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Botong Francisco

Francisco was a most distinguished practitioner


of mural painting for many decades and best
known for his historical pieces. He was one of the
first Filipino modernists al Francisco on a 2012 stamp of the Philippines ong with Galo
Ocampo and Victorio C. Edades who broke away
from Fernando
Born Carlos Modesto Villaluz
Amorsolo's romanticism o f Philippine scenes.
According to restorer Francisco[1] Helmuth Josef Zotter,
Francisco's art "is a prime example of linear painting
where lines and contours appear like cutouts."[2]
November 4, 1912
Later career[edit]
Angono, Rizal, Philippine Islands,
Francisco served as the production designer for
the 1961 film U.S. adaptation of José
Rizal's Noli Me Tángere.[3]
He was responsible for the discovery of the now
Died March 31, 1969 (aged 56)
famous Angono Petroglyphs in 1965. He
was also involved in Costume Design
Angono, Rizal, Philippines
in Philippine cinema.
His great works include portrayals of the Blood
Compact, First Mass at Resting Angono Catholic Cemetery Limasawa, The
Martyrdom place of Rizal, Bayanihan,
Magpupukot, Fiesta, Bayanihan sa
Bukid, Sandugo, Portrait of Purita, The Invasion
of Limahong, Serenade, Nationality Philippines and Muslim Betrothal.
Some of his murals have suffered big damage over
the years. The "Pageant of Commerce" emerged
from several years of Other names Botong restoration in 2000.[2]
His murals, The Progress of Medicine in the
Philippines, was restored for the 3rd time in 2007
Occupation Painter / Muralist
and is currently residing in the National Art Gallery
of the Philippines. A high- quality replica of the
mural is also located at its Parent(s) Felipe Francisco (father) previous location at the
lobby of the Philippine General Hospital.[4] [5]
Maria Villaluz (mother)[1]

Awards Order of National Artists of the

Philippines

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