy ww Boo ee Y ‘No, 7 Money To Burn ~ Part 2 6 10 Kipps P » == Bank ba ga-dank ba-ga-dank bank bank bank bank bank SSS ba-dank badank ~ Ba-da-dankbank bank Ba-daddankbank bank badank - ba-dank bankKipps bank “bank — bank bank bank bank = bank bank bank bank No. 7— Money To Burn ~ Part 2 bank bank bank bank bank bank bank bank bank bank = bank bank bank — bank 7 SS — (Py | a = PrP pnnppeenea Na 7 Maney To Bun - Pert 2 6 Kipps fee = = fy : eS SSS E - teas — Crowd] a if 1 had mon-ey bum. ‘A hole in mypock-et i, ja =p= SSS) aS id 1 had mon-ey wo bum ‘A hole in mypock-et Vevoom! fe wont ee, _ oP Lette Le tek bette te ——— rerrititt yr or ( valli va vel Td go like a rock- et Ta. go. like a rock-et Td. go. like a rocket6 ‘No. 7— Money To Burn — Part 2 Down to the town with - our as Blow right into the mu - sic shop And Down to the town with - out Blow right into che mu - Down to the town with - out ~ sic shop And P6 sab mp buy me a ban -jo buy me a ban-jo chacterjangea tingea jang-a clacterjang-a ringea jang-a Crowd jang-a ring jang, jangca ring-a jang buy me a ban-jo Pro.No. 7 ~ Money To Burn ~ Part 2 or Kipps buy me a ban-jo clacterjang-a ring-a jang-a That's what I would clac-terjang-a ring-a jang-a_ That's Pro. Pro.68 No. 7~ Money To Burn ~ Part 2 Sf Unis) Thats what he would do fWnic) ‘That's what he would do x fi 2 ‘Tha's what he would do That's what he would do i) oN —PAARMPMRMANROTRTONM Ae e&eeaeeaaa ge &0° No, 7~ Money To Burn — Part 2 Kips YOUOEED Kips SS \ 19 - . = That's what I would that's whar 1 would ‘That's ‘That's what I would that’s what I would Thae's i ‘That's what I would tha’'s what [would That's Yuu Pro. Kipps Play on a ban jo. Phy on a ban-jo Night and BVUUY Dix) yh HH we i clat-ter jang-a ring-a-jang-a clat-ter jang-a Night and Play on aban-jo, clat-ter jang-a ring-a-jang-a clat-ter jang-a Night and loco > fr Ea eoeeUELU70 No. 7 Money To Burn - Part 2 170 Kipps day on a ban-jo. Have my way with a ban - jo A. Din.) clar-ter jang-a Have my way with the ban - jo day clat-ter jang-a Have my way ‘A. ~ way with the ban - jo Pro. Kips Crowd AANA PNRM ONONe*FFeTHanaaci } Oa (Ne. 7 Money To Burn — Part 2 n wb oad dé yt ww Hip Bank ba-dank ter Bank badank (Unis)R No. 7a — Binge On A Mango (Kips, Chitterlow & Company) Original Music and Lyrics by David Heneker New Music and arrangement by George Stiles CUE: Applause Segue from No. 7 With Gusto Kipps 2B (imitating banjo playing) (CHITTERLOW| Kipps Bank ba-dank badank bank bank bank Bank ba~ dank —ba-dank bank bank bank ‘Copyright © 2016 / 2019 The Music Trunk. All rights reserved. HANH HR eon ea aq meh rs PAP ARP PReRHHOerNo. 7a— Binge On A Mango 2B 1s. (rather burpy) Kipps bank ba dank Bank = bank Kipps Pro. oT Drunkenly free Kipps Din- gle dan-gle jin - gle jan gle <7 a 3 mp Pro. — Ee (Plus Musical Saw)No. 74~ Binge On A Mango ——_— heart and lungs! sort of time do you CARSHOTT: Oh m SHALFORD: What sort of time do y call this, Mr Kipps?Apprentices 3 3 3 w Ww wobbuuA 6 No. 8 — A Proper Gentleman (Shalford, Kips, Flo, Apprentices & Ensemble) Original Music 8 Lyrics by David Hencker Now Music and Arrangement by George Suiles [Now Lytics by Anthony Drewe CHITTERLOWE You can call on who you like. Tht's no stopping you now. ‘CUE: KOPPS Si. APPS (cont'd): Gee mea pair of sponge bags. SHALFORD: Now just a minute. PIERCE: Excuse me Me. Shalford. ‘Would you like Me. Kipp 0 tke his business elsewhere? KIPPS: Si. (GUE: SHALFORD: Ei, No. t (CUE: SHALFORD: Sic Moderate 4 ave a cig-ar Swing 202 Copyright © 2016 2019 The Music Trunk. All ights reserved.1 ‘No 8A Proper Gentleman KIPPS: Baggins, I think Tit have a morning coat. H PPhRhhPRnHeef 2 a | HES 4 take-off youthac —Stopfor a chat ; os 3 LoL Zz 3 a a = = = oy i = QA DQ Qa GH & rene ®Bee Eee EEE E = Spa] havea bie of fan 5 $=* No. 8~A Proper Gentleman (KIPPS rings > a ss + =. Se e == sum Sure - ly he'll be- : SS sum Sure = ly he'll be-ee eee eb ’euse ’Goeede @Ceauee yy No, 8A Proper Gentleman n at=t=45- | + 7 Pro. A rs9 9 Habe aye = S=4 An-y-thing he fan - cies An-y-thing he fan - cies he can buy SSS ‘An-y-thing he fan - cies An-y-thing he fan - cies he can buy SS Se r AA I if fn @ ¢ bere wr fs 7 ped dD. Ort tre 7 a £ aha Isles EPPS (cont): For Buggns, picnic hamper! And for Sid, The collected works of Karl Mant ot a _ = . L #£ oP nnmnee Pj ff