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1562 3615
AN
Eaſy Introduction
OF
+
GRAMMAR In E N G L I S H.
For the UNDERSTANDING
OF THE
Latin Tongue
Compiſd not only for the Eaſe and En
couragement of Youth , but alſo for their
Moral Improvement ; having the Syntaxis
Examples gather'd from the Choiceſt
Pieces of the beſt Authors,
To which is added
A Compendious Method of VARIATION,
and Elegant DISPOSITION of LATIN .
934 a
By Thomas Sheridan M. A.
a
5- ாயாகராயாதவர ா
lureimus,
Pario. p. 118. for there r, they, p. 166 for ille ,
I: illæ. p. 182. for Neuter r. Paſſive. p . 186. for
5
Ferra, r. Pet
Terra. p. 131. dele (or 10.) P.239 , for
Digrellions. P. 259. for Sweat, r .
solo 5
-
ப*
To His GRACE
T H O M Ả S
Lord Arch - Biſhop of
ARDMAGH,
Primate and Metropolitan of all
ļRE L A N D
May it pleaſe your Grace,
IT may be. Thought a ſmall
Compliment to Your Lordſhip,
to entreat Your Patronage
for a Book , which I ſhou'd be
afraid to ſubmit to the Trial of
an ordinary Critick ; and ſurely with much
more Reaſon muſt I fear to recommend it to
Your Peruſal, when I conſider, how far Your
Grace's Judgment is above my Thoughts :
And upon that Account, how little Preten
ons I can have to Your Approbation.
CV The
1 DEDIGATIÓN.
The only Thing then which gives
meafſurance to approach You upon this
Occaſion, is, that the World proclaims
Your Grace to be fo far a Promoterof Good ,
that You encourage it even in Inclination . Lul
. *
THOMAS SHERIDAN ,
i
21601962163164160167 que
TE TESTEUESTEDET **
THE
PREFACE .
Tis a Duty Incumbent upor all who undertake
that Great Truſt, The Education of Youth ,
I Inſtruction
to find out the plaineſt and eaſieſt Method of
, more eſpecially for their firſt Ad
vances towards learning a Language, which they
are altogether unacquainted with. For , Firſt it
is to be conſider'd, that theſe Boys, wha without
any Pains, became inſenſibly perfect in their Mo
ther- Tongue, must be much perplex'd , that they
cannot with the ſame eaſeacquire another Tongue,
without the Formality of Rules, and Vexation of
Elaborate Exerciſes. In the next place, being much
frettedwith the unuſual Reſtraintsof a School, who .
before liv'd in a manner Unconfin'd, it cannot be ex
pected that their Application to their buſineſs fou'd
be the Reſult of a willing Mind, but much leſs so,
wbile theyare atfirſt ſight preſented with a Heap of
Rules, which are almoſt equally difficult both in Eng
liſh and Latin. And what is as great anObſtacle as
Any to their being reconcild to ſuch a Life, it she un
mor
+
ii The PRE FACE.
merciful Tyranny of fome Maſters, whounresjonably
attempt to Improve their Underſtandings, by fright
ning them out of their Wits. All which taken to
gether, we shou'dnot wonder to find Boys have gene
rally ſuch an Averſion for School, and ſuch a cool
Indifferencefor Books.
Shou'd not common Humanity then oblige us, inſome
Reſpects to lighten their Burdens, and make ſuch Con
deſcenſions as their Tender Minds and narrow Capa
citiesrequire? At leaſt to relax thoſe Chains that fet
ter their Underſtandings, which wou'd, no doubt ,
make their Learning lejs Grievous, and engage much
more of their Thoughts to their Studies , that muſt
be conſtantly employ’d upon the earneſt wiſhes of a
Delivery, when Taught with One afinefs.
14 .
1 of ORTHOGRAPHY .
In theLatin Tongue there are Twenty-twoLetters,
V
ABCDEFGHILMNOPQRST XYZ.
Theſe are Divided into Vowels and Conſonants.
s
There are five Vowels , A , E, I, 0, 0 , which are
Sounds, depending alone upon the Apertures of the
Wind-pipe andMouth,
When theſe Sounds are Interrupted by the vari
ous Motions of the Tongue and Lips , they are
salled Conſonants.
A To
An Introdu &tion to the
To give an Account of the Mechanical
Formation of Speech, is ſo far above the Capa-,
city of Boys ; That' for that very reaſon I paſs
* it by , and will thromy whole Grammar , as
6
well as I can, avoid any thing that may be either
6
Ainuſing or Perplexing, ſince I haveTender Minds
to deal with.
Conſoriants" are divided into MUTES and
LIQUID S.
IT Q -VIDSare Four. L, M `N, R.
MUTES Nine. B, C , D , F ,G, P , 2 , 1, V.
OfVowels are madeDipthongs, by theCoaliti
op of Two into One Sound .
)
The Latins have but Five, as ;
1. & as Muſe,
2. Сепа ..
3. au Audio.
4i ei Hei.
5. eu Euge.
** and , before a Vowel have the force ofCon
fonants ;ܪas , in Major, Paruus.
As for H, it is properly a Note of Aſpiration
which helps a Vowel to a more Elevated Sound.
** Tho fome may think it a Pedantick Imper
tinence, to be over- nice about the Pronunciation
• of a Letter ; yet there is nothing in any Language
6
more neceſſary: and the early neglect of this in
Boys, often produces a Precipitant, and Harſh
...Pronunciation , which might be prevented by an
early Tuning and Modulation of their Voices.
For the Smothering the Sound of a Letter, is a
Deficiency in a Syllable and conſequently in a
Word.
Noun
Eight Parts of Speech. 3
Non cujuslibet auris eſt exigere literarum fonos, non
hercule minus, quam verborum , ſays Quintilian. To
· Convince us of this, we need only Appeal to Vul
c
gar Language , which is fo Replete with Barba
riſms, and ridiculouſly Strain’d from its right Ac
cent and Pronunciation , for want of the Advan
tage of Inſtruction .
Syllables are beſt diſtinguiſh'd by the Ear, which
may be done by obſerving the Breaks uſually made
in the Pronunciation of Words ; as, in Ma xi-ma,
Fe -mi-na.
The Conſonant moſt commonly goes with the
Vowel following; as, A -ma-bi-mus.
A Conſonant doubled is to be divided ; as, An-nus.
A Mute with a Liquid between Two Vowels,
uſually goes with the latter , yet may be divided as
Pa -tria , or Pat-ria .
All proper Words, and beginnings of Ver
ſes and Sentences are to be Written with Capital
Letters. As Bacchus, Cato, &c.
Of ETYMOLOGIE .
All that Grammar Treats of Etymologie is by
general Definitions and Rules for WORDS, but to
tind out their Natural Signification and Properties
is done by the help of a Dictionary.
A WORD is the Sign of ſome inward Conceps
tion. As Panis Bread, Dens a Tooth , & c.
The
An Introduction to the
The Latin Tongue has only Eight forts of
D2. eclined
WORDS, viz.
Noun Adverb
Pronoun Conjunction Ulodceli
Verb Prepofition ned
Participle Interje&tion
Of a NOU No
of NUMBER .
in Nouns be two Numbers, the Singular and the
Plural : the Singular Number denotes but one
La thing , as Nux a Nutt ; the Plural Number denotes
laore than one , as Pile Balls.
OF
Eight Parts of Speech.
of CASES
Of GENDERS
Genders of Nouns are three, which follow with
their proper Articles.
Į . The Maſculine, hic.
2. The Feminine, beca
3. TheNeuter,bec.
A 3 Theſe
An Introduction to the
Theſe are borrowed froin the Pronoun , to fhew
Singulariter
Pluraliter
what ſort of Adjective the Subſtantive requires,
and are thus Declin'd .
No. Hic, hæc, hoc.. Nom , Hi, hæ, hæc.
Gen. Hujus. Ge.Horum harum
Dat. Huic. Da. His. horum
A.Hunc ,hanc,lioc, Ac .Hos.lias, hæc.
V. caret , i.e. want. Voc. Caret,
l'Ab. Hoc,hac,hoc. Abl. His.
Of DECLENSION
a Man .
Pluraliter
As in Example,
Nom : Hæc Muf - a Nom . Hæ Mura
Gen. Mur- se Gen. Mur- arum
Dat. Mul- ce Dat . Muſ is
Acc . Mur am Acc. Mur as
Voc. Muf- 4 Voc . Mure
Abl. Mur- a |Abl. Muf- is.
Pluraliter
As in Example,
Nom , Hic Magiſter Nom . Hi Magiſtri
Gen. Magiſtri & Gen. Magiftrorum
Dat. Magiſtro Dat. Magiſtris
Acc. Magiftrum Acc. Magiſtros
Voc. Magiſter Voc. Magifiri
Singulariter
Pluraliter
Nom. Hic Dominus Nom . Hi Domini
.Gen . Domini Gen. Dominorunt
Dat. Dominis
.
Dat. Domino
Acc . Dominum Acc . Dominos
Voc. Domine Voc. Doirini
Abl. Domino ( Abl. Doininis
Note, That all Nouns of the Neuter Gender,
of whatſoever Declenſion , have the Nom. Acc
and Voc. alike in both Numbers, and in the Plur,
Singulariter
As in Example,
Nom . Hoc Regnum Nom . Hæc Regna
Gen. Regni Gen. Regnoruina
Dat. Regno Dat . Regnis
Acc . Regnum Acc. Regna
Voc . Regnum Voc . Regna
LAbl. Regno ( Abl. Regnis .
A4
Singulariter
8 An Introduction to the
Pluraliter
As in Example,
Nom . Hæc Sedes Nom . Hæ Sedtes
Gen. Sedis Gen. Sedtium
V
Ås in Example ,
Nom . Hæc Res Nom . Hæ Res
Gen. Rei Gen. Rerum
Dat. Rei Dat . Rebus
Acc. Rem Acc. Res
Voc .
Abl,
Res
Re
Voc.
Ahl.
Res
Rebus
。
Of
r
which are 3 , or 2, or 1 .
Pluraliter
A Noun Adjective of three endings, isthus declina,
Nom . Bonas, a ,um Nom . Boni, & , a
Gen. Boni,e, i Gen. Bonorum , arum ,
Dat. Bono, &, 0 Dat. Bonis (orum
A. Bonum , am , um Ace. Bonos, as, a
vor. * Bone, a, um Voc. Boni , , a
Abl. Bono, a, o Abl. Bonis.
Singulariter
Pluraliter
Nom . Hic,hæc,học Nom . Hi & hæ Felis
Felix ces, & hæc Felicia
Gen. Felicis Gen. Felicium
Dat . Felici Dat. Felicibus
Acc. Hunc & banc Ac. Hos & has Feli.
Felicem ,& hoc Felix ces , & hæc Felicia
Voc . Ô Felix Voc.ô Felices & licia
( Abl. Felice or i Abl. Felicibus
of NUMBER .
* Note, That ſome Nouns tho' Singular as to
their Declenfion, yet have a Plural Signification and
fuch
Eight Parts of Speech.
ſuch are callid Nouns ofMultitude; asPlebs Grex , & c.'
Some alſo have but one Number, as inay be ſeen
in the Heteroclite Alphabetical Table.
Of the CASES
+ 1. The Nominative Caſe ſo call’d from Nomino ,
becauſe it Names the thing , comes before the Verb ,
and is found by the Queſtion Who or What ; as,
Puer Ludit, theBoy plays:
2. The Genitive Cale always comes after aNoun
expreſs’d or underſtood. It is ſo call’dfrom Genus
Kindred or Family, becauſe it is uſed in the Genea
logy of Families; as Filius Ade, the Son of Adam .
3. The Dative Caſe is ſo call'd from Dare to
give, and always imports ſome Thing or Perſon to
or for whom fome Convenience or Inconvenience
is deſign'd : as,AmicusMuſis, a Friend to theMules ; »
Grammatica Studere, to Read Grammar .
4. The Accuſative Cafe denotes thatThingor Per
ſon to which fome Action relates , it is to call'd
from the Verb Accufo) as Lego Librum .
5. The Vocative like the Nominative , is always
ſet before the Verb express'd or underſtood, becauſe
it is us'd in Calling to others ; it is thence
call'd from Voco.
6. The Ablative ſhews the Manner how, the In
ſtrument wherewith, or the Reaſon why any thing
is, does, or has any thing done to it. This Caſe in
Latin always has a Prepoſition before it , either
expreſs'd or underſtood. It is call'd Ablative, bem
cauſe moſt commonly it has its Prepoſition taken a
way ; as, Peregit rem (cum ) Mira Celeritate. Cum
is underſtood. Ob
12 An Introduction to the
DECLENSION ,
* 1. The Genitive Caſe Singular by thePoets is
made ai , as for Aula Aulai. And ſometimes as ;
in Profe likewiſe; as Familias, Auras, Efcas, Liv.
2. The Genitive Plural inſtead of arum is made
am ;as r in Patronymicks; as, Dardanidûm forDar ,
danidarum ,
1
1
Eight Parts of Speech.
A Table of Greek and Hebrew Words,
Nom . G. D.AC.
j
V. Ab.
Hic Æneas . anan. а
Anchiſes. en
Je,ora
23
e, or a . fe ,ora,
Hæc Penelopees. e . en . e.
HEBREW .
Adam , , am , am, a.
DECLENSION , 2 .
+ We muſt obſerve , that Words of this Declena
did formerly end in us ,
fion ending in er , ir, ur,Plautus
which makes us find in the Voc.
Puere in
1. When the-Nominative ends in us, the Vor.
changes usinto t;asDominus, Domine, except Deus
that makes O Deus,
2.TheGenitive from Nouns ending in er and us after
a Muteis of equal Syllables with theNominative ;
as Liber, Libri; Cancer, Cangri ; Dominus, Domini;
Vafer, Vafri.
* Liber Free, and when 'tis put for Bacchus, makes
Liberi; fo do Adulter, Aſper,Celtiber, Dexter , Ex
ter,Gibber, Lacer,Mulcibér, Prosper, Socer ; and all
the Compounds of Fero andGero, as Lucifer, Armi
ger &c. If there be any otherwiſe found, they do
not come froin the Nom . in er, but us, as Iberi from
e
Iberia 3. Th
14 An Introduction to the
3. The Vocative is moſt commonly the ſameas
the Nom .except Nouns in us as before, ( tho' the
Poets in Imitation of the Greeks retain us, as Virg .
Adfis letitie Bacchus dator. And Lucan . Lib. 2 .
Degener o populus.And ſome that have both Termi
nations, as in the following Verſes.
O Deus, 0 Lucus, popule & populus,fluviuſq;
Et Fluvie, & vulge& vulgus, pelagufq; notabis,
Et Pelage adjungas,choreq; & chorus,agnus & agne.
- When the Nominative ends in ius, if it be the pro
per Name of a Man, the Vocative is form’d by ca
fting away us from the Nominative ; as , Georgius
Georgi. So do all others for themoſt part as Fili,
Geni. Tho' we read Cancellarie and Secretarie :
The moſt Ancient Writers uſed e Liv. Andr. Lue
tretie, and Filie. vide Priſc. Lib. 7 :
4. We fee no Alteration made ofany of the Plu
al Cafes, only the Genitive Plural, by the figure
Apocope ; as,Nummûm for orum ; Virûm , Magnani
min & c.
Partiz
Eight Parts of Speeeh . is
PARTICULAR REMARKS UPON THE
THIRD DECLENSION.
1 DECLENSION 3 .
+ The Terminations of this Declenſion are
Twenty -one.
Maſculine 7
An, in, on, er, or, os, o, except a few .
܂܃؛
Feminine 5 .
As, aus, es, is, with Bi-conſonant s .
Neuter 9.
C , A, I, e, t, ar, en , ur , us.
1. The Nominative in many Words, has loft it's
Ancient Termination ; as,
Animale r Animal
Ciner Ginis
Ducis Dux
Latte Lac
Anciently Y now
Melle Mel
Plebes Plebs
Turben Turbo
.
Sanguen, &c. Sanguis s
B 2 Theſe
20 An Introdnetion to the
+ Theſe following haveitis
Dis
long.
,
Liss
itish
Quiris,
Sannis ,j1
Four have èris ſhort: Cinis,
Becauſe from the old Cucumis, ëris
Num . Ciner , Pulver ,
SG.Von .
Pulvis,
Pomis, }
Soms vary ; as , Impabis & impuberis
Glis, iris.
Sanguis, iniso
Salamis , inis.
Simois, entis.
In Foreign Words in ys make the Genitive in
jos, ydis, and ynis; as,
Eryrags,
Thetys, 3 yos..
Chlamys ,
Pelamys, Žydis:
Phoreys, ynis, & c V
Thero
Introdukt
ion.se the
All
2. There are Twenty that make èris ſhort; as,
* FAucnus, Pondu
u s,
Fædu s, Rudus,
Glomus, Seelus,
s,
Genu
s,
Sidus,
Latu vicu
s
Munus
s, Vulnu ,
, Vellu
s, Şëris.
Olus, Viſc s,
Onus
, Venu uss
Opus, s,
Vetu
s,
Virt
3. Five have ūtis as ISwaelnus,
uts,
us,
;}
en tu
Snetrve&i s, utis long
S
I t
only one, ercuuss,, útis.
Three have ūdis as ; Palus, ūdis.
I ncus,
Su
which ownhlyenonNee,uPteecr,buſsm,causkūiediss,Pecoris,
Monoſyll
}
+ ables in Os make üris ; as ,
M
us , is, ür
I so does TPeulls,us,üurriis.s .
Grus and Sus make Gruis , Suis: And Greeks
insûs CiCrcumflext , make untis ; as, Trapezus ,
**
Two
*
Bight Parts of speech. 23.
* Two in aus: as ; Laus , Frans, make wudis.
Nouns in Bs. Ms. Ps. make the Genitive in Bis.
Mis. Pis. as ; Hiems, Hiemis.
Trabs, bis.
Stirps, piso
Except.-- Celebs, 'ibis.
Auceps, upis.
All compounds of Capio make cipis ; as,
: ,
Forceps,
Of caput ipitis. as ; Anceps, ipitis.
Biceps , &c.
# For anciently they were written Ancipes, & c.
Ls. Ns. Rs. make Tis. as, '
Lens , tis.
Frons, tis ,
Puls, tija na!
Exceptſome dis. Lens,
Frons,
Glans, il
Juglans, i} disa
Libripens,
Nefren's,
And the Compounds 2 Coricors,3dis.
of Cor.as ; Difcars
1. Only one, Caput, iris, i with it's Compounds,
X. Changesinto Cis, & Gis.
B4 ! * Monosyllables,
24 An Introduction to the
* Monofyllables, Cis. as ;
Vox , vocis.
Except four Gis. Grex, gregis,
Lex, Legis.
Rex , regis.
Strix, Strigis.
Theſe Greeks Styx, Phryx, Sphinx, gis orgos:
Ax . Makes acis, aftis, axis, ägis ; as ,
Fornax , acis long.
Greek . Thorax, Sācis long. hi
Clymax, acis ſhort.
Hylax ,
Alyanax, jaftis. G
Hipponax,
Bibrax ,
One in axis, Briax , axis.
Harpax , ägis ſhort.
3x. Makes icis, écis, igis, egis. 1
Judex, icis.
Except. Vibex ,icis. long
Vervex ,
,
Celex ,
Halex,
Refex , Sécis .3 thort
Remex, Ligis.S
Leler,
Aqu ilex ſe s. fhort.
} giigis.
Exlex & c. gis long. * Senes
Eight Parts of Speech. 25
* Senex makes Senis : Supellex Supelle&tilis.
1x. Exceeding one Syllable makes icis : as ;
Calix , icis Short.
Except Perdix,
Coturnix ,
Cornix ,
Cervix ,
Lodix , icis long.
Radix ,
Struix ,
So Adjectives Felix ,
& Verbals, as; Nutrix ,
Greek Nouns are beſt found in their Authors
Ox . makes öcis ; as, Vox , Vocis.
Fxceps -- Cappadox, ocis Short
Precox , öcis
Allabrox,ögis
Pernox , perno&tis.
Ut. xcis ; as, Iradux , xcis. Short
Redux
Except ---PolluxSucis long.
Conjux , conjugis.
Tx. Greek words ending thus are beſt found in
their proper Authors, howerer they Change
variouſly ; asycis,ychis, ygis.
Eryx, yois. Short.
Bebryx ,ycis,Com .
Onya
36 An Introduction to the
Onyx, ychis. Shorta
Coccyx, ygis. long
Japyx, ygis. Short. & c.
Lx. Nost. Rx . Change x. into Cis ; as, Calx ,
Calcis , & c.
Puppis.
The Vocative is always like the Nominative
only Greeks caſt off s .
The Ablative ſometimes Ends in 1, ſometimes
in ER I.
I. 1. Neuters that End in al, ar, & e, make the
Ablativei ; as,
Mare,
Calcar,
rii . Vectigal, &c.
1
* Plaut. & Ovid. Mare.
2. Adjectives whoſe Neuters end in e.
+ The Poets ſometimes haveCeleste, Amne,Pe
renne &c. Porcà Bimeſtre. Ovid .
3. Subſtantives like Adjectives, ſuch as Fami
liaris, Sodalis &c. make i,
* Plin. Sodale. Lucan. Natali. Valer. Max.
Natale. Horat. Rude, & c.
Except
An Introduction to the
Except proper Names , ſuch as Juvensa
lis, Martialis, Vitalis,& c, that all make s .
But Gentiles are yet ip doubt , whether
Athenienfe or Athenienfi.
4. Names of Months havei ; as Septembri.
& c. And ſuch as have only im, in the Acc.
+ Add to theſe Strigili, Canali, Mugili.
E or 1. 5. All other Adjectives make the Abla
tive e op i ; as , Felice or i.
Except Sospite , Hofpite , Paupere. And
the Compounds of Par, and Memor , that
coinmonly have i alone.
6. Subſtantives in &tis, mnis, guis, guis and
vis, have i alone ; as Vesti,Amai,Igni, Unguj,
Civi & c.
Avi, Ovi. Varro. Amni. Liv. Ali. Lucil.
Civi. Cicero. Colli. Lucret. Fufti. Plaut.
Pofti, Ovid. Sordi, Lucret. & c.
REMARKS ON THE PLURAL NUMBER .
Note, That when the Ablative Singular
ends in i, or i and Promiſcuouſly, that the
Neuters Plural muſt end in ia.
Except Tetus, vetera
Plus, Plura and ia .
Comparatives. Melio-ta.
So Compounds of ra.
Corpus, as ;
The Genitive Plural makes ium in all Nounsthat
come from Ablatives in i, or in both e and i.
Except
Eight Parts of Speecb.
Except 1. Comparatives; as, Majorum .
and theſe Artificum .
Divitam .
Inopum .
Locupletumo.
Mugilum .
Memorim .
Strigilum .
Supplicum .
Others by. Syncope ; as, Sapientum & e
2. Nominatives that end in wo Conſonaats
as, Pars make ium .
Except. Pollyſyllables in bs, and ps; as ,
Celebs, Calibum .
Princeps, Principum .
* But Auceps, and all Compounds of Capuz
ma ke sum .
F3 Grus. ) Sus .
Grex.n ! Vox .
el.com.br
© Plin. Suumpro Suium . Juftin . Murum .
Many Wordsthat are forin'd now in um, are
Grgong: theAncients ium ; -as.ſtatium Givitatiüm ,
Facultatium , & c . but not now to be followid:
† Names of Feafts,make ium and orum , as
Bacchanalia, ium & orum ,
....
A
Eight Parts of Speech. 31
A SCHEME of the Declenſion of
Greek Words.
N. G [ D. I A. IV. Ab.
Titan OS. a. an , e.
Pallas is.
OS ; i. em , a . as .
Pariiss le dosis. 1. a, in . i.
Poel i.
Chremesis, eos, ios,is. 1. Jin,
em . im . is.
es , c.le.
Crater OS , is. a, emer . e.
Dido onis , US fo. .
N. I G.LD. I A IV.1A
Plur .oes . umn . oruibus, is, les,as. es.bus
pou ces But
PARTICULAR REMARKS UPON THE
FOURTH DECLENSION .
1. The Genitive of this Declenſion ſometimes
Ends in uis, which was theAncient way of Declin
ing ofit, & ſometimes in i ; as, nihil ornati, nihil
Tumulti. 7
RULE 1:
TheReaſon why God's, Months, Rivers and
Winds are of the Maſculine Gender, is, becauſe the
Particulars contain’d under any Univerſal follow
it's Gender"; as under Hic Deus, Hic Jupiter, Bac
cbus, Apollo &c. So likewiſe under Hic Fluvius, Men
fis , Angelus, each individual : Except Names of
Rivers under Hæc Aqua ; as, Lethe, Styx , & c . and
under Hoc Flumen ; as, Jader, Nar , & c. There is al
ſo a natural Reaſon why Gods, Angels; Months, Ri.
Hers, and Winds ſhou'd be Maſculine, becauſe the
Heathens, tho' abſurdly, worſhip'd them as having
*Human Shape ; and thuswe find them deſcrib'd by
moſtof their Pocts .
RULE 2.
Under the Female Sex We do not only
comprehend all that are of it, but alſo all Imagi
nary Beings, that haye any Similitude of the Sex ;
As Goddefjes, Muſes, Graces, Furies, Harpies, Fates,
Nymphs, Syrens, Countries, Iſlands, Towns and Trees.
For
* 38 An Introduction to the
For Countries have one Property of the Sex , aş
they produce People, Trees, & c ) And Cities were
anciently Painted like Women with many Breaſts,
g Suck': Trees alſo , as to their bearing Fruit,
ivinan
gbear exact Analogy to the Feminine Gender. The
ſameReaſon of Particulars,in reſpectoftheirUni
verſals, holds good in this Rule as well as the for
mer, viz. Words under Hæc Femina, Hạc Dựa,Hæc $
Vrbs, & c. Tho'lomeare conțiind under Hic Págús i
as, Plurals in i, ſuch as Hi Gabii, Veii, Philippi;
Vbii &c. And Maſculines Singulars ; as, Epidaurus,
Caminus, Pulmo, Narbo Croto, Hoppo,Agragas : And
others again under: Hoc oppidum as, all ending in
e , um, & ur; as, Çere, Ilium , Tybur.
Some areDoubtful : ſometimes Feminine ;ܪ, as,
Hec Ilios. Horat.
Defenſa eft llion armis. Ovid .
Neuter ; as, Ilium ,
hæc Sodoma , &
hæc Gomorrha, e .
And hoc Sodomum , i.Juſtin.
hoc Argos.
hæc Hieroſolyma, & .
Hierofolyma, orum .
Candidus Anxur. Martial.
Impoſitum Anxur. Horat.
Arabs, Arpinas , Burgundio , & c. with Homo
underſtood , are all of the Common of TwoGender .
RULE
Eight Partsof Speechi 39
RULE 3 .
Some Names of Trees are Maſculine
Such as, Pinafter a Wild Pine :
Hebenus, Cyrifjús , Rubus,
Are Maſculine, likeSpiñas, Dumus,
Acer, Siler, Suber's, for Hoc ,
And Robur like a Sturdy Oak .
* All Namesof Places appointed for the Growth
of Trees, areNeuter ; as, Coryletym, Dumetum.& c
22 رز و
RULES.
We muft obſerve Nouns that are Common ,
Sometimes for Mar, Lametimes for Woman i
But by the Senſe weloon may fee,
With what Sex they can beft agree.,
Civis, Canis, Autor, Comes,
hoito2.1.1
Antiſtes, Parens, & inlich
Affinis, Conjux, with Teftes,
&
Dux , Vates, Vindex , & Miles,
Hoftis, Adoleſcens, Sus,Boss FB
3
Nemo,Cliens, & Sacerdos, und
To all which you may join Cuftos.
Some Words we know ; by Nature bent,
To either şex Indifferent. 2
DECLEN ,
AB An Introdu&tion to the
DECLENSION 4
The Fourth Declenſion's Endings two,
Us Maſculine & NeyterHot T
" ،is . ا od 30 .
DECLENSION 3.0
But of the Fifth they'reall sin es, 2C.... 8. e5
And ſo are of the Female Race.
DECLENSION 2: $
DECLENSION 3.75
EXCEPTIONS of FEMININES in on, er,os, o
All Nouns that end in go, and do,
If paſt two Syllables they go
And verbals ending in 20,
Are Fem’nine, as ;Deftruétio:
* Tho' weread Harpago, oniswith hic, folike
wife Optio.
Perduellia,
jo maſc. Unio ,
AA CATALOGUE
La , of S.
NOUNS
1
Aranea -2 , J: G
Ata -orum , N. S. a
Aer-ěris, N. P. m . Ara :
Eight Parts of Speecb. 47.
Araneus -i, m . Cannabis- is, f.
Arbor, & Arbos-oris,f . Cancelli-orum , N.S. m .
Archiater. i, m. Capiſtrum , n. S. i & a , P,
Archjatrus- i, m. Capulum -i,1.
Arma örum , N, S, n . Capulus-i, m .
Athene-arum , N. S. f. Carbafus-i, f.
Avernus- i, N. P.m. Carbaſa-orum , N. S. m
Averna oruin, N. S.Th Caſſida-æ, f.
B.
Cafis-idis,f.
Carrum -i, n.
Bacchanalia -orum -ium ,N.Carcus-i, m.
Balneum -i, N. Pin. (S. 2. Caſtra -oruin, N. S. X
Balne - arum , N. S.f. Cepa-&, f.
Baptiſmus-i, m . Cepe- is, n.
Baptiſma- atis, 2. Cetusi, m .
Barbitos-i, f. Cete, Inv. n.
Barbitus -i, m . Chaos, Nom . Acc, n .
Barbiton - i, m . Cbao, Ab.
Batillum - i, ni Chironomon -ontis, m.
Batillus i , m . Chironomus- i, m.
Buris-is,f. Clitelle -arum , N S.A
Bur 4-2 , f. Coccum -i, n.
Beatitas-atis, f. Carcus- i, in .
Beatitudo inis , f. Celum -i, N. P. n.
Bilis - is, N. P.fi Celi-orum , N $. m .
Blanditie -arum ,N.S.f. Ceenam -i, N. P. n.
C. Commentarius -ii, m .
Commentarium -ii, 2 .
Cacabum - i, n ,
Cae abus-i, m . Compita - orum , N. S. **
Calenda -arum , N , S. t. Congius-
Congium ii, m.
-ii
Callum - i, N. P. n. , 1s,. f.
Contagio-oni
Campanus m .S. i.& a, P.Coptagies-ei,f.
Cannabum -i, ni
Cohen
An Introduction to the '
Coflis-is, Ⓡ . Elekirum-i, P. a. 3 .
Collus-i, m . Elephantus-i, m.
Cratereris, m . Elephas antis,m .
Cratera æ. f. Epulum -i, N. P. n .
Crepundia-orum , N. $.n. Epula -arum , N. S.f.
Cune-arum , N.SE Embryo -onis, m .
Cunabula- orum , N. S. n. Embryon -ii, n .
Ephet e -arum , N. S. m .
D. Epimeria orum , N. S. n .
Decaduchi-orum ,N. S.m. Epiphania-2, N. P. F.
Decatente-arum , N. S.m .Epiphania-orum, N. Sino
Eventu's-ús, m.
Decipula : ,f. Eventum- i , n.
Decipulum -i, n . Excubic- arum, N. S.f.
Delicium -ii, N. P. n.
Delicie-arum, N. S. f. Exequia -arum , N. S. f.
Exta -orum
Deliquium - ii, N. P. n. Exverrie -arum,' N. S. n .
Deliquiæ -arum , N. S. f. , N. S. f.
Delphin-inis, m . Exuvia -arum , N. S. f.
Delphinus- i, m . F.
Dire -arum , N. S. f . Facetie -arum , N.S. f.
Denarium -ii, n . Fama-&. P. as, f.
3
L. Lutum i , P.a. n .
Labia 2, f. M.
Labium - ii , n. Macellum i, N. P. n. ;ܗ
)
Eight Parts of Speech.
Minutia æ , f. Odor -oris, m.
Minuties-ei. f. Odos-oris, m.
Modium - ii, n. Oeſtrum i, n ..
Modius ji , m . Oeſtrus-i, m .
5 Mænia - iuin , N. S. n. Olympia orum, N. S. n .
Mæftitia -æ, f. Oppuvia -orum , N. S. m.
.
Mætitudo-inis, f. Opis. G. Opem . Acc.
Molimen - inis , n. Ope. Ab. all the P.
Molimentum i, n. Os-ris, P. a . n.
Mundus- i, N. P. m. Oſtrea -2 , N. P. f.
Munditia æ , f. Oſtrea orum, N. S. n.
Mundities -ei, f. Oxygala -x, f.
Munia oruin , N. S. n. Oxyg ala -actis, n.
Muscus- i; N. P. m. P.
Muftum -i, P. a. n . Palaria -orum , N. S. .
1 N: Palmeſia- orum , N. S. n.
Nabla - 2 , f. Palumbe s-is, m. or f.
Nablum -i, n . Palumbus- i, m .
Nablium - ii, n. Pang aus, as Ayernus.
Natu , Ab. Inv. Papyrus-i, f.
Nihil , Iny. n. Papyrum -i, n.
Nibilum - i, n. Parce-arum, N. S.f.
Nitrum - i, N. P. n. Paſcha -2 , f.
Nng&-arum , N. S. f. Pajcha -atis, n. 1
Pluraliter
cth not ipſud, but ipſum . Hic, hæc, hoe,as before.
Nom . Is, ea , id Nom . ii , eæ , ea .
Gen. ejus G. eorum , caru , eoru
Dat: ei Dt.iis vel eis
Acc.eum , eam, id ACC . eos, cas, ea
Singulariter
Pluraliter
Abl. eo , ea , eo Abl.iis vel eis
!
60 An Introduction to the
* Note, That the Vocative in all theſe Declen
fions may be allign'd to every Pronoun , except Ego,
becauſe when the Senſe requires it, they may be
ſo us’d ; as, Eſto nunc fol teftis , & hæc mihi terra
precanti. Virg.
of a VERB.
A Verb is a Word that cannot Signify any thing
without a Noun, and it is known by Two Signitica
tions. Aition ; as, Seco I cut, Secor I am cut : or Biing ;
as, Sum I ain .
Of Verbs there are Two forts, either Perfonal or
Imperfonal.
A Verb Perfonal is a Verb that has Perſonseither
espreſs'd or underſtood : For which Rcafon it tor
rows from the Pronoun ; Ego, Tu , Ille ; Plur. Nos,
Vos, Illi; to ſupply the Names of Perfons, or Things.
* All Nouns, Pronouns, and Participles, except
Ego and Tu, are of the third Perſon.
A Verb Imperſonal is. Conjugated thro' the third
Perſon Singular of the Ative and Palive Voice, and
is cominonly known by the Engliſh Signs it or there ;
as, Tedet it irketb. Oportet Aliquem elle, there muſt be
ſome Body.
There are Three kinds of Verbs Perſonals; Aitive,
Paſive, and Neuter.
A Verb Active ends in o, and cannot make senſe
without a Word after it , to ſhew it's Action ; as , Se
co Pomum I cut an Apple. Amo Ludere. Video Ma
giftrum. And by putting r to it, it may be inade
Pallive ; as, Secor
Eight Parts of Speech. 61
A Verb Paljive ends in or, having commonly theſe
Eight Signs, (am, are, art, is, iwas, were, been, be)
and Reflects it's Actionupon the foregoing Perſon ;
as, Secor I am cut : Which again by putting away
I may be made Active ; as , Seco.
A Verb Neuter ends in o, or, or m, and whether
it's Signification be Active or Paffive , is Intranſi
tive ; that is, it will not admit of an Accuſative
Caſe after it : as ; Gaudeo I am glad. When it ends
in o it is diſtinguiſh'd from an Active , by being
Senſe alone ; as ,curro I run. Hither may be Re
ferr’d Verbs Subſtantives, that only fignify the bare
Being of any Thing; as, Sum , exiſto, & c.
* Verbs Neuters in Imitation of the Greeks fome.
times govern Acculatives after them, but then they
are ſuch, as have a hear Relation to the Verb ; as,
Vivere
*
vitam , Loqui verbum.
Note , That when it ends in or that in ſome
Words it has both Active and Paſſive Significati
on ;as, o fonlorte I kiſs thee,ofulor a te I am kiſſed
of thee.
Likewiſe in 9 as, Agroto,Iam ſick, Curro I run.
But not in the ſame Word.
The
64 An Introduction to the
The Firſt CONJUGATIO N.
Preſent Line Preter Line.
Ative. Paſive. Indic. Active .
Indicative. Preſ. Amo. or . Pret. Amavi,
Iimperf. Amăbam , abar. Pluperf. Amaviram
Future . Amibo. abor. Subjunktive
Imperative. Pref. Ama. äre, Pret. Ainaverim .
er
Subjunctive . Pref. Amem. Pluperf. Amaviſſem . li
Imperf. Amarem . ärer. Future. Amavëro.
Infinitive. Preſ. Amāre. ari. Infinitive,
Particip . Pref. Amans.Fu.andus. Pret. Amaviffe.
Gerunds. Amandi, ando, andum .
* Note, That the Preter Line Paſſive is made of the
Participle of the Preter Tenſe and the Verb Sum.
Supine Line.
Firſt Sup. Amatum , to love.
Latter Sup. Amatu , to be lov’d . (or likely to l.
Particip. in rus Amatūrus, one that ſhall,willis abt.
Particip. of the Pret.Amatus, onethat isor has been l’d.
Fut. Infinit. Amaturum efle, will, about or likely
( to love.
The Second CONJUGATIO N.
Prefent Line . Preter Line.
Aktive. . Paffive. Ind . Active.
Indicative Pref. Moneo . Or . Pret. Monži .
Imperf. Monēbam . ebar. Pluper . Monuěr am
Future. Monebo. ebor: Subjunctive.
Imperative Preſ. Mone ire. Pret. Monuerim .
Subjunctive Prej. Moneam . ear. Pluper.Monuiſem .
Imperf. Monerer črer, Futur. Monuěro.
Infinitive Pref. Monēre. eri. Infinitive.
Particip. Preſ. Monens Fn.endus. Preter. Monuiſe.
Gerunds. Monendi, endo, endum .
Firſt
Eight Parts of Speech. 63
111 Supiné Line.
né
Firſt Sup." Monitum , to warn .
Latter Sup. Monitu, to be warn'd .
Particip. in ruso Moniturus, one that ſhallwill,is about
(or likely to barn .
Particip. of the Pret. Monitus; one that is or has been
(warn'd .
Fut. Infinit. Moniturum , efle, will, about, or
( likely to warn .
E The
56 An Introduction to the
The Fourth GONJUGATION.
Preſent Line. Preter Line.
Active, Palive. Ind . Active.
Indicative. Preſ. Audio , ior . Pret.Audivi.
Imperf. Audiebam , ebar. Plup.Audivěr am .
Future . Audiam iar. - Subjunctive
Imperative Pref. Audi, ire. Pret.Audivérim .
Subjuntive Pref. Audiam , iar. Plup. Audiviffem
imperf. Audirem, irer, Fut Audivěro.
Infinitive. Preſ. Audire, iri . Infinitive.
Particip. Pref. Audiens. Fut. endus Prêt.Audiviſſe.
Gerunds Audiendi,iendo,iendum .
Supine Line.
Firſt Sup. Auditum , to Hear.
Latter Sup Auditu , to be Hear'd .
Particip. in rus. Auditūrus, one thatMall,will ,is abt.
Particip.of the Pret. Auditus, keard.orlikelyto beheard
Fut . Infin. Auditòrum eſſe,will, about, or like
( ly to be heard .
-
The First CONJUGATION in 0 , making 1
1
AR E long.
AMO , AMAS. AMAVI , AMARE . AMATUM .
The INDICATIVE MOOD .
Preſent Tenſe
Sing. Plur .
1. Amo, I Love, or do love. | Amămus, we love,or do l.
2. Amas,Thouloveft or doft I. Amātis, Ye love,or do 1.
3. Amat, He loveth, loves, Amant, They love, or do
(or does love. ( love:
Im
is the
Eight Parts of Speech
Imperfect Tenſe.
Sing Plur:
1. Amäbam , I loved , or did | Amabāmus, We loved one
(love . ( did love.
2. Amabas , Thou lovedſt or Amabātis, Te loved or
(didft love. (did love.
3. Amabat, Heloved ,or did Ainābant, They loved or
( love. (did love.
Perfect Tenſe.
1. Amāvi, I have loved . Amavimus, We have 1?
2. Amaviſti, Thou haſt lov- Amaviſtis, Te bave love
(ed. (ed .
3. Amăvit , He has lov- Amavērunt '?
( ed. | or Amavēres Theyhavel.
Pluperfect Tenſe.
1. Amaveram , I had lov- | Amaverāmus, We had
( ed . ( loved ,
2. Amavéras, Thou badjt Amaverātis, Te had love 1
( loved. ed ,
3. Amaverat, He had lov- Amavérant, Theyhadlov
(ed. (ed
Future Tenſe.
1. Amabo, I shall or will | Amabimus, We shall or
(love. (will love.
5. Amābis, Thou shalt.or Amabitis, le Shall or will
wilt love. love.
3: Amabit, He fall orwill Amabunt, They ſhallor will
(love. ( love.
E 2 The
}
ion
68 An Introduct to the
Sing Plur .
2. Aina, üté, love thou. Amate, atöte, loveyeo
Amanto, let them love.
3. Amāto, let him love.
The SUB JUNCTIVE POTENTI
AL or OPTATIVE MOOD .
Preſent Tenſe .
MOOD
Sing Plur ..
1. Amem , I love, or máy Amněmus, We love, or may
( love. (love.
2. Ames, Thou loveſt, or Amētis, Ye love, or may
( love .
(mayſt love.
3o Amet , He loveth, or Ament, They love, or may
(may love . ( love.
Imperfect Tenſe .
1. Amārem, I loved , or | Amarēmus, We loved , or
(might love. (might love.
2. Amăres Thou lovedſt ,| Amarētis , Te loved ,or might
love .
(or mightft love.
3. Ainaret,Heloved ,or Amarent, They loved , or
(might love. I (might love .
Perfect
Eight Parts of Speech. -
69
Perfect Tenſe.
1. Amavěrim, Ihaveloved,| Amaverimus, We have lo
for might have loved. T ved , or mighthave l.
2. Amaveris, Thou haſt lo- Amaveritis, Te bave loved,
ved , or might'st have.l. (or might have loved.
3. Amavërit, Hehasloved Amaverint , They have lo
(or might have I. (ved, or might havel.
Pluperfe &t Tenſe.
1. Amaviſſem , I had loved . | Amavillemus We hadlov’d .
2 Amavilles, Thou hadſt l. Amavilletis, Te had loved
3. Ainaviſſet, He had loved . | Amavillent, They had l.
Preter -Future Tenſe.
1. Amavero, IJhall have Ainaverimus, We all have
1. ( loved. ( loved.
2. Amayeris, Thou malt: Amaveritis, te fhall have
( have loved. ( loved.
3. Amavërit, Heshall have Amaverint, Theyſhallhave
( loved. ( loved,
IMPERATIVE MOOD .
Preſent Tenſe .
SUBJUNCTIVE, OPTATIVE,
Or, POTENTIAL MOOD.
Preſent Tenſe.
*Tenſe
Imperfect Tenſe.
1. Effem , Imightor cou'd | Effemus, We might of
(be. ( cou'd be
2. Effes, Thou mightft or Effetis, Te might or cou'd
( coud't be. (be.
3. Effet,He might or cou'd Effent, They mightor
(be " (cou'd be.
Poffem & c: Pers
.
ion o he
²가 In Introduft t t
Perfect Tenſe.
Sing. Plur
s . Fuerim , Imight dr cou'd . Fuerimus We might or
(have been (cou'd have been .
2. Fueris, Thou might ft or Fueritis, Ye mightprcou'd
( coud't have been . (bave been
3. Fuerit,Hemightor cou'd Fuerint , They might or
(have been takaou'd have been ..
Patuerim & c,
Přuperfect Tenſe.
1. Fuiſſem , Imightorcou'd
(have had been. | Fuiffemas, We mightor
(Cou'd have bad been .
2. Fuiſſes, Thou migheft or Fuiffetis, Ye mig bt or
( coudſt bave had been. icou'd have bad beer.
3. Fuiſſet,He might or cond. Fuiffent, They might ar
. (have had been ., ( gum havehad beer.
Potuillem & c.
Future Tenſe.
1.Fuero, Iſhall or will be. Fuerimus, We(will
hellor
be.
2. Fueris, You shallorwill Fueritis, Te fallor will
(be. fle.
3. Potuero
Fuerit, He shall or will Fuerint, They shall or
& c. (be, (will be
INFINITIVE MOOD.
Efe, To be. is I
Pofſe,To be able.
Preter and Pluperfect Tenſe.
Fuiffe, To have or had heen .
Potuiffe, To have er had beeæ able.
Future
Eight Parts of Speech . 73片
Future Tenfe .
INDICATIVE MOOD .
.
Preſent Tenſe . i
Sing. Plur:
1. Amor , I am loved . Amămur, We are loved.
2.Amāris ,orre ,Thou art ld : Amamini, Te are loved ,
3.Amatur, He is loved . Amantur, They are loved .
Imperfect Tenſe.
1. Amābar, I was loved. | Amalaāmur, Wewere loved.
2. Amábaris, or re, Thou Amabamini , ye pere lo
wast Loved. ( ved .
3. Amabātur , He was Amabantur , They were lo
(loved. I (ved.
Perfect
4 An Introduktion to the
Perfect Tenſe.
Sing. Plur.
1. Amatus fui, I have | Amati fuimus, We have
(been loved. (been loved.
2. Amatus fuifti, Thon Amati fuiſtis, Te have been
( haft been loved . (loved,
3. Amatus fuit, He has | Amati fuerunt, Theyhave
( been loved. (been loved.
Pluperfect Tenſe.
1. Amatus fuer am , Ihad Amati fueramus, We had
(been loved. (been loved
2. Amatus fueras, Thon Amati fueratis, Te had
1
hadſt been loved. ( been loved
3. Amatus fuerat,He bad Amati fuerant, They had
(been loved. (been loved.
Future Tenſe.
1. Amābor, Ishallor will.| Amabimur, We ſhall or
(be loved . ( will be loved.
2. Amabëris, Thou ſhalt Amabimini, Ye Mallor will
(or wilt be loved ( be loved.
Amabitur, He fall or Amabuntur, They mall or
(will be loved. (will be loved.
IMPERI
Eight Parts of Speech. 75
IMPERATIVE MOOD.
Preſent Tenſe.
Sing. Plur.
2. Amāre, ator, be thau Amamini, aminor be ye
( loved . ( loved .
3.Amātor, let him be lov- Amantor , Let thembelov
(ed . (ed.
Preſent Tenſe,
2. Amer, I may be loved. | Amêmur, We may be loved.
2. Amèris, or ére, Thon Aměmini, le may be love
(mayſt be loved. (ed.
3. Amètur, He may be | Amentur, They may be lov
( lou'd (ed.
Imperfect Tenſe.
1. Amărer, I was loved. | Amarēmur, We wereloved.
2. Amarèris,or čre, Thou Amarēmini, Te were lov
(wert loved. (ed :
3. Amarētur, He was lov- Amarentur, Theywerelov
(ed. (ed.
Perfect
76 An Introduzion to the
Perfect Tenſe .
Sing . Plur.
1. Amatus fuerim , I have | Amati fuerimus, We have
been loved. ( been loved.
2. Amatus fueris,been haffd . | Amati fueritis
Thoulove , Te have
s been loved,
3. Amatus fuerit, He has Amati fuerint, They have
(been loved . been loved.
Pluperfect Tenſe.
1. Amatus fuiſſem, I had Amati fuiffemus, Wehad
been lived, been loved .
2. Amatus fuiſſes, Thou | Amati fuiſſetis, Te bad
(hadſt been loved. been loved.
3. Amatus fuifjet, He had Amati fuisſent, They had
been loved. ( been loved.
Future Tenſe.
Imperfe &i
78 An Introduktion to the
Imperfect Tenſe.
Sing Plur.
1. Monlebam , Iwarned, or | Monebāmus, We warned
(did . warn (or did warn.
2. N. anebas. Thou warnedft, Monebātis, Te warned or
( or didft warn . ( did warn .
3. Monebat , He warned, or Monebant, They warned
wa
(did rn . ( or did warn .
Perfect Tenſe .
ab 10
1. Menúi , I have warn'd . Monuimus, We have w
2. Monuifti, Thou haſt w. Monuiftis, we have w.
3. Monuit, He has wara'd . Mon uerunt
orMonuêre They have,10
Pluperfect Tenſe.
1. Monuër am , I had w. Monuerāmus, We had v0?
2. Monkeras , Thou hadftw . Monuerātis, Te bad w .
3. Monuërat, He had w. Monuerant, Tbey had w.
Future Tenſe:
1.Monebo, Iſhall, or will | Monebimus, We mall or
( warn . (will warn.
2. Monēbis, Thoushalt or Monebitis, Teshall or will !
Preſent Tenſe .
Perfect
80 An Introduction to the
Perfect Tenſe.
Sing. Plur .
1. Monuérin , I wårn'd, or Monzerimus , We have
[might have warn’d. [warn’d ormight have w.
2. Monueris,Thou warned '; ! Monueritis; Te have w .
[or mightſt have warn'd. [or might have warnid.
3. Monuerit, He has warnd Monuerint . They have w .
Eor might havewarn'd : [ or.might have warn'd .
Pluperfect Tenſe.
1. Monuiffem ; I bad warn'd : Monuiffemus, We had n .
2 , Monuiffes , Thou hadt w. Monni fetiš, Te had w.
3. Monu ilet, Hebud warn’d. Monuiſsent, ' They had w.
Preter-Future Tenſe .
1. Montëro , I shall have | Monuerimus , W : shall
[warnd. [ have warnd.
2. Monueris,Thou ſhalt have Monueritis, Ye Shall bave
[ ward, [warn'd.
3.Monuerit, He shall have Monuerint, They Mall
Inspe[warn'd. [ have warn de
The INFINITIVE MOOD
INDICATIVE MOOD.
Preſent Tenfe.
Sing Plur.
1. Moneor, I am warn'd. Moněmur, We are warn'd .
2. Monēris, or re, Thou art Monēmini, ye are warn'd.
(warn'd . ( warn'd .
3. Monētur, He is warnd. / Monentur , They are
1
Inperfect Tenſe.
1
1 Perfect Tenſe.
Pluperfect Tenſe.
Sing: Plur.
1. Monitus fueram ,I had | Moniti fueramus, We had
( been warn'd . (been warn'd .
2. Monitus fueras, Thou Monitį fueratis , Te had
( had'ſt been warn'd . ( been warn'd.
3. Monitus fuerat,He had Moniti fuerant, They had
(been warn'd . (been warn'd .
Future Tenſe 1
IMPERATIVE MOOD .
Preſent Tenſe.
Imperfect Tenſe .
Sing. Plur:
1. Legerem , I did or | Legerēmus, We did or
(might re ad. (might read . :
2. Legëres, Thou didst, Legerētis , ye did, or
Cor mightſtread. (might read .
3. Legëret, He did or Legërent ,They did or might
might read read .
Foderem ,foderes,foderet. Foderēmus, foderētis ,foderent,
Perfect Tenſe.
Sing. Plur.
1. Legero, I shall have Legerimus, We shall have
(read. (read
2. Legëris, Thou Malt Legeritis, Te shall have
( have read. (read .
t
3. Legeri , HeMall have Legerint, They fall have
( read. ( read.
Fodero, foderis, foderit . ' Foderimus, foderitis , fode
(rint,
F4 The
88 An Introduktion to the
INDICATIVE MOOD.
Preſent Tenſe.
Sing. Plur.
3. Legor, I am read. | Legimur, We are read.
Thou. Legimini, le are read.
re, read
2. Legeris, or( art
3. Legitur, He is read. Leguntur. They are read.
or Lectus fum , & c.
Fodior , eris or ere,itur. 'Fodimur, imini, inntur :
Imperfect Tenſe.
1. Legēbar, I was read. | Legebamur, We were read.
2. Legebāris, or re, Thou Legebamini. Ye were read.
(waft read.
3. Legebatur, He was r. Legebantur, Theywere read .
or Lectus eram , &c. .
:
Fodiebar, fodiebaris, or Fodiebamur , fodiebamini,
( re, atur, ( fodiebantür.
Perfect
Eight Parts of Speech . 89
Perfect Tenſe.
Sing. Plur.
1. Le& us fui, I have been | Lecti fuimus, We bave
( read . (been read.
2. Leitus fuifti, Thou baft , Lecti fuiftis, Te have been
(been read. (read.
3. Lectusfuit, He has been | Lecti fuerunt,or,ere, They
(read. } ( have been read .
Foſſus fui,& c.
Pluperfect Tenſe.
1. Lectus fuer am , I bad | Lecti fueramus, We had
(been read . ( been reada
2. Lectus fueras, Thoubadst Lecti fuerātis , Te had
(been read. (been read .
3. Lectus fuerat, He bad Lecti fuerant, They had
(been read. ( beenread.
Fofus fueram , & c.
Future Tenſe.
.
3. r. Legar , I Mallor willbe | Legamur, We Mallor will
(read. (be read .
. 2. Legõris,or re, Ton shall Legemini, Te Mail or will
( or will be read. ( be read.
3. Legetur, He hall or Legentut, TheyMallor will
1.
(will be read. (be read.
* Fodiar,ieris, or, iere, ietur. Fodiemur , iemini, ientur,
1
" IMP ERA .
go An Introduktion to the
IMPERATIVE MOOD,
Preſent Tenſe.
Sing 1
Plur..
2. Legere, itor be thou r. Legimini ,iminor, be yer. WWW
14
TATIVE MOOD .
Preſent Tenſe.
1. Legar , I may be read . Legămur, We may be r;
2 Legaris, or re, Thou Legamini, Te may be read.
(mayſt be read.
3. Legătur,He may be r. Legantur, They may bër.
Or Lectus ſim ,&c. And thus in every Conjug.
* Fodiar, fodiaris, or are, Fodiamur, amini, antur,
(atur.
Imperfect Tenſe.
1. Legerer, I was read , Legerēmur, We were read.
2. Leger,ris,or ēre Thou Legeremini, Ye were read.
(waſt read .
3. Legeretur,He was r. Legerentur, Theywere read.
OrLe tus effem , & c.
Foderer, fodereris,or re, Foderemur, emini, entur.
( retur
Perfect
Eight Parts of Speech. 91
Perfect Tenſe.
Sing, Plur.
1. Lectus fuerim , I have | Lecti fuerimus, We have
( been read. (been read.
3.Lectus fueris, Thou haft Lecti fueritis, Ye have
(been read. (been read.
3. Leétus fuerit, He has Lecti fuerint, They bave
( been read. ( been reade
Foffus fuerim , &c.
Pluperfect Tenſe.
1. Lectusfuiſſem ,I had been | Lecti fuiſſemus, We had
(read. (been read
2. Lectus fuiſſes, Thou hadſt | Leéti fuiſſetis, Te had
( been read. (been read.
3. Lectus fuiſſet,He had been Lecti fuiſſent, They had
(read. (been reading
Future Tenſe ,
INFINITIVE MOOD .
Pref:& Imperf.Legi to be read.
Perf.& pluperf.Ledium effeorfuiffe,was or had been r .
Fut. Lectum iri or legendum effe, ſmall or muſt be r .
Fodi. Foffum eſſe or fuiffe Follum iri or fodiendum effe.
* Such Tenſes of Fodio, as are markºd with an
Aftterisk, are like the Fourth CONJUGATION ,
Theſe Fifteen VERB Š following, with their
Compounds, (Imitating the Third and Fourth) are of a
mixt CONJUGATION
Capio. Gradior. Patior.
Cupio. Jacio. Quario. And are all Con
Facio. Lacio. Specio.
Fodio. Morior . Rapio. jugated like Fodio.
Fugio . Pario. Sapio. J
Sapio.
The Fourth CONJUGATION in 10 ,
1
making IR E long. "X
Imperfect Tenſe.
Sing Plur.
s. Audiēbám, I heard or | Audiebāmus, We heard
3
( did bear. (or did bear .
2 Audiebas , Thou heardeſt | Audiebātis, Te heard or
for didſt bear. (did hear .
3. Audiebat, He heard or Audiebant, They heard or
(did bear. (did heard
Perfect Tenſe.
Future Tenſe.
카
1. Audivéro. I fall have Audiverimus , We shall
[ heard. (have heard .
2. Audivaris, Thou salt. Audiveritis, Ye Shall
Chave beard.
[ have heard.
3. Audivérit, He Shallhave Audiverint, They shall
( heard. [ have beard .
Infinitive.
4
Pref. & Imperf. Audire, to bear.
Perfect &Pluperf. Audiviffe, to have or had heard ,
Fut. Auditurum eſſe. Will,or about to hear.
1
PARTICIPLES. GERUNDS. I SUPINES.
Pref. Audiens, Onethat Audiendi, of | Audidum ,to
hears, or isheard . hearing. hear .
Fut. Auditurus,ra,rum Audiendo,for, Auditu, to
1
One thatisshall, will, in ,by,bear be heard,
or is about, or likely ing
to hear , Audiendum ,
muſt" or to
be heard ,
The
96 An Introduction to the
INDICATIVE MOOD .
Perfect Tenſe.
Sing. Plur.
1. Audior, I am heard. | Audimur, We are heard.
2. Audiris, or re, Thou Audimini, Te are beard.
( art heard .
3. Auditur , He is beard. | Audiuntur, They are heard.
Imperfect Tenſe .
1
Future Tenſe
1.
ar:
Sing. Plur. 2
Pluperfect
99
Eight Parts of Speech.
Pluperfect Tenſe.
Sing Plur.
1. Auditusfuiffem ,I hadbeen | Auditi fuiſſemus, We
(heard. (had been heard.
2. Auditusfuiſſes, Thou hadt Auditi fuiſſetis, Te had
beert heard. ( been heard .
3. A'uditus fuiſſet, He had Auditi fuiſſent, They had
been heard. ! ( been heard .
Future Tenſe.
1
The INFINITIVE MOOD.
Pref. & Imperf. Audiri, to be heard.
Perf. & pluperf. Auditum fuije, to have been heard .
Fut. Auditum iri, or Audiendum effe, to be heard
Particip. Perf. Auditus, beard. hereafter.
.
Fut. in dus, Audiendus, to be heard .
* Note, That the laſt Tenſe of the Subjuntive 1
Preſent Tenſe.
Sing Plur.
1. Volo, Vis, Vult . Volumus, Vultis, Volunt.
2. Malo,Mavis, Mavult. Malumus,mavultis,malunt
3. Nolo, Nonvis, Nonvult. Nolumus, nonvultis, nolunt.
4. Edo, edis ores,edit or eft. Edimus,editisor eftis,edunt
5. Fero, fers, fert. Ferimus, fertis, ferunt.;
6. Fio, fis, fit. | Fimus, fitis, fiurt.
Im
Eight Parts of Speech 101 :
Imperfect Tenſe .
Sing . Plur,
1. Volebam , ebas, ebat. Volebamus, ebatis, ebant.
2. Malebam , ebas, ebat. Malebamns, ebatis, ebant.
3. Nolebam , ebas, ebat. Nolebamus, ebatis, ebant.
4. Edebam , ebas, ebat. Edebamus, ebatis, ebant.
5. Ferebam , ebas, ebat. Ferebamus, ebatis, cbant,
6. Fiebam, ebas, ebat. ' Fiebamus, vebatis, ebant.
Perfect Tenſe.
Sing. Plur.
3. Noli, ito, ito. 1 Nolite, itoto, nolunto .
4. Ede, ito, or eſto, edito. Edit , itote or eftote,edunto .
5. Fer, ferto, ferto. Ferte, fertote , ferunto.
6. Fi, ito, ito. Fite, itote, Fiunto .
Imperfect Tenſe.
1. Vellem ; es , et..! Vellemus, , etis, ent.
2. Mallem , és, etc Mallemus, etis, ent.
3. Nolem , és, et. Nollemus; etis, ent.
4. Ederem, or eſſem . Ederemus.or ellemus, &c
5. Ferrem, es, et. Ferremus , etis, ent.
6. Fierem , es, et. Fieremus, etis , ent .
Perfect
Eight Parts of Speech 103
Perfe &t Tenſe.
Sing Plur.
1, Voluerim , is, ito Voluerimus, itis, int.
2. Malverim , is, it. Malutrimas, itis, int.
1 3. Noluerim , is, it. Nolureimus, itis , int,
4. Ederim , is, it. Ederimus, itis, int.
5. Tulerim , is, it ." Tulerimis , itis, int.
6. Faétus fuerim , & c; Fatifuerimus, &c .
Pluperfect Tenſe
3. Voluiſſem , iſſes, iſſet. Voluiffemus, etis , ent.
2. Maluiſſem , illes, iſſet. Maluiſſemus , etis, ent.
3. Noluillem , illes, iffet. Noluiſſemus, et is,ent.
4 Ediffem , iffes, iſſet. Ediſlemus, etis, ent.
5. Tuliſſem , iſſes, iffet, Tuliſſemus, etis, enr.
6. Faltus fuifjem , &c, Faiti fuiſſemus, & c .
Future Tenſe.
1. Voluero, is, it . | Voluerimus, itis, int.
2 , Maluero, is, it. Maluerimus, itis, int.
3. Noluero , is , it. Noluerimus, itis, int.
4. Edero, is, it. Ederimus, itis, int.
5. Tulero, is, it, Tulerimus, itis, int.
6. Fazus fuero. & c. Fa&ti fuerimus, &c.
The INFINITIVĘ MOOD.
1. Velle. Voluiffe .
2. Malle. Maluiffe.
Pref. & 3. Nolle. Perf. & Noluiſſe.
Imperf. 4. Edere,or effe pluperf. Ediſſe.
5. Ferre, Tuliffe.
6. Fieri. Fa &tum fuifje.
GA * Note:
104 An Introdu &tion to the
* Note, That Fero has the Paſſive Voice, and is
Form'd according to the Changes before Obſerv’d,
in the Method of Regular Verbs.: :
* Note, That the Verbs Eo, & .Queo, are irregular
in ſome Tenſes (tho of the Fourth Conjugation of Re
gular Verbs) for we Read, ibam & . Quibam , in the
Imperfe&t Tenſe of the Indicative Mood ; and Ibo &
Quibo in its Future Tenſe : The Gerunds alſo are
Eundi, Eundo, Eundum . But we muſt Except one
Compound, Ambiendi, Iendo, 'Iendüm . In all others
the Simple is unchang’d.
An Alphabetical TABLE, in which are
all ſuch Verbs; as Vary_from the Common Man
ner of Conjugation . N. P. Stands for no Perfect
Tenſe. N. S. no Supin , Coinp. Compounded, à .
Parentheſis Includes ſuch as are Obſolete.
The First CONTÚGATIO N makesthe
Perfect Tenſe AV 1, the Supine, ATU M ; M
V
as, A M AVI, AM ATUM ,
Except theſe Following.
Crepo, ui, itum . Mico, ui, N. S.
Cubo, ui, itum. Neco, avi, atum (ui &um)
Do, dedi, datum . Plico, avi, atum, ui icitum ,
Doino,ui, itum. Poto , avi (atum ) potum,
Frico, ui, ctum . Seco , ui, & um .
Juvo, Juvi, jutum . Sono, ui , itum.
Labo, N. P. Sto, Steti , Statum .
Lavo, lavi, lotum, Tono, ui, itum ,
lautum & lavotum . Veto , ui, itum .
* Note that ſome
times'tis Read
lavere . All
Eight Parts of Speech. τος
Algeo,-lt. N. S. Licet,-uit,-itum .
Arceo ,-ui, (arcitum) Liqueo,-ui. N.S.
Ardeo ,-h , fum . Luceo ,-Luxi. N. S.
Audeo ,- Auſusfui. Lugeo ,-xi-ftum .
Augeo,-xi,- tum . Maneo ,-fi, fum . 20.
MIN
(neo. Ņ . S,
Mordeo. All are as Remordeo, Remorfum.
Oleo. Ob-per-red -Sub-oleo, are like the Simple: But,
Ex-obs-oleo, evi, (etum -èri) itum . And Adoleon
evi,-(ui) adultun.
Pendeo. Ap-de-im -pro-ſus- pendi. N. S.
Şedeo . Circum -ſuper- ſedeo, are like the Simple ; But,
As-con -de-circum -dis-in -ob pre -re-ſub-ſideo, Jea
di,-Seſſum .
Sorbeo. Abforbey, the ſame as the Simple ;. But we
find Ex - re-förbeo, only forbui:
Spondeo.De-re-fpondi, ſum .
Teneo. Abs-con -de-dis-ob-re-ſus-tineo,-ui, tentum ; At
per-tinui. N. S.
Tondeo.De-tondi,-ſum .
The
1
Eight Parts of Speecho 10g
( tufum . Except.
Vado,-fifum Cello,-ni,-fum. TYL
Colo;
Eight Parts of Speech.
Colo - ui,-cultum . PO, PSI. TU M.
Fallo ,fefelli,falfum . Carpo -pfie-tum .
Molo,-ni,-itum . Except.
Pello, pepuli,pulſum : Rumpo,-rupi ,ruptum .
Prallo , li. N , S. Strepo,-ui, itum .
Tollo, Suſtuli, ſublatum.
Vello,-li,Vuli, ſum . QUO. QU I. TUM :
Volo ,-ui. N. S. Linquo, qui, Etum .
Except.
MO. U I. ITU M. Coquo, coxi, cožtum . And
Vomo,-ui, itum , ( fome Neuters .
Except. Liquor. N. P.
Como,-fi,-tum . Loquor, locutus,
-3
Demo,-fi, tum . Sequor, ſecutus.
Emo , emi, emptum .
* Fremo ,-ni,-itum , R O: VÌ. Tu M.
Promo,-ſi tum. Except.
Sumo,- i,-tum . Curro, cucurri, curfum ,
* Tremo,-ui: N. S. Fero, tuli, latum .
+ NO . V I. TU M. Quæro; quæfivi, itum .
31
OF VERBS DEFICIENT!
That is, VERBS Wanting certain MOODS
TENSES , andPERSONS.
Sing . Plur .
Indic. Preſ . A10, ais, ait. Aiune
Imperf. Aiebam , as, at. amus, atis, ant.
Perf . Aijti. aiſtis.
Imper.Preſ. Aí.
Sub . Preſ. Aias, 41. amus Ant
Partic.Preſ. Aiens.
Impe. Préſ. APAGE,
Indic ite.
. Fut . AVEBIS .
Imper.Pres. Ave, eto.
Infin. Prej: Avire.
HI POR
116 An Introduction to the
Sing. Plur
Pot. Pres. AVSIM , is, it. int.
Indie. Perf. COEPI, ifti, it. imus, iſtis,erunt or ere .
Pluper.Cæperam , ras,rat.ramus,ratis rant.
Sub. Perf., Cæperim , ris,rit. rimus ritis, rint.
Pluper.Cæpiſſem, fes, ſet. ſemus, fetis.ſent.
Fut. . Cæpero, ris, rit. rimus, ritis, rint.
Infi. Perf. Cæpille.
Sub. Fut. DUIS. duint,
For Dederis. dederint.
Indic.Preſ. Explicit, it unfolds.
* FAXIM FAXO, is, it. int.
Put for Faciam & Fecero.
* FOREM for Fuerim .
Indic.Pref. INFIT, it begins.
DEFIT. - it fails.
Indic.Fut. Defiet. Subjunct. Preſ. Defiat:
Indic Pref. IN QUAM (or IN QU10 )is, it. imus, itis
( iunt.
Imperf. Inquiebat. ebant,
Perf. Inquiſti.
Fut. Inquies, et . ents
Imper.Pref Inque, ito .
Sub. Pref. Inquiat.
1
Part. Pref. Inquiens.
MEMINI-ODT, like Cæpi.
Indic. Pref. OV AT.
Part. Pref. Ovans,
Indic.Prof. Quæſo. Quæfümus.
SALVE As, AVE.
So YALE .
* Note
Eight Parts of Speech. 117
* Note, That the Verbs Dari , & Fari, have loſt
the Firſt PerſonSingular of the Preſent Tenſe, ſo that
Dor, & For, are never Read.
&A
2. When ever we have Occaſion to make mention
of any Thing that is a doing, and not quite finiſh'd the
Imperfect Tenſe is undoubtedly the proper Tenſe for it ;
tho we meet with it in the beſt Authors very often
in a Perfect Senſe ; as, Seneſcere, igitur, civitatem ,
otio, ratus, undiquemateriam belli excitandi quèrebat.
Liv. Nam quod hoftis appropinquabat , conſuetudine
Jua Cæfar ſex legiones expeditas ducebat. Poft eas totius
exercitus impedimenta collocabat. Cæs. Com .
* The beſt way then that the true Nature of this
Tenfe is to be underſtood, is by Conceiving the Verb
denoting a Thing as Preſent, at ſometimes Paſt.
Of
Eight Parts of Speech. 127
OF GERUNDS,
* Gerunds, having their Denomination from the
word Gerundag for Gerendo, becauſe they fignify the
Thing in Gerendo, that is in doing, are beſt Underſtood
if wemakeSubſtantives of them , as we may ſee in the
Following Example. Ignavi a. difcendo.cito deterrentur , 1
Of SU PINES,
As for Supines, why they are ſo call’d , I neither V
le
lwnow , nor do I care ; but one thing I obſerve, is that
moft
Eight Parts of Speech. 123
moft Grammarians make them Verbal Subſtantives go .
verning ſuch Caſes as the Verb from which they come.
Whenever you meet with a word in - , like the Latter
Supine, fignifying Actively, you muſt take it to be a
HeterocliteoftheFourth Declenſion, which has only the
Ablative Singular. As in this example. Effeminata
virtus afflictu occidit. Cic.
of a PARTICIPLE.
A Participle is a Word derivd of a Verb, imply
ing alſo difference of Time, and is Declin'd like an
Adjective.
Preſent,
There are Four ſorts Préter.
of Participles. Future in Rus.
And Future in Dus .
1. A Participle of the Preſent Tenſe ends in ans
or ens, and has its Engliſh in ing ; as, Amans loving :
· Monens warning :
2. All Participlesofthe Preter Tenſe ( except four,
Fixus, Flexus, Plexus, and Mortuus,) end in tus or
ſus ; and their Engliſh in d ,t, or n ; as, Amatus loved,
Doctus taught, Caſus Nain.
3. The Future,in rus, denotes a Reſolution to do
ſomethingbereafter ; as, Lecturus, onethat has a mind
to read .
4. The Future in dus, lhews the neceſſity or poſt
ſomething
bility of ſomething to be
now a doing ; as, Deusor
done, the Certainty
eft cole of
certainty of
to be Worſhipped ; Liber eſt legendus, a Book is to
be Read.
ов:
124 An Introduktion to the
Of a CONFUNCTION:
A Conjunction is an Undeclinable Word, that
1, fhéws the Relation one Notion bears to another
and fitly ſerves for the joining of Sentences together
-1
Of a PREPOSITION :
A Prepoſition is an undeclinable Word, molt com
Donly ſet before other Words to Govern them ; as,
ad Patrem ; or elſe in Compoſition ; as, Indo&tus.
* The ſeveral Prepoſitions with the Caſes they Go
vern, I paſs by to the Syntaxis, where I ſhall treat of
their ſeveral Properties and Uſes.
OF
Eight Parts of Speech. 129
hers Of an 1 N TERJECTION
An Interjection is no more than an Imperfect
420-22 ſound, occaſion d by ſome ſuddain motion
1021
of our Paffions. For,
Some are of,
1 , Mirth . as, Ha, ha, he. Io.
2. Wondring as, En, Ecce, Papa, 0, Proh.
15 3. Fawning as, Euge, Sodes, Amabo.
4. Scorning; as, Hui, Hem , Phuy, Vah.
5. Hating as, Ap age, Væ.
6. Sorrow . as, Ebeu , Hei, Ah.
13
On
COM
I ;A
to
-G
SIN
130
OF
SYNTAXIS. A
۴
YNTAXIS is the juſt Union and
Diſpoſition of the Parts of Speech,
in Speaking and Writing correctly.
OBSERVATIONS.
A Relative is to beunderſtood , as an Adje žive
between two Caſes of the ſame Subſt antive, that
may agree with either of them ; as ,
Rara quidem eft*virtus, quam non fortunagubernat,
or Rara quidem eft * virtu's * quam * virtutem
fortuna, & c. ly
14
OBSERVATIONS.
1. This Adjective Rudis often Governs an Ahla
tiveCafe. As Hic Adoleſcens er at* Studiis *rudis.
Vell. Paterc.
2. Of ADJECTIVES Governing a
DATIVE
OfJA DJECTIVESGoverning an
ACCUSA TIVE CASE. ,
1
SYNTAXIS. 143
of ADJECTIV É S Governing ag
ABLATIVE CASE.
4. The
944 SINT AXIS.
4. TheComparative Expreſs’d by theWord
( Than ) in Engliſh, requires an Ablative after it, and
the Word ( Quam ) in Latin, is left out. Tho' we
find it in fome Places Expreſsd; as in Vell. Pa
terc. Fide melior quamconfilio prudentior.
The REGIMEN Of a PRONOUN.
1. Mei, Tui, Sui, Noftri, & Veſtri, being Geni
tives of the Primitive Pronouns, Ego Tu & Sui, are
uſed when Pallion is Signified ; as, Languet * deſi
derio * tui.
* But when Poffeffion is meant, then the Poles.
fives Meus, Tuus, Suus, Nofter, & Veſter are pro
perly brought in. As, Imago * rna. Liber * veſter & c.
* And theſe Poffeffives elegantly take after them 1
the Genitives, Iplius, Solius, Vnius, Omnium , Plu
-rium , &c, As, Ex tuo ipſius animo.
2. Sui & Suus are call’d Reciprocals, becauſe they
are to agree with the Third Perſon going before
them. As, * Petrus rogat ne * ſe deſeras.
Sejanum Ælium , & c. - Virum ſeveritatis lætiſ
fime, hilaritatis priſce ;a &tu otiofis fimillimum , nibil
ſibivindicantem ,eoqueaffequentem omnia,ſemper infra,
aliorum eftimationes *je metientem .
The REG IM E N OF a VERB:
*** Note, That the Regimen of a Verb, after the
fame Manner as the Subſtantive proceeds according
to the Order of the Caſes. Firſt then,
51 of
ŚIN
SINTAXIS. 145
1. Of V ERB S requiring à NOMINA
TI V E after them .
1. Verbs Subſtantives; as Sum , Forem , Fio, Exifto ;
Neuters, as Sto, Sedeo, Cubo; andall.Paſſives, where
an Ablative is not requir'd , muſt have a Nominative
Caſe after them. As, Deus * eft * Summus. Joannes
* Št at * rectus, & c.
Grandis, et, ut ita dicam, pudic a oratio non * eſt
* maculoſa ,nec * turgida,fed naturali pulchritudine ex
Jürgit. Perron. Arbit.
OBSERVATIONS
* Invitus Hor.
3. The Nominative after the Verb Sum , may be
made a Dative provided it be a Subſtantive. As,
Neque enim juſtus ſine mendaciò candor apud bonos
* crimini * eft. Vell. Paterc,
2. Of VERBS with a GENITIV E
after them .
1. The Verb Sum denoting Poffeffion , has by an
Ellipfis a Genitive Cafe. As, Pecus * eft * Melibei
i, e, Pecus eft (pecus)Melibæi.
At animum vincereiracundiam cohibere* fortiſſimi
eſt. Lactant, K 2. Thele
146 SYNTAXIS .
2. Theſe Poffeffives Meus , Tuus, Suus, Nofter , &
Vefter, are to agree with the Subſtantive going be
fore, and when the Word officium is left out, are
to be of the Neuter Gender. As,—Meum eft. Tuan
eft, & c. i , e, Officium .
* Veftrum * eft hæc omnia memoriter tenere.
3. Satago, Miſereor, Mifereſco, Obliviſcor, Recor
dor,Reminiſcor, Memini, Intereſt, and Reſert, uſually
have a Genitive. As, * Rerum tuarum * ſatage.
* Intereſt * Reipublice Juventutem effe bene inſti
( tutam .
4. Verbs of Accuſing , Abfolving , and Admoniſh
ing follow the ſameSyntaxis. As, * Accufatur, Ab
Solvitur de or a Grimine) * furti.
Ut me difimulanter gravius argueret inſcientia.
Min . Fel.
OBSERVATIONS.
1. We muſt take Notice, that no Verb properly
can be ſaid to Govern a Genitive Caſe, but that
there is always fome Subſtantive underſtood, upon
which it depends. As, Hic liber * eft * Fratris,
put for, Hic liber eft liber fratris. * Rerum * Sa
tagit: ſuarum . Is agit * Satis * rerum . Miſereor
bui, for Miſereor gratia tui. Memini hiſtorie, for
Memini * verba * hiſtoria .
1. Obliviſcor, Recordør, Reminiſcor, and Memini,
are Read with an Accuſative. As,
* Memini * que plagoſum mihi parvo
Orbilium didare - Hor.
3. The
SINT AXIS, 147
3. The two Verbs Intereſt and Refert have a
reculiar Syntax with Mea. Tua, Sua noſtra Veftra, &
Cuja. As,Non * mea * refert quid dicant parentes,
qui nolunt liberos ſuos fever a lege proficere. Petron.
Arb.
1 4. * Note, That Verbs of Accuſing, &c. May
alſo have an Ablative with , or without a Prepoſition.
As, Accufatkr Négligentia, or de Negligentia.
3. Of VERBS Governing a DATIVE. 7
4. Of VERB S Governing an
ACCUSATIVE GASE.
OF V E R B S Governing an
ABLATIV E.
1. A Noun declaring the Cauſe for which, the in
ſtrument with which, or the Manner how any thing,
is, or is done, is to be in the Ablative Caſe, when it
follows the Verb. ' A's; Gladio transfixit. Morte,
Subegit.
Quodfi paterentur laborum gradusfieri, ut ftudiofe
juvenes * le&tione ſevera * mitigarentur, ut ſapientiæ
præceptis animos * componerent, ut verba atroci
* Stylo * effoderent, ut quod vellent imitari diu audi
rent,fibi nihil effet magnificum quod pueris placeret.
Petron. Arb.
K * To
152 SINTAXIS.
* To this Rule may be Referr'd theſe particular
Phraſes. Proſequi amore : Affici voluptate: Mente
motus : Stas animo: Natu Maximus,and ſuch like.
2. All Nouns denoting a Certain Price are put in
the Ablative Caſe. As, * Vendidi* auro
Quia * veneat *auro.
Rara avis, & piet a pandat Spectacula cauda. Hor.
3. Theſe Neuters, Fungor, Fruor, Oror, Potior
Veſcor, Nitor, Dignor, Vivo, Victito,Gaudeo : & Verbs
of Plenty, Scarcity, Filling, or Emptying , require an
Ablative Caſe. As, Fungitur officio. Fruitur præmio .
* Mente recte *uti non poſſumus, multo cibo & potu
completi.
Hand equidem * tali me * dignor honore. Virg.
4. The Ablative Abſolute, which is known by the
Engliſh Sign Being, is a Conciſe way of turning
Three Words or more into Two ; as, inſtead of
Dum Auguftusregnavit, * Augufto * Regnante,
* This one Sentence, out of Minucius Felix ;
may convince us- of it's uſe and Elegance. Viz,
Romam contenderat,* relicta dome,* conjuge, * liberis ;
& quod eft in liberis amabilius, * annis adhuc * in
nocentibus, & adhuc dimidiata verba * tentantibus,
loquela, ipſo offenfantis lingua fragmine; *dulciore.
OBSERVATIONS..
1. It is neceſſary to know , That the Ablative
Cafe has always a Prepoſition either Expreſs’d or
Underſtood, and for ' this Reaſon we meet with it
often Expreſs’d, As,
Ita * perfurit acri
* Cum fremitu, Savitque minaci murmure pontus.
(Lucret.
2. Words
SINTAXIS..
153
2.Words denoting an uncertainty of Price, are
ever Read in the Genitive Cafe. As, Tanti, Quanti,
Pluris, Minoris , & c. As Quanti emifti.
At bonaparshominum decepta cupidine falfo,...
Nilfatiseft, inquit, quia *tanti quantum habeas,
(fos. Hor.
id
OBSERVATIONS,
1. Adverbs are ſo call’d, becauſe they moſt com
monly are join'd to Verbs, to make them more exa
25
preſlive: We find them frequently too, for the famç
Reafon, put with other Words. As, Admodum
doctus. Perquam ftolidus &c.
Simul veritas pluribus modis infra &ta : Primur
infcitia Reip. ut aliene, mox libidine affentandi,
aut rurfusodio adverfus dominantes. Tacit. 2.Some
160 SINTAXI S. Xis.
2. Some Sentences chiefly, or altogether, confift
ofAdverbs. As, Sat citoſi ſat bene.
Tuveronec nimis unquam , nec nimisfæpe lauda
veris. Cic.
3. Longe,Multo, Tanto, Quanto, Hoc, Eo, Quo,
are plac'd with the Poſitive and Comparative, but
Quam with every degree, fo likewiſe ut, when it
is put for Quam .
* Quanto * conftantior idem
In vitiis ; * tanto levis * miſer, ac prior ille,
Qui jam contento, jam laxo, funé laborat. Hor.
* Quo quis * indoctior, *20 * impudentior. $
S
SINTAXI ,
162
Si libenter errant ii, qui errare se ſciunt : quanto
magis vulgusindoctum ? quod pompisinanibusgaudet,
animis puerilibus Spectat omnia ,oblečtatur frivolis, &
fpecieſimulacrorum capitur,nec ponderare fecum unam
quamque rem poteft, * ut * intelligat, nihil colendum
éſſe, quod oculis mortalibus cernitur, quia mortale fit
neceſſe eſt. Idem .
3. of a PRÉ POSITION.
1. Theſe Thirty Prepofitions included in four Vera
Jes Govern an Accuſative Cafe.
Ad, penes, adverſus, cis, citra, circiter, extra,
Ergå, apud, ante, fecus, Trans, ſupra, verſus, &
( intra,
Ultra, poſt, præter,propter, prope,pone,ſecundum ,
Per, circum, circa , contre, juxta , inter, ob, in
(fra. As ,
Quis poſtea * ad* ſummam Thucydidis,quis Hype
ridis * ad * famam proceſit ! Petron . Arb.
2. Theſe following Twelve an Ablative. A , Ab,
Abs, Cum, Coram , Clam , Dė,E, Ex, Pro, Pre, Palam ,
- Sine, Abſque, Tenus. As, Nuper ventoſä iſtæc, et
enormis loquacitás Athenas * ex * aſa commigravit,
animoſque juvenum ad magna ſurgentes, veluti peſti
: lenti quodam fidere affiavit. Petron. Arb.
OBSERVATIONS.
1. Note, That Verſus is ſet after the Word that
đepends onit. As, Londinum verfas. Cavaniam
verfus.
2. If
SINTAXIS. 163
2. If a Noun be Plural, and govern’d of Tenus it
muſt beput in the Genitive Cafe . As, Aurium tenus.
Thus of Penes & Uſque.
3. In Super , ſub, ſubter , Procul & Clam ferve
both Cajes. As, Mira pravitate animi atque in
genii *in *precipitia converfus, patris atque ejuſdein
avi ſui animum alienavit ſibi; moxque creſcentibus
in dies vitiis, dignum furore ſuo habuit exitum . Vell. -
Quis * in reliquis orientis,, aut obeuntis ſolis ulti
mis, aut aquilonis auſtrive * partibus tuum nomen
audiet ? quibus amputatis , cernis profe&to quantis
in anguftiis veſtra ſegloria dilatari velit. Cic.
4 . A Compounded Verb retaining the Signifi
cation of the Prepoſition , will have after it the
Caſe of the Prepoſition. As, Adeo Templum .
• Eos tantummodo dicunt effe fapientes quiſuperna.
!
*acie mentis *requirunt, &quèrendi ſagaci *diligen
tia * comprehendunt, & quantum vivendi perſpicuitas
præftat, imitantur. Cic.
+ Theſe following are ſomething Particular.
*Abſtineo manum *ab alienis * pecuniis.
Abborrebat a literis. (Catul.
Sevaque * abhorrebas ſævi * præcepta parentis.
Abdicare magiſtratum . Saluſt.
Abdicare ſe magiſtratu. Liv.
Superſedeo with an Acc. Tho' ſeldome an Abl. Caſe.
We often find the Compounding Prepolition again
repeated . As, Dum verborum lenocinio *a rerum
* intentionibus *avocantur , fine delectu aſſentiuntur
di&tis omnibus, nec a rettisfalſa ſecernunt. Min. Fel.
L 2 4. Of
164 SI NT X X I S.
4. Ofan INTERJECTION .
of Theſe Signs of Paffion ,call'd Interjections, have
after them ſuch Caſes as the Verbs underſtood,
wou'd have, were they expreſs'd ; to make which
plainer, I will include the Words that are left out,
in à Parentheſis.
Nom. O qualis (eft) facies! & qualidigna tabella !
Acc .o fortunatos nimium ( pürarem )bona ſi ſua
Agricolas . Virg . ( norint.
Voc . o ſocii (auſcultate precor)
o (qui) palli (eftis ) graviora dabit Deus
his quoq;finem.Virg.
Of Irregular or Figurative SYNTAXIS.
+ Irregular Syntaxis is to c 1. To its Ellipſis.
a 2 . Redundance.
e Manner, either as ,
bfold 3 Variation .
1. Of
SYNTAXI S. 165
1. Of the ELLIPSIS of NOUNS.
Ellipfis. Natural.
-Brevi. Brevitempore, or oratione
Prime. Primæ partes .
Bubula . Bubula caro.
Frigida. Frigida aquà.
Denarius . Denarius Numerus.
Ex quo. Ex quo tempore.
Januarius . Januarius menſis.
Patria . Patria terra.
Natalis. Natalis dies.
Tertiana. Tertiana febris.
Repetundarung. ! Repetundarnim pecuniari
Recta . in . Olinn Recta via.
Confona . Conſona litera,
Græci, & c. Græcipopuliaut cives.
Suburbanum . Suburbanum prædium .
Ad Diana. Ad Diana Templum .
Caſtra abfunt bidui. Caftra abſuntbiduiitinere,
Venit in mentemillius ne- Venit in mentem illius ne
gatii. gotii recordatio,
Conſcendere. i CIO ! Confcendere
In dies fingulnavem
os. ,
In dies. .
Siqua eft paulo Habilior. Si qua eft paulo babilior
ceteris,
-Non.habeo quem rogem . Neminembabeo quemrogen .
Eft qui dicat. Eft quidam qui dicat.
2. Of PRONOUNS,
Ellipfiş. Natural.
Çano.quæ folitus. Cano ea que folitus.
Ejt locus Italiam dicunt. Est locus quem Italiana di:
cunt.
Gnatam det Gnatam ſuam det.
بر, 3
165 TNT A XI S.
3. OF VERBS.
Ellipſis. Natural.
Hinc ille lacryme. Hinc ille lacryme ſunt.
Hic nihilad Rhonbum . Hoc nibiladRhombum facit.
Quantum ad illud. Quantum ad illud pertinet.
Quid multa ? Quid multa dicam ?
Satis de his. Satis de his dictum eft .
Mene incepto defiftere. Mene incepto defiftere opor'a
tet.
Egone utBucchididem bona Egone ut Bacchididem ba
meaſciens. na meaſciens committam .
Iline ut concitent bella . Iline ut concitent bella
permittentur.
Mehercule. Me Hercule ames .
Deus meliora. Deus meliora det.
Continuo ego mecum , Continuo ego mecum cogita
bam .
Scit fidibus. Scit fidibus caneres
Manupropria. Manu propria foribère. I
In Italiam cogito. In Italiam cogito proficiſci.
4. Of PARTICIPLES.
Ellipſis. Natural. 72
Oneri ferundo elle. Oneri ferundoefle fufficiens.
Omnia ad ſalutem . OmniaadfalutemSpectan
tia .
5. Of ADVERB S.
Ellipfis. Natural.
Nemo opinor contradicet. Nemo utopinor contradicet.
+ Ut & Sicut are often ..!
omitted before theſe
Verds
SYNTAX IS! 167
Verbs |Opinor , Arbitror
Credo Puto .
Altera die quam ſolvit. Altera die poſtquam folvit.
6. OF CONTUOTIONS .
Natural.
Ellipſis. Plus aut minus .
Plus minus.
Surgamus gravis effe folet. Surgamus gravis enim effe
folet.
Dedilſes buic parco . Sidediſſes huic parco.
* Quam after Plus,
-Minus & Amplius. As,
Plus millies. ( Plus quam millies.
7. Of PREPOSITIONS.
Natural.
Ellip .ſis
Latina littora venit. Ad Latina littora venit .
Tertio Calendas. Tertio ante Calendas.
Annas quadraginta natus. Ante annos, quadraginta,
natus.
Id ſucsenſes mihi. Ob id fuccenſesmihi,
Arce ſua ſpectat. Ab arce fua ſpectat.
Stridens aquilone. Stridens ab aquilone,
Magna utilitate. Magna cum utilitate,
Habet me loco filii. Habet me in loco filii.
Vt after Volo, Nolo, Malo, Precor, Oportet,
Neceffe eft, and ſuch like is Elegantly omitted. As
Velim nos revifas. Velim ut pos reviſas.
Cave putes Cave ne putes,
L'A 2.
168 S.T.NT AXIS.
2. A Redundance, which by Rhetoricians is call'd
Pleonaſmus, is when ſomething in a Sentence, thro'
Paffion, is Superfluous. As,
Pleonaſmus, Natural.
Ore Locuta eſt. Locuch eft. 0.0
Hiſce oculis egomet vidi. Vidi.
Ubinam gentium . Ubinam .
Quocuncque terrarum . Quqcuncque.
Suofibi hunc gladio jugulo . Suo huncgladiojugulo.
Si ef ut dicat. Si dicat.
Simul concurrunt. Concurrunt.
3. Variation, which is a Swerving from the Na
tural Dilpolition which Words ſhou'd have in a
Sentence,is perform’d Twoſeveralways.
Viz .
Si. By a Tranfpofition ofWords.
22. By an Imitation of the Greeks.
Tranſpoſition. Natural.
In . Nati in triviisa
70
. Dare claſſes anstris.
Per mihigratum. Pergratum mihi.
Greek Syntax. Latin Syntax .
Letor laborum . Lætor gratia laborum .
Velatusfaciem . Velatus ſecundum faciem .
Alius ſapiente bonoque. Alius 4 Sapientebonoque.
Canum degeneres. Canes degeneres.
Nigre lanarum . Nigrælana .
Largus Venia . Largus'venia.
Define curarum , Deſine.cúris.
Vobis decet. Ter. Vos decet.
It clamor cælo. It clamor ad cælum .
Fac me ut ſciam . Fac ut ego ſciam .
Of
SINTAXIS. 169
Of DIVERSIFTING.
The Art of Diverſifying the ſame Thing by a
Variety and Change of different Expreſſions, has
been follow'd by the moſt Eminent and Copious
Writers ; which we may be the better aflur'd of by
Tully's own confeſſion to Mimus Roſcius his Friend ,
to whom he Recommends the changing of the
fame Sentence; by a new Dreſs of Language, as a
very neceſſary Qualification for an Orator. Fabíus
commends Homer' for this ; nor does Virgil, in his
Imitation of him , forget ſo great an Excellence.
This Ąrt of Diverſifying may be perform'd two
Ways .
1. By Abridgment. As, Et campos ubi Troja
fuit.
2. By Extention . As,
Venit ſummadies, & inelu &tabile tempus
Dardaniæ , fuimus Troes,fuit Ilium, & ingens
Gloria Teucrorumferus omnia jupiter Argos
Tranftulit : incenfa Danai dominantur in urbe
0 Pátria, o divum domus, Ilium & inclyta bello
Mænia Dardanidum.
Yet Copiouſneſsand Brevity aré not ſo much to
be Affefted, asto occafion obſcurity in the One;or
Saperfluity in the other.
Wordsof Gopiouſneſs, is to be Máſter
The Firſt Method
, to fignify One and the fame
of a Plenty of
Thing; as, Domu's, des ; Enſis, Gladius ; Forma,
Decor, Pulchritudo, & c. But the greateſt Caution
is to be had in the Choice of Words, that we
chufe ſuch as may be moſt proper for the Occa
fion and Harmonious in their Place ; and that we
ayoid Sòrdid, obſolete, Harſh, and Unuſual Expreſ
fions, I. Sordid
970 SYNTAXIS.
1. Sordid Expreſſions are ſuch as are Metaphori
scally taken from Vulgar, and mean Employments ;
as , Botularii, Cruftularii, & c.
c! 2. Obſolete are fuch as by the Improvementof Lan
guages are laid aſide for more Modern and Polite
Words ; as, Bovinari for Tergiverſari; Huftes for
Hospes ; tho' if they be, ſparingly usd they are
fometimes Graceful; as, A.tutum for quamprimum ;
Duellum for Bellum , & c.
a Bi Harſhinefs of Words are to be Diſtinguiſh'd
.by the Ear which is the beſt Judge and Director in
vour Choice of Sounds. iu
1
10. Ut në is alſo put for Ne. As, Id at ne fiat,
hæc resfola eſt remedio. Ter.
+ This is not always to be Imitated.
Il. The Particles Tum & Cum , are to be ma
naged after this Manner. When two things of
equal Worth are to be join'd, then Tum & Tum doe
very well. As, Odit tum virtutem , tum liberales arm,
tes omnes.
# But when things of unequal Worth occurr,
then we uſe Tum & Cuin, the formerbeing applied
to the better Thing. As, Cum omniſtudiorum genes
re, tum in hoc præcipue. Quintil.
112. Aque is Elegantly put for Tam , Ac & ato
que for Quam. As Quiæque atque ego funt occa
paři. Çic
* This
SINTAX I S. 179. " ;
+This Particle Acis very Expreſſive after thereWords ;
Aque. Similiter .
Aliter. Diſfimilis.
Contra . Secus.
Perinde. Statim .
Pro eo. Par .
Similis. Pariter .
13. The Conjunii ion Vel for Etiam , is no ſmall
Elegance when putwith Superlatives, Nouns , or Ad
verbs ; as , Potior mihi ratio vivendi honefte, quam
*vel *optime licendi, videretur. Quintil .
14. The Pronoun Qui may be very well ufed in
ſtead of the Prepoſitions, Secundum, or Pro. As,
Moriar, ni * quæ tua gloria èft; puto te malle a Cæſare
Conſóli, quam inaurari. Cic .
15. Otpote, Quippe, vt, and Qui, have the
Signification of Quia or Quoniam', and are beſt
urd for them. As, Nec-ignoro quos tranſeo, nec uti
quedamno,* ut qui dixerim , effe in omnibus utilitatis
aliquid. For , *quia dixerim .
Lælius quidem frater ejus, utpote qui peregre de
pugnavit,familiam ducit. - Cic;
Quippe quæ res etiam in defertis agris, citra ruf
tici operam convaleſcit. Columel.
16. Two or Three Active Verbs agreeing by a
Conjun&tion Copulative, with one Nominative Cafe
inay be chang'd for the better, by furning the Firsin
of them into a Participle of the PerfectTenſe. As
Quem * retra &tum ex itinere parens necari juffit.
Sal. For; Quem * retraxit & necari * jufit.
Et 'illum quidem vociferantem in mare vertus ex
cuſit, repetitumque infefto:gurgite procella circum ,
egit atque haufit. Petron. Arb .
$ M 2 Quid
180 SYNTAXIS .
17, Quid the Interrogative is well follow'd by
Quód. As, Quid ? quod ſapientiſſimus quiſq; aniña
equiſimo mor itur, Cic.
18. Propter & ob before Quem , Quam , or Quod,
are chang'd to Advantage for Quamobrem ,Cur,or
Quare. As, Multa mihi veniebant in mentem , qua
mobrem unum laborem tibi etiam honori fore putavi.
Cic .
19. For thefe, Non eft opus; Oportet ; Non Opor
teti Quid eſt. Opus ? We more gracefully fay, Non
eſt quod nihil eſt quod; Quid eft quod ? As, Nihil
eft quod vereare. Cic.
20. The Particle Quod, when a preſence of Atti
on is mention'd, is join'd to the Indicative Mood ;
but when any thing paſt is treated of, to a Subjunce
tive. As ,
Id unum nefarie ab opimio proditum , * quod capitis
non *dicam Gracchi, Jed civis Romani pretium ſe da
turum , idq; auro repenfurum propoſuit. Vell.
Paterc .
Gratiffimum eft quod quieveris. Cic.
21. When the Verb of the foregoing Clauſe is
repeated with Autem or Porro , it adds more Beauty
and Life to a Sentence. ' As, Quoniam his volumi
nibus ad te profeeta vox mea eft, tribues his temporis
quantum * poteris, * poteris * autem quantum voles.
Cic .
+ What is here Written, is only intended as an In
troduction to the Elegancies of theLatinTongue, and
may ſerve as uſeful Hints forBoys,in the reading of
theClafficks, ſo that by an exact Obſervation ,which
otherwiſe they wou'd not have bad, they may be
fur :
SINTAXIS . 181
furniſhid withmany more of their own Collecting ;
and alſo, in their Tranſlations avoid many Barba
riſis, which the Idiom of their Mother Tongue,
wou'd inſenſibly lead them into,
Some neceffary REMARKS to prevent
Miſtakes in the Signification of Words.
.
M 3
182 SINTAX
IS
.
;
OF
183
OF
T
PROSODY .
1.
T, ROSODY is that Part ofGram
mar , which Teaches us to Proe
nounce Words, according to their
P true Quantity and Accent.
Quantity is thatTime, that is prom
perly allow'd for the Pronunciation
of Syllables.
Syllables are either Long , Sbort, Common, or Doubt.
ful.
The Time of a Long Syllable, in reſpect of a Shorts
is as Two to One. As, Flammå.
The Time ofa Short Syllable, compar'd with a
Long, is as One to Two. As, Amăbămus,
Thoſe that are common , are Long and short at
Pl aſure. Ąs, we read Volucris & Volýcrisa
The Doubtful are ſuch as are of an uncertain
Quantity. As, Rúbigo. Virg. Rábigo. Mart.
Coralium . Ovid. Coralia, Claudian. Connubium ,
Virg. Connābia. Idem . &c.
Accent is the Muſical Raiſing or Falling of the
Voice, above, or below the ordinary Tone thereof.
1. Is an Elevation of the
There are three Accents
Acute ( ) Grave and
;S Voice.
Circumflex , The 2. A Depreſſion.
3 . An Undulation .
Μ 4 Bus
184 PROSODT.
But ſince the Latin Authors have not there Marks
for the direction of our Pronunciation , we muſt be
content to be guided by Profody, and the Practice of
the beſt Orators, and make them the Standards of
the Right Modulation of our Voices.
+ As there is nothing more pleaſing, than a ſweet
neſs of Pronunciation, it ouglit to be our conſtant
Care; nicely to obſerve the Muſical Proportions of
Long and Short; the no leſs Harmonious Degrees of
High and Low, Soft and Loud, in what we Read or
Speak; forthere's ſuch a ſecret Magick in Well Tim'd
Expreſſion, where there is , at the ſame inſtant, an
Agreeable Cadence , that the Soul by a Natural Sym
pathy, cannot bur yield to it's Power and Influence.
But how few do we find Mater's of ſuch a Perfecti .
on ! Every Man almoſt (who has not had the Bleſ
fing of True Inſtruction ) having an Utterance pecu
liar to himſelf, and that for themoſt part, owing to
fome Predominant Paſſion or Humour. One breaths
in an Air of Melancholly, whining out his Words, as
if he had lately buried all his Friends; another in a
furly Tone, as if he came to fight you ; a Third with
the greateſt Precipitation ; à Fourth on the Contra
ry Extream : Some again are guilty of ản Unman
nerly Loudneſs, Others, as Ridiculous, can ſcarce
be heard. In ſhort, you will find enough with a
mixture of all theſe , and if Different Voices be ſuf
ficient to diſcover Different People, many à Man
makes a large Company by himſelf.
We are much miſtaken, if we think we ought to
be left to our wild Notes, for the Natural make of
our Organs may diſpoſe us to Bray with the Afs,
ór Chatterwith the Magpy, if we don't by an ear
ly Care, as well as Art, prevent it. The Firſt Step
ins then
PRO SODY. 185
} then to this Neceſſary Qualification is exa&tly to
Underſtand Proſody.
Of the Firſt, Middle, and Laſt SYLLABLES
of WORD S.
2. OF DIPTHONGS.
Two Vowels ſurr'd into one Tone, Aurum .
Are Dipthongs call'd for being One, Europa,
They're ev'ry one to 'lerigth inclin'd, Mhe.
Except Pre with a Vorrel join'd ; Premium .
As in Preto, Preuſtus : Hei.
Pre ftill is ſhort and take it thus.
1
PROSODY. 187
Primitives Derivatives, Primitives Derivatives
Long. Short. Short. Long.
Aro. årift a. Décem . Denus.
Būbus . Bubulcus . Foveo. Fomes .
Dis itis. Ditio . Homo, Humanus,
Dico . Dicax. Humus. Humor .
Differo. Diſertus. Jūgum . Jugerum .
Duco . Dux ,décis. Focus. Fücundus.
Fari. Fåtuus. Låteo . Laterna .
Fär . Färina . Lego. Lex - lēgis,
Fido. Fides. Lino. Litera .
Frängo. Frágilis, Macer . Măcero .
Lüceo. Lúcerna . Móveo. Möbilis.
Möles. Moleftus. Penus. Pēnuria.
Mamma. Mamilla. Régo. Règula & c.
Nötus, <
Noto. Sécus. Sēcius.
ofa. ofella. Sedeo. Sēdes.
Pono. Pofui. Stipo. Stipendium .
Sagio. Sägax. Tego. Tëgula .
Sopio. Sopor. Vóco. Vox -vācis.
Signum . Sigillum. Vömo. Vomer .
Servitum , Servitus. Simple Compound
Stäre . Státum . &c. Long. Short.
Tignum . Tigillum . Nebilum . Nihilum .
Vado . Vädum . Dico. Caufi-male
Vite . Vitium . vere-dicus
Nubo. In -pro-năbo
Itum . Ambitus.
Jüro. De-pe-jero.
+ There are a few Notum . Ac-cog -nim
more, which Experi tum.
ence will Diſcover Sõpitus. Semiſõpitus.
5. Of
188 PROSODY.
DECLENSION. 2.
Nouns of the Second are ſhort, lave j Liber-eri.
Ibēri like a Spaniard grave,
Moves Slowly with a ſober Pace;":N!!.
As 'tis in it's encreaſing Cafe.
† Note, That the Encreaſing Syllable is that
which has one more added in the oblique Cafes,
than was in the Nominative.
DECLENSION . 3 .
A O's made long, but E, I , U, Pietas ātij
The Third makes ſhort , fo mult we too. Honor , orisk
EXCEPTIONS of A SHORT
All Maſculines in al, and ar: -
With Hepar, Jubar, Next ar, Par ,
And it's Compounds all ſhorten'd are
:
190 PROSODY .
Fax, Trabs and ſuch long Nominatives ,
With vas contract their Genitives.
So Greeks that End in a & as,
1
As Stemma Stemmätis, Lampas:
1
O Short,
E long.
Ger’tives are long that End in ēris ;
As Ren, Splen, firen made firēnisa
Ver, Manſues, & Locuples,
Rex, Vervex, fræs, Merces,Heresy
Fex, Seps, Plebs, Halec, & Quies.
Thus Greeks are long, in ns. & mg
Tapes tapētis, ſo Crater.
Of
PROSODT. 191
I and Y Long
Make inis long from Salamin;
And ev'ry Greek that Ends in In .
To which join Apſis, Samnis, Dis,
Lis a Vibex, Gryps F Glis.
From ix be ſure to lengthen icis
As Felix ; Bombyx makes Bombycis:
But ſhort are Hiſtrix , Fornix , Calix ,
Onyx, Varix , Nix , & Salix ,
Natris , Japix , Coxerdix, Pix ,
Eryx, Filix , Ambiorix , Strix,
Add unto theſe Appendix, Styx ,
u Long.
From us make ūtis, ūdis, üris
Long ; Lux, Pollux, Frugis, Furis
The ſameway ſcand ; except Ligúris.
OR
192 PROSODY.
Of laft SYLLABLES.
Of os, n , Short, OS
Com -im - pos & Os offis are
An, Tamen, In, Short ev'ry where ;
So Words clip'd by Apocope ;
As, Viden' Nemon wanting e.
En's Short, when Short is it's Encreafe ,
As Carminis i'th' Genitive Cafe.
min
Of I Commons
}
Nif , Quafi, Vbi, Ibi,
Sicuti & Mihi, Tibi,
Are Common all, and ſo is Sibi. }
Of C Short
Lac, Nec, & Donec are Short ftill.
But Fac ; Hic, hec, boe, us'd at will,
Of A Short.
Theſe five Words, Puta,' Ita, Quia,
Poftea with Wondring Eia,
· And other
(Excepttheresall in a ,
) ،
Muſt with a nimble Cadence fall,
Soginta too, when Numeral, As, Quadraginta
4. Of
194 PROSO DI
Of Words in R Long.
Far, Lar and all Compounds of Par,
As Compar, Diſpar, lengthen’d are.
So er's produc'd when it makes qris,
And Aer, & tber, tho' Atheriș.
Of Wordsin IS or US long
Each oblique Cafe that Ends in Is
Is long ; To Simois, Samnis,
Becauſe it makes long Samnitis :
All ſuch produce, that long Encreaſe,
It Is or Us , 'tis all a Cafe.
The
PROSODI: 195
The Fourth produces Plural Cafes,
Tho'Sing'lars move with Slower Paces.
of the laſt Syllables of Verſes.
The laſt of ev'ry Verſe, we fee,
Is of Uncertain Quantity..
OBSERVATIONS .
1. Note, That the Poets ſometimes make a Sylla
ble long by the doubling of a Letter ; as in Redligio,
Repperit.
2. In the lengthening of Vowels by Poſition, it
is indifferent whether the twoConſonants be in the
fame Word, or divided hetween the End of it, and
theBeginning of thenext. But if both Conſonants
begin the following Word the Latins do not re
gard it, tho' the Greeks do. As in Tela Scandite.
3. There are butSeven Mutesconcern’d in Poſition,
among the Latin Poet's, which are B, C, D, F, G ,
PAT, And but two Liquids L and R, but eſpe
cially the Latter; the Greeks alone obſerve M & N.
* Note alſo, That the Liquid muſt follow the
Mute; thus we find Patrem Common but not Para
tem. The Reaſon of this, is the Diviſion of Syla
bles on each fide of the Mute, and Liquid ; as in ,
Tenė-bras or Teneb -ras. This has made Martial
Ihorten a Vowel before two Mutes; as,
Sardonychas, Smaragdos, Adamantas, Faſpidas uno:
+ When in Compoſitiona Mute& Liquid muſt be di
rided, as in Ab-luit, ob -ruit & c. ' tis not ſo Proper
to make the Vowel Common : Yet we ſee thatito
N 2 TACT
196 PROSODT. I
race overlooks this Nicety in the Words ré-prebent
dis & rë- prendas, fo do Lucretius, Virgil, and fe
veral others ,
* We muſt farther obſerve, that tho' a ſhort
Vowel, by Reaſon of a Müte & Liquid, may be
ſometimes (but in Verſe alone) produc'd; yet a long
One cannot bemade ſhort. Thus, äter ,mäter, frà
ter, & c. being by Nature long before the ſingle
Conſonant, continue fo in ātra, Matris, Fratri.
4. The Third Perſon Plural of the Indicative
Mood in èrunt, is often made ſhort. As,
Matri longa decem tulerunt faftidia menfes. Virg.
5. The Verb Do has a ſhort increment in the
Preſent Tenſe and in the Firſt Syllabté of all formn'd
from it. As in, Dämus, dåtis, Dåbain, & c .
1. A
PROSOD 1. 197
1. A before B Long.
Fabula, * Labor, & Labes, * Labar the Verb.
Crabro, Pabulum , & Tabes, Al mark'd
Tabum , Flabrum , * Sabura, those are oper
* Sabis,* Nabus, * Tabracaq: Naines
+ Flabellum , t Abel, Dolubra, of Commoa
Cng itabundus,jaft abundus, ty;
And all ſuch ending in übundus.
Venabulum , Caridelabrum ,
Such Terminations hither come ,
2. A before C Long.
Cacabus, Vacinium , Placo,
* Acer, Brachium , & Paco, c ! * Acer the Adject.
Machina, Facundia,
Graculus , Maceria. DOK
+ Acis, & * Achar, * Dacia, ...
*Macezer, + Cacus, * Tbraciais
*Zacharias, Iracundus,
* Vacienus, & Facundus : 105
པ་
* Pacuvius , * Cameracum , 792
IN
Jentaculum , * Eboracum , digi
*Otacilius with * Dordrerum , 1,970
Simulācrum , & Sampſacum . ** 25
We alſo ſee the Word + Pachynus,
To make it Common does enjoin us. 4 .
+ Vacillo too ; but long's Lirnsa,
Portulaca , Paſtinaca,
Piſtacium & Cloaca .
* Syracuſa , * Sarraca , 11:13
* Anchaces, *Phracia. ê ... ; 01.
N Mergens
198 PROSODY
ThusOācus, Galinaceus, DA
Meracus too & Herbaceus,
With all that End in ceus & chePorno
Extend ſuch as Vernaculus.
3. A before D Long,
Caduceum , Clädes, Rädix ,
*Agelades, *Ladona Sadix , ci
*Ladas, *Gades, *Gadir, Trade,
+ Adamus, + GradiuusRado. vi
* Gladis, fuadeo, * Conradus,
* Jader , Cicada, Menradus.
One more there is the Proper * Fidusa
And * Quadi which is never quaculis, *
4. A before F Long.
* Venafrum , Venafranus, * Afer,
Are all belonging to A ; F, here.
5. A before G Long:
Words that begin with F &P
Produce their Abefore the G ;
As Fragum , Fragor, Playa, Fagus,
Pagina, Flagito , Pagus, ، ،
Paganus. But Flägrum Flagro,
Frágilis, Flagellunt, Fragra,
Frågor,Plága, Plågium ,
Both Noun and Verb, hither come,
Excepted ſhort; fo far they're Variouss
The laſt of them is Plagiarius.
Now let's proceed with Saga, Strages,
* Melenger, *Laghs, * Agis,
* Mago,
PROSODY 199.
* Mago, Vagina, Vagio,
Sagus, Lagopus, Sagio,
* Bagrada , Tragema, Stragulum ,
Agea, Tragula , Repagulum ,
And all in ago, ages, agulum ,
Extend. And ſuch as Quadraginta,
Quinquaginta, Sexaginta.
A before L Long.
Halo, Palor, Ales, Ala, 0 0
With the proper Name* Meſſala
* Malum , Palus, * Malus , * Mala . *When Subs
Halec , Halex , Scalo, Calo ,
Laligo, Baliſta , Palo; ن. م. ! م
Malobathrum , Malo , Bato. 2,982
Squaleo, Qualus, Alea, is : D
Talio, Talus,Talea, وا۔ "
Talaria, Balana, Talis,
* Dalila, * Alexto, Qualis.
With Adjectives that End in alis, üvvoriti
Sandalium, * ſardanapalus, To
Pharſalia with this f Stymphalus 1
Çanalis & Mag alia , 2 !!
Sodalis & Mapalia ,
Next wemuſt vary fAbeſſalon
With + Aſcalon ,fCorialon.
A before M Long, 1
A before P Long.
* Apenninus,Apis, Papá,
Lapathos ,Crapulo, Rapa,
* Paphlagones, Gapus , Capo,
Papilio,Saperda, Sapo,
Vapulo, * Papinius ,* Sapis,
Proſapia, * Meffapus, Sinapis,
* Apidanus,
PROSODT . 201
* Apidanus, * ) apyx, * Papias, asian jarri
* Priapus, * Japis, * Aſculapius,
With theſe * Neapolis, * Anapis;)
Make long * Serapion, * ferapis. unds
C: in
A before R Long.
Area, Glarea, Larus , Naris, .
Glareoſus too, and Glaris, 2
Carex, Varix , Quare, Baris. ISA
Carica with Ara , Pareo, y ).
Aridus, & Varo, Clareon 17) . **** i pritet
And Adjectives that end -in arus, MAITIN
As Varus,Gnarus, Rarus,,Clapus. inni svitsbe
* Larunda , * Lariſſa , *Varuso enderen
* Aram , *Aruns, * Sara , Scarus, NTNine
* Carinus, * Cares , * Caria , Clarus, 7
* Larius, * Varius , and * Pharuspisingigit
+ Darius, Tiaras, Avarus, con
Calvaria , Amaracus, Amaras, * -skodaw
And Adjectives that end in arising
Are, arius ; Molaris , stry
Cochleare. Phalarise PLN ?
You muſt except & Hiláris. Hy
..1521," S
A before & Long,
Baſium , Laſerpitium , Cafeus,
Baſio, Lafer, Naſo, Naſus,
* Alis, * Nafica, Ag aſo, i !
By Nature are extreamly ſlow ..
* Nafidius, & * Aſia , tu :
Omaſum , Colocaſia,
* Aſopus
-
202 PROSOD 1 .
* Afopus is produc'd byus,
* Paſiphae, * Påfophilus,
* Thrafymachus, *Gafellids.com
* Amaſius, * Naafon , Phafis,",1984.13
* Oribafus & * Amaſis,
*Ceprafia,and all in äfius. I szolod
* Jalon, Afinus, Parrhafiuso widelis
b05,003
A before T Long , this
Clathrus , Clathrum , Crates Ater, 21
Gratis, Fatum , Gratus, Frater
Atrium , Gratulator , Crater,
Adjective Latus; Lafa, Latum , idlin
}
Laterna, Matutinus, Prawin ,
Maturus, Matrona, Mater, ( 280k
Natio , Natura, Statur , pia; ei si
Vaticinor , Materia ,Antti
Vates, Stlata , * Gratia , CA ,
* Latona , * Cratbis, * Latous,
*Nathaniel , * Scatinius, . ) 299
* Vaticanus, * Atella ,
* Saturnus, * Statius, *Matuidi
* Vatuca , * V atinius colors
Atys, and * Saturning
Grabatus, Pirat a, Aratrum , witisa
Arator , Cicatrix , Theatreutstimees
Archiater , & Veratrum ,
Thus all in ator, atius,
Ates, atim , aticusgi
Atas : with propers athes, ates,
But ſtråtos, crătes, alſo båte,
Greek Endings Short, as Schæ nobátesz
Phi
کے
PROSODY, 203
Philocrates. Read * Mithridates
Long. Short * Lapăthus,* Zălătes i vis
'T
A before V Long.
Clava, Claviger , & Clavus,
Gnavus, Mavis, Clavis, Flavus, tib *
Flaveo, Gaviſus, Navo,
Navis, Pavus, Pravus, Pavo,
Suavis, Suavium , Oitavus,
Ravis, Suavior, * Timavus,
.. و
* Ravidius, Navita, * Ag ave;
Davus, ** Lavinia, Conclave,
Cadaver, * Mavors, * Lavinium , ܃ ܨܼܿܐ ܆ ܀، ܙ
36
* Batavia, * Batavus, *Batavium.
E before BLong.25 cc *
Creber, Grebro, Debilis, visit
All Adjectives in ebilis ;
Debeo, Sebum , Plebes, Hebe, boogie
Gleba, * Nebis, * Rhebas, * Thebe,
Thus Trebula, * Sebinus, * Hebras ,
* Sebetbus, Ephebus, Ebrius. Cu
eribano
E before C Long jengivari
Echo , Mechanicus, & SpeculMIS
a) ; ;
And Secius, Securus Tecula ,
With all Derivatives in eculaj!!
As, Plebecula, Diecula .
*Lecania, Verecundus,
Veçors, Theca, Lecythus,
before
204 PROSOD 1
Coins
E before.D Long. j: '،، ܇ ܀
E before M Long. 21
Eleemoſ ,riBsohemia , ia
Pent heminmdes , Vindem ,
Compou of sipées gājaita
E before N Longi
Denus, Denique; & Grena,
Penula , Venalisj Lena, la ra
906 PROSOD 1
Vena, Strena, Scena , Grena:
Penicilius & Penis
Denuo, Lenio, Lenis,
Leno, Threnos, Senio,
Splenium , Venor, Veneo,
Venabulum , * Menuthias, Plenus,
Strenuus, Penuria,ſenus,
Meninx , * Mena long and Rhenus.
* Zeno, Xenia , *Sena , Tenos ;
* Penelope *Menophilus,
+ Phrenetis, & + Phreneticus?
Words making enus, ena, enum ,
Not Proper, as Habena, thenum .
* Alcenor & * Alcumene,
* Antenor , & * Dindymene ,
* Agenor , & * Mitylene.
* Athena nextjoin with * Silenus.
* Hippocrene,* Thraſumenus,
Laſt come * V ageni, + Neriene,
With * Cyrene, & * Sileni.
E before P Long
Hepar, Repo, Sepum , Sepes,
* Tlepolemus Epitides,
* Leponticus & Sepio,
*Epirus, Sepia,* Cepio;
* Cepheus, * Sepias, *Cephilusy
* Epirota & * Epitus.
* Aſclepius &Joſephus
The laſt we Mention is fepus.
E before Q.Long.
Nequando, Nequis, Nequa, Nequam
For ſhort beſure do not mifake 'em ,
PROSODY. Boy
All Ne's and Si's in Compoſition, çfaris
'Fore 2 are of the ſame condition.
* Sequana the ſweef River Seine
To run at length does much inclips.
E before R Long.
Beryllus, Ceroma, Cera,
Clericus, Cerotum, Pera,
Ferior, Ceruſſa, Clerus,
Eruca , Feria & Heros,
Feralis, not Feralia
The Feaſt; make long Theriaca,
Serius, Verus, * Eretum ,
* Berytus, * Nerii, Ceratum ,
* Feronia, *Eridanus,
* Xerolophus, * Theridamus,
* Ceratus, * Seres, Seranus,
* Neritos, * Thero, Poderis,
* Galerius, Trieteres,
* Zerinthus, * Verona, * Nereus,
* Herodotus, * Geryon, * Tereus,
* Cerinthus, * Ceritus, Cratere
* Cerites, Cyperus, Statera,
* Erigone, * Nerio, Severus,
* Herios, * Erinne, Sincerus,
And all the Adjectives in erus.
Herios, Difterium ,
Arteria , Cauterium ,
With all in teria, terinn :
* Abdera, *Hiera, *Homerus,
}
Cytberea & Iberus,
E before S Long?
Theſaurus, Vefanus, Frefus,
Reſina, Peloponneſus,
And all ſuch Greeks deriv'd of yurt 3,
208 PROSODY.
Geſum, *Cteſiphon , & * Rheſus,
Veſica, * Theſeus, Ambeſus.
* Heſychius, Ecclefia ,
Reſina, Megaleſia,
* Hefione, Centeſimus,
All Numerals in eſimus.
Eteſias & obeſus.
Remember too that all muſt be ſo,
That come from the Greek Future low ;
Such as. Apoſtopefis,
Catachreſis, Dioc afis,
* Magneſia, *Milefius
* Onefimus, * Mindeſius,
Propers in efus all and efius.
E before T Long.
Ethicus long from Sos Beta
Metor , Metior, * Cletus, * Creta,
Creta chalk, 6 Rete, Meta,
Teter, Rhetor , Seta , Cetus,
Niceteriam , * Paracletus ;
And all that do from Lethe come,
Lethargus Letheus, Lethum .
Zethes, * Tethys, Petalus,
Ortigometra, Boletus,
Latins in etus, eta, etum,
As Vegetus, Moneta , Acetum .
The ſame way Words in 'eticus,
As we find Arithmeticus.
Libethra, Curetes, Cajeta ,
Lucretius, Prometheus, feta.
.
E bez
PROŚODY 209
E before y Long.
Levis, Trevir ; Benevertam,
Sevam , * Suevas, Maleventua ).
· I before B Long.
Clibanus, Hibernas,: Fibatan
Sibilus, itburnum , Tributs , 1.**
Vibex , Liber , Tibia, Scribonia
Ibis, * Hybla, Libra, Liboj
* jdycas, * Scribonius;* Libetze:10
* Vibius, * Libetbra, * Tybur,
* Oribafus a Climbinghound
The laſt of all that can be found.
1 before C Long.
.
Dico dicis; Dica, Ficus,
Ico, Lichen, Mica: Pisus,
Licium, Pica, Slout, Spica,
Spicam S, piculum , & Sica,
Sicubi, Triceni ,Trika s
Trico,Viceni, ſuch as Tricies,
Vicefimus, Vicinus, Vicies, en
Are Long, ſuchNum'rais Millmuſt be
Of an extended Quantity,
*Bice, * Michael, Amicus,
* Sicbans, *Icarus, Anticus,
* Lichas, * Iconium , Apricus,
Laferpitum , Caprificus.
* Micipal Convicium ,
Febricito, *with Picenum ,
0 I be 1
210 PROSO DI
* Ticinus, * Sicania
Sicelides, * Sicilia,
And ev'ry Word almoft in Ica
Such as Formica, & Lettica.
And yoki Greek * Theſſalonica
With which * Marica , es * Nafica ;
Myrica, Nutrico, Mendicks,
Multicium ; adjoin * Lumbricus : *
I before D Long,
Pridem, Pridie, Fido, Fidus,
Rideo, Nideo, Nidor, Idus,
Idem Maſc. Idolum , Nidus.
* Euclides, + Fidena, * Dido,
*Phidias, Elegidion, Sido,
Conſidero, Faſtidio,
Deſidero, with Studeo.
* Poſidonia & c** Ida,
*Godefridus, Sidus, Lyda;
* Ventidius, + Euripides,
And Patronymicks in ides: APiſidia,
PROSODY. 211
+ Piſidiæ, Words in Ido
As Formido, & Libido. Except Divido.
I before G Long.
Digenția, Frigilla , Figo,
Biga, Frigus , Frigo, Fligo,
Vigenti, Frigeo, Caligo
Trigenta, Sigaum , Caſtigo,
Gyges, Strigilis, Auriga,
Origanium , Quadriga,
Preſtigie , Faſtigium ,
And all in Igo hither come.
I before L Long.
Filius, Chilias, Bilis, Filum ,
Pilum Pileus, Ilex , Hilum :
Ilia, Miles, Pila , * Nilus,
Pſilothrum , *Miletus, Iluss
* llium , * llithya, Vilis .
Pileñtum , * Silius, Ilicet,
* Pilumnus, Silo; Scilicet,
Silenus, Smilax, & Adilis,
And moſt ſuch Adjectives in ilis
Not Verbals ; except Humilis ,
Similis like, & Dapsilis,
Parilis, Sterilis, Aquatilis.
Fluviatilis, Verſatilis,
And all ſuch Words as end in atilis :
All Subſtantives that end in ile,
As Bovile & Mantile,
* Argiletum & Compilo,
With other Compounds ; as, Expilo.
Palilia
1 212
1
PROSODT.
Palilia, * Servilius ,
*Pampbilia, * Sextilius:
* Venilia, *Lucilius,
* Petiția, * Manilius,
And Proper's all in ilius;
Make Common tho + Rutilius.
I before M Long,
Cimex , Climax , Crimen, Bimus,
Criminor, Limax, & Trimus,
Limo, Limes, Limen, Imus.
Limus , Minus, Primus, Rima,
}
Rimor, Scrinia, Simus, Lima,
Nimirum , Limito, & Vimen ,
Words in imentum too, & imen,
Rudimentum , & Molimen,
Produc'd of the Fourth Conjugation ,
Are founded after ſuch a Faſhion .
*Archimedes & Chimera,
* Timagines long, & * Himera.
* Ariminum , * Limonius,
Opimus & * Opimius.
All Words deriv'd from this Greek ,
Ainong theſe Long'ones you muſt ſeek ,
1 before N Long.
* Mineus, * Minos, * Plinius, Binur
Sinus, Pinus, Finio, Irinus.
Linea, Mino, Spinus, Linum ,
Vinea, Clino, Spina, Vinum ,
* Inachus, * Trinacria, Finis,
Pinea, Scrinium , * Ino, Crinis.
* Rhino
PROSODI. 213
* Rhinoceros, Acinaces,
Inarima let's add to theſe.
Herinaceus , Agina,
Paſtinaca, & Lacinia,
* Altinum , * Ticinus, * Lavinus,
* Apenninus, & * Euxinus,
* Arpinum ,Pulvinar, Vagino,
Omnino, Opinor, Propino.
Long Patronymicks are in ine
As , Nerine, Adraſtine.
Subſtants, in inus, ina, inum,
As Architriclinus, Cuminum ,
Excepted Short is Buccina,
And all from Cano the ſame way ;
So Aſinus, Gaufapina,
Facinus, Proſerpina,
Fuſcina, Fiſcina, Femina,
* Ruſina, Succinum , Sarcina,
Nundina, Trutina, Uncinus,
* Mutina, Machina, Acinus,
Afinus, * Afine , Acina,
Lamina, Pagina, Patina,
I before P Long.
Vipera, Siparium , Pipo,
* Sériphus, * Euripus, Stipo,
Stipes, Ripa, Ripheus, Not Scipula. I
* Alphe,& ** Enipeus,
Sipho, Tiphys, * Scipia
Stipendium , Sipus , Pipio.
I before Q Longi
Liquoç, * Liquentia, Antiquus.
Liquefco, Liquidus, obliquus
O 3 I before
244: PROSODY.
I before R Long. ins
Spiritus, Virus, Deliro,
Tireſias, * Pirene, Tiro,
Piráta , Sirus, Miror, Spirá,
Quiris, Virago, Dirus , Ira; 3 * , ?
Vireo, Stiria, Magirus, IT
* Liriope, * Ciris, *Epirus,
Nimirum , * Bufiris, Chiron,
Equiria, * Camirus, Siren,
Saphirus and all-in irius
As may be ſeen in Podalirius.
* Stagira * Oſiris join to this,
Quirinus & Semiramis ..
Al] Greeks froin teip are of this Sort,
Except Chir agra which is Short.
I before S Long.
* Briſeis, *Ijs, *Piſo, * Nijus,
Piſum , Nijus, Piſa , Viſus,
And Participles alliniſus.
* Piſander, * Niſa, Paradiſus, 1
* Eliſa, Siphus, Criniſus ,
Arviſium , Cephiſus; Anchifesa .
I before T Long
Glitella , Lito, Litigo,
Tritura, Vitex , Mitigo,
Nitela, & Vitiligo.
Vitupero, Mitis , Clitorius,
Litera, Titillo, Ritus
Triticum , * Clitumnus, Litus, * Dithys
į
215 PROŠODT:
* Dithyrambus, Vitis, Nitor, 10 wo
Pituita, Vita, Scitor,
* Sithon , * Pitho , Galerita ,
* Tit an, Auritus, Corbita ,
Abreptitius, Invito,
Laſerpitium ,Irrit , .
Aconitum , & Mellitus,
Suppoſititius, Invitus,
Multitium , Novitius,
Scriblita, Nutritius,
+ Fortuitus, Paraſitus,
Viritim * Hermaphroditus ,زاد را .د
All Greek Derivatives in itus, 20
Etus, Ites, Itas, Ite ,
*
As,*Agapetús, Aphrodites
So Greeks in itis, itius,
Are all to be Extended thus, ..
* Ilithya, * Mauritania ,
* Orithya, * Lufitania.
I beforeu Long. زار و
you've a ,.
I before U Extend you may
In ev'ry Word but *Ninive.
o before B Longco 7
com a
Nobilis, Robigo, Bobus,
* Jobus, *Canobus, * Jacobus
Gobio, Robuſtus, Robur,
Utrobique, &O &tober.
Tobias, Robertus, Vobies
Sobrius, & obex,Nobis.
O A bolore
PR & OP
o before C Long
* Coçalus, Focale, *Pbocusz
*Cocytus, Proceruf, * Ochus,
* Socrates, tLocuſta, *Sochis.
*Phocæ, * Phocis, Patrocinium , IN
Patrocinor , Latrocinium ,
With each acinor, Ociniunde
Pociferor, Vocalia Voçula
(None elſe from Poco) are long i: Pocul
Oceanus, Ocymum , Ocium ,
Focale, Foco, Negocium .
Q before D Long.
Odi, Nodus, Nodo, Eodex
Zodiacus & Plado, Podexa
Prodigium , with Rodon Codex. 90
Dodona, Codrys, Clodius,
Cufodio, Erodius, 1
* Botrodus, * Brodi, * Nebrodes,
Laodocus Herodes, Kictor !
With ev'ry Proper thus in odęs .. "" S"
Thermodon and Greeks in odia
Come from adhd as , Profodida
o before G Long
Cogn, Cogito, Elogium
Sylbogifmus i Euloginiameting
Octoginta, Ifagogen
Pedagogus, Paragoge,
And ev'ry fuch that Ends in soges
To be Extended does defire us i
हु
AndTrogledite with Osyrit O before
PROSODT. 117
o before L Long.
Beletus, Cboliambus, Cola, Cola, ef,
Colum , Colon, Dolium , Nole.
Moliar, Loligo, Moles,
Solers, Solor , Solms, Proles.
* Bolaxts, Olim , Olea , * Bela,
Solennis, * Polydamas , * Nela,
* Timalus, * Olenus, dolum . wide
And Nouns in ału , ola , alum
Diminutives : As, Deliolum , .. ' : ?2 .
Bibliopola, Tricolum ,
And all ſuch Greeks may hither come,
Capitolium , * Spoletum .
* Mediolanum , & *Maufolus, J.
* Sub fok anna, and * Paftolus,
Atolik, * Cimolui, * Timolus.
o before M Long.
Comeffor, Fomentum , Nomen ,
Comadia, Lamentum , Omeen .
Comstor, Pomerium , Pomus ,
Quomodo, Momentum , Monuzi SO
Ominor, Tomentum , Vonais,
Pomum , Como, Fames, Comis.
Tomex , Cinnamomum , Stroma,
* Romulys, Encomium , * Romda
Abdomen, Glaucoma, Aroma;
All foreign Long that End in omni 16 on ?
So Abfalomus & Salome, rivs bra
See
118 PROBOD TIS
O before N Long. 1970's
Conor, Cenops, Donec, Conus, 2
Donum , Nona, Zona, Nonus,
Nonaginta, Dono, Pronus.
* Monychus, * Nonacris, * Nonius, 2013
}
Sempronius, Arbiter, Petronius. 13. )."
Colonia, Obfonium ,
And Words in Monia, Monium . .
So Greeks in Onymus, & Onix , it's ti
TA
As Hieronymus, Euphonia .
And Proper Names that End in Onits
As Babylonius, * Antonius 20 )
* Hipponax , Feronia ,
* Salmoneus, * Jonia.
Perfona, Concinor, Patronus, per van
Idoneus, Obſonor, Colonus:
Produce all Words that End in ona ,
Except the River callid Matrona 1 Sick
We find + E donis, + Biſtonis
Both varied ; and 'tis not ampiſs .
widtܐܸܢ
o before P Long . 414,50 )
* Sophronius, *Zopyrus,Copia r .
Scope . Sopio, Dropax , * Opise erigen
Copula, Copulo, Stlopus,
Populus, Õpilio, Tophus.
Scropha, Copia, * Afopus
Leucopetra, Asopus.
Andev'ry Proper thus in opus,
As Canopus, & Crotopus.
Rhodopolis, (not Rhodope)
* Europa, i topas,* Sinope. bes
PROSODT. I1 219
o before Q Long.
Utroque, Alioqui, Quandoq;
Are Long, with Ablatives, Quoquam, Quoque.
o before R Long.
PIT SS
Chorographus, Coram , Corus,
Horologium , Lore , Morus,
Lorica, Loripes , Lorum,
Corytus, Moroſus, Morum , de 94
Gloria, Floreo, Glorior , Hora,
Polydorus, Moror, Prora. **
Ploro, Sorex , Thorax , Ora,
Sorites , Morio , Roro , 4
o before V Long.
2. ใบงง .
Ovum , Controverfia , -3 ;: ་༑ ; ,
And Pro ; as in Provincia . caminin i * 32 .
siis
U before B Short:
Cubo, Dubius, Juba, Jubar ,
Lubet, Rubus, Tuba, Tuber.
Dubito, Bubulcus, Rubeo, ing patti Wie
Rubicundus, Rubrum , Jubio.
Rubrica, Gyberno, Obi, Mchive ?
Cubitus, Lugubris , * Rukia ? ê geneig
Coluber, * Ubii, Cucubo ,
Subuçula with Titubos
*Danubius,
PROSOD 1
* Danubius, & * Corduba,
* Afdrubal & Hecuba,
U before C Short.
* Lucretia , * Lucretius,
Cucurbita & Cuculus .
Duco, Ducenti, Cucumis,
To make theſe Short is not amiſs
So Lucror, Fuca, * Lucumo,
Nucleus, Lucrum , Trucido.
Lucretilis, Enucleo ,
Step all as Short as they can go.
Truculentus, tLuceres'
And Lucrinus add to theſe.
u before D Short.
Pudet, Pudor, Rudens, Rydis,
Studium , Studeo, Sudes, Tades.
Rudie , Erudio,
Repudium , Repudio.
+ There is but whi
one Exception of U before F ,
ch is Ruta.
u before G Short:
Jugulum , Pugilus, Fugiò,
Tugurium , Jugum, Pugil, Fugo.
Pugillares , Bijugis,
Conjugium , and ſuch like this.
U before L Short:
In ulus, uta, ulum, fee ,
w Pollumllables thev he That
PROSODY.
That all be Short ; as Credulus.
Except * Cleobulus, * Herodulus. : * And all of ſuchi
Mulier, Culex , Fulix , Vlulo ; ( Endings.
Verbals that end as Ambulo, Cumulo:
Adulor, tho' produc'd we find ,
So far it alters from it's kind.
Fulica , Gula, Bucculentus,
Culina, Speculum , Faculentus.
Simulacrum , Flatulentus,
* Aſculapius, Muſtulentus,
Manuleatus, Specular,
Siticuloſus, Torcular,
Curculio, Locutuleius,
Luculentus, all defy us
To make 'em Short ; but Zabulones,
Is ſometimes Short, and ſometimes Long is.
U before M Short.
Humus, Humo, Humerus,
Rumex , Tumor , Numerus.
Cumulo, Tumultus, Tumulus,
Crumena, Camera & Cumulus.
Humilis, Cuminum , Ruma,
Numeri, Numiſma, * Numa.
Tumeo to ſwell & Autumo,
* Columella , * Lucumo.
* Numitor * Numantia ,
Cucumer, Contumelia.
Contumax, Cruſtumium , 다.
Incolumis does hither come.
Verbals in umen & umentum ,
As, Tegumen , Documentum .
U before
PROSQOT.
u before N Short.
Cunus is Short & Tunica ,
Cuniculus, Albunda.
U before P Long.
Stupro, Stuprum & Supirns,
Supra, Duplex, & Lupinus,
Supellex, Super, Cupio,
Cupreſſus, Lupa, Stupeo,
Cupedie & Occupo
* Lupercal, & Vitupero,
Cornupeta with Nuncupo. ST }६
To theſe join Numerals in uplus:2:"720 "
As Qyadruplus & Centuplus.:"}
Accupor ; & Upupa
Volupe, * Centurupa.
And one Remaining, Quadrupes
Is all we find to Herd with theſe.
U
- i ov ! u
Sic té diva potens-Cypri. 8. Syll.
6. ARCHILOCHIAN JAMBICKS, Chiefly of
I ambicks. As,
U - IU- I --Iu
Ami-ce pro-pugna- cula. 8. Syli .
* Sometimes they are Found Lamb. & Spond. al
ternate. As
-TU I lu
Conver tier -vultus- uos. 8. Syll.
7. ARCHILOCHOSS DIMETER IAMBICKS
have the Firſt and Third Spondeus, or lambus, the
Second and Fourth always Jambus, with a Sylable
Remaining, As.
TU - I TO - 1
Sylve labo -rantes-gelu -que. 9. Syll .
8. There is a kind of Pindarick Verſe which is
made of twº Dactyls and two Trochees . As,
ΟυΙ vul : ul.- U
Flumina-conftite -rint a -cuto. 10. Syll.
9. ALCMAN'S DACTYLICKS require Three
Dactyls, and a Spondeus. As,
-UŲ I · Uuluu
Autephe-ſum bima- riſve Corinthi. 11. Syll. or,
* Note, That inſtead of the Firſt Dačtylus, there
may be a Spondeus. As,
-1 - w U I UT
Non ill-am thala -mi pudor -arcet. 10 .
IO. ALCÆVS'S DACTYLICKS are Verſes made
of a Spondens, or lambus, in the Firſt Place , the
Second
PROSODY. 231
Second an Iambus with a Cæſura, the Third and
laſt Dactyls. As
U - TU - T - I - uuluu
Vides-ut al-ta -ftet nive-candidum . 11. Syll. or 10
* A Spondeus ſometimes begins the Verſe. As,
Floreſque vernos curnibus illig at .
The Reaſon is plain , becauſe, That a Spondeus, ha
ing but Two Syllables , anſwers the Cadence of a
Trocheus, and may the eaſier be pur in it's Place, al
tho' it is half a Note longer in the Time
11. SAPPHICKS ( from the inveatreís Sappio)
are Compos'd of a Trocheus, Spondeus, Daciylus,
and two Trochees, As,
- UT · I muu l - u 1- v
Integer vi t& Scele-riſque purus.
12. ARCHILOCHUS has written a kind of lam
bick Verſe, which has in it but five Feet, the Firff
of which are indifferently Iambus or Spondeus, the
Second always an Iambus with a Cæſura, the laft
three Trochees, which Obliges it to have Eleven Syihin
Lables . As,
To I owl-
Trahunt -que Sic -cas machi-na ca -rinas. 11.Syll:
-TU - L - TU - TU - TU
Vulca -nus ar -dens-urit-offi cinas,
13. The fame Author has taught us SENA
RIANIAMBICKS. As.
U - TU - I -- I - TU - I • -
Ibis-Libur -nis in- teral-ta na-vium , 12. Syll.
14. ASCLEPIADS ( from their Author Aſclepi
us) conſiſt of a Spondeus, Dactyl, Cæfura, and two
Duetyls. As,
-- Evol -1-00T- vu
Mees-nas ata- vis-edite-regibus.
P 15. SOTA,
4
232 PROSODY.
15. SOT ADICK is a kind of Verſe Peculiar to
Hora :e, of three 'Ionichus's, in the firſt two Verjes,
and four in the Tbird . As,
UU - ,- Tuu -
lu
Miſerarum eſt-neque amori-dare ludum . 12. &
Tuur Tuu -- luu
Studium aufert,-Neobule, Liparæi- nitor Hebri. 16.
16. ARCHILOCHUS's Penthemimeris Epick &
Iambick is as follows, two Daits. Cæfura, Spond.
Iamb. Spond. Iamb.
-U'ul U u l- 1 LU - I -- I u
Cecropi -des Juve-nis.quém per culit-fractum -manu.
( 15. Syll.
17 : The ſame Author has given us another fort
of Mea ure, cali'd his PENTHEMIMERIS IAM
BICK & EPICK, which is Compos’d of a Spond.
Lamb. Spond. Iam . Dalt, Dalt . Cæfura. As
--TU - I TU - [ - UU ] - Uulu
Filo- reſol-vens Gnoſ siæ triftia-text a do-mus.15.Syll.
18. He has alſo a kind of Verſe call'd his HEP
TAMETER, on Account of it's Seven Feet, which
are Da tyls, Spondees, & Trochees. As,
- UU 1 - vul I - Uul - ul - ul - u
Solvitur - acris hi- ems gra-ta vice -veris- & fa - voni.
* The firſt four Feet may be either Dactyls or
Spondees, or both intermix'd át Pleaſure ,becauſe ei
ther Anſwers the Time : For which Reaſon the
greateſt Number of Syllables muſt be 18 , the leaſt 14,
tho' I can find nonefo Short. The leaſt of
this Sort in Horace is Sixteen, becauſe that
four Spondees, with four Trochees, wou'd make
the Verſe too Heavy; for which Reaſon we Gener
ally find too Dactyls intermixt to give the Verſe, not
only
PROSODY. 233
only more Life and Vigour, but a more Different
variety of Numbers.
19. ALCAUS'S CHORIAMBICKS are but fel
dom met with in the Lyrick Poets ; they conſiſt of
a Choriambus & Bacchius in the firſt Line, and the
next of three Chori ambus's, & a Bacchius. The
Grammarian Attilius remarks upon ode 8. lib 1. of
Horace,that in the ſecond Line theAuthor wasGuil
ty of a miſtake, by joining a Trochæusand Spondeus
together , in the Place of a Choriambus : But I find
that Horace has Induſtriouſly done fo, becauſe that
every other Line of this Sort begins with a Chori
ambus. They are Thus ſcanded.
Tu
Lydia dic -per omnes 7. Syll.
u -- 1- UU- | -VU luo
Tedeos 0-10 Sybarin -cur properes -amando. 15. Syll:
20. ALCEUS PENTAMETER is made up of a
Spondeus, three Choriambus's and a Pyrrichius. As,
--1 - vu - l -uv - I U ] שש
Tu ne-quæfieris-fcire nefas-quem mibi quem -tibi.
21. HEROICK VERSES are the laſt Sort they
make Ufe of, and as for the Number of their Syllaan,
bles no certain Rule can be Aſſign'd, nor does it
avail much ſince their Cadences do immediately
Diſeover them. What I ſhou'd farther ſay upon
them , I paſs over till I come to the Obſervations
upon Hexameter Verſe.
Now that I have mention'd the ſeveral sorts of
Verſes, compos'd of a Various mixture of Feet ; in
the next Place it will not be Amiſs to fhew the Mu.
fical Diſpoſition of Verſes as they are Choſen to
make Odes. Of this kind of Concordance and Pro ...
portion
234 PROSOD 1 .
portion we find in Horace (who is the Prince of the
Latin Lyricks) but 19 :
1. Aſclepiads without any other Mixture may
make an ode, As, Hor. Ode 1 .
2. Sapphicks with an Adonick to every three Lines.
As, Ode 2 .
3. Glyconian with Aſclepiads alternate.
ode 3 .
Idem .
4. Archilochian Heptameter, Succeeded by his
Tambicks every other Line. As, ode 4 .
5. Two Aſclepiads together, Pherecratius Heroick
in the third Place, and in the fourth a Glyconian.
As , ode 5 :
6. Three
Place.
Aſclepiadswith a Glyconian in the fourth
As, Ode 6.
7. Hexameters whole in the firſt Place, in the
next line Imperfect, as only having the four laſt
Feet. As, Ode 7
8. Alceus's Choriambicks ſomething Peculiar to
Hurace. As, ode 8 .
9. Alceus's Dactylicks with the Dimeter Iambick
of Archilochus in the third Place, Succeeded by a
Pindarick, As, Ode 9.
10. Alceus Pentameter alone. As, ode 11 .
11. Hipponattian or Euripidean, with Archilo
cbus's Trimeter Iambick. As, Ode 18. Lib. 2,
: 12. Sotadick of Three Feet call'd Ionichus for the
Firſt two Verſes, of Four in the Third . As, Ode 12 .
Lib. 3 .
: 13. Heroick with the Dimeter Dactylick of Ar
chilochus. As, Ode 7. Lib . 4 .
14. Trimeter Tambicks 'follow'd by Dimeters
Alternate. As, Epode, 1 ,
15. Imbical
PROSODY. 235
15. Iambick Trimeter, Dactylick Dimeter, &
lambick. Dimeter. As, Epode, 11.
16. Heroick, Dimeter lambick of Archilochus
& Dactylick Dimeter. As, Epode, 13 .
17. Heroick with Iambick Dimeter. As , Epode,
14.
18. Heroick with Iambick Trimeter. As, E.
pode, 16 .
19. Senarian Iambicks alone. As, Epode, 17.
OBSERVATIONS.
* A Verſe (ſo calld from Verſus, which figni
fies a Turning again at the Lands End) is a Muſi
cal Connexion and Diſpoſition of Feat.
of an Hexameter Verſe.
An Hexameter Verſe is an exact Compolition of
fix Feet, Namely Dactyls & Spondees interinix d.
+ Theſe fix Feet we often find diſpos'd agreeably
to theCircumſtances of dition and Paſion. As,
1. Where any thing Grave or Solemn is Deſcribid,
there the Spondeus Chiefly takes place. As,
Me, me,adfum qui feci in me convertite ferrum .Virg .
*Sometimes it is occaſionally made Choice of ; as,
Ili inter Seſe magna vi brachia tollunt. Virg.
Which meaſure is agreeable to Stroaks of the
Cyclops Hammers, beating by Turns.
+ Where Note, That a Dactyl muſt be always
in the fifth Place, only where the circumſtance re,
quires the Weight of a Spondeus. As,
Conſtitit atque oculis Phrygia agmina Circumſpexiti
8 ( Virg.
2. Where a Celerity of Aition ; Violence ofPaffion ,
or Rapidity of Motion is expref'd, then we ſee the
DactylChiefly,or altogether ul’d ; as, Illi
236 PROSODY.
Illi æquore aperte
Ante Notos, Zephyrumque volant ; gemit ultima pul
2. ( fu - Virg.
Quadrupedante putrem fonitu quatit ungula campum .
(Virg.
3. Where any Softneſs of Paſſion, either of Love
or Grief , is related, there we muſt obſerve the
Quickneſs of the Da Zyl temper'd with the flow
Movement of the Spondeus, or rather Overpower'd
by it. As, Love.
At regina gravijamdudum ſaucia cura.
Vulnus alit venis & cæco carpitur igni. Virg.
Grief.
Quis cladem illius noctis, quis funerafando
Explicet ? autpoffit lacrymis & quarelabores. Virg.
4. To make the Lines run Smooth and Eaſy, we
fee that the beſt Poet's have their Meaſures One
link'd to the Other ; as.
Armavi-rumque ca -no Tro-je qui-primus ab -oris.
Without this no Verſe can be Harmonious; as,
Qyi non- fuftum -jervat-Metrum -claudicat-uſque.
The Reaſon is plain from the Pauſes which we
« are oblig'd to make at the End of each Word ,
“ whereas when ſuch Ceſuras, as I have before
" ſhew'd , are made, there is a continued Smooth
neſs of Numbers, that differs as much from the
“ Latter, as the walking of a perſon who ſets him
w ſelf forward by the bending of his Toes, from
" the Stamping of One, who moves with thoſe
“ Joints extended.
5 : The greateſt Harmony of Heroick Verſe is in
having Dactyls & Spondees alternate,and where there
are alſo two Subſt antives blended with their Epi
thets,
1
PROSODI. 237
thets, which Beauties are to Perfection contain'd ,
in theſe following three Lines of Virgil.
Ille etiam extinétomiſeratus Cæfare Romam,
Cum caput obſcura nitidum ferrugine texit,
Impiaque æternamtimuerunt ſecula no&tem .
6. There is a Nicety obferv'd even in the Choice
of Letters, that make a Sound agreeable to the 1
Of Lyrick PO ETRY.
Lyrick: Poetry, (notwithſtanding Cicero's Rea
mark upon it, who ſays that the Poet muſt be Oba
lig'd to the Piper for- the Beauty of it's Cadence)
has been adınir'd by the Ancients and not without
good Realon ; for by iç the tender Minds of Cbila
dren were form’d , and rail'd by an Aſpiring Emula
tion to Noble and Vertucus Actions. And if we
Conſider the unaccountableMagick of Numbers,and
the grçat Power that Mufick has in coinmandingour
Palong
240 PROSODY.
Paſſions, we ſhall not think it Strange, that Songs
conformable to ſuch Strains, ſhou'dhave a grea
ter Influence upon the Soul, than any Precepts de
liver'd in a Looſe and Common Manner.
The Style of Songs being Natural, it is the fit
ter to repreſent Nature in all it's Tranſports, by
which lively and impetuous Sallies, our Ears are
Surpriz'd, our Imaginations ſeizd with an unre
liſtable delight, and the Heart rais'd to ſuch a Pitch .
of good Humour, that it is pleas d to be Con
quer'd.
Among all the Nations of the World , we find
that none have ſo much follow'd this kind of Poe
try as the People of God. Mofes made a Sublime
Song of Victory upon the Children of Iſrael, Paff
ing of the red Sea, God himſelf inſpir'd'him , and it
was only to his own People that Poetry came Truely
by Enthuſiaſm . Many more Inſtancesare to be met
with in Holy Scripture, but this one maySuffice to
make out both the Antiquity, . and Uſe of Lyrick
Poetry.
If we turn our Eyes to the Heathen World, we
Thall find that it was in theſe Noble Tranſports
that they Prais'd their Gods, Extoll’d their Heroes
and rais'd them to Great and Glorious Actions.
All their Sacrifices and Holy Solemnities were
Ulfher'd in with Io Pæans and Hymns, which car
ried with them ſuch Divine Raptures,that all that
were preſent, diſcover'd a Religious Awe and pro
found Veneration for the Deity .Homer cou'd think
of no better Means to ſolace his Greiv'd and Angry
Achilles, for two fuch Paffions in ſo great a Soul,
cou'd not in the least be Calm’d by any other Com
forts . Thus
PROSODY. 241
Thus to the Quarters of the Myrmidons
They came , and there the-Godlike Man they found
Soothing his Griefs with the Melodious Lyre ;
The Lyre with Curious Workmanſhip was wrought,
Compact and Beauteous, which among the Spoils
Hefound, when he deſtroy'd Eetion's Town.
With thiswell pleald biš Cares.be Sonth'd & Sung
The Deeds of Heroes, and the Atts of Kings.
With'him alone his law'd 45 ſat ,
In ſilence waiting till the Chief Shoud End
TheSong;and ceaſe to ſweepthefounding Lyre.
Virgil the other Prince of Epick joins in the
Commendation of this ſort of Poetry, where he
Graces the Entertainment of Queen Dido for Æneas,
with the Harp and Song of Topas and what adds a
greater Honour to it, he makes theSubject of it
Great and Sublime.
Topas brought
His golden Lyreand Sung what Ancient Atlas taught.
The various Labours of the Wandring Moon,
And wherċe proceeds the Ecclipſes of the Sun.
Th' Original of Men and Beaſts, andwhence
The Rains ariſe, and Firestheir Warmth difpence;
And fix'd and erring Stars diſpoſe their Influence,
What makes the ſolid Earth, what Cauſe delays
The Summer Nights, and ſhortens Winter Days.
With Deals of Shouts the Tyrians praiſe the Song ;
Thoſe Peals are Eccho'd by the Trojan Throng.
Of Figures Peculiar to PROSO D I.
Synæreſis.
Concurring Vowels that agree was, Dii.
To make two Syllables, we ſesir ii.
Q Ву
242 PROSOD 1,
By Poet's melted into One, iiſdem .
To make a Verſe more Smoothly run. Deerat . ,
Diærefis or Dialyſis.
One Syllable the Poets Split, as, Aurai.
The better to Compoſe their Feet. Silue .
Synalopha.
One Word beginning, ending One
With Vowel, make a Simple Tone.
So meeting Dipthongues the fameWay
Become as Friendly quite asThey.
Conticuere omnes intentique ora tenebant,
Dardanide e muris ; Spes addita Suſcitat iras. Virg.
to and Heu are Excepted ; ſometimes too it
happens that the Vowel is not cut off ; as,
Et juccuspecori,et lacfubducitur agnis. Virg.
Eclipſis.
When M concludes, and Vowel follows,
The Vowel Straight this Letter ſwallows.
Itàlian , Italiam primusconclamat Achates. Virg.
+ TheAncients did not cut it of , but made it
Short before a Vowel , as,
Inſignita fere tum mitlia militam oão, Ennius: S
PROSOD 243
Syſtole.
Words that were madebyNature long, obicis for
The Poet ſhortens for his Song , Objicis.
To let us know his Pow'r the better , Stetérunt.
He robs Poſition of a Letter. Stetërunt.
Tela manu rejcitque canes in Vulnus hiantes. Stat.
Ectafis.
Another Time with wanton Sport,
He does Extend ſuch as are Short ;
And what from Words he Robb’d before
He does Beſtow , tho' not Reſtore.
Atque hic Priamidenlaniatum corpore toto. Virg.
Troas Relliquias Danaum atque immitis Achillei.Idem .
Protheſis & Aphæreſis.
One a Beginning newly makes, Gnatus, Natus.
Tother from Words Beginningstakes. Ruo, Erue,
A N
APPENDIX .
A Short Enquiry into the Original of Language, by
which the Rational Method of Grammar is more
fully Explain'd.
HERODOTUS informs us that Pfammeticus,one
.
know what Language was, the coſt Ancient, of
der'd
An A P PENDI X. 245
der'd a Sheepherd to take two Children to a Solitude,
where they were never to hear a Word ſpoken ,
hoping by that to diſcover the Original and
moft Natural Tongue of Mankind : He proceeds
with his Account, and tells us that at laſt they were
heard to ſay Bercos, which upon ! Enquiry into o
ther Languages was found to be the Porygián Word
for Bread. Allowing this thou'd be True, it wou'd
be far from making out That to be the moítAncient
Language of the World ; for they might Accidenta
iy haye 'utter'd a ſingle Word made ùre of by ano
ther Nation , and have applied it for a quite differ
ént Idea; as we often obferve Din the reading of
ther I anguages .
Iris Experiment had been made a Rial
Way , by ſending a good Number of Children , Pit
might be found in ſome few Generations, that they
wou'd by Degrees 'refine their firit Jargon , into a
Politeneſs of Language and Converſation . I
This Piece of Hiſtory direås me to the Cleareſt
Method for the Preſent Enquiry for,
ſonts
Reahou
Doubt, the beſt way to Account for thewit
able Diſpoſing of Words in certain Claſſes, their
Variations and Dependences One upon the other,
is to trace them to the Chief Miſtreſs of Languages,
which is Nature ; and there we ſhall beſt Underſtand
what Diſtinction there ought to be between Word
and Word , and how they ſhou'd be manag'd for
the Readieſt and Cleareſt Conveyance of our
16
51271
SET 3
A
M E T H O D
To Improve the
FANCY In which is a
Choice Collection
O Fii
IMAGES and DESCRIPSIONS.
i
,
With Various Figurative Beauties, gather'd from
the Beſt Latin and Engliſh Poets, both Ancient
and Modern ,
. ;;
THE
PRE FA C E.
EADER, You have here the Pro
R. read the Poets, after other Studies,
duct of my Leiſure Hours, when I
for Refreſhment. I hope your Pleaſure in
peruſing, may equal what I had in gather
ing theſe Bright Pieces, and then I ſhall be
fure of your Approbation. The cheif Den
ſign of Collecting them, is in the firſt Place,
the Improvement of youthful Fancy ; for
they may ſerve as ſo many forts of Colours
for Poetical Painting, and Draughts for Imi
tation, Nor is this the only Advantage in
tended, the Peevith Boy is by them courted
to Love and Admire thofe Books, which o
therwiſe he muſt be Compellid to Read .
Andhow far a Mind gentlyperſwaded and
gain'd upon , is to be improv'd beyond a forc'd
di so Incli
Thé PREFAGE:
Inclination, I leave to ſuch as have a right
Senſe of Education to judge. When the
young Student beholds the bright Blofſoms
and golden Fruit I hear prefent him , ſure he
will be fond of paſſing thro ' the Gardens
wuer theyGrow , where he will find much
more delight in Chuſing for himſelf, than
having them thrown over the Hedge to
himn. All that I have farther to add, is that
I am certain what is not my own of the fol
lowing Method , will be Admir'd by Ingeni
ous Men , and of Uſe to ſuch as wou'd En
deavour to be well Skill'd in the Beauties of
Poetry.
OD
256 A METH to
Twisd jasa
A
): ریزه IT
M E T H O D
܃ ܃ ܃ ܃ ܘܰܐܐܳܢ
hidu !. To Improve the
F ANCY :
FANCY,
HER E is a place which Man moſt
(high does Rear,
Theſmall World's Heav'n , where Rea
Satan's Army.
Then ſtraight commands, that at the warlike Sound
of Trumpets loud and Clarions, be upreard
His mighty Standard ; that proud Honour claim'd
Azazel as his Right, a Cherub Tall:
Who forthwith from theglittring Staff unfurld
Th ImperialEnfign, which full bigh advancd,
R Shone
258 À METHOD to
Shone like a METEOR ſtreaming to the Wind,
WithGems and golden Luſtre rich Imblaz'd
Seraphick Arms and Trophies; allthewhile
Sonorous Metal blowing Martial Sounds :
At which the Univerſal Hoſt up ſent
A Shout that Tore Hells Concave, and beyond
Frighted the Reign of Chaos and old Night.
All in a moment, thro' the Gloom were ſeen
Ten thouſand Banners riſe into the Air ,
With Orient Colours Waving : With them roſe
A Forreſt huge of Spears; and thronging Helms
Appeard, and ſerried Shields in thick Array.
1
Satan's Paſſage through Chaos.
At laſt his Sail-broadVannes
He Spreads for Flight, and in the ſurging Smoak
Uplifted Spurns the ground, thencemany a League,
As in a cloudy Chair , aſcending rides
Audacious, but that Seat ſoon failing, meets
A vaſt Vacuity : Au unawares
Flutt'ring hisPennons vain, plumb down be Drops
Ten Thouſand Fathom deep, and to thishour
Down had been falling, had not by ill Chance
The ſtrong Rebuff of fome Tumultuous Cloud
Inſtinct with Fire and Nitre, hurried him
As many Miles aloft.
Angels Deſcrib'd .
No fooxer had th’Almighty ceas'd , but all
The multitude of Angels with a Shout
Loud as from numbers without number, ſweet
As from bleft Voices , uttering Joy, Heav'n rung
With
Improve the FANCY. 259
With Jubilee, and loud Hofanna's filld
Th Eternal Regions; lowly Reverent,
Towards either Throne they Bow , & to the Ground
+
With Solemn Adoration down they cajt
Their Crowns inwove with Amar int and Gold ,
Immortal Amarant, a flower which once
In Paradiſe, faſt by the Tree of Life
Began to Bloom , but ſoon for Man's Offence
To Heav'n remou'd, where firſt it grew , theregrows
And flowers aloft, ſhading the Fount of Life,
And where the River of Bliſs thro' midſt of Heav'n
Rowls o’re Elyſian Flowers her Amber ſtream ;
With theſe that never Fade, the Spirits Elect
Bind their Reſplendent locks inwreath'dwith Beams,
Now in looſe Garland's thick Thrown off, the bright
Pavement that like a Sea of Fafper fone
Impurpled with CeleſtialRofes mild.
Then Crown'd again theirGolden Harps theytook
Harps ever tun'd , that glittring by their fide
Like Quivers hung , and with Preamble Sweat
Of charming Symphony, they Introduce
Their ſacred Song , and waken Raptures high ;
No Voice exempt, no Voice but well cou'd joina
Melodious Purt, fuch Concord is in Heaven.
>
The Sun.
-Above them all!
The golden Sun in Splendor likeſt Heaven
Allur d his Eye; thither his Courſe be hends
Thro the calm Firmament ; but up or down
By: Center or Eccentrick hard to tell,
or Longitude, where thegreat Luminary
A loofthe Vulgar conſtellations thick,
R 2 That
$ 260 T O DD to
A ME THO
That from his lordly. Eye keep Diſtance due
Diſpenſes Light from far ; they as they move
Their itarry Dance, in Numbers that compute
Days, Months and lears, towards his all Charming
(Lamp
Turnſwift their various Motions, or areturn'd
By his Magnetick Beam , that gentlyWaris
The Univerſe, and each inward Part
With gentle Penetration, though unſeen ,
Shoots inviſible Vertue even to the Deep ;
So wondrouſly was ſet his Station bright.
Eden..
So on be fares, and to the Border comes
Of Eden , where delicious Paradiſe
Now nearer, crowns with her Encloſure green ,
As with a rural Mound the champain Head
of a ſteep Wilderneſs, whoſe hairy Sides
With Thicket overgrown, grotteſque and wilde,
Acceſs deny'd ; and over head up grem
Inſuperable height of loftieſt Shades
Cedar , and Pine, and Firr, and branching Palm,
A ſylvan Scene, and as the Ranks aſcend
Shade above Shade, a woody Theatre
of Statelieſt view . Tet higher than their Tops
The ver drous Wall of Paradiſe up Sprung :
Which to ourgeneral Sire gaveProſpect large
Into his neither' Empire Neighbouring round.
And higher than that Wall a circling Rope
of goodlieftTrees laden with faireſt Fruit,
Bloſſoms and Fruits at once of golden Hué
Appear’d with gayenameld Colours mixt :
On
Improve the FANCY. 261
1
262 1 METHOD to
Yeilded with coy Submiſſion , modeſt Pride,
And jweet Reluctant amorous delay,
Twilight.
Now cameftill Evening on and Twilight gray
Had in her ſober liv'ry allthing's clad.
Adam and Eve's Bower.
Thus talking hand in hand alone they paſid
On to their bliſsful Bower , it WAS A Place
Choſen by their Sou'reign planter , when he Fram'd
Al Things to Man's delightful Ofe ; the Roof
Of thickeſt covertwas inwoven Shade 1
Light.
Let there be Light, faid God, and forthwith light
Ethereal, Firſt of Things, Quinteſſence pure
Sprung
Improve the FANCY. 265
Sprung from the Deep, and from her native Eaſt
To Journey through the airy Gloom began,
Spher'd in a radiant Cloud. And then God made
Try
wijf Firmament.
The Firmament, Expanſe of liquid ,pure,
Tranſparent, elemental dir, diffus'd
In Circuït to the uttermot Convex
Of this great Round.
:C:
Dry Land
The Earth wasForm’d,"but in theWomb,asyet
Of Waters, Embryon immature,involvd,
Appear'd not : Over all the Face of Earth
Main Ocean flow'd ; not Idle, but with warm .
Prolifick Humour foftning all the Globe,
Fermented the greatMother to Conceive,
Satiate with genial Moiſture:
'Immediately the Mountains huge appear
Emergent, and their Broad bare Backs up heave
Into the Clouds, their Tops aſcend the Sky.
Sea and Rivers.
So high as heav'd the Tumid Hills, so low
Down Junk a hollow bottom , broad and deep,
Capacious Bed of Waters; thither they
Hajted with glad Precipitance ; uprol'd
As drops on Duft, conglobing from the dry:
Part riſe in Cryſtal Wall, or Ridge direct,
As Armies at a cal
Of Trumpet.
Troop to their Standard, ſo the Watry throng
Wave
266 A METHOD to
Wave rolling after Wave, where Way they found
If ſteep, with torrent rapture ; if thro' plain,
Soft Ebbing : nor witbftood them Rock ar Hil;
But they or under Ground, or Circuit wide,
With Serpent Error wandring found their way,
And on the Watry Ooze deep Channels wore ;
Within whoſe fringed Banks the River's now
Stream , and perpetual draw their Hamid drain .
Herbs and Trees.
Next:the Earth, till then
Defart and bare, unſightly, unadorn’d,
Broug btforth the tender Grafs, whoſe verdure clad
Her univerſal Face with pleaſantCréen.
Then Herbsof ev'ry Leaf, that ſudden flourd,
Op'ning their various Colours, and madegay,
Her Boſom (melling Sweet ; and theſe ſcarce blown,
FortbHlourijh'd thick the cluftring Vine, forth Crep
The ſmelling Gourd, upſtood the corny Reed
Embattľd in her Field, and th'humble hrub,
Ard Buſh with frizzłd hair Implicit : laſt
Kofe, as in aDance, the ſtately Trees, and ſpread
Ţbeir Brancheshung with Copious Fruit, or gemm’d
Their bloſſoms. With highWood's theHills were crown'd
With tufts the Valleys, and each Fountain fide
With Borders long the Rivers.
Sun Moon and Starrs.
Then of Celeſtial Bodies firſt the Sun,
A mighty Sphere befram'd, unlightfom firſt,
Tho' of etbereal Mould : He formdtheMoon
Globoſe, and ev'ry Magnitude of Stars,
Of
Improve the FANCY. 267
Of Light byfar the greater part he took,
Tranſplanted from her Cloudy Shrine, and plac'd
In the Sun's Orb, made porous to receive,
And drink the liquidLight, firm to retain
Her gather'd Beams : Great Palace now of Light !
Hither, as to their Fountain , other Stars
1 Repairing, in their golden Urns draw light;
And hence the Morning Planet gilds her Horns..
Firſt in his Eaft, theglorious Lamp wasſeen,
Regent of Day , and all th'Horizon rouni
Inveſted with bright Rays ; Jocund to run
His Longitude thro* Heaven's high Road ; the gray
Dawn and the PLEIADES before him Danc'd,
Shedding ſweet influence, leſs bright the Moon,
But oppoſite in leveld Weſt was fet
His Mirror ; withfull-face borrowing her Light
From him , for other light ſhe needed none
In that afpe&t, and ſtill that diſtance keeps
Till Night; then in the Eaſt her turnMe shines,
Revolv'd on Heaven's great Axle ; and her Reign
With thouſand thouſand Stars that ther appear'd
Spangling the Hemiſphere.
Fiſh .
3
Forthwith the Sounds and Seas, each Creek and Bay
With Fry innumerable Swarm , and Shoals
of Fiſh, that with their Finns and ſhining Scales
Glide under the green Wave, in skulls that oft
Bank the midd Sea : Part ſingle or with Mare,
Graze the Sea -weed their Paſture, and thro' Grove's
Of Coral ſtray ; or ſporting with quick Glance,
Shew to the Sun their Wav'd Coatsdrop'd with Gold ;
Or in their fearly Shells at eaſe attend
Moiſt
D
268 A METHO to "
Moiſt Nutriment, or under Röcks their Food
In jointed Armour watch . On mooth the Seal,
And bended Dolphins play; purt, bugeof bulk
Wallowing unweitdy, enormous in thuir Gute
Tempeſt the Ocean : there Leviathan
Hugeſt of living Creatures, on the deep
Strecht like a Fromonti ry licepsur yn ims,
And ſeems a moving Land , and as his gills
Draws in, and at his Trunkſpours out the Sea,
hinnBirds.
Mean while the tepil Caves, and Fensa and Shores,
Tlfeir Broodas nuni'rous batch froin theEgg, thatSoome
Burſting with kindly.Rupture, forth diſclos'd
Their Callow young . But Feather'd ſoon and Fledge,
They fum'd their Pens, and ſoaring tl’Ar ſublime,
With Clang deſpis’d the Ground, under a Ciond
In Prospect : There the Engle and the Stork
In Cliffs and Cedar Tops: their Eyries build.
Part loofly wing the Region , part more Wiſe,
In common, rang d'in Figure, Wedgd their way,
Intelligent of Seaſons; and ſetforth
Theirairy Caravans high over Seas
Flying, and over Lands, eaſing their Wings
With mutualFlight ; fó Steers theprüdent Crane
Her annual Voyage born on Winds: the Air
Floats as they paſs,fann d with innumber'd Plumes.
From Brarch to Branch the ſmaller,Birds with Song
Solac'd the Woods, and ſpread their painted Wings
Till Even ; nor then the ſolemn Nightingale
Ceas’d Warbling , but all Night Tun'd her foft lays.
Others in ſilver Lakes and Rivers bath'd
Their downy Breast : the Swan with Arcked Neck .
RG
Imfrage the FANCY. 269
Between her white Wings wantling, proudly rows
Her State with Oary Feet , yet oftthey quit
The Dank , and riſing on ſtiff Pennonsfoar
The Mid erial Sky, others on Ground
Walk'd firm : the creſted Cock , whofe Clarion ſounds
The ſilent hours; and th’other, whoſe gay Train
Adorns him , colourd with theflorid hue
Of Rainbows, and ſtarry Eyes.
Beaſts.
Then the Earth
Opining her fertile Womb teem’d "at a Birth
Innum'rous living Creatures,perfect Forms,
Limb’d and Fall gromn : out from the Ground uproſe,
As from his Lair, the wild Beajt where he wons
In Forreſt wild, in Tbicket,Brake, or Den ;
Among the Trees in Pairșthey roſe, they walk'd ;
The Cattle in the Fields and Meadowsgreen :
Thoſe Rare and Solitary, theſe in Flocks,
Paſturing at once, and in broad Herds up-ſprung.
The graſy Glod'snow calv’d ; now half appear d
The Tawny Lyon pawing to getfree
His hinder parts; thenSpring's as broke frombords,
And Rampantſhake's his brinded Mane: The Ounce,
The Libbard, and the Tyger, as the Moal
Rifing the crumbled Earth above them threr
In HiHocks: the ſwift Stagg from under ground
Bore up his branching Head : ſcarce from his Mould
Behemoth, biggeſt born of Earth, upheav'
His vaſtneſs : fleec'd the Flocks and bleating rojo
As Plants: Ambiguous between Sea and Land
The River-horſe andſcaly Crocodile.
Creep
270 A METHOD to
Creeping Things
At once came forth whatever creeps the ground,
Infe&t or Worm : thofe wav'd their limber Fans
For Wing's, and ſmalleſt Line aments exact,
In all the Liv'ries deck'd of Summer's Pride,
With Spots of Gold and Purple, Azure and Green :
Theſe as a Line their long Dimenſions drew ,
Streaking the Ground with Sinuous Trace. Not all
Minims of Nature ; ſome of Serpent kind,
Wondrous in length and Corpulence, involv'd
Their freaky folds, and added Wings. Firſt crépt
The parcimonious Einmet, provident
Of future, in ſmall room large heart enclos’d ;
Pattern of juſt Equality.
Swarming nextappear'd
The Female Bee, that feeds her Husband Drone
Deliciouſly, and builds her waxen Cells,
With Honey ftord. -
The Serpent,ſubtleſt Beaſt ofall the Field,
of huge Extent ſometimes, with brazen Eyes,
And hairy Mane terrifick.
Now Heav'n in all her Glory Shines, and rowld
Her Motions, as thegreatfirſt Mover's hand
Firſt wheeld their Courſe. Earth in ber rich attire
Conſummate lovely ſmild : Air, Water , Earth,
ByFowl,Fiſh ,Beaſt, was Flown, was Smum , was Walk'de
Man.
There wanted yet the Maſter -Work, the End
Of all get done"; a Creature, who not prone
And brute as other Creatures, but endu'd
With Sanctity of Reafon, might Erect
Improve the FANCY. 271
His Stature, and upright with front ſerene
Govern the reſt, ſelf-knowing, and from tbence
Magnanimous to Correſpond with Heav'n. Milton.
Morning
Wiſh'd Morning's come ; and now upon theplains,
And diſtant Mountains, where they feed their Flocks
The happy Shephards leave their homely huts,
Andwith their Pipesproclaim the newbornDay.
The luſty Swain comes with his well fill'd Scrip
Of healthful Viands; which when bunger calls,
With much content and appetite be eats ;
To follow in the Field his daily Toil,
And Dreſs the grateful Glebe that yields him Fruit,
The Beaſts that under the warm hedgesfept,
And weather'd out the cold bleak night, are up ;
And looking tow'rds the neighb'ring Paſtures, raiſe
Their Voice, and bid their fellow Brutesgood morrow ;
The cheerful Birds too on the tops of Trees
Aſſemble all in Choirs, and with their Notes
Salute, and welcome up the riſing Sun. Otway.
Noon .
The full blazing Sun
Does now fit high in bis Meridian Tuw'r ;
Shoots down dire&t his fervid Rays, to warm
Earth's inmoſt Womb. Milc.
Night.
| Now all is hulh'd as Nature were retird,
And the perpetual Motion Standing ſtill;
272 A METHOD to !
So much the from her Work appears to ceaſe,
And ev'ry warring Element's at Peace :
All the wild Herds are in their Covers couch'd ,
The Fiſhes to their Banks or Ooze repair’d,
And to the Murmurs of the waters ſleep :
The feeling Air'sat reſt, and feels no Noiſe,
Except of someſhort Breaths upon the Trees,
Rocking the harmleſs Birds that reſt upon’em . Otway.
Night.
All Things are huſh'd, as Nature's ſelf lay dead ,
The Mountains ſeem to nod their drowſy Head :
The little birds in Dreams their Songs repeat,
And peeping Flow'rs beneath the Night-dew ſweat.
Dryden .
Lot's Wife .
No more a Woman, nor yet quite a Stone.
Alafting Death jeiz'd on her turningHead ;
One Cheek was rough and white, the other red .
And yet a Cheer ; in vain to Speak ſhe ftrove ;
Her" lipstho' Stone a litle ſeem'd to move.
One Eye was clos'd, ſurpriz!d by fuddain Night,
The other trembled ſtill withparting light.
The Wind admir'd which her Hair looſely bore,
Why itgrewſtiff, and now wou'd play nomore .
To Heaven ſe lifted up herfreezing Hands,
And to this day a ſuppliant Pillar ſtands,
She try'd her heavy Foot from Ground to rear,
And rais'd the Heel, but her Toesrooted there:
Ah fooliſh Woman ! who muſt always be
A Sight more ſtrange, thanthatſhetürn'd to ſee !
Cowl. David . 3.
А
1 Improve the FANCY . 273
A Table.
In midſt a Table of rich Ivory ſtands
The wondrous Work of Babylonian hands;
Bythree fierce Tygers, and three Lyons born,
Which grin, and fearfully the Place adorn.
Widely they gape, and to the Eye they roar,
As if they hungred for the Food they bore.
Cowl. David. 3
Swiftnefs.
Aſabel, Swifter than the Northern Wind ;
Scarce cou'd the nimble Motions of bis Mind
Outgo his Feet ; ſo ſtrangely wou'd be run,
That Time it ſelf perceiv'd not what was done.
Oft o’er the Lawns and Meadows wou'd he paſs,
His weight unknown, and harmleſsto the Graſs ; .
Oft o'er the Sands, and hollow Duſt wou'd Trace,
Yet not one Atome trouble or diſplace. Cowl. Dav 3.
The Peach .
Then tame the Glory of the Perſian Field,
sind to Armenias Pride diſdain'd to Tield.
The Peach with ſilken Veſt and pulpy juice,
of Meat and Drink at once Supplies the uſe.
But take him while he's ripe , he'll foon decay,
For next Days banquet he diſdains to ſtay.
Of Fruits tbe faireſt as the Roſe of Fluw'rs,
But ab ! Their Beauties have but certain Hours.
Idem ,
The Vine.
Hail Bacchus ! Hail, thou powerful God of Wine,
Hail Bacchus bail ! Here comes thy darling Vine,
Drunk with her own ricb Juice, ſhe cannot ſtand ,
But comes Supported by her Husbands hand,
The luſty Elm Supports her ſtagg'ring Tree;
My beſt lov'd Plant, how am I charm'd with thee .
Bow down thy juicy Cluſters to myLip,
ThyNestar Sweets I wou'd not lightlylip,
But Drink thee deep, Drink till myVeins were Swelld,
Drink till my Soul with joys and thee were fiild.
What God ſo far a Poets Friend will be;
Who from greatOrpheus,draws his pedigree ?
( And tho’his Muſé comesfort of Orpheus Fame.
Tetſeems inſpir'd and may the Ivy claim)
To place him on Mount Ifmarus, or where
Campanian Hills the ſweeteft Cluſters bear,
Where Grapes, twice riper'd , twice Conco&ted grow,
With Phoebus beams above, Veſuvius Flames below .
Or in the fortunate Canarian Ifles,
Or where Burgundia's purpleVintage Smiles
' Tis
Improve the FANCY. 277
' Tisfit the Poet lhou'd beneath their Shade
Tranſported lye, or on their Hills run Mad,
HisVeins,bisSoulSwel'd withth’inſpiring God.S
Who worthily wou'lcelebratethe Vine,
And with bisgrateful Voice diſcharge agen
The Deity,which with his Mouth he drank ſy largely in .
Ovital Tree, what Bleſſings doſt thou ſend ?
Loze; Wit and Eloquence on thee attend,
Mirth,sorts,green Hopes,ribe Toys, and martialFire.
Theſe are thiy Fruits, thy Cluſterstheſe inſpire ;
From thee the beſt Philoſophydoes ſpring ,
Thou canſt exalt the Beggar to a King ;
Tl’unletter'd Peaſant who can compaſs thee,
As much as Cato knows , and is asgreat as be,
Thy Tranſports arebut ſhort, I doe confeſs,
But ſo arethedelights Mankind poſſeſs,
Our life it ſelf is ſhort,and will not ſtay,
Then let us uſe thy Bleſſing while we may,
And make it in full Streams of Wine more Smoothly
(paſs away. Idein.
The Plane Tree.
The Plant (at Braſil Bracoua caưd) the Name
of th’Eaſtern Plane-Tree takes,but not the ſame :
Bears Leaves ſo large, oneſingle Leaf can Shade
The Swain that is beneath her Covert laid ;
Under whoſe verdant Leaves fair Apples grow ;
Sometimes twohundred on a ſingle Bough ;
Tl'aregather'd all the Tear, and all the Year
ru
The
282 A METHOD to 3
Exercitus.
Floret criſtatis exercitus undique turmis,
Quiſque ſuâ te voce canens. Præſtringit aena
Lux oculos, nudique ſeges Mavortia ferri,
Ingeminat ſplendore diem . Pars nobilis arcu
Pars longe jaculis, pars cominushorrida contis.
1 Hi volucres tolluntaquilas, hi picta draconum
Colla levant, multufque tumet per nubila ſerpens
Iratus ſtimulante noto; vivitque receptis
Flatibus, & va io mentitur fibila tračtu. Claudiana
Accipiter.
Quam facile accipiter faxo facer ales ab alto
Conſequitur pennis ſublimem in nube columbam ,
Comprenſamq; tenet, pedibufq; eviſcerat uncis.
Virg !
Exercitus.
lamq; adeo exierat portis equitatus apertis :
Æneas inter primos & fidus Achates,
Inde alii Troja proceres: ipfe agmine Pallas
Ig
286 Å METHOD to
In medio , chlamyde, & pi&tis confpectus in armis :
Qualis ubi Oceani perfufus Lucifer undâ,
( Quem Venus ante alios aftrorum diligit ignes)
Exiulit os facrum cælo , tenebraſque refolvit.
Stantpavida in muris matfes, oculiſque fequuntur
Pulveream nubem , & fulgentes ære catervas,
Olli per dumos, quâ proxima meta viarum ,
Arinati tendunt : it clamor & aginine facto,
cy
Quadrupedante putrem fonitus quatit ungula cam
1
pum . Idem .
Cyclopes Laborantes.
?
Ferrum exercebant vaſto Cyclopes in antro,
Bronteſq; ſteropeſq;, & 'nudusmembra Pyracmón .
His informatuin manibus, jam parte politâ,
Fulmen erat (toto genitor quæ plurima cælo
Dejicit in terras) pars imperfecta manebat,
Tres imbris torti radios , tres nubis aquofæ
Addiderant, rutili tres ignis, & alitis Auftri.
Fulgores'nune terrificos, fonitumq; metumą;
Mikeebant operi, fammifq; fequacibus iras.
Parte aliâ Marti currumq; rotafq; volucres
Inftabant, quibus ille viros, quibus exeitat urbes
Ægidaq; horrificam turbata Palladis arma,
Certatin fquamm.is ſerpentum , auroq; polibant :
Connexq1q;argues,ipfamq; in pectore divæ
Gorgona, defecto vertentem lumina collo.
At illi
Ocyus incubuere omnes , pariterq laborem
Sortiti : fuit æs rivis , auriq; metallum :
Vulnificufq; chalybs vafti fornace liqueſcit.
Ingentem clypeum informant, unum omnia contra
Tela Latinorum , ſeprenofque orbibus orbes
Impediunt : alii ventolas foliibus auras
Accia
Inprove the FANCY. 287
Accipiunt redduntque ; alii Atridentia tingunt
Æra lacu : gemit impoſitis incudibus antrum .
Hili inter feie magna vi brachia tollunt
In numerum , verlantque tenaci forcipe ferrum . Idem .
Etna:
-Juxta tonat Ætna ruinis ;
Interdumque atram prorumpit ad Æthera nubem ,
* Turbine fumantem piceo, & candente favillâ ;
Attollitque globos fiammarum & fidera lambit.
Interdum fcopulos avullaque viſcera montis
Erigit eruetans, liquefactaque taxa ſub auras
Cum gemitu glomerat, fundoque exæftuat imo. Idem.
Ætna.
Aft Ætna eruétat tremefactis cautibus ignes
Incluſi genitus : pelagique imitata furorem
Murmure per cæcos topat irrequieta fragores.
Nocte dieque fimul fonte e phlegetontis ut atro
Flammarum exundat torrens: piceague procella
Semiambuſta rotat liquefactis ſaxa cavernis. Sil. Italy
:
Ætna.
Ætna Giganteos nunquam tacitura triumphos
Encel idi buftum , qui faucia terga revinctus
Spirat inexhauftum Lagranti pectore ſulphur.
Et quoties detrectat onus cerviçe rebelli
In dextrum levemve latus: tunc infula fundo
Vellitur, & dubiæ nutant cum moenibus urbes
Ætneos apices folo cognofcere vifu ,
Non aditu tentare licet. Pars cetera frondet
Arbori,
288 A METHOD to
Arboribus : teritur nullo cultore cacumen .
Nunc vomit indigena nimbos, piceaque gravatum
Fædat nube diem : nunc molibus a tra laceflit
Terrifious, damnifque fuis incendia nutrit.
Sed quamvis nimio fervens exuberat æftu,
Scit nivibus ſervare fidem , pariterque favillis
Dureſcit glacies tanti fecura vaporis,
Arcano defenſa gelu , fumoque fideli
Lambit contiguas innoxia flamma pruinas. Claudian.
Ahenum Æftuans.
-Magno veluti cum flamma ſonore
Virgea ſuggeritur coftis undantis aheni,
Exultantque æſtu latices,furit intus æque vis,
Fumidus atque alte ſpumis Exuberat amnis :
Nec jam ſe capit unda : volat vapor ater ad auras.
Virg .
Virgo Sancta.
Ergo 'accin ta viæ, nụllos ftudiofa paratus
Induitur, nullo difponit pectora cultu :
Tantum albo crines injectu veftis inombrans :
Qualis ſtella nitet, tardam quæ circuit arcton
Hibernâ fub nocte : aut matutina reſurgens
Aurora : aut ubi jam Oceano fol aureus exit.
Quâque pedes movet, hâc cafiam terra alma miniſtrat
Pubenteiſque roſas, (nec jam moeſtos hyacinthos,)
Narciſſumque crocumque, & quicqid purpureum ver
Spirat hians,quicquid forum per gramioa pallim
Suggerit immiſcens varios natura colores.
Parte alia celeres ſiſtunt vag i mina curſus :
Exultant valleſquecavæ, coile que ſupini,
Et circumſtantes ſummittunt cu.mina pinus :
Cre
Improve the FANCY. 289
Crebraque palmiferis erumpunt germina ſylvis :
Omnia lætantur : ceſſant Eurique Notique,
Ceſſat atrox Boreas : tantuin per ilorea rura
Regna tenent Zephyri , cælum que tepentibus auris
Mulçent, quaque datur gradientem voce falutant.
Sannazar .
Sol Occidens .
Et jam prona dies fluctus urgebat Iberos,
Purpureaspelago nubeis, aurumque relinquens.
Idem ,
Nox,
Tempus erat, quo nox tardis invecta quadrigis
Nondum ftelliferimediam pervenit Olympi
Admetam , & tacito ſeintillant ſidera motu :
Cum ſylvæque, urbeſque ſilent, cum feffa labore,
Accipiunt placidos mortalia pectora fomnos :
7 Non fera, non volùcris, non piéto corpore ſerpens
Dat fonitum : jamque in cineres conſederat ignis
Ultimus , & ſera perfuſusmembra quiere
Scrupoſo ſenior caput acclinaverat antro. 2 Idem
Nox,
Nox erat, & placidumcarpebant feffa foporem
Corpora per terras : fylvæque & lævi quierant
Æquora : cum medio volvuntur iidera lapſu,
Cum tacet omnis ager, pecudes pictæque volucres,
Quæque lacus late liq idos, quaq.e alpera dumis
Rura tenent, fomno politæ ſub nocte filenti
Lenibant curas & corda oblita laborum . Virg ?
I Ser
290 A M É T H OD to
Serpentes.
Ecce aurem gemini a Tenedo tranquil'a per alta
(Horreſco referens) immenſis orbibus angues
Incumbunt pelago, pariterq; ad littora tendunt :
Pectora quorum inter fluctus arrecta, jubæque
Sanguinteæ exſuperant undas: pars cætera pontum
Pone legit, ſinuatque immenſa volumine terga.
Fit fonitus (puinante ſalo : jamque arva tenebant,
Ardenteſque oculos ſuffecti fanguine, & igne,
Sibila lambebant linguis vibrantibus ora. Idem .
Serpens.
Dixerat hæc adytis cum lubricus anguis ab imis
Septem ingens gyros, feptena volumina traxit.
Amplexus placidetumulum , lapfufque per aras :
Ceruleæ cui terga notæ , maculofus & auro
Squamam incendebat fulgor: ceu nubibusarcus
Mille trahit varios adverſo fole colores. Idem .
Pugna Navalis.
Una omnes ruere, ac totum fpumare reductis
Convulſum remis, roftriſq; ſtridentibus æquor .
Alta petunt : pelago credas innare revulſas
Cicladas, aut montes concurrere montibus altos,
Tanta mole viri turritis puppibus inftant ! Idem .
Cælum .
Illic auratæ muros mirabimur urbis
Auratafq; domos, & gemmea tecta viaſq;
Stelliferas : vitreoſq . altis cum montibus amneis.
Atq; ibi ſeu magni cellum penetrale tonantis,
Sive alios habitare lareis ac tecta minorum (
Cælicolûm dabitur , ſtellas numerare licebit,
Surgentemq; diem pariter, pariterq; cadentem
Sub pedibus ſpectare, & longos ducere foles. Sanaz
Cælicolum Deſcripfio,
1 Haud mora fit :celerant juffi: volatæthere toto
Cælicolûmglomerata manus, pars igne coruſco
Tota rubens, pars ſtelliferis innexa coronis ;
Ipfe fedens humeris chlamydem fulgentibus aptat
Ingentem & cælum pariter, terraſą; tegentem .
Quam quondam(ut perhibent)vigilansnocteſq;dieſq;
Ipſa ſuo nevit rerum natura tonanti,
Adjecitq; facræ decus admirabile tela ,
Per medium, perq; extremas ſubtegminis oras,
Immortale aurum intexens, grandeſq; ſmaragdos.
Hlie
Improve the FANCY. 293
Illic nam variâ mundum diftinxerat arte
Gnara operum mater, certiſq; elementa figuris,
Et rerum ſpecies, animaſq: & quicquid ab alta
Fundit mente pater. Generis primordia noftri,
Cernere erat limum informem : jam præpete penna
Deferri volucres liquidum per inane yideres.
Jam ſylvis errare feras, pontumq; natari
Piſcibus, & vero credas ſpumefcere fluctu, Idem ,
Ebrietas.
Denique cur hominem, cum vini vis penetravit
Acris & in yenas difceflit deditus ardor,
Conſequitur gravitas membrorum ? præpediuntur
Crura vacillanti? tardeſcit lingua ?madet mens?
Nant oculi ? clamor,fingultus : jurgia glifcunt?
Lucr :
Fama,
Orbe locus medio eſt inter terraſq; fretumq; ,
Cælefteſq; plagas, triplicis confinia mundi;
Unde quod eft ufquam ,quamvis regionibus abſit,
Inſpicitur;penetratq; cavas yox omnis ad aures,
Fama teñet, fummaq;domum fibilegit in arce:*
Innumërofq;aditus, ac mille fóramina tectis
Addidit , & nullis incluſit limina portis.
Nocte dieq; patent. Tota eſt ex ore ſonanti:
Tota fremit : voceſq; refert : iteratq; quod audit;
Nulla quies intus, nullaq; filentia parte,
Nec tamen eſt clamor, fed parvæ murmura vocis :
Qualia de pelagi,fi quis procul audiat, undis
Effe folent : qualem veſonum , çum Jupiter atras
Increpuit nubes, extrema tonitrua reddunt,
Atria turba tenent : veniunt leve vulguseuntq;
T 3 Miftaq;
1
294 A METHOD to
Miſtaq; cum veris paflim commenta vagantur
Millia rumorum : confuſaq; verba volutant.
E quibus hivacuasimplent ſermonibus auras :
Hi narrata ferunt alio : menſuraq; ficti
Creſcit; & auditis aliquid novus adjicitauctor .
Illic Credulitas, i lic temerarius error ,
Vanaq; lætitia eſt conſternatiq; timores,
Seditioq : repens, dubioq; auctore fufurri.
Ipſa quid in cælo rerum , pelagoque geratur,
Et tellure, videt ; totumq; inquirit in orbem. Ovid.
Fames.
Hirtus erat crinis ; cava lumina ; pallor in ore :
Labra incana ſitu : ſcabræ rubigine fauces :
Dura cutis, per quamſpectari viſcera poffent :
Offa ſub incurvis'extabant arida lumbis :
Ventris erat pro ventre locus. Pendere putares
Pectus, & a ſpinæ tantummodo crate teneri.
Auxerat articulos macies, genuumq; rigebat
Orbis, & immodico prodibant ubera talo. : Quid
Incendium Sylvæ.
Nam fæpe incautis paftoribus excidit ignis,
Qui furtim pinguiprimum ſub cortict e e & us
Robora comprendit, frondeſq; elapſus in altas
Ingentem cælo fonitum dedit : inde fecutus
Per ramos victor, perq; alta cacumina regnat ,
Et totum involvit flammis nemus , & ruit atrain
Ad cælum picea craſſus caligine nubem :
Præſertim fi tempeftas â vertice ſylvis
Incubuit , glomeratq; ferens incendia ventus. Virg:
Aquila.
Hos poft infequitur pulchros pennata per artus
Alituum regina, facræ cui vertice pluma AC
Improve the FANCY . 295
Affurgunt : flavoq; caput diademate fulget
Ipſa ingens alis, ingentis fulminis inftar
Supra hominum tecta ac monteis, ſupraq;volucres
Fertur, & obſtanteis curſu petit obvia nubeis.
Sannazarius de partu Virg.
Joſephus videns Chriſtum .
-Jamq;infantem videt, & videt ipfam
Majorem aſpectu, majori & lumine matrem
Fulgentem , necquoquam oculos, aut ora moventem ,
Sublimemq; folo, ſuperum cingente caterva
Aligera . Qualis noſtrum cum tendit in orbem ,
Purpureisrutilatpennis nitidiffima Phænix:
Quam varia circum volucres comitantur euntem :
Illa volans, folem nativo provocat auro,
Fulva caput, caudam & roſeis interlita punctis
! Cæruleam : ſtupet ipſa cohors : plauſuq; ſonoro
Per ſudum ſtrepit innumeris exercitus alis.
Idem ,
Gaudium ,
Superinuncplena fecundi
Gaudia cum referant, ſenſus pervenit ad omnes
Lætitiæ, mentemq; ciens renovata voluptas
Creſcit, & exultant trepidis præcordia fibris.
Qualis ubi Eois Phæbus caput extulit undis
Purus , & auratum non turbidus extulit axem ,
Cuſpide jucundæ lucis percuffa renident
Arva , micat tremulo criſpatus lumine pontur,
Lenibus aſpirat flabris innubilus aer ,
Blanda ſerenati ridet clementia cæli. Bucharz.
Uxoris Officium .
At tu conjugio nýıphe dignátaſuperbo,
Le licet & juno & bellis metuenda virago,
I 4 Et
(296 À METHOD ' to
Et venus, & Charitum longa indulgentia certet
Muneribus decorare fuis, licet ille fecundus
Spe votiſq; hominum France moderator habenæ ,
Ét folo genitoreminor tibi regia fceptra
Subinittat, bando & dominam te prædicet ore,
Sexum agnoſce tamen, dominæq; iminunis habenæ
Hactenus, imperio jam nunc affuelce jugali,
Diſce jugum , ſed cum delicto conjuge ferre ;
Diſcepati imperium , vi& rix paticndo futura.
Afpicis Oceanum , ſaya indignatus ut undis
Verberet, & cautes tumidâ circumfremat irâ :
Rupibus incurſat, demoliturq; procellis
Fundamenta terens, fcopuliſq; aſſultat adeſis;
At ubi ſe tellus molli fubftravit arena,
Hofpitioq; deûm blande invitavitamæno,
Ipſe domat vires, placiduſq; & fe minor ire
In thalamos gaudet, non torvo turbidus ore,
Non ſpumis fremituq; minax, ſed fronte ſerena
Littus inoffenſum lambit, fenfimq; relabens
Arrepit facilis cerni , & feu mollia captet
Ofcula ludentes in littore lubricat undas. Idem .
Tormenta
Forte per umbroſos ſylvarum plurima ramos
Affidue volitabat avis, quæpicta nitentes
Cæruleo pennas, roftro variata rubenti
Ibat nativo ſecura per avia luco.
Has juvenum manus ut filvas videre per altas,
Continuo cava terrificis horrentia bombis
Æra , & fammi ferum tormenta imitantia fulmen
Corripiunt, Volcanetuum, dum Theutonasarmas,
Inventum , dum tela jovis mortalibus affers.
Nec mora ſignantes certam ſibi quiſq; volucrem ,
In
Improve the FANCY. 297
Inclufam , ſalicum cineres, fulfurq; , nitrumq;,
Materiam accedunt fervata in reſte favilla .
Fomite correpto diffuſa repente furit vis
Ignea circumſepta, fimulq;cita obiice rupto
Intruſum impellit glandem : volat illa per auras
Stridula : & exanimes paffiin per prata jacebant
Dejectæ volucres : magno micat ignibus aer
Cum tonitru, quo filya omnis, ripæq; recurvæ
Et percuffa imo fonuérunt æquora fundo. Fracaſt.
Bombices,
Protinus emergunt tinex ,folioq; jacenti oroi
Vi&trices ſuper affiftunt, omnifq; juventus
Vefcitur, atq; avidæ dapibus implentur opimis;
Fit ftrepitus, longe qualem olimfæpefolemus
Cum pluit in tecto claufis audire feneſtris.
Nec mora nec requies properant, & grandiamorſa
Attondent folia emenſæ , redeuntq; iteruinq;
Incumbunt, longam nequeunt explerier alvum ,
Dum ſuperant frondes, & plenæ pabula menfe.
1 Hieron. Vida,
Opus Bombycum
Jam , licet, ingredere; artificum mirare laborein
Egregium , mirare artes, ut pendula șamiso
Omnibus hæſerunt várii glomeramina fili,
Qualiter autumni primo cum frigore in hortis
Arboribus pendent haud uno poma colore.
Sic hærentnitidivario diſcrimine ramis
Folliculi , ſunt quæ viridem traxere colorem
E follis, quæ depaſta eſt ſaturniabombyx
Fila, auri quædam , electriq; ſimillimapuri,
Omnibus eft reliquis color albi velleris inftar. Idem .
Fili
1
-298 A METHOD to
Fili Glomeratio.
Folliculos primum domitant ferventibus undis,
Filag; devolvunt nigris fumantia ahenis,
Tum currente rotâ torquent, eademq; retorquent,
Stamineq; implicito, cura eft diffolverenodos.
Hinc yocat extremum tandem textura laborem,
Intenduntq; nurus diſcretas pectine telas
Multifido, radiifq; fonantibus intertexunt
Jactantes dextra, levaq, ſequentia fila ;
Alternifq; ſuus pedibus labor additus, atq;
Deſuper acta gemit tereti rotagarrula nervo :
Nec mora, certantes properant, falluntq;laborem
Aut cantu , aut veneris curæ narrantur inanes. Idem .
Texendi Modus.
Nec modus eft fimplex texendi, nec genus unum
Telarum , nunc rala vides, & levia texta,
Nunc pexis, leviterq; attonfis mollia villis.
Quin etiain varios tenui ſubtemine pingung
Nexilibus flores hederis, filyafq; virentes,
Pomaq; graminagi ,& cervos, capreafq; fugaces :
Adde velut pebulas tenues velamina textu
Rara, quibus matres crines & tempora velant,
In templifq; deậm prohibent a pulvere vultus. Idem.
Mater Annorum ,
Eft ignota procul, noftræq; impervia menti
Vix adeunda deis, annorum ſqualida mater ,
Immenfi fpelunca & vi, quæ tempora vafto
Suppeditat revocatq; linu. Complectitur antrum ,
Omnia qui placide conſumit numine, ferpens,
Per .
Improve the FANCY. 299
Perpetuuinq; viret ſquamis, caudamq; reducto
Ore vorat, tacito relegens exordia lapſu.
Veſtibuli cuſtosvultu longæva decoro
Ante fores natura fedet, cun &tiſq; volantes
Dependent mernbris animæ : manſura verendus
Scribit Jurafenex, numeros qui dividit aftris,
Et curſus ſtabileſq; moras, quibus omnia vivant
Ac pereunt fixis cum legibus. Ille recenſet
Incertum quid Martisiter, certumq; tonantis
Proficiat mundo; quid velox femita lunæ,
Pigraque ſaturni: quantum Cytherea ſereno
Curriculo Phæbiq ; comes Cyllenius, erret.
- Hic habitant vario faciem diftincta metallo
Secula certa locis : illic glomerantur aena,
Hic ferratarigent, illic argentea candent.
Eximia regionedomus, contingere terris
Difficiles, tabant rutili grex aureus anni. Claudian:
Velocitas Camillæ .
Illa vel inta & zſegetis per fumma volaret
Gramina, nec teneras curſu læfiffet ariſtas.
Vel mare per medium fluctu fufpenfa tumenti
Ferret iter, celeres nec tingeret æquore plantas.Virg.
Horologium .
HÆC , quæ metitur vocalis tempora moles;
Cum cælo tacitum , credite, fædus habet.
Nam cælo Sol quidquid agit noctuve diuve,
Inſcriptum nobis machina fronte refert.
Artis opus mira . Ad terram revolubileplumbura
Nititur, & fpiris throclea verfat onus.
Pondere ab hocmotus : nam dum vi vertitur axis,
in Dom .
D
300 A METHO to
Dentatas cogit mordicus ire rotas:
Morſu illo implicitos, obverſoſque orbibus orbes
Pendula ſuſpenſo examine libra movet.
Æneus hinc monitor turri fonat, & limul horas
Mobilis infcripto lingula in orbe notat.
Dividit hic Index vitam , totamque minutim
Concidit, folidum dilaceratque diem .
At vosHeroes, quorum metimur ab ore,
Etregimus veſtro tempora noſtra ſono,
Diſcitenon dare pofcenti reſponfa, priuſquam
Multa agitet ſecum mensoperofa diu :
Diſcite non ullam ſinepondere redderc vocem :
Diſcite (ne mültis) ore manuque loqui. Strada
Philomelæ ac Citharodi Concertatio .
Jam Solàmedio pronus deflexerat orbe
Mitiùs è radiis vibrans crinalibus ignem .
Cum fidicen propterTiberina fưenta f, onanti
Lenibat plectro curas, æftumque levabat.
Ilice defenſus nigra ſcenaque virenti
Audiit hunc hofpes ſylvæ Philomela propinquę,
Mufa loci nemoris Siren , innoxia Siren ,
Et prope fuccedens ſtetit abdita frondibus,alte
Accipens fonitum , fecumque remurmurat, & quos
Ille modo variar digitis, hæc gátture reddit.
Senſit fe fidicen Philomela imitante referri,
Et placuit ludum volucri dare. Plenius ergo
Explorat citharam , tentamentumque futuræ
Præbeat ut pugnæ ; percurrit protinus omnes I
Impulſu pernice fides. Nec fegnius illa ]
Mille per excurrensyariæ diſcrimina vocis, 1
Venturi ſpecimen præfert argutula cantus,
Tunç fidicen per fila movens trepidantia dextram ,
Nunc
Improve the FANCY. 301
Nunc contemnenti fimilis, diverberat ungue
Depectítque pari chordas & fimplice ductu :
Nunc cáptim replicat, digitiſque micantibus urget
Fila minutatim , celeriquerepercutit icu.
Mox filet. Illa modis totidem reſpondet, & artem
Arte refert. Nunc ceu rudis, aut incerta canendi
Projicit in longum ,nulloqueplicatile flexu
Carmen init, fiinili ſerie, jugique tenore
Præbet iter liquidum lubenti è pectore voci :
Nunc cæſim variat, moduliſque canora minutis
Delibrat vocem , tremuloque reciprocat ore.
Miratur fidicen parvis é faucibus ire
Tam yarium , tam dulce melos : majoraque tentans
Alternat mira arte fides : dum torquet acutas,
Inciditque graves operoſo verbere pulſat :
Permiſcetque fimul certantia rauca ſonoris.
Ceu reſides in bella viros clangore lacefſat.
Hoc etiam Philomela canit : dumqueore liquenti
Vibrat acuta ſonum , modulifque interplicat aquis ?
Ex inopinato gravis intonat, & leve murmur
Turbinat introrſus, alternantique ſonore
Clarat, & infuſcat,ceu Martia claſſica pulſet.
Scilicet erubuit fidicen,iraque calente,
Aut non hoc, inquit, refersCithariſtria fylvä,
Aut fracta cedam cithara .Nec plura loquutus
Non imitabilibus plectrum concentibus urget,
Namque manu per fila volat, fimul hos, ſimul illos
Explorat numeros, chordaque laborat in omni ;
Et ftrepit,& tinnit, creſcitquc fuperbius, & fe .
Multiplicat relegens, plenoque choreumate plaudit,
Tum ſtetit expectans, ſi quid paret æmula contra:
Illa autem , quamquam vox dudum exercita fauces
Afperat, impatiens vinci ſimul advocat omnes
Ne
302 A METHOD to
Nequicquam vires, nam dum diſcrimina tanta
Reddere tot fidium nativa & fimplice tentat
Voce, caniculiſque imitari grandia parvis
Impar magnanimis auſis, imparque dolori
Dejicit,v& itam ſummo in certamine linquens
Viétoris cadit in plectrum , par nacta fepulcrum .
USQUE adeo & tenues animas ferit æmula Virtus.
Idem .
Lacheſis Nens
Læva colum molli lanâ retinebat amietam
Dextera tum leviter deducens fila fupinis
Formabat digitis tumpronoin pollice torquens
Libratum tereti verſabat turbine fufum :
Atq; ita decerpens æquabat femper opus dens,
Laneaq;aridulis hærebant morfà labellis,
Quæ prius in leni fuerant extantia filo,
Ante pedes autein candentis mollia lanæ
Velleravirgati cuſtodibant calathiſci. Catuks
Somni Sedes: I
Lucretia Sleeping.
Her lilly Hand her roſy Cheeks lies under,
Cozening the Pilow of a lawfulKiſs;
- Which therefore angry, ſeems to part in Sunder,
Swelling on either Side to want it's Bliſs':
Between whoſe Hills ; her Head intombed is ;
Where like a virtuous Monunzentſelies,
To be admir'd ofleud unballow'd Eyes.
Without the Bed her other fair Hand was
On the green Coverlet, whoſe perfect White
Shep'd likean April Dazyon the Graſs,
With pearly Sweat, reſembling Dew of Night :
Her Eyes like Marigolds had Sheath'd their light.
And canopy'd in Darkneſs ſweetly lay,
' Till they might open to adorn the Day.
Her Hair likegolden Threads plaidwith her Breath
O modeſt Wantons, wanton Modeſty!
Showring Life's Triumph in the Map of Death,
And Death's dim Look in Life's Mortality.
Each in her Sleep themſelves ſo beautify,
As if between them twain therewere no Strife
But that Life liv'd in Death; and Death in Life
Shakeſ. Tarq. and Luc.
U
306 A MÉTHOD to
Feeble Cowards.
So when the Pigmies, marſhaldon the Plain ,
Wage puny War againſt thinvading Cranes ;
The Poppets to their Bodkin Spears repair,
And ſcatter'd Feathersfutter in the Air ;
But when the bold imperial Bird of Fove
Stoops on bis Sounding Pinions from above,
Among the Brakes the Fairy Nation crowds,
And the Strimonian Squadron ſeeks the Clouds:
Diſpenſary!
A Catch -Pole.
-Só ( Poets Sing )
Grimalkin to domeſtick Vermin ſworn
An everlaſting Foe, with watchful Eyes
Lyes nightly brooding o'er a chinky gap,
Protending her fellClaws, tò thoughleſs Mice
Sure Ruin . - So her diſemboweldWeb
Arachne in a Hall or Kitchin Spreads
nu
U ?
308 Á M E T H O DIA
Obviousto vagrant Flies: She ſecret ſtands
W thin her woven Cell; the humming Prey,
Regardleſs of their Fate, ruſh on the Toil's
Inextricable, nor willought avail
Their Arts, nor Arms, nor Shapes of lovely Hue ;
The Waſp inſidious, and the buzzing Drone,
And Butterfiy proud of expanded Wings
Diſtinet with Gold, entangled in her ſnares
Uſeleſs Reſiſtance make: with eager Strides,
She top ring fies to ber expe&ted Spoils;
Then with envenom'd jawsthe vital Blood
Drinks of reluctant Foes, and to her Cave
Their Bulky Carcalles triumphant drags.
Splendid Shilling
Urbs Expugnata.
Ác veluti fummis antiquam in montibus ornum
Cum ferro acciſam , crebriſq; bipennibus inſtant
Eruere certatim agricolæ , illa ufq; minatur,
Et tremefacta comam concuffo vertice nutat,
Vulneribus donec paulatim evicta, ſupremum
Congemuit, traxitq; jugis avulſa ruinam . Virg
Sponfa .
Candor erat qualem præfert Latonia Luna,
Et color in niveo corpore purpureus.
Ut Juveni primum virgo deductamarito ,
Inficitur teneras ore rubente genas.
Ut cum contexunt amaranthis alba puella
Lilia , & Autumno candida mala rubent. Tibullus.
Virgo
Improve the FANCY; 304
Virgo Formoſa .
Hunc fimul ac cupido conſpexit lumine virgo
Regia, quam ſuavis expirans caftus odores
Leitulus in molli complexu matris alebat,
Qualis Errota progignunt flumina myrtos ,
Aurave diſtinctos educit verna colores ,
Non prius ex illo flagrantia declinavit
Lumina, quam cuncto concepit pectore flammam .
Catullus,
Gaudium pro reditu Amici,
Dulce viatori laffo in fudore levamen ,
16 Cum gravis exuftos æſtus hiulcat agros,
Acveluti nigro jactatis turbine nautis
Lenius aſpirans aura ſecunda venit.
Jam precePollucis,jam Caftoris implorata ,
Tale fuit nobis Manlius auxilium , Idem .
Æneas Turbatus.
Quæ Laomedontius heros
Cuncta videns magno curarum fluctuat æſtu ;
Atq; animum nunc huc celèrem , nunc divițitilluc,
In parteſq; rapit varias, perq; omnia verſat.
Sicut aquæ tremulum labris ubi lumen aenis
Söle repercuffum , aut radiantis imagine lunæ ,
Omnia pervolitat late loca , jamq; ſub'auras
Erigitur, fummiq; ferit laquearia tecți, Virg
Sponfa.
Floridis velut enitens
Myrtus Alia ramulis
U3 Ruos
A METHOD to
310
Quos Hamadryades deæ
Ludicrum ſibi roſcido
Nutriunt humore. Catullus.
Amor.
Qualis tranquillo quæ labitur æquore cymba,
Cum Zep' yris fummæ criſpantur leniter unda,
Tuta volat; luditq; hilaris per tranſtra juventùs :
Talis vita mihi , méa dum me Chloris am abat.
Sannazarius ,
Exanimis Virgo.
En virgo , exanimis virgo tabefcit : & ille,
Ille color roſeo jam jam defloruit ore.
Qualis purpureus, ſecreta in valle Hyacinthus,
Quem mater tellus aluit ,gremioq; receptum
Edušit largo rore, & felicibus auris,
Si cæli invalit vitium , aut immanior aufter
Paulatim læto formæ fpoliatus honore,
Deficit, & moriens arentibus incubar herbis .
Baptiſta -Amaltheus:
+ We muſt take Notice , That a Simile is never
to be continu'd to thelength of a Deſcription, but
where ſome Thing extraordinary requires' it ; for
which Reaſon, we find few of any conſiderable length
in the Poets, but many thatare ſhort As,
His Look
Drew Audience, and Attention fill asNight,
Or Summer's Noon -tide Air . -Milt.
* Ovid has furniſh'd us with a great Number of
Mort Similes, where he brings in Polyphemus compli
menting hisMiftriſs Galatea.
Candi
Improve the FANCY .
Candidior nivei folio , Galatea, liguſtri,
Floridior pratis ; longa procerior alno ;
Splendidior vitro ; tenero laſcivior hædo;
Lævior alliduo detritis æquore conchis ;
Solibus hibernis, æſtiya gratior umbra ;
Nobilior pomis ; platano conſpectior alta ;
Lucidior glacie ; matura dulcior uva ;
Mollior & cygni plumis, & lacte coacto ;
Et, fi non fugias, riguo formoſior horto.
Sævior indomitis eadem , Galatea, juvencis,
4 Durior annoſa.quercu ; fallacior undis ;
Lentior & falicis virgis, & vitibus albis ;
His immobilior fçopulis; violentior amnes
Laudato pavone ſuperbior ; acrior igni ;
Afperior tribulis; fæta truculentior urfa ;
Şurdior & quoribus; calcato immitior hydr.o.
Ovid, Metam . Lib. 13.
METAPHOR.
WhenWords we from their genuine Senſetrapfer
To'ſtand for others , let us firſt take Care
That they true Likeneſs and Proportion bear. $
Hence Golden Phraſes come, and Metaphor
By a new Stamp makes Words to paſs for more.
+ Of Metaphors there are three fors :
1. Metaphoric al (* Flumen ingenii, A Flow ofWit,
Nouns ; * Labuntur anni, The Years dide
2. Verbs; as ,
* Letaſeges , Şmiling Corn ,
3. Epitbets ;
It pleaſes much, when Poets do Tranſlate
Their Terms from Living Things ( Inanimate;
Thus they give Life and Motion totheir Strains,
By frowning Mountains,
U and byſmiling Plạins.
A But
312 A METHOD to
But his proud Head the airy Mountain bides
Among the Clouds, bis Shoulders and his Sides
A Shady Mantle Cloaths, his curled Brows
Frown on the gentle Stream ,which calmly flows.
Cooper's Hill.
In vain
If none regard Heav'n wakes with all it's Eyes. Milt.
On which the Sun more glad impreſs'd his Beams,
Than infair eu'ning Cloud, or bumid Bow. Idem.
O'er which the mantling Vine
Lays forth her purple Grape, and gently creeps
Luxuriant. Idem .
Tranſeat hic fine nube dies, ſtent aere venti,
Ponat et in ficco molliter unda minas. Properia
Ille liquor docuit voces inflectere cantu ,
Movit et ad certos nefcia membra modos. Catullus.
Subdola cum ridet placidipellacia ponti . " Lucret.
From Dead to Living all thoſe Termsare good ,
In which there's found a júft Similitude.
Such Metaphors, we ſee give Life to Lite,
Thunder and Lightning beſt illuſtrate Strife .
Mean while the Adverſary of God and Man,
Satan with Thoughts infiain'd of bigbeſt deſign ,
Puts. on ſwift Wings ; and towards the gates ofHell
Explores his Solitary flight. Milt.
Grace was in all ber Steps, Heav'n in her Eye,
In ev'ry Geſture Dignity and Love. Idem .
Duo
Improve the FANCY. 313
-Duo fulmina belli. Virg .
Iraruin fluctuat æftu. Idem .
So from the Dead we to the Dead Tranſlate,
And add more Life to Things Inanimate .
Lethe the River of oblivion rowls
Her watry Labrynth . Milt .
ALLEGORY.
Thus we refine the Gold , 'till by degrees
We run in Metaphors whole Sentences ;
>
Hence liquid Streams of Allegory flow ,
All of a Piece, and regularly flow .
o ! cou'd I flow like thee, and make thy Stream ,
My great Example, as it is my Theme,
Tho deep, get clear, thoʻgentle, yet not duli,
Strong without rage, without o’er-flowing full.
Cooper's Hill.
Contrahes vento nimium ſecundo
Turgida vela. Hor.
• The
La
314 A METHOD to
" The greateſt Caution muſt be had in the
.“ framing of Allegories, to avoid Obſcurity, which
“ which may be done by bringing them in ſo natu
“ rally , that what is before and after them, explains
" their Meaning
ANTONOMASIA
Another Name to Metaphor we give.
When that a Proper?s made Appellative ;
Antonomaſia's theWord ; no doubt
He was a Molo , that firſt found it out.
Irus et eſt ſubito, qui modo Cræſus erat,
A Dives once is now a Lazarus .
CATACHRÉSIS.
A Catachreſis next is known to be
A Metaphor of meer neceſſity ;
Forc'd head long in, where other Language fails,
So much our Paſſion, o'er our Senre prevails.
Thus Maſter Witty on poor Scholar dull,
Calls him 4 leaden or a wooden Skull.
SYNECHDOCHE.
To this Synechdoche is near allied
When by a Part the Whole is ſignify'd ;
But Care muſt be, leaſt we obſcure the Senſe,
Always to chuſe ſome part of Eminence ;
I've liv'd Some Autumns, yet I wonder, why
Men make a Part'the Whole to ſignify.
Some love with rapid Wheels to raiſe
Olympian duſt, and gather Praiſe. Hor.
Non enim gaza , neq; conſularis
Summovet liêtor miſeros tumultus
Mentis, & curas laqueata circum
Teata volantes. Hor .
HYPERBOLE.
Hyperbole is anexceeding Lie,
Madeto diminiſh Things ormagnify,
Which, bya monſtrous Falſneſs, is deſign'd
To bring the Truth the nearer to our Mind.
It makes a Gyant wade the deepeſt Sea,
Contracts a Pigmy to a little Flea.
Vaft Sheets of Flame and pitchy Clouds ariſe,
And burning Vomit, Spouts againſt the Skies Temo
316 A METHOD to
Tempeſts of Fire th’aſtoniſhd Heav'ns annoy,
Fierce as thoſe Storms that from their Clouds deſtroy.
Waller .
Candidior cygnis, hedera formofior alba. Virg.
Arebant tantis epotimillibus amnes. Claudian,
IRONIA
An Irony for Raillery's deſignd,
In this the Tongue runs,counter to the Mind ;
The keeneſt Satyr can't ſo ſharply bíte,
As when wethus compare Things oppoſite :
So when I wou'd the vicious Wretch reclaim ,
I praiſe, what he has not, his vertue, to his Thame,
Thou pretty Boy that never mind'ſt thy Book,
'Tis hence thy Maker gives the kindRebuke.
O lofs of one inHeav'n to judge of Wiſë, Milt.
Since Satan fell whom Folly overthrew .
-Felicia tempora, quæ te
Moribus opponunt : habeat jam Roma pudorem .
Tertius è cælo cecidit Cato. Juu ,
ANTITHESIS.
Antitheſis agrees with this, ſo far
As we do Qualities oppolite compare ;
In the ſame line a Contradi&tion ſprings,
Buț.'tis in' Epithets, and not in Things.
Much I conceive, but little can expreſs
How fweet's the Turn of thispoerick Dreſs.
Not fierce but awful in his manly Page,
Boldis his Strength, butfober is his Rage.
Ingen
1
Improve the FANCY. 317
Ingentes animos anguftoin pectore verſant. Virg.
CORRECTION .
Correction does a wondrous Pleaſure give,
Whether of Thoughts Affirm’d or Negative ;
When Poets, on Condition pleaſing more,
Unſay whatever they have ſaid before.
Sweet are their melting Strains, when ſoft they
Sing,
Sweetaretheir numbers, join’d with warblingString
But neither melting Strains, nor numbers join'd
To String, ſo much as this engage the Mind.
With thee converſing I forget all Time,
All Seaſons and their Change, all pleaſe alike,
Sweet is the Breath of Morn, her riſing Sweet,
With charm of earlieſt Birds ; pleaſant the Sun
When first on this delightful Land heſpreads
His orient Beams, on Herb, Tree, Fruit and Flow'r
Gliſt'ring with Dew ; fragrant the Fertile Earth
After ſoft Show'rs, and ſweet the coming on
of grateful Eu’ning mild, theſilent Night
With this her ſolemn Bird, and this fair Moon,
1
And theſe the Gems of Heav'n , her ſtarry Train,
But neither Breath of Morn , when ſhe aſcends
With charm of earlieſt Birds, nor riſing Sun
On this delightful Land, nor Herb, Fruit, Flower)
Gliſtring with Dew , nor Fragrance after Showers,
Norgrateful Ev’ningmild, norſilent Night
With this her ſolemn Bird, nor Walk by Moon 1
SUSPENSION .
Suſpenſion follows next ;a grateful Stay
That holds theeager Mind a while at Bay ;
Reſerves a Pleaſure, which we long to know ,
And does at laſt it's latentBeauty Thew .
As Ev'ning Clouds, pleas'd at the Sun's Farewell,
With bluſhing Joy, the coming Dawn foretell;
" Asthegrey Dawn ſmiles thro ’ the dusky Gloom
Of Summer's Night ,and ſhews that Sol's to come
To beautify the Skies, and bleſs the Day,
Suſpenſion courts us with the like Delay:
From Nature's Gyant Race, th'enormous Elephant,
Down to the infe&t Worm and creeping Ant ;
From
Improve the FANCY. 319
From th’Eagle , Sou'reign of the Sky,
To each inferior feathered Brood,
From Crowns and purple Majeſty
To humble Shepherds on the Plains,
His hand unſeen divides to all their Food,
And the whole World of Life ſuſt ains. Orpheus.
Sed canis ante lupas, & taurus diliget urſas,
Et vulpem lepores, & amabit damaleænas ,
Quamvel tyinpana docta ciere canora Lyciſca
Mutabit noftros vel blanda Melænis amores.
Et prius æquoribus piſces, & montibus umbræ,
Et volucres deerunt ſylvis, & murmura ventis ,
Quam mihi diſcedent formofæ Amarillidos ignes :
Illa meum rudibus ſuccendit pectora flammis ,
Finiet illa meos moriens morientis amores .
Buchan, deſider. Lute
1
CHANGE.
Judgment purſues when Fancy's on the Wing,
Feign wou'd his Miftriſs to Sedateneſs bring ;
While ſhe does all his Arguments deſpiſe,
And from his magiſterial Precepts flies ;
Not fafter runs the Hare before the Hound
Not fafter hepurſues hermazing Round :
But ſuch enchanting Muſick’s in herTongue,
Judgment's convinc d lhe doesgoodSenſe nowrong.
Fortho’ſhebackward Sings her forward Lays,
The dif’ren't Turns fhe gives, deſerves new Praiſe,
Not half fo Swift the trembling Doves can fly,
When the fierce Eagle bleavestheliquid Sky ;
NOR
320 A METHOD to
Not halfſo Swiftly the fierce Eagle moves,
When thro' the Clouds he drives thetrembling Doves.
Pope.
Ut fugere accipitrem penna trepidante columba,
Ut folet accipiter trepidas agitare columbas.
Ovid Metam .
ACTION 1
· DOURTING.
When we do with ourſelves Expoftulate
For being Treated at the baſeftRate,
By Doubts and Queſtions we reſolve to try .
How to return or bear the Injury.
Then thusſhe ſaid within her Secret Mind
What phat I do ? what Succour faalle I find ?
Become a Suppljant to Hyarba's Pride,
And take my Turn to Court and be deny'd ! Shall
Improve the FANCY. 3231
Shall I with this ungrateful Trojan go ?
Forſake an Empire, and attend a Foe ?
Himſelf.I refug'd, and his Train reliev'd ,
' Tis true ; but am I ſure to be receiv'd ?
Can Gratitude in Trojan Souls have Place ?
Laomedon ſtill lives in all his Race.
Then ſhall I ſeek alone the churliſh Crew ?
Or with my Fleet their flying Sails purſues
What Force have I but thoſe whoſcarce before
I drew relu &tant fromtheir native Shore?
Will they again embark at my Defire ?
Once moreſuſtain the Seas,and quit their ſecond Tyre ?
E Rather with Steel thy guilty Breaſt invade,
Andtake the Fortune thou thy ſelf båſt made.
Dryd. Virg .
En quid agam ? rurfuſne procos irriſa priores
Experiar Nomadumg petam connubia fuppler,
Quos ego fum toties jam dedignata maritos ,
Iliacas igiturclatles, atq, ultima Teucrûm
Jufla Tequar? quia ne auxilio juvat antelevatos
Et bene apud memores veteris ſtatgratia fa &ti ?
Quisme autem( fac velle) liget? ratibaiq.ſuperbis
Irriſam accipiet ?" neſcis heu perdita,nec dumn
Laomedontea fentis perjuria gentis ?
Quid tum ? ſola fuga nautas comitabor ovantes ?
An Tyriis omniq; manu ftipata meorum
Infequar ? & , quos lidonia vix urberevelli
Rurſus agam pelago ? & ventis dare vela jubebo ?
Quin morereut merita es, ferroq; averte dolorem
:: S." Virgi
INTERROGATIONS
The Reader beſt to Queitionis does attend ,
When we fome Thing of Moment recommend ;
X 2 Inter :
A METHOD to
324,
Interrogations firſt his Mind affail,
Such Arguments can very feldom fail.
Say where preſerv'd your Phantom Glory lies ?
Can Braſs the fleeting Thing ſecure ?
Enſhrin'd in Temples does it ſtay ?
Or in huge Amphitheatres endure,
The Rage of rolling Time and ſcorn Decay
Ab ! no, the mouldring Monuments of Fame
Tour vain deluded Hopes betray,
Nor ſhew th'ambitious Founder's Name,
Mix'd'mith your ſelves in theſame Maſs of Clay.
Orpheus.
Quis enim livefcere poſſit
Quod nunquam pereant itellæ ? quod jupiter olim
Poffideat cælum quod noverit omnia Phæbus?
Eft aliquod meriti ſpatium , quod nulla furentis
Claudian, Stil .
Invidiæ menſura capit.
REPETITIONS,
If our Expreſſions from true Paffions fall
Moſt Repetitions are Emphatical.
Love:
Sole Eve, Aſociate Sole, to me beyond
Compare above all living Creatures dear ? Milt.
F IN I S.
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