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ICI Lecture Series Reduction – Tuesday, 22 February 2022, 19:30, in English

Lecture
Ana Teixeira Pinto
Around the mid-nineteenth century what had Ana Teixeira Pinto is a writer and cultural the- This lecture is part of the current ICI lecture
hitherto been described  as a multiplicity of orist based in Berlin. She is a guest professor at series ‘Reduction’, which explores the criti-
physical forces, was unified under the novel the Academy of Fine Arts Nuremberg (AdBK) cal potentials of notions and practices of ‘re-
concept of energy. Working in tandem with, and and a theory tutor at the Dutch Art Institute. duction’, within and across different fields
under the aegis of, the transition to fossil fuel Her writings have appeared in publications and approaches. One of the most devastating
consumption, this reduction of multiple forces such as Third Text, Afterall, e-flux journal, charges levelled against theories, analyses,
to one single unifying concept also entailed the Manifesta Journal, and Texte zur Kunst. She is and descriptions is that of being reductive or
suggestion that turning the compressed time of the editor of a forthcoming book series on the of amounting to a full-blown reductionism.
fossil deposits into the accelerated time of pro- antipolitical turn to be published by Sternberg Conceptual frameworks are scolded for being
pulsion engines was not simply an economic Press. Together with Kader Attia and Anselm impoverished and descriptions for being too
but a moral imperative. Mobilizing the physical Franke, she is organizing the conference and sparse or flat. And conversely, to call some-
world on behalf of imperial policy, Victorian podcast series The White West: Whose Uni- thing ‘irreducible’ seems to confer an immedi-
physics also helped intensify already ongoing versal, taking place at HKW Berlin, and she is ate and indisputable dignity to it. And yet the
processes of racialization. The talk will survey a member of the 2022 Berlin Biennial artistic history of science and knowledge cannot be
the ways through which language worlds, or team. told without acknowledging the importance
unworlds, by detailing the usages of reduction, of reductionist programmes; reductive para-
conflation, equivocation, and allegory, in and digms have periodically revitalized the arts.
beyond the natural sciences.  What lies at the root of such different attitudes
towards ‘reduction’? Can one embrace forms
of reduction that are not in the service of pro-
duction, allowing for the possibility of a ‘less’
that would no longer have to amount to ‘more’?

Energy and
­Chronopolitical
­Allegory
ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org
ICI Lecture Series Reduction – Tuesday, 22 February 2022, 19:30, in English

Lecture
Ana Teixeira Pinto
Around the mid-nineteenth century what had Ana Teixeira Pinto is a writer and cultural the- This lecture is part of the current ICI lecture
hitherto been described  as a multiplicity of orist based in Berlin. She is a guest professor at series ‘Reduction’, which explores the criti-
physical forces, was unified under the novel the Academy of Fine Arts Nuremberg (AdBK) cal potentials of notions and practices of ‘re-
concept of energy. Working in tandem with, and and a theory tutor at the Dutch Art Institute. duction’, within and across different fields
under the aegis of, the transition to fossil fuel Her writings have appeared in publications and approaches. One of the most devastating
consumption, this reduction of multiple forces such as Third Text, Afterall, e-flux journal, charges levelled against theories, analyses,
to one single unifying concept also entailed the Manifesta Journal, and Texte zur Kunst. She is and descriptions is that of being reductive or
suggestion that turning the compressed time of the editor of a forthcoming book series on the of amounting to a full-blown reductionism.
fossil deposits into the accelerated time of pro- antipolitical turn to be published by Sternberg Conceptual frameworks are scolded for being
pulsion engines was not simply an economic Press. Together with Kader Attia and Anselm impoverished and descriptions for being too
but a moral imperative. Mobilizing the physical Franke, she is organizing the conference and sparse or flat. And conversely, to call some-
world on behalf of imperial policy, Victorian podcast series The White West: Whose Uni- thing ‘irreducible’ seems to confer an immedi-
physics also helped intensify already ongoing versal, taking place at HKW Berlin, and she is ate and indisputable dignity to it. And yet the
processes of racialization. The talk will survey a member of the 2022 Berlin Biennial artistic history of science and knowledge cannot be
the ways through which language worlds, or team. told without acknowledging the importance
unworlds, by detailing the usages of reduction, of reductionist programmes; reductive para-
conflation, equivocation, and allegory, in and digms have periodically revitalized the arts.
beyond the natural sciences.  What lies at the root of such different attitudes
towards ‘reduction’? Can one embrace forms
of reduction that are not in the service of pro-
duction, allowing for the possibility of a ‘less’
that would no longer have to amount to ‘more’?

Energy and
­Chronopolitical
­Allegory
ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org
ICI Lecture Series Reduction – Tuesday, 22 February 2022, 19:30, in English

Lecture
Ana Teixeira Pinto
Around the mid-nineteenth century what had Ana Teixeira Pinto is a writer and cultural the- This lecture is part of the current ICI lecture
hitherto been described  as a multiplicity of orist based in Berlin. She is a guest professor at series ‘Reduction’, which explores the criti-
physical forces, was unified under the novel the Academy of Fine Arts Nuremberg (AdBK) cal potentials of notions and practices of ‘re-
concept of energy. Working in tandem with, and and a theory tutor at the Dutch Art Institute. duction’, within and across different fields
under the aegis of, the transition to fossil fuel Her writings have appeared in publications and approaches. One of the most devastating
consumption, this reduction of multiple forces such as Third Text, Afterall, e-flux journal, charges levelled against theories, analyses,
to one single unifying concept also entailed the Manifesta Journal, and Texte zur Kunst. She is and descriptions is that of being reductive or
suggestion that turning the compressed time of the editor of a forthcoming book series on the of amounting to a full-blown reductionism.
fossil deposits into the accelerated time of pro- antipolitical turn to be published by Sternberg Conceptual frameworks are scolded for being
pulsion engines was not simply an economic Press. Together with Kader Attia and Anselm impoverished and descriptions for being too
but a moral imperative. Mobilizing the physical Franke, she is organizing the conference and sparse or flat. And conversely, to call some-
world on behalf of imperial policy, Victorian podcast series The White West: Whose Uni- thing ‘irreducible’ seems to confer an immedi-
physics also helped intensify already ongoing versal, taking place at HKW Berlin, and she is ate and indisputable dignity to it. And yet the
processes of racialization. The talk will survey a member of the 2022 Berlin Biennial artistic history of science and knowledge cannot be
the ways through which language worlds, or team. told without acknowledging the importance
unworlds, by detailing the usages of reduction, of reductionist programmes; reductive para-
conflation, equivocation, and allegory, in and digms have periodically revitalized the arts.
beyond the natural sciences.  What lies at the root of such different attitudes
towards ‘reduction’? Can one embrace forms
of reduction that are not in the service of pro-
duction, allowing for the possibility of a ‘less’
that would no longer have to amount to ‘more’?

Energy and
­Chronopolitical
­Allegory
ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org
ICI Lecture Series Reduction – Tuesday, 22 February 2022, 19:30, in English

Lecture
Ana Teixeira Pinto
Around the mid-nineteenth century what had Ana Teixeira Pinto is a writer and cultural the- This lecture is part of the current ICI lecture
hitherto been described  as a multiplicity of orist based in Berlin. She is a guest professor at series ‘Reduction’, which explores the criti-
physical forces, was unified under the novel the Academy of Fine Arts Nuremberg (AdBK) cal potentials of notions and practices of ‘re-
concept of energy. Working in tandem with, and and a theory tutor at the Dutch Art Institute. duction’, within and across different fields
under the aegis of, the transition to fossil fuel Her writings have appeared in publications and approaches. One of the most devastating
consumption, this reduction of multiple forces such as Third Text, Afterall, e-flux journal, charges levelled against theories, analyses,
to one single unifying concept also entailed the Manifesta Journal, and Texte zur Kunst. She is and descriptions is that of being reductive or
suggestion that turning the compressed time of the editor of a forthcoming book series on the of amounting to a full-blown reductionism.
fossil deposits into the accelerated time of pro- antipolitical turn to be published by Sternberg Conceptual frameworks are scolded for being
pulsion engines was not simply an economic Press. Together with Kader Attia and Anselm impoverished and descriptions for being too
but a moral imperative. Mobilizing the physical Franke, she is organizing the conference and sparse or flat. And conversely, to call some-
world on behalf of imperial policy, Victorian podcast series The White West: Whose Uni- thing ‘irreducible’ seems to confer an immedi-
physics also helped intensify already ongoing versal, taking place at HKW Berlin, and she is ate and indisputable dignity to it. And yet the
processes of racialization. The talk will survey a member of the 2022 Berlin Biennial artistic history of science and knowledge cannot be
the ways through which language worlds, or team. told without acknowledging the importance
unworlds, by detailing the usages of reduction, of reductionist programmes; reductive para-
conflation, equivocation, and allegory, in and digms have periodically revitalized the arts.
beyond the natural sciences.  What lies at the root of such different attitudes
towards ‘reduction’? Can one embrace forms
of reduction that are not in the service of pro-
duction, allowing for the possibility of a ‘less’
that would no longer have to amount to ‘more’?

Energy and
­Chronopolitical
­Allegory
ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org

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