Professional Documents
Culture Documents
The qualities of the “live moment” have been studied by a number of media
scholars, notably as “witnessing” (Peters 2001), and as a historically produced
element of modern television that requires a big organization, control rooms,
etc. (Scannell 2014). Scannell (2004, 582–583) analyses the live coverage of the
September 11 events on CNN and the BBC, and describes the documentary
authority of live news. “Television coverage on the day established the truth of
what was happening and of what was being done. It came up with explanations
and anticipated future courses of action that remain unchallenged to this day.”
Scannell argues that the ordinary news routines of live broadcasting shore up
“on behalf of us all, the meaningful character of existence, even when it appears
to be collapsing in ruins before our disbelieving eyes” (Scannell 2004, 582–583;
Nyre 2007). There are various approaches to thinking about monitoring and
control of content and journalistic ethics. There is a critical need to pay attention
to particular ethical issues which arise for broadcasters, such as the challenge of
‘breaking news’ and live reporting which may lead journalists to regret the
information they transmit. The continuing introduction of new technologies also
challenges the ethical dimensions of journalistic practice. Making live coverage
easy and effortless might, for example, reduce the time the reporters have to do
the necessary ethical considerations. This can contribute to moving the
considerations normally done by journalists to other parts of the organization
and put more responsibility on editors and line-control. This can over time
challenge the autonomy and ethical responsibility of the individual journalist,
and the reporting team working together in the field.
Live reports are seen as the epitome of connecting audiences and events, live
reports have an authenticity that comes from reporters’ real-time proximity to
events, the unpredictability of broadcasting events outside of the newsroom.
Live reporting is also logistically challenging, giving them an ability to
demonstrate their technological sophistication. Live reporting is criticised as
there isn’t much explanation of events or what they mean, and there is non-stop
information without interpretation and sometimes non-stop interpretation
without information. While for live reporting, it is usually believed that it is
unpredicted, unscripted and spontaneous, the reporting still heavily relies on
official sources to frame and interpret events. Things to figure out before live
reporting:
There is no script, use bullet points to guide the flow of the information
you’re delivering and practice before you go live.
Make a game plan for the live shot. Will you be moving around, showing the
audience something or doing something on camera?
“It’s OK to say you don’t know something and to say, ‘Here’s what we’re
going to find out.” Rather than speculating or making it
2. Also, and this very important in crisis coverage, an image once shown, can’t
be undone. People’s identities cannot be obscured, their faces not blurred or
blocked and filming victims goes against accepted ethical codes.
Pros
Cons
2. No control over what could happen in live crisis situations: Especially if the
outcome of an emergency situation is unclear, in the case of a terror attack or a
natural disaster for instance, live streaming the events can lead to unfiltered
footage of victims or their families being broadcast.
Case Studies