Professional Documents
Culture Documents
Alan Macfarlane was born in Shillong, India, in 1941 and educated at the Dragon School,
Sedbergh School, Oxford and London Universities where he received two Master’s degrees
and two doctorates. He is the author of over forty books, including The Origins of English
Individualism (1978) and Letters to Lily: On How the World Works (2005). He has worked
in England, Nepal, Japan and China as both an historian and anthropologist. He was
elected to the British Academy in 1986 and is now Emeritus Professor of Anthropology
at the University of Cambridge and a Life Fellow of King’s College, Cambridge. Professor
Macfarlane received the Huxley Memorial Medal, the highest honour of the Royal
Anthropological Institute in 2012.
Eric Hobsbawm was a British historian of the rise of industrial capitalism, socialism and
nationalism. A life-long Marxist, his socio-political convictions infuenced the character of
his work. Hobsbawm was born in Alexandria, Egypt, and spent his childhood mainly in
Vienna and Berlin. Following the death of his parents and the rise to power of Adolf Hitler,
Hobsbawm moved to London with his adoptive family. After serving in the Second World War,
he obtained his PhD in history at the University of Cambridge. In 1998, he was appointed
to the Order of the Companions of Honour. He was President of Birkbeck, University of
London, from 2002 until he died. In 2003, he received the Balzan Prize for European History
since 1900 ‘for his brilliant analysis of the troubled history of 20th century Europe and for
his ability to combine in-depth historical research with great literary talent’. His best-known
works include his trilogy about what he called the ‘long 19th century’ (The Age of Revolution:
Europe 1789–1848, The Age of Capital: 1848–1875 and The Age of Empire: 1875–1914),
The Age of Extremes on the short 20th century, and an edited volume that introduced the
infuential idea of ‘invented traditions’. https://en.wikipedia.org/wiki/Eric_Hobsbawm
CREATIVE LIVES AND WORKS
In conversation with
Eric Hobsbawm and Alan Macfarlane
Edited by
Radha Béteille
First published 2022
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Contents
PART I
Jack Goody: Some Personal Memories – Alan Macfarlane 3
Jack Goody – In conversation with Eric Hobsbawm 12
PART II
My Encounter with Clifford Geertz – Alan Macfarlane 41
Clifford James Geertz – In conversation with Alan Macfarlane 49
PART III
My Encounter with Philippe Descola 93
Philippe Descola – In conversation with Alan Macfarlane 100
– Radha Béteille
Introduction
Alan Macfarlane
***
There is a puzzle as to why I have spent so much time and effort (and
expense) on interviewing (on flm) a large number of academics and
others over the years. No one else has done this as far as I am aware
and it has few tangible rewards except the occasional gratitude of
one’s colleagues. Why and how did this project build up over the
years to a point where I now have about 250 lengthy interviews,
almost all of them on the web?
One factor is clearly my anthropological training and the
experience of anthropological feldwork. Although some social
historians of the recent past began to become interested in oral history
and the tape-recording of memories from the late 1960s, for example
x INTRODUCTION
their stories of the great feuds and friendships and how they had
survived their feldwork.
The interest in biography was also strengthened by my early
apprenticeship in history at Oxford where I was taught how
important it was to study not only the works but also the lives of
great historians – Gibbon, Macaulay, Tocqueville, Bede and others.
This led me much later in my life to write detailed studies of other
major fgures in books on Montesquieu, Adam Smith, De Tocqueville,
Maitland, Fukuzawa and others which put a strong emphasis on
the biography as well as the ideas.
As a social historian I wanted to get inside the mentality as well as
the social structure of the past. As an undergraduate I had discovered
that letters (Pastons, Stonors) and diaries (Pepys, Kilvert) were
wonderful sources for social history. So, my frst book was a study
of the life of one individual The Family Life of Ralph Josselin, based
on the diary of a 17th century clergyman. Henceforth I collected
letters, autobiographies, diaries, travellers’ journals and made a great
deal of use of this biographical material in a number of my books.
The early experience of eavesdropping on what appeared to be a
disappearing world of a certain academic endeavour in the pre-war
world of Oxford history and anthropology, was reinforced by moving
to the London School of Economics for two years, where giants of
the post-Malinowski generation, Raymond Firth, Isaac Schapera,
Lucy Mair, were on the point of retiring. Then when I moved to the
School of Oriental and African Studies (SOAS) I met another group of
giants from a previous age, particularly Adrian Mayer and Christoph
von Fürer–Haimendorf who became my supervisor.
When I moved as a research fellow to Cambridge in 1971, I
encountered again several oral worlds which intrigued me. There
were a new set of older anthropologists, Meyer Fortes, Audrey
Richards, G.I. Jones, Edmund Leach, S.J. Tambiah, Jack Goody
among them. And there were a group set of historians, in particular
Peter Laslett and Tony Wrigley. A third world was that of King’s
College, where memories of the Bloomsbury era lingered on with
Dadie Rylands, Peter Avery, Christopher Morris, Richard Braithwaite
and others.
xii INTRODUCTION
***
Naturally the way in which I have done the interviews refects both
my own interests and my experience of what works. My central aim
has been to let the speakers tell their own story, present themselves
as they wish to do, without threatening or probing or adversarial
questioning. Yet in doing so, and with a roughly chronological
xvi INTRODUCTION
Yet if the subject does not want to follow this order, or to answer
all of these, or to add further subjects, that is fne. What I want the
viewer to see is the inside of a life, told in a conversational and
personal way.
***
The interviews are an intimate probing of personal experience,
usually by a complete stranger who is holding a potentially
threatening video camera. The subjects know that this may be seen
by almost anyone in the world – friends, students, competitors, and
enemies, now and in the future. This could be intimidating, especially
to older subjects and for those who share a widespread reserve and
distaste for talking about themselves.
I have therefore developed a number of techniques for putting
the subjects at their ease. These have contributed, I believe, to the
rather startlingly honest and trusting conversations which I have
managed to have with a wide range of near strangers. It is worth
briefy summarizing these since they could be helpful for others who
help to extend this project.
which Sarah Harrison has made of most of them, taking much more
time and skill to do than the interviews themselves.
What has been created, through a set of accidents, is a resource
for the study of a number of academic disciplines, from anthropology
to molecular biology, from history to astronomy, from sociology to
mathematics. It also provides rich material for the study of British
academic life and institutions in the 20th century. Furthermore, for
those interested in the conditions of creativity and discovery, it is
a unique archive.
The project has developed as a result of a set of accidents and
through the help and support of many people, in particular Sarah
Harrison, Mark Turin, Jack Goody, Gerry Martin and many others.
This project to publish the full interviews of selected individuals
was the idea of Esha Béteille, whose support and advice have been
indispensable. I would particularly like to thank Radha Béteille who
it has been a great pleasure to work with. Her transcripts and editing
have been extraordinarily well done and I am deeply impressed
and grateful for her contribution. Institutions such as Cambridge
University (DSpace and the Streaming Media Service in particular)
and King’s College, as well as the British Academy, the Leverhulme
Trust, the Firebird Foundation and others have also made all this
possible. It is hoped that others will take the task on through the
21st century.
PART
one
Jack Goody
Some Personal Memories
Alan Macfarlane
Alan Macfarlane wrote this article for the Jack Goody Memorial Seminar that
was held on 2 July 2016.
4 CREATIVE LIVES AND WORKS
His enthusiasm and energy meant that not only did he build up a
large department in a short time, but early acquired through grants,
and then the University, a technician post. These technicians have
been invaluable for many projects in the Department.
***
Jack’s drive and political skills made the Department of Social
Anthropology a really exciting place to be from 1975 to 1983. He
prevented feuding and stopped the Department from narrowing down
to selected specialisms. He encouraged all forms of anthropology
and in all areas of the world. Cambridge became the main exporter
of good graduates to teach in European universities.
One of the many things I learnt from Jack was how to approach
local academic politics. Watching Jack at work through a long
day of teaching and administration was an education in itself. He
was occasionally over aggressive, took up lost causes, and fought
unnecessary battles. But on the whole his immense energy and deep
cunning (he reminded me of a bear, apparently clumsy, but lethal and
quick thinking) and many ties of friendship and reciprocal networks
made him a formidable operator.
Observing and talking to Jack gave me many practical hints.
Don’t waste too much time on lectures; make them spontaneous
and rough rather than too polished. Don’t waste time going up to
London during term. Don’t waste time on formality – a quick note
on the back of an envelope will usually do the trick. Don’t be seduced
by the idea of American think-tanks. If one has ideas they will come
out in any setting and teaching is an encouragement to creativity.
Don’t waste time on administration, but try to achieve the maximum
amount with the minimal effort. Be courteous and encouraging to
assistant staff, secretaries and others, and make them feel valued.
Through Jack I learnt how the University and Department
worked, which has since stood me in great stead. I could not have
had a better guide to the extraordinary complexity of Cambridge.
Intellectually Jack’s written work and conversations with him
had an enormously enlivening effect. Part of his breadth of vision
6 CREATIVE LIVES AND WORKS
arose from the fact that he was interested in and encouraged inter-
disciplinary work with many disciplines. He had read English as an
undergraduate, but fortunately for me a particular interest was in
history and its relationship to anthropology. So we discussed themes
and overlaps, in particular in relation to the history of European
kinship and marriage, about which we were both writing in those
years. Much of his work was set in a long historical time frame, often
covering thousands of years. He was practising an early form of global
history and maintaining the honourable tradition in anthropology of
A.L. Kroeber in looking at long sweeps of civilizations.
Another stimulation was Jack’s interest in technology and
material life. Not only was he interested in the practicalities of
computers and machines, but he again maintained an earlier
(and somewhat unfashionable) anthropological tradition in being
interested in material technologies. Thus he wrote books and
articles exploring technologies of production, destruction and
communication and their effects. This was all the more suggestive
because it was broadly comparative, always coming back to the basic
contrast which informed his work, that is the difference between
the post-Neolithic civilizations of Eurasia, and the pre-Neolithic
technologies of sub-Saharan Africa.
So a whole set of areas of our interests overlapped, demography,
kinship, communication and technology. And the idea of speculating
at a broadly historical and comparative level, taking India, China,
Europe and Africa all as grist to the mill, was a constant inspiration.
Listening to Jack at seminars, talking to him and reading his stream
of works was a constant source of new ideas and themes to pursue.
He was constantly suggesting new links, expanding the borders of
what anthropology might be. And this was based on a large library
and much travel and experience.
***
Jack was enormously productive. By the time he retired, he had
published seven single-authored books, and several co-authored and
edited ones and many articles. In the thirty years since his retirement
JACK GOODY: SOME PERSONAL MEMORIES 7
has been too little attention to the fnal polishing. There are others
who feel that his project to fnd deep similarities between East
and West is fawed because he did not suffciently distinguish
between Renaissance and renaissance, Capitalism and capitalism,
Industrialization and industrialization, Science and science,
Enlightenment and enlightenment.
Yet there can be no doubt that in a period of what he described
as The Expansive Moment (1995), when a small group of
anthropologists contributed more to our understanding of the world
than many larger disciplines, he was one of the great fgures.
***
There was a certain core to all his work which gives it consistency
and unity. This is the question of why Eur-Asia had developed
through the Neolithic and post-Neolithic revolutions of many kinds,
while Africa had not done so (a theme he had early encountered
in Gordon Childe’s work). His fexibility arose out of the fact that
he did not become constrained by a particular academic fashion.
Jack was a materialist, yet not a Marxist, interested in myth and
communication, but not a structuralist. He was no faddist and
because of his interests in his later years he was more famous perhaps
in France than in England. Likewise, his reputation was as great in
neighbouring disciplines, particularly history and literary studies, as
it was in social anthropology.
One way to approach the very large corpus of his writing is to see
it under four main themes. One is the area of kinship and marriage.
He wrote seven books in this feld, including Death, Property and
the Ancestors (1962), Production and Reproduction (1976) and The
European Family (2000). Kinship is the toughest and most technical
part of anthropology and one where the discipline has contributed
most profoundly. Goody’s work on descent, inheritance, bridewealth
and dowry, incest and adultery, is a signal achievement.
A second theme was orality, writing and representation, covered
in further books; among them are The Logic of Writing and the
Organization of Society (1986), The Domestication of the Savage
JACK GOODY: SOME PERSONAL MEMORIES 9
Mind (1977) and The Interface Between the Written and the Oral
(1987). His work in transcribing and editing The Myth of the Bagre
(1972), was ground-breaking. He was one of the major fgures in
this feld.
A third theme was material culture and technology on which he
published half a dozen books, including Technology, Tradition and
the State in Africa (1971), Cooking, Cuisine and Class (1982), Food
and Love (1998) and his last book, written in his nineties, Metals,
Culture and Capitalism (2012). Goody opened up an area which
is often overlooked by social scientists, namely the intersection of
material and cultural worlds.
A fourth theme was an attempt to balance what he considered
to be the Eurocentric vision concerning the differences between
western Europe and Asia. There were another six books including
The East in the West (1996), Islam in Europe (2004), The Theft
of History (2006) and The Eurasian Miracle (2010). In an age
when global history is expanding fast, the breadth of Goody’s
knowledge, rooted in both history and anthropology, with a deep
understanding of African and Islamic civilizations, and a keen
interest in India and the Far East, made a major contribution to the
attack on Euro-centric bias and arrogance of western triumphalism
in the Cold War years.
***
I cannot end without noting that he was enormously kind and
supportive to many of those he encountered, from children to
elderly dons. He would put his hand on your shoulder and draw
you into his world, and you knew you could depend on him in any
contingency. He was a warm and rounded human being and always
exciting to be with.
Jack Goody was a big man in every sense. He was fnally
knighted, as he should have been earlier. Perhaps he had to wait
because there was an ‘Again the Government’, contrarian, streak in
him which annoyed some in the Establishment, a characteristic he
shared with Edward Evans-Pritchard.
10 CREATIVE LIVES AND WORKS
I
Eric Hobsbawm (EH): Guided partly by your little autobiographical
memoir of anthropology in the Annual Review of Anthropology I
would like to ask you a few questions. Let us start off with, if you
like, a bit of autobiography, no doubt we are not suffciently post-
modern to think that anthropology is an autobiographical genre,
nevertheless, it might help with your background. You do compare
your background with that of Meyer Fortes2 and Edmund Leach,3
you just say that it was more modest in the home counties. Could
you perhaps elaborate a bit more about where you came from and
who your parents were and where you went to school.
Jack Goody (JG): My father was a Londoner. My mother was from
the borders of two adjoining towns in Scotland, but she met my
father in London. After the First World War, they moved out to
Welwyn Garden City, which is where I grew up. I went to primary
school there. There was no secondary school in Welwyn Garden
City at that time, so I went to school at St Albans. I travelled there
by train every day. Eventually my parents moved out to St Albans
because my brother and I were going to school there.
EH: What sort of profession was your father in?
JG: My father was an advertising manager in London. His
background, however, was that of an electrical engineer, though
he became a technical journalist in the early days of electricity and
later on worked as an advertising manager for a frm in London.
EH: And your mother, was just at home, or was she…?
JG: My mother used to work in the central post offce administration
in London before she came down from Scotland. She did not work
after her marriage. She was at home, but my father went out to the
other seminars as well, very few were connected with what I was
actually meant to be doing then. At that particular time, you had to
fll up a piece of paper at the beginning of term which was then sent
to the Director of Studies which had a list indicting that you were
attending a certain course of lectures. I remember I got reprimanded
for not attending suffcient lectures. I do not think that I either went
to or listened to any lectures of anyone above the age of 30. It seemed
to me as if there was so much else to do other than attend lectures,
this was in part because of the great intellectual atmosphere that
prevailed at the time. And partly because people were going off to
Spain to be involved in the Spanish Civil War. One felt very close to
what was happening outside Cambridge – a real world experience
– as opposed to how one felt being in school.
EH: Presumably, of course, the infuence of Marx8 through the
Socialist Club and the Communist Party must also have been
noticeable at that time, at least that was so in my case.
JG: The Communist Party was very noticeable. I did read a certain
amount of communist literature while I was still in school. I was a
member of a Left Book Club9 while still at school before I ever came
up to Cambridge. It was the time of publishing and of the Left Book
Club which was important to a lot of people. It gave them access to
cheap, inexpensive books before the paperback era. I read the works
of Marx and Engels10 because it interested me and that naturally
led on to the Socialist Club and Left-wing politics in Cambridge.
EH: It is very interesting because you know your case was typical.
I, myself, was the pupil of one of these young English teachers who
had come from Cambridge – Leavis. I put down Downing as one
of my colleges….
JG: I did not get into Downing. I would have loved to get into
Downing, it was the height of my ambition.
EH: But you see, when I came up to Cambridge, I decided that
English was not my thing. Did you ever consider not studying English
and studying something else?
JG: I should have done history. I was much better at it than I was in
English. But English was the peak ambition for so many of us at the
18 CREATIVE LIVES AND WORKS
time. I did not realize that then, but Edward Thompson and others,
so many people did English. It was years after the war. It was said
English was the most diffcult subject to get in to and it remains
true to this day – it required the highest A Levels to get in. Even
though I would have been better at history, I somehow did not have
the drive to get into it. It was English literature that I wanted to do.
EH: Who were the chief people who infuenced you, if any? Or
whom do you think you infuenced?
JG: A lot of people in Cambridge infuenced me, especially those
who were slightly senior to me, including me, were the signifcant
ones. There were people who were two or three years older and
gave me receptions – Ian Watt with whom I worked later on. And
people who were giving seminars. My friend R.O.C. Winkler11 was
at the same school as I was. He read English at school. He got the
scholarship to Downing, became a philosopher, but he died young.
EH: There is no question about it that in our days it was mutual
education much more than it was from top to bottom.
JG: That is absolutely right. That was the vigour of Cambridge. It was
those kinds of circles that I got my education from and that is where
I talked about the books I had read or the books that other people
had read and exchanged ideas – it was in that kind of ambience.
EH: Did you at that time have any particular relationship with non-
European students, Third World students as you would say today,
colonial students as people would have said in those days?
JG: My relationship with ‘colonial’ students was pretty minimal.
My frst introduction to anthropology was through the notes in T.S.
Eliot’s12 The Waste Land13 – references to Frazer and so on. It was
Leavis’s references to Lord Raglan14 – that is where I frst got the
name from – it was mediaeval drama. When I was in prison camp in
Germany later on, there was a very good library run by Tim Munby
– in Stalag 7B which had been accumulated by these people since
Dunkirk – and it was a rather extensive one. That is where I read
two volumes of Frazer and Chamber’s Medieval Stage, which I had
always wanted to read. My own contact with Indian students was
during and after the war.
JACK GOODY 19
EH: This does get us to the war. It seems to me that the war had
quite a big impact on you intellectually in many ways through your
experiences in Italy, what you were reading and the rest of it. What
did it teach you, what ideas did you derive from it? Tell us a little
bit about that.
JG: The war years had a great infuence on me. I went to the Middle
East for the frst time, and spent some time in Cyprus. Seeing the
use of the Mediterranean plough in the villages in Cyprus and then
visiting the museum there to see the same kind of plough being used
4000 years earlier is what got me interested in anthropology. My
interest in the ancient Middle East was aroused after being camped
under the pyramids in Giza, visiting Cairo, in Egypt, which in turn
got me interested in works of [V.] Gordon Childe and archaeology.
I remembered from when I was a child, Sir Mortimer Wheeler
unearthing a part of the hypocaust in Verulamium, which has a
magnifcent Neptune mosaic on top. All this piqued my interest in
archaeology. Experiencing the Middle East, walking up to the Disney-
like crusader castles and going into a Gothic cathedral in the middle
Nicosia [capital of Cyprus] being transformed into a mosque was
what got me interested in the history and the cultures of that region.
But more specifcally, as far as anthropology was concerned, my
interest in it grew after being captured at Torbuq in 1942 when
we were taken to Italy. I was in a camp in Italy where university
courses were arranged, and I got involved in teaching modern English
literature with a friend of mine, Stuart Hood,15 who later went on
to become Director of ITV. At the end of the war, when I had done
one year of university, I even thought of becoming a professional
bridge player! It was the only thing I could do that qualifed me for
anything as far as I could see.
Later, I got interested in social interaction with small groups,
living with people in a confned space. This was when I escaped and
spent time in Ubruzzi, up in the hills with peasants, and then again in
Rome after I escaped again and was hiding out. It was more Europe
and the Middle East that interested me than Africa.
EH: That actually leads to the question why do you think you settled
down in Africa?
20 CREATIVE LIVES AND WORKS
JG: I did not really settle down in Africa. Besides, the economic base
was not far away. What I did frst, when I came back to Cambridge,
was to fnish off my degree in English very quickly. Thereafter, I took
a year and did a diploma in anthropology.
EH: Why in anthropology? It wasn’t an obvious choice.
JG: If there had been sociology, I would probably have taken
that, except that sociology would not have led me on to business
studies. Not that anthropology led me on to business studies
either. But Evans-Pritchard16 was lecturing in Cambridge, on Africa
and he was a very infuential lecturer and fgure at the time. He
inspired many people in Cambridge to go in for anthropology. I
did not take up anthropology immediately, instead, I went into
education for a while. After getting a certifcate, I realized I wanted
to do something active so became an adult education offcer in
Hertfordshire. I would have liked to have done sociological work
at the Tavistock Clinic in London and in aiding the adjustment
of returning prisoners of war. Instead, I applied for the job of a
researcher at Dartington Hall which I did not get because the job
required more qualifcations than I had. It was then that I decided
to do a PhD in anthropology. My decision was partly prompted by
the fact that there was government funding, for which I applied
through the Colonial Social Science Research Council, and in part
because I knew a lot of Africans by then and I wanted to work
in Ghana – Ghana was at the front of changes having become
a newly independent territory. This led me to go to Oxford and
work in African Studies. Besides, all the grants and scholarships
were essential for going to African territories. These grants did
not cover work on peasants in Italy, perhaps because there was
no work on peasants in Italy.
EH: I would like to read something that you wrote yourself – here
are some fragments…
destruction to the next and lived our adolescence under the shadow
of continental fascism and so on. This period began as the Japanese
attacks. They followed my generation for six and a half years of
life under arms during which time all one could look forward to
was post-war reconstruction through the national government
and through the United Nations and this obviously involved the
dissolution of earlier empires.
It is important for people now who did not recall this and are
not in a position to remember the general state. For instance, it
seems to me worth mentioning that when you decided to go into
adult education, you were not doing something that Goody thought
of, but there were several other people including academics were
doing this at that time.
JG: Adult education, after all, was associated with the outcome of
the war. It was stimulated by Army Board of Current Affairs which
was very much involved in adult education. A number of people
like Raymond Williams17 and Thomas Hodgkin were working in
the adult education feld and my friend George Schofeld also went
into it. It was for a specifc reason. The 1944 Education Act had
been passed. The universities were opening up and one felt that one
could do something in the feld of education.
EH: Academic life was not self-contained. It was not just a job.
It had to be in some ways useful to people both here and abroad.
JG: I wanted to do something in education at that time. It was also
the time when independence was obviously coming. It had already
come to India and to Africa and one wanted to be a part of this
change. A lot of people went into adult education, a great number of
whom became academics and later on went into adult education in
Africa – Nigeria and Ghana with various WEA [Workers’ Education
Association] and associations for education support.
University life did not hold any particular attraction for me. I saw it
as a place where all the fuddy-duddies were and everything exciting
was happening outside that. What was much more likely was, as
many of my friends did, to teach in overseas universities during that
period rather than get a job here.
22 CREATIVE LIVES AND WORKS
EH: Let me take you back to Ghana where you did your feldwork
there and paid your dues as an anthropologist. You have kept up
contact there, you still go. What did you get out of going to northern
Ghana, apart from, as you say, it somewhere forced you to keep
contact with French literature?
JG: I got an enormous deal out of my feldwork in Ghana. I was
forced to sit in a place for two years and simply observe. I had not
thought very much about the law or religion in any concrete way
except going to church. This was a kind of a revelation to me, to be
involved in all these aspects of life including the whole productive
process. Living in the towns and villages in Ghana, I learnt how to
make beer, bread and porridge. It got me interested in a number of
felds of social life which I would not have thought that I would
be interested in before. Those things that I was interested in at
an intellectual level it made me take them up on another one, for
instance, my friendship with Ian Watt, his work on The Rise of the
Novel which he was preparing at the time. I was interested in Q.D.
Leavis’s Fiction and the Reading Public and the kind of changes
involved with printing and printing presses and the general feld of
the sociology of literature. Having looked at medieval literature,
popular culture, oral and literate cultures, what particularly intrigued
me, was the idea of being in a society without any reading matter
and what this really meant to people inside it – what they could or
could not do without a book – without reading and writing. The
reason for this could have been because as prisoners of war, we were
not always with libraries and we had nothing at all to read. I was,
therefore, drawn to subjects of oral and written discourse. Besides,
I also got interested in the transmission of property in Ghana and
property relations. Overall, being in Ghana gave me the chance
to examine two adjacent communities and try and fnd out their
differences and similarities.
EH: How would your work have changed if, instead of going to the
LoDagaa in northern Ghana, you had gone to Uganda or Borneo
or to Ceylon? It is a counter-factual question.
JG: I did think of what I would have done in Italy if I had gone
there. I was, at that time, worried about anthropologists going to
JACK GOODY 23
II
EH: You are among the rare anthropologists who insists on
working with scholars in other felds but you have been formed
as an anthropologist and presumably in the UK and in Cambridge
and I was about to ask you who had infuenced you most inside
and outside the UK and Cambridge and whom you admired most.
JG: I would say Evans-Pritchard, Meyer Fortes and Max Gluckman,18
people I worked with on African topics and what people were
writing at the time – textbooks on anthropology on African political
systems and African systems of kinship and marriage. These were
the important works that were coming out that were theoretical as
well as political.
EH: Outside the UK, I don’t see any notable American infuence.
JG: There was no American infuence. The little interest I had partly
arose out of the war. Many of us have read Ruth Benedict, Margaret
Mead, Geoffrey Gorer and Gregory Bateson. They had partly led me
to have an interest in anthropology, but there was a lot of hostility
here towards American anthropologists and references lady novelists.
There were American infuences, and American scholars whose work
was interesting, but they usually turned out to be people interested in
the work of Radcliffe-Brown in Chicago. I cannot say I got a great
deal out of reading people like Julian Steward19 or Leslie White20,
mostly because it was not professional enough at the empirical level.
I was more infuenced by the French. The training at that time was
largely Durkheimian, especially because of Radcliffe-Brown, Evans-
Pritchard and others. I read an enormous amount of Durkheim
and I was reading the work of the journal L’Année sociologique. A
number of my contemporaries were doing translations of Durkheim
into English – Rodney Needham – several of Durkheim’s books had
been translated by pupils of Evans-Pritchard and Fortes. But French
anthropology was not of supreme interest apart from the new work
of [Claude] Lévi-Strauss. It also centred around these feld trips of the
countries of West Africa, which many of us were rather suspicious of.
There were people who could not speak the native languages. There
were people who went on feld sites for a short period of time and
26 CREATIVE LIVES AND WORKS
JG: Earlier on, I was against most who were in the school of British
anthropology was against. There was a time when the school of
British anthropology, in the early 1950s, was a close network – the
founding association of the Association of Social Anthropologists
certainly thought they had certain keys to unlocking the secrets of
the universe. One tended to look down on people trained in America.
In fact, even now, this Association of Social Anthropologists, it was
born out of the Commonwealth and it includes people on the basis
of the way they were trained. At frst it was only in England, then it
extended to the Commonwealth, it never really extended to America
and Americans could join if they spent time over here, otherwise it
was a rather exclusive club.
It was not true that I was against some of the kind of
psychological anthropology that was taking place in the States, I
was against some of the cultural personality work because it seemed
to me rather superfcial, but not against others. This people might
say has stigmatized me as an anti-structuralist, but I am not sure if
I would accept that designation. I have always found the works of
Lévi-Strauss interesting from a polemical reference point of view.
EH: Just one incidental question – Polanyi23 – any opinions? He has
been infuential in anthropology.
JG: Yes, Polanyi has been infuential in anthropology and I did
read him a lot. He had been a great infuence on my close friend’s
neighbour, Moses Finley,24 and many others. During the 1950s I
had been infuenced by Polanyi. But later I became unhappy about
radical revisions, the concept of the ancient economy and the ideas
of reciprocity in the way that Moses expounded it. I was also not
happy about the various levels of society where reciprocity was
the only mechanism for exchange. The more I looked at Africa and
the history of Africa, and this came out in the work of a number
of historians of Africa, like Basil Davidson, 25 that commercial
exchange was part of the African way of life for very many years
and I thought that the attempts to apply Polanyi’s theory to it was
not very useful at all. I think he overgeneralized the notion and
people were not giving enough attention to the long, commercial
exchanges in Africa. They had missed the importance of the
28 CREATIVE LIVES AND WORKS
enormous amounts of cowries, and the fact that they from the
waters of the Indian Ocean. They came in some kind of exchange
system and that was part of the operational systems I studied. It was
not simply a local business of exchanging cowries up and down for
chickens and goats, it tied in with that. This system, not just in areas
adjacent to my study area, it also played into the mediaeval gold
trade pushing mediaeval gold into Italy to enter into commercial
exchanges with the West. It was that kind of networking that I
was interested in. The kind of cuttings off that Polanyi did and
people accepted made it more diffcult to understand and describe
these kinds of things.
EH: Let us go a little bit further into your work. In your
autobiographical statement in the Annual Review of Anthropology,
it describes the keywords, probably this was not your choice as
history, Cambridge, kinship, literacy, LoDagaa.
JG: That was not my choice and I do not recall making any such
choice. I certainly would have put in comparative studies. I was
interested to see how inheritance systems in Ghana differed from or
were similar to European arrangements. I was not in Africa simply
to look at African values, I was interested in comparing these with
European ones that were prevalent in the nations where I had lived
and worked in and that I had read about. Very often the things that
I write start off with Africa, but they spread, in a sometimes rather
picaresque way, into other areas, because I am interested in trying
to make sense of it in the wider context, what I have read about
and experienced in Africa.
EH: The point is, it seems to me, that it is not only comparative
studies, but in some ways a very broad, what Perry Anderson calls a
‘deliberately macro-evolutionary attack’, as it were What Happened
in History to go back to Gordon Childe.
JG: It is quite true that Gordon Childe is one of the really important
books I have read. And you are absolutely right. What Happened
in History – it was one of the really important books of his. It is
true that I was interested in what happened from the Bronze Age
on and how that might affect people.
JACK GOODY 29
EH: Of course, this raises these issues that distinguish only Africa
from the remainder of the world. Almost every relatively poor or
undeveloped country – the drain of the educated people that upholds
the First World. However, the point it seems to me that you bring
out very much is that as against the fashion for pure relativism you
insist and take the view that one must insist on the difference between
simple and complex and primitive and further advanced societies
whether you put them in inverted commas or not….
JG: It is about the range of complexities that is critical for
understanding what is happening now and what has happened in
the past.
EH: I would agree with you because the thing that follows from
it is that it is exceedingly diffcult to jump if you are used to your
society structured in one way with a certain background, simply to
transform this from one day to the next will not work.
JG: It is enormously diffcult. I wrote about area in rural Africa
where they have got the wheel, but all the wheels were made outside.
In every Indian village it would be right out there. Every wheel on
anything has to come in from outside. There are no bullock carts,
or horses or even donkeys pulling anything, so you are completely
dependent. It strikes me every time I go back there how critically
important the dependence of a country is on these imports. If they do
not have these imports and aid from the outside world, they would
have to go back to simpler technologies because there is no change
in the social organization of production to produce carts. It is true
that people have tried but their attempts have been feeble – they
have had aid volunteers to come and do this.
EH: You have developed three basic strains of writing through the
years. One is about family, marriage and reproduction. The other is
arising out of your oral literacy studies and the third, if I read you
rightly, is the one you concentrated on to some extent in the 1980s
was food culture, fower culture – are there any other aspects that
you think you would like to pursue but have not had a chance to do?
JG: I was very much interested in modes of production and
reproduction but also what I called ‘modes of destruction’. It was
JACK GOODY 33
NOTES
1. Jack Goody. Wikipedia. 2021. https://en.wikipedia.org/wiki/Jack_
Goody
2. Meyer Fortes, see Appendix.
3. Edmund Leach, see Appendix.
4. Ian Watt, see Appendix.
5. Peter Laslett, see Appendix.
6. F.R. Leavis, see Appendix.
7. Hugh Sykes Davies, see Appendix.
36 CREATIVE LIVES AND WORKS
The encounter with Clifford Geertz and his work was one of
the half dozen most important such encounters I have had with
anthropologists. He stands, alongside E.E. Evans-Pritchard,
Christoph von Fürer-Haimendorf, Jack Goody, Ernest Gellner and
Marshall Sahlins, as someone who, for decades, shaped my ways of
thinking as an anthropologist.
I frst read a little Geertz as I converted into anthropology at
the London School of Economics in 1966–68. He was one of the
few Americans, and even non-British, anthropologists who was
taken seriously during our course. When I did my feld research,
and then wrote my doctorate on population and resources in Nepal
from 1968–1973, his book Agricultural Involution (1968) was one
of the most inspiring anthropological analyses I encountered. Its
brilliant analysis of the relations between intensive rice production
and population densities was an inspiration. I continued to draw on
this book in my own research and teaching through the years. A few
notes from the book, which I put into my database of quotations,
show some of the ideas that I drew from it. (The original citations
reference includes the page number and source).
fght’. These are just a few of the passages which I marked in the
book and which reverberated in my mind through the years.
elements. …. Working their way into the peasant mass, these two
world religions became fused with the underlying animistic traditions
character of the whole Malaysian culture area. The result was a
balanced syncretism of myth and ritual in which Hindu gods and
goddesses, Moslem prophets and saints, and local spirits and demons
all found a proper place.’
‘The culture of a people is an ensemble of texts, themselves
ensembles, which the anthropologist strains to read over the
shoulders of those to whom they properly belong.’
Started to read a little Geertz to get myself in mood for his visit.
(2.5.2004)
ENCOUNTER WITH CLIFFORD GEERTZ 45
Alan went in and met Clifford Geertz and his wife and liked them.
He may do the interview here on Wednesday if the weather is not
too bad. (Sarah, 3.5.2004)
Alan went in after lunch and hosted Geertz and wife to supper at
King’s, then a meeting with the Department in his room afterwards.
Said it went well. (Sarah, 4.5.2004)
Alan went in at lunchtime to interview Clifford Geertz and later
brought him and his wife back here. We took them to supper at
‘The Swan’ at Stow cum Quy. Nice people, keen to complain about
Bush and all his team. (Sarah, 5.5.2004)
Alan at the Geertz lecture then dinner in King’s. (Sarah 6.5.2004)
Much of the week seems to have been taken up with hosting Clifford
Geertz and wife, Karen Blu. On Monday – lunch and planning;
Tuesday dinner and a seminar in the evening; Wednesday a long
interview and supper in Lode; Thursday the Frazer Lecture and
party, and dinner. As they were extremely nice and everything went
perfectly, it was a great pleasure and got some excellent flm. But
took about 20 hours and used up quite a bit of nervous energy, so
not too much time for other things … (8.5.2004)
much of his character. They all felt they could begin to understand
him after the interview. This warm comment was echoed in an email
from Hildred, Geertz’s frst wife, on 19 March 2007. ‘Our family
has seen the marvelous interview you made with Cliff; many thanks
for making such an evocative interview happen.’
Clifford James Geertz. Photograph courtesy Alan Macfarlane.
Clifford James Geertz
I
Alan Macfarlane (AM): It is a great pleasure to have met you again
after so many years and to have a chance to talk to you about
some of your writing and life. You are one of the most refexive and
refective anthropologists, so this is a particular opportunity to see
what imprint your work has had. When were you born? What year?
Clifford Geertz (CG): I was born in 1926 in San Francisco. My
parents were divorced before I was three and I was sent off to live
north of San Francisco, in the countryside, with an unwed woman
who was 60 at the time. It was in Marin County, which is now a very
fancy place, but at that time it was in the depth of the Depression.
It was a little place in the hills called Woodacre with 200 or 300
people and I lived a very isolated life there. I went to a two-room
schoolhouse. I never went anywhere or did much of anything until
the war came. When I was 15 or 16 years old, I enlisted as soon as I
could. I graduated from school at the age of 17, went into the Navy
and ended up in the Pacifc. When I came back, I left California,
more or less permanently. I have been back and forth, but I left it as
a home. There is a kind of cleavage in my life that is rather striking
to me – the frst 17 years of my life living an isolated rural life in
the depths of the Depression – we were poor, but we had enough
to eat and keep warm, so it was not as bad as many people had
it. Since then, I have lived a very cosmopolitan life. Though I lived
in an extremely rural atmosphere, very countryside, I was urban
from the start. I do not know what people would say about that,
but once I got out and got east, that is where I felt I belonged, or at
least where I wanted to be. I did not want to go back because of the
complexity of my family, not just because my parents were divorced
but also because it was a mess. That was a period in my life when
nothing really happened.
AM: There were no teachers…?
CG: There were teachers who were always my salvation. I was, if
I might say so, a smart kid and this was the countryside, so even
the kids that were considered smart were not really smart. I was an
intellectual from the start, alone and isolated, I read an enormous
amount. Two teachers come to mind, one in elementary school,
who thought I was the cat’s pajamas! She taught to read and learn
things. I remember her with great warmth, but she must be dead
now. Later on, even more importantly, I do remember my high
school teacher whom I mention in something I have written – Loris
Tardy or Morrison Tardy, who was a merchant seaman and a Leftist.
This was the time of the California courts, Left labour unions and
Harry Bridges.2 My grandfather was a labour union printer – we
were all connected to that kind of thing indirectly. My father was a
civil servant. Anyway, Morrison Tardy was an ex-radical who was
teaching in high school. While I was in high school, I was the editor
of the high school newspaper. He was the faculty advisor. He also
had a tremendous infuence on my reading because I wanted to be
a writer and a novelist.
AM: At what age did you want to be a writer?
CG: Very young. As soon as I knew there was such a thing, I think. I
never wanted to be a freman or anything like that. I always wanted
to write and I admired writers. By the time I was in high school I
knew I wanted to be a writer and he encouraged that. And I did
contribute to the college literary magazine, later on.
Tardy had a tremendous infuence on me. When I went into the
Navy and we headed towards Japan to invade it around the time
the bomb was dropped, we turned around and came back. I went to
him and asked him what I should do. I had never considered going
to college because we were poor, not really poor, just not well off.
In those days not everyone went to college. I expected I would get
a telephone company job like everybody else or something similar.
But he said that I should opt for the GI Bill.3
CLIFFORD JAMES GEERTZ 53
eight of us at the start, but only fve managed to make it to the feld
study. We had language training every weekend for a year with this
doyen who was the leading Malayo-Polynesian linguist. It was just
the ‘fnger of God’. It was Clyde’s doing. This is another reason why
I am positive about Clyde even though my personal relationships
were not happy ones, but he was very good to me.
AM: How was your frst moment as you stepped on to the beach
in the Trobriand Islands? What were your frst impressions as you
arrived in Indonesia? Can you remember it?
CG: Very vividly. I went to Holland for two or three months before
I went there to learn Dutch and to meet some Dutch scholar half
of whom would talk to me and half who would not. That was the
time when they thought America was still in their empire. Some
of them were very kind to me. I lived in Leiden for quite a while,
about three or four months. Then I got on a ship, the rest came by
later, which took a month. The day before we arrived, the frst coup
d’état rebellion against the Sukarno31 government broke out. When
we arrived, there were tanks on the streets. We had some Indonesian
socialist friends. Sutan Sjahrir was then the frst prime minister
of Indonesia, we did not know him, but his right-hand man was
known to us. The socialists took us to a safe house and put us up
there because it was not clear if the socialists were going to go to
jail for being on the wrong side of this rebellion. It was very tense
for three or four days.
So, I entered Indonesia right in the middle of a coup d’état or
an attempted one. It was eventually quelled after Sukarno gave
one of his famous performances in the Parliament and talked the
people out of the rebellion. The socialists escaped without much
damage – these were early days, later on they had a harder time. We
then came out of hiding because for three days we did not know
whether we would get arrested, shot or thrown out the country.
We did not really know what was going on because we could not
leave the safe house. There were a lot of rumours and numerous
socialist conspirators were coming back to the house of a very
famous socialist politician at that time. It eventually cleared up and
we went and lived downtown.
64 CREATIVE LIVES AND WORKS
II
AM: We have got you to Indonesia and through your PhD, should
we move on from Harvard to Berkeley?
CG: Sure. I was very briefy in Berkeley. After Harvard, I worked for
a little while at MIT in the Center for International Studies. I then
went back to Indonesia to do a study – that is when I got caught in
the war we were just talking about. It ended up with a year in Bali,
which was originally planned to be in three different places, but that
did not turn out as planned. Then I came back, spent a year at Palo
Alto at a think tank there and had a job at Berkeley where I taught
for a year. That is almost the only time in my life when I have been
fully enclosed in the anthropology department, worked very hard
towards the course of large classes. I was a young assistant professor
and I got a lot of work. The anthropology department was larger
than my college had been. I was there for a year and I enjoyed it.
It was just prior to the outbreak of the Berkeley rebellions and that
was the year the house of American Activities Committee came to
San Francisco to the City Hall. My father was the senior engineer
of San Francisco, so I knew the CEO. The frst day the kids went
over to protest – this is prehistory of Berkeley. They came to me
and Tom Fowler and some other younger anthropologists and said
that they wanted us to come over and witness it so that if they did
anything horrible, they had real professors to say what happened.
I did go but nothing happened.
Then when Edward Shils36 and David Apter,37 at Chicago, were
forming a committee for Comparative Study of New Nations and
asked me to join them – it would almost be full time, though I was
involved in the anthropology department too, but there was not much
to do there. I jumped at it because I wanted to get back to research
and to where my work was, so I went. The year at Berkeley was just
a year of teaching though I enjoyed it because it was a nice place.
AM: Do you like teaching?
CG: I do not like teaching or lecturing, though I like teaching
seminars and I like to work with students, in that sense I like
teaching. But I agree I do not like teaching to any lecture courses.
CLIFFORD JAMES GEERTZ 71
that. I was a secretary for a long time and that was also the period
when I started working in Morocco.
AM: You were going to Morocco because for the moment you could
not get back to Indonesia?
CG: Yes, that is right. I had two young children. I just did not feel
it. I might have gone myself, but not with them.
AM: Did you consider anywhere else?
CG: I thought seriously about Bengal, working on both sides of the
border, but that would have been a disaster.
AM: How did Morocco come up?
CG: That is a story because I was here in Cambridge – that is
the famous Cambridge ‘Hands across the sea thing which I shall
mention again tomorrow when I talk. I mentioned to somebody, I
cannot remember who it was, and they said that I should consider
Morocco – Morocco is Islamic, peaceful and one could work there.
Nobody had worked there, or at least, I did not know about it. It
was not Ernest Gellner.44 I did not know him in those days, so it
was not him. It was not anybody prominent or I would remember
them. Instead of going home after the meeting to Chicago, I went
directly to Morocco, hired a Peugeot and for about six weeks drove
all across the country, at 80 miles an hour, which you can on those
roads. I visited a very small town in Morocco, decided I wanted to
do this, got the money and went back three or four times while I
was still in Chicago. I gathered a number of students and we did
a chain mail rather than in Java and Bali, where we were together.
But in this one, I went and then a student came for about a month
or so when I was there. I came back when he was still there and
I had several students do that. We covered the town continuously
for almost a decade. I went in before and after each student – so I
spent half the time in Morocco and half in Chicago. As I have said,
I have gotten away with a lot in my day.
AM: This kind of backwards and forwards….
CG: I sometimes think that if I stayed in Indonesia all the time I
would have thought of Indonesia as the Third World country or
the other as they now say. Going to Morocco disabused me of that.
CLIFFORD JAMES GEERTZ 73
AM: There was another contrast you made, one was about sedq
which is about honour and trust, that was Morocco. In Indonesia,
it was about communities, was it?
CG: No. I think it was more about rasa – it was feeling, meaning,
intuitive. I had a whole string of terms on both sides – it was not
just one term. Morocco is moralistic, it is about loyalty, strength,
directness and so on. Java is about hierarchy, subtlety, difference and
feeling. Rasa is a very hard term to translate and so is sedq. Later, I
did the whole string of Arabic terms in the book I did on the souk
– the market. I tried to show how these terms give you a sense of
the mentality of a marketplace, a bazaar is in Morocco. I used the
terms to try and get an access to broader differences and similarities.
AM: Coming back to your progression through university – did you
move on from Chicago to Princeton?
CG: Yes. I was asked earlier to go, but I said no. I thought about
it again, and then when I was back in the feld I wrote to ask if
they were still interested and they said they were. The Institute for
Advanced Study [IAS] was set up in the 1930s to bring [Albert]
Einstein45 and a number of people, including [John von] Neumann,46
who came a bit later, and the famous mathematician [Kurt] Gödel.47
IAS was bringing all these people from Europe and it was a place
wholly for research. By the time I was asked to join them in 1970,
there were three schools that had evolved – a Natural Science
School, which was essentially physics and astrophysics, a School of
Mathematics, which is the largest and probably the most famous
mathematics school in the world and a History School which was
mainly back then, classical, medieval and very early modern history.
When [J.] Robert Oppenheimer,48 who had been Director, died, he
was replaced by Carl Kaysen,49 an economist from Harvard whom
I knew of, though not very well. He, again on the advice of Edward
Shils probably, decided he wanted to have a Social Sciences School
and invited me to be the frst member of it and to start it up. I was
appointed and I went there – the rest is rather chequered history.
AM: You do talk about the Bellah50 dispute, but you have implied
that even after that was settled, the whole relationship in Princeton
was rather tense.
CLIFFORD JAMES GEERTZ 75
CG: It is not now so much, but it was up until very recently. There
were a couple of other appointments that were blocked and there
was a constant attack. In the early days we were living under the…
who was going to succeed or not…eternal vigilance was the price of
liberty and that is the way it was. The hostility, not there anymore
now, there may be some, but nothing like what it was, there was a
determination to drive this school out and the director out. They
did not drive the director out – Carl fnally quit and went back to
Harvard. It was touch and go for a long time.
After the Bellah affair, and Bellah’s departure, there was an
attempt to appoint George Miller,51 in psycholinguistics, but Carl
did not have the money for that, besides there was opposition to
Miller being appointed. But on my side, I got Albert Hirschman,52
whom I knew, to join – he had the languages and the status – by
then the crisis had embarrassed them. Some of the wiser heads in the
other Schools said that this had to stop because they did not want
to be in the New York Times every day, it was scandalous and not
in their interest to do this anymore. Some very nice people in the
mathematics committee said that they need not be driven out and
that they could be absorbed. I got together in the committee to get
Albert to come. Once Albert was there, he and I brought Michael
Walzer53 in, a few years later and then eventually John Scott54 – in
between there were some missed opportunities. We tried to bring
in Bruno Latour,55 but there was revolt against it. We got the whole
committee to support it, but the trustees would not do it because of
the major fgures in the other schools said that they would resign if
he were brought – so that did not happen.
For several years, of course in the beginning I was there by myself
because Carl had left, and it was a bit of a business. It was exhausting
as I say. When you say administrative, I do not know whether it
was administrative, but it certainly was academic politics like I had
never seen, but I survived it. But the School is now for keeps, and it
rocks along, more or less. They are about to make four more formal
appointments, but I am now retired formally – we bring about 20
or 30 people a year. It is now an accepted part of Institute along
with the other schools.
76 CREATIVE LIVES AND WORKS
AM: Tell me, perhaps now since we have got your last resting place
too – your ideas, infuences and methods – you write in anthropology
that there isn’t really an anthropological method, it is more like a
journey you have gone on. Last night you said that above all to
understand your work you would have to understand the contexts
of the people you are talking to. Is that right?
CG: Yes, that is right. Last night, the students were asking me who
did I think I was writing for and I was saying that I have a vague
idea of an audience, but I do not have a very clear notion of whom
I am writing for. If you look at my work, who I was among when
I was doing this, whether it was the people at Harvard or MIT
during the developmental phase or the committee which studied
new nations, you can see the kinds of forces, and later, of course, at
the Institute, that were playing on me. It is probably a better way
for me to understand why I did the things I did and why I made
the choices I made.
AM: A reference group theory would be the best way!
CG: Yes, except that the reference groups keep changing.
AM: One thing about all your famous stories – this shift from
the kind of anthropology that I was trained in – you went out
and studied social structures on the ground and you studied
interpretations of meanings – how do you think it led to that? Was
it your military background?
CG: I keep trying to stress how little a professional anthropologist
in some sense I am, I do not mean that I am an amateur. I came
into the feld never having had any anthropology. My formation was
that I wanted to be a novelist, a writer, I had been in English and in
Philosophy. When I got to Harvard, the frst thing I got involved in
was the culture book. I was always concerned with the relationship
of ideas to life and to behaviour. I was philosophically oriented. I
cannot admit and I had objected to it earlier, to sometimes being
stereotyped by the social relations experience. It had a big effect
on me – it was one of those contexts that we were talking about
earlier and it was a real one. But I was also pretty well formed by
the time I arrived there. My interest in worldview – ways of being in
the world and how people live and what they think life is all about
CLIFFORD JAMES GEERTZ 77
still do not and I never have. You were talking about administrative
responsibilities – I have always gone away from building houses for
other people to live in. I am not interested in doing that. The one
little project design was Morocco, but that was pretty invertebrate,
I did what they wanted. I have never occupied positions of power. I
have stayed outside, mainly outside the anthropology bureaucracy
of the United States. I have not been involved in associations and
fairs very much. I have never been a Dean of anything, or a Chair.
I am not even a formal appointment so I have no idea why they
are so frightened – I just do my work – and I hope that it has its
infuence. I guess it did threaten some people, perhaps, still does –
that is too damn bad! I have not tried to set up a school, a School
of Social Science or the Institute is not a marching society, I am the
only anthropologist there. I do think we can bring more there. If
you know the people there, Hirschman and Scott, whatever they are,
they are certainly not replicas of me. They are sympathetic too, but
I am not likely to choose people who are very narrowly focussed,
apart from that, our elective affnities are very broad and general.
I was a little surprised by it, but as I had no particular ambitions
in those directions anyway, they did not worry about it very much.
AM: If someone said what you did basically destroyed external
realities, they were no longer facts, everything was constructed –
well, I want you to say that.
CG: That is nonsense! I think the conception of facts that some
of these people have is rather one-dimensional, so is their view of
the world. But on the notion of there being no facts – I never said
anything like that. My thesis was 700 pages long and what is has is
lots of data – some of it may be correct. But I have never done that.
I am very ethnographic and I have always done that.
AM: You do have two or three times as many pages of feld notes
as you have in your books, don’t you?
CG: Yes, I do. More than fve or six times that and a lot of it gets into
the work. There is a fear of the failure of the enlightenment project
that worries some of them deeply. I think the fear is exaggerated
and that they have nothing to be so afraid of. But if they are afraid,
CLIFFORD JAMES GEERTZ 79
they are afraid. I certainly do not think there are no facts, I think
quite the contrary, the world is very, very real. People vary and differ
and there are things to learn that you cannot learn from your own
tradition and that could be another reason why, perhaps, there is
so much hostility because I tend not to be thinking of the Western
tradition as normative. That by now is almost a commonplace, but
when I started it was not. We studied them and I never thought that.
AM: While not building up an institutional base or a set of disciples,
you are probably one of the two or three anthropologists of the 20th
century who have become an adjective. My students write about the
Geertzian this and that. There are not many.
CG: There was someone from Mexico recently, who said he was a
‘Geertziano’ and he was part of the ‘Geertziano’ movement – the
whole business ‘Geertziano’, ‘Geertziano’ and ‘Geertziano’.
AM: If we could just talk around a few things that interested to
me. Some of things that strike me a lot about what you write is a
slight sense of disappointment. It is like people visiting my garden,
I always say, ‘Well if only you had come a week ago, or if you came
in three weeks, it would be a lovely garden. Right now, it is just in
between’. And you portray a sense of that in your feldwork.
CG: That is interesting. It is true that I have been to a number of
places that seemed to be in trouble when I got there. I am a bit of
a historical pessimist which probably comes through, though in
an Islamic proverb – there never was a bad year, but a worse one
to follow – I have a slight tendency to think in that direction that
things are going to hell in a handcart, but I do have that note in
my work – an odd nostalgia to feeling, ‘Oh God, the grasshoppers
and bees are gone’ – I do have that, that is the romanticism in me,
I suppose. I was not quite aware that it shows through the prose as
much as it perhaps does not intend to be there.
AM: Both of you had lived at the edge, both in your academic
position and your feldwork.
CG: Yes. That is what anthropology has provided for me rather
consistently. You are always purposely marginal. I have never
believed in going native or feeling could you become a Javanese, you
80 CREATIVE LIVES AND WORKS
are always an American in Java. You need to try and live the way they
live and understand them, but it is a self-delusion to think that you
can – if you have lived there for a long time, you can, some people
have – but by and large anthropologists are always marginal to the
societies they are involved in. I have been deliberately marginal in
life. I do not want to be into something I cannot get out of. So, it
is true and it may lead to some of this note in my work too. I feel
at the edge of things and I like it there because you can see things
from the edge that are harder to see from the centre.
AM: You have a phrase – between the large and the small – as a
feature of anthropology.
CG: That is recent. What is defnitive of my career, in a way, is that
I came in just at the time when anthropology was no longer going
to New Guinea and to Africa and so on. People were going to India
and Indonesia – you cannot walk barefoot to those societies. You
have to know their story, there is a lot of history to know. You, no
longer could, just study a little place – the Trobriands – and the
kula – not that there is anything wrong – it just does not make any
sense in Java. I could have done a community study of the Pare and
just described it and said, ‘Well here is a town in Java’, but that is
crazy when the world is blowing up around it and there are political
parties, the largest communist party outside the block and there
is no way to isolate the essentially localist focus of anthropology,
which I still maintain, but there is no way you should detach that
from general forms.
So, to be in the middle of – I had just given a set of lectures
that were about this transition – being often in a jungle or in some
place that was really marginal to the world – to being in the middle
of history all of a sudden. It was clear to me, very briefy, that in
those places that was no longer possible. The Cold War ripped Pare
apart. So, you cannot make believe that it does not. Major economic
changes were going on which were at the national level that you
cannot understand. It was quite clear to me from the very start that
though I was going to study locally, it was in order to understand
the things that had transcended the local and the play between the
local and the general issues – national and transnational. By now
CLIFFORD JAMES GEERTZ 81
So, you fnally found some highly trained technical economists, Ben
Higgins,57 who was a good friend of mine, and who is dead now,
was a very fne man. He and I as well as some other people at MIT
developed a real conversation where we both had something to say
that the other did not know.
Anthropologists can answer if you ask the question more
generally what Java is like. We can say something about it, though
not in some defnitive way or summarily, but we can begin to address
that question. What is it about this place? An economist can ask
that kind of question and we can get a dialogue going where you
can have an interchange and be part of a group of people. That
is what an anthropologist can do – he can ft into a division of
labour of that sort – not to become, in the same sense an economist
studying child training – you do not become an amateur economist,
you learn enough economics so that you are at least not illiterate
and can understand what the issues are. What you are doing with
anthropology, an economist can learn something about what it is like
in a small village in Morocco, nobody but an anthropologist would
know that. It is changing a bit now, but by and large then, it did not.
Again, you have to go back to fgures, but nothing was mentioned
until now. The Dutch had done some kind of graphic model, but the
sense of what life was like in these places and why these odd things
were happening, anthropologists were the only people who had any
idea of what was happening. The best economists, sociologists and
historians were open to listening to that and the best anthropologist
were open to being taught about things beyond their kin and that
changed the whole notion of the lone anthropologist. I was there
but I am always at the edge and I related it to other people. I do
not think that you can tackle a place with 220 million people and
2000 years of history and every imperialism known to man with
your notebook and pencil scribbling – that is just crazy. But you
can learn things with a notebook and pencil that the person with
his models to fgure out the gross national product cannot do. That
is what I would argue and it can be developed and I would try and
say that in my work and it is what I have been trying to do, to tell
people what this place is like.
84 CREATIVE LIVES AND WORKS
AM: You say, rather scathingly, about general laws in the political
feld such as that power tends to corrupt or the big fsh eat the
small fsh, these are empty banalities, so what kind of thing did
you fnd out?
CG: It is hard to do that without being concrete. You fnd out, say
political life and how it goes in Java, the main lines of cleavage, I
tried to show at one point how the political lines of cleavage, the
ones that people died and were killed on eventually in a large-scale,
which in greater part were refections integrated with long-standing
worldview of differences coming from Hindu and Islamic traditions
and, Malayo-Polynesian outlooks – the entanglement of these – it
gives you some understanding of what politics is about in Indonesia.
It is not that power tends to corrupt is wrong or is not helpful,
but it does not get you very far with trying to understand why the
fssions that divided Indonesia and Java and led to three-quarters of
a million people being killed – where did those come from? If you
move to Morocco, it is a different set of divisions. That is exactly
what I have been trying to do. I tried to show in the Java book that
what was peculiar about the Balinese sense of political life was like
and therefore try to understand why the Balinese do act as they do.
There is no law that comes out of that that I can think of – maybe
someone can derive one – but I have not been able to.
AM: If a young Javanese or Moroccan came up to you and said
that you studied the society in an earlier time, I am growing up in
the society now, are there a few things you could tell me in a simple
way and in a short space?
CG: I have written a lot on Indonesia and they can read it. I would
try to teach them how to learn about their own society and how
they can fnd out for themselves who and what they are. But I also
have views which I share with the Indonesians all the time. I discuss
things, my work is much discussed, it is in Morocco too. It is not as
if I am hesitant to say what I think to say to people – but I do not
have the arrogance to say – ‘hey this is what I think your culture
is’ – that is rather much. I do get many emails asking my opinion
on something or the other, I do not answer them all, but some I
do. I am always wanting to talk about Java, Morocco or Bali with
CLIFFORD JAMES GEERTZ 85
there has been no refection, but in recent years there has been more.
That is the genre that is missing and I would like to see more of it,
I would like to see more people think about how anthropological
texts are constructed, how they make their arguments, how rhetoric
plays into it, the language in which they are cast – there is very little
of that. The reviews are all the same – ‘x’ has written this and this
is right or that is wrong and it is an interesting book and those who
are interested will be interested in this interesting book. For everyday
reviewing that is alright, you cannot have everything be a great essay.
There are very few good essays on anthropological writers, there are
some now, but there is still very little. If I had to pick a date, before
1960, I doubt there were any. There may have been a few scattered
things here and there, but nobody worried about how [W.H.R]
Rivers60 wrote, they were worried about what Rivers had to say
and they should be, but the genre that is missing is the connection
to how he got the effects he got.
AM: That was going to be my last question. You started off wanting
to be a writer and much of the eclectic-ness of your work is in the
crafting, the writing, but you also said over the last couple of days
– whatever you did you do not recommend to others. Can I ask
what it is that you do?
CG: As I said earlier, I consider myself a writer, essentially. I just
happen to write about anthropology, but I could write travel books
or something else. I am an anthropologist, but writing to me is an
autonomous good in itself. It is not just a décor or a decoration.
How I write? I write in a way that I do not recommend to anyone
else. I write by hand, that in itself is alright, but I write sentence by
sentence, paragraph is usually a big unit and I get where I want it
and I go on to the next one. It takes a long time, but I do not write
drafts. There are no integral drafts of anything I have ever done.
AM: And it is complete when it is written?
CG: Yes. When I write the last sentence, it is over. Nowadays with
the computer it is much easier than it used to be, with a typewriter
you had to white things out and write on it with a pencil or pen.
Now I play it back and forth, I write something out, I type it out so
CLIFFORD JAMES GEERTZ 87
NOTES
1. Clifford Geertz. 2021. Britannica. https://www.britannica.com/
biography/Clifford-Geertz
2. Harry Bridges, see Appendix.
3. The Servicemen’s Readjustment Act of 1944, commonly known
as the G.I. Bill, was a law that provided a range of benefts for some of
the returning World War II veterans (commonly referred to as G.I.s). The
original G.I. Bill expired in 1956, but the term ‘G.I. Bill’ is still used to refer
to programs created to assist some of the U.S. military veterans. https://
en.wikipedia.org/wiki/G.I._Bill
4. George Geiger, Appendix.
5. Henry Louis Gehrig (1903–41) was an American professional baseball
frst baseman who played 17 seasons in Major League Baseball (MLB) for
the New York Yankees (1923–39). Gehrig was renowned for his prowess
as a hitter and for his durability, which earned him his nickname ‘The Iron
Horse’. https://en.wikipedia.org/wiki/Lou_Gehrig
6. Emily Elizabeth Dickinson (1830–86) was an American poet.
Little-known during her life, she has since been regarded as one of the
most important fgures in American poetry. https://en.wikipedia.org/wiki/
Emily_Dickinson
7. Nathaniel Hawthorne (1804–64) was an American novelist, dark
romantic, and short story writer. His works often focus on history, morality,
and religion. https://en.wikipedia.org/wiki/Nathaniel_Hawthorne
8. George Herbert Mead, see Appendix.
9. Ruth Benedict, see Appendix.
10. Clyde Kluckhohn, see Appendix.
11. Talcott Parsons, see Appendix.
CLIFFORD JAMES GEERTZ 89
While Jack Goody and Clifford Geertz have been major inspirational
fgures throughout my life as an anthropologist, Phillipe Descola has
become important only relatively recently. In a way this lateness is
surprising since Descola had spent time at King’s College, where I
am a Fellow, from the 1980s and was a close friend of my colleague
Stephen Hugh-Jones. Yet it was only when Stephen arranged for
Descola to give a seminar in our department in February 2004 that
I frst remember encountering him. I flmed the seminar and later
put it on the internet.1 I remember it was a lively and intriguing
occasion, but mainly a discussion between specialists of Amazonia.
As I moved towards retirement, I discovered that there was a
new movement in anthropology called ‘the ontological turn’, of
which Descola was a leading exponent. I wondered what this was
and how I could stretch my already jargon-flled mind towards a
new area. I grasped hold of the defnitions in various dictionaries,
for example the following:
WORLD VIEWS
PARADIGMS
In the frst place, it goes without saying that my own starting point
is without doubt rooted in the familiar soil of naturalism. It is no
easy matter to escape from one’s origins and from the schemas of
apprehending reality that have been mastered through education
and strengthened by being accepted as common practice.’ (p. 303)
NOTES
1. The flm of the seminar can be seen and downloaded from: https://
sms.cam.ac.uk/media/1115696
2. Marshall Sahlins, ‘On the ontological scheme of Beyond nature and
culture’, Hau: Journal of Ethnographic Theory 4 (1), 281–90 (2014) and
Descola’s reply ‘The grid and the tree’, pp. 295–300.
Philippe Descola. Photograph courtesy Alan Macfarlane.
Philippe Descola
I
Alan Macfarlane (AM): It is a great chance to talk to Philippe
Descola. Philippe, when and where were you born?
Philippe Descola (PD): I was born in Paris in 1949. My father was a
historian and my paternal family came from the southwest of France,
the Central Pyrenees. My paternal grandfather was a medical doctor,
his father was a journalist, and my great aunt was a novelist. On
the paternal side, I came from a family of doctors, publicists and
writers. On the maternal side, my mother was the daughter of an
army offcer who died young after the war. There were many army
offcers in my mother’s family. I was brought up in a middle-class
family of the classical French Catholic bourgeoisie. We lived near
the Tuileries in Paris. My father saw himself as Catholic but was not
really practising as such. My mother probably had a deeper faith,
and I was brought up a Roman Catholic, although I became, frst
an agnostic, and then an atheist quite early, by about 10 or 12. This
was not a problem for my family who were not trying to bring me
up in any specifc religious faith. This was in contrast with other
anthropologists in France or England, in many cases, who tend to
belong to minority faiths. In fact, there is a higher proportion of
Protestants among anthropologists, which is much higher than the
general population, or of Jews. I did not belong to any minority and
was raised in a straightforward way. I went to the Lycée Condorcet
which was one of the elite schools in Paris.
AM: Before we go on to your education, let us pause a moment
on your parents’ characters. You have sketched in very well your
grandparental accounts. What were your father and mother like and
how did that infuence you?
and travel in faraway places. When I started travelling quite far away,
in the Near East, I must have been about 17, I had the impression
that some of these illustrations had come alive. I remember waking
in a bus in Central Anatolia and seeing the minarets in a village
and a caravan of camels, and I really had the impression that I had
entered into one of those etchings. So, very early on, I had enjoyed
the spectacle of the world and its diversity. Intellectually at that time,
I loved the French language and writing, and had got good marks
in that domain since I was very young.
In 1967–68, I became politically conscious with many of my
friends, we were curious of everything – of the counter-culture
in the United States, of new ideas, read anything and at the
time the main place where our political conscience was forged
was the Committees Vietnam. It was at the level of the Lycée,
where we would protest against the Vietnam war and organize
demonstrations. This is where we became conscious of the iniquity
of imperialism and class difference, although I had never suffered
from any oppression myself.
Until the mid-1970s the Lycée was the preserve of the middle-
class, so a minority of people would study for the Baccalaureate and
go to university. When faced with the choice of studies at university,
I decided with some schoolmates to prepare for an elite school the
École normale supérieure. It may appear bizarre from the fact that
I was drawn towards Leftist politics, but at the same time, we were
conscious of the complexity of the social and political situation
which required good training. We knew that we needed to exercise
our brains and that the criticism of the present situation required
intelligence and knowledge. Although some of our great intellectuals
at the time thought we should preach for the younger generation
rather than embed ourselves with the workers in order to preach
the revolution. We thought that, rather than do that, we ought to
acquire the intellectual instruments of criticism was.
After the Baccalaureate I entered the classe préparatoire at the Lycée
to prepare for the École normale supérieure.
AM: At what age was this?
PD: I was 18.
CLIFFORD JAMES GEERTZ 109
for Foucault,7 for instance, and much of what Foucault did. The
history of philosophy was very much inspired by the technique that
people like Gueroult adopted.
There I really became a militant. My friends were either in the
Communist Party, Maoists – it was the time of the big wave of
Maoism. I was much more attracted by Trotskyism, and particularly
by Trotsky8 as a man of action and an intellectual. I had read some
of his books. I decided to become a member of the French section
of the 4th International, called Ligue communiste révolutionnaire
and I was a militant for three years when I was at the École normale
supérieure. However, I did not much enjoy the militant life. Most of
the time we would endlessly discuss obscure points of doctrine or
strategy which I felt was a bit ridiculous. At that time, it was quite
numerous. There were probably 5000–6000 members, which for the
Trotskyist movement was rather large. We discussed how best to
organize ourselves for the revolution, but even with the enthusiasm of
the time, it was obvious that the situation was not pre-revolutionary
and these discussions, in many respects, were pointless. Of course,
there was the politics of entryism too, which was classical among
Trotskyites – we were asked to be militants, in unions. When you
enter the École normale supérieure and pass the examination, you
become a civil servant and are paid as a teacher in training. I became
a member of the teachers’ trade union and many other things of this
kind, which took up a lot of time. After three years I felt that this
was not the way for me to deal with the transformation of society.
There were two dimensions at the time which I thought were
important, but considered secondary. I was very much interested in
nature in general, for reasons of delectation, but it was the beginning
of the dawn of the idea that there were grave ecological problems
and that politics had to take this into account. This was not at all
the case with the extreme Left at the time. The other was gender
politics, which was also considered a secondary problem. So, I left
after three years, discretely, but have never regretted this period.
AM: This was 1971–72?
PD: This was in 1973 when I took the decision to become an
anthropologist. What made me decide was that Maurice Godelier,9
CLIFFORD JAMES GEERTZ 111
and after a few months I decided it was not where I wanted to be.
I had always been attracted by Amazonia but thought it was too
petit bourgeois to go there because of the romantic image it had
of naked Indians talking about philosophy in hammocks wearing
splendid feather adornments. But I had always been fascinated by
that part of the world and my nickname at École normale supérieure
given by my class-mates was ‘les plumes’ – feathers! I said: ‘To hell
with these idiotic scruples!’ I had discovered the tropical forest in
Lacandonia. It was a wonderful place. Remarkable. I was struck by
its diversity, so I decided to go to Amazonia. This is when we came
back to France, I started a year of teaching philosophy. I went to see
Lévi-Strauss who was the authority on Amazonian Indians and asked
him whether he would supervise my doctoral thesis on Amazonia.
AM: You must again describe how he was sitting and how you were
sitting when you met – could you retell that story?
PD: Yes! Rather see God than the saints! If I have to do a doctoral
thesis on Amazonia – there were very few people qualifed to
supervise such a thesis. For me it was like going to see Kant in
Königsberg. He was a major fgure and one of the great heroes of
our time. I was impressed by the idea of meeting him. He received
me in a large offce and offered me a seat in a dilapidated leather
armchair which I sank into. He sat by my side on a wooden chair
looking down at me – like an entomologist looking at an insect –
while I spent the most diffcult half-hour in my whole life trying
to explain what I wanted to do. I will go back in a moment to tell
you why I wanted to go to this specifc part of the Amazonia. To
my great surprise after hearing me out, he agreed to supervise my
thesis and I was so relieved and elated by his response.
Before talking about the specifc place that we went, let me tell
you how I came to be interested in Amazonia, which I had suppressed
because, as I said that it was too romantic. One of the things that
fascinated me about Amazonia was – I had read a lot – there were
not many quality publications on Amazonia at that time. There were
two great books that I had discovered, your colleagues, Stephen and
Christine Hugh-Jones14 had gone to Colombia and done wonderful
feldwork and their monographs – The Palm and the Pleiades and
114 CREATIVE LIVES AND WORKS
Under the Milk River – which were very new in the panorama of
anthropology of the Amazon. They were almost the only books
because the others were just matter of fact reports lacking in insight.
What fascinated me in Amazonia was that from the first
narratives of the people of the lowlands, from Brazil 16th century
observers, would insist on two things, one that these people had no
institutions to speak of, and they were very close to nature, either
in a positive or negative sense. In the positive sense, they were
expansions of nature, the children of nature, like Montaigne,15 they
were naked philosophers who lived freely in the ‘Garden of Eden’ or
on the negative side. From the beginning you had these two versions
– they were prey to their instincts, therefore brutish, cannibals, not
properly human. In these two senses, they were very close to nature.
I had the impression there was a connection between the apparent
lack of institution and the leitmotif that they were nature folk,
and that maybe their lack of visible social institutions was due to
social life expanded much beyond the perimeter of humanity, and
included most plants and animals. So, I had this very general idea
which attracted me to Amazonia.
Another aspect was, of course, the positive and romantic aspect
that Clastres had insisted on, that these people were anarchists, rebels
to authority, there was no fxed destiny for people, no hierarchy, so
they were free to achieve what they wanted. It was not like in some
societies the segment into which you are born, life, in great measure,
is predicted by the place of your birth. These were interesting things.
We decided on the Achuar, a sub-group of the Jivaro. We had
a friend who had come back from Ecuador doing feldwork in the
highlands, and talking with her she said the Jivaro where not as
well-known as they appeared, which was bizarre because it was an
ethnic group that everybody had heard of because of the shrunken
heads. In fact, we discovered when reading the literature on them
that although there was a great monograph from the 1930s by
Rafael Karsten,16 the great Finnish anthropologist, the most recent
stuff was not very illuminating. There was still a sub-group of the
tribe which spoke a dialect of the Jivaro that had not been studied,
and they were the Achuar so we decided to go there to see what
CLIFFORD JAMES GEERTZ 115
II
PD: It started, as I had said, I had come to terms with my
romanticism, with a long journey in a freighter. We decided to go
to South America in a cargo boat which was very pleasant and
which took three passengers. The honeymoon started when we
began to learn the Jivaro language on the boat. The problem with
South America is that you cannot learn the language unless it is
Quichua, Aymara and Guarani – the great languages. But in the
Institut national des langues et civilisations orientales, the equivalent
of SOAS in Paris, no other languages of the Amazonia were taught.
But we had a friend, an Italian linguist, Maurizio Gnerre, who was
the only professional linguist until now to have worked on Jivaro.
It is an isolated language, spoken by approximately 100,000 people
in Ecuador and Peru, in the foothills of the Andes in the rainforest,
and they occupy territory which is about the size of Portugal. It is a
very large ethnic group and Jivaro is probably the largest population
in Amazonia who speak a single language. He gave us a small devise
to teach yourself Jivaro with cassettes and a book by a missionary,
and also help with pronunciation.
We arrived in Ecuador, landing in Guayaquil, and went to the
forest across the Andes to a small town called Puyo which was the
end of the road – the end of the colonization front. No one there
knew how to get to the Achuar though some said they knew such
people were living about 200 km away, but they had no idea how
to get there. Finally, we got a lift from the Ecuadorian Army. They
took us to a small army base in the forest by plane and there we
were introduced to Quichua speaking people who were maintaining
the base and being used as scouts and porters by the army. They
were the neighbours to the north of the Achuar and used to trade
with them. Two of them said they would take us to the Achuar. We
walked there with them and it took us about two days of our frst
real hard trek in the forest. In the evening, we arrived at a group of
houses where people seemed to be speaking a language similar to
that we were learning. They had painted faces and long hair and the
two guides left us saying they would never sleep in an Achuar village!
CLIFFORD JAMES GEERTZ 117
So, they left. There was a young man who knew some Spanish as he
had worked for oil prospectors for seismic lines. He was our frst
contact because the little that we had learnt of the language on the
boat was not enough to communicate. That was the beginning of a
long stay of almost two years continuously.
After that we each got positions at the University of Quito
where there was a department of anthropology which had been very
recently created. No one at the time had any idea what Amazonian
people were and had very little notion of kinship studies or things
like that. We spent a further year in Ecuador alternating giving
classes in Quito and going back to the feld for shorter periods. It
was a remarkable experience. I have written two books about it –
one was my doctoral thesis on the relationship between the Achuar
and their environment and the other is a more personal account of
what it is to try to make some sense of a very foreign culture – The
Spears of Twilight – where I tried to recount precisely the progress
that we made in getting to know these people. I do not know what
to say about that.
AM: Could I ask you one or two simple questions about it?
PD: Yes, of course.
AM: I knew Stephen Hugh-Jones used to lecture about the boredom
of feldwork and how tedious it was – days and days of similar
activities – extreme boredom and diffculty of sustaining interest,
was that the case?
PD: On the subject of boredom in feldwork we did not have even
the relief of the large rituals that Stephen Hugh-Jones described in his
book. In fact, the only rituals they had were linked to warfare. The
experience of feldwork is long periods of boredom, much like village
life. Nothing happens. Except for the few houses gathered round an
airstrip which had been built for the Protestant missionaries, most of
the houses were scattered as in the traditional habitat. You have to
imagine arriving in a house with a polygynous family, populous, of
maybe 30 people, and then you are completely isolated from any other
house which may be one or two days walk or canoe away. It is a world
where the humans are scarce. This is where I understood precisely
118 CREATIVE LIVES AND WORKS
one of the many reasons why there was such a close connection with
non-humans. As soon as you go out of the house you will not see
humans but you are immersed in a sea of non-humans – plants and
animals and so forth. The boredom was precisely these long periods
where nothing happened, where people would get excited in ritual
discourse during visits – it was a society that mediates visit through
ritual discourse. There would be interminable ritual discourses with
a minimum of information exchanged.
AM: It reminds me of Cambridge high tables!
PD: It is very similar, though the food is not so good. And the wine,
not to talk about the wine! These long periods of boredom were also
shattered by periods of feuding and warfare, when gossiping could
lead to accusations of shamanic attack and escalate into small-scale
war. At times I wondered whether warfare was not just a way to
interrupt this boredom because there was sudden excitement and
everybody woke up in a way. In contrast with an anthropologist
working in a city or a large village, there were very few people for us
to interact with. Women go to the garden for the whole day where
men are not welcome, neither are foreigners or even husbands.
Anne-Christine would go with the women. I had a shotgun and
I was supposed to behave like a man but I was a terrible hunter! I
would go out and when they were feeling tolerant, one of the men
would take me hunting with him. But I was very clumsy and most
of the time I would scare off the animals! They would have much
preferred that I hunted on my own.
The knack of hunting is not about shooting animals but fnding
them. That requires an expertise in ethology and a vast knowledge
to connect clues as to where animals are which I could not have
acquired. Even among the Achuar, the best hunters were over 30–35
years old. A boy of 10 would be able to name about 300 birds,
recognize them and imitate their sound, understand their behaviour
and know what they feed on, but this incredible naturalist knowledge
was not enough. It required 20 years more of experience, walking
in the forest and being attentive to clues to become a good hunter,
so I had no chance of that happening. That was a problem because
there were no informants because everyone had gone off. The most
CLIFFORD JAMES GEERTZ 119
productive period was early in the morning before dawn. The Achuar
wake up around 4.00am, then gather round fres in the hut because
it is a bit chilly in the early mornings and discuss their dreams.
They also talk about anything that is important at the time. This
is the real moment important things can be discussed and where
important information can be acquired. At 6.00am, when the sun
is out, everybody goes off to do things and the long day begins.
AM: I know you have developed and I would like you to explain
a four-fold classifcation of the different ontologies as the ways of
knowing which stemmed out of this work. It is taking the contrast
between nature and humanity and pivoting it in four different ways.
Could you tell me how the feldwork led into this and what this
theory is more generally?
PD: When I went to the Achuar it was with the idea of trying to
understand how the society adapted and coped with its environment.
At the time there were two main theories to deal with this – one
was American materialism, cultural ecology, which was extremely
deterministic and which held that in fact most institutions in small-
scale societies of this type were the product of adapting to limiting
factors in the environment. The main fgure was Marvin Harris.
Some of his students had worked in Amazonia and a good deal
of the literature in cultural ecology was either on New Guinea or
Amazonia. I had my doubts about this for epistemological reasons
because I felt it was a form of vulgar materialism and much too
simple, but I wanted to do the same kind of analysis that the cultural
materialists had done to see if it worked or not.
The other was broadly speaking the symbolic or Lévi-Straussian
paradigm, that nature was not something you adapted to in the sense
of the cultural materialist, but it was a vast lexicon from which you
extracted meaning in order to construct these meanings into symbolic
constructs – classifcations, myths and so forth. I thought that what
was left between the two was the interaction, even the technical
interaction, between humans and non-humans in this process, and
this is what I went to study.
However, after a few months, when I began to understand the
language, especially in the morning sessions when people would
120 CREATIVE LIVES AND WORKS
recount their dreams, they would say that they had been visited in
the dream by a human-like entity, a howler monkey or manioc plant,
and this entity would deliver a message of complaint. I remember
vividly a case where a manioc plant appearing as a young woman
was complaining that the mistress of the garden – women are the
mistresses of the gardens – was trying to poison ‘her’ because she
had planted a species of plant used for poisoning fsh, too close. A
young woman who comes in this dream – the question is, why is
it a young woman? The manioc plant sees herself as a woman and
when we are not there, they live the life of humans.
We discovered also that the Achuar were constantly singing in
their heads, either to plants and animals, spirits, or to humans who
were not present. These songs were addressed from the heart to
the heart of the addressee. The idea was to infuence the behaviour
of the entity addressed by these songs. Every person had tens even
hundreds of these songs which were adapted to all circumstances.
In fact, when they were doing their chores in the garden or hunting,
they were constantly establishing a direct link through these songs
to the non-humans with whom they were interacting. This is when
I really became aware that the premises that I had gone with in
my mental toolbox when I went to the feld were not adapted. I
was interested in studying precisely the adaptation of a culture
to a natural environment and in fact nature and culture were not
separate. They were meaningless concepts. There was a constant
interaction between humans and non-humans, and non-humans
were not perceived as nature but part of a wider network of social
interactions. I did the vestigial but necessary analysis of the soils,
plants, the density of planting, productivity of the soils, analysis of
the plants in the forest and the gardens so on which is the basis of
my dissertation, In the Society of Nature. I also became aware of the
degree of manipulation of the plants out of the garden was enormous.
Each garden not only had a number of cultivated plants but also of
plants that were transplanted from the forest. This manipulation of
plants meant that the forest was in fact due to the cyclical nature of
the swidden agriculture, regularly transformed by this and became
progressively something like a macro garden. There was not a raw
CLIFFORD JAMES GEERTZ 121
nature which a raw society would adapt to, but a very complicated
process of co-evolution between humans and non-humans in the
very long term. When I came back to France and started writing
my dissertation, it became obvious that I could not frame that in
the language either of materialism or of symbolism or even of Lévi-
Straussian analysis. It was not the relationship of a culture to a
specifc nature. This is when I tried to fgure out how best to rework
the concepts that I was using to describe this situation. To cut a
long story short, when I got back – I spent some time here in King’s
College – I embarked on a monstrous project for my dissertation
which I never completed as such because it would have taken me
20 years. I fnally restricted it to what it is now. I was a teacher by
trade, I decided not to teach philosophy in the lycée because I knew
it would take too much of my time away from my dissertation, and
so we were living meagrely with a little teaching in anthropology.
One day I went to the Maison des Sciences de l’Homme in Paris,
an institution created by Fernand Braudel.17 At the time the head
of the institution was a remarkable man called Clemens Heller,18
an Austrian historian, and he knew everyone in the world. I would
go and see him regularly to see if he had some subsidy for me. One
day when I arrived in his offce and he told me Bernard Williams19
was here and because I spoke good English said that I should go
and have lunch with him at the expense of the Maison des Sciences
de l’Homme. We had a nice conversation and at the end he invited
me to come to King’s for a few months and Clemens Heller gave me
the money for that so that in 1981 I fnished writing my doctoral
dissertation here, living in a small fat in King’s Parade, that is when
I discovered Cambridge and King’s College.
After that I was fortunate enough to get a teaching position at
the École des Hautes Études en Sciences Sociales and elected maître
de conférences and I started a research seminar. This is where I
really entered into a comparative framework trying to make sense
of what I had observed in Amazonia and see how I could account
for that with concepts that were not available on the intellectual
market. Research seminars are fabulous because when you fnish
your research dissertation you may be knowledgeable about the
122 CREATIVE LIVES AND WORKS
kinds of people you stayed with but you know nothing about
anthropology. I really started learning my trade by teaching things I
did not know to people who knew less. This is when I embarked on
reading systematically the ethnography of Amazonia, North America
and the circumpolar regions including Siberia. This was because I
saw that some of the features that I observed among the Achuar are
present elsewhere in Amazonia and other parts of the world. So, I
came to call this animism, this thing which I had observed among
the Achuar, and in some other parts of the world, the idea that most
entities in the world have what I call an interiority, a subjectivity, a
disposition to communicate, to lead internally the life of a human,
but were differentiated by their bodies in the sense that their bodies
give them access to specifc, but disconnected parts of the world,
because the world of the fsh is not the world of the bird, nor insect,
nor human, because each of these classes of species have special
bodily dispositions that open up for them something which is an
expansion of this bodily disposition but which is restricted. This
was the reverse of the way we see things usually and it is why it
was initially so diffcult to grasp it.
We, in Europe, in the past centuries have seen humans having a
distinctive interiority in contrast to any other beings in the world
because we have a symbolic capacity, we have a language that
expresses it, we have the cogito and so on, yet we are a substance
like any other which submits to the same laws of chemistry,
physics and so forth as the rest of the organic and non-organic
beings in the world. So, that was the reverse. I started toying with
this idea that in fact all humans were able to see continuities and
discontinuities between themselves and their environment and non-
human environment, but did not necessarily see the continuities and
discontinuities in the same place. We, in the West, would see them
in the way that we have ended by calling them nature and society,
or nature and culture, which is mainly predicated on this idea of
the ‘distinctivity’ of the interiority of humans, while among animist
people the discontinuity was rather between physical worlds and
the kind of perspective you could have on the physical world. Since,
it was obviously not the case everywhere and I could not restrict
CLIFFORD JAMES GEERTZ 123
myself with the idea of us and the rest, there were other formulas
which were obviously very different from the animists, and especially
Australia. When I began reading systematically on Australia, I was
struck by the fact that these people were also hunters, had a close
relationship with the environment, but were completely different
from the animist hunters and horticulturists in the countries that I
had studied frst and read about elsewhere, in the sense that there
was no real interaction as from person to person between Australian
aboriginals and the animals for instance.
Discoveries happen by chance. I remember reading a book by
the linguist Carl Georg von Brandenstein.20 In a footnote of this
book, Brandenstein says a very important thing of which probably
he was not even aware himself. He was not aware of the importance
of what he was writing. It is a book on the name of totems in a
number of aboriginal languages. He says that in some cases these
names of totems are not taxa, they are not names of species, but of
qualities and these names of qualities are used to designate a taxon.
It is not a ‘kangaroo’ but a ‘bright one’ which is used as an epithet
to denote an animal. This was extremely interesting in the sense that
it allowed me to sidestep the old idea of descent from an animal.
So, you either have the Lévi-Straussian analysis of totemism as
a universal classifcatory device which uses discontinuities between
natural species to conceptualize discontinuities between social
species, but that is a universal device, or you have the Frazerian idea
of descent from an animal ancestor. But in that case, it was obvious
that it was not an animal ancestor. It was a prototype which was
defned by a quality and which subsumed a number of qualities that
humans and non-humans of the totemic class would be sharing. By
contrast with the previous opposition what we had here was groups
of humans and non-humans who shared qualities, physical and
moral, subsumed under a name and issued from the same prototype.
By contrast with the other two ontological formulae, there was a
coagulation of internal and bodily qualities.
AM: What did you call that?
PD: I called that totemism, obviously. I took Australia as the model
of course, but it is present elsewhere, in particular in some places in
124 CREATIVE LIVES AND WORKS
North America, although not from the place that the word ‘totem’
originates from which is the Ojibwe, but rather in the central North
America with people like the Creek and the Chickasaw. There was
a missing piece where all that belongs or pertains to interiority or
bodily functions or physicality is disconnected. This I thought I
recognized, call it serendipitous, because at that time I was reading
Marcel Granet’s21 book on Chinese thought, and re-reading a chapter
of Michel Foucault book The Order of Things called ‘The Prose of
the World’ in which he analyses the devices used in Renaissance
thought for connecting things. It was obvious that they were very
close to the devices that Chinese thought was using to connect things.
So, I started in this direction and the fourth ontological formula
(besides animism, naturalism and totemism) is one where everything
in the world at the infra-individual level is made of fragments that
are disconnected and in order for such a world to become liveable,
interpretable, cognizable, these disparate elements need to be
connected. They are connected by correspondences. Correspondences
are systematically organized by analogical reasoning. Such reasoning
is universal but is very much pre-eminent in these ways of detecting
continuities and discontinuities between things in the world. This
is why I call that analogism. It is something that was present in
ancient Greece and up to the Renaissance in Europe, but also in
the Far East. I particularly analysed it in the case of cultures I
have a stronger purchase which are central Mexico and the Andes
where it is very obvious that we have analogous systems. This is
four ways of detecting precisely continuities and discontinuities
between elements of the world which are models. I do not pretend
that they describe specifcally a situation, but they are models in the
sense that they provide a general understanding of the connections
between different elements which we tend to dissociate – societies,
religion, the relationship to the spirits, forms of subjectivity so on
– in a rather integrated manner. All this started precisely from my
discontent with the intellectual tools I had brought with me to the
feld and which led me to try to reconfgure these tools in order to
be more faithful to the kind of situations which anthropologists fnd
when they do their feldwork.
CLIFFORD JAMES GEERTZ 125
AM: When you were going you were already at a distance from
your society, was it diffcult coming back? And what has been the
effect on you?
PD: Coming back from the feld was extremely diffcult. It was almost
an ordeal. This distance that I mention was an intellectual, perhaps
playful aesthetic one, but when you come back you fnd that many
dimensions of the world you come back to are pointless. What I
found most diffcult was the mediation of goods and objects, mainly
goods, when I was struck by the accuracy of Marx’s analysis of petty
commodity fetishism, the fact that social relations are mediated by
objects. I became detached from objects at the time and I very rarely
buy things when I travel now as I am oppressed by objects, in a
way. This became obsessive when I came back. I had the constant
impression of objects mediating between me and other people. This
comes out of the fact that we had lived for two years with the Achuar
with very few things, and we had lived very happily. Of course, there
were things that I missed and it is when you are in the feld that you
really appreciate and know what you look for in your own culture
and what is important to you. Some pieces of music, and landscapes
that I was used to from my youth in Southern France, these I missed.
But not the objects. This meant there was a widening of distance and
that we lead a double life in a way. We live a social life because I am,
what is called in France, a Mandarin. I am at the top of the pecking
order in the French university system, but at the same time, I always
have the impression that I have a dissociative personality and I observe
myself as an actor in the theatre of life. This was the case before but
it was considerably augmented as a feeling after I came back.
AM: My last question is about Anne-Christine. When students ask
if they should go to the feld with their partners or wives, I usually
tell them it is very risky – it will either make the relationship very
strong or, if there are any cracks in the relationship, it will break it
pretty soon. In my case, I have had both experiences. I wondered
how you worked together and what your relationship in your
intellectual life has been?
PD: I think your remark is very accurate, it is either or. In my case
it worked wonderfully because we were both partners and lovers.
126 CREATIVE LIVES AND WORKS
NOTES
1. Philippe Descola. 2021. Wikipedia. https://en.wikipedia.org/wiki/
Philippe_Descola
2. Claude Levi-Strauss, see Appendix.
3. Jean-Toussaint Desanti, see Appendix.
4. Martial Gueroult (1891–1976) was a French philosopher. His primary
areas of research were in 17th- and 18th-century philosophy as well as
the history of philosophy. https://en.wikipedia.org/wiki/Martial_Gueroult
5. Baruch Spinoza, see Appendix.
6. René Descartes, see Appendix.
7. Michel Foucault, see Appendix.
8. Lev Davidovich Bronstein (1879–1940) better known as Leon Trotsky
was an Ukrainian-Russian Marxist revolutionary, political theorist and
politician. Ideologically a communist, he developed a variant of Marxism
which has become known as Trotskyism. https://en.wikipedia.org/wiki/
Leon_Trotsky
9. Maurice Godelier, see Appendix.
10. Karl Marx, see Appendix.
11. Louis Dumont, see Appendix.
12. Pierre Clastres, see Appendix.
13. The moiety system in anthropology means each of two social or
ritual groups into which a people is divided, especially among Australian
Aboriginal people and some North American Indians; or, a part or portion,
especially a lesser share.
14. Stephen Hugh-Jones, see Appendix.
15. Montaigne, see Appendix.
16. Rafael Karsten, see Appendix.
128 CREATIVE LIVES AND WORKS
with his feldwork among the Guayaki in Paraguay and his theory
of stateless societies. An anarchist seeking an alternative to the
hierarchized Western societies, he mostly researched indigenous
people in which the power was not considered coercive and chiefs
were powerless.
With a background in literature and philosophy, Clastres started
studying anthropology with Claude Lévi-Strauss and Alfred Métraux
in the 1950s. Between 1963 and 1974 he travelled fve times to
South America to do feldwork among the Guaraní, the Chulupi,
and the Yanomami. Clastres mostly published essays and, because
of his premature death, his work was unfnished and scattered. His
signature work is the essay collection Society Against the State (1974)
and his bibliography also includes Chronicle of the Guayaki Indians
(1972), Le Grand Parler (1974), and Archaeology of Violence (1980).
https://en.wikipedia.org/wiki/Pierre_Clastres
SUKARNO (1901–70)
Sukarno was an Indonesian statesman, politician, nationalist and
revolutionary who was the frst president of Indonesia, serving from
1945 to 1967. Sukarno was the leader of the Indonesian struggle
for independence from the Dutch colonialists. He was a prominent
leader of Indonesia’s nationalist movement during the colonial period
and spent over a decade under Dutch detention until released by the
invading Japanese forces in World War II. Sukarno and his fellow
nationalists collaborated to garner support for the Japanese war
effort from the population, in exchange for Japanese aid in spreading
nationalist ideas. Upon Japanese surrender, Sukarno and Mohammad
Hatta declared Indonesian independence on 17 August 1945, and
Sukarno was appointed as its president. He led Indonesians in
resisting Dutch re-colonisation efforts via diplomatic and military
means until the Dutch recognition of Indonesian independence in
1949. https://en.wikipedia.org/wiki/Sukarno