Professional Documents
Culture Documents
presents
HolidayFest 2021
~Winter Solstice~
featuring
The Madison Singers
The JMU Chorale
Jo-Anne Van der Vat-Chromy, music director
Amy Robertson, collaborative artist
Wanchi, violin
Jamison Walker, tenor
Joanne Gabbin, reader
Program Notes
We are so happy to be back! Even with masks in rehearsals, it means the world to all of us to be
making music in person and for you to be joining us!
Our HolidayFest theme, “Winter Solstice,” mirrors our journey of the last eighteen months, looking
for the light inside of us to illuminate and transmute the darkness. In that light (!), you will also see a
more diverse and globally representative program than ever before; languages, genres, periods of
music, orchestration…symbolizing our beautiful world, and beautiful students in ever more
conscious and representative ways.
One of the beautiful surprises of this semester has been the choral ensemble ‘Poetry Projects;’
individual ensemble member meditations on the images, feelings, and meaning of the winter solstice,
which were then distilled into powerful imagery with two ensemble poetry teams. The teams will
share their poems and be joined as well by selections offered by Dr. Joanne Gabbin of the JMU
Furious Flower Center. The poems are below; we hope you are transfixed and inspired by their
beautiful images and meanings.
May this concert and season reconnect you ever more deeply to your inner light and beauty.
May peace reign on earth. Thank you for coming.
Commissioned by VOCES8 for their Live from London Festival in 2020, Taylor Scott Davis’s
Solstice, with lyrics by Milton Brasher-Cunningham, has an almost meterless feel and musically
reflects on the darkness and quiet of winter.
Latvian composer Eriks Esenwalds' passionate ode to Nature, “Stars,” is filled with the harmonic
universe of chord clusters that both emphasize and blur D major's subdominant and tonic functions,
enhanced by the resonance of handbells. The Madison Singers recently presented this work at the
new building opening ceremony for the JMU College of Business.
Alone in the night, on a dark hill, with pines around me, spicy and still.
And a heaven full of stars over my head, white and topaz and misty red.
Myriads with beating hearts of fire, the eons cannot vex or tire.
Up the dome of heaven like a great hill, I watch them marching stately and still.
And I know that I am honored to be witness of so much majesty.
Translated from the Swahili text of the Lord's Prayer, Baba Yetu, a unique world fusion piece, was
the Award-winning title track from the video game Civilization IV, the first composition from a
video game to be nominated for, and win, a Grammy.
Hanacpachap cussicuinin, from the SAVAE Choral ensemble series, is an anonymous hymn
written in Quechua, the imperial language of the Peruvian Incas. A fusion of both early Spanish
Catholic and ancient Inca influences in terms of mysticism, symbolism, and religious focus, this
work has the distinction of being the first piece of polyphonic music printed in the Western
Hemisphere; published in Lima, Peru by Gerónimo de Contreras in 1631.
For the happiness of the upper world (cosmos), I’ll kiss you a thousand times.
The hope of the human race is an old tree that produces fruit in abundance;
sustenance that gives strength.
What I ask for: Listen to my suffering, Mother and guide of God, flower and white light.
Remember, I keep watch over you, waiting for you to reveal your Son.
Published in 2021, Austin Schend’s A Great Clear Twilight paints a picture of Sara
Teasdale's Winter Dusk landscape tied to the thoughts of one solemnly reflecting life’s infinite
The masterful pen of renowned and beloved composer John Rutter created Star Carol, a marvelous
Christmas selection that has become a Christmas tradition for mixed choirs and orchestra.
Arranged by Darmon Meader for New York Voices, S’vivon is a popular Chanukah folksong set
with lush jazz chords and embellishments that underscore the beauty of this famous song.
Kim Baryluk (1959) is a founding and enduring member of one of Canada’s most significant folk
groups – the Wyrd Sisters (1990). Her Solstice Carole, with a vocal jazz arrangement by Scott
Reamer, is so much fun to sing!
Glory, Glory, Glory to the Newborn King: In his inimitable style, filled with lush choral
harmonies, sweeping dynamic shifts, driving motor rhythms, and an unbelievable solo line, the
legendary Moses Hogan took Go Tell It on the Mountain and created an unforgettable choral
masterwork. We are delighted to present this with soloist Dr. Jamison Walker, our tenor on faculty
and Interim Director of the JMU Opera Program.
Christmas Carol Serenade: What’s the holiday season without some carols? We will sing them for
you this year; please sing with us in your hearts, but not out loud!
Solstice Poetry
THE SHORTEST DAY
By Susan Cooper
It beckons me,
Calling for me to breathe,
Rest, Simply be.
The moon rocks me with its tide,
Singing a cool and deep blue lullaby.
Coaxing out the light within my beating heart,
So that I may fly up and join the stars themselves.
And when the moon grows tired and sits low in the sky,
I slowly float back down on the shore of our world,
The past year washed away from me like the ridges of a sea stone,
And I emerge smooth and reborn into the dawn.
once again
by The JMU Chorale
The spark of a star at night is fanned into the flame of day once again.
The sound of midnight's silence is
deafening as you stare up at the fog
It crowds and covers as you shiver.
As the silence continues to thunder,
It is only the ice beneath your feet
That sounds, it crackles and would sparkle
But the dark does not allow.
And so the spark of a star at night is fanned into the firelight of day once again.
aurora rising
by The JMU Chorale
Kimberley Velasquez...................................................................................................Administrative
Assistant
Brian Juntilla.................................................................................................................Administrative
Assistant Donna Wampler......................................................................................................Program
Support Specialist
JMU School of Music Diversity Statement
Difference in identity enriches our community, fosters artistic and
intellectual growth, and is vital to creating thriving venues for expression in a
global world. In addition to welcoming all individuals and perspectives
regardless of their race, ethnicity, gender identity, sexual orientation,
religion, disability, socio-economic status, or citizenship status, we wish to
make the following acknowledgements and affirmations, adapted from
Americans for the Arts:
• In the United States, there are systems of power that grant privilege
and access unequally such that inequity and injustice result. We
resolve to educate ourselves, keep vigilant watch, and act to bring an
end to systemic oppression.
• Cultural equity--which embodies values, practices, and policies that
ensure all people have access to, and are represented in, the arts--is
critical to the sustained engagement of music in society.
• Acknowledging and challenging our inequities and working in
partnership is how we will make change happen.
• Everyone deserves equal access to a full, vibrant creative life, which is
essential to a healthy and democratic society.
• The prominent presence of musicians in society can challenge
inequities and encourage alternatives.