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REGIONAL BOYACA
CENTRO INSDURTIAL DE MANTENIMIENTO Y MANUFACTURA
“CIMM”
The human eye can physically perceive millions of colours. But we don’t all recognise these colours in
the same way.
Some people can’t see differences in colours – so called colour blindness – due to a defect or
absence of the cells in the retina that are sensitive to high levels of light: the cones. But the
distribution and density of these cells also varies across people with ‘normal vision’, causing us all to
experience the same colour in slightly different ways.
Besides our individual biological make up, colour perception is less about seeing what is actually out
there and more about how our brain interprets colours to create something meaningful. The
perception of colour mainly occurs inside our heads and so is subjective – and prone to personal
experience.
Take for instance people with synaesthesia, who are able to experience the perception of colour with
letters and numbers. Synaesthesia is often described as a joining of the senses – where a person can
see sounds or hear colours. But the colours they hear also differ
from case to case.
Painters and fashion experts, for example, use colour terminology to refer to and discriminate hues
and shades that to all intents and purposes may all be described with one term by a non-expert.
Different languages and cultural groups also carve up the colour spectrum differently. Some
languages like Dani, spoken in Papua New Guinea, and Bassa, spoken in Liberia and Sierra Leone,
only have two terms, dark and light. Dark roughly translates as cool in those languages, and light as
warm. So colours like black, blue, and green are glossed as cool colours, while lighter colours like
white, red, orange and yellow are glossed as warm colours.
The Warlpiri people living in Australia’s Northern Territory don’t even have a term for the word
“colour”. For these and other such cultural groups, what we would call “colour” is described by a rich
vocabulary referring to texture, physical sensation and functional purpose.
Remarkably, most of the world’s languages have five basic colour terms. Cultures as diverse as
the Himba in the Namibian plains and the Berinmo in the lush rainforests of Papua New Guinea
employ such five term systems. As well as dark, light, and red, these languages typically have a term
for yellow, and a term that denotes both blue and green. That is, these languages do not have
separate terms for “green” and “blue” but use one term to describe both colours, a sort of “grue”.
Historically, Welsh had a “grue” term, namely glas, as did Japanese and Chinese. Nowadays, in all
these languages, the original grue term has been restricted to blue, and a separate green term is
used. This is either developed from within the language – as is the case for Japanese – or through
lexical borrowing, as is the case for Welsh.
Russian, Greek, Turkish and many other languages also have two separate terms for blue – one
referring exclusively to darker shades, and one referring to lighter shades.
The way we perceive colours can also change during our lifetime. Greek speakers, who have two
fundamental colour terms to describe light and dark blue
(“ghalazio” and “ble”), are more prone to see these two
colours as more similar after living for long periods of
time in the UK. There, these two colours are described in
English by the same fundamental colour term: blue.
Source: http://www.bbc.com/future/story/20180419-the-words-that-change-the-colours-we-see
Do you remember...? Re-read the text and find, at least, one example of the following:
● Present Simple: we perceive colours can also change during our lifetime Present Continuous:
The Warlpiri people living in Australia’s Northern Territory
● Present Perfect: we have to carve this huge variety up into identifiable, meaningful categories.
● Past Simple: Synaesthesia is often described as a joining of the senses
● Passive Voice: There, these two colours are described in English by the same fundamental
colour term: blue.
PLAN DE MEJORA”
REGIONAL BOYACA
CENTRO INSDURTIAL DE MANTENIMIENTO Y MANUFACTURA
“CIMM”
● Modals: what we would call “colour” is described by a rich vocabulary referring to texture,
physical sensation and functional purpose.
3) Is there any people that don’t use any words for describing colours?
The Warlpiri people who live in the Northern Territory of Australia don't even have a term
for the word "color". For these and similar cultural groups, what we would call "color" is
described by a rich vocabulary that refers to texture, physical feel, and functional purpose.
4) Always referring to the subject, what’s the connection between the Welsh, the Japanese and
the Chinese?
Welsh had a “grue” term, namely glas, as did Japanese and Chinese
5. GOING TO / WILL
5- Has James decided what to do when he finishes school? Yes. Everything is settled. He
________going ti take______________ (take) a vacation for a few weeks, and then he
_______will start_______________ (start) a computer programming course
6- The population of London _____going to reach_______________ (reach) 3 million by the year
2012
7- I’ve to go to the dentist this morning _______will_____ you ____come_____ (come) with me?
8- What would you like to have: coffee or tea? I ____will have_________ (have) tea, please
9- When _____will_____ she ______have_____ (have) another party?
10-Let’s have a coffee on Friday morning. Sorry. I can’t. I _going to see_____ (see) the doctor by
then
11-I’ve decided to paint my room? And what colour __will______ you _____paint_______ (paint)
it?
12-Look! There is smoke coming out that house. It’s on fire! Oh no I ___going to
call______________ (call) the fire brigade
13-In the future people ______will not have ________ ( not have) nothing to eat
14-If we miss the bus, we ________going to not arrive______ ( not arrive) on time
15-Next month I ____going to buy_________(buy) a new car
16-The ceiling in this room doesn’t look very safe. No it looks as if it _____going to
fall______________ (fall) down
17-In twenty years’ time cars ________will be___________ (be) electric
18-What _______will____ you ______do_____ (do) tomorrow morning?
19-Where are you going? Are you going shopping? Yes I __going to buy_____ (buy) some
cigarettes
20-I don’t know how to use this camera. It’s easy. I _____going to show______ (show) you
21-In the future , people _____will work_______ (work) at home , they ______going to not
have___________ (not have) to go to work
WHAT’S WRONG WITH
YOU? Fill in the crossword and find the hidden words.
1
1 c o u g h
2
2 f e v e r 3
3 a s t h m a
4 4 s w o l l e n t h u m b
5 h e a d a c h e
6 b r o k e n l e g
7
7 f l u 6
8 p i l l s
9 c o l d
9
10 t o o t h a c h e
11 i n j e c t i o n
5 !
Writing Clinic: Creative
PLAN DE MEJORA”
REGIONAL BOYACA
CENTRO INSDURTIAL DE MANTENIMIENTO Y MANUFACTURA
“CIMM”
Writing
The LastPrompts
Movie I Saw 8
10
11
*Director: Lasse Hallström
*Performers: Richard Gere, Joan Allen, Sarah Roemer, Cary-Hiroyuki Tagawa
*Year: 2009, Sony
*Genre: Drama
A puppy of the Akita breed is sent by his Japanese breeder to the United States on
request. But in the transport of the dog, the cage falls from the vehicle and goes to a train
station. There, a college professor named Parker Wilson (Richard Gere) finds the missing
and slightly injured dog. Try to help him and find where to leave him. He talks to the
controller of the train station, but he prevents him from keeping it, so he decides to take
him home until he finds the owner who claims for him. Days go by and no one claims the
puppy and there is no one who wants to adopt it. Professor Parker is fond of the pet, but
his wife refuses to keep it, until a beautiful bond began to be created between the pet and
the teacher, and his wife, seeing how fond of her husband was with him. puppy ended up
agreeing to stay with them. After days of play and mutual affection, the teacher and the
puppy established a very strong bond. To such an extent that, when he had to go to work,
"Hachi", as he baptized his puppy, accompanied him every day to the train station. When
he saw his owner disappear into the crowd, he waited for him at the same station until
they returned from work, they would meet again to walk home together. Parker had tried
very hard to keep his pet home while he went to work, but nothing worked. The dog
ended up escaping to accompany him to the train station and from there he did not move
until his owner finished his workday and returned to the station. One day, teaching at the
university, Professor Parker suffered a heart attack and died. His dog continued to wait for
him at the station, until a relative took him back home. Despite this, the next day Hachi
escapes and returns to the station to wait for his master, seeing that he does not arrive, he
spends there day and night.
Professor Parker's wife sells the house, moves in with her daughter, and takes the dog. But still far
from the house where they resided, the dog escapes on his way to the old house. However, seeing that
another unknown family was living, he returned to the train station in search of his beloved owner.
There he continues waiting for hours, but when he sees that his master does not appear, he remains
wandering around the area and sleeps under the carriages of an abandoned train. He survives thanks
to a hot dog vendor, a friend of the late professor, who feeds him.
Years go by and Hachi continues to go to the train station every morning to wait for his owner and thus
spends the long days of his life. The professor's family witnessed how after many years, Hachi was still
waiting for his owner at the usual station, looking old and weak. At the end of a cold night under the
carriages of a train, Hachiko dies, dreaming moments before of the presence of his owner at the
station. The professor's daughter tells her 10-year-old son the story of his father and his loyal pet. The
child learns what true love and loyalty is and tells about it at school in an exercise where they are made
to explain who they consider a hero.