Professional Documents
Culture Documents
INSTITUTE OF ENGINEERING
DEPARTMENT OF ARCHITECTURE
PULCHOWK, LALITPUR
FINAL REPORT
CONSERVATION STUDIO
Binisha Shahi-213
Binita Acharya-214
Prakriti Bhattarai-222
Sneha Bhandari-249
Table of Contents
1 Introduction ............................................................................................................ 8
1.1 Dolakha Bazaar 8
1.2 Old Dolakha and Present Dolakha 8
5 Design ................................................................................................................... 20
5.1 Stretches 20
5.1.1 Pakhalati, Pukhurucha, Dwakanchhen, Likhanchhen and Biyarchhen Tole: ............................................20
5.1.2 New Developed Settlements: ...................................................................................................................21
5.2 7 projects and 4 monuments 22
5.3 Entrance Complex 22
7 Parking .................................................................................................................. 28
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8.1 Inspection/Documentation 29
8.2 Interventions Proposed 30
8.3 Concept in Revitalization 30
8.4 Design Development 30
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17 Infrastructure .................................................................................................... 73
17.1 Road 73
17.2 Sinage 74
17.3 Public Toilet and Atm 77
17.4 Waste Bins 77
17.5 Drinking Water 77
17.6 Electricity and street light 78
17.7 Sewer and irrigation facilities 79
18 Monuments ....................................................................................................... 81
18.1 Machhindranath Temple 82
18.1.1 nterventions.........................................................................................................................................82
18.1.2 Research Studies ..................................................................................................................................83
18.2 Taleju Temple 84
18.2.1 Drawings ..............................................................................................................................................84
18.2.2 Research Studies ..................................................................................................................................85
18.3 Narayan Temple 86
18.3.1 Interventions........................................................................................................................................86
18.3.2 Drawings ..............................................................................................................................................86
18.3.3 Research Studies ..................................................................................................................................87
18.4 Nateshwor Temple 88
18.4.1 Interventions........................................................................................................................................88
18.4.2 Drawings ..............................................................................................................................................89
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List of Figures
Figure 1: Dolakha Bazaar ................................................................................................................ 8
Figure 2:Old Dolakha....................................................................................................................... 9
Figure 3:Present Dolakha ................................................................................................................ 9
Figure 4: Methodology.................................................................................................................. 10
Figure 5 Upper Mustang ............................................................................................................... 18
Figure 6: present Dolakha bazar ................................................................................................... 20
Figure 7: Entrance complex .......................................................................................................... 22
Figure 8: location of tourist information Centre .......................................................................... 23
Figure 9: Conceptual plan Information Centre ............................................................................. 24
Figure 10: Information Centre ...................................................................................................... 25
Figure 11: Information Block elevations ....................................................................................... 27
Figure 12: Parking Area ................................................................................................................. 28
Figure 13: Pakhalati pond documentation drawing ..................................................................... 29
Figure 14: Conceptual plan sketch of pond .................................................................................. 30
Figure 15: Conceptual section of pond ......................................................................................... 30
Figure 16: Pond plan ..................................................................................................................... 31
Figure 17: Material reference of pond ......................................................................................... 31
Figure 18: Pond and seating detail section ................................................................................... 32
Figure 19: Pond section ................................................................................................................ 32
Figure 20: Views of Pakhalati Pond............................................................................................... 33
Figure 21 Indra Singh Dev Statue .................................................................................................. 33
Figure 22 Roses ............................................................................................................................. 33
Figure 23 Marigold ........................................................................................................................ 33
Figure 24 Harsayari ....................................................................................................................... 33
Figure 25 Entrance ........................................................................................................................ 34
Figure 26 Pathways ....................................................................................................................... 34
Figure 27 Seating spaces .............................................................................................................. 34
Figure 28 existing park plan .......................................................................................................... 34
Figure 29 Proposed plan ............................................................................................................... 34
Figure 30 Flower on mound .......................................................................................................... 35
Figure 31 Flower beds ................................................................................................................... 35
Figure 32 Different types of flower offered to different deities .................................................. 35
Figure 33 Section at S1-S1............................................................................................................. 36
Figure 34 Indra singh dev park plan with different flowers ......................................................... 36
Figure 35 Section at S1’-S1’........................................................................................................... 37
Figure 36 Memorial statue view ................................................................................................... 37
Figure 37 View from entrance ...................................................................................................... 37
Figure 38 Park ............................................................................................................................... 37
Figure 39 Aerial view of park ........................................................................................................ 37
Figure 40 Dolakha Bhimeswar entrance gate ............................................................................... 38
Figure 41: Recent photo of the gate ............................................................................................. 38
Figure 42: Traditional gate of the valley ....................................................................................... 38
Figure 43: Lion statues .................................................................................................................. 40
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1 Introduction
1.1 Dolakha Bazaar
Dolakha Bazaar lies in the Bhimeshwor Municipality
which is situated at Dolakha district of Pradesh N0.
3, Nepal. The municipality has been named after the
very ancient and sacred destination Dolakha
Bhimeshwor Temple. The municipality was declared
by Nepal Government on 27th of Falgun, 2073 B.S.
combining 3 different previous VDCs (Suspa
Chhemawati, Boch, Lakuridanda) and 1 Municipality
(Bhimeshwor Municipality); The region is bordered
by the Sun Kosi River on the west and the Khimti
Khola River on the east. It is divided unequally by the
River Tama Koshi, proportionately two thirds to the
west of the river and one third to the east. To the Figure 1: Dolakha Bazaar
north east lies the impressive Rolwaling Himal to the
western edge of which are such peaks as Gauri Shanker and Melungtse. Gauri Shanker is
synonymous with the god Shiva and his consort Parvati (Bhimeshowr Municipality, 2021).
Charikot, the district headquarters of Dolakha, is around 133 km east of Kathmandu. Travel along
the Araniko Highway until you reach Khadichaur, from where the serpentine road climbs through
rural settlements and terraced farmlands. Aahaldanda in Lakuridanda welcomes you to Dolakha
territory and leads to Kharidhunga which overlooks Rolwaling and Langtang mountain ranges.
Kharidhunga, situated at an altitude of around 2,700 metres above sea level, is covered with
powdery snow throughout winter. The rhododendron forests colour the area red as spring sets
in. (Manandhar, 2021).
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The beauty of the bazaar has been decreasing with its traditional local material getting lost from
the area. 2015 Earthquake is a great influence for its degradation. The lack of proper maintenance
lead to the its present look.
Buildings are mostly two and half storey with pidi on the ground floor, living and bedroom on
first floor and kitchen in the attic space. Nowadays, buildings are rented out as shops and local
bard on the street side. Many residential buildings have mixed use purpose and are operated as
lodge cum residence.
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2 Method applied
The study will give special emphasis to a secondary data collection related to the objective of the
study. So, the information was collected systematically according to the suitability of the data
obtained from previous researcher in a form of a journal, article, report, books and etc. The
evaluation of the secondary data will emphasize on decision making practical assessment in
factors influence to conservation of old buildings in Dolakha Bazar.
Literature Review
Case study
Interviews
Data analysis
Factor Analysis
Design Proposal
Figure 4: Methodology
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3 Literature Review
Conservation of a Historic/ Heritage Building is the process through which the material, historical,
and design integrity of built heritage are prolonged through carefully planned interventions.
o Respect for and conservation of the building fabric or material. The preservation of the
historicity of these materials is considered extremely important internationally.
o Respect for and conservation of the methods of construction that are unique to the
buildings in question.
o Respect for and conservation of the original quality and perception of spaces within the
building.
o Conservation of the various elements that lend to the building its character.
1. Prevention of Deterioration
2. Preservation
3. Consolidation
4. Restoration
5. Rehabilitation
6. Reproduction
7. Reconstruction
8. Anastylosis
9. Conjectural Conservation
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statement that marks the starting point for the many later policy statements in which the
underlying theme of the SPAB Manifesto is adopted and developed rather than being significantly
amended.
The Athens Conference of 1931, organised by the International Museums Office, established
basic principles for an international code of practice for conservation. The Second International
Congress of Architects and Technicians of Historic Monuments, which met in Venice in May 1964,
approved the text of an International Charter for the Conservation of Monuments and Sites (the
Venice Charter), which superseded the Athens Charter. The Venice Charter, which was adopted
by the newly formed International Council on Monuments and Sites (ICOMOS) in 1956 and
published by them in 1966, is an important modern milestone for the conservation movement.
The Venice Charter was followed by a plethora of other standards, charters, formal
recommendations and conventions relating to building conservation. These provide invaluable
guidance for practitioners working in the field of building conservation and are an essential
framework for good practice in the protection and enhancement of the historic environment.
The Australian ICOMOS Charter for the Conservation of Places of Cultural Significance (1981).
This Charter develops the principles detailed in the Venice Charter to suit local Australian
requirements. It includes a comprehensive list of definitions of items such as place, fabric,
conservation, maintenance, preservation, restoration, reconstruction, adaptation and
compatible use. It also introduces the concept of cultural significance, the 'aesthetic, historic,
scientific or social value for past, present and future generations', and requires this to be defined
for each place, and conservation plans to be established and justified prior to any intervention.
It continues with a description of conservation principles and processes that are intended as a
definition of good practice. The Burra Charter is well established in Australia and is frequently
used by the Australian Government in its formal capacity.
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F.2
Settlement of Foundation: May be possible with grouting if it is only minor to moderate crack
(Action #04), Else more soil intervention may require
F.3
Bulged Stonewalls: ACTION #01
F.4
Dislocations and Loose Stone: ACTION #04
F.5
Stone foundation wall interruption, removal of portions of the wall & loss of structural integrity:
ACTION #04
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• Seal the crack on both faces of the wall with 1:3 ratio cement mortar and allow to gain
strength.
• Inject the grout from lower most nipple till it comes out from the next higher nipple and
then move to next higher nipple.
• After injection of grout through all the nipples is completed, re-plaster the surface and
finish as required.
Construction steps:
Steps: Major Cracks (crack width greater than 5 mm) can be repaired by wire mesh as following.
• Remove the plaster in the vicinity of crack exposing the cracked bare masonry around 6-
inch width at both sides of the crack.
• Make the shape of crack in the V-shape by chiseling out.
• Make the throughout hole on wall by drilling on planned area of wire mesh at spacing of
6" c/c staggered.
• Clean the crack with compressed air.
• Fill the crack with 1: 3 ratio cement mortar with necessary water from both sides as deep
as feasible.
• Provide wire mesh on both the faces of wall to a minimum width of 6-inch on each side
of the crack and in the entire length of the crack. if it is not possible to provide in the
entire length, then provide pieces of wire mesh (width not less than 6 inch) at spacing of
about 1 ft.
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Steps: Major Cracks (crack width greater than 5 mm) can be repaired by rebuilding as
it as following:
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• Extensive damage may occur to stone walls which require a portion of the wall to be
removed and reconstructed.
• In such case, it is important to promptly install temporary shoring to support the floors
and walls above that depends on the extent of damage of wall.
• When portions of the walls have permanent lateral distortion or humping throughout the
width of the wall, the distressed portion of the wall must be completely removed and
reconstructed.
• If the wall has a spread or humped on only one face, complete reconstruction can be
avoided if the vertical face is stable enough to be used as formwork after the humped
side has been taken down. Header are placed in the rebuilt wall using concrete or cement
grout to completely fill all voids.
• The new portion of the wall should be constructed using the same mortar as that used in
the existing construction.
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4 Case Study
4.1 Upper Mustang
Upper Mustang (formerly Kingdom of Lo) is an
upper part (Northern area) of Mustang District,
which is located in Nepal. It was an independent
Kingdom in past. There are geographical, climatic
and political factors which have retarded tourism
development in upper Mustang until recently.
The region is situated in the rain shadow of the
Himalaya and receives less than 100 mm rainfall
annually. Most of Mustang remains under snow
for 4 to 5 months a year. Basic necessities such
as drinking water, health services, schools, and Figure 5 Upper Mustang
alternative sources of energy are virtually non-
existent. The region is one of the remotest and underdeveloped regions in Nepal.
Even so, this harsh environment supports a rich cultural and natural heritage.
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The main conservation theme of this Figure: Cumalikizik village, Bursa, Turkey
village is to pass down the physical,
socio-economic and cultural aspects of Cumalıkızık to the future generations while considering
the balance of conservation and usage. For this, at first the problems and solution were identified
by analyzing the current legislations. In 1983, the village was added to the World Heritage List.
Similarly, in 1990, the mosque, the public baths, the cemetery, two monumental plane trees and
57 houses were registered in world heritage list, followed in 1993 by an additional 65 houses. In
1998, restoration of some of the houses was undertaken and these are now being used as a Turkish
restaurant, a pension and a research center. In 2000, repairs to 22 houses and the renewal of two
streets originating from the public square at the entrance to the village were completed. In 1996,
the Chamber of Architects in Bursa rented a house in Cumalıkızık to establish a research Centre
for the restoration of village houses. n 1997, with the aim of preserving the 700-year-old village
and taking it into the future by improving all of its assets, various activities were carried out and
incorporated into the Cumalıkızık Conservation and Revitalization Project.
4.2.2 Infrastructures
Currently Cumalıkızık village includes a water depot, potable water network, electricity and
telephone infrastructure and a canalization network which has been built long time ago.
Internet and television infrastructure which are considered as livelihood requirements of today
are included in hardware requirements which shall be provided without the visual pollution of
satellite dishes. Urban furniture such as lights, seating, rubbish bins, guardrails, covers, street
signs, fountains and flower beds are present. There are child care rooms, telephone booths and
public toilets for common usage. But these need to be increased in numbers. District
municipalities are responsible for garbage collection and maintenance of urban furniture at
sites. Garbage is collected with garbage trucks.
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5 Design
5.1 Stretches
For our conservation project we have chosen two
stretches they are:
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which are evident in the doors, windows and thans. Likhanchhen lies just behind Dwakachhen
without any road access but only footrails. Biyarchhen located inside Dwakachhen and
Likhanchhen toles. It also has no access to the main street. The houses have a limited access
through foot trails.
Figure 4: way to BHimeshwor from Figure 5: 5.4m inner road Figure 6: Foot Trails
Dolakha Buspark
Bhimeswor temple. As this stretch is the way to Bhimeswar, it sees a number of people, locals
and domestic tourists alike. The buildings have been rented out as shops and local bars which
have been classified as mixed use buildings.
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Proposed site for the Tourist information Centre is located near to the main entrance gate and
parking area. So that, it will be easily accessible by the tourists.
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6.1.2 Concept:
The initial planning of the tourist Information Centre
was bulky in compare to the proportion and the ratio of
existing buildings of Dolakaha Bazar. So the plan was
divided into two parts according to the function of the
building g. After that the two building was connected by
the connecting space, later it was developed in to the
courtyard.
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7 Parking
The existing parking area of the Dolakha Bazar wasn’t proper planned and well managed. So, new
parking has been proposed with the area of
5188.45sq.m, where there is sufficient space
for 25 no. of cars, 7 no. of bus and 60 no. of
motorcycle.
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8 Pakhalati Pond
8.1 Inspection/Documentation
Pakhalati pond is located in the newly developed settlement stretch of ward 2 and 3 and lies
outside the traditional settlement of the Dolakha Bajar. The documented report made by 068
batch states that during the medieval period, water supply system in Dolakha Bajar used to be
distributed through water conduits and canals were built for irrigating agricultural fields. For this
system 3 ponds were built at different appropriate location for ease in distribution.
One of the three ponds, Pakhalati pond, still exists but are not in use. During Janai Purnima,
rainwater is collected (monsoon rain) in Pakhalati pond which contributes to ritual celebration
on the occasion.
• Dried up pond
• One if the major water element of the settlement
• Surroundings left with no major intervention made
• Used mainly for community space during festivals
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The pond complex is visualized as a space for public gathering since the area around water
conduits has always been used as a gathering space in case of Nepalese settlement. The intention
is also to provide a welcoming complex to the tourist visiting the Dolakha Settlement.
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Material:
The original material of the pond is not well documented. References from the water elements
around in the Dolakha Bajar shows that the major materials that was used is stone. So the
landscape and the platform across will be made of stone to represent the vernacular architecture.
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The water collected from the roof gutter from the settlement on the higher contour will be used
to supply water to the dried-up pond. Since gravity is sufficient to collect water from the
settlement above, special water collection methods are not required.
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9.2 Observation
The park is in dilapidated condition and as per the photographs captured by our seniors the
pathways were not managed and the seating areas are also haphazardly organized. Initially, it
was started to flourish floriculture but due to lack of proper attention and timely maintenance,
it has now turned into an eyesore to the tourist. The park is situated in a prime location due to
which it has the potential to attract many tourists and serve as a historical landmark.
9.3 Intervention
The park is located beside the Entrance gate of Dolakha Bhimeshor temple along Charikot-
Lamabagar Road. We saw that it has the potential to serve as a landmark and resting area for the
tourist visiting the temple or just passer-by. Considering its historical significance it is really
important to preserve and conserve it as it reflects how grateful people are towards the late king
for his tremendous work in the past and for keeping him forever in their memory. We’ve decided
to redesign the park to protect its environmental as well as historical significance.
(Refer to annex)
Figure 28 existing park plan
Figure 29 Proposed plan
9.4 Concept
The main concept of park redesign is to create a landmark to welcome tourists and provide them
a seating/resting space. Seating benches are provided alongside pathways as well as in between
where tourists after getting tickets from the tourist information center can relax.
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Another main concept is to flourish floriculture in the park in a managed way as it was initially
built for. For that, we’ve provided mound-like landforms where flowers of different kinds are
planted and taken care of. These flowers are later to be sold by vendors to devotees offering
prayers to Bhimeswar temple and other deities.
Different
types of
flowers that
are offered
to different
gods and
goddesses
are planted
in this
mound. The
money that is
Figure 31 Flower beds Figure 30 Flower on mound
earned by
selling this flower is used for the conservation and maintenance of this park.
These kinds of open spaces also act as lungs for the areas and provide a space for social cohesion,
improve quality of life, and serves as evacuation areas in case of natural calamities.
Source: Why is a specific flower offered to a specific God ? - Hindu Janajagruti Samiti (hindujagruti.org)
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Figure 38 Park
Figure 39 Aerial view of park
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10 Entrance Gate
10.1 Introduction
The Dolakha Bhimeswar entrance gate is a brick clad RCC
gate in typical Newari architectural style. Its roof has jhingati
tiled like appearance with wooden moldings of Garuda and
Bajra. Two lion statues made of stone guard this gate one on
either side. Statues of lord Bhimeswor are seen engraved on
the pillars.
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10.4 Intervention
The Dolakha Bhimeswar entrance gate, which is a brick clad RCC gate in typical Newari
architectural style, was not true to its material. Hence the use of true matreials i.e in place of red
painted Brick, original Bricks are proposed. Same way in its roof which has jhingati tiled like
appearance, true Jhingati tiles are proposed to be used with wooden moldings of Garuda and
Bajra. Two lion statues made of stone guard this gate one on either side are kept intact. Same for
the statues of lord Bhimeswor engraved on the pillars.
Moreover, the proportion of the gate has been maintained according to the typical Newari
architectural style which has 30 degree slope and projection. The beam which were exposed has
been hidden to enhance the beauty of the gate.
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10.5 Detailing
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11 Traditional Settlement
11.1 Background
Old Dolakha had the built space with its traditional local material created an environment with
beauty for which it was renowned. The white lime plastered building with stone pavement
created a different aura during the time.
11.2 Introduction:
The traditional stretch is not the core traditional settlement of the Dolakha Bajar. It lies at the
entrance of the settlement. It is more developed as a peri urban area. The stretch consists of
Pakhalati, Pukhuracha, Dwakanchhen and Likhanchhen chowk. There are Newar, Brahmin,
Gurung and residing in this stretch.
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11.3 Inspection/Documentation
The activities that are mainly found in this stretch is commercial shops such as cold store, local
bar. Some of the residential buildings are turned into lodges in the upper floor and again shops
on the lower floor. The traditional buildings are found towards the end of the stretch. The
entrance of the stretch is more packed with modern buildings.
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Figure 48: Typical 3 and half storey traditional Figure 49: facade redesign buildings
buildings
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• Pakhalati tole – 2
• Pukhuracha tole –2
• Dwakachhen Tole –6
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• Existing
• Changing CGI roofing to stone slate
• Repair of minor cracks
L12 R3
• Reconstruction
L5 L9 L14
R15 R16
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House R14
Solution
• Removing heavy materials
• Replacing with lighter materials
• Options:
R14
o Use of CGI sheets at gable parts
o Use of timber at gable parts
The proposal of three and half storey building is made to incorporate both residential and
commercial function. According to the site two type of typical building are proposed, one on the
upper contour level and one on the lower contour level. As seen in the section of the site,
northern part of the site is at a higher elevation and the southern side is on the level of the road.
So, the northern areas will be designed as a residential cum commercial building with restaurant
at the ground floor with open dining on the front yard. The southern areas will be designed with
commercial shops on the ground floor, which will be at the street level and can be directly
accessed.
Figure 50: Map showing the areas for two typologies of typical 3 and half storey building with
section of the site
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DETAILING:
PLAN: ROOF:
STOREY WALLS:
FOUNDATION
• Stone foundation
• 60 to 80 cm deep stone plinth found in Dolakha
• Raised as platform, extended about 1.5m to create veranda
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12 Rest Area
12.1 Inspection/Documentation
The traditional stretch is visualized as a commercial cum residential area that provides a image
of traditional residential architecture of Dolakha Bajar. Looking back at our culture and tradition,
rest areas are generally designed either as a Pati in community area, or designed as a chautari
beside a natural water source in case of hill areas. These are provided on the midway to a certain
destination.
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The residential cum commercial buildings on the higher contour overlooks the rest areas. The
outdoor seating of these areas will have additional view of this gathering space.
The complex of rest area is paved with stone on the floor. The Phalcha is made of wood and bricks
as the traditional Phalcha. The wall element is again made of stone on the floor and with brick
on the elevation. Traditional niches are modified and designed on the wall element for the
traditional look. The bricks are exposed on some surfaces and some areas are plastered using the
white ochre, the traditional plastering material of Dolakha Bajar.
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Water Supply:
Dolakha Bajar has the existing provision of “Ek Ghar Ek Dhara” which is supplied from the
municipality. Same water supply network will be extended and will supply water to the storage
tank. The water will be purified on the Purifying tank and hence will be supplied to the water tap.
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13 Façade Redesign
White washed building with stone pavement was the original aura of traditional settlement of
Dolakha. In recent times there has been the loss of traditional and vernacular architecture. There
is the need to conserve the traditional residential characteristic of the stretch. The proposal of
Façade redesign has been thus proposed with major focus on the use of traditional elements.
Materials:
Roofing
Balconies
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Proposed
Old
Proposed
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Old
Proposed
Old
Proposed
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13.2 Detailing
In the stretches we had changed the shutter metal doors to wooden posts doors. In the same
way the windows were given traditional Newari looks.
The flats roofs were converted to sloped roof. The pre-existing roofs with unproportioned slope
were given proper slopes
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14 Intervention of House-R6
R6 is a 2 and half storey typical house located in the Pukhurcha tole which is in deteriorated
state due to the 2015 earthquake with both of its external side walls destroyed. Hence, the
proposal of reconstruction of the house is proposed. For the reconstruction detail drawings of
the house has been prepared.
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15.2 Observation
People have been constructing modern buildings neglecting the vernacular architecture and
locally found material as transportation has made it easier to access modern material and labor.
And as a result, there is a Loss of traditional materials, technology as well as no trace of vernacular
architecture. The stretch has been developing as a concrete jungle and has lost the identity of
the residential building. So we have proposed certain interventions for the façade redesign of the
building to bring back the vernacular and traditional residential architecture of Dolakha.
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15.3 Intervention
The stretch is developed as a mixed commercial zone. To
bring the residential architecture of Dolakha some
interventions are proposed for the façade redesign. This
intervention of material, door, windows, balconies, railing,
projection, roofing material and slope, and traditional
wooden struts and then can be taken into consideration
while constructing a new building or a façade redesign of
an existing building to blend with the vernacular
architecture of Dolkaha.
Roofing: The roofing material mostly found in Dolkaha is Slate (also known as Khari dhunga). It is
a locally available material so at the top floor level flat roof or CGI sheets are replaced with a
sloping roof with roofing material slate which sits on typical timer trusses. The slope is at a 30-
degree angle.
Balconies: The balconies are usually projected on the longer facades and the projection is not
more than 850 mm in dimension. The balcony consists of a wooden railing to give a traditional
look.
Doors and windows: The shutter at the storefront is replaced with series of wooden doors that
are found in traditional buildings. Decorative wooden doors and rectangular windows are used.
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16.3 Concept
The main concept of this lodge is that it is especially dedicated to these migrated people who
come back to pay their respect to their ancestor and their culture. During Conservation,
development, planning, designing we only think about the people who live there (the
inhabitants) but What about these people who have migrated but come back every year. They
are not tourists. They come there to pay their respect to their Ancestral place and temples. So
this project will be dedicated to respecting these people so that when they come they feel at
home.
The plan of the lodge is designed rectangular and the frontage to depth ratio is 1:1.5 which is the
average ratio of residential building found in Dolakha.
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Figure 87 Lodge
Figure 86 View from Entrance gate
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17 Infrastructure
17.1 Road
Dolakha is located approximately 145 kilometers to the east of Kathmandu, in the Dolakha district of
the Janakpur zone along Araniko highway and Lamosangu – Ramechhap highway. It is only about
three kilometers from the Dolakha District government center of Charikot. The Charikot-Lamosangu
road is 6-6.3 m wide with side drain on one side is black topped until Dolakha Bhimsen entrance gate
which turns into graveled road afterwards. The 5-7m wide road penetrates into the settlement of
Bhimeshwar municipality at a junction which is distinct by virtue of the communal Space Chautari
and a memorial park. This road is 5.4 m wide and is stone laid throughout. It runs through the
settlement dividing it into two linear zones. It also connects the main road to the Dolakha Bhimeswor
temple.
11.61
%
31.34
57.05
%
%
Figure 92 Way to Bhimeshor from Figure 90: 5.4 m wide stone paved
Figure 91 Dolakha-Charikot road
Dolakha Bus-park inner road
The traditional Newari settlement of Dolakha had been planned in such a way that every cluster
is connected by the main road in which the Jatra route falls. Some portions of the roads were
found to be earthen whereas some were stone paved. Some of the inner settlements are
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connected by foot trail. Out of total road network about 11.61% is black-topped metaled surface,
about 57.05% is foot trail and rest of 31.34% have stone paved access which is also the route for
jatra and other ceremonial activities of the villagers.
Figure 93 Base-map of Dolakha Bazaar with different road network and monuments
17.2 Signage
Signage is any kind of visual graphics created to display information to a particular audience. This
is typically manifested in the form of wayfinding information in places such as streets or
inside/outside of buildings.
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In Dolakha Bazzar, from entry (Pakhalati) to the Dwakanchhen tole, we have proposed 8 signage,
4 at pakhalati and other 4 on the entry stretch as shown in fig. Signage are provided at chowks
and at entrances for safety as well as to provide proper guidance to the visitors, as shown in
fingure
We also proposed a signage for Dolakha Bhimsen Heritage trial along with important monuments
listed on the signage, as shown in fig. The signage is placed beside the Dolakha Bhimsen entrance
gate for safety and comfort of tourist.
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According to standard data, the bins shouldn’t be placed more than 500m. We have placed the
bins on the parks and around the Dolakha bazzar of our stretch.
Drinking water is distributed through personal taps. The reservoir at Manjushree hill is used to
channel the water to the household in lower region. There is the presence of communal taps at
many toles but the source has dried up. After the municipality launched the program of ek ghar
ek dhara more than 95% of the families of Dolakha Bazaar now have access to drinking water
through pipeline distribution. Individual meter system is also present.
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We proposed a public drinking water with seating space in middle of our stretch, for the locals
and visitors who came to see the heritage of Dolakha. We have provided the design that will give
the traditional essence of the Dolakha Bazzar without disturbing the cityscape.
➢ Upper Tamakoshi
➢ Tamakoshi III
➢ Tamakoshi VI
➢ Upper Lamabagar
➢ Sunkoshi Hydropower Station
Figure 101: Street
lamp elevation
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We proposed a traditional design street light inspired from the European traditional street light
as shown in fig. The street light are placed between electricity poles. As the electricity
transmission line is 11KV, according to standard data the poles should be between 6m to 8m. We
place the pole in 8m distance.
Electric pole
Street light
Figure 102: Electic pole and Street lamp position
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We only propose the drainage to be well maintained and clean, so that the rainwater can be drain
out to the agriculture field for irrigation purpose.
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18 Monuments
o Machhindranath Temple
o Taleju Temple
o Narayan Temple
o Nateshwor Temple
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18.1.1 Interventions
This temple was recently renovated by plastering with cement and lime on its exterior walls. This
is one and half storeyed temple with two way sloped roof where CGI sheet is used as roofing
material.
18.1.2 Drawings
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Machhindranath is said to be God of Rain. The temple was establisedh on Dolakha on 639 NS
Baisakh with ajatra of 7 days every year
Machhindranath is one of the 108 forms of Lokeshwar all around the world
Lokeshwar is a deity worshipped by both Hindus and Buddhists. Because the deity is said to have
the betterment of humankind at heart, it is also referred to as Karunamaya (a body of
compassion).
Rato Machhindranath
Seto Machhindranath
Nala Karunamaya
Chobhar Karunamaya
While three deities have one temple each, Rato Machhindranath has two. The main Rato
Machhindranath temple is located in Karyabinayak, Bungamati, where the deity spends six
months a year. Likewise, spends another six months at Machhindra Baha or Ta Baha of Patan.
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Taleju Temple is also known as Rajkuleshowor Temple. It was completely destroyed during 2015
Earthquake and has been recently been reconstructed as it was before.
18.2.1 Drawings
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The Swiss government has been investing in Dolakha (reconstructing the heritage site) for the
past eight years, has extended exclusive support to two popular temples - Taleju Bhawani and
Tripura Sundari. According to sources, the government has already spent Rs 70 million in order
to repair those temples.
“The temples are being rebuilt in the same old style. These were built in a very special way. So,
we have to be very careful. The windows and doors would be exactly as before. There are special
stones used. The cutting needs very skilled workers. Some types of stones were not available
here. So we had to bring them from India. Similarly, the doors and windows were designed very
uniquely. We are replacing them in exactly the same way,”
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18.3.1 Interventions
This temple used to be 2 stories in the past, with Jhingati roofing, but it was reduced to 1 storey
with CGI sheet roofing upon reconstruction about 26 years ago.
Proposal
CGI Roofing to Jhingati roofing
Remark-
If any evidence of 2 storey found must be restored to the original structure
18.3.2 Drawings
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Narayan Temple are mostly two storeyed temple. Hence the need to find the evidence of the 2
storeyed Narayan temple of Dolakha
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Significance
It was believed and worshipped by people before learning any skills or before starting any new
works or carrying out any programs. All jatras were first worshipped here and then only taken
out for their ride. People also prayed to ask for forgiveness to the deity.
Renovation
It was reconstructed completely during the time period of 2010 to 2012 B.S as per a local
contractor named Chitra Bahadur Shivabhakti. The renovation works had been carried out two
to three times And the last renovation was carried out during 2031 B.S. During renovation works,
roof had been changed from thatch to CGI sheets. However, there had not been any change in
its original structure apart from roofing materials.
18.4.1 Interventions
It was reconstructed completely during the time period of 2010 to 2012 B.S the last renovation
was carried out during 2031 B.S in which only the roof had been changed from thatch to CGI
sheets.
Proposal
Conservation of Culture
No girls are allowed inside the temple complex because it was said that it could make a girl go
crazy. They are not even allowed to have any prasad of the temple. Thus for girls, a small niche
in the outside temple complex had been made to put tika of the Nateshwor deity.
Remark-
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18.4.2 Drawings
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As we walk throughout the town, among newly erected buildings lining the streets, we can
observe houses that appear to challenge changing times. Some houses still have slate roofs,
others have zinc sheet-roofed roofs. Those houses have their remarkably old age in their bustling
and weather-striking doors and windows.
The conservation scope is excellent here because it comprises historic buildings and goes from
urban planning to preserving a deteriorating antique. It is crucial for the new generation to
preserve and maintain such great masterpieces and to prevent important buildings from
degradation. This could include many types of conservation treatment, such as deterioration
prevention, preservation, consolidation, restauration, reproduction, reassessment, anastylosis,
renewal, reintegration and restoration of conjecture. The major goal is to maintain the area's
originality and provide it fresh life and promote the region's tourism. The past always means the
future and so now we need to preserve the buildings so that the grace of the past can be seen
and felt by future generations.
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