20 SECONDO track 19 Secondo part only (white notes)

track 21 Secondo part only (black notes)

Koinobori
Trad. Japanese

Moderato
I
B b 34 Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Š ŠŠŠ Š ŠŠŠ Š
mf.
B
{ b4 G 3 ‰ ‰ . ‰ . ‰ . ‰. ‰.
7
Bb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
r ŠŠ r Š
J
Š Š
B ‰ . ‰ . ‰. ‰ . >Šf >Š Š
{ b >ŠF >Š Š F
13 Š
B b r Š Š Š r Š Š Š r Š Š Š Š >Š r r ŠŠŠ ŠŠŠŠŠ
B
{ b >Š >Š Š Š >‰ r Š Š Š ŠG r Š Š ŠH Š Š Š Š Š Š
19
B b Š Š Š ŠH Š Š Š Š Š ‰ r Š Š Š ŠŠ Š Š ŠH Š Š Š
mf
B
{ b ŠŠŠ Š ŠŠŠ ŠŠ ‰ r ŠŠŠ Š r Š Š
H G ŠH Š Š Š
rit. Lento
25
Bb ‰ r I
Š Š Š Š Š Š Š Š Š Š Š Š ‰ . F
‰ .
p pp
B
{ b ‰ r ‰. ‰. ‰. ‰. E‰.
This Japanese folk song is traditionally sung on 5 May, ‘Children’s Day’, when families hoist cloth streamers in the
shape of carp (‘koinobori’) into the air to honour their children. This piece uses a five-note (or pentatonic) scale,
so you could play it on the black notes only in the key of F sharp major, making every note into a sharp.

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 track 20 Primo part only (white notes) PRIMO 21
track 22 Primo part only (black notes)

Koinobori
Trad. Japanese

RH: 8va throughout

V b 34
Moderato
p p ŠH Š Š Š Š ŠJ Š ŠH Š Š Š Š ‰ r
mf
{ V b 34 p p ŠŠŠ Š Š Š Š ŠŠŠ ŠŠ ‰ r
H F H
7

Vb Š Š Š ŠI Š Š Š ŠH Š Š Š Š ‰ r r ŠG Š Š r ŠŠŠ
fŠ >Š
>
{ Vb Š Š Š Š ŠŠŠ Š ŠŠŠ Š ‰ r Š >Š >Š Š
G H F F
13

Vb r Š Š Š r Š Š Š r Š Š Š Š
>‰FŠ Š Š Š Š ŠG
>Š r r r
V b Š Š Š >
‰ r Š Š Š r Š Š ŠH Š Š >‰ r
{ >> Š Š G
bV Š Š Š Š Š Š Š ŠF ŠG Š Š Š Š ‰ r Š Š ŠF ŠG Š Š Š
19

mfŠ Š Š
{ V b Š ŠF Š Š Š Š Š Š Š Š ‰ r ŠŠŠ Š Š Š Š
G FG
rit. Lento
25
F G H
Vb Š Š Š Š ‰ r p p ŠH Š Š Š F‰ ..
p pp
{ V b ŠF Š Š Š ‰ r p p Š Š Š Š E‰.
© Oxford University Press 2012. Photocopying this copyright material is ILLEGAL.
38 SECONDO track 45 Secondo part only (slow tempo)
track 47 Secondo part only (fast tempo)
Can-Can
from Orpheus in the Underworld
Jacques Offenbach
(1819–80)
H
Allegro

B 2 r ŠŠG. .
Š Š. .
Š ŠŠ. .
Š # .
Š . .
Š 1.

4p r r r r r r r
B 2
{ 4 ŠI. . Š. . ŠJ. .
r Š r r Š r r Š r .
Š r Š. r .
7b 2.
B r ŠŠ. Š. r . p p r ŠŠ. r Š. p p r ŠŠ. r Š. .
B ff- mf ff- mf
{ Š. r Š. r . ŠF Š-G Š-I Š- Š. r Š. r Š Š- Š- Š- Š. r Š. r .
B ‰F Š bŠ Š Š Š Š Š Š Š bŠ Š Š ŠG bŠ Š Š Šf t r Š bŠ Š Š ‰
17

B f t p
bŠ
{ ‰J Š Š G Š Š ŠI Š Š
Š Š Š Š Š Š bŠ bŠ Š e r ‰
26
bŠ
B Š ŠŠ Š Š ŠI Š Š Š Š Š Š Š Š Š Š Š r r ŠŠG. r Š.
bŠ G bŠ Š H
p
{ B Š bŠ Š Š Š Š ŠG Š Š bŠ Š Š ŠI bŠ Š Š Š Š Š Š Š Š Š. r Š. r
35
B r Š. r Š. r ŠŠ. r Š. r # Š. Š. r r (=) ŠŠ. r Š. r Š.
B
{ Š. r Š
. r Š. r Š
. r Š . r Š. r Š. r Š. r Š. r
44 H
F HF
B r Š r ŠŠ r b Š r = Š r ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ Š Š ŠŠ r
. >
Š >
Š >
B ff
{ Š. r Š Š Š Š Š #ŠF Š Š Š Š ŠG Š >Š >Š >Š r
To enhance the energy of this lively dance, the opening section should be played delicately; the sudden
fortissimos will then have their full effect later in the piece as the high-kicking dance steps take centre stage!

© Oxford University Press 2012. Photocopying this copyright material is ILLEGAL.

 track 46 Primo part only (slow tempo) PRIMO 39
track 48 Primo part only (fast tempo)
Can-Can
from Orpheus in the Underworld
Jacques Offenbach
(1819–80)

V42 Allegro
p r f t ŠF Š ŠH Š Š Š Š Š Š t t Š
f f ftr p p . Š 1.

p Š
2
{ 4JG f
V Š Š Š Š Š Š t p p t Š Š
ff f
t t Š Š Š Š Š Š Š Š Š Š Š .
7b

V
2.
p p . -
ŠH -
Š p Š Š Š Š Š Š Š -
Š Š- p p Š Š Š .
Š Š ff mf ff mf
V Š Š Š Š Š . p Š Š p p p Š Š Š Š Š p .
{
H G
- -
I
- - #Š
I H
17
F
Š
Vr r r r r r b ŠŠ Š Š b ŠŠ b ŠŠ t Š Š Š Š bŠ ŠŠ r ŠF
f
V
{ H r ( = )Š r Š r Š r Š r Š r Š Š e t r p rŠ
26
Š Š
V r bŠ r r r bŠ r bŠ bŠ r Š Š Š Š Š Š p r f t F
Š
p Š
{ V r Š r Š r Š r Š r Š Š Š Š r ŠJ ŠG Š Š Š Šf t
35

V Š ŠH ŠŠ ŠŠŠ Št tŠ Št p p p tŠ ŠŠŠŠ
f ff r r f
{ V p p t Š Š t t Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š t p
44
ff f f>
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š
V r
f>f
{ V p ŠH Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š r
© Oxford University Press 2012. Photocopying this copyright material is ILLEGAL.