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    Origami Animal Sculpture [John Szinger] [2014]

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    281 views114 pages

    Origami Animal Sculpture (John Szinger) (2014)

    Uploaded by

    Wyn Ye

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 114
    ea EC ae animal sculpture . PAPER FOLDING INSPIRED BY NATURE iis JOHN SZINGER Asian Elephant For thousands of years these graceful, majestic, and intelligent creatures have been an important force in human civilization. Elephants make a particularly fun subject for origami. ‘This model uses a variation on my Bear Base for the body, with a sculptural three-dimensional head. Feel free to vary the pose of the trunk. © Recommended paper: 12” square or larger. Two-colored (duo) paper will yield color-reversed tusks. ‘© Begin with a square, white side up. Asian Elephant 9 1. Valley fold and unfold on the diagonals. 2, Kite fold and unfold on both ends. Turn 3, _Valley fold three corners the model over toward the middle. As yy ‘4, Perform three rabbit ears, then turn 5. Fold and unfold. 6. Fold and untol. the model over 7. Valley fold the corner ta the 1B. Reverse fold the two flaps. 9. Reverse fold the two flaps out again indicated point. tobe flush with the edge. 10 Origami Animal Sculpture i OD AE Yy> Cc \Y VY 10, Fold the top flap behind and swing the 11. Pullout some paper and flatten 12, Fold the model in half while reverse near flap up. folding the flaps at the middle and bottom. 1S. Sink. 14. Crimp. 1S. Reverse fold to tuck inside. Repeat behind Z 16, Reverse fold. Repeat behing. V7 Open the flap slightly and squash 18, Fold and unfold parallel to the back down, Repeat behind ‘edge along a hidden landmark. Asian Elephant n 21. Pullout a flap atthe tail, Pull out a flap at the foot, 22. Reverse fold at the tal. Crimp to form the feet. Repeat behind, Repeat behind, 23. Squash fold to tuck inside at the tal, Repeat behind. Reverse 24, Squash fold to thin the tal. Repeat behind. fold the tip of the front foot. Repeat behind, 25. Outside reverse fold on the tal. Fold a small amount of 26. Outside reverse fold on the tal. Sink at the top of the head. paper inside at the feet. Repeat behind, Swing the head Tuck in a flap at the neck. Repeat behind. up and flatten, Origami Animal Sculpture rd. Curve the tusks uj 130, Crimp the trunk downwar pleted Asian Elephant. Canoe Cutting through the cool, smooth waters of a northern lake, almost silently; the only sound is the slight splash of the oars. Around the next bend you might spot a butterfly, a loon, or even a moose. In a canoe you can see many special places that you could not reach otherwise. This canoe features a fully three-dimensional, sculptural design, and even has a little bench. ¢ Recommended paper: 6" square or larger. This model works well with a variety of papers including typical origami paper. For thicker papers you may wish to wet-fold the crimps in step 13. © Begin with a square, white side up. Canoe 1s 1. Fold and unfold the diagonals. 2. Fold two opposite corners to the 3. Fold two opposite edges to the center. Turn the model over. center. Turn the model aver. 4, Rabbit ear the two corn flaps. 5. Squash fold the two tabs to form 6. Fold the two edges under, locking the bench. the tabs together. sone 7. Fold the edges to the center 8. Fold the model in half. 9. Make reverse folds. Rotate the ‘through all layers and unfold, model clockwise slightly. 16 Origami Animal Sculpture Soz=Z “<=> 10, Reverse fold the tip of the near flap on the lft. Tl, Valley fold the remaining tip into the pocket created in step 10. TR. Repeat steps 10 & TI on the right, YB. Tuck in the tips. 15. The completed Adirondack Cance. G. . wy Se Gj 14, Open the model to make it three-dimensional CCrimp the notches to shape the hull. Repeat behind. Lean Ilo This particular variety of shelter is ubiquitous in state parks and woodlands in the Northeast. A lean-to is open on one side, and usually built of logs. The floor is raised off the ground and roof overhangs to allow the interior to stay dry and be warmed by a fire. Some lean-tos are built on islands ace ible only by canoe. Recommended paper: 8” square or larger. Two-color (duo) paper creates a nice effect but is not essential. Begin with a square, white side up. Origami Animal Sculpture \ 1. Fold and unfold one diagonal only 2. Fold the other diagonal, creasing only 3. Fold the two comers to the mark, in the middle. Unfold. ‘again creasing only in the middle. Unfold. ‘4, Fold the corner to the mark and unfold. 5. Fold the corner to the mark and unfold 6, Fold two corners in, using the two diagonal creases as limiters; fold ‘and unfold the other two comers. ON ww 7. Fold the comer to the indicated 8. Valley fold one corner down; mountain 9, Fold and unfold, crease and unfold. (Fold only fold the other corner behind, Rotate the between the two diagonal creases.) model clackwise 45 degrees. Lean~-To 9 Oe 10. Turn the model over. Tl, Crimp the two sides. The model 12. Here is an enlarged view of the top part will not lie at, of the model. Fold the flap behind and Unfold. \ \ 13. Unfold to step 1. 14, Turn the model over 15. Fold so the indicated points meet and unfold aw 7 ys 16. Fold and unfold, V7. Crimp slong existing creases. 1B. Fold to make the model three~ dimensional, Turn the model to the right. 20 Origami Animal Sculpture 19. View from the right. Fold and unfold 20. Fold and unfold again. the flap that's sticking down. Unfold to step 18, \ VU | | | 22, Repeat steps 18-21 on the left 2B. Mountain fold the flap 24, Fold to make the model underneath. three-dimensional. Turn the ‘model tothe right. 25, The view from the right. Valley 26, Valley fold the flap again. 1. Valley fold the flap a thitd time, tuckin fold a hidden flap. it into the pocket. Lean-To 2 2B, Turn the model over. Repeat steps 29. Crimp to form the roof. 130, Mountain fold on the near side to 24-27 on the other end, narrow the flap. Repeat behind Bl. Swing the roof downward and 132. Tuckin a flap. Repeat behind. 135, Mountain fold a hidden flap to lock crimp on both ends. the roof. Repeat behind. 34, The completed Lean-To. Adirondack Chair Nothing beats relaxing on a long warm summer evening, out on a deck or by the side of a lake, watching the birds and insects glide on by, listening to their singing and buzzing. A traditional fixture of the mountains, an Adirondack chair is made for relaxing. This model took a fair amount of experimentation with the proportions, to develop the detail on the backrest and to make the legs hold together. © Recommended paper: 6" square or larger. © Begin with a square, white side up. Adirondack Chair B 1, Fold and unfold the diagonals. 2, Fold two opposite corners to the 3. Fold two opposite corners to the cent, Make a short ease and rmarks. Make a short cease and unfold unfold NS KL x J 44 Fold two opposite comers tothe 5. Foldacomertothecente: Makea «Fold the opposite corner to the marks made in step 3 and unfold. short crease and unfold. mark made in step 5 and unfold. 1. Fold the same comer so the edges = ®_Fold the model inal 4. Fold the corner in oie up withthe line up on the indicated marks. folded edge from the previous step. 24 Origami Animal Sculpture he KR LEK 4 10. Unfold the layer underneath. Th, Make valley folds on the top and 12. Perform a compound squash fold right sides. The ends of the folds {all midway between existing creases. STuck in the corer flaps. Rotate 14, Fold behind and unfold. 15, Fold the flap down, spreading the model. the layers underneath. V6. Fold the flap back up. 7. Turn the model over. 1B. Perform squash folds. Adirondack Chair 25 19, Turn the model over. 20. Make a small pleat. 21. Pullout flaps and flatten Fold a flap to the lett. Perform a compound squash fold. 3, Perform swivel folds to shape the seat back, afi. ais Fold it back to the right. 26. Reverse fold on the tip. 21. Repeat steps 24-26 on the left side. Origami Animal Sculpture Commen Loon The Common Loon is a large waterfowl found in the wilderness lakes of Canada and the Northeast United States, including the Adirondack Mountains. It is noted for its distinctive black and white plumage. Sighting a Loon is considered a sign of good luck and a healthy lake. * Recommended paper: 6” square or larger. To fold the Loon in its summer plumage use paper that is black on one side and white on the other. To fold the Loon in its winter plumage use paper that is gray on both sides. © Begin with a square, white side up. Common Loon 29 1. Valley fold on the diagonals and unfold. 2, Fold a corner ta the center and 13. Fold the corner to the mark and make a mark, then unfol. make a second mark, then unfold om RK 4, Fold the opposite corner to the 5. Repeat steps 2-4 on the opposite 6. Valley fold two corners so the edges ‘second mark, then unfold. comer. Turn the model over lie on the landmark and parallel to the center line, Pri: 7. Valley fold the two corners out 8. Turn the madel over 9. Valley fold the two edges to ‘again to lie on the edge. the centerline 10, Valley fold the model in halt. T. Outside reverse fold, perpendicular 12, Pullout a layer. Repeat behind to the bottom edge. 30 Origami Animal Sculpture Sb TB Outside reverse fold 1A. Open upthe model 1S, Squash fold the fa, vt > \ 16. Close the model 17, Swing the Nap to the et 1, Pullen some layers. Repeat behind 19, Collapse the layers as shown on 20, Repeat steps 18& 19 beind 2. Tuck nthe ap Repeat behind existing creases. mmon Loon 31 22, Valley fold the tip first, and then 2B. Sink to flatten the back 24, Pushin at the top and crimp to fold the lap as far as possible. form the neck Repeat behind. ae 25. Reverse fold, Repeat behind. 26. Crimp to form the bill Tuck in a 27. Make the body three-dimensional layer to thin the neck. Repeat Sculpt the model for behind. 2B. The completed Common Loon, Foxy Fox This is one of my more impressionistic models. It makes use of a color change effect for a puffed-out tail and ears. [had an earlier version that never fully satisfied me because the body proportions were not sufficiently fox-like. A simple change in the location of the pleat at step 12 was just the thing to make the back longer, the legs and ears a bit shorter, and the whole appearance more foxy. Recommended paper: 8” square or larger. Use two-colored (duo) paper for a color change effect. © Begin with a square, white side up. Foxy Fox 3 Je Perform a preliminary fod 2. Petal fold 3. Tum the model over. 4. Petal fold to form a Bird Base 5. The Bird Base. Fold the near lap 6, Fold anear flap to the left; fold a far downward. Repeat behind. flap to the right. (A "minor miracle”) Pull the near flap up 1B. The stretched Bird 9 Reverse fold the 10. Fold the bottom flap as high asit can go. Base. Fold the top half ‘two flaps. ups farasit can go Stretch and flatten ‘of the model down without stretching. the middle flaps. behind. 34 Origami Animal Sculpture BAL: Ti, Valley fold two flaps. 12. Pleat behind as far as 15, Unfold step 14, Fold the mode in half while the paper wil go. reverse folding an inner flap. 15, Re-fold the flaps from step Tl 16. Valley fold a flap for the ear. Repeat behind. ZS ‘T._ Outside reverse fold over the ears. 18. Crimp the model to form the hip. Push in the point at the front, am ye 19. Crimp to form the tail, Outside reverse fold to 20. Crimp to form the snout. Swivel fold layer to thin form the head. the belly. Repeat behind. Foxy Fox 35 = Vey 2. Reverse fold the tip of the snout. Mountain fold 22. Squash fold the ear and reverse fold on the side of the to thin the legs, Repeat behind, head. Repeat behind. Crimp the tail part way through, Push in under the tail. Repeat behind, The model becomes three-dimensional. vs 2B. Reverse fold the tall Valley fold the ear. Repeat behind, 24, Pull out some paper at the tail to make it puff out Fold a layer inside to thin the snout. Repeat behind. Open up and sculpt the ears. Crimp the front legs. 25. Sculpt the model 26. The completed Foxy Fox. Brown Bear ‘The Brown Bear (a.k.a. Black Bear) is a familiar denizen of forests of the Northeastern United States. Campers must be careful to secure their food, or risk providing the bears with a free meal and an unexpected close encounter. This model introduces my Bear Base, which is useful for many four-legged animals with a short tail and a detailed head, © Recommended paper: 84" square or larger, any color. © Begin with a square, white si Brown Bear 7 1k. Valley fold and unfold on the diagonals. 2. Kite fold and unfold on both 3. Valley fold three corners toward ‘ends. Turn the model over the middle 4, Perform three rabbit ears. 5. Fold and unfold. 6. Fold the model in haf while reverse folding in the tail — a a 7. The Bear Base, Reverse fold the front CCrimp and swing the tip upward. 9. Pull out a flap and swing the end. point downward. Repeat behind. 10. Outside reverse fold to form the head. Tl. Sink to form the shoulders. 12, Fold and unfold at the hip. Pull Valley fold 2 flap forward to ‘out a layer on the head. Repeat form the leg, Repeat behind. behind. Mountain fold a hidden layer in the head. Repeat behind. 38 Origami Animal Sculpture HR RA 1S. Crimp to form the hindquarters. 14, Reverse fold to narrow the hind legs. 15. Pullout flap at the foot. Repeat ‘Mountain fold a layer to narrow the Repeat behind, Crimp the head. behind. Pull out a flap atthe tal hhead. Repeat behind. ‘Mountain fold a flap on the head. Repeat behind. Crimp at the snout. v % Ss \ 16. Crimp the tal inside. Crimp at the belly. 17, Crimp the tall outside. Narrow the neck 1B, Tuck in the corners ofthe tail. Repeat Repeat behind. Mountain fold a flap at, ‘and belly with mountain folds. Repeat behind. Rabbit ear the feet. Repeat the ear. Repeat behind. Reverse fold behind. behind the nose, 19. Mountain fold the tips of the ears and 20. The completed Brown Bear. the front claws. Sculpt the model. Adirondack Moose ‘The moose is the largest living member of the deer family, and is easily distinguished by its distinctive antlers. This was a fun and challenging model to design, particularly since my approach focused on simplicity, on the animal’s posture, attitude, and essential character rather than technical complexity. The design came together quickly as my initial idea turned out to be a good one. The model also has the virtue of standing well on four legs without wanting to tip forward or buckle, since the legs are developed from points in the middle of the paper. @ Recommended paper: 1572” square or larger. © Begin with a square, white side up. 40 Origami Animal Sculpture / TO™ / Xe Valley fold and unfold on the 2. Fold.a corner to the center and 3. Fold the opposite comer to the diagonals rmake a mark; unfold Fold a corner ssecond mark. to the mark and make a second ‘mark; unfold, Turn the model over. Valley fold one corner to the other, then unfold, Turn the model over. ye “o* ‘4. Turn the model over. 5. Valley fold on the diagonal Perform a preliminary fol. 8. Petal fold 9% Turn the model over. 10. Petal fold Tl, Fold the flap down. Repeat 12, Fold anesr flap to the left. Fold @ behind. far flap to the right. (A "minor miracle”) Adirondack Moose 4l 99 =p - 1. Fold a flap up and then 14, Fold anear fap to the 15. Pull the tip up, opening 6. Mountain fold the model in down again. Repeat right. Fold afar lap to the up the model asin a half, leaving the two flaps behind left. (A "minor miracle) stretched Bird Base. at the top, TH. Reverse fold two flaps 18, Reverse foldthe two laps 19, Valley fold a flap up as far Pullout 2 layer on each along the hidden creases. back out so their edges ie asit will go without side and squash fold it fst. parallel tothe model edges. stretching the model. 21. Squash fold a layer 22, Fold and unfold, creasing «23, Fold andunfold, creasing 24. Valley fold a fap up. Underneath on each side only on the lft side of only onthe right side of Rotate the model the model. the model. 42d Origami Animal Sculpture ie. { 25. Fold the model in half. 26. Reverse fold. Repeat behind. 27, Reverse fold again, Repeat behind. 28, Mountain fold, Repeat behind. 29. Mountain fold again. Repeat behind. 30. Double outside reverse fold (crimp). Reverse fold the hidden flap in and 32. Squash fold. 33. Unfold. ‘out again Adirondack Moose 43 ot 34, Crimp fold 35. Reverse fold. Repeat behind. 336, Crimp the hidden flap. 37. Slide the flap down, 38. Valley fold perpendicular to the edge. 39, Valley fold perpendicular to the edge and unfold. 40, Fold and unfold the corner. 1. Collapse on existing creases. ‘42, Slide the flap back up. Unfold steps 38 & 39. 43. Valley fold on the ear. Repeat behind. ‘44, Valley fold on the ear. Repeat behind, ‘45, Valley fold on the ear. Repeat behind. (Outside reverse fold on the snout (Outside reverse fold on the snout. Make reverse folds on the nose and the flap at the throat. 44 Origami Animal Sculpture pt of of ‘Ab, Crimp to form the hind legs. 47, Mountain fold to narrow the head 48, Swivel fold at the hip. Repeat behind. Crimp at the snout. Repeat behind. Slide the flap at the Valley fold the antler forward. Repeat throat upward. behind. ‘49, Crimp to form the tail. Valley fold 550. Spread the antler like 8 squash S51. Sculpt the antlers. the antler back. Repeat behind. fold. Repeat behind. 52, Raise and spread the antlers. '53. Sculpt the model wf 54, The completed Adirondack Moose. Inchworm Inspired by a friendly visitor on a camping trip, this model captures the unique posture and evokes the movement of this charming insect. This is a color change model, using the reverse side to suggest the animal’s contrasting surface pattern. ‘© Recommended paper: 6” square or larger. For a small model use thin paper. Two-colored (duo) paper works best. © Begin with a square, with the desired underside color facing up side up. Inchworm 47 oo 1. Fold and unfold on the diagonals. . Fold two opposite corners to 3. Fald two opposite edges to the center. Turn the model over, the center. Turn the model over. Oo ~ ‘4. Fold two opposite comers to Untold. 6 Turn the model over. the center. A x Pleat a third time. Pleat. 8. Pleat again. a X 10. Valley fold the tip to the center. Th Repeat steps 7-10 on the 12. Fold and unfold through the ‘opposite come. center of the model. 48 Origami Animal Sculpture £ 13, Fold and unfold half @ square down, 14, Fold and unfold five more times. 15. Repeat steps 15 & 14 on the other end, 16. Fold behind, bringing the edges to 7. Mountain fold the model in half. 18. Crimp, The valley fold of the crimp is the center at the middle of the an existing crease from step 12 model, and unfold. 20. Crimp twice more. 21. Crimp in the opposite direction on both sides, Ne 22. Crimp twice more in the opposite 2B. Crimp twice more 24, Crimp once more at the tail end. direction. Inchworm 49 25. Tuck in the series of pleated flaps to narrow the middle 26. Push the two points together and tuck the lower of the model and lock the pleats. Repeat behind, ‘edge in to form legs. Repeat behind. The model becomes three-dimensional 21. Repeat step 26 on the next body segment. 2B. Repeat for a body segment in the front. L | ~/} Ss ¢ 29. Squash fold to form the head. Narrow the tall 130, Fold the tip underneath at roughly the two-thirds mark. Reverse fold to blunt the tip ofthe tal “ f 3. Fold up two flaps on the head to form the face. 132. Fold the tip underneath, 33. The completed Inchworm, Butterflies A beautiful butterfly captured at the moment of spreading its wings and taking flight. This model is easily foldable from a six-inch square, somewhat unusual for an insect complete with wings, legs and antennae. After I'd finished designing the model with six legs, I learned that many butterflies have only four le; Recommended paper: 6" square or larger. Begin with a square, white side up. Butterfly 31 lis. is 1. Collapse the paper into a Waterbom —-«-2.__‘Fold and unfold, creasing only 3. Squash fold Base. inthe middle. — => f 4. Valley fold the tip up. 5. Fold overa flap and reverse fold the top 6. Repeat steps 3—5 on the left. layer. 7. Pullout the Maps. Fold and unfal. iis. Me 10. Make reverse folds. Ti, Reverse fold two tips on either sid. 12. Petal fold through multiple layers. Make double reverse folds (crimp). Origami Animal Sculpture y ow 1B. Squash fold. 14, Petal fold 15. Tuck the tip inside, »> a 16. Fold and unfold, V7, Fold and untola. 18. Reverse fold in and out and in again. : y “ 19. Fold and unfold. 20, Perform a semi-closed 21. Open the top and sink some more. sink, OF 22, Detail of flattening the layers BB. Make reverse folds. 24, Turn the model over. Inside the sink. Butterfly 53 Hu Hit ge ee et ee 25. Swing the flap to the right, 26, Fold the lap back 27, Repeat steps 25 & 26 on the right. spreading the layer beneath. As EB. Make reverse folds. 29, Petal fold, tucking 30. Turn the model over. acter re the tip inside, x ‘32, Reverse fold in and out Repeat steps again. 30-32 on the right. model over. KZ 34, Make reverse folds. > 135, Crimp on both sides to form the 136. Reverse fold the wing tips. Squash fold at fore- and aft-ming divisions. the middle of the wings. 54 Origami Animal Sculpture ade, yx 337. Pull some layers apart to form the head and antennae, ‘3B. Turn the model over. 39, Thin the tail 40. Valley fold two legs. 41, Rabbit ear toformthe four 42, Rabbit ear to form back legs. the two front legs. 43, Turn the model over. Pose and sculpt the model. 44, The completed Butterfly as Octopus ‘As one of the most advanced invertebrates or a delicious appetizer, everyone loves the octopus. This model was spontaneously invented in response to a challenge at a part this model led to other models that I’ve developed, including a flying saucer and a rocket ¢ Recommended paper: 6” square or larger. Foil works well, as do many papers with a pattern or texture. © Begin with a square, colored side up. Octopus 37 4 1, Fold a Waterbomb Base. 2 Squash fold. 3. Valley fold the tip up, . 4, Repeat steps 2&3 on the other three 5. Turn the model inside out 6. Valley fold 2 fap, flaps. Rotate 160 degrees, 7. Slide the flap and fold again. 8, Fold the flap back, 9% Untold, 10, Reverse fold in, out, and in again. Th, Repeat steps 6-10 on the 12. Valley fold the tip. ‘ther seven flaps. 58 Origami Animal Sculpture 0 ¢ TS. Swing one flap to the right on the near 14, Repeat steps 12 & 15 seven times. 1S. Reverse fold a point to form the layer and one flap to the left on the far tentacle, layer. (A "minor mirace.") y y NS JO, Reverse fold the hidden layers. Ti. Fold and unfold. 12, Fold and unfold, 66 Origami Animal Sculpture > te te. 15. Mountain fold the corner underneath. V4, Mountain fold the two edges AS Toga eee ee underneath 16. Repeat steps I-14. 17. Crimp along existing creases. 18, Crimp on the let long existing 19, Fold the tip to the bottom edge 20. Fold the tip tothe bottom corner of ‘2 Fold the tipto the bottom corner of of the near layer and unfold ‘the near layer and unfold, creasing the near layer and unfold, creasing only onthe right side only onthe left sce. AAA 22. Reverse fold a hidden flap, 2B. Reverse fold in, out, and in again. 24, Repeat steps 22 & 25 on the left. Giant Squid 67 AA A 25. Repeat steps 22-24 behind, 26. Fold a flap to the left while 2D. Repeat step 26 behind. reverse folding part of the Nap. 2B, Fold and unfold. Repeat behind. 29. Fold and unfold perpendicular 30. Crimp. SLAs yy >= ‘I. Fold a flap to the right. Repeat 32. Repeat steps 26-31 on the left 135, Petal fold through multiple layers. behind (undo step 26). Fold and unfold 36, Petal fold 37. Squash fold 34, Squash fold. > >> = 68 Origami Animal Sculpture 38, Petal fold ‘39. Tuck the tip inside. (Sink 40. Repeat step 39 on the left, 1. Fold down a flap. and the wrap the layer behind around the front.) ae Se 42, Repeat steps 33-41 behind, 43, Reverse fold the two flaps St ae |= | 44, Swing layer to the lft, opening up 45, Reverse fold 46, Swing the layer back to right, collapsing the model slighty. The model will nt the inner flap as shown, lie ft. Giant Squid 69 a 2 ma FLA 47, Reverse fold 49, Repeat steps 44-48 50. Repeat steps 44-49 con the left side. behind SSI, Narrow the flaps. 52. Thin the points further. 5B. Perform reverse folds 54, Mountain fold and unfold Repeat behind, Repeat behind. at the top of the model. ‘Thin the long tentacles with a rabbit ear, 70 Origami Animal Sculpture '55, Sculpt the top of the model. 56. Crimps at the sides of the model to Sculpt the fong tentacles. fotm the eyes. Spread and sculpt the ends of the long tentacles. 57. Sculpt and pose the remaining, eight tentacles. ‘5B, The completed Giant Squid, Bull Walrus ‘This model was originally a contribution to OrigamiUSA’s annual Holiday Tree. One of my goals in designing this model was to capture a suggestion of the enormous bulk of the animal. I recently saw a live walrus and was amazed at how huge the creature actually is. Recommended paper: 8” square or larger. Use two-colored (duo) paper for color-changed tusks. © Begin with a square, white side up. Bull Walrus 3 »« v) 1. Fold and unfold on the diagonals. Turn 2. Fold inhalf and unfold, creasing only at 3 Fold from the comer to the landmark the model over. the right edge. ‘and unfold, creasing only where the fold crosses the diagonal crease. Ba. ‘4. Fold the comer to the mark. 5. Fold the opposite corner. 6. Perform a rabbit ear Rabbit ear the opposite corner, 8. Fold and unfold at the tail. 9. Slide the flap so the indicated point meets the mark and flatten. ada 10. Repeat step 9 on the other side Mountain fold a flap behind. 12. Fold and unfold. 74 Origami Animal Sculpture Foe 15, Turn the model over. 14, Fold the corner to the mark and unfold. 15. Repeat step 14 on the other side. 16. Fold the model in hal. 7. Fold and unfold. 18, Fold the indicated point to the mark end unfold. 19, Reverse fold | a> I * 20. Sink, ‘Swivel fold a layer inside at the bottorn, Repeat behind. Bull Walrus 75 > 22. Crimp the middle of the model 2B, Fold and unfold at the head. Fold and 24. Fold and unfold at the head. Sink at Flatten the layer beneath the rabbit unfold at the shoulder. Repeat behind, the shoulder. Repeat behind, car. Repeat behind. 25, Fold and unfold at the head 26. Crimp at the head. Fold the hind flipper 27 Squash fold at the head. Slide the forward. Repeat behind. rear flippers out and flaten. Ss" 28, Fold alayer behind at the head. Tuck in 29, Reverse fold a hidden layer at the head. 30, Reverse fold a layer on the tusk. layer at the shoulder, Repeat behind Repeat behind. Fold the front flipper Repeat behind. Reverse fold at the back. Repeat behind. front ofthe flipper. Repeat behind. Bi. Reverse fold a layer on ‘the head. Repeat behind Origami Animal Sculpture 32. Reverse fold the next 135, Reverse fold at the snout. 34, Crimp the snout layer on the tusk, “Tuck in a layer behind the Repeat behind. tusk. Repeat behind, 135, Tuck in a layer on the head. Repeat behind. ‘36. The completed Bull Walrus. Sculpt the tusks. Spread out the fippers. Elephant Seal Another gigantic arctic marine mammal, elephant seals’ heads have pendulous proboscises that give them their name. My Elephant Seal shares a similar approach to my Bull Walrus, and was in fact designed for the same exhibit. I strove to capture the animal’s stance while roaring. Seals and Walruses are subjects that lend themselves to a curved, sculptural approach. Take your time when finishing the model to concentrate on the body from and posture. ‘© Recommended paper: 8” square or larger. Thicker paper such as Canson works well. © Begin with a square, white side up. 78 Origami Animal Sculpture 1k Fold and unfold on the diagonals. Tum 2 Fold in half and unfold, creasing only at_ 3. Fold from the corner to the landmark the model over. the right edge. and unfold, creasing only where the fold crosses the diagonal crease. ‘A, Fold the comer to the mark, 5. Fold the opposite corner, 6 Perform a rabbit ear. 7. Rabbit ear the opposite corner 8, Fold and unfold. 9 Slide the flap so the indicated point ‘meets the mark and flatten. ada 10. Repeat step 9 on the other side. VW Mountain fold a flap behind, 12, Fold and unfold, & Elephant Seal 9 aioe V5. Turn the model over. 14, Fold the corner to the mark and unfold. 15. Repeat step 14 on the other side. 16. Fold and unfold: 7. Fold the corner to the mark and unfold. 18, Fold the corner to the mark and unfold. 19. Repeat step 18 on the other side. 20. Fold the model in hal. 21, Fold and unfold. 22. Fold the indicated point to the mark and unfold, 80 Origami Animal Sculpture — 2B, Reverse fold “a \) 1 25. Swivel fold a layer inside at the bottom. Repeat behind. s S Crimp the middle of the model. Flatten 28. Tuck the layer at the side. Repeat behind, 130, Fold and unfold at the head. Fold a hind flipper forward. Repeat behind. layer at the front. Repeat behind. Fold and unfold at the shoulder. Repeat behind. BI. Crimp fold at the head. Slide the rear flippers out and flatten. 24, Sink. 26. Crimp the middle of the model. Flatten the layer beneath the rabbit ear. Repeat behind. 29, Fold and unfold at the head. Spread ‘squash at the shoulder. Repeat behind. 132, Reverse fold a small flap at the head. Repeat behind. Tuck in a layer at the shoulder. Repeat behind. Elephant Seal 81 BS v 133, Fold and unfold at the head. Fold the 134, Crimp the snout. Sink at the back of 35. Pull out a layer at the snout. Repeat front flipper back. Repeat behind. the head. behind. Tuck in a layer to thin the neck. Repeat behind, 136, Reverse fold the tip of, Valley fold the tip inside to 38. Crimp the snout. “Tuck in a layer to thin the the snout, lock it head. Repeat behind. 40. Spread out the flippers and sculpt 41, The completed Elephant Seal. the model. Narwhal ‘The narwhal lives in the waters of the Arctic Ocean. Their most distinctive feature is a long, spiral ivory tusk on the male of the species, which can grow to be a third of the body length. ‘The exact purpose of the tusk is unknown. Maybe it’s a weapon in the endless, ageless battle against giant squid. But what is known is this: narwhals are awesome! ‘© Recommended paper: 10” square or larger. Use two-colored paper for a color change effect on the tusk. © Begin with a square, white (tusk color) side up. Narwhal 83 = PS 1. Fold and unfold on the diagonals. Turn 2. Kite fold partway across the paper 33. Valley fold the corner to the landmark. the model over. and unfold. 4. Rabbit ear, 5. Repeat steps 3 & 4 on the opposite ©. Fold and unfold. ‘corner. 7. Slide the flap so the indicated point 1B. Repeat step 7 on the opposite side, 9. Fold the comer underneath. Rotate meets the mark and flatten. the model clockwise. oe 10. Fold behind and unfold. Tl. Fold the model in half } a4 Origami Animal Sculpture 12. Fold and unfold. 14, Reverse fold : M) 16. Swivel fold the flap underneath. Repeat behind. 18. Sink, Repeat behind 20, Fold the flaps behind. { 13. Fold the indicated point to the mark and unfold i 15. Sink. 7, Fold and unfold. Repeat behind { 19, Slide a layer up and flatten. 21. Fold the flap down, Narwhal 85 Ss => 22. Repeat steps 19-21 on the other side 2S, Fold the front fins back, Fold the back fins forward, Ss > 24, Gimp to form the tusk. Swing the back fins up and flatten 25, Thin the tusk, Repeat behing. 26. Mountain fold at the bottom of the head. Repeat behind 27. Mountain fold on the belly Repeat behind. Reverse fold on the fin. Repeat behind. RN 28, Pull open a layer to form the eye. Repeat behing, ‘Twist the tusk into a spiral PN 29. The completed Narwhal. Lizard There are thousands of varieties of lizard all over the world. Most share a fascinating quality of cold, patient reptilian stillness combined with moments of incredible quickness. I’ve sought to capture this attitude in my Lizard. The model features a detailed head and claws, and a posable body stance with a bendable neck and tail. This model was the origin of my Hex Base, which inscribes a regular hexagon into a square. The hexagon forms the body, with the six points making the head, tail, and legs. The remaining wedges of paper between the hexagon and the corners of the square sheet are used to form the claws. This has proved a very versatile base for any animal with four clawed legs. I have adapted it to a number of subjects of remarkably different forms. Recommended paper: 10” square or larger. This model works well from a variety of paper, including regular origami paper. | tend to favor larger, slightly thicker papers. The resulting model makes an incredibly strong, durable sculpture. © Begin with a square, white side up. Lizard 1. Fold and unfold, first in half, and then in quarters. ‘4, Valley fold the flap to the right. 7. Fold and unfold the comers. Repeat behind. PE = pi 10. Fold edges to the centerline and Unfold, Turn the model over. 2. Fold the bottom half up. 5. Repeat steps 5&4 on the left. 8. Unfold Ml, Fold the corners in. 89 3. Valley fold the corner to lie against the crease. This forms 2 60-degree angle. /V~ 6 Unfold. LZ al MV 9. Fold in the edges. 12, Fold the corners out. The next several steps concentrate on forming the claws. 90 Origami Animal Sculpture ai 13, Fold and unfold 14, Untold 15. Squash fold 16. Swivel fold parallel to the edge. V7 Fold and unfold. 1. Reverse fold 19, Reverse fold again. 20, Reverse fold yet agin N e ok x 21. Repeat steps 15-20 on the three remaining corners. 22, Fold out the corner flaps. Turn the model over ZB. Reverse fold and 24, Reverse fold 25, Reverse fold again. 26. Fold the flap behind again. flatten the inner flap, Lizard a 27. Repeat steps 25-26 on the three 2B, Fold so the existing crease aligns with 29, Mountain fold the model in hal. remaining corners, the centerline and unfold, 130, Fold and unfold eiagonals “3. Squash fold to form legs. ‘32. Fold and unfold the near fap Repeat behind. Repeat behind. Repeat behind. Unfold to step 29. 133, Fold and unfold the middle region ‘34, Fold, continuing the creases and 135, Fold the left side of the model so the existing crease lines up with tapering to the corners. Unfold behind. the centerline. 2 Origami Animal Sculpture 36. Fold the top behind. ‘37. Fold and unfold the corner. Unfold 38, Repeat 35 & 36 on the right. to step 35. Y v La 1. Valley fold and unfold. The folds 40. Refold the mode! to step 32. 41. Open sink. Repeat behind. align with the corners of the ‘squares created in steps 35~38. EE 42, Fold and unfold. Repeat behind. 43, Push up at the center and spread the madel. The model becomes three-dimensional. y) ZETEReS ‘44, Pull out the legs and collapse the center region. 445. Narrow the tail by folding the top layer inside. Repeat behind. Lizard | ) ‘46. Fold down the flaps on the top of the legs. Repeat behind, 447, Perform rabbit ears on the legs. Repeat behind. } 48. Pull out flaps on the underside of the model. Repeat behind. 49, Apply reverse folds to thin the underside of the legs. Repeat behind. ; } 50. Tuck the flaps inside. Repeat behind, S51, Valley fold to create the brow ridge. Repeat behind. } : 552. Crimp to form the neck. '55, Crimp again to form the head. Do not crease the brow ridge. 94 Origami Animal Sculpture i 54, Double reverse fold to form the mouth. Tuck a layer 155, Reverse fold at the snout. Repeat behind. underneath to thin the brow ridge. Repeat behind. 56, Narrow the jaw, neck, underbelly and tal u Valley fold the legs out to the side of the model ‘Mountain fold and spread out the toes. 558. Push in at the back to make it three-dimensional 59, The completed Lizard Curve the tail Snapping Turtle The snapping turtle is commonly found in ponds all over the Eastern United States. Made from a variation on my Hex Base, my Turtle features a detailed head and claws, and a segmented, domed shell. This has proven to be a very popular model. However, unlike a real snapping turtle, this model features two rather than three hexagonal segments in the middle of the back. ‘© Recommended paper: 10” square or larger. © Begin with a square, white side up. 96 Origami Animal Sculpture 3. Velley fold the comer to le ‘against the crease. This forms 2 60-degree angle. 1. Fold and unfold the paper in half and 2. Fold the bottom half up. ‘then into quarters, ae ‘4, Fold and unfold on the left. Unfoldon 5. Fold and unfold the corners through 6. Fold and unfold the top and bottom the right. both layers. Unfold everything. edges. v % 7. Fold and unfold, bisecting the angles 18. Fold and unfold. Do not fold 9, Fold and unfold. formed in step 5. Turn the model over. through the center. 10. Fold and unfold, Th, Fold and unfold, 12. Fold and unfold. Turn the model over. Snapping Turtle 7 V6. Fold the corners so the edges align withthe creases. 19. Fold and unfold, 22. Reverse fold each of the four layers. 14, Valley fold the top and bottom edges, 15. Fold the corners behind and unfold. V7, Pull out a layer at each corner, 20. Fold and unfold, 2B. Repeat steps 19-22 on the ather three corners. When done, turn the model over 98 Origami Animal Sculpture 26. Swing the flaps. 27. Fold the flaps open and spread the 2B. Reverse fold an inner flap on each leg. 29, Fold the leg flaps toward the center. 130. Fold and unfold: Fold and unfold at the tal 31. Pleat, 332. Perform squash folds. 135. Bring a layer to the front. This is something like a sink ‘34, Fold the back legs out; fold the front 35. Pleat 36, Perform squash folds. legs in. Snapping Turtle 99 137, Pullout a layer. This is something 138. Perform squash folds. 139. Perform petal folds. like a sink 2 tS sae ‘40. Fold the ridge as chown. The model 41. Crimp to form the shell ‘42, Fold the edges under to shape and lock will not le lat. Turn the model over. the shell. Crimp the neck and tal uy & 43, Pull out a layer on the sides of the ‘44, The completed Snapping Turtle head and sculpt. Spread the toes and sculpt the feet. Frog If you don’t live in a part of the world where lizards are common, you probably still have frogs. Frogs are found all over the world except arctic and desert climates, and are especially fond of forests, ponds, and streams. On a warm summer night in the woods you can hear their melodic croaking and singing. Children love to catch frogs. This model is the most extreme adaptation of my Hex Base to a different body plan. The model is fully three-dimensional and fully sculptural. Take your time and experiment with the final shaping of the body. Recommended paper: 8” square or larger. © Begin with a square, white si Frog 101 the crease. This forms a (60-degree angle, [ 3. Valley fold the comer to lie against | 1, Fold and unfold the paper in half, 2. Fold the bottom half up. ‘and then into quarters, LAY al ‘4, Fold and unfold on the left, ‘5. Fold and unfold the corners through 6. Valley fold the top and bottom edges. Unfold on the right. both layers. Unfold everything. 7. Fold and unfold, bisecting the 18. Fold and unfold. Turn the model over. Fold the corners in, angles made in steps 3 & 4, | _ » < 10, Fold the corners out again. The Th. Fold and unfold, Note the landmark 1. Unfold. next few steps concentrate on point; the tip lands short of the edge. forming the toes. 102 Origami Animal Sculpture 1B. Squash fold 14, Perform a swivel fol. 15, Fold and unfold. 16. Reverse fold “WY TH. Reverse fold 18, Sink, 19, Repeat steps 1118 on the other three corners. 20. Swing the four corner flaps over. Valley fold 21, Fold the model in half while reverse folding the point on the left to the center the area on the left. iS 22. Squash fold the flap on the upper right. 23. Squash fold 24, Petal fold and flatten to the right, Swing a flap behind to the right. Frog 103 Ay My 47 25. Swing the lap to the right, 26. Repeat steps 25-25 on the lett. 27. Turn the model over. ww <7 28. Perform rabbit ears. 29. Crimp (double reverse 130. Turn the model over. folds) on the front legs. HAAS BI. Swing @ flap to the right. ‘32. Pull outa trapped layer 33. Tuck inthe fla. 34, Swing a flap to the let. 104 Origami Animal Sculpture RRA H 35. Repeat steps 31-54 on 36. Perform valley folds. ‘37. Perform valley fold. 138, Fold the flaps inward the right. while letting the layer underneath swing outward to form the legs. 139. Spread the legs and flatten. ‘40. Tuck in a layer at the tail. Crimp ‘41. Narrow the tal, Spread the hind to form the hind feet. Spread the toes. Fold the front leas toes on the front feet. underneath and narrow them, ‘42. Pullup thelegs and eyes to make the model 43, The completed Frog. three-dimensional. Open a layer a the snout to make the head tree-dimensional Pose the font arms and scuptthe made e~e Five-Banded Armadillo Thad a close encounter with a family of these cute creatur on va ith my family in Florida. The critters were living under the hot tub of the house where we were staying and could often be seen shuffling around in the yard. My model features a detailed shell and claws. The hardest part of this model was making the ears without developing any new points, and without sacrificing the closed back. Fun fact: a group of armadillos is called a “fez.” * Recommended paper: 12” square or larger. © Begin with a square, white side up. 106 Origami Animal Sculpture at TT! \ I SSS I I ! | | ! I I 1 L 1 1. Fold and unfold the paper in Half, and ._Fold the bottom half up. 3. Valley fold the corner to lie against the then again into quarters. crease. This forms a 60-degree angle, ‘4, Fold and unfold on the left. Unfoldon 5. Fold and unfold the corners through the right both layers. Unfold everything. 1d unfold the top and bottom 7. Fold and unfold. Do not fold through 8. Fold and unfold. Do not fold through 9% Fold and unfold, dividing the center the conter the center. region into thirds. Five-Banded Armadillo 107 \ \ 10, Fold and unfold, dividing the center region ito quarters. Th, Fold and unfold, subdividing into sixth. IT Z / K / YA Lt. JN / \ \ ts N/A IJ AT 2 [7 i e | eh ] 7 — > Wk I \ K Smit SC KPA \| / Hl / \ Ul \ | ut f l 12, Fold and unfold, subdividing again into twelfth. 13. Turn the model over. 14. Pleat, dividing the rightmost region in half again. 15. Pleat five more times, skipping every second region. 108 Origami Animal Sculpture 16. Fold the top and bottom edges 17. Fold the corners in 18, Fold the corners out again. underneath. 19. Fold and unfold, 20. Unfole. 21. Squash fold 22. Squash fold. 2. Fold and unfold, 24, Reverse fold 25. Reverse fold 26. Sink I. Repeat steps 19-26 on the 28, Turn the model over 29. Fold the top and bottom other three corners. ledges to the center. Five-Banded Armadillo 109 wy v i as 130, Perform reverse folds. BI. Fold back out and spread, 132. Perform swivel fold. 133, Fold the model in half. 34, Crimp the tal and head. 135. Tuck in layer to thin the legs ‘36. Thin the legs with a mountain and belly. Repeat behind, fold. Repeat behind. The toes ¥ will swing inside. [37 Reverse fold at the back of the shell 138, Tuck in layer to thin the tall. Repeat 39, Crimp the tal. Outside reverse fold Repeat behind, Reverse fold to form behind, Tuck in a layer at the front of fon the head. the head. the shell, Repeat behind, no Origami Animal Sculpture Ally 40. Crimp the tail. Pull out a layer at the head, Repeat behind, 41. Crimp the head. ‘42, Crimp the base of the shell. Repeat behind. The model 45. Tuck in the bottom of the shell Repeat behind. becomes three-dimensional. Fold back a layer on the head, Repeat behind. “I as ‘44, Perform sinks at the top of the shell. Crimp to form the 45. Sculpt the model feet. Repeat behind. 4b. The completed Five-Banded Armadillo, Ger American Turkey ended from their cousin, the wild turl ‘There are many breeds of domesticated turkeys, all de: Ben Franklin proposed the turkey as America’s national bird, and it has become and important symbol for Americans, as well as a tasty item for holiday feasts. This model features a detailed head with wattle, a tail with a fan of feathers, a sculpted body with wings, and feet with toes on which the turkey can stand and balance. In addition it’s a color change model, so if you use two-colored (duo) paper you'll get a contrasting wattle and feet, and colored accents on the wings and tail. @ Recommended paper: 15%" square or larger. © Begin with a square, white side up. aes m2 Origami Animal Sculpture o % 1. Perform a preliminary fold 2. Fold in half; crease only at the edge. 3. Fold the corner to the mark made in step 2. Crease only at the edge. o> ¢ 4, Fold the bottom corner up, using the 5. Fold near layer to the right enda far Fold a bottom comer up. mark from step 3 as a reference. layer to the left. (A "minor miracle") T. Repeat steps 5 & 6 two more times. 8. Unfold everything. Turn the paper 9. Fold and unfold the bottom edge. colored side up. =A 10. Repeat for the other three sides, TI, Mountain fold one corner and valley 12. Fold and unfold, fold the opposite comer. American Turkey 13 ro 15, Fold all four edges in, making preliminary 14, Turn the model over. 15, Perform a preliminary fold folds in two opposite corners, 16, Perform reverse folds. 17. Pull out the trapped paper at the 18, Unfold the flaps, “o> aw & ANN © 19. Perform reverse folds. 20. Turn the model over. 21. Petal fold 22. Fold the top flap down, 23. Fold and unfold the top flap. 24, Spread squash fold. 14 Origami Animal Sculpture VY? 25. Fold the flap back up. 26. Fold the flap down at the 2/3 mark. 27. Fold and unfold the flap underneath, but only in the middle ° 28, Fold the flap back up. 29, Fold the bottom flap up. [30. Pull the top fap to stretch the model to the crease from step 27. Flatten the two flaps out to the sides. oO ‘31. Like so. Turn the model over. 132. It should look lke this. Turn the model over again. American Turkey us 133, Perform swivel folds to narrow the tall flap. 35. Repeat step 34 on the other le. 38, Swivel fold 39, Swivel fold on the other side 40. Perform swivel folds to widen the tall flap. ne Origami Animal Sculpture fre Al. Turn the model over. 42. Perform reverse folds. 43, Turn the model over. f/ \) l (A S. 44. Perform reverse folds. 45. Like so, 6. Open the fap. 47, Petal fold. 4B. Fold the flap back, 49, Fold the flap back. 50, Mountain fold the top layer to narrow the leg. American Turkey Ww SSI, Valley fold and tuck in '52. Fold down a layer in 53. Reverse fold in 5A, Outside reverse fold the layer underneath front and another and out again, to narrow the leg, behind. 55. Reverse fold two 57. Mountain fold and 558, Like so, The Turkey (mostly hidden) layers spread to tuck in the foot to narrow the toes. layers. Repeat behind, ‘59. Repeat steps 46-58 for the other foot, 60. Turn the model over. 61. Mountain fold and unfole. ne Origami Animal Sculpture 62. Fold the top down and the 65. Sink. 65, Fold the tip up, (66. Mountain fold the tip inside. 67, Adjust and flatten some of the @¢@4 WES Lf \{ ‘Tl. Mountain fold and unfold. 72. Mountain fold and unfold. 3. Mountain fold and unfold, American Turkey 19 A. Pleat. The model will not lie fat 75. Continue with the remaining pleas. Te. Like so. Let the point in the middle stick up. When done, flatten the point in the middle forward, & S TI. Reverse fold to sculpt the tall 7B. Mountain fold to sculpt the tal 79. Repeat steps 77 & 78 for the remaining tail feathers. 80. Fold the model in half and rotate. 81. Perform a double rabbit ear. 120 Origami Animal Sculpture (OF Ag 182. Reverse fold 85. Reverse fold. B4. Crimp to rotate Repeat behind. the flap upward, 185. Crimp through al ayers. 86. Pull the flap 187. Narrow the flaps. downward a bit. Repeat behind. head. 89. Crimp to raise the tail, Spread it out to become three- dimensional. 90. The completed American Turkey. Fivefold Rose Like animals, plants and flowers make great subject matter for origami, and offer a different set of opportunities for exploring new approaches and geometries. The Fivefold Rose features fivefold symmetry for a more natural appearance. The golden ratio is replete in many natural plant forms and the rose is no exception. The method for developing the pentagon is approximate but very accurate, The center of the pentagon is at the center of the paper. © Recommended paper: 8” square or larger. Kami is a good choice. © Begin with a square, white side up. 122 Origami Animal Sculpture 1. Fold the model in half. 2. Fold and unfold, creasing 3. Fold and unfold, creasing Fold and unfold, creasing only at the edge. only at the edge, wy at the edge. 5. Fold so the dots meet. © Valley fold the near lap 7. Valley fod 8. Mountain fold. down. gee 9. Unfold everything. VO. Fold and unfold the Tl. Perform valley folds. ‘12. Valley fold. diagonals as valley folds. 13. Valley fold the bottom 14, Valley fold the flap on the ‘1S. Unfold. V6. Valley fold. edge up. ‘ight. 123 Fivefold Rose » 19, Fold behind and unfold. c mm We 7, Valley fold the flap on the left. he flaps underneath, 20, Tuck 124, Origami Animal Sculpture = 29. Repeat step 28 on the four 30. Fold and unfold, lining up the BI. Repeat step 30 on the four remaining sides. landmarks as shown, remaining sides. 32. Turn the model over. 34, Fold and unfold, 135, Rotate the center and collapse. This is 36, Extend the central spi tothe indicated 37. Turn the model over for an 2 five-way twist fold creases; spread the paper atthe corners alternate view of step 36. andlet the center open up. The model becomes three-

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