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Design Principles Axis
Design Principles Axis
DESIGN PRINCIPLES1
Order without diversity can result in monotony or boredom; diversity without order can produce chaos.
A sense of unity with variety is the ideal. The following ordering principles are seen as visual devices
that allow the varied and diverse elements of design to coexist perceptually
and conceptually within an ordered, unified and harmonious whole.
AXIS
The axis is perhaps the most elementary means of organizing forms and spaces
in design. It is a line established by two points in space, about which forms and
spaces can be arranged in a regular or irregular manner.
Although imaginary and not visible except to the mind’s eye, an axis can be
powerful, dominating, regulating device.
The terminating elements of an axis serve to both send and receive its visual thrust. These culminating
elements can be any of the following:
1
Extracted from Chapter 7- Design Principles of Francis D.K. Ching’s Architecture: Form, Space and Order, Third Edition, 2007, John Wiley & Sons, Inc. This handout is meant
for guideline only. Further reading on the topic is highly recommended.
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Theory of Architecture 1
Input Lecture – Design Principles
SYMMETRY
While an axial condition can exist without a symmetrical condition being simultaneously present, a
symmetrical condition cannot exist without implying the existence of an axis or center about which it is
structured. An axis established by two points; a symmetrical condition requires the balanced
arrangement of equivalent patterns of form and space on opposite sides of a dividing line or plane, or
about a center or axis.
Radial symmetry refers to the balanced arrangement of similar, radiating elements such that the
composition can be divided into similar halves by passing a plane at any angle around a
centerpoint or along a central axis.
Examples:
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Theory of Architecture 1
Input Lecture – Design Principles
HIERARCHY
In each case, the hierarchically important form or space is given meaning and significance by being
an exception to the norm, an anomaly within an otherwise regular pattern.
Examples:
DATUM
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Theory of Architecture 1
Input Lecture – Design Principles
Given a random organization of dissimilar elements, a datum can organize the elements in the
following ways:
Examples:
RHYTHM
Examples:
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Theory of Architecture 1
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REPETITION
• Size
• Shape
• Detail characteristics
Examples:
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Theory of Architecture 1
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TRANSFORMATION
Examples:
BALANCE
Balance is an equilibrium that results from looking at images and judging them
against our ideas of physical structure (such as mass, gravity or the sides of a
page). It is the arrangement of the objects in a given design as it relates to their
visual weight within a composition. Balance usually comes in two forms:
symmetrical and asymmetrical.
• Symmetrical
Symmetrical balance occurs when the weight of a composition is evenly
distributed around a central vertical or horizontal axis. Under normal
circumstances it assumes identical forms on both sides of the axis.
Symmetrical balance is also known as formal balance.
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Theory of Architecture 1
Input Lecture – Design Principles
• Asymmetrical
Asymmetrical balance occurs when the weight of a composition
is not evenly distributed around a central axis. It involves the
arranging of objects of differing size in a composition such that
they balance one another with their respective visual weights. In
general, asymmetrical compositions tend to have a greater
sense of visual tension. Asymmetrical balance is also known as
informal balance.
Examples:
UNITY