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  • La Cinquantaine violin piece by Jean Gabriel-Marie

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    Christian Ronaldo Acosta Venegas
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    This document is a musical score titled "La Cinquantaine" (for violin) composed by Jean Gabriel-Marie. The piece is in a classical style and contains musical notation across 61 measures. It begins with an "Andantino" tempo marking and includes directives such as "dolce", "crescendo", and "ritardando" to indicate changes in dynamics and pacing throughout.

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    La_Cinquantaine__for_violin

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    This document is a musical score titled "La Cinquantaine" (for violin) composed by Jean Gabriel-Marie. The piece is in a classical style and contains musical notation across 61 measures. It begins with an "Andantino" tempo marking and includes directives such as "dolce", "crescendo", and "ritardando" to indicate changes in dynamics and pacing throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    18 views1 page

    La Cinquantaine violin piece by Jean Gabriel-Marie

    Uploaded by

    Christian Ronaldo Acosta Venegas
    This document is a musical score titled "La Cinquantaine" (for violin) composed by Jean Gabriel-Marie. The piece is in a classical style and contains musical notation across 61 measures. It begins with an "Andantino" tempo marking and includes directives such as "dolce", "crescendo", and "ritardando" to indicate changes in dynamics and pacing throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    La

    Cinquantaine (for violin)

     
    air dans le style ancien

             
         
    Jean Gabriel-Marie


          
    Andantino 

      
         
    dolce

      
              
    

          
       
    7

      
                 
         

     
               
      
    14

     
                       
                 
      
    21

             
               

     
    cresc.

        
    29 Sul A
    dolcissimo

      
           
         Fine    
     
                   
      

    
    (cresc.)

     
    36

     sotto voce   
    
    rall.

       
                           
    44

     2. 
      
                     
     cresc.

              
    1.
    50

                   

                        

    56

       
                        
    

               
    61 rit.
    D.C. al Fine

    cresc.  a tempo

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