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Reena Gautam
Abstract
This research paper focuses on Indian women’s
experience of immigration, nostalgia, culture, language
and tradition in the literary works of Uma
Parameswaran. The author focuses on one novel: Dear
Deedi, My Sister. In this novel, Sapna did not have the
feelings of nostalgia, because she could visit India
through letters written and received to her dearest
‘deedi’ or sister. The feeling of nostalgia also grasps the
immigrants from India as well as other countries in
Parameswaran’s works, particularly in Dear Deedi, My
Sister. Sapna, a woman from India, writes to her sister
living in her native country. The feeling associated with
‘deedi’, cannot be conveyed through the English word
‘sister’. Sapna continues to write depicting a contrast
between Canada and India; a contrast, which
throws into respite her nostalgia for a land that she left;
a land that continues to live in her memory.
Keywords: Nostalgia, immigration, native land, diasporas,
personal letters, Uma Parameswaran.
Uma Parameswaran, an Indo-Canadian writer of plays and
fiction presents her first hand observation of diasporic
life. She is of the opinion that there are writers who
have a tendency to exaggerate, a leaning forwards the
over- idealization of nostalgia or towards satire.
Ultimately, the challenge of common wealth literary
critics is in the exploration and understanding of the
bicultural vision of writers. Prameswaran maintains
objectivity in portraying the several facets of
multicultural Canada. She lives in manifold, Canada
undergoing the third phase of expatriation the policy of
the government is multiculturalism in a bilingual
framework. She represents ethnic minority writers in
Canada "Whose cultures are neither English no French
and whose heritage languages are neither English nor
French". (Pivato, p. 2.1)
Migrated writers feel the mixed feelings of cultures and
as well as they witness the pro-democracy
demonstrations hereby leading to encounter of cultures.
They experience the condition of anonymity for years of
repercussions in the mainland with echoes a dilemma
articulated by many recent migrants from the
mainlands.
Uma Parameswaran’s "Dear Deedi, My Sister" is a
sensitive reconstruction of the experiences of
Contemporary Literary Review India | eISSN 2394-6075 | Vol 6, No
2: CLRI May 2019 | Page 2
The Problem of Immigrant and Nastalgia in the Novel of Uma
Parameswaran’s "Dear Deedi, My Sister" | Reena Gautam
immigrants who perpetually suffer the nostalgia of lost
motherland. It is
Again, the need for the water of the holy river Ganga
becomes a frantic need for a neighbor in a foreign land.
Gangajal, he said, I need Gangajal to wash him.
My heart contracted and exploded in fear.
I reached over to the alcove.
Where we have enshrined our household gods.
And took down a cup size copper pot
Sealed at a temple beside the holy river.
His hands were trembling as I placed it there.
And he had snowflakes in his hair. (Ibid., p. 71)