Professional Documents
Culture Documents
Introduction
Hip-hop and rap are both seen as one of the most popular genres of music today. Artists
in this genre of music have all impacted society with their lyrics and videos. The cadence and
rhythm can carry thought-provoking messages said through lyrics that appeal to their audience.
However, if a music video is released, the chosen artifacts within it can change the meaning of
the words and how the song is perceived. Today’s most influential rap artists--such as Childish
Gambino, Kendrick Lamar, and J. Cole--are all known for their use of lyrical and visual rhetoric
that influence the perception of their life experiences and how black culture is perceived to
society.
When it comes to hip-hop and rap, black male artists seem to be depicted differently than
women, even though they’re from the same industry and represent the same community. As
stated in the previous paragraph, men’s lyricism and visual rhetoric typically revolve around
society’s views of their community and their own life story, with some exceptional examples
being Childish Gambino’s “This is America”, J. Cole’s “Fire Squad”, and Kendrick Lamar’s
“Alright”.
However, black women in hip-hop are depicted more sexually, emphasizing their bodies
and dancing provocatively in music videos. Popular female artists tend to make their lyrics
coincide with their video, promoting their own confidence and sexuality. Halliday and Brown
claim that artists express themselves in such a manner to encourage other black women to love
themselves and their appearances, especially considering discussions that still take place like
anti-blackness and misogyny. McNally agrees, saying that “[b]lack female musicians have
with the analysis of the music video Feeling Myself by Nicki Minaj and Beyonce. They find that
there are three key points highlighted in the music video: self-confidence, political messages, and
women’s empowerment. Likewise, McNally’s analysis of Azaelia Banks’ song “212” focuses on
how the rhetoric of the artist’s provocative lyrics highlight Banks’ star quality, however this is
done through the political lens and not through the lens of self-confidence and womanhood.
Both articles acknowledge the rhetoric being used in their chosen artists’ videos, but only
Halliday and Brown went into depth with how the video and lyrical rhetoric was perceived by
the targeted audience. As highlighted by the three main components of the music video
mentioned by their study, this research paper is meant to extend that ideology and reflect it onto
the artist themself. How does the rhetoric of music videos and lyrics highlight the artists’ self-
Methodology
In order to answer how black female rappers' express identity through their visual and
lyrical rhetoric, I will be analyzing music videos and lyrics from artists who are known to flaunt
their confidence with no restraint: Megan Thee Stallion and Cardi B. More specifically, I’ll be
For the music video itself, I’ll count the amount of times the camera pans to them and
emphasizes their body or shows them alluding to sexual acts. More specifically, when zooming
in, slowly panning upward, change of angle that’s directed at any erogenous zone. This will be
repeated five times to ensure nothing is missed. Afterward, I’ll be analyzing the color theme in
the main scenes and the clothing chosen. These elements combine to create how the artist
Lyrically, I’ll be analyzing the metaphors used, any play on words, and how it pertains to
the artist now or in their past. The lyrics will gather an insight into the artists’ mindset and pride
based on experiences mentioned in lyrics. Overall, the goal is to find self-confidence and
empowerment throughout the video and lyrics that impact the artist’s identity.
Results
In Body, there is a mode of twenty six times the attention was towards an erogenous zone
In the video itself, there’s a part where she has multiple women of all shapes and sizes,
on a runway (Figure 1 and 2). They’re posing, moving their hands along their bodies, expressing
an air of confidence when they look into the camera. Later in the video, they are all highlighted
separately, having their own section to do whatever they want. They all danced, smiled, and even
laughed. This shows that Megan promotes womanhood in general, not glorifying a specific body
type. This speaks on her identity as well, showing that she’s not one to classify who should and
Figure 1
Figure 2
The main chorus of the song goes: “body crazy, curvy, wavy, big titties, little waist.” This
is not only her appreciating her own features, but it’s also her naming different body types as a
way of appreciating and highlighting their aspects. She continues, saying “yeah you look good
but they still wanna know where Megan at.” She refers to herself, still holding herself higher
than others due to confidence, however she does not put the other person down.
Later in this song, she coins the phrase “saucy like a barbeque but you won’t get your
baby back”, a clever play on words. She’s taken their “baby” or partner, while referring to
herself as “saucy”, a slang term that means to be bold and overly forward. This raises the
assumption that she is not focusing on her body in these lyrics, but her personality as a whole.
Further, when she says “I’m present when I’m absent, speaking when I’m not there,” it shows
When she repeats the chorus, the choreography has the girls running their hands along their own
body, which creates a sense of self-love and appreciation for being in their own skin. This is
powerful and uplifting not just to Megan’s own view of her body, but for other women as well.
Visually, there’s multiple symbols of her past life as a stripper. In the beginning of the
video, there’s a woman dancing on a pole to the middle of the video, where she enters a room
and starts dancing. She is the last thing we see from the video as well, with the doors closing on
The video continues and we see Cardi in the middle of what appears to be a museum or
an auction room with other expensive looking items [Figure #]. People stare at her in awe while
others try to shield their eyes or look away with a shocked expression. This not only reflects how
she views herself as expensive, worthy and priceless, but may also be a reference to how people
Then, the room becomes white, she’s suddenly nude while sitting on a white bench in
front of a white piano, looking away from the camera. This reflects a sense of purity, a
humanness that she expresses that is raw. White is the color of innocence and purity, so the fact
that she is surrounded by it while wearing nothing to conceal herself shows that she’s being open
Lyrically, we will be highlighting those that emphasize her identity and confidence in
her career. Her chorus is particularly littered with references to her previous career and how she
is still confident in herself now, highlighted by the phrase “shake a little ass, get a little bag…
“I heard that Cardi went pop, yeah I did go pop, that’s me busting their bubble”. In these
lyrics, she’s referring to the people who didn’t believe in her. This confronts her haters and brags
Conclusion
After doing research on both artists and their chosen songs, it is clear that the self
empowerment and confidence that impact their identity may be expressed in a sensual context,
but that only helps to build their identity as a strong, confident woman. The main drawback,
however, was that only two specific songs were chosen out of the multitude of female rappers in
the industry. This study does not reflect the entirety of black women in hip hop, however it does
highlight a more popular genre within it. Alongside that, the definition of sexual in terms of
videos and words is more subjective than concrete. I went with the most common definition,
Works Cited
B, Cardi. “Money.”
Brown, Nadia E. & Halliday, Aria S. “The Power of Black Girl Magic Anthems: Nicki Minaj,
Beyoncé, and “Feeling Myself” as Political Empowerment”, Souls, 20:2, 222-238, 2018,
DOI: 10.1080/10999949.2018.1520067
McNally, James. “Azealia Banks’s ‘212’: Black Female Identity and the White Gaze in
Contemporary Hip-Hop.” Journal of the Society for American Music, vol. 10, no. 1,
https://doi.org/10.1017/S1752196315000541.
https://www.youtube.com/watch?v=7PBYGu4Az8s