Gottes

Zeit ist die allerbeste Zeit

    
BWV 106 (ACTUS TRAGICUS) SonatinaJ. S. Bach Transcription by Kurtág

  
                               
Molto adagio

               

      
              


  
II

   

    
    
                  
4 (Fl. I)

  

 (Fl. II)                    


    
 
I  (loco)


                     
     
più 

                
 
                   
II

   

          



 
     

7

    

                    
I 


                             
              
   
               
II

     
            


  
            
  
10

   
  
                  
   


 
I


                   
          
         
 
                 
II

     

          
        
 
           

13

         
         

      
 
   


I


                               
          
       
                     

II



                     
             

17

          
                     

I 
(loco)

 
                           
                  

 
       
                
II