Bassoon

ABERTURA Nº10
Sarah Flower Adams
Mais perto quero estar - 187 H.C
(Lawell Mason)
Arr: Willames S. da Costa

      
Adagio 
        

    
             
9



       
        
1 2


    
    3      
30

  

   
           
4 rit.

 
a tempo

  

   
    
Moderato 
     
47 5

rit.


                  
Allegro 
6

54

 
rit.


   
63

         

 
75

      

    
82

      
   
     
       
7

       
         
©Willames S. da Costa
  
2 ABERTURA Nº10

 
91
      
          
      
         
        
97 8
            
        
                      
 
     
          
102

   

                        
     
106

    
      
               
          
     
110

       
  

                 
114 9

          
        
    
     
119

          
      
    
                     
125 10
      
   
   12 
   
  
131 11

  

               

146



    
153

     

        
13

   

BASSOON-PG2
 ABERTURA Nº10 3

         
14
  


         
176 15

     

                         
            
16

    
        
         
          
                

   
199


         
          
           
                   
203

 
      
                        
                     
207

   
      
            
           
                   
17

 
        
                        
                  
215

 
      
  
             

      



   
219


                  
           
    
         
222

  
      
   
  
            
       


18


            

         
BASSOON - PG3