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 MUS
Tempo di Minuetto
Gaetano Pugnani
(1731-1798)
9 3\g, 03Sb
Fritz Kreisler

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LWU1Y OF THE PREFORMING .ARTS
111 AUSTBIDAJI AVI. NfcW VOKK 10023, N. Y.
Copyright i9ii
by Carl Fischer, New York. 29502
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FRITZ KREISLER
VIOLIN COMPOSITIONS
ORIGINAL COMPOSITIONS TRANSCRIPTIONS
Romance Londonderry Air, Farewell to Cucullain (Old
Caprice Viennois Irish Air)
Tambourin Chinois
N. Rinisky- Korsakow,
Recitativo and Scherzo Caprice (for Violin alone) .

Berceuse Romantique Two Sketches from ''Scheherazade"

Rondino on a Theme by Beethoven No. Danse Orientale
1

Polichinelle, Serenade No. 2 Chanson Arabe

La Gitana (Arabo- Spanish Gipsy Song of
the 18 Century) Hymn to the Sun (Coq dor)
Hindoo Chant (Sadko)(Song of India). .

ORIGINAL COMPOSITIONS FOR A. Krakauer, Paradise

INSTRUCTIVE PURPOSES C. Chaminade, Serenade Espagnole ....
Simple, Effective Arrangements in the First Positioi A minor
Also Provided with Fingering in the Third Positior
F. Chopin, Mazurka in
E.Granados, Spanish Dance
Rondino (On a Theme by Beethoo.cn) .

Japrice Viennois . F. Schubert, Ballet Music from"Ro^amunde".

Aucassin and Nicolette (Medieval Canzonetta)
Paderewski, Menuet
. . '

I. . . .

Toy Soldier's March

ANTON DVORAK'S MASTERPIECES AUSTRIAN FOLK SONGS

Indian Lament, G minor (Indianisches Lamento) .

Viennese Melody. . . . Gaerther-Kreisler.

Slavonic Fantasie, B minor (Slavische Fantasie,
H Mull) • • Viennese Popular Song Kreisler.
Slavonic Dances, G minor. No. 1 (Slavische Tanz-
Austrian Imperial Hymn, ''Gott erhalte unser
weisen, G, Moll) -

Slavonic Dances, E minor, No. 2 (Slavische Tanz- en Kaiser? (God Save Our Emperor)
loeisen, B. Moll) (With Piano Accomp. ad lib.) . .Kreisler.
Slavonic Dances, G major, No 3 (Slavische Tanz-
uieisen, G. Bur

CLASSICAL MANUSCRIPTS CLASSICAL MASTERPIECES

Louis Couperin, Chanson Louis XIII and Pavane
Padre Martini, Andantino
Niccolo Porpora.Menuet
Louis Couperin, La Precieuse
Gaetano Pugnani, Praeludium and Allegro
. . Joh. Seb. Bach, Prelude in E major
Joh. Seb. Bach, Gavotte in E major
Jean Marie Leclair, Tambourin
Giuseppe Tartini, Fugue in A major
. . . Arcangelo Corelli, Sarabande and Allegretto . . .

Francois Francoeur,Sicilienne and Rigaudon . . J.Ph. Rameau, Tambourin

K.v. Dittersdorf, Scherzo W. A. Mozart, Rondo
Luigi Boccherini, Allegretto Chr. W. Gluck, Melodie
Giuseppe Tartini, Variations on a Theme by Corelli Franz Schubert, Moment Musical
Alt-Wiener Tanzweisen Carl Maria v Weber, Larghetto
No. 1 Liebesfreud' F. Mendelssohn, Song without Words .... • •

No. 2 Liebesleid Niccolo Pagauini, Caprice No. 13

No. 3 Schoen, Rosmarin Niccolo Paganini, Caprice No. 20
Friedemann Bach, Grave Niccolo Paganini, Caprice No. 24
Padre Martini', Preghiera Niccolo Porpora, Allegretto in G minor
Louis Couperin, Aubade Proven^ale Robert Schumann, Romance
Jea"n B. Cartier, La Chasse (Caprice)
Henri Wieniawski, Caprice in E flat major. . . .

Gaetano Pugnani, Tempo di Minuetto Henri Wieniawski, Caprice in A minor

EDITORS NOTE: The present arrangements are the exclusive copyright property of the editor. Transcrip- -
tions in any way imitate this edition will constitute an infringement and will be prosecuted in accor -
which
dance with the Copyright Law. Mr. Kreisler's name must appear on all programs and whenever these transcriptions
are played in public.
CARL FISCHER °™™* NEW YORK
BOSTON CHICAGO
880-382 Boylston Street 430 -432 South Wabash Avenue
Sole Agents for the United States Canada and Mexico

B. 558
 Tempo di Minuetto
Gaetano Pugnani
(1731-1798)

Fritz Kreisler
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 NEW niMlilli
VIOLIN SOLO MUSIC
iiiHuiiiiii.iiiUMnniiiiiJiiJiinirTr
By AUTHORITATINE AMERICAN
andEUROPEAN COMPOSERS
unuiimuiiiuiuiiuiiitiMiuiitiin
CONCERT STAGE "5

Medium Grade First to Fourth

FOR STUDIO OR
of Difficulty Position
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SERIES I =lffMiMllirmiiltMllltlll!tllHHMIUU»HMMfWmE

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KRAMER, A. WALTER. Op. 8 Op. 75, N. 1. Little Fantasia on Op. 107, No. 4. Valse Gracieuse.
No. 1. Gavotte. (G) 40 College Songs 1.00 (A Min. & F) 65
An abounding
effective little solo, 1. Bingo Brilliant and demanding advanced
in graceful 8th note passages, and 2. Graudeamas Igitur ability as to left-hand passages and
containing effective chord progres- the lighter styles of bowing.
sions and pizzicato effects,
3. Crambambuli
(G, F, D & B flat)

Op. 74, No. II. Little Fantasia

KRIENS, CHRISTIAAN, frqm on American College Songs. 1.00 SCHLOMING, HARRY. Op. 19.
(G Min. &
.

Suite for the Violin. Rhapsodie Hongroise. '

Happy Spring. (Printemps 1. Upidee

G Maj.) 1.25
Heureaux) (A, F, D & B).. .75 2. It's a Way We Have a\
A very brilliant and effective con-
Old Harvard
A Sad Story. (Histoire Dou- 3. A-Roving
cert number for advanced players.
Excellent for the development of
Joreuse) (D" Min. D Maj. & F) .40
D & precise rhythmic feeling and rapid
F) (C,
Madrigale. (Madrigale) (G & E) .60 bowing.
Op. 75, No. III. Little Fantasia
Holland Country Dance. (C).. .50
on American College Songs. . 1.00 Op. 21, No. 6. Russian Folk-
(Danse Pastorale Hollandaise) 1. Mary Had a Little Lamb Song and Variation. (E Min.) SO
Advanced and artistic material, all 2. Good Night, Ladies Effective setting of a well-known
of which presents a large variety Russian folk-song with a brilliant
of moods in attractive musical 3. Funiculi,- Funicula
variation for the development of
forms. The Holland Country Dance C & D)
(G, detached and slurred bowings.
In particular is serviceable ma-
terial for preparatory work in Op. 76. Little Fantasia on Ame-
easy dbub]e~etops. rican Children's Songs 1.00 .Op. 24. Fantasy on Irish Aire
1. Here Stands a Lovely (G, D&
A) \2S
KRONOLD, HANS. Op. 20. Spin- Creature Like the Rhapsodie Hongroise (Op.
19) the present number is intended
ning Wheel. (A Min. & F) .90 . .
2. Water, Water, Wild-flower for advanced, ambitious players of
Op. 21. Witches* Dance. (B 3. London Bridge this grade. Demands good taste,
Min. & F): 65 (D, B flat & A) musicianly understanding and a
fair command of the principal va-
rieties of shorter bowings, with
Brilll&nt and very effective mod- Op. 77. Little Fantasia on Scotch
ern concert solos. Equally serv- Melodies 1.00 well-developed rhythmic sense as
iceable for the studio or for pub- welL
lic performance. 1. Comin' Through the Rye
2. Auld Lang Syne Op. 25, No. 1. Bavarian Peasant
McCOY, W. Medita- 3. Blue Bells of Scotland Dance. (Schuhplattler) (G &
Op. 36.
J.,
tion. .Melodies (F) 60 (G, C & D) & E flat) 75
Expressive and very suitable for The immediate object of the above Op. 25, No. 2. Bridal Waltz.
arrangements has been
(B flat & E flat)
developing a player's singing little solo
.75
quality of tone. to provide players of this grade
with pleasing, attractive and pro- Characteristic old German waltiea,
gressive material, incorporating particularly serviceable for the de-
TOBANI, THEO. M. Hearts and well-known national, folk and' col- velopment of vigorous bowing and
Flowers. (Coeurs et Fleurs. (E ) lege-songs. The fantasias have all decided accents. Demands ad-
been arranged with a special view vanced players whose intonation,
Min.'& G) 65 to meeting the demands of medi- and
rhythmic surety bowing ability
Fine eolo arrangement of this uni- um advanced players. All pass- are somewhat beyond the ordinary.
versal favorite. Specially prepared age work variations, double-stops,
for the use of players of this harmonics, bowiijgs. etc., have
grade. been carried out with a view to
supplying material well wKhin the
SEVERN, EDMUND. La Brunette.
PRICE, STELLA. Valse Petite range of difficulty necessary for (A & D) 75
(C) 65 young players in need of ambitious (Valse de Concert)
first and third position solo mate-
Graceful and very melodious. rial and ndthing has been spared
;
A spirited walte movement very
In point of careful editing and suitable for recital programs. It
effective harmonic setting, to is of medium difficulty and par-
SAENGER, GUSTAV. Op. 65. No. 2. make fantasias representa-
these ticularly well-adapted for this
Little Fantasia on Patriotic Airs. tive teaching and solo material in grade.
$1.00 every particular.
Liebeslied. (G) .50
1. Glory, Glory, Hallelujah Op. 85. Six Compositions for on his
2. Star Spangled Banner (Transcription song
Advanced Players 2.00 Darling).
3. Hail Columbia 1
Pleasing, very effective, and In-
(C, F, D & B Flat)
1. March (D & B flat ) 65
troducing easy chords, and double-
2. Ballade (B flat) 50 stops.
Op. 67, No. 1. Little Fantasia 3. Canzbnetta (D & B flat).. .75
on American Melodies 1.00 4. Chant d'amour (G) .50 Neapolitan Serenade. (F) ..... .60
1. Uncle Ned 5. Gavotte (G Min. & G Maj. ) .50 Very dainty and imbued with
genuine 3outh-Italian character-
2. Old Folks at Home 6. Minuet (G Maj. & G Min.) .65 istics. Moderately difficult in its
3. Poor Old Slave technical and bowing demands.
Ambitious and advanced sol^ ma-
(D, G & B Flat) terial, demanding well-developed
technic. bowing, and music inn ly
Op. 68, No. 11. Little Fantasia understanding. With exception of TERRY, FRANCES. Op. 7.

on American Melodies 1.00 the third number. "Canzonetta," Berceuse (D) 65

all are written within range of the
1. Melinda May first three positions, and the third Elegant and graceful In style,
number probably the most diffi- this number is admirably suited
2. My Old Kentucky Home
cult of the set. touches as high as for the needs of young players
3. Rosa Lee the 7th position in two short ca- who are in need of more advanced
(A Min., F, C, & A) denza-like passages. rhythmic and position material.

I flWMMMM M^

CARL FISCHER COOPER SQUAKE NEW YORK

BOSTON CHICAGO
MU 787.1
3333 0231 3
KREISLERt ERITZt
[TEMPO Ul MlNUETTOl
1 SCORE 1 PT.
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