Professional Documents
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The argument of if schools foster or kill creativity is one for the ages. View these TedTalks from
both sides of the spectrum and answer the questions below. Expand thoughtfully in all of your
answers!
Before Watching
2. Do you consider yourself a creative person? What has your experience been in school
with creativity?
I am a fairly creative person as i am the lead design engineer for the robotics team and have
helped create the robot for this years competition. I do art and digital design while still finding
physical outlets for my creativity.
While Watching
Take lots of notes for each video and identify the claim, purpose, and evidence of each!
Evidence: kids aren't afraid to take chances, Evidence: the umbilical cord infection solving
and to be creative you have to take a chance. story where she only had the knowledge of
Picasso quote, the growing out of creativity. the antiseptic because she worked in the
The statute of education hierarchy with math business and went into school for those kinds
being the primary subject followed with of things. And talks about how dance is a less
languages and humanities. But public impactful creative outlets than the full med
education creates professor’s as the best MD who made the antiseptic. Self taught
“form of life”. Intelligence is dynamic, the smarts are different than those that are
college system that creates the standards for taught like doctors and mechanics. Literacy is
society, has tests off of their own ideologies foundation of knowledge.
to create specifically smart not creatively
smart. Harness a kids smarts instead of
changing them into a person who contains
themselves to the school system
After Watching
1. Does how we define “creativity” matter? Do Robinson and Leunig have the same
definition? Explain.
The way we define creativity matters as seen in these videos as robinson defined what natural
creativity is and leunig described innovation as a part of creativity. As Robinson explained he
brought up children and their ability to create and do things that were outside their normal
range of capabilities, while leunig described how adults are able to combine objects to find a
greater purpose. But as these two things are not the same, their meanings definitely separate.
2. Do schools kill or foster creativity? With which speaker do you agree/disagree? Explain.
I think schools kill creativity specifically by not fostering the kids' abilities in these regions. For
instance I am a very physical person when it comes to expressing my creativity. Whether it is
playing sports, racing, or just building new things, I have always tried to just make something on
my own. Combining two objects is joining two people’s creativity and calling it an innovation, or
reuse of the technology, so I mostly agree with Robinson’s point of view.
3. Can creativity be taught? If so, how? What responsibility do schools have in the
endeavor?
Creativity cannot be taught, just like how energy cannot be created or destroyed, it has to come
from somewhere and what schools do is close the blinds on creativity and focus the view on a
narrower landscape of the materials and subjects they choose. Creativity can be regulated,
diminished, and scrutinized… but we will never be able to find or program a life form/AI to be
as creative as a human as it is programmed with prior knowledge, where creativity is the ability
to blindly go into a situation and follow your instinct.