Contrabass

ABERTURA Nº10
Sarah Flower Adams
Mais perto quero estar - 187 H.C
(Lawell Mason)


Arr: Willames S. da Costa

   
Adagio 
       

  
         
13 1 2
 
 
  
   
3 4
    
rit.



     
5 Moderato 
   
45 a tempo

  
rit.

 

           6 Allegro
rit.

           
55


 
    
       
63

  
     

   
71

     
 
      
79

        

           
       
7

     

          

            
        
92

       
         
    
     
       
97 8
 
        
        
                    
103

       
      
©Willames S. da Costa
                       
2 ABERTURA Nº10
     
108

            
         
            
   
112

                
          

           
    
9

           
           
  
      
120

       
  
      
            
10

        
   pizz.     

       
  
     
  
  
11

subito 

    
12

arco

   

        
13

   

          
14

       


      
174

         

          
                
15 pizz.



               
   
         
16 arco

         
               
                    

      
       
199

 
      
AC.BASS-PG2
              
ABERTURA Nº10 3
                      
203

 
          
      
               
                    
        
207

 
  
             
               
17

        
             
             
                  
215

     
             
        
          
219

  
      
        
         
18

225

 
        

AC.BASS-PG3