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Animación Socio Cultural 2
Animación Socio Cultural 2
Original Contribution
THEORETICAL AND HISTORICAL ASPECTS OF
SOCIO-CULTURAL ANIMATION
A. Kalcheva*
Department of Information and In-Service Teacher Training, Trakia University,
Stara Zagora, Bulgaria
ABSTRACT
This article proposes a theoretical and historical overview of researches with which to clarify the subject
of animation. Subject of research is the socio-cultural aspect of it, accompanied by a clarification of the
etymological and semantic foundations of the concept and specification of theoretical highlights
regarding its emergence and constitution as a socio-cultural phenomenon.
Keyword for socio-cultural animation is To illustrate the specifics of animation and its
participation. Socio-cultural animation is diversity, in his turn, Gillet (4) divides socio-
always movement /stimulus/ of pedagogical cultural animation into two directions:
realization, participation /interaction/ and Hot animation - where the animation is a
social creativity. Therefore, educational, social factor for transformation and socialization.
and cultural dimensions together serve as a Cold animation - where the animation is a
parallel and identical element in its structure. store of social standards.
Cited definitions synthesize experience and
scientific research of a number of researchers, In all three classifications there is an overlap of
each of which focuses on certain essential the scope of various types of socio-cultural
features of the socio-cultural animation. And animation, which only strengthens its leading
though they sound different, these definitions accents in terms of mobilizing public activity
achieve harmony in terms of the trinity: of creative and cultural expression towards the
participation, integration and identity. On the acquisition of quality education and self-
base of these three elements may be displayed realization.
and the essence of the concept of socio-cultural CONCLUSION
animation - namely, the idea of uniting people Socio-cultural animation as a socially
from different social circles to participate in significant phenomenon is used in all spheres
their own lives, preventing them from of human activity. Even with an advantageous
impersonal contemplation of his own implementation in areas such as sport and
existence. tourism, gradually finds its place and
Diversity in definitions of socio-cultural importance in the Bulgarian public and social
animation is transferred also in the attempts to processes. Its prospects are to be recognized
clarify the types of socio-cultural animation. and promoted in sectors such as education,
For example, according to Ander-Egg (7), cultural activities and activities in the field of
there are four types of socio-cultural leisure. Validation of its contribution
animation: individual, social, cultural and highlights will further reinforce and strengthen
educational. the fragile foundations of our civil society, in
Individual socio-cultural animation, which the context of personal commitment and a
aims to stimulate the expression of man proactive citizenship.
towards deployment of its ability to change REFERENCES
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Trakia Journal of Sciences, Vol. 14, № 3, 2016 205
KALCHEVA A.
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