Violoncello Sonata

XII (La Folia)

12 Trio Sonatas

    
Arr. Han Antonio Vivaldi

               
1

           
  
         
Adagio

     
        
 

      
 
11

           
            
2

     
Andante

                    
            
 



10

          
  
3

                 
Allegro

       
            
                   
13
4

 
           
              
       
26
5

                

 
                
36

                 
  
          
42

           
   
49
6
                       
       
52


                     
   
55

            

  
58

             
                         
  
7


61

              
                                 

     
67

        
                          
  
   
8

     
76

                 
    
                        
86

          
     
9

         
Adagio

          
   


        
7

   
             

  
13

                   
10

      
Vivace


2
 
           
 
 
   
10

    
     
11

                  
Allegro

         
  
                
7

      
   
             
12

     
      
12

        
Larghetto

           
     
11

        
 
13

                       
Allegro

   

 
   
              
13
14
3

     
     
     
3 3 3 3 3 3
3
3
20

 
            
3 3 3

 
3 3 3

    
3 3

  
3 3

 
3 3

     
24 3 3

    
 
                         
3 3 3 3 3 3
3 3

 
3 3
28 3 3

3 3 3 3 3 3
3 3 3 3
3
               
         
15

               
       
Adagio


                               
      
   
5

            
        
16


Allegro

   
                   
            
17


14

      
                 
 
 
20

         
               
        
24

             
                    

28

         
  
       
    
         
33
18

       
                               
41
19

       
       
50

          
       
57

4
  20          
                             
 
64

       
                  
70

      
               
75

        

    
         
81

   

                             
85  = 140