Dante

By
Benjamin Louis Paul G-odard
>-.''.-7!r'.:'T'7>W'tfT: ":'.'>/
 —
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 ^=M ASTER PI
:)OF THE(:
EC ES

pRE]MCH * Opera.
Illustrated and Musical.

^^iSi

Lvrical Drama in 4 acts.

Text b}- Edouard Blau. Music by Benjamin Godard.

First rei>reseiited at tlie Opera Comique, Pitris, in 1888. Heals with tlio war
between Giielfs and Gliibelins, and makes Dante a young an. 'u-tive ])articipaiit.
Beiijauiiu Godard whose Dante, is the first work ever •esented before aa
ameriean imblic, was bom in Paris, AngnstlS, 1840, and is stib viug.
Mr. B Godard besides being one of tbe most notewoith;\ representatives
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-a C9
(5 ®
H p
H 0]
es *i
CD

..A
9
DT^NTE. K
^
Ui
»
;4

y.
The Scene of tbis Oppra is laid in Florence about the year 1300. U|
Two factious divide the City of Florence and fight for its IT
Government, the Guelfes and the Gibelins. \S
(D 'îfl
o
K c
ACT I.

Opens on a public place in Florence. In tlie distance the Gov- w

H
ernment's palfice. On the riijht'tho entrance to a church. Groups
of Guelfes and Gibelins led, the formers by Corso, the latter by Q
X Vieri threaten and defy one another. Thev are surrounded by meli
and women of the people. The day is that of the election of the
Chief Magistrate of the <. ity, aud both parties are confident
of their success. Enters Dante who re])roaches them with their in-
H
cessant quarrels and begs thom, ius'ead, unite their efforts against H- a o
the enemies of their country. Guelf.s and Gibelins laughVat him, a
but the people listen aud advises Dante to present himself as a can- H
didate at the election. They all enter the ])alace except Daule.
Dante then meets Simeoue jianli, an old friend of his, who re-
n O c
]^roaehes him for his long absence and informs him that he is be-
trothed to a lovely maiden, whose charms he exalts .so much that
a
Dante's criosity is awakened, he asks B.irdi who she is and learns
that she is Beatrice Portarini, whom her father has promised him
for a signalled service rendered, whom he loves and by whom lie
kuew he was loved before he left Floreuce. Dante gives way to
despair and leaves the scene. Enters Beatrice and Gemma her
V
J
friend. Beatrice confesses to Genniia that she has always loved
Dante and would rather die than be married to Bardi. She has
H 4
scarcely uttered these word», when tlie people return from the
palace and shout the name of Daii'e who has been elected Prior of
the City. Dante appears brought back by Bardi and is seen by
4 ^?
Beatrice. The poet refuses the honor proferred but Beatrice appeals
rohini and tells him that it is his duty to devote himself to his
country and that he will find his reward in love. Dante understands GO
.S ^ Û that Beatrice loves him yet, he accepts the dignity of Grand Prior, H
and after exhorting the Florentines to cease their quarrels and unite
against their enemies, and he is vested with the rich mantel of the
S!
W
H
I 10 Pri'T of Florence.
H
s GO
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ACTE I. ACT I.
SCENE I. SCENE I.

1* ih(':1trc M pr(^seufo Inplaco ]iiibli(|ne :\rioren- Tho theatre represents the PnWic Square »i
00. All fond lo iiahiis du goiiveriieineiit. A Florence. In tlie rear the Government palaee.
droite rentri'^o iVii. o chajullp. An lever tin ri- When the curtain ises two gronjis of Gnelplis
i

deau, deux fjrouiwa de (.aicllcs rt do CiUeliiis and (ihibellines, led (Uio bj orso and theothcr (.

conduits, l'un p;ir orso t l'aiitic par Vieri so

' < by Vieri dare and threaten each oilier. Be-
d<'fient ct se nu'uai nt. I'<Trii lo eux et do cha-
i hind them and on each side groups of tfc«ï
que côt(S grouiied do gLUs du iionplo. pco)iIe.
Ch<i;i'u les GiiïEi.ixs et Cikkuu vis Guklfks, Ciioitis ofGlllliELLiNFs and Chornsof Guelfb»
allenKilircinciit uiteriKttilij

ilallipur vous dont. I'andare

i'l
No\is insulte I't nous nu-uace
Ah! votre jKuivoir s'clt'aco
C'est votre dernier ett'oi t!
A nous fortune et ]miS!sau<'P,
A vous l'exil et la
Quand la ville de Florence
Aura dieté sa .sentence
A vous l'exU, à vous la mort
Malheur à vous! à vous la mort.
Lis (Hek.s Gliîi i.ins.
Aux amis deCdsar la victoire est promise,
O Guelfes nous avons avec nous l'Empereur.
Les Ciiees Giei.i-e.s.
Le Ciel est favoralile aux amis de l'Es'ise.
Gibelins, le >Saint-Siè!;e est notre protecteur.
Les ''iiefs Ghîei.ixs.
Qnand Floi'cneo aujourd'hui va nounner lePrieur,
Le (ionf.-ilo iiiior de justice
]'ensez-\ (tus <iu'el!e cht)isissi5
Ailleurs (|H0 dans notre parti î
Le.s Chefs (iLELFi;s.
Le Prieur sortira des rangs des Dunati.
EXSK.MELE.
llallicur à vous dont, etc.
Death to you whom daring
Insults and menaces n.<j
, Ah! your ]io\ver vanishes
This is your last etl'oit!
Fortune and power are ours
mort. For you exile and death.
When the < ity of Floienee
Shall have dictated the sentence
For you exile and death.
Death to you, death to yon
The GiiiiiEi.Li.N' Chiefs.
Tn the friends of Corse victory is promised,
I ih, Guelphs, we have with ns the Emperor.
The GtELPH Chiefs.
Heaven pro]>itious to the friends of the Church
is
Ghibelliues! 'I'he Holy !^ee is our protector.
The Ghihei.i.i.ne Chiefs.
When rioreuce, to-ilay, names the prior,
The Gonfalonier of Justice,
Do you thinkshe will choose
Gutside of our party ?
The Ghei.1'11 Chiefs.
Tlie i>r'or comes from tln^ ranks of the I'ounti.
To(J1;thi;k.
De.ith to you whom, etc.

SCENE IL SCENE II.

Jiriit <t Cutililhir. Vreit and Cantilene.
D.VNTE, Li:s Puecedexts. DANTE, the same.
DANTE. DANTE:
Guelfes ou Gibelins, (in'importe la baiinière, Guelphs or (ihibelines what matter the banner.
lilanos ou noirs, lils ingrats, vous frappez votre While or black, ingrate sous, you strike your
[mère, [in other
La Patrie est en diMiil lors(|ue vouscombattei!. The country is in danger when you combat.
CiUKiit Ge.\i:i!al. (iEXEKAI, Ciiouus.
C'est Dante AligUieri, c'est lo luaitre, écoutez ! It is Dante Alighieri, it is tho master here.
UANTK. DANTE.
Mes fr^^es, mes amis, qu'elle est votre démence? My brothers, my friends are you demented
Lo ci(4 est si bleu sur Floreuce Heaven is so blue over Floreuce
Son azur a taut de douceurs Its azure is so sweet
yu'iiu chant d'amour ct d'espérance That a song of love and hope
l'eviait monter de tous les cœurs. Should arise from all hearts
Mais la brise frémissante But the treniblirg breeze
 . .

J. KRANZIilBRO.,
^r^
203 - Canal St. - 203
NEW ORLEANS, LA.
G-ents' FixT-rLislxe-rs ^- HatteTs.
N'cmpoito aux clairs firuiameuts Carries to the c ear lirmameut
Quo la viimiMir {>iaudi.ssaute But the swelliug rumor
li'cteiuuls ïcsocutiuieuts Of eternal reseutmeuts.
Ze« Clicfa Guelfes et Cihelins aceiieHlenf ces 2'"''0^''^ Tlie Gnelphsnud Chihelliue chiefs reecire these words
arec des {/estes rfe th'duin et de eulire, mais ceux qui uith sirins of dixduin, but thouc surrounding them
les entourent haisseut la tête; queUpies-una remel- hoic their head; some sheathe their uorda. Tin
tnent leur epee au fiiurreuu. Le peuple a entendu people hare heard the words of Dante leiih emo-
les paroles de Dante arec émotion. tion.

Chœur du Peuple. Chorusof the People.

Ila raison l'onr(iuoi (loue taut do lialue ?
. He is right,. Why
then so much hate?
Kous pourrions être liriiieux eu nous teudant la Wo might bo happy did we join hands
Les Chefs Gibelins. [ukum 'I HE (iiiibELi.iNK Chiefs
La politique ost notre affaire, Politics are our atlair.
l'otite passe tou cliemiu. Pool, go your way.
Les CiiKF'ï Guelfes. The GtELiMi CriiEFs.
I>oute nu avis tout contraire! Hear a contrary advice
(|iuto
llu Prieur on va faire chois, A ])rior is to be ehosi-n,
Mets-toi doue sur les raugs Eeter then the list >
Je te i>rouiets ma voix. I promise thee my vote.

Cii'EUit General. General Chorus.

Les collèges du Peuple an Palais se rasseniljleut. Tho coUegesof the people are assenibliug at the
Chefs Guelfes. (iUELi'H Chiefs. [palace.
Voyez couinio ils ont peur, See how they are [ifraiil,
A^ainqùeurs ce soir, maîtres demain. Victor this eveuiug, masters to-morrow.
Chefs Gibelins. Giiibelline Chiefs.
Regardez connue ilsIremblcnt, Look how they tremble,
Vaiuiiiieurs ce soir, maîtres demain. Victors this evening, masters to-morrow.
Chœur General. General Cnor.us.
Pourrinoi donc tant de haluc.
Nous pourrions être licuroux, etc. . .
Why then so nnich, etc.
'J'ous entrent au J'aliiis ejcepté Dante. Jll enter the palace except Dante.

SCENlî III. SCENE III.

DUO. Dfo.
DANTE, B.VRDI. D.AN'TE— BARDL
l)>N"rF,. DANTE.
Ali pui.«se la vjiix populaire
! -Mil may the popidar voice
Choisir pour INeuvre tnti laire I lioose fertile («rotecting work
ITu homme ([ui la comprendra ! A man who will understHUd it!
{liévant) i.e fardeau sera lourd à qui l'acceptera. (Drcamiuij) Tlie task will bo heavy, for wlioever
Simeone Hardi parait. Il fuit f/neh/ues ]nis dans la [may accept it.

direction du Palais, mais il roit Jianic, s'appraihe Sinieone Bardi apjienrs. He aArance tawardi the
pala.e, but sees Dante, approaches and recognize»
et le r< connaît .

HARDI. hi 111
,B.\R1)I.
A'oMs! (lier Dante, c'est vous.
You! Hear Dante, itisvouf
DAXTK. DANTE.
Siuuîoue. Simeoue !

BARDL n.\RDi.
Plorenre retrouve enfin Florence at last linds again,
A]ircM si longue absence, After so long an alisence.
,^on lils très onlilienx Her very forgetful son.
l'oiirtant Très regretté. Who is nev.rihelcss mm h ri'grettoil.
DANTE. D\VTK.
A Bologuo .... à l'adone. . .
At I'olo'jna at Padua,
l",t il.-ins tonte cité ,\nd in all cities
Dont j'allais l'onsnltaiit I'li'-^toiro et le génie, (If whicli I consulted the history and the goulus.
.lamais de la terre b'iiii^. The sacred renicnibrance of my country has not
1.0 souvenir ne m'.i quitté. [left me.

li.VRDt, nr'c. eriuinsion. P \T^DI— n'ith expression .

•l'aurai dime pour t -moin île félicùté ma I shall then liave as a wituess of my felicity.
1,'ami de ma
Jeunesse. The friend of my youth.
liante Vinlerrngc du (/este et du ri'jard. ( Dauie looks askance at him.)

On me donne pour femme I am soon lo \v.:d

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 ^ND 07HE\

PIAM0<5.
5TÛT^YA,ni GLAXK

Ol^jUfô, «5

2^
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DO

X91 GSLTOLGLl
No More Dandruff,
No More Bald Heads,
No More Wigs.
THE CELEBRATED

fll^TI CHflUVE.
-^-3= -X— ^=^ — »<—c-=e-<^
c.
From last certificates received'wo extract^theTollowing':

New^Orleans, September 3(1, 1890.

To the Anti-Chauve Co., loi Caual Street, wp*.* î^r^s? "iS

GenHemen — Six mouths ago, my luiir, tliroiij;h some unknown cause, was falling rapidly and
none of tlio ingredients I used was of any avail, until I heard of your preparation.
>» After a few applications of tho Aiiti-Cltsllivo a light dawn appeared on tha bald spots of my
head which are now covered by a strong and healthy growth of hair. In witness of such a result it
affords mo the greatest pleasure to reconnnond tho Anti-Cllillivc to all persons similarly all'ccted.

— Yours, truly, GAZELLES,

[^ Résissour Gén6ral du Tlicâtru do l'Opéra' i-'ranyais, Direction": A.'.DUIUEU, Saison 1890-91?
 — — .

-.
\ '^yc

^ Shorthand ^ and # T^YP6 writing * T^aaght#-

Eeminqton (Polyglot) Machine, writes All Modern Languages, for Foreiga
ytiuleits. Lady teaclier iu either biaucli wljeu desired. All kinds of Shorthand
01 Tyi)c\vi itiiig Work Solicited.

234 ST. CHaUI.Kn «TKEKT, near Loe lircl'. New 0' leans, La.

DANÏE.
''

5~
Celle que f^^s loiijitenips, 'l'iie oiie whom long
r.t (le touti' mciii âme Auil \, ilh i.il ni\ biMil
J'adoi'ilis tu Mcret! 1 ailuied iu Kecrel !

L'AXTE, en eoiiriaiit, DANTE— SBiifJHj.

TA la fpiuine, il paraît, And the woman, it seems,
Kii iiniM puiuts est parfaitef Js jieifeet in allimiiis?
BAKDI. BAKDI
I'oiir lii II la (li^jieimlvi', ô ])oi'te. To Weil deiiict her, oli. jinet,
C'est ton langajte (jn'il f:ni<liail. 1 sliouM borrow your laiij^uage
Ou xie Raurait (|uelles choses I would not know w hat things
]jui comparer iei-Iias; Here below to c(mipare her to,
Si Dieu n'avait fait les rests'^, If God had not made the roses,
Si le lys n'existait ])as ! If the lily did nut exist!
Tant (l'innocence et de grâce So much innocence and race
Illumine ses quinze a -s Illiniiinates her tit'teeu years.
Qn'ou sourit (juand elle passe All smile wiirn Khe]i;isses
Comme ou sourit aux enfants. Asone smiles to children.
Et cependant anpn s d'elle And \vhoe\traî>]>roache.s her
Ou vient parfois trembler il JSometiiue» tremlile
De la voir ouvrant son aile To see her open her wings
Comme uu auge s'envoler I To fly away lii-e a:i angel!
DANTE. DANTE.
Dis-moi son nom !
Tell me her name!
BARDI. KARDI.
Jadis vous deviez la connaître; Formerly you must have known her!
C'est la lille de maître Portinari. She is the daughter of master Portinari
DANTE, à jiarl arte douleur. DAXTEAside, with sorrow.
Qu'ai-je entendu, f^ei<;nenr ! "What did hear, )h Lord.
1 (

Beatrice, (à l^inicoiie. ) AU ce cœur !

Beatrice \. ..(To Siineone) Ah this heart.
. !

Comment l'as-tu gagn<^? How didst thou wiu it?

BARDI. BARDi.
Par
la recoiinaissance :
Through gratitude;
A ce puissant parti (pii rèi^ue sur l'iorenee To that powerful party, which reign overFlorenco
Son pire avait fait une oflense, Her father had done some olfense.
Hais j'ai i>u l'arracher aux mains des Douati. But I saved him from the hands of the Donati,
DANTE, arec amertunu: DANTE— nilh bittcrnesn.
L'eufaut est le prix du service, The child the price of the service.
is
(àj)art.) O
Béatrice, {aside) Oh Beat i<e!
Pourquoi suis-jo parti ?
Why did I depart f
BARDI, s'aâressaiit à Dante en noiiriaiil. BARDI Addressinfi Dante sniUinq
Mais en étant aniaut fidîlo But while being a faithful lover
Ou )ieut rester bon citoyen. due may remain a good citizen
Pardonnez-moi, jo vais oh le devoir m appelle. Pardon me. I go where duty calls me.
Il rentre au J'alaia Dante reste attéré sur le devant He enters the palace. Dante remains sadli) ia
de la Scène front of the scene.
DANTE, arec dénespoir. DANTE— 7» despair.
Ail! de tous espoirs il ne me reste ]dus lieu
mes ! Ah! of all my ho]ies nothing remains.
En vaiu l'avenir rayonne, In vaiu the future sparkles
Qu'importe uu nom glorieux! What value a glorious name!
De ([uoi seraije envieux AVhatliave I to envy.
Quand mou amour m'abandonne ! When my bive forsakes me!
(avec uccuhlemeiit.) Tout est fini ( With despair) All is finished
Ponr moi sur la terre ! For me in this world,
Comn;e un l>;nini Like one ba: islied
.Te fuirai solitaire. I shall solitary fly
Par les chendus où je marchais vain<]neur By the path J walked a victor
Plus de bonheur, No more h:i)ipine.ss.
D'ivresse promise : Nor the promis>eil bliss
Mou triste cœur My sad heart
A jamais se brise! BrealiH forever !

Rêve menteur. Lying dream

O teudresse (^phéra^re. Ephemeral tenderness,
£nvoles-toi d'uu éternel essor! Ely a way with an eternal flight!
 . . .

t-^r^TV^USICKL-
-><-'
MRT.^^tr "59—3

iist^ Jmw @f Fil©l©^'i Simile ©f Mmii®,

259 CARONDELET STREET, Opposite Temple Sinai.
Music taught Able professors in each department Six
in all its branches. free
scholarships are offered students showing extraordinary talent, as follows :

Two for piano and four for vocal music. WILIAM H. PILCHER,
Director of Music and Organist of the Grand Organ at the Jesuit s Chiirih,
also, Temple Siua
Circulars and Catalogues eent on application.

t; DANTE.
Tout est fini Ail is finished
Pour moi sur la terre Ir'or me ou earth
Ilrlas! Alas! l)nt no
Mais non ! Je ne vliix pas di'scsjn rcr enror !
I will not vet despair!
11faut que je la voie, il fautquoju lui parle! 1must see iicr
A m'eutundre va
tressaillir son cceur ; I must speak to her!
Ali ! je saurai reprendre il qui l'osait ravir ce cœur, Her heart will oofteu at hearing me.
Mon seul trésor! Ah I shall know how to win back that heart
// eorl firvnifitl. From the one who (hired ravish itfrommc.
My ouly treasure He ijoes out rapidly.)
! (

SCENE IV. SCENE IV

BEATRICE, GEMMA. BEATRICE, GEMMA.
{Ik'atrice et Gemma
sortent de la ehapelle, Beatrice lieairieeand Gemma i.tsitc from the chapel. Beatrice
s'avance la première, la tête inclinée arec un air approaehn.'i Jirst, her head boieed, \eith an air of
d'accablement profond. ) profound discouraijment
GEMMA. GEMMA.
Courage Bi^atrice, Courage, Beatrice.
Celui que nous venons de ])rier tontes deux The one whom we both prayed just now
Will know how to siistaiu thee ou the day of the
Saura te soutenir au jour du saciihee. [sacrifice
BEATRICE. BEATRICE.
Si le ciel exauçait mes vœux, If heaven heard my prayer
Lorsque Tiendra ce jour je franchirais ces portes When this should issne from
day shall come I
Avec le voile blanc qu'on met au front des mortes. [these gates
GEMMA. With the white shroud put on the dead.
GEMMJi^.
Ah! tais-toi, c'est afifreux !

Ah! silence, this is awful!

BEATRICE. BEATRICE.
Tu sais bien, chi"^re confidente, Thon knowest well dear confident.
Que j'aimerai toujours celui qu'on nomme Ali- That I shall ulwavs love the one they call
gne moi j'appelais: Dante. [ghieri, Whom I tailed Dante, [Alighieri.
GEMMA. GEMMA.
Let this love be far from thee, as from him.
Qne cet amour soit loin de toi comme de lui. BEATRICE.
He -was I was quite small
but a child,
BEATRICE.
qu'un enfant, j'i'tais toute petite
When kueAv him.
1 first
Il n'était
Without doubt, bciug more happy, he forgot
Lorsque je l'ai connu pour la premiere fois. more quickly.
8auB doute plus heureux, il oublia plus vite. . .
That time which is far from his heart.
Ce temps loin de sou cœnr, toujours je le revois !
I still forever see it
Comme deux oiseaux que leur vol rassemble Like two birds united by their flight
Nous allions ]iar le grand jardin We went through the great garden,
Sans savoir pour(pu)i, joyeux d'être ensemble. Without kuowiug why, joyous to be together,
Mais i)arfoi8 au.ssi rougissant sondaiu,
But souietiines also suddenly blushing.
Et juiis je venais, sons les lauriers roses.
.\nd then 1 used tocoiuc in the rosy laurels,
Près de lui m'ass(M)ir atiii d'écouter To sit near him so as to hear
Les récits chariiKiiits et les douces choses
His charming tales and the sweet things
Qu'il savait déjà si bien lacouter. how to
He knew already so well tell.

Ensemble. TOGETHEK.
BEATRICE. BEATRICE.
Nous allions tous deux par le grand jardin, etc. We both wont through the great garden ....
GEMMA. GEMMA.
Qne cet amour soit loin de toi comme de lui. Let this love be far. etc.
Jlêalrire baiKse le front; Gemma l'attire tendrement Beatrice botes her head, Gemma rfrdir.i her tenderlg
sur sa poitrine. to her heart.
Ah! pleure librement, plenre, et de ta «ouffranco Ah! weep freely, weep in thy distress.
Verse ou nu)U âme le secret. Pour iuto my heart thy secret.
Qui doue, mieux c|'de luui, hélas, la comprendrait! Who better than iue, alas, would uuderstandit.
SCENE V —Final. SCENE v.— Final.
BEATRICE, GEMMA, D.\.NTE, BARDI, Guel- BEATRICE, GEMMA, DANIE, BARDI,
fes KT (illîKLlNS. GuKLPii.s and GimiKLLlSES
Des elamenrs sortent du Palais; de tous côtés sur la Chorus are heard from the fialace From all sides
place arrivent de» groupes animés. animated groups arrive vn the square.
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 (Established in 1846 by Dan'l Edwards)

pas

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 LIGNE FRANÇAISE DU HAVRE.
Les magailiques paquebots de cette ligue favorite pour le coutiueut partiront <lo la jetée No. 42
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New Yo;-k i\ Paris, *2!t, avec aménagement supérieur, comprenant vin, literie et ustensiles.

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DANTE.
Chœur du Pkuple. CUORUS OF TiiK in:oi'LK
Le peuple a rendu sa sentence ! The people has given its verdict.
Salut à Dante Alighieri . Hail to Dante Alighieri!
BEATRICE, iressaille. BEATRICE.
Gemma, ce nom. Que disenl-ilsf {tremblintj) Gemm.T, vvhosename!
What are they saying?
GEMMA. GEMMA.
Duuto qu'on nomme
C'est !
It is Dante who is elected!
CIKEUU. Ciiouus.
Le peuple a rendu sa sentence, The people has given its verdict.
Salut, honueur, gloire it Dante, Hail, honor, glory to Dante
Salut, honneur, gloire au Prieur. Hail, honor, glory to the prior.
Dante paraît sur la place, lii'atrice Vnperçuit. Dante appears o» the square, Hcatrice sees him.
BEATRICE. BEATRICE.
Lui !
He!
Bardi ta au deiuiit de Dante et l'amène sur la scène. Bardi ijoes to meet Dante and leads him lu the scene,
BARDI. BARDI.
Venez écouter le peuple de Florence .
Hear the people of Florence .

DANTE. DANTE.
O peuple ! Que veux-tu de moi f Oh people! What dost thou want of me t
ClIŒUR. Chorus.
Eu toi nous avous confiance. In thee we h.ave confideu(^c.
Commande et nous suivrons ta loi. Command and we will follow thy law.
DANTE. DANTE.
Quoi ! vous voulez que j-e me jette What! you want that I should throw myself
Dans la bataille et la tempête. Into the battle and the storm.
Au sein des partis furieux. Into the bosom of the furious parties !

Non. Non, No! No!

Je ne sais, rêveur tranquille I a quiet dreamer, who knows
Qne m'en aller, lisant Virgile, Only to walk along, reading Virgil,
Par les sentiers emplis du chants mystérieux. By the paths tilled with mysterious melodies.
ClIŒUU. Chorus
O Dante, sauve nous des xiartis furieux. Oh Dante, save us from the furious parties, etc.
BARDI. BARDI.
Entends ce peuple qui te prie, Hear this people wliicli begs thee
Il met en toi tout son espoir;
It puts all its hojio in thee.
Florentin, défends ta patrie. Florentine, def<iHl tliy oouutry.
Pour être grand, fais ton devoir. To be great, perform thy duty.
DANTE. DANTE.
Ma force estinégale à la tâche imposée.
My strength isnuequal totll(^ ta.sU imposed,
Et mouàme aujourd'hui, And my soul to-day.
Défaillante et brisée.
Plutôt que d'eu prêter aurait besoiu d'appui.
Wavering and broken
Instead of giving, would require supjiort.
BARDI. BARDI.
Entends ce peuple etc. Hear this i)cople......etc.
ClIŒUlî. CHOurs.
En toi noua avons confiance etc. In thee we have conliilence, etc.
Béatrice sort lentement de la foule et ^avance rers from the crowd ana adranees
Beatrice issues slowly
Dante qui la contemple, muet et comme fasciné par towards Dante who conlvmptales her, silently and
ion regard. as fascinated hy her look.
BEATRICE. BEjVTRICE.
Quand vont aux dangers sans ^lombre,
ils Whenthey go to numberless dangers,
Réclamés des peuples ravis, At the call of excited people,
Par d'autres cœurs cachés dans l'ombre. By others heait, hidden in the shahow,
Les vaillants sont parfois suivis. The valiaut »re sometimes followed.
Ce doux cortège de tendresses This sweet cortege of tendernesses,
Autour de toi t>i peux l'avoir; Around thee thoa willthavo; be without weak-
Vas sans regrets, sois s.ius faiblesse. Go without regret ; [ness.
Pour être aimé fais ton devoir. To be loved, do thy duty 1
 , . . .

£. &, L. CLAUDEL, Opticians.

Opera Glasses and Opera Glass Holders ^t^^ WHci^
No. 142 CANAL STREET, New Orleans.
Sp<Mîtiu;le8 aud Eye-Glasses, Artiiicial Eyes, Drawing Materials for Arcliitects,
Surveyors and Engineers, Thermometers, Barometers, Opera,
Marine and Spy-Glasses.

8 DANTE.
DANTE. A
part, comme un rêve. DANTE —Aside, as in a dream
Pour étro aimé To be loved !
(uupeupU) Je veux tcuter l'ccuvre suprême. To the people) I will try the supreme task.
A vous mou bras et mou esprit, Yours is my arm, and my head aud my heart.
(regardant Béatrice) et mon cœur. Looking at Beatrice.
GEMMA. GEMMA.
Il l'aime, il l'aime encore. He loves her, he loves her still.
BEATRICE. BEATRICE.
11 m':
He loves me. .

Toc CHORUS.
.Salut au Maitrc. Salut au Protecteur. All hail to the master! Hail to the Protector.
t'iiKKs GiUKi.i.Ns— .l/o»(/-n«< leur drapeuu.
—
Ghibkllixh Chiefs Showing their banners.
Voici notre drapeau.
Here is our eusign.
CllKi-s GUKLl'K.s — DvsignanI leur haniiièn. GuKLi'H Chiefs Showing theirs. —
C'est le nôtre. Here is ours.
Tois—.^ Dante. Lequel sera le tien. All (^0 Dante) which will be thine!
DANTE. DANTE.
(Saisiumnl le gonfalon et le déployant.) {(Irasping the gonfalon and displaying it.)
Le drapeau de Florence. The banner of Florence !
Oui, ce ])euiile (jui incten moi sou espdrauce.
Yes, this people, which puts in it its hope,
No doit plus voir (|ue lui, flottautsous notre ciel.
Shall only see that, Uoatiug under our heaven.
(On revêt Dante thi riche manteau îles l'rieurs de Dante is invented with the rieli mantle of the jirim-»
Florence.)
of Florence.
DANTE. DANTE.
Plus de discorde criminelle.
Que nos vains dcbats soient Jinis;
No more criminal discord.
Soyons à, jamais réunis Let our vain dis])utea bo ended :

Dansuuedt ciu:e fraternelle.

Let us forever be united
A notre voix, noble cité
In a fr.aterual cuibrace.
Que ton front penché se relève. At our voice noble city
Tous tes enfanisn'ont
Let ihy doomed frout be redressed.
qu'un teul rive.
Ta grandeur et ta liberté All thy children have a sole dream,
Thy grealuess aud thy freedom
HE.\TRICE, F.ARDI, et Tovs-lUprenant.
Pins de discorde, etc.
BEATRICE, BARDI, a.vd Am..
Salut, Uoûneur, au Protecteur. No more discord, etc.,
llail, honor to the Protector.

ACTE II.
ACT II.
[Le théâtre représente une salle du Palais des
Seigneurs. Kilo est éclairée ])ar de grandes The theatre represents a hall in the jialace of th*
baies vitrées. Au fond uu rideau de tapis.se- noblemen. It is lighted by large V>ay window.s.
rie. Portes i\ droite et à gauche. Vers la gau- In the rear a tapestry curtain. Doors on th»
che, nu grand fauteuil, jucs d'une table char- right and on the left. To the left a largo arm
gée de pipiers. BARDI, seul eu scene. Au chair near a table covered with |)a|)ers. Bardi
lever du rideau il est a.ssis d ms
le fauteuil et
alone on the scene. When the curtain rises h<«
)>arcourt les jiapiers qui sont sur la table.] is seated in the armchair and looks over tho
papers on the table.
SCENE I.

I3ARDI.
SCENE I.

Nos généreux espoirs seront-ils vains? Je tremble BARDI.

A voir comme sur nous s'est assombri le ciel :
ii Will our gênerons hopes be vain f I tremble
Les chefs des doux partis .ja'uu a jiroscritsen- To see how the sUy has darkened over us.
„ , „ .
[semble The chiefs of the two parties who were proscrib-
bnseniblo ont fait appel. Hero together ajjpealed (cd together
A Charles de Valois, frère du roi de France. .
To Charles de Valois brother of the king of
Il ne lire. (lie risen.) [France.
Qu'on ouvre ;\ l'étranger les portes do
Florence
O maitrc, c'en est fait d'un reste do pouvoir. To open to the str.'vngers the doors of Florence.
(// marche rêvenr.) Oh masters This cud» tho remains of our power.
!

(He walks dreamily.)

 $i-R. F. FKRDET,<^
DEALER IN
,

'

CTiTvware, GlcLssyv^cvre, jEl,oTveT JPots,

UIMPS, VAPOR STOVES, Etc
GJLSOLIlSrE j^ND SAFETir OILS,
lOl FLO'^E'AT. SOTFUESIESnE^.

FANCY AND STAPLE GROGER

132 t^OVHli STt^EET, Coirnep Toaloase.
Specialties: French and California Wines and Liquors, always on band
Catherwood's Pâmons 3 Feathers 1865 RYE.

Late First Leader of the French Opera House and the West-End Band.

-#VOICE*CULTURE*and#the*VIOLlN,
Prof. Lennant having condncted the Orchestra for the leading Artists of Europe,
possesses not only the scores of the operns with the tradition, of the Paris " Acadé-
mie de Musique et Opéra Comique," but also the CADENCES & POINTS-D'ORGUE
of ail the celebrities of thu Operatic Stajre.
Prof. LENFANT, 113 VALENCE STREET.
ESTABLISHED
UflDERWOOD I>, IKFALU.
1810.

JNO. B. CEFAI-ir.

SPRING WATER D. CEFALU & SON,

IMPORTKRb AND DRALEH8 IN

AND

COMMISSION • MERCHANTS,
16 & 18 MADISON STREET,
Agents for Scooner CEFALIT. NEW ORLEANS

PHOTO-ENAMEL CO.,
Its Daily Use the Only Preyentive of (MICCIULLO'S PKOCESS.)

-4t.BRIGHT DISEASE !#- •^h GUILLAUME * RIOOI, ^

General Agent for the State of Louisiana.
For Pale by
All First (Mass Grocers, Druggists,
Liquor Dtalei s and Barrooms. PortrÉs Û11 WM Cases aDiJewelry
PUT UP IX CASES OF A SPECIALTY,
60 quart Bottles. 100 Pint Bottles.
EFFERVESCENT.
reorders taken at

B. E. CASTENDYK, Werlein's Music Store,

m. and 5 m.
65 MAGAZINE ST., General Agent.
From 10 to 11 a. to 6 p.
 ^ — — 1 | — ——
Engelbach, X.
^HOMŒOPRTHIC IPhARMRCY^- AND DEPOT FOR
MEDICAL AND SURGICAL SUPPLIES,
150 CANAL STREET. New Orleans, La.

Dante.
Cantiléae.
Andante motto.

?^ 1 - g 1 g-
->->- -•-=-
Banle.
$ Le ciel est si bleu sur Flo - re» - ce Son a
The heavens are so blue a- bove Florence, Their a

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 WmBBIiUM ^ WlEiSOlf'S

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To purchasers of the '*H^o 9" we give more value for their money
than can be obtained by the purchase of any other machine

WHEELER <S6 WILSON M'F'G CO.

At the Exposition Universelle, Paris 1889, the Highest Possible Premium, tha
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Wheeler, the President of the Company.
« B

Between Carondelet and Baronne Streets.

Telephone Telephoni
15(j T. W. BOTHICK. 156

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of every variety and designs.

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BODIES EMBALMED OR DISINTERRED.

AND CAREFULLY SHIPPED.
Funerals attended to in person,by the proprietor or by a practical
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day and night.

avx OetixxT3 Street,

 p. E. CARRIERE.
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Ot the Finest Manufactures at the Lowest Prices in the South.

p. 0. Box 734. 150 Canal Street» Up-Stairs, New Orleans, Li.

DANTE. (Cantiléne.)

/'
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ments que la rti meur grati- dis - san -te Dé ter-nels res-sen - /» -

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The Highest Award !

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 I

MES H y PHILLIPS.
MISS uBOKGIK S. RUBKE,
(Late assistant of MrsA Tnifant iluUy |

PHILLIPS & BUEEE, Cor. St. Louis & Chartrtjs

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—AM)-

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Office Houks— 8 a. m. to (i p. m.
^"The best of Ci(y refereuees given. ALT & 8CHEXNAYDKE, Proprietors.

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D. DRISCOLL 56 BRO.
MANUFACTURERS OP

ALSO
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All Country orders promptly attended to.

200 <fe 202 Magrazine St.
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CMIMLTTM '

HENRYD. ELFER, M.D.

Tioats successfnlly all oaacs of
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 —— . .

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CHOICE WINES AND LIQUORS,

A Superior liunch daily from 10 to 1^ o'clock.

A. Hoffmann, Proprietor.

DANTE.
Ca n'est pas seulement sur nous que tout est noir. It is not alone for us that all looks dark,
Ah! c'iîst en moi. Ah! In lue, too.
Ces mots, ces mots, je les entends s.ans cesse : These words, these words, I ever hear them :
"Va sans regrets, sois sans faiblesse, "Go without regret, bo without weakness,
Pour être airai5 fois ton devoir. To be loved, do thy duty."
Quelle flamme alors j'ai cru voir d.ins ses yeux. ^Vhat a flame I thouglit to ece in her eyes-
Non à triililr sa promesse
! No! to betray her promise.
K'Ie n'a pu snugor. She could not have thought of it.
Et je n'ai jias cucoro d'abiindon à venger. And I have not yet her abandonment to revenge.
Qu'on ouvre ;\ IV-tranger le» portos de Florence. Let the gates of Florence be open to the strangers.
O maître, et c'en est faitd'un reste de pouvoir. Oh! masters, and that ends the remains of your
(Il a'asKÎed de niiiirmn cl continue à parcourir le» [power.
papîiT» qui ^(^/// .v,7r la tablf.) He sits himsetf aqain and continues to peruse tlie pa-
pers oil the table.
SCENE II. SCENE II.
GKMMA. BAKDI. (Cimma entre par la droite.) (tEMMA, BARDI. (Gemma enters from the ri/jht.)

BAKDl. (Jllavf firemenf rcrs Gemma.) BARDI Goinij towards Gemma.

Gemmai La elière Itoatriee. fiemma. Has the dear Beatrice
A-t-oUe eutin lise le jour de notre liymeu T .\t last appointed the day forournupti tl t
GEMMA. GEMMA.'
Je viens voua demander un cruel sacritiee. I come to ask yon a cruel sacrifice,
( Tri'vail leme» t de Hardi.) (Itardi is riolenttii moved.)
ilai.s digne d'un grand cœur. Kenoneez ?i km tiKiiij iint worthy of a great heart. Renounce lierhand
BARUI. BARDI.
.lel'atteudni» cette parole. Iexpected this word !

Ma tendresse n'est pas si fi>lle My tenderness is not so insane.

Qu'elle n'ait vu la trahisou. That it has not seen the treason!
GEMMA. .
GEMMA.
AU! vous accusez s.ms raison ;
Ah ! You accuse without reason !

Héatriee il cette heure Beatrice at this hour

Ignore ce que je fais mais elle pleure.. Is ignorant of what I do. but she weeps,
Et je revois sou front plus pâle chaque jiiiir. .\nd I sec her face growing paler every day
Oiil)liez sa jiromesse. Forgot her promise !

BARDI. BARDI.
Oublier cet amour. Forget this love !

// «e rapproche de Gemma et Jui
nnnienue.
je la délie.
Oui, si
Dès «pie j'aurai parle.
Sur sa lèvre pâlie
.le sais quo reviendra le sourire envolé.
Oui, SCS yeux dont les eliiirmes
Ont piis UKUi faible cœur,
Si je taris s-s laniii's,
Retrouveront bientôt leur première doueeiir.
Mais tu l'as bien compris docile rao.ssagiTe.
Alors, nous la verrous radieuse et légère,
Courir à son amant et tomber dans ses bras.
(^sourdement) Et cet amant, c'est Dante, n'est-ce
GEMMA.
A lu', dès son enfance, elle s'était donnée,
Et ne pouvait le revoir saus émoi.
Par vous qu'elle soit p irdouuée.
parte ocec une ra;/e He approaches Gemma and speaks leith contained rage»
Yes, If I release her.
As soon as I shall have spoken
On her palcil lips
The last smile will return.
Ye-s,her eyes whose charms
Have conquered my weak heari.
If I dry their tears.
Will soon recover their pristine sweetness!
Hut thou hast well understood it, faithful uicsen-
Then we shall see her radiant and light hearted,
Running to her lover and falling into his arms.
(amirilii.) And this lover, it is Dante, is it not
[pas f [so t
GEMMA,
To him she gave her heart in her childhood.
And could not see him again without emotion
Then let her be pardoned by you !

BARDI. PARDI.
P.ardonner! On vois bien que tu u'aimes iias. To pardon ! Oh one can see that thou Invest not.
GEMMA. GEMMA.
Hélas! mon âme est blosséo Alas! My soul is wounded,
(îommo la vôtre J'ai le même tourment, ' Like yours, have the sanii' torment
I
Et c'est Dante que j'aime. And it is Daute whom 1 love.
BARDI. BARDI.
Et tu veux insensée And thou wantest mo to madly
Jeter ma Beatrice aux bras de ton amaut. Throw my Beatrice into the arms of thy lover.
GEMMA. —Jxec «ne expression très douce. GEMMA With a very soft expression
Si ma douleur est amère. If my pain is gretter,
Pourtant, je le snis aussi I stiil also kuow '

Par le bien que l'on peut faire, By the good one may do
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JATV^eS PReVOST;
135 Gravier Street, new Orleans.
10 DANTE.
Xotre m.al est adouci. Dur pain is allievatcd
I7u i'.ayou doit encore luire A ray shall yet pierce
D.an.s l'ombre où jo resterai, Into the shadow, where I shall remain
Si j'entrevois lo soiuiro If I see the smila
i)o ceux iiar qui j'ai pleuré. Of those for whom I have wept.
Apaisez votre colère, Abate your anger
Et pardonnez noblement; And nobly pardoul
Conuui) vous je désospêre, Lilie you I dispair
C'oiumo moi soyez clément. Like mo be forgivin"
BARDI. BARÛI
Folle et lâche femme, Foolish and cowardly woman!
l'ardonuer la, douleur To pardon tlie pain
Est facile a ton âme. Is easy to thy soul
Hais je n'ai que la haine et l.i veugeance au But I have only liate and vengeance in my heartl
Oui, je veux me venger. [c(cur. Yes I want revenge.
GEMMA— BARDI. GEMMA
Pitié pour eux, piti.! seigneur, etc., Pity for them, mv God, etc.
Folie et làelie fuuiiue, etc. (lia aorlenl.) BARDI
Foolisli and coward woman, etc. Theif g« «Kt,
SCENE III.
SCENE III
jAt tapi»»erif du- fond t'ccarte, Béeatriet apparaît.
The lapeatri/ in the rear opens, Beafric* appmrt,
BEATEÎICE.
BE-ilTRICE
l'arole» de haine, aven de tendresse, Words of hate avowal of lov» I

tout euteuilu.
.J'ai I heard it all!
Pour tous saurais tenir ma promesse ;
je For all I shall know to keep
Mou deruier espoi., cher Daute, est perdu.
my promts».
My last hope, dear Dante, is lost.
Air. AIR
Comme un doux nid sons la ramée, Like a sweet nest under the foliage
\ l'ombre de ta renommée In the shadow of thy fame
Une autre cachera son paisible bonheur. Another will hide her peaceful happiness.
O cruelle douleur! Oh cruel pain!
Quand tu voudras, lassée When thou willst, tired
Du labeur glorieux, Of glorious labors.
En des regards aimants reposer ta pensée, Repose thy thought in loving eye».
Ce n'est pas vers les miens que s'en iront tes I'hine eyes will not look towards mine
O cruelle douleur ! [yeux .
Oh cruel paiu.
Comme un doux nid sous la ramée Like a 8w<«t nest under the foliage
Oàprintemps met sa sp.endeur,
le Where spring puts its splendor
A l'ombre de ta renommée, In the sliadow of tliy fame
Uu autre cachera sou paisible bonheur. Another will tiile her peaceful happineaa.
Ah ! que la mort soit prompte à délivrer mes All! may death be quick to deliver me from my
peines. (sorrow
SCENE IV. SCENE IV
BEATRICE. DANTE. BEATRICE, DANTE
Ku << moment Dante, ouvrant
la porte de gniivhe, .it th'ix moment Dante, ojirninft the door lo the left,
Karaure le front hahué, et sans apere^'rnir d^tbord advanceK ivlih boired head, wilhoul at first perceit-
iiéatriee qui trensaille doidoureuacnient à «a vue. inij Beatrice, who trembles painfully on seeing him
BEATRICE, BEATRICE.
('est lui, Seifçneur, eu ce cruel instant soutenez- It is him, Lord! At ihis cruel instant sustain me.
DAÏf TE — .{percevant Beatrice. [moi. D.VNTE, (perceirinfi Jleatrice)
Béatrice! .Vpies taut ilo messages et de prières .Vfter so mauy messages and vain prayers
vailles. -\.t last I see you again!
Enfin, c'est vous que je revois.
HEATTICE. BEATRICE.
Dante, vous me voyez pour la dernière fols.
Dante, you see mo for the last fiiuo
DANTE. DANTE
Sur ta levre est l'adieu In thy words is tlie farewell
Et non dans ta jieiisée. But not in thy thought
BEATRICE. BEATRICE
Je suis la (ianeée I am the betrotlied
D'un liomuus à qui je dois Of a man to whom I owe
In de lueM jours heureux. Oneof iny ha py days.
Et je n'eu eumiiti guère, And I do not conn» many of them!
DA.VI'E. DANTE.
Ah! celui qui naiiuÎTe Ah! He who then
De ta doulei'I ;.busait lAiheiueiit Vilely look advantage of thy sorroir
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140 GRAVIER STREET 140

 — .

W. C. WILLIAMS. V. MILO WILLIAMS.

. W. €. WttMAMS & Bro.,

PÏO. 47 Carondelet Street. ^evw Orleans.

Agents for WILLER'S PATENT SLIDING BLINDS.
DANTE. 11
N'a droit qu'à lou oiibli. Has a riglit only to be l'orgottou!
Ton (^jioiix, tou aiiiaiit, Thy spouse, thy lover
^ C'est iiioi, c'est moi seul. It is I, I alone.''
BEATRICE— TiiHlemeiil BEATRICE, Sadly.
Poète, la gloire Poet, glory
Du bout son ailp, eu votre mi^inoire
(11! With tlio tip of her wing in your memory
EH'acera bicutùt mou uoin. Will .souu cli'aie my name.
DANTE. DANTE.
Non, Nou, No! No!
Demain, .si tu m'abaiulonnea To-morrow, il' llion aboudonest me
Pourrais-.je eucor chanter : Could I siug again f
Je n'ai ehurtln^ des courouues I have sought tar crowns
Que pour te les ajjjiorter. But to bring tlieui to thee.
8au8 toi )non a'uvre est tiuic Without thee my work is ended
Et n'aura duré (ju'uu.jour. And will have lasted bui, one day.
C'est nie prendre mou {;<^nie It is robbing rae of my gouious
Que me ravir mou amour. To rob me of tliy love
BEATRICE A part,
avec extaxe. BEATRICE, Aside, with enthusiasm.
L entendre ainsi parler, quell« ivresse profonde. What a joy!
DANTE —.Se rapprochant d'elle. To hear liim speak so,
Sur mon frout l'orage gronde, DAN IE, approaching her.
Chaijue heure aminé un danger; On ray head the storm is gathering.
Il n'est (lue toi seule au monde, Every hour bring a danger.
Qui puisse m'encourager. Only tliou in the world
Ton 'îme aux douceurs céleste.'» Can encourage me!
De la mienne est la moitié ; Thy soul of heavenly sweetness
Par amour si tu ue restes. Is one half of mil, e!
Reste au moins par amitié. If thou must not love me
EXSEMULE. At least remain from pity
Pity
Tu veux que mon sort à ton sort lié.
le
Thou willst it, let my fate to thine be linked
Je t'aime. Echos du premier jour 1 love thee. Born of the lirst day
Jusqu'à l'heure sui)rème Until the supreme hour
Doit vivre notre amour; Our love must live.
Je suis à toi, je t'aime. I am thine I love thee-
!

(Elle se laisse aller dans les hra» de Dante.)

She falls into Dante arms
SCENE \.— Final. SCENE
BEATRICE, DANTE, BARDI, VIERI, Chefs \— final
BEATRICE, DANTE, BARDI, VIERI, Guklph
GfKLl-KS KT GUiKMXS. and Ghiuhllink Chikfs
La porte de gauche s'oitrre et satts être rus de Dante The door to the left opens and without being seen by
et de lléatricf, perdus dans leur extase, entrent et Danle and Jlratricc, lost inextasy, l'ièri and his
se tronreiit debout sur le seuil Vieri et ses compa- companions en ter and remain standing on the threa-
gnons. Itold.
CiiKKs Ginr.LiNS— 7f(tt7/ciir.v. GHinEi.i.iXK CHIEFS, Ironically.
Cher Giuifalonnier do Justice,
'
Dear Gonfalonier of Justice,
Daignez ici nous recevoir. l
Deign to receive us.
Dante fuit un mourement pour emmener Jjf'atrice, Dante makes sign to lead Beatrice off, but rieri and
mais yicri et ses piirtisaus lui barrent le passage et his partisans prevent his passage, ironicalhj salut-
le saluent ironiquement. ing him.
I5AKDI. BARDI
S'il vous plaisait «[u'on nous banisse, It pleased you to banish us.
Il nous plaisait do vous revoir. It pleases us to see you again
Dante entraîne liéatriie rvrs la porte de droite, mais Dante drau-s Beatrice to the door at the right, but
{«
il se troui^e arrêté pur Doualo qui entre «iiiri de stopped by Douato, who enters with his partisans.
ae8 2)arti8ans.
Lks GiRfXixs —HaiVeurs. The Ghibem.ixe.'S, ironically.
Illustrious Prior of Florence
Illustre Prieurde Florence,
It seemed sweet to us to unite.
,

Nous réunir nous semble doux.

Mais seulement. c'est coutie vous.
. . .
We have made this alliance.
But solely .against you !
D.VNTE.
Quel traître vous ouvrit ce palais
DANTE.
t What traitor has ojiened to von this palaoeT
BEATRICE.—J part.
BEATRICE, aside.
Je frissonne. . ..
I tremble.
(,Sllt ^élance rers le fond de la salle en appelant) She runs to the rear of the hall, crying
A l'aide Au secours !
:

Help! ....Help!....
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12
X^ rideau se lîve.
qui pousse un cri de terreur.
Lui
BARDI— rriK
N'appelez pas!
Jl s'avance en scène.
Ceux que vons r(^claniez
Sont avec nous ou bien sont désarmes.
Guelfes i:t Gihelin.s.
La
résistance est inutile.
De
ton palais et du la ville
Nous sommes m.utres aujourd'hui.
DANTE — Fièrement aux deux groupes ennemis qui
Vont entouré.
Que demandez-vous doncT
HARDI — Aux partisans.
J'ai votie parole
DANTE.
Hardi ae dresse derant Béatriee The curtain rises, Bardi appears before Beatrice »*•
utters a cry of terror.
He! He!
froid. h.Knni— very coldly
l'ersonne no doit venir. Do not call. No one will come. _
He advances to tie front.
Those whom you wouhl call
Are either with us or disarmed.
GrELPHS A.ND GHIBELIJNK.S.
Resistance is useless,
Of thy palace of the city,
We are master-) to-day
DANTE proudly to the tiro hostile grouji» ich»
hai-e surronnùed him.
What then do you want f
BARDI to the partisans
f 1 have your word Î

Tous. All.
Oui. Yes.
iSur iiK signe de Bardi tuns tirent leurs épée. At a sign from Bardi all draw their swords..
DAXTi:. DANTE.
Assassins ! Assassins.
BEATRICE— .l/o7<V, à Bardi. BEATRICE— /ifxirfc /if/-.,f//.

<irAce, grâce pour lui. Pardon, pardon fur him

BARDI. BARliI.
>'a grâce est dans vos mains. His pardon is in your hand».
BEATRICE. BEATJîICE.
Que faut-il que je fassi-, f What must I do t

BARDI— /)<«i;/HU«( Dante. BARDI pointing at Dante.

Pour lui la mort I'or him death. . .

Ou pour vous le couvent. Or for you the cloister.

BEATRICE— DANTE. BEATRICE— DANTE.
Le couvent. The cloister.
DANTE. DANTE.
Béatrice,qu« je meure Beatrice. let mo die '

Plutôt (jne te pleurer vivant !

Rather than to mourn thee living.

MARDI —Fait un signe aux partisans qui sont rcn BARDI yires a sign to the partisans who advance «
Dante. step towards Dante.
Alors .... Then
BEATRICE. BEATRICE.
Non, je vous ou conjure. . . No, I beseech you.
BAKDI. BARDI.
Jurez donc par le ciel imjilacablo au parjure Swear then by heaven, uupardoninc to perjurj.
De jeter à ce moiido iiu éternel adieu, To say an eternal firewcll to this man,
Et n'étant plus à moi de n'être plus qu'à Dieu. And being no lontrer mine to belong only to God.
Dante est toujours entouré par les épies Dante is always surrounded bv «irorrf».
DANTE. DANTE.
Ne j ure pas . . . Do not swear.
Jiardifait un nouceau signe aux partisans qui s'ap- Bardi repeats his sign to the partisans who prepare
prêtent à frapper liaitlc. to strike Dante.

BEATRICE. BEATRICE.
Par le ciel, je le jure. . . By heaven, I swear it.
Ensembi.k. TotiETIIEK.
DANTE et BEATRICE. DANTE AND BEATRICE.
C'en est fait. .sépares sa s i)iti< sans retour,
. . , 'Tis done. Separated without ]>ity or return,
Nous avons devant nous 1'* tcrnelle Nouffrauee. . We have before ns eternal snflerings
Nos l>onLeurs, Dieu jaloux te sont-ils Miuiotreiiso, Our hapjiiness. jealous Cod, is it an offense toyom
Four songer comme un crinui :\ punir tant d'amour. To punish so much love like a crime.
BARDI. BARDI.
C'en est fait, mou bonheur s'est enfui sans re- 'Tis done, my happiness has flown without re-
[tour, [luru,
Uaifl je iuissans remords. D'une juste vengeance But I am without remome uf a just vengeance,
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Q
ACT II.
§•
A hall iu the jiahice, lighted Ijy immense bay windows ; in the .
back grouud a rich tapestiy haugiug. Doors on both sides. Table Bj
and seats. Uardi, seated, is reading S(mie docnineuts. He deplores T
tile measure» t.ikeu by Dante iu sending in e\liile the leaders of the
rival ])artie» who have made ajipeal to Lbailes, brother of the king 'jj
£
of France, but what incenses him nioie is that he has understood P
Beatrice's words anil sees that she loves Dante. Enters (Jeinnia who ^
comes to beg Bardi to give back her woid to Ueairiee, who loves m*
' Dante since, liardi declare-^ that he will not give her np and shall S
win her love back. Kather give her u\< and pardon her, says Gem-
• nia, — —
Von. then, do not know what is Love! says Barili. Gemma Q_
a iheii cimfesses that she also snti'crs fiom unrequiitcd love, for she "
3 loves Dante, but knowing that Dan(e can be made hapjiy only by m,
^ Beatrice's luve, she kee]>s her love secret. 'Ihey depart and lieatrice TH

OBi g who has heard all from behind the tapestry hangings enleis. Like P
o< lier friend Gemma, she is leady to sacrifice her love to Dante's hap-
2<
()iiies8, when the latter enters, bhe tel s him that she is here to bid Pi
Uim a last adieu, but Dante declares that he cann it live without *
lie, and that without the inspiration other love his genius will die P
mil he shall fo.sake ]ioutry. Moved liy so much love Beatrice P
t'.ills ill Dame's arms. In their extase they have not seen enter ^^
Hardi and the Gibelins 'eaders whom Daute has banished. They
come to avenge themselves, and tiardi exacts from Beatrice that she
^
^
shall give up Dante and swear to enter a convent or else she will
(D
see him slain before her. In spite of Dante's gen nms devotion in •
declaring that he would rather die than see her thus buried alive
Beatrice swear to enter a convent, and Dante's life is spared bu he
is e-N-iled iu his turn as he had exiled the Gibelins. |Dante th.eateu
to have them punished as soon as he is let free, but at the same
moment are.heard trumpe s announcing the entrance of (Jharles of
Valois in Florence, unil heralds iiroclaim Dante's banishment.
u^H

ACT 111.

The stage represents the grave of the ]ioet Virgil, shaded by laurel
tiees in lull bloom. Near th.- grave is a moss-eovered r.iek, used as
a seat. At the rising of the cm lain are seen gracefully groujied
shepher.is and women bearing sheaves of whe.it. Young men and
young girls, dance in yroujis and form a charming iiictiire. They
are about to leave the stage, when enter a {jioup of siiidents who

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DANTE. 13

J'aurais vu leur ivresse insulter ma souffrance, Should I bave seen their joy insult my suffering»
Et trahi sans pitié je les irappe à mon tour. And, betrayed without pity, I strike them in my
[turn
Guelfes et Gibelins. GUELPHS AND QhIBEI.LINES.
C'en est fait, il n'est plus notre maître d'un jour. 'Tis done,he is no longer our master of a day.
Sa grandeur est finie et la uAtre commence ;
His greatness is ended and ours commences,
Il perdra son orgueil en perdant sou amour. Feeble heart, which foolishly dreamed of power;
He will lose hi» pride, losing his love.
BABDI. BARDI.
Maintenant vous jjouvez remettre Now you may return
Amis, votre épée au fourreau. Friends, your swords to their scabbards.
A Dante) Vous êtes libre, maître. ( To Dante.) You are free, master.
DANTE. DANTE.
Ah ! fais donc jusqu'au bout ton métier de bour- Oh Do
to the
! end thy work executioner !

{aux partisanx) [reau. {To the Partisans .) Vou are insane to let me live,
Vous êtes insensés de me laisser la vie. Here I am still powerful
Ici je suis encore puissant. And with all your blood
Et de tout votre sang, Infamous men, you shall pay my lost love.
Infâmes, vous paierez sa tendresse ravie. Tie partisans laugh ironically.
Sires ironiques des partisans.
Chœur. Choru.s.
Puissant encore tu le crois. Ah .... Ali .... Still i)owerful ! Thou believest it ! Ah ! Ah !
BARDI. r.ARDI.
Entends-tu cette rumeur ijui graudit et qui Doest hear this noise increasing and rising.
[monte f
DANTE ,
DANTE.
Qu'est-ce donc f What is it then ?
Bardi s'est avancé à la croisée et a regardé dehors. Bardi advnntcs to the window and looks out.
BARDI. BARDI.
Charles de Vallois est entré dans Florence. Charles de Valois has entered Florence.
DA'JTE. DANTE.
O
l'effroyable honte. . .
Oh, the frightful shame.
NoureUes rumeurs plus fortes. Trompettes. Je- yew cries and acclamations, louder.
clamations.
BARDI. BARDI.
Ecoute encore, c'est son premier édit Listen still, it is his first edict
Qu'on proclame et qu'on applaudit. Which is proclaimed and applauded.
Trompettes. Trumpets.
La Voix du Hérault. The Voice of the Herald.
"Au nom du Roi de France, notre frère. "In the name of the Kingof France, our brother,
Et par licence du Saint Phre, And by authority of the Holy See
Qui nous fait son représentant. Who creates us his representative
Nous, Charles de Valois enjoignons qu'à, l'instant We, Charles of Valois, enjoin that instantly
Dante Alighieri soit banni de la ville. Dante Alighieri be banished from the city
Et ne puisse v rentrer sous peine de la mort." Not to reenter it under puin of death !"
DANTE. DANTE.
Proscrit!Je suis proscrit Proscribed, I am proscribed.
Guelfes et Gibelins, railleurs. Guelphs and Ghibelline.s —ironically.
Dès qu'on est le plus fort on exile, As soon as one is the strongest, one exiles,
C'est vous, Seigneur, qui noua l'avez appris. It is yon, my Lord, who have taught us that.
DANTE. DANTE,
Misérables .... You curs !

Béatrice est sortie de son accablement et chancelante Beatrice has recovered and staggers towards Dante.
elle se dirige vers Dante.
BEATRICE. BEATRICE.
Dante. . .. Dante.
Les partisatis tout en riant se retirent peu. à peu ifii The partisans, while laughtng retire gradually to the
fond de la salle en répétant le chœur. hall, repeating the chorus.

DANTE, à mi-voix à Beatrice. DANTE in a loto voice to Beatrice.

Tu l'as compris. Thou hast understood,

Par la force arrachée une promesse est vaine. A promise wrung by force is null.
Si loin qne le destin m'entraîne However far destiny may bring me
Tn me suivras fidèle à nos amours .
Thou wilt follow me, faithful to our love.
BEATRICE. BEATRICE. *
Vous suivre.... J'ai juré, Dante, adieu pour Follow you! I have sworn ! Dante, farewell for-
[toujours. [evac !
 cr, Jl.. SIGJi-IRID»

144 GRAVIER STREET,

Bet. St. Charles and Oanip. New Orleans.

14 DANTE,
DANTE. DANTE.
Adieu mes amours. Farewell niy love.
GuKLFES et Gibelins, BARDI. GUELPHS AND GlIIBELLlNES, BARDI .

C'en est fait etc. 'Tis doue, etc.

Fin du Deuxième Acte. End 0/ the Second Act.

ACTE m. ACT III.

Le théfitre représente le tombeau de Virgile.
Tout-à-fait à gauche du spectateur, uu tom-
Taeau ombraj;é par de grands lauriers roses.
Près du tombeau, uu bloc do rocher couvert
de mousse formant uu siège. Au lever du
rideau, grouiies divers de Pasteurs et des
femmes portant des gerbes de blé. Des
jeunes gens et des jeunes liUes daussent et
"formeut un tableau tris gracieux et très
animé.
Ballet.
SCENE II.
The theatre represents the tomb of Virgil. To
the left of the spectator, a tomb shaded by
great red laurel trees. Near the grave, »
rock covered with moss forming a seat.
When the curtain rises divers groups of
shcjiherds and women carrying sheafs of
grain. Young men and girls dance and form
an animated and pleasing tableau.
Ballet.
SCENE II.

ir.N- ViELLARD. CHŒUK. Ax Old Man. Chorus.

Le Vieillari>. Old Man.
Partons, enfants. Déjà grandit sur la montagne Let us go, children,
L'ombre du Pausilippe au déclin du soleil. .\lreadj lengthens on the mountain
Voici la tin du jour, il est temps ijn'on regague Thesliado of Pausilippe as the sun sinks.
La chaume où nous attend le bienfaisant som- The close of day is here, it is time to return
[meil .
To our huts, where beneficent sleep awaits us.
Ensemble. Together.
Voici la tin du jour. . . . etc. The close of day is here, etc.

Le Vieillard. Old Man.

Par le sentier de la montagne By the mountain path
I see young cavaliers coming towards us.
Je vois monter vers nous deux jeunes (-avaliers.
Ce sont des écoliers They are students
Qui viennent de la ville Coming from the city
Au toml)eau de celui qu'ils appellent Virgile. To the tomb of him they call Virgil.
jialms and crowns. Theif
The students en ter carrijinii
Jintrent les écoliern qui portent des palmes et des
eouroiines. Ils vont se ranyer de vhaqiw côté de yrotip themselros on cither side of the tomb.
la tombe.
SCENE IV. SCENE IV.

ODE A VIRGILE. ODE TO VIKGIL.

Studknt.i. Pea.sants.
Ecoliers, Pays-vks.
Vu Ecolier. A Sti'DKXt.
oh, nnister, whose glory tills the universe,
O maître, dont la gloiie eni)dit tout l'univers, And whoso ashes hero repose
Et dons la ci ndre ici repose, The peaceful dwelling where thy verses inspired
La paisilile demeure où nous bercent tes vers, Is to be closed to us to-mono w. [us,
Demain pour nous doit f'tro close. Students.
Lks Ecolieks.
Is to be closed to us to-morrow.
Demain pour nous doit être close. A Student.
Vs Ecolie:i.
But the time spent with thee cannot be forgotten.
Mais le temps plein do toi ne peut être oublié. And thy work is our gospel,
Et ton œuvre est notre Evangile.
In a common accord, sealing our friendship
Dans uu conunnu accord, scellant noue amitié, We remain brothers in Virgil.'
Nous restons frères en Virgile. Students.
Les Ecolier».
Nous restons frèresen Virgile. We remain brotliers in Virgil.

Un Ecolier.
A Student.
O doux pasteurs, Oh gentle shepherds.
Guardians of the lusrds,
Garilieunes des troupeaux,
Sowers of the golden harvests
Semeurs de la moisson doréa
disait vos labeurs
Il
He sang your labors
In his sacred ttmgue
En sa langue sacrée, Like us, honor his repose.
Ainsi que nous honorez son repos.
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Formerly with Vonderbanck. Formerly With Kodwitz Saloon.

^ ROYAL RESTAURANT A
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The best of a bountiful marlc<'t will be served in
t!ie best style. The i)roprietors have had ex-
tended experience in catering- to (lie Nevr Orleans
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I'iicm'i>oi"it('i| by
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Le.uislature lor l'.ducatioiial au'l (.'h.inuible ]mriios«s. ami ils fiauL'hise
tiio
œade a part of the i>reseut state Constitution, in l'Un, b.y imUVEivWHEL.MlXU VOl'ULAK VOTE.
TO CONTINUE UNTIL JANUARY 1, 18î>5.
Its GRAND EXTRAOKDINARY DRAWINGS tafee place Semi-annuallv f Jiiiie ami Dec«ml>er)
iind its GRAND SINGLE NUMBER DRAWINGS take pbice in earli of th.*(»tlier ten nuaitiis of
the year, and are all drawn in public, at the Academy of Music, New OrleaB«>. La.
Famedfor Iwenty Years, for Integrity of its Drawiiiics ajid PromiiiÈ Pay-
ineut of Prizes, Attested as follows :
"We do hereliy certify that we supervise the arrange-
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Louisiana State Lottery Comjiany, and in person niauage aud •-
-,
Ti^^^ ^
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ducted with honesty, fairness and in good faith toward all par-
ties, and we authorize the Company to use this certificate witli
fac similes of otir signatures attached, in its advertisements."
C 0.n.7tIASi ~.\ EKS.
We undersigned Banks and Bankers will pay all Prizes drawn in the Louisiana Stat»
tlie
Lotteries, which may be presented at our counters.
R. M. WALMSLEY, Près. La. Nat'I Bank. P. LAXAUX, Près. State Nafl Bank.
A. BALDWIN, Pre. N.O. Nat'I Bank. CARL KOHN, President Union Nat itoal Bank.

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DECHMBEK ORLEANS, TUESDAY, 16, 1S90.
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LIST OF PRIZES
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ATTENTION.—The present charter of the Louisiana State Lottery Coui])any, which i»
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The Louisiana Legislature, which ,-<djouined .Inly lOtli, voteil by two-thirds m.ijority in each
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 . . .

GEORGE -DEALER
iAiMGNER.
IN-
!l

SIGN OF THE RED BOOT.

Cor. Dauphiae & TJrsulines Sts., New Orleans.
DANNIE, 15,

Students.
LKa Ecoliers. Like us, etc.
Aiusi quo nous etc.
I'ASTEfKS.
Shepherds.
Hotorons son repus. Let us honor his repose.
fovibraa et
Tim students deposit the palms on the //rave and the
Zes e'colien déposent leurs ptilmcs snr Ic
shepherds one by one deposit Jtowers or ears of
lespii»tews viennent à tour de rôle en s^lnclitUtint
eorn
placer dus Jlearn et des épu.
Un EcoLiEit. A .Student.
O niiiltreAjnt le uoni ne peut ètro ouljlié.
Oh master, whose luime cannot be forgotten.
Yes, thy work is our gosi)el.
Oui ton ttaivie est uotre Evnugile.
ÏOUS LKS ECOLIEBS. All the Students.
JDasB un commun amour scellant notre amitié. ÏU a commonlove sealing our frieudsliiji,
Nous restotts frères en Virgile. We remain brothers in Virgil.
Le VlElLLAKI).
Old Man.
Piirtons enfants, voici la fin ilu jour.
Let u» go, children. The close of day is here.
VlELLAHl) et Chœlk.
OldManand Choius.
Voici la tin du .jour etc.
The close of day is here, etc
All (JO out yradualUj
Tous s'éloignent peu à peu.

SCENE V.
SCENE V.
Dante appeals, clothed in the historic co.stume.
Dante apparaît, revitu du co-stume liistorirufe.
He advances sad, the head inclined on his
Il s'avance somlire, la tète inclinée sur la breast. The daylight disapjiears gradually.
poitrine. Le jour baisse de plus en plus.
DANTE-
D.WTE. Another day which falls
Encore un jour i|iii tombe Into the intiuitc abyss
Dans le gouHie infini, Without leaving a ray on the forehead of the
Sans laisser un rayon sur le front du banni. [banished one.
Oîi donc est Béatrice A l'heure oil je succombe
If
Where is Beatrice ? At the hour of my fall
N'a-t-elle pas perdu jusqu'à uiou souvenir ? Is she not lost even to my memory ?
A ree a eeah lent en t. despair.
IV'ith
Je suis si triste et las qu'il me faut une tombe I am
Bo sad and tired that I must find a tomb
Pour ([u'un peu de repos me puisse encor venir. to enjoy a little repose.
Il s'ajiproehedit luniheiiii. lie adranees to the tomb.
O maître, lève- toi, dans l'ombre oîi je me penche. Oh master, rise, in the shadow in which I bow,
Couronné de lauriers.. Dans ta tunique blanche
.
Crowned with laurels, in thy white tunic
Dicte-moi le poème idéal et rêvé ; Dictate to me the dreamed and ideal poem,
Gloire et bonheur j'aurai tout retrouvé. Glory and happiness, I shall have fouud all again.
Jl ra n'asseoir sur h- roeher voisin de la tombe. La He sita down on the roek near the tomb. Xif/ht falls
nuit rient peu à peu. (jraduallij.
Folio chimère ! Foolish fancy !

Mai.s je me sens ii(c-al)lé. Ma ])aupi(Te . . . But I feel prostrated. Jly eyelids . . .

.S'abais.se. . . . est sur mes yeu.x.

nu voile Fall. . .a veil is over my eyes.
.

AU! soi.ç béni .sonnneil (|Ui de la vie amère Ah! be blessed, sleep, which of bitter life
Doit me faire oublieux. Makes me forgetful
LE HEVE DU DANl'E.— PREMIERE PARTI !•:. DANTE'S DREAM— FIRST PART.
L'ENFER. HELL.
.\l>I'ARITION DE VinGlI.E. Apparition oe Vntcii..
JJante s'endort. —
La nuit eut tout à fait venue. — Dante falls asleep . It is fully niqht . Slowly the
Lente nu-ut la pierre dit, tombeau se sou 1ère. — ifravefttone is lifted. Laurel-rvowned, elothedin.
Cunronnc de lauriers, retu d'une lonijue rvhe alunij white robe, Virijit <ip/irars, illuminated
blanche, Virgile apparaît, ecluirii-2)ar un rayon by a ray of the moon.
de lune.
\"IR(jILE, parlant à Dante endormi. VIRGIL, speakiny tosleepimi Dante.
Dante, it is a very brittle thing
Dante, c'est cliose bien fragile
yue le bonheur humain Human happinens
Thine will be liroken.
Le tien va se briser
But the Muse is f.;ithl'ul and will come to console
Mais la iluso est lidele et viendra t'apaiser.
[thee.
Dante a tressailli, il ourre à demi Us yeux, il aper- Dante has shuddered, he half opens his eyes andper-
çoit l'ombre et essaie de se lever. Mais l'ombre eeiring the shade trie» to vine. But the shade ex-
étend la main et le poète retombe, ses yeux se fer. tends his hands and the poet falls baek, his ey€$
ment de nouveau. closiny atjain.
DANTE. DANTE.
Virgile ! Virgil !
 . . .

Teinturerie Parisienne.
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EUE
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Teinture et Nettoyage à Neuf des Costumes (hommes, dames, enfants, sans rien
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Blankets cleaned by Snlpltur Process.

30 BAISTE.
\ » A'IRGILE. VIUGIL.
Avant que de tes jours sVteigno le flainlieau, Before the light of thy days shall be estingnislied
! Je veux que ton œuvre «'.achève, 1 want thy work to bo aceomiilished, [forever.
Kt s'il est le pln.s sombre, il sera le ])lu8 beau. And if the darkest it shall be the most beautiful
Visiteen ton sommeil, dont.je };"i<le le rêve Visit in thy sleep, the drcant of which I guide.
Le monde où l'on no vaqn'cnsortautdn tombean. The world where uoue go but after leaving their
Dante, jo veux que ton œuvre s'achève. [tombs.
D.inte T will that thy work be aecomplLshed.
La NriT. Ni(;iir.

I'll i-iiliiiii ih- iiiiar]es se lîrr U'iitcniinl lirrriirf rii.r.

.1 riirttiin of clouds ri.ies slowli/ behind them.
DANTE. DANTE.
L.T. nuit! L'horrible nuit! The night The horriblo night
! 1

Lee nuafies montent toujoim. Il refiaide dans le ride The clouds continue to rise, he looks into space irilh
arec une ej:pression d'effro^.. an expression of terror in his face.
Ces longs eris de souffranee. . .
The.sc long cries of distress,
Et tes mots que je vois traces Vous qui venez : '
.\nd these words I see traced "You who come .

[i'-i.
[here leave hope behind."
'
Laissez toute espérance.
CnoRr.s (u- rnr. Damned.
Chœur des Damnis.
The curtain of clouds eontinnes its ascension and has
Le rideau de vnages a confinné «on a
tiKeennion et
di»appeured Hell is si en Darlne.is invades the
. .

diupani. (In a]ierçoH l'enfer. Carer'nes mim-

ranlls irhirh inomeutnriln ijire bloodi/ reflec-
hre» dont les ronle» ont par instants des effets
tions. Jleliind the black rocks confused shades
sanfilante. Derrih-e des b toes de roehers noirs, roll and crawl
(irouiltent et se tordent des ombres confuses.
Des Damnes. DAMXi<;r>.
Toujours J.onjours Always ! .\lw;iys !

< >donletirs .sans trêve ; Oh pain without end,

<!hi"itiment suus recou's. runishiucMit without ri'ccuirse.
l'n cri s'élève A cry iscs I

Des enfers S(nirds, I'roui the deaf hells

Maudits toujours. Cur.scd forever.
DANTK. DANTi:,
L'enfer {arec terreur. ) Non .... non .... Hell {with terror) Su. no I

11 cache son risaqe dans ses mains rum nie jiniir erlmji. //c hides his face in his hands as if tii eseupe from the
per an terrililc spectacle. horrible spectacle.
Damnes. i)\MXKl>,
Ah,... Ah :

VITîdlI.K. VIRC.IL.
Niim Ills, poursuit ton rêve. My sou, pursue thy dicini.
.\rr.\urrioN i>'i(;iii.i v. Al'I'ARlTIllN- OK U(iill.l\.

DANl'E. DANTK.
r ii'nii ces malheureux. Among these unfortunates.
Il en est un plus somlxe et )>ln.s farouche. There is one more somber and more troubled.
.\!i ! c'est alî'reux. . . All ! This is awful,
Du sail','..., à sus mains. . .. à sa bouche. .
Hlood ... oil his hands. .. on his moulli, .

VlKtJILP:. VIliClL.
I'll supjilico sans lin A torture without end
Chàlie un crime sans exemple, I'linislies a crime without exaiiqih-.
Celui (|ue loti effroi coiitem])lo The one at whom thy terror looks.
Est l'hoiunic ijui luoiiriit dans la tour de la faim. Is the one who died in the Tower of Starv ition,
DANTE. DANTE.
l'golill .... I'goliii !

VIUC.ILE. VIUOII..
Loin de nous cncor, sombre, sinistre immense, Far from us somber, sinister, immense,
.still,

.Sillonné par instant .Sometimes t ra versed

De livides éclairs, nu nuage s'étenil Hy livid lightning, a cloud spreads
Kt grandit el s'avance. And becomes l.irger anil aUvauces.
TOl.llUULLON INEEKN VI.. IXEESNAI; TEMPEST.
Damnes. Damnkii.
.All! Ah !

DANTE. DANTE.
Oui l'air gronde et mugit coiiimi' la mer Yes, the air rumbles and roars like the soi
A riicure des tempêtes. lu the hour of storms.
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Cor. Bienyille. NEW ORLEANS, LA .

No. ,29 Royal Street, New Orleans, La.

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COMPANY,
46 CHARTRES ST., New Orle ans
 . .

LOUIS A.ICA.Rr>I,
mj.
fonfeetionary, fee Jream and gysteF galoon,
^è^^ L. I QUO R s .::^^ê^
Cor. lioijal and Frenchmen Street, o2)2fosite Wasliington Square.

Peace Makers from 15 Cents Up>

DANTE. ( Cautiléue.) Concluded.

i M
\ ^ —»- ^ g -**-i

ceurs q' un chant d'à - mour d d'es-pé- ra/i - ce de vrait mon-

that songs of love and hope sliould a -

-1 f P^ -I 1 s"?"
. |N 1 1 --r
s,— r^ -^
S-1
.
~ > -. -^
9^ r*--

2252=^ g? :]^
-p-1; "!»-: "^i^' •t 1 J

Lrt
5r ^ H^— t^
/cr, mon- ter de tous les cœurs; Le ciel est sur Flo -
si bleu

rise, from all hearts; The heavens are so blue above Flo -

: I

ren - ce q'unchant d'amour ... et d' es -pi'- ran - ce De-vrait mon-

reuce that sonsrs of love and hope should u -

'w» -»•»» w»^

5?=S=z±3 ^ rail.

3cfc
-^ — =1-

rall.

È m -« — =1-
i
ier de tous les cœurs.
rise from all hearts.
c
O". IDrJ33
 MRS. M. PFISTER,

MERCAUTILE! fflilllnery and Dress Making,

SHORT HAND
AXD 596 MAGAZINE STREET,
TYPE-WRITING Office Bet. .losephine & St. Andrew, New Orleans.
Miss A. A. McNALLY,
Boom 35, 3d Floor, Equitable Bnihliug

182 GRAVIER ST.,ct»r. Carondelet

PARISACCORDION PLEATING DONE
Elevator in BuiUUuj; NEW ORLEANS, LA.
f^Every Quality, Color and Texture
Ail Uinds of ('opying Kscoiited with Neatness,
Promptnesa and l^ispjitcli.
Papils lapitUv Qiialilieil in Tînth liranclies of Goods Pleated.
at KEASONAIiLE TRICES.

ELECTRICITY IS LIFE !

UPHOLSTERER,

DrlCSPRIl'S Furniture Repai ed

VARNISHED, PACKED or MO /ED.
Wonderful Electric Belts,
MATTRESSES
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— TO-
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M. O. SPRING, 245 Josephine Street, near Camp.
raotory 109 Gravier Street
, NKW OliLK.ANS.
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GU.VUANTEED.
iDumbered Tickets f*^
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and St. J>(uiis Streets.
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2i;{
Maj. Leon Qneyronze, 17 St. Lonis Street.
.1. i.assalle, 11« Vill.Te Street. ,
Mrs. Tiilly, ôl5 Oanphine Street.
Cyrns W. Keyner, Sii^ar Helinery.
K. I'arnientel, Duniaiiie and Claihorno.
.\njr.Daliezies, Ml Toiilonse Street.
Mrs. \\ )\iiliard, IjO St. Charles Avenne.
.Mine Lewis, Sill Canal and Prieur.
131 POYDRflS ST., M. Ileineniann, Wliole.sale Shoe Store, Canal .St.
Lsaac Schwartz, 202 Haronno Street.
Miss MaKsie Kyan, 111* «tli .St. Cor. Constance.
fiet. Camp and St. Chafles, A. G. Lastrapes, 28 Magazine Street.
ETC., ETC., ETC.
tyWritc for free samples and boo'- to F.
flEW ORLEANS.
GOirAUX, Hoiima, La.
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119 CUSTOMHOUSE ST-

OPEN DAY AND NIGHT.
VINCENT DEL VALLE, Proprietor.

Dante. ( Romance.)
Aivlanlt tranquille.

BQathce

^^ — '
^^ ——
 —
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Importer and Dealer in FOREIGN & DOMESTIC BIRDS,
monkeys and all kinds of t^are Animais. «
'«>

ENGLISU 1 ANCY CANAKIKS A SPECIALTY.

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PriBCioal Store, 133 LÎBEBTY STKEET, MEW YOltK.

DANTE. 17

Damnks. Damned.
Ah! AU!
VIRGILE. VIRGIL.
Cost le touibillou rouluut sur nos tfites, over our heads.
It is the teniiiest rolling
Meurtris, éiierdus. Crushed^ desperate,
Ceux fjui par la chair out (lié perdus ! Those who by flesh have been lost.
Damnes. Damned.
Ah! Ah ! Ah! Ah!
DANTE. DANTE.
Ces de rage et de douleur
cris These cries of rage and sufleriug.
Ah! maître défeuds-moi j'ai peur! Ah, master defend me. ... I am afraid.
Virgile Vapaise du génie. Virgil tnniijuillizcs him bg a sign.
Damnes. Damned.
Toujours. Forever !

DANTE. DANTE.
Uu soulHe moins hnilaut effleure mou visage. A burning breath brnslies my face.
less
AiTAKiTioN un Paolo kt Fkajjcesca. AiU'AKiTioN oE Paolo and Fuance.sca
VIRGILE. VIRGIL.
Deux êtres vont l;\-ljas, se tenant eiiibrassés, Two beings walk down there, holding each
other
Si pilles et si beaux <iu'ou dirait le passage [embraced,
De colomiu's volant vers les uids délaissés So pale and so beautiful, one would say the pas-
Et si tu veux savoir de ([uel nom sur la terre Of doves tlying to abandoned nests, [sago
Ou les nommait naguère And if thou wilt know by what name whih> on
Et quel «rime, eu eux est puni, They were cal'ed, [earth
Va demander à Rimini ! And what crime is punished iu tlu'in
Ask it at Uiniiui.
DANTE. DANTE.
Taolo ! 1 raucesca ! Dieu !
Paolo ! Fraucesca ! (iod !

.1 heartrending clamor of anguish and pain rises.

l'ut ehimi'ur déchirante d'angoisse et de douleur s'é-
lève. Les carêmes sont incendiées par mie im- The carerns are huriied bg an immense red light.
.In angel rises holding a flaming torch, irhilc he
mense lueur ronge. Un ange se dresse, tenant
une torche fiambo liante qu'il necoue sur les nuiu- shakes over the accursed.
dit«.
Damnes. Damned.
PititS ! Grâce ! Le feu !
Pity Pardon
! The tire ! !

The angel with the bnruiug sword !

?lti de la première partie du rêve. End of the First l'art of the J>reaiii.
SECONDE PARTIE DU REVE DE DANTE- SECOND PART OF DANTE'S DREAM,
LE CIEL. HEAVEN.
Divines Clautes. Divine Light.
VIRGILE. VIRGIL.
Du maudit se tord sous l'anathftme,
goiitVre oîi le I'rom the abyss where the aecursed writhes un-
CJue ton esprit s'envole au séjour bienheureux, [der the anathema.
.>^éiour hélas l'ermé à ceux Let thy spirit fly up to the realms of the blessed,
Qui n'ont pas. conmic moi, reçu l'eau du A sojourn, alas, clo.sed to those
[baptCmo. Who, like me, have not receive il the water of
[liaptisni.
DANTE. DANTE.
Les merveilleux concerts. Miraculous Concerts!
Aux lèvres duu mortel From the lips of a mortal,
(,>url liyinnc jamais 011» ces douceurs étranges? What liyinn had ever sni-h strange softness,.
La voix lies anges ; le ciel Tlie voice of lie angels, heaven
I
,

Je vois le ciel. 1 see heaven !

CiKEi'ii Celeste. Celestial Ciiours.

Gloire h celui qui rayoïiuo him who shine,-»
Gli'ry to
D'inelVable splendeur. With inciMuparable S])lendor !

Vous ipiil récompense ou jiardonne. You, whom

Ames des bienheureux allez vers le Seigneur.
Gloire au Dieu juste, au Dieu bon.
Gloire au Dieu sauveur.
Ari'AHITION DE Be.\tkice.
lUiATRICE.
,Te vais dans l'aznre sans voiles,
Oil les anges de leurs malus
Reeenillent les pleurs humains
Pour les changer on
ho rewards or pardons,
.^ouls of the bles.sed, go to the Lord.
Glory to tlui j nst God to the good God ! f
Glory to God the Savior!
.\ri'.vmTiox OE Beatkice.
ISK.VI'KICE.
1 go to the azure withcmt sails.
Where tlie augels with their haud-s
human tears
(iather the
étoiles. To change them into stars.
 .

Saloon, Grocery, Wines, Liquors and Feed Store,

CORNER N. RAMPART & FRENCHMEN STREETS.
Feed Store 469 North Rampart Street.
Warehouses: 142 & 144 Elysian Fields and 514 aud 516 St. Chiude Street.

Telephone No. 508. Goods delivered free of charge.

JOHN JACOBS Proprietor.

18 DANTE.
DANTE. DANTE .

The voice of Beatrice in tlie celestial paths.

La voix de Beatrice aux célestes chemins. C'lIOItUS l)V ANliELS.
C'HŒiK Des Ancks. Glory to him who shines!
Gloire à celui qui rayonne !

BEATRICE. BEATRICE.
If the taskis not ended
Si la tâche n'est pas finie
That the loved one must accomplish.
Que doit remplir le l)icn-aim<5, The master will be disarmed
Le Maître sera désarme By his constancy and genious.
Par sa constance et son génie And we shall be reunited in the resplendent
Et nous serons réunis au séjour d'adieux Of infinite joyfulness [realms.
D'allégre.s.'-e infinie
Et d'éternel amour.
And eternal love.
DANTE. DANTE.
Béatrice! Entends-moi !
Beatrice, hear me !

Chouus.
CH(Etl!.
Glory to him who shines l

Gloire à celui qui rayonne.

The ^uminou^i r-inion disappears. The curtain of
Zavoix liimineuse s'tleint. Le rideau de nuages re- clouds rises again and the scene resumes its ob-
monte, r obacurcité envaliit dt noureaii la scène.
scurity.
DANTE. DANTE.
Ah, plus rien ! Dans l'espace Ah, no more ! In space
Tout se tait Tout s'etiace,
!
All is silent! All is effaced,
Tout est noir All is black !

Oui tu l'as dit Béatrice

! Yes, thou hast said it Beatrice,
Je pourrai te revoir. I may see thee again
Fin du troisième acte et du rêve de Dante. End of Act HI and of Daniels Dream.

ACTE IV. ACT IV.

Même décore qu'à l'acte précédent. Au lever du f^ame scenery as in the preceeding act. As the
rideau Dante est toujours endormi prés du curtain rises Dante stUl sleeps near Virgil's
tombeau de Virgile. Le jour commence à, tomb. Day commences to break.
venir.

Chœur daxs la Coulisse. DANTE, BARDI, Chorus Behind the Scenes, DANTE, BABDI,
Ux Patke. A Shepiiei:d.
Chœuk. Chorus.
Ah! Ah!
Bardi parait à droite. Un petit p.ltro qui le pré- Bardi appears on the right. A little shepherd
cède lui désigne du doigt Dante, toujours boy who precedes him designates the sleep-
endormi, et s'éloigne. Bardi l'ait ([UeUiues ing Dante with his finger and departs,
pas, puis s'arrête, n'osant l'aboider. Dante liardi advances some steps aud stops, not
se réveille. Il promène d'abord un regard ilariug to accost him. Dante awakes. He
étonné autour de lui. Puis, se retournant, il first casts a surprised look around him. Then,

se redresse et lève les yeux vers le ciel teint turning around he straightens himself and
,

lifts his eves to the roseate sky.

de rose .

DANTE. DANTE.
Voici que l'aurore se lève. Aurora is rising;.
Le brouillard matinal se dissipe dans l'air. The morning mist is dispelled in the air.
Suddenlij he remembers. His face brightens.
Soudain il se rappelle. Sa figure s'illumine.
Ah! le merveUleus rêve Ah "The miraculous
! dream
Que j'ai fait. Ihave had.
Vante aoerçoit Hardi et recvle d'un pas. Dante perceives Hardi andrecoils a step.

Lui suis-ie encore en enfer? He! Ami still in hell?

BARDI.
^

BAEDI.
Pardonnez-moi. ..je sui| indigne et coupable. Pardon me was unworthy and guilty
! I
D'aveugle colère^nvahi Carried away by blind anger,
I have wounded all, I have betrayed all
J'ai tout blessé, j'ai tout trahi
!

Du courroux qui m'accable Of the blame which crushes me,

Trop juste est la rigueur. The rigor is but too just.
Pouitant, pardonnez-moi. Le repentir est entré
Yet pardon me. Repentance has entered my
[dans mon cœur. [heart.
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i3 OARONDELET ST. Office, FOOT OF JULIA ST.

Telephone 570. NEfT ORLEAXS. Telephone 492.
DANTE. 19
DANTE. DANTE.
All mistf^ruble ! Ah, miserable man!
Taut dc toimueuts Houli'erts .So much t(Uiuent suflered.
Et taut de pleurs verses, So ni.iny tears shed,
Par tes remords seront-ils efl'acés. Can they be eji'accd by thy remorse t
La parole consolatrice The c(uisoliug word
Aujourd'hui saurais-tu me la dire
'
Canst thou tell it ine to-day ?
BAKDI. BARUL
Oui.... Yes.
DANTE. DANTE.
Tu poux lue rendre mes amours. . . . Ma Béatrice. Thou canst restore mv love, uiv Beatrice.
BARDI. BAKDI.
Je le puis, je le veux . I eai). I will !

DANTE. DANTE.
.,Vh ciel ! Ah, heaven.'
BARDI. BAKDI.
Gemma qui ne l'a pas uue heure abaudounée (ieiuma who has not left her for an hour
Amapitictit un suprême appel. Has made a supreme appeal to my pity,
.l'ignorais où la destinée I kuew iK)t where di stiiiy
Vous entraînait. Je l'appris. ... Me voici. Had carried you. I learned it. .1 am here. . .

DANTE. DANTE.
Mais Béatrice où est-elle ? But Beatrice, where is she ?

BARDI. BARDI.
Près d'ici. Near liy.

DANTE. DANTE.
A Nai)les
'

? At Nai)le8 ?

Hardi fait un nigiie affiiniatif. liarili makes an uffirmatire sign.

Ah ! Gourous vite !
Let us hasten!
.\h! [bidden.
Mais du lieu (jui la tient l'entrée est interdite. But entrance to the sjiot where .she is is for-
BAKDI. BAKDI.
.l'ai confessé ma faute, pour la réparer
et I have confessed my fault, and to repair it
On m'a dans le couvent permis de pénétrer. I have been permitted to cuter the cloister.
DANTE. DANTE.
\h'. viens, viens, courons vite. Ah come, come,
! let us hasten.
BARDI, Varrétaiil. B.\RDI, slopping him.
Vous me i>ardounc/ You forgive mef
DANTE. DANTE.
Si je te dois l'ivresse If I owe thee the happiuess
De revoir cuiiire sur les miens. To see again on niiue
Lus yeux de lu j)ure maîtresse The eyes of my pure mistress.
Non tu u'es pas absous. .. . tu seras béni. Xo thou art not absolved thuu «halt be . . . l)le88ed,
Viens Viens. Come, come.
DEUXIEME Tableau. Taiu.eai- II.

A Naples. Le jardiu d'un couvent. A gauche la At Na]des. The garden

a c(uivcnt. To the
<if

chiipelle à droite, l>anc de pierre, et iiorte

;
left the chai)el, to the right a stone bench
donnant sur les cours d'un couvent. Au le- and a door leading to the courtyards of a
ver du rideau, les icligieuscs ])assput lente- couvent. .As tlu< curtain ri.ses the nuns pas»
nu^nt deux jiar deux, se dirigeant vers la slowly two and two tiiwaiils the <-liapel.
chapelle. Gcuuiia entre. Kilo regarde le (Jeiiuua enlcrs. .*^he hioks at llie passage of

détilés des nonnes en restant à l'rcart. Ré.-i- the nuns while remaining on one side. Ben-
tricc marche dans le cortège. Elle est très trice wa'ks in the procession. She is very
l).11e et semble se souleuir avec peine. jiale and seems hardly able to staud up.

SCENE I. SCENK I.
(JEMMA GEMMA.
Elle 80 rend à la cha)pelle Sliegoes in the chajii 1,
aimé(^ Eu arrivant.
Ma pauvre My poor friend. .on arriving.. .

Chaque matin, dans ce convent Kvcry uiorning, at tins convent

Je UM^ sens ticssaillir d'une angoisse mortelle. I ieel a shudder of nuirtal .-luguish,

Au milieu de vous dans ce monastère, lu your midst in this nionash'ry,

Filles du Seigneur no l'aceneillez jias Daughters of tlie Lord do not accept her
11 tant, pour bénir le devoir austère, I'o hiess the austeii' duty thi're nuist be
l'u iciur bien guéri des anciens combats. X heart wi^ll cured of (dd combats,
A son cher .imonr ravi par la terre Of her «bar Uivc, rajjshcil liy thi' cartli
Elle songe encore en pleurant tout bas. She still t'duUs whi"weeiiing in secret,
Loin d'elle écarter votre voile sombri; Keep far fruui her your somber veil
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O
o
DANTE ii^

((Miif l)<-:iiiii;; li:iliiis ;ni(l \viv;itlis t<> ili;i-or;itc the piii't's grave. Oiif g*
oftluiii iviiti^s !iii oitc to \'iij;ik'. Wlien slieretiie at the lull fday. u
Dante enters ilvessed in the hi.-itorienl co^tllIlle. Ho is (IreaniiiiL- ot' »
r.e:itric-e. wlioni he has not seen siilee his hanis'iimeut, .wouderin'j
wetlier she loves of reineiiihers hiiu yet. Arrivin.s;- near the jioet 8
grave he iuvcdies him and :isl;s thi^ Crent Poet's sli:.de to insiiire him
g
^
some iliviue poetry. Tim nif;ht has tlieu come and tlie shade of
Viiiiil is seen risins; fiom the jrave.
^
""J

Dante's Dream.
A'iiuil address Dante aslee]) and tells him, that liiiniau liapidness
is a thing very frail, his will break, hnt from his bleodini; heart
will arise the Divine inspiration. Night has eome and from the
baek ground arises thi' \ ision of " H(dl." Vagne forms ai'e seen,
who ery in agony. From the multitude of them Dante distingnislies
first the vision of t'g<din, wlio Imried alive in the Tower of Honger
fed im the eorps of his own sous then ajipear Paola and Kraucesea
;

—
da Kiniiui. The horrible vision disappear and is replaced by that
id' Heaven. —Choruses of angels are lieard, the scene is lighted by a
divine splendor. In the midst of the splendor appears Beatrice.
Dante recognizes her voice, she sings of the capture of angels and
exhorts Dante to continue his task of Poet, which God will leward
The vision disappears. — Dauto
wakes up, aud recalls his dream
when appeals Bafdi who a<lvauees trembling to asks Dante's for
giveness aud tell him that he knows in what convent Beatrice is
aud that he has obtained from the cluirch her release from her vow
 . .

The Pacifie Mutual Iiiîe InsoFanee Company oî Califoraia.

LIFE AND ACCIDENT, organized 1868.
Oovcriipil bT Oie fltrinfîent iiiaurauie laws —ol Calilorniii. Stoïkbulileis liaWe lor ail the ilebts of the Company. —
Vi-ntlii iniiolii'vholiloi-8eiclu3iTely, noue to stockholders. —Highist rates ol interest ou ita iuvestmoDts. Ecouoniiial
mau„Ke,«™t i_ALI, CONTRACTS MOST LIBER*!,.
Nonforfeitahloaccordingtoternis.— Inilispntable and nnrestncted as to occ-upation after seeoiui year.— No restnc-
tiens on residence or travel.— Absolutely world wide.— Nonforfeitable.—
No dednetious lor previously paid indemnity,
iividend Investment Policies, ronibinins investment with Iprotection. , „ .

New mutual investment Policies, Guaranteeing annual values in plain hguros.

Accident Policies and Tickets.
AU Claims Paid Immediately after filing of satisfactory proofs.— Paid Policy-Holdeia and their Representatives over
«4,500,000 00.
GARRETT BROWN, Manager Southern Department.
ELKIN MOSES, General Agent, 31 CARONDELET ST.

20
Linceul des tr<?sors à jamais perdtis.
Assez de lys blancs sont ouverts dans l'ombre,
Qu'importe A l'autel une fleur do plus.
Le ciel ue saurait reprendre à. son Ame
Ce qui peut rester de bonheur humain
. Pour moi ses regards ont si pure flamme
J'ai tant de douceur à presser sa main,
DANTE.
. . De.ath cover of treasures forever lost!
There are enough wliite lilies open in the shade,
What matter to the Lord for one more flower.
Heaven cannot take from lier soul
What may remain of human happini^'is
For me her eyes have so pure a flame.
I am so happy to jircss her hand !

O toi qu'en secret sa douleur ri^clame,
Ange de la mort poursuis ton chemin
Ne fais pas si tOt ses paupières closes,
Son beau front baigné de pleurs superflus.
Les champs de repos ont assez de roses,
Qu'importe à la tombe une fleur de plus.
Oh thou whom her sorrow iu se<ret demamis,
! Angel of death pass on your way,
Do not have so soon her ovelids close.
Her beautiful forehead crowned with superfluous
The fields of repose have enough roses [flowers.
What matters to the tomb one flower more.

SCENE IL SCENE II.

Entre Béairici-. Enters /Un trice.

BEATRICE, GEMMA. BEATRICE, GEMMA.

Gemma court au deranl de Beatrice. Gemma mus to meet Beatrice.
BEATRICE. BKATRICE.
Je viens te retronv.tr. I come to mei't thee again.

Gemma diriije Béatrice en la soutenant, rem li banc

Gemma support» llcutrice to the bench on the right.
situé à droite.
Ta pauvre Béatrice Thy poor Beatrice
Ne saurait sans qu'elle faiblisse. Cannot without fainting.
Demeurer bien loutemps ù, genoux Remain very long on her knees
Et lo vœu Anil the vow
Qui devait me lier à Dieu AVhich was to give me to (iod
Est remis jusqu'au temps où je serai plus forte. Is postponed until I shall be strong,

GEMMA, ehayant de sourire. GEMMA, trying to smile.

C'est-jl-dire ù. bientôt. Which will be soon.

Séatriee se lève brusquement arec une expression d'ef- Beatrice rises snddenTij with an expression of terror
froi sur le visage comme si nue vision sinistre on her face as if a sinister rision appeared to
apparaissait })uis elle retombe sur le banc et sa her; then she fulls back on the bench and her
figure reprend un air doux et résigne. figure resumen a gentle and resigned air.
BEATRICE. BEATRICE.
Oui bientôt Yes soon
Je serai tout à. lui Mais là-haut. I shall be all his.... But above.
GEMMA. GEMMA.
Ah, que tu me fais mal à parler de la sorte ! Ah, how
thou grievest me to speak thus.
Ton cœur ne
doit pas se fermer Thy heart must not close
A l'espoir dos jours qui
vont suivre, To the hope of the days which will follow,
Conserve eiicor désir de vivre Keep still the wish to live
Pour qui toujours saura t'aiiner, For him who will always love thee,
—
Non ton cœnrue doit pas se fermer. No. .thy heart must not close.
. .

BEATRICE. BEATRICE.
Ah! C'est trop pleurer c'est trop soutt'rir Ah ! too much weeping and suffering,
This is
L'espoir, le courage en moi tout s'tqiiiise Hope, courage, all are exhausted in me,
Mon dme agonise My soul is agonizing
Lai.sse moi mourir, Lot me dii'.

Pourquoi me plaindre et t'al.armer Why complain and alarm thee.

De nos maux la mort nous délivre Death delivers us from our sorrows.
Mon cœur no peut plus vivre My heart can no longer live
Puisqu'il n'a pas hélas le droit d'aimer.
! Since it lias not, al.is, the right to love.
C'est trop pleurer. This istoo much wecjting,
C'est trop souftrir! Too iiiiuh to sntfer.
Ab< Gemma laisse-moi mourir. Ah ! Gemma let me die.
GEMMA. GEMMA.
Oui, c'est troj) souffrir. Yes this much is tuo to suffer, '

Dieu prendra pitié. God will take pity.

Tu ne poux mourir. Thou canst not die.
 . .

R. A. MILLER.
Mi^LRKS & MILLER
a. uâbks.

-^TTrtdertaJ-cers and JBJrnbaimeTs^i^

STABLES, 170 and 172 RICHARD ST., near Magazine.

CflnniflGES FOn HmB AT fliili HOURS.

TELErnOXE 159,

DANTE, 21
SCENE m. SCENE III.
Les Mêmes . TiiB Samk.
iaperte du courent s'oiwre de noureau. Une reli- The convent gate opens again. A nnn appears
ffieuBe paraît sur le seuil, Gemma Vapcrço'U. on the threshold. Genuna perceives her.
GEMMA, à Beatrice. GEMMA, to Beatrice.

Cest moi que l'on appelle. It is I -nho am called.

Gemvia arec un dernier geste affeetneux à Béatrice Gemma wUh a last affectionate sign to Beatrice ad^
ifarancc vers la religieuse, et, après mi mot ranees toicards the nun and after exchanging a
iehangé à roix basse, dispuraît arec elle. Béa- vordin alow roiee noes out withher. Beatrice
trice regarde tristement Gemma s'éloigner. sadly sees Gemma go.
BEATRICE. BEATRICE.
Va compagno lidile, Go faithful coinpauion
Tn n'as plus bien loiifrtems à faire i<ni devoir. TUou hast not much longer to perform thy duty.
Daiitc. Woiiiir saus te revoir.
. . .
l):intc. . . .To die without .seeing thee again,
De l'cteruel sorami-il je n'ai pas r.|>ouvante. I do not fear eternal Bleci>
Sons ta loi je m'incline, 6 8ci{;niMir triomphant, Under thy law I bow, oh triumphant Lord,
Mais quand je iiiesouviens quo.je suis ta servante But when I remembertliat 1 am thy servant,
Dois-tu dime oubliar que. je suis ton enfant Slionldst tliou forget thnt I am thy child,
Tois (lui nio 8oi)arais do celui (jnoj'adore, Thou who separated mo from him whom I adore,
Rends-le moi pour un jour, une heure, un seul Give him back to me for a day, an hoiir, only a
[moment. [moment.
De mon dernier regard le contemplant encore. With my last look contemplating him still.
Laisse-moi »ur son cœur m'endormir doucement. Let me gently fill asleep on his heart.
I do not fear eternal sleep
De l'iternel sommeil je n'ai pas l'épouvante ;

Sons ta loi je m'incline, 6 Seigneur triomphant.

;
To the law I bow, oh triumphant Lord,
Alil si tu me gardais ces extases suprcnu's.
Ah if thou for nie ha.st kept these supremo joy
I would go to thee so r.uliantiy flying,
Je m'en irais vers toi d'uu vol si radieux.
Que tes anges eux-mêmes That thy angels themselves
En seraient (éblouis dans la splendeur des cieux. Would admire in the splendor of the heavens,
Atto décourai/ement. RAve insensé {Discouraged.) Oh.' fooli.sh dream
Que mou s'accomplisse.
sort, Dante, . . .
Let my be accomplished .... Dante
f:i to
Mourir sans te revoir ô Dante. To die without seeing thee again. .oh Dante. . .

SCENE IV. SCENE IV.

BEATRICE, GEMMA, puis DANTE, BARDI. BEATRICE, GEMMA, afterwards DANTE,
—apart. BAKDI.
GEMMA rende ere «cène
GEMMA, returning, aside,
Je n'ose lui parler,
I dare not speak to her,
8a faiblesse est si grande. . .
Her weakness is so great.
BEATRICE, regardant Gemma. BEATRICE, looking at Gemma.
<}ni peut à ce point te troubler T What can trouble thee so much /
GEMMA, hésitant. GEMMA, hesitating.
Quelqu'un que tu connais demande Somebody whom thou knowe.st, . .

6 tu veux le recevoir. Asks whether thou wilt receive him 1

BEATRICE. BEATRICE.
Et qui donc T And who then I
GEMMA. GEMMA.
Simeone qui vient implorer ton pardon. Simeone comes to implore his pardon.
BEATRICE, douloureusement. BEATRICE, sorrowfully.
Ah! folle entre les folles Ah, foolish one among the foolish, I nearly hoped
J'espérais un autre nom, [for another name.
Pardonner. . . je le puis. . . mais le recevoir, non !
To i>ardon I can bnt receive him, no I

GEMMA, GKMMA.
n n'est pas seul, et [lonr son compagnon, He is not alone and for his companion
ïu pourrais bien avoir de meilleures paroles. Perhaps thou wouldst liave better worda
BEATRICE. bi:atrice.
Ah Dieu ... Je n'ose croire .... et pourtant, ton
!
Ah God! I dare no! believe
I and still thy
Ta uiain qui tr.-mble dans la mienne, [émoi. Thy hand which tremliics in mine, [emotion.
Ceat lui. . . . C'est Dante qu'il vienne. It i» him! It is Dante let him come !

GEMMA. GEMMA.
Je t'en prie. calme toi. . . .
I pray thee bo calm.
HanttparaU, ^élance ver» Béatrice et la prend dant Dante appears, rushes towards Beatrice and laket
sel brat. her in his arme. ' '
 JVo. ^09 JVord Remjpœrts,
(Etablie en 1853 .
;

TBLEPOONE 1188.
^SOLLICIIB LE PATRONAGE PUBLIC.,^
^1 A. •?•
LAV/GIER.<^
*k

97 St. Louis Street,

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Dr». JOHNSTON « bSllTH, TDavis, W. V.

-<•
^^^S
DEALER IN

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-AND ALL KINDS OF-

N'es. 523 &

523 OAMP
ST., Opposite Magazine Market, N. Orleans
1^" ANTHRACITE COAL ALL SIZES. TELEPHONE 181.

C. BALDWIN,
HEtiRIEmifELLER'S
A large assortment ot
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oil
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CliiBSc* tVir Ladies and Gentlemen, »t Miss
MUKl.LKirS RE.'^IPKNCK, 368 Canal Street,
«n Wcdi esda.vs and Fridays, at 8 P.M. I90 Camp St.,
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Between Julia and St. Jssefvb,
All Standard Dances as well as latest Society
Dances tau;;!!!. NEW OREANS, LA.
 .. . .

JULIUS M. BONA,
Lato of Her Majesty's Opera and Concert Company, London.

142 Carondelet street.

22 DANTE.
DANTE. DANTE.
B(^.it-ice.... Beatrice.
Genimo va devant de Bardi qui est entré derrière
ait Gemma goes to meet Hardi wh> has entered behind
Vante io.isdcuxse tienuent un peu à l'écart
et J)aii!e, and both remain at a little distance from
de» deux amant». the two lovers:
BEATRICE. BEATRICE.
^> Ohl mou buule, c'est toi, Oh my Danie, it is thee.
DANTE. DANTE.
Ma Béatrice c'est uioi. Tout à toi. My Beatrice, it is me All thiue.I

Quatuor. Quatuor.
BEATRICE, DANTB. BEATRICE, DANTE.
O l'inni'fable et pure ivresse, Oh the inexpressible and final joy
D'un c<niir brisé toujours aimant. Of a broken but always loving heart,
Je (le, la) levois, j'ai sa tcm'.resse I see (bim, her) ajjain, I have (his, her) lovo,
£o}'ez béui, Seigueur climeut . Be blebsud, gracious Lord.
GEMMA. GEMMA.
O l'inn^'fable et jmeivresoe Oh the inexpressible and pure joy
D'un ciiMir b is.5 toujours aimant J
Of a brolven but always loving heart,
Voici I.i liu tie sa di-tnsic. Here is the end of her distress, ,

Soyez béui, Seigneur cKment. Be blessed, gracious Lord.

bai;di. BARDl.
Je les frapais dans leur tendresse I struck them in their love
Par un indi-tneéç^aremeut By iin unworthy misdeed.
uiou reiMords vieut leur ivresse.
J 'o . . My remorse has caused their joy,
Paruouuez-moi, Seigneur clém..ut. Pardon me, gracious Lord.
DANTE. DANTE.
Ma bien aimée, il n'est plus rien qui nous sc-pare. My loved one, nothiug any longer separates us.
BEATRICE. BEATRICE.
Que dis-tu f What sayest thou Î
Dante d'^^ijne Lardi que Béatrice n'a pas encore Dante points to Bardi whom Beatrice has net yet
apcri II . seen.
DANTE. DANTE.
Celui qui mal aujourd'hui le répare.
fit le He who did the evil to-day repairs it.
JBéatrU.e tcod latuain à Simeone qui y depose vn Béatrice gives her hand to Sitneone who kisses if,
baiser Sùna pouvoir dire une parole, puis il s'c- tv'.thout being able to say a word, and then goes
loijne avco Gamma, la'isaant seuls les deux out with Gemma, leaving the two lovers alone.
amants.
SCENE V. SCENE V.
DANTE. e::atrice. DANTE, BEATRICE.
Duetto. Duets.
DANTE. DANTE.
Nona allons partir tous deux. We shall depart both together.
BEATRICE, avec une joie craintive et presque en-
BEATRICE, with a mixture ofJoy and fear.
fautive.
Partir tous deux . . . Depart together.
DAN'IE. DANTE.
Ainsi que des amoureux Like lovers,
Que U0U9 sommes. As we are !

BEATRICE. BEATRICE.
Partir tous deux ... Depart together. . .

DANTE. DANTE.
Et bientrtt sera trouvé And soon will be found
Le ibir asile rêvé The asyltmi dreamed of
Loin des hommes. Far from mankind.
BEATulUE, DANTE. BEATRICE. D.\NTE.
Sans jamais nous ett'rayer. Without ever fearing
Le monde peut non» railler, The world may laugh at nt,
?'ou8 maudire. , Curse us I
Sur noire étiruel aven For our eternal vow
Nous aarims du graud ciel bien We shall h ive of the great blue beaTen,
Le sourire, The smile.
Et notre uuique souci And our only care
£era de lui voir ainsi Will be to see it tbua
 .

^ A i=n%/r A.OISIT. — — T»-«=r 5

I No. 152 ELYSIAN FIELDS STREET, Corner St. Glande, |

C ISeepa AU Classes oi Dn"0"0-S, ^
St©.*
I AUQFATIY, lOlSQPâTlY, SQSÎMIfBîC asi ail Otàeîs, Itc,
HUaiPHREY'S SPECIFICS. $
Prescriptions carefully compounded at all houis of day or night. j*

L tfe js-Jz-jrti-rfr rf? rfy rf>j<? x^' rfr v^-^-^ t^t?^ \fa..rf7 v^^_^fa:^-j^

DAJSTE. '
tV,^ x^j^A' rît^rfr .rfzjrtz -5fa-&

23

Tant de flamme So much flame.

A l'instant qne nona croyons At the instant wlien we believe
Enfermer tous ses rayon» To look np ;'.t its rays
Dans notre âme. In our soul I

Ah! non» allons partir tous deux Ah we shall both depart together,
I

Ijoiu des hommes. Far from mankind.

Partons Partons. Let us depart Let us depart ! I

SCENE FINALE. FINAL SCENE.

Les Precedets, GEMMA, BARDI. The Sasie, GEMMA, BARDI.
Elle fait qnelqiies pas mais soudain elle tressaille Beatrice vralks some steps, but suddenly' she
et porte la main il son creur comme si elle le shudders a d places her hand on her heart
sentait se briser. KUe chancelle, sa tftte as if she felt it break. She totters, her hc:td
tombe sur l'épaule de Dante qui la soutient. falls on the shoulders of Dante, vrho sup-
ports her.
BEATRICE. BEATRICE.
Ah Dieu Pardonne ami
! ! . Ah, God! Pardon friend
Je ne puis. I cannot.
DANTE, arec épouvante. DANTE, terrified.
Qn'est-ce donc 1 Cher auge ! \\1iat is it Î Dear angel, Lord.
Soigneur
{Silence de Uéatrice éranouie . Oemma et Sardi ac- Silence of Beatrice, trho lias fainted; Oemma and
courent.) Bardi run to her.

Veuez voyez cette pâleur étrange, Come— .''eo this str.ange pallor,
Et ces yeux fermés à dimi. Aud these half-closed eyes!
Tous Titois. All Thuee.
Béatrice entends-nous ! Beatrice, hear us!
Beatrice revient peu à peu à elle. Beatrice gradually recovers her senses.
BEATRICE, a i»on/e. BEATRICE, to Dante.
Le rêve était trop beau pour q'i'ici bas The dream was too beautiful, that here below,
Le ciel permette qu'il s'achève... Je vais mourir, Heaven would permit it to be accomidished. ..I .

Mais dans tes bras. But in thy arms [am going to die
!

\ DANTE. DANTE.
Mourir toi ... . non. ... je no veux pas Die! thon no, I cannot suffer it.
Ma Béatrice. My Beatrice!
Béatrice rappelant 8C8 forcet rcfjarâe autour d'elle, Beatrice, calling hack her strength, looks around,
puis fuit quelques pas rera la ehapelie; elle joint then makes some steps towards the chapel ; she
ses mains, son risage prend vue expression exta- joins her hands, her face assumes an eeytatic cx-
tique, son reyard est leré vers le ciel, elle semble l>ression, her eyes are raised to hearen, she
déjà ne plus appartenir à la terre. already looks as if' no longer belonging to earth.
BEATRICE. BEATRICE.
Je vais dans l'azur sans vo les, Igo into the azure without sails
Oit les anges de leurs mains Where the angels with their hands
Becueillent les pleurs hmnains human tears
Collect the
Pour les ch.anger en étoiles. To change them into stars.
D.\NTE, se rappelant son ri)re. DANTE, renicmhering his dream.
La parole entendue aux célestes chemiiis. The words I heard in the celestial regions 1

BEATRICE, d'une voix entrecoupée.. BEATRICE, in a broken voice.

Et nous seront unis. Au radieux séjour,
. . . And we shall be united. .in the radiant sojourn.
.

Dans l'extase supremo et l'éternel amour. In supreme ectasy aud eterual love!
DANTE, sanglotant. DANTE, weening.
Elle est morte ô nu» t. She is dead. Oh Death,
Emporte aussi mon Ame. Carry off also my soul!
GEMMA, à Dante. GEMMA, to Dante.
Hélas ! ta blessure est cruelle, Alas ! Tliy wound is cniel.
.Sais la muse e^t fidèle. But the Muse is f.iitliful
Et s';.ura l'apaiser. Aud will know how to console thu«.
DANTE, «« redressant illuminé.' DANTE, rising, inspired.
Oui, je dois vivre cncor. Yen, I must still live,
Je dois cliauter pour elle. . . I must sing fur lur !

Dieu l'a f lite iiiimortello. Ooil has 1 reali'd lier immortal !

Moi, jo vais l'immortaliser. I, I shall immortalise her.

Mn du Qiwtrième Acte et de VOpéra. End of Act IV and of the ojiera.

 IK

SilYer,Brass,Glass,Woo(l,etc
Stained Airfc Glass,
(Sew Process Superior Leaded Glass)
to
-CARRIAGE EMPORIUM.
IN DESIGNS FOR Dealer in all kinds of ~

CamageSjCarriageMaterials,
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LAMPS, Etc.
J. FHAZEE, 95 North Rampai't Street,
and 100 North Basin Street,
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FLOWERS magasin
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Jewelry, Old Gold and Silver, Bought
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Miss M. MURPHY Mrs. A. TESSON,

183 CANAL ST. Dealer in
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BoMiDet, Cross Bar Mflslia i Nettiiii
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 —
DEALERS IN

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HflV, COt^N, OflTS, B^Afl, ETC., ETC.

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DANTE. (Romance.) Continued.
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15 Carondelet Street, New Orleans.
IMPORTER OF

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The GALLFG08 WINE COMPANY. Irvinp:ton, Alameda Co., Cal.
J. HCHWEPPK & CO., L'd, London, «inger Ale and Mineral Water,
The BUSHMILLS OLD DISTILLERY CO-, Limited, Co. Antrim, Ireland.

^The Clxeœpest Spot in the City/^

CAN BE FOUND AT

m
In Qfie daY than elsewhere in a rnGnlh.

All the J^OVEIiTIES OF 1890-91.

JSfo'vv Ope ft fo7' Tnsj)ectioTh.
A Complete Line of SILKS,
An elegant asaortment of DRBS3
GOODS.
The latest Novelties in TRIMMINGS.
Eveivtbing that is made in NOTIONS.
The Lowest Prices for GENTS' GOODS.
And any amount of others, that space won't permit us to mention.

VISIT OUR STORE IN YOUR OW^ INTEREST.

145 OANAL and 7 & 9 BOURBON STS.

 .

OXXS. I^. CSrOI^THIESn..

'AMTÎ^T TAILOR je-TÎT

IMPORTED GOODS, CORSECT STYLES, PERFECTION FIT, All New Patlenis, ifl

145 Common
Street, Opposite St. Charles Hotel,
PRICES REASOPTABLE. New Orleans.

3
1
I
DANXE
g
S live, but not see hira says Beatrice. Von miftlit at least sec some
"§ one els- who accomjijinios him. l):nito! exclaim J?oatiice. and tin
2 —
two lovers are in each o'hcr arms. Their ra|)iiirc i» inliuite ami
« tiiey will never end. United at last they will live happy. Bnt.
^ .lias! lieatrico's lonj; siiirtM-in^s have taken away all her trcn-ith -

a mid .she falls dyiiii; ill Dante's arms, rcpeaiinj; the w rds he heair
'a>
her sin . iu his dream, ."^lie dies lie^fjnip; I'ante to O' tinne his di |

vine i)oeni9, as the Mnse of Poeliy alone will console him Yes.
^g Liinst live yet, exclaims Dante, God has taken thee,into His Eternity

g I shall make thee Iimnyrtal iu my songs.

THE END.
9?

=^^^01^^

BUREAU, 20 RUE CARONDKLET,

Ilcnmi lie Cnroiur-Ki fi 11 A. M. ot 3 .'k 4 1'. M. Bolto de Poste aSO
PROriilÊTÉS FONCIÈRES DE TOUS GENRES ACHETEES ET VENDUFiS.
'Iri-.B grand.s soins consacras <\ 1» gestion dos affaires do personnes doniiciIi(^es iV IVtmngor.
Kësidcnce — 254 N. RAMPAICT, Cola Ursuliucs.
 —
p. 0. Box 'iVii'jiiiiHie
1154. C. E, SflP^HflZir^ St Bro. loaa.

FUMEZ ET CHIQUEZ LE

Le Seul Tabac Katnrel Fabri(iuc.

275, 277 DEOATUR & 13, 15, 17 19 & URSIJ LINES, Rem Orleans
DANTE. (Romance) Continued.

crese.
zt =2*:
i -• »m-

Re - po ser - ta pen - s/ • e Ce n'est pas Vers les miens

mind in the eyes of the loved one. It will not be towards mine

_. _ _ __ ^.^ •^
SgZE^B
^i
m^ 9-m-'
:^.

ff.
r»t=5ai =rt«i
t:
w- ^
Que s en t - ro?it tes yeux. cru el le dou -

that your eyes will turn. crn el. 8uf -

^ Eat
S^'
5SE ^
iOj>
*^- ^ —^=
1 r
 PETBH F. PHSGOD, Successot» to Bat»kct» A pesenrf
^'^seaa.
188GKAVIEUSI. EET, Xew Orleans

'TStna
GEN^ERA.L INSURi^TSTCE AGENT,
Tnenronce Company, Hartford...
.»—< a- 1 _i 7

Home IcHurance Company of New York '.,'/.'. $10.071.509 00

Hartford Insurance Cimipanv, Hartford .*.*.*.*.*.'!!!'.* 8 931.159 00
flprin^tield Fire and M.ari ne Insurance Company, Maasachuset ta !*.!!!!!'.'.!.*!."'.', 6,U2,4.->i 0»
i'."
3U>udon and IjancashiroIuBuraiice Company, Livt^rpool iu Uuiti-U Status!!!!"*' 3.')1U,9«2 00
Lion Insurance Company, Lcmdon •• ••
*"'" •• 2,104,079 00
Orient Insurance Company, Hartford '

7t;:i.lM4 00
Georgia Home Insurance Company, Columbus !!!!!!!!!!!!!!!! 1, 915,063 00
•••••!
Conuuercial Insurance Company of California '
919.022 00
Employera Liability (Accident^ LoQd<m '..in Cuiled Statea!'.!!!!!!!!!!!',! 40S.U03 00
Hctt-opulitau PlateGlaaa Company. New York 842.282 00
LosSBS HSjpsTBS lij^^ T-Hi'é "iX-"Jv-'i'}r"oiizE'A'.Ys"' 319,051 00

DANTE. (Romance) Continued.

m Oû le prin-temvs met sa splen - deur A

All a - glow with the splen-dor of Spring;. In

^E ^^^
-±=^ ^ —^-
Vom - hre de ta re - nom - ot/
the shade of your fame

iPEr= ^=2 r
*=*fe5= ^ i
r^-^-«-^ -j^8^^
5«l.
-•LL.
^ ^
=3?
^
^ i!=D^

au
other woman
cresc.
-M

ire
will
A>

e^E^
ca
live
-.,

-
*^—

che
in
^

-
f
^=
rT

ra
quiet.
son pai
happiness
-
roii.

si - hie bon -

^^

^F^=^-

heur. dou - leur!

sniïeringsl

âE:
^rj-^-itf?^=^^^=^^
tranquille.
 —

G. J<]'OBL.'ET,

PATTERN MAKER & TERNER

FRENCH OPERA nOUSE.
STAGI3 MACHIÎflST
Address, UNDEU THE FRENCH OPEKA HOUSE.
MODEL WORK MADE TO ORDER.

La Bohémienne, azueena ) Le TrowtlTê.

tr.
Allegretto. tr.

ftzDMna
im
a=
^=8^^^^ m
La flam • me bril le, Au
The flames spar kle a
tr.
tr.

PiUO.

loin la fou ac court sem - hla Ue

far, the mob runs. like un to
tr. tr.

It-^ -_- ^^^s^^^^s-

N—>
^liL__*_J!L **
i±
SS=
liii
(r.
S :m-^.

^— •r
=»*:5=-*= ~w—

_;7o< §'?«
* ^^55i
rou Pas
^— iS^
se M - «« /e»i
m
a. wave roll ing. Pass es a worn
(r.

^irr£:
33^ -.^i^-- H—j j^j_|^_^ §
•*-s- f^r
^1 î;- -^ n-

»ne
-^ =1-

hum hie en - chain -né

^i^
Vers -
1^^
le sup
an hum ble, in chains..., I'o a horrible

^
^f^ I f=f= -Jtzzzmz
1 1:-^—jrlr ^
'

l
f-lr*
I

^3
^,1:1 ^1-»•-
'r-
-a--L -J^-'-J'
j
h-i ^^ j- C
 ^ — 1 — 1 —^
.

Pure Drugs, Choice Chemicals, Select Medicines,

TOILET ARTICLES AND PERFUMERY. ^^BOGEL'S OPERA tOLOGNB.
Ill Canal Street, New Orleans.
LA BOHEMIENNE. Continued.
L* Troiivèn.

iw aci._^

pH - ce elle. est trai - n/ le

death she. is led,. The

I
9
ncznt
^
P^ 1
'ff^
m
^t=t

^Qj — =v^t ^s;^-

—
^ ~-r~-r
-^1 =4- -=1 =4- -ï;
:îW=ç =1-

ir
tr.
fr.

ii zS* -*—»^^
glas rd - so» we (hi hi - cher cm - el

leath-knoU rings,... And of tlie stake cm - el

tr.
fr.
4^
bfc
:=^*"^ - '
t
— -
- m ~.^^~ 1—
(i

^i__^J .^je J
g^ -^iMha ^S y
113^
-jdKili.

rr.

•^*-^5«»—^^-
Z« flamme im • men se.. l'è - la7i - ce $'è • Ian - w aw del. .

The flamea spar kle. and rise to the skies,.

^^^m itit
^tr^ I^iZI lE
E^
** ^r^ £^^
1 11 dtr^
-=i ît- 1 1 -=) n-

=5mt
i ^_j_^
«"^ - /««<;« uii ciel!

rise to the skies.

=i*=F

(^^—T; -i 1 :±^ -=i— Î)— îj- : »

l 1 I-
]^ :n^ :^:^
 SCpOOk Op fll^T. - " Artists' Association of l^em Orleans.
203 CAMP STREET.
INSTRUCTORS CIJiSSES
Antiqne,
MB. P. POINCY. life, Oil PaintlDK.
tin. A. MOLINARY. Water color.
MB. B. A. WIliSTROM. Modelling.
MK. A. PKKELLL Elementary.
]

MISS EDITH SANSUM. Leotare, on

„»««Tif
MISS JULIA M. MASSIE
Perspective.
^^^^^^^^ ^^ ^^^
dailyfromQ A. M. to 4 P. M. FEEE.
The AsBOoiahon also maintain an ArtGallery-Opêa custodian.
For circulars and further informations apply at

Romanee de la Favorite.

"Ange si pur." DONIZETTI.

Larghetto. ^ ~.^^
^

PIAIO. '^

— ts^^ U^"

-^_ —»-
-0 -^0-
—^r^
i An -
-V

ge
yi-^
vL

si pur, que dans

V 5''—!-

un son - ge j'ai
-b
-V i^

cru trou- ver.

whom in a dream I tho't I saw
An - gel
îrel so pure,
nure. î

^^m
que -mais i A • vec l'espoir tris • te men- son -ge
Vmis j'ai
sad lu - sions.
you, whom I loved, |
With all hope's il -
 T

SPECIAL AGENT FOR LOUISIANA AND MISSISSIPPI,

356 CHESTNUT ST., New Orleans.

Manufacturer of the Artie Soda Water Apparatus,Bottling MacLinerjr

Extracts for Bottlers' and Dispensers' use, &c.

ROMANCE DE LA FAVORITE. ('• Ange si pur.") Continued.

-&-
--^- -f-^f^ - •_•_
f JF» - vo - lezvous et pour jamais
-V

En - w
^ u^

Ze« vous
Ld±z:V—5=P
if

Et pour jamais
Take your flight. and for ev-er Fly from me aad for ev-er.

fe 3 -+-+

^rff
--^ ^^
*T — '1
pgî==t=^^-
-• •- ^-•-
Ife^
iud

+- *
1^ if^^^- -»~2-m-
-*i f
-£-.«H*
ipi

*/^

-• #- —
1^—1/- 1^
-*^-^-g-
|ê =^=f=

me
^=5=t:
JS^» mot par Va - «lowr d'Mwe fem - de
From my heart,the love of a worn - an, had
Vi^
-^•^
/^='=»^^
Ê^^lE
g-^-^-
\i
Vir^g'y
i -r±zt
?=f tr Ef
f

=?2^

i -y- :te=f:
V— y-
^ -h H
i^-
ZJiew /'a - mour a - vaitfai - hU. Pi - tie je t'ai ren du mon
driven the love of God. Mer - cy, I have given thee bad

J J
^i m
•r— »—
Ï
é jé
^^^ES^^
r-i- rd
:t== •=i
r
 « H .

CHOICE CIGARS, WINES, LIQUORS,

IMPORTED AND DOMESTfO,
— And FINE BON BON S
Orders for Parties, Soirées and Balls carefully attended to. Jgsé F. FERRER»
Comer Eainpart and St. Peter Streets.

ROMANCE DE LA FAVORITE. ("Ange si pur. ") Continued.

* Pressez. .--~^'
iTy
1»-^ ta- r^ i#-k
te^=i *-f-
-'H
ibi
:f=?c -^^ -*^^- X_.L_

d - me Pi - ti/ Sei-gneur rends mot I'ou-bli. Pi- tic', Pi - tie,.

my heart. Mer - cy, Lord, make me forget her. Mercy, nior-cy,

ttl^
(I
n\
>^-5--^-
<i
r

TT*"

P
-•-•=;
y)-r -K_«-
::t=i

^M - jté! St pur que dans tin son - ge J'ai cru trouver

An - gel so pure, whom in a dream, I tho'c I saw,

Pi
3ZS- -• •—#-<K:
• f9 -

Vous que j'aimais A - vec l'espoir tris • te men son - ge

You whom I loved, with my hope, 8ad il - lu-sions,

(i^ -r*r-
#-•-'
m •-•- .
-«7
-#--

.(i!ll <»-»
3c:â:
^^
i -t—
-t-#+-
••-t—
iï
:^'^^ fflt—r- -#-•
-.•i-^
 a . .

OmOB - - BOURBON STREET, 173, NEW ORLEANS.

Pictures enlarged from Life or Copied from Photos Portraits in .

Crayon, Pastel or Oil Paintiug iu the most approved manuer kuown to the Art.

Positively no Bromide Prints. PRICES MODERATE

ROMANCE DE LA FAVORITE, (" Ange si pur.') Concluded.

Pressez. rail. +-
--^-
-s>-
*:
f En - vo - lez vous Et pour ja-mais. En vo - lez votes, en - vo - lei

fly far from me and for ev-er, a - way, for ev - er.

7 ^-«^ —^-^= à f
"^"
-"M-'^ ^^^
II •r—tX *T rail.

^-
(^
^ ic

rail. /CS
•
-A-*' * #- ::*==£
Î vous
-•=^-

et pour-j
-i-

mat* loin de mon cœur 6 vous que J ai -

for ev - er,. . . far from my lieart, yon whom I loved.

_L
X j^-^
=f=ffl

J:
^- :g^=^ -A-*?-

/^
:f—#;•— •- #=»: I^Sil
— —/— 2z:

i ÎÎP=I=

fnats. En
v=î^
-JJ*=P=

- ro
^
- ?ez vous en-vo- lez vous
• I

et pourja
5-

- mais.
;fl

a - way, a - way and for ev • er. . .

<P\ /TN

^-:^-i^ 35 :1=^=
-f--^'

:5
mÈ^É^fA
f^'i-'t
^T\ /T\

^^^Sè "7 ^ 1 • -? — fi-*f- ti^

 — . .

C7:S^By J. A. LACR0iX,^£^O
COBMBR FKENCHMEN & DJiCATUK STREET. New Orleans

Ladies, Gents, ffisses and Children's BOOTS k SHOES of al! Descriptions.

Always on baud a full assortmeiiC of tirst-class ffools at pryxw which dei^
competition. My Motto : Quick iSaltn and Umall Profits

Hamlet.
Chanson Baehigue.

^ -^ —— ^ =4-

Ô vin dis •
^ si - pe la trig - tes. .

O wine sad

m
diB pel. . . . the - ness..

=f^?=d^ -J^
m—^m— }g 1 -1

r^=?
^^1

^Eï^r
r*: I
i/ 1 1
^^^ 1 1

f
1^ ^
qui pe ae - svr mon tour. mot i«« ré - CM - (?e Vi

0^—
which weighs on my heart: To me the dreams of e

-^

Ï ^r~^
1 8 1 1
^=^^
13;
St3z
^^ ^^ ^
>r 1 1
-M ^ ^
:p:^r
S 1> '

^
«t te ri - »* CTO 9«e«r,
tirie and the mock - ing laugh. O en

^^=:^ ^^
^SE 1 1
^P^=l=jt: =î=»=t^
:r It
*.r^
{w 1 -1

-^«*^ r
dim.

eIt >^ »» ^
qvewr e» ehan ti wr • te r» - vresae et I'ou • bit dans mon
chanting U - qnor, pour e - briety and oblivion in my

:^ ^
^^^ -^ ^- =1-
-*i

SseSeeè
=i =r
1
 .

J. A.. BILLAUD,
-DEALER IN-

-FiyE WINES AND LIQUOES,-

Corner Rampart and St Philip Streets»
O. T. DUGAZON, Manager. XEÏF ORLEAXS, LA.
Orders promptly attended to. Special attention given to Wi7ies and Liquors.

HAMLET. (Chanson Bachique.) Continued.

AJÊzl
m cœur.. dou • ce li - queur.
heart. sweet liq • uor. .

u
1^ ^!=^
mm
^ j^ ^f
- ^
, ^ Ob
g* :

^^f^T^

W: é
ver • »t I'i vreaae et I'ou • bit dan» mon cœur.
pour. ... e • briety and oblivion in my heart.

4=
i
X-
:^
P

^s
 ANTOINE BURGH,
CONFECTIONER, mum & SIGR PAlNT^EiR,
Oor. N. Kampart and Bayou Road 105 BOURBON STREET,
Bet. Toulouse and St. Louia, next to the Oper»,
ysw osLEAys. MEW OBI.EAN8, L.A.
Orders fo» Weddings, Christenings,
Parties, Soirees, Balls, Etc., Etc. Marbling, Graining, Kalsomining
PROMPTLY ATTENDED TO. and Paper Hanging

zi2:

=Sa^
HAMLET.

=S^=
(Chanson Bachique.) Continued.

^
^
»
I I

J- -i Ti^
'/
^-f
PE^E3
B --t^

un peu amme.
I7m\'n tt
 ^
IF. J". ^XjEI22:.
No. 137 GEAVTEK STEEET,
(Up-Staibs.) new ORLEANS
^^^^^IVIONEY LOANED ;i^^)^
Acts executed in English, German, Spanish, French and ltalia)i.

HAMLET. (Chanson Bachique.) CoDtinned.

-4=3^
*
iS
ba» *o lour - lif dial
•
-^^ f

world. his heav y chain. cni el da -

m fo»j» de» - e» - pains

^
'

<i^
poco

l'âtM
rit

'^

hw - mai
^^=^

tieg, long de - spair» oftho ha - nuiD aoai.

15=3^
3:
'
c«-«:
f>P -S^
-rr-^»*
iff .il ^ —
-I- -
^
(^ ^=^
l=^=t=^ EfEEfE^pqi^fEÏ n
-^
K --r '
— ^ OT
1 I»"

noirs pri
^
sa
Far from ub dark prog -nos

I. ^r^ *<:
f
1°^ ;t3"t 1 -1

r '**
^=f -^=v —
^ ^^:g:£^^-^,
^^
-g-
- f: ^-•.
r g g g,.* g ^-y-t^ 3rr
ii
=t^ i: I
^e», Joî'n de Turns noir» pré -sa - ges, le» plus ta get sont les fou», Ahl .

tics, far from u» dark prog-nos tics, the wisest tre the great -est fools. Ah!.,

53^ à
y, 1 1 X-

1 1
^^—v * -^^-^x-
 .
, ^
ro riplomaa and One Certificate at the Loniniana State Fnir, 1872, for Finest Nongata & PjnMmU^

JE3L. J^.'VJELj^jc^ID,
SUCCESSOK TO A. I.EMANB.

r-*&—_.2>To. QQ :Ei:o3ral Street, ©^

All orders ezecated with oar« and at very modernte price*.

HAMLET. (Chanson Bachique) Continued.

— «
^^E^^ qui p^ -
*-

se nir man eceur.

^
à moi les
m
-^i^=SL
rê -
S
e«
t
^-

de Fi
which weighs on my heart. to me the dreams of e

b— ,-*
?*=?:
a =9
Ir=iiTBZ » *.

- I I I I I rv -< I !
'
i *iiN^

* »"
^:^ ^ »»-
:^|:f^ -> ^

nre* et le ri - re moqueur!
brie ty- and the mock - ing laui^h! O en -

E^^E ï-^^^i: ^; —
fe^ I I i^i^—^
n*- » 1 .' 1

S
I ! I

N#"
 EscoDa! lobacco Manufactory,
205, 207, 209 CHARTRES STREET.
HSCOBAL'8 YIROINIA EXTRA CIGARETTES.
ESC ORAL' 8 FINE CUT TOBACCOS.
ESCOBARS CELEBRATED NANCY SNUFFS.
We place these goods before the public " Squarely on their Merits."
 . . — —
The H. Weston Lumber Co.
G. W. ADAHIS, General Ag^ent,
LUMBER, SHINGLES, LATHS, SASH, DOORS, BLINDS,
Plantation Cabins, Eto., ttc.
Office, 356 Hoirard Airentie, New Orleans, L,a.
CABLE ADDRESS, NEW ORLEANS. TELEPHONE JSo. 637.

Romance du Tenor. ( Manrique.)

Anaante Le Trouvère.

Piaiio.

1^ -••••-••-••

$
t?
Manriqce.
^ ^j*

Ex - i -
=2«i

le
f^^'^*=^
sur la ter
m re
-fe.^

S=z
quand il gé -
^
mit so - H
Ex - iled ... on earth where a - lone he....

f=^=^^^^^
ImÈ
:f^^=v:
-3«l-
"^"^r"
gfc? —^ ^t= 31=^=^ iit :t^q=^: te
ÎZ2.-
l=

^ Jif=:f
=^==-^
^=±=21 i^

^EE
J~
»i
-^
>

K
^
—^
—K^— I*
1<-
—rz g
—g—K —K D
tai /- C02<< - ez ?<?* -l'ws tant Ze trou - ha dour chant-
sighs, lis - ten an in-stant to the trou - ba-ilour sins -

=^-^ =M:
li 5»^ :=^«=
iti=irt*
its:^^
-&g: qg"'^"y

J.
e?±:
Èit
^ M": .^ "f ir

ant /- coM<
3ç=:fi:

ez
^^É
un ins - tant .
*Je
le trou - ba- dour chant ant.
^
ing, lis - ten an in - stant. to the trou - ba - dour sing - ing.

^^=^
:!± -«s ïV-
l^^t
«;Jj i
O -^^—=^=FÎ?
R— < !-« »> —
/'V
TIJ "' I

^ "y~~i"
£&
^ i
ft^t
rr^
 ^NEW ORLEANS MERCHÏÏNT THILORING CO.^
Story Bnilding, COENER CAMP & COMMON STREETS.

Only Imported Woolens and eyerything made to measure.

One Dollar per -week to join Cr>nibination.
SUITS IVORTH $40.
ROMANCE DU TENOR Concluded.
Le Trouvire.
J>-^
^? f

i i
,LJl
P=^=^ y -1 ^^1

ïlfc 5ac
^
^"-^f-
^^^ r
1
^ 1 *

Mahriqub.

Ah, que Va -
j^^'^'^-fra

woMr fi
- de
^m h touche ton
^
J?*^V#i-

cœur ma
Ah, let a faithful love.... touch your heait. mj
^-^
— V-
Ëfc^
«= ^
^.iT--^ -6*-
-f^T

^ ^«-
&^
5it:
m iN=
b^
2:^t
!Eû
Ï t jZ^t-
EÈ 1
^=^ 1 ! -^^-^M
H
-1-b-
* * * r=g:
(

>^ ><
i i

^ ^ — —^ —?—
s»

M et re - con-nais Toe - cent tilt trou -ba dour pas

love. and rec - og-niae the voice of the troubadour passing

B=^ h-1 f
tt*=^ tl$—4-H:r

^-^ ^
j I
it^^ t^^^^XSB|

&J£
sont! aA
H^^-i-f.
re -
•"

con-nais Vac
i» I

-
c-

cent. .
s du trou
-g-

-
Î I

ba- dour
r

pas sunt.
-
fflr:
=t=
1
by. and rec - og-nize the voice. of the trou - ba - dour passing.

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ESTABLISHED 1867.

CISTERN and TANK FACTORY,

Corner Carondelet and St. Joseph Sts., New Orleans.

Crallons Capacity— Length of Stave in feet U inches thick.

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MIllIONS TO INVEST IN LOUISIANA

KEndooiment BoildiDQFand
-OP THB-

LIFE ASSURANCE COMPANY of Virginia.

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-#A I Strong I Liberal I and IProgessivel Corporation.^-

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The only Building and Loan Association in the South that is backed by »n oM
and wealthy Company.
Every Share of Stock (or certificate) issued is guaranteed by the Life Insnrano».
Company of Virginia. The full par value of $100 per share can be borrowed.
No Premiums on Loans. The interest six per cent per annum charged on the
actual amount loaned. By snbscribiug for shares in the Endowment Building Fund,
you can have the use of money to purchase a home, extend your business, or yoa
may receive the results of a most profitable inv^ijimeiit .

The Plan is the SAFEST and BEST both for BORROWER and INVESTOR.

NEW ORLEANS BOARD OF DIRECTORS.

A. A. Woods, President, Financial Manager Equitable Life Insurance Co.

Gael KoiiN, Vice Presidi nt President Union National Bank.
A.M. IlANK.MANN Of Wm. Blake & Co., Cottoii Factors
L. C. I'^ALLON President Mutual Kaliouiil Bank.
Jules a. Blanc Capitalist.
Geouoe B. Lawbason I'hysician.
T. L. Macon Of Macon, Paul & Denis, Real Estate Agents.
J. AV. Phillips Of I. L. Lyons & <"o., Wholesale Drungista.
Gus. Lehman, ."-R Of A. Lehman & Co, Wholesale Tiy Goods.
James MoConnell, Jr Attorney-at-Law.
Robert Bleakley, Secretary and Treasurer. . .Secretary Chamber of Commerça.
3rannbe' will be Established at Different Points in Louisiana.
GOOD MEN WANTED AS AGENTS-
•lu iMiCouiv a subscriber or obtain an agency, call on or write to

ROBERT BLEAKLY, State Manager,

Louisiana NaUoual Bank Building, 120 & 122 COMMON ST^
NFW ORLEANS.
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This
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...
book IS due at,,.„
the
MT."ICLl6R.«Jcv.y „. on
the last date stamped under "Date Due." If not on hold, it may
be renewed by bringing it to the library.

°*]| RETURNED

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