Professional Documents
Culture Documents
Purpose
To determine your purpose ask "What are the main points I want my audience to take away from
my presentation"? This provides focus for you and the audience is clear on what they will gain
listening to your presentation.
Audience pre-assessment
It is important to identify the characteristics, knowledge and needs of your audience so that you
are delivering the 'right' presentation to the 'right' audience. Know who your audience is, what
they want/need to know and what is their background. This step is done before the presentation
or throughout.
Body of Presentation
This is the major portion of the presentation. It is necessary that it connects directly to your
purpose or bridge. Cover enough points to achieve your purpose (no more) and be sure to
support your points clearly and concisely.
10 - 20 - 30 Rule
In 2005, Guy Kawasaki, a venture capitalist in Silicon Valley wrote on his blog about a rule of
thumb in making great presentations. Focusing on conciseness and visibility, he suggested the 10
- 20 - 30 Rule of PowerPoint Presentations.
10 Slides
By having a limit of 10 slides, you will be managing the cognitive load for your
audiences. They can easily follow the flow of your presentations. It also challenges you
to design your presentations well: choose what's important and leave out what's
unnecessary
20 Minutes
By giving yourself limited time on your presentation, you are challenging yourself to
leave out unnecessary details and focus on the important stories that will convey your
message. Even if your session has been allotted with more time, you can devote the
remaining minutes to discussions, questions or any technique that involves audiences
with your presentation.
30-size Font
Depending on the room and screen size, most audiences will be able to see text that are at
least 30-size font. When designing your presentation, keep in mind that anything you
show must be visible to everybody in attendance, especially those in the back.
If you are concerned about fitting more text in a slide, always remember they do not
necessarily make a better presentation.
Keep in mind that these rules are very subjective and each situation is
unique. Apply them as a good rule of thumb to guide you in planning your
presentations. Other circumstances may come and you need to be flexible
however, have your visible and concise presentations.
6 x 6 Rule
Following the 6 x 6 rule, limits any text to 6 words per line and 6 lines per
slide. Similar to the 10 - 20 - 30 rule, it focuses on readability and
conciseness.
When used effectively, text can be useful in conveying ideas in
presentations. Too much text though can look monotonous and tiring for
audiences to read. You are reminded to distill your thoughts into short lines
and use your presence to expand into more detail. Audiences are there to
listen and watch you, not read your slides.
This slide is very text heavy using a small-sized font
This slide is visually less cluttered and allows audiences to see the main
ideas immediately.
Visual Aids
Using visual aids to represent your ideas are a great way to engage your audiences with your
presentation. Your thoughts and examples might get lost in a sea of text where audiences might
have a challenging time what to remember or take note of. Take some time to challenge yourself
with using visual aids such as images, videos, and illustrations.
Designing Presentations
Presentation skills can be defined as a set of abilities that enable an individual to: interact with
the audience; transmit the messages with clarity; engage the audience in the presentation; and
interpret and understand the mindsets of the listeners. These skills refine the way you put
forward your messages and enhance your persuasive powers.
The present era places great emphasis on good presentation skills. This is because they play an
important role in convincing the clients and customers. Internally, management with good
presentation skills is better able to communicate the mission and vision of the organization to the
employees.
They help an individual in enhancing his own growth opportunities. In addition, it also grooms
the personality of the presenter and elevates his levels of confidence.
In case of striking deals and gaining clients, it is essential for the business professionals to
understand the audience. Good presentation skills enable an individual to mold his message
according to the traits of the audience. This increases the probability of successful transmission
of messages.
Lastly, business professionals have to arrange seminars and give presentations almost every day.
Having good presentation skills not only increases an individual’s chances of success, but also
enable him to add greatly to the organization.
Research the Audience before Presenting: This will enable you to better understand the traits
of the audience. You can then develop messages that can be better understood by your target
audience. For instance, in case of an analytical audience, you can add more facts and figures in
your presentation.
Structure your Presentation Effectively: The best way to do this is to start with telling the
audience, in the introduction, what you are going to present. Follow this by presenting the idea,
and finish off the presentation by repeating the main points.
Do a lot of Practice: Rehearse but do not go for memorizing the presentation. Rehearsals reduce
your anxiety and enable you to look confident on the presentation day. Make sure you practice
out loud, as it enables you to identify and eliminate errors more efficiently. Do not memorize
anything as it will make your presentation look mechanical. This can reduce the degree of
audience engagement.
Vocal effort
There are a number of instruments related to how we speak that we should be aware of how we
use and actively use.
Tempo
Talking in a fast tempo signals that what we’re saying is of low importance. Talking in a slow
tempo makes what we’re saying seem more important. It’s important to vary the tempo. Start
with a slow tempo to suppress nervousness. Use a high tempo for less important things and slow
down for important points and arguments.
Volume
Speaking with a high volume draws attention. Raise the volume for important things. However,
done right, lowering the volume suddenly can also be very effective to make what we’re saying
seem important. Begin presentations with a high volume. Vary the volume.
Pause
There are three types of pauses, pauses for effect, pause for thought and pause for breathing. Put
in pauses here and there in presentations. Underline key words/points by doing a pause for effect
first and a pause for thought afterwards. Put a pause for thought after all key points. Plan pauses
for effect.
Emphasis
Determines the value of what we’re saying. A good way to practice emphasizing is to read
children's books out loud.
Between sounds
Sounds such as “ehh…” should of course be avoided. A trick is to breath in whenever we feel
that such a sound is on it’s way to slip out.
Spicing
When we enter a meeting or attend a presentation we’re usually only able to stay fully focused
for the first three to ten minutes. Our concentration and ability to remember what is being said
then starts to slowly decline. It does so until about 30 minutes in to the presentation when it is
usually at 75%. After that the decline is much more rapid and it quickly reaches a very low level.
Therefor meetings and presentations shouldn’t be longer than 30 minutes. However, keeping
them that short often isn’t an option. Therefor we must try to find a way to fight the rapid
decline. Research has shown that by providing emotional stimulus every fourth minutes a
presenter or meeting organizer can stop the rapid decline that occurs after 30 minutes. There will
still be a steady decline, but it’s rate won’t be higher than it was for the first 30 minutes.
Therefor we should plan to emotionally stimulate attendants every fourth minute or so after
about 20 minutes in. Suitable stimulus is pretty much everything that was listed as examples
suitable for finales. That is pictures, films, stories or just about anything that sticks out from the
rest of the presentation/meeting.
PowerPoint usage
David gave a number of useful advice regarding the use of PowerPoint when giving
presentations. These included:
The presenter should be in focus – Don’t be afraid to stand in front of the screen.
98% of the presenter’s eye contact should be with the audience – Don’t look at the
screen.
Keep the lights turned on – The audience can usually still see the screen and won’t fall
asleep.
Don’t use a laser pointer – The presenter is the presentation.
Only show the PowerPoint presentation when it’s actually needed – Start the
presentation with the PowerPoint presentation hidden.
Use other tools as well – Writing on a white board stimulates discussions and questions
much better than a PowerPoint presentation.
Precede the next slide – Don’t wait until a slide is visible to start talking about it. Otherwise
the presenter will spend the first few seconds reading it himself. Also, by first talking about
what’s on the next slide before showing it we can provide the audience with the right context
to view it in.
Design tips
1. Comparison Chart
2. Definition
3. Key Differences
4. Video
5. Conclusion
Comparison Chart
BASIS FOR NON-VERBAL
VERBAL COMMUNICATION
COMPARISON COMMUNICATION
Presence The message can be transmitted The personal presence of both the
through letters, phone calls, etc. so parties to communication is a must.
the personal presence of the parties,
doesn't make any change.
The communication in which the sender uses words, whether spoken or written, to transmit the
message to the receiver is known as Verbal Communication. It is the most effective form of
communication that leads to the rapid interchange of information and feedback. There are fewer
chances of misunderstanding as the communication between parties is clear, i.e. the parties are
using words for saying anything.
The communication can be done in two ways (i) Oral – like face to face communication,
lectures, phone calls, seminars, etc. (ii) Written – Letters, E- mail, SMS, etc. There are two types
of communication, they are:
It complements the verbal communication many times, to understand the mindset and the status
of the of the parties, which is not spoken by them, but it is an act of understanding. The types of
Non-verbal communication are as under:
Chronemics: The use of time in communication is chronemics, which speaks about the
personality of the sender / receiver like punctuality, the speed of speech, etc.
Vocalics: The volume, tone of voice and pitch used by the sender for communicating a
message to the receiver is known as vocalics or paralanguage.
Haptics: The use of touch in communication is the expression of feelings and emotions.
Kinesics: It is the study of the body language of a person, i.e., gestures, postures, facial
expressions, etc.
Proxemics: The distance maintained by a person while communicating with others,
communicates about the relationship of the person with others like intimate, personal,
social and public.
Artifacts: The appearance of a person speaks about his personality, i.e. by way of
clothing, carrying jewellery, lifestyle, etc. This kind of communication is known as
artifactual communication.
Key Differences Between Verbal and Nonverbal Communication
The following points explain the difference between verbal and non-verbal communication in
detail:
Verbal and Non-verbal communication are not contradictory to each other, but they are
complementary as somebody has rightly said, ” Actions are louder than words.” In short, both
goes side by side and helps a human being, to interact and respond to other human beings.
There are four fundamental differences between verbal and nonverbal communication. The first
difference between verbal and nonverbal communication is that we use a single channel (words)
when we communicate verbally versus multiple channels when we communicate nonverbally.
Try this exercise! Say your first and last name at the same time. You quickly find that this is an
impossible task. Now, pat the top of your head with your right hand, wave with your left hand,
smile, shrug your shoulders, and chew gum at the same time. While goofy and awkward, our
ability to do this demonstrates how we use multiple nonverbal channels simultaneously to
communicate.
In Chapter 2 we learned how difficult it can be to decode a sender’s single verbal message due to
the arbitrary, abstract, and ambiguous nature of language. But, think how much more difficult it
is to decode the even more ambiguous and multiple nonverbal signals we take in like eye
contact, facial expressions, body movements, clothing, personal artifacts, and tone of voice all at
the same time. Despite this difficulty, Motley found that we learn to decode nonverbal
communication as babies. Hall found that women are much better than men at accurately
interpreting the many nonverbal cues we send and receive (Gore). How we interpret these
nonverbal signals can also be influenced by our gender as the viewer.
Nonverbal communication is similar in that we evaluate nonverbal cues in relation to one another
and consider the context of the situation. Suppose you see your friend in the distance. She
approaches, waves, smiles, and says “hello.” To interpret the meaning of this, you focus on the
wave, smile, tone of voice, her approaching movement, and the verbal message. You might also
consider the time of day, if there is a pressing need to get to class, etc.
What might this driver be trying to convey?
Now contrast this to a digital clock, which functions like verbal communication. Unlike an
analog clock, a digital clock is not in constant motion. Instead, it replaces one number with
another to display time (its message). A digital clock uses one distinct channel (numbers) in a
linear fashion. When we use verbal communication, we do so like the digital clock. We say one
word at a time, in a linear fashion, to express meaning.
A third difference between verbal and nonverbal communication is that we use verbal
communication consciously while we generally use nonverbal communication unconsciously.
Conscious communication means that we think about our verbal communication before we
communicate. Unconscious communication means that we do not think about every nonverbal
message we communicate. If you ever heard the statement as a child, “Think before you speak”
you were being told a fundamental principle of verbal communication. Realistically, it’s nearly
impossible not to think before we speak. When we speak, we do so consciously and
intentionally. In contrast, when something funny happens, you probably do not think, “Okay, I’m
going to smile and laugh right now.” Instead, you react unconsciously, displaying your emotions
through these nonverbal behaviors. Nonverbal communication can occur as unconscious
reactions to situations. We are not claiming that all nonverbal communication is unconscious. At
times we certainly make conscious choices to use or withhold nonverbal communication to share
meaning. Angry drivers use many conscious nonverbal expressions to communicate to other
drivers! In a job interview you are making conscious decisions about your wardrobe, posture,
and eye contact.
Case In Point
Body language expert and author, Vanessa Van Edwards reveals some interesting facts about
body language in western culture in an interview with AM Northwest Today on September 18,
2013. She explains that men are not as good at reading body language cues as women because
they use different areas of their brain when decoding. She states, “women might be better at
reading body language because … [they] have 14 to 16 active brain areas while evaluating
others, whereas men only have 4 to 6 active.” Edwards also explains how men and women
nonverbally lie differently because they tend to lie for different reasons; “Men lie to appear more
powerful, interesting, and successful
A fourth difference between verbal and nonverbal communication is that some nonverbal
communication is universal (Hall, Chia, and Wang; Tracy & Robins). Verbal communication is
exclusive to the users of a particular language dialect, whereas some nonverbal communication is
recognized across cultures. Although cultures most certainly have particular meanings and uses
for nonverbal communication, there are universal nonverbal behaviors that almost everyone
recognizes. For instance, people around the world recognize and use expressions such as smiles,
frowns, and the pointing of a finger at an object.
Now that you have a definition of nonverbal communication, and can identify the primary
differences between verbal and nonverbal communication, let’s examine what counts as
nonverbal communication. In this next section, we show you eight types of nonverbal
communication we use regularly: kinesics, haptics, appearance, proxemics, environment,
chronemics, paralanguage, and silence.
Verbal Communication
In this type of communication, the sender uses words, either through spoken means or written, in
order to communicate his thoughts to the receiver. It is the most effective and the most practiced
mode of conversation, which results in immediate interchange of thought and feedback. The
definite and clear usage of words leaves fewer chances of miscommunication between two
parties. It allows the sending of a clear message and facilitates immediate enquiry in case of any
obscurity.
Verbal communication transpires in two ways; a. Oral – This involves face-to-face conversation
which can take place through a phone call, lectures and seminars etc. b. Written – This includes
writing letters, emails, messages etc. Other than these there are two variations of
communications that need to be considered as well:
The proposal is the most important document that you submit as part of the application process.
It gives you an opportunity to demonstrate that you have the aptitude for graduate level research,
for example, by demonstrating that you have the ability to communicate complex ideas clearly,
concisely and critically. The proposal also helps us to match your research interest with an
appropriate supervisor.
What should you include in the proposal?
Regardless of whether you are applying for the MJur, MPhil or PhD programmes, your research
proposal should normally include the following information:
1. Title
This is just a tentative title for your intended research. You will be able to revise your title during
the course of your research if you are accepted for admission.
2. Abstract
The proposal should include a concise statement of your intended research of no more than 100
words. This may be a couple of sentences setting out the problem that you want to examine or
the central question that you wish to address.
3. Research Context
You should explain the broad background against which you will conduct your research. You
should include a brief overview of the general area of study within which your proposed research
falls, summarising the current state of knowledge and recent debates on the topic. This will allow
you to demonstrate a familiarity with the relevant field as well as the ability to communicate
clearly and concisely.
4. Research Questions
The proposal should set out the central aims and questions that will guide your research. Before
writing your proposal, you should take time to reflect on the key questions that you are seeking
to answer. Many research proposals are too broad, so reflecting on your key research questions is
a good way to make sure that your project is sufficiently narrow and feasible (i.e. one that is
likely to be completed with the normal period for a MJur, MPhil or PhD degree).
You might find it helpful to prioritize one or two main questions, from which you can then
derive a number of secondary research questions. The proposal should also explain your intended
approach to answering the questions: will your approach be empirical, doctrinal or theoretical
etc?
5. Research Methods
The proposal should outline your research methods, explaining how you are going to conduct
your research. Your methods may include visiting particular libraries or archives, field work or
interviews.
Most research is library-based. If your proposed research is library-based, you should explain
where your key resources (e.g. law reports, journal articles) are located (in the Law School’s
library, Westlaw etc). If you plan to conduct field work or collect empirical data, you should
provide details about this (e.g. if you plan interviews, who will you interview? How many
interviews will you conduct? Will there be problems of access?). This section should also
explain how you are going to analyse your research findings.
6. Significance of Research
The proposal should demonstrate the originality of your intended research. You should therefore
explain why your research is important (for example, by explaining how your research builds on
and adds to the current state of knowledge in the field or by setting out reasons why it is timely
to research your proposed topic).
7. Bibliography
The proposal should include a short bibliography identifying the most relevant works for your
topic.
Develop your skills in thinking about and designing a comprehensive research study;
Learn how to conduct a comprehensive review of the literature to ensure a research
problem has not already been answered [or you may determine the problem has been
answered ineffectively] and, in so doing, become better at locating scholarship related to
your topic;
Improve your general research and writing skills;
Practice identifying the logical steps that must be taken to accomplish one's research
goals;
Critically review, examine, and consider the use of different methods for gathering and
analyzing data related to the research problem; and,
Nurture a sense of inquisitiveness within yourself and to help see yourself as an active
participant in the process of doing scholarly research.
A proposal should contain all the key elements involved in designing a completed research
study, with sufficient information that allows readers to assess the validity and usefulness of your
proposed study. The only elements missing from a research proposal are the findings of the study
and your analysis of those results. Finally, an effective proposal is judged on the quality of your
writing and, therefore, it is important that your writing is coherent, clear, and compelling.
Regardless of the research problem you are investigating and the methodology you choose,
all research proposals must address the following questions:
1. What do you plan to accomplish? Be clear and succinct in defining the research
problem and what it is you are proposing to research.
2. Why do you want to do it? In addition to detailing your research design, you also must
conduct a thorough review of the literature and provide convincing evidence that it is a
topic worthy of study. Be sure to answer the "So What?" question.
3. How are you going to do it? Be sure that what you propose is doable. If you're having
trouble formulating a research problem to propose investigating, go here.
Failure to be concise; being "all over the map" without a clear sense of purpose.
Failure to cite landmark works in your literature review.
Failure to delimit the contextual boundaries of your research [e.g., time, place, people,
etc.].
Failure to develop a coherent and persuasive argument for the proposed research.
Failure to stay focused on the research problem; going off on unrelated tangents.
Sloppy or imprecise writing, or poor grammar.
Too much detail on minor issues, but not enough detail on major issues.
Procter, Margaret. The Academic Proposal. The Lab Report. University College Writing Centre.
University of Toronto; Sanford, Keith. Information for Students: Writing a Research Proposal.
Baylor University; Wong, Paul T. P. How to Write a Research Proposal. International Network
on Personal Meaning. Trinity Western University; Writing Academic Proposals: Conferences,
Articles, and Books. The Writing Lab and The OWL. Purdue University; Writing a Research
Proposal. University Library. University of Illinois at Urbana-Champaign.
Structure and Writing Style
Beginning the Proposal Process
As with writing a regular academic paper, research proposals are generally organized the same
way throughout most social science disciplines. Proposals vary between ten and twenty-five
pages in length. However, before you begin, read the assignment carefully and, if anything seems
unclear, ask your professor whether there are any specific requirements for organizing and
writing the proposal.
A good place to begin is to ask yourself a series of questions:
In general, a compelling research proposal should document your knowledge of the topic and
demonstrate your enthusiasm for conducting the study. Approach it with the intention of leaving
your readers feeling like--"Wow, that's an exciting idea and I can’t wait to see how it turns out!"
State the research problem and give a more detailed explanation about the purpose of the
study than what you stated in the introduction. This is particularly important if the
problem is complex or multifaceted.
Present the rationale of your proposed study and clearly indicate why it is worth doing.
Answer the "So What? question [i.e., why should anyone care].
Describe the major issues or problems to be addressed by your research. Be sure to note
how your proposed study builds on previous assumptions about the research problem.
Explain how you plan to go about conducting your research. Clearly identify the key
sources you intend to use and explain how they will contribute to your analysis of the
topic.
Set the boundaries of your proposed research in order to provide a clear focus. Where
appropriate, state not only what you will study, but what is excluded from the study.
If necessary, provide definitions of key concepts or terms.
1. Cite, so as to keep the primary focus on the literature pertinent to your research problem.
2. Compare the various arguments, theories, methodologies, and findings expressed in the
literature: what do the authors agree on? Who applies similar approaches to analyzing the
research problem?
3. Contrast the various arguments, themes, methodologies, approaches, and controversies
expressed in the literature: what are the major areas of disagreement, controversy, or
debate?
4. Critique the literature: Which arguments are more persuasive, and why? Which
approaches, findings, methodologies seem most reliable, valid, or appropriate, and why?
Pay attention to the verbs you use to describe what an author says/does [e.g., asserts,
demonstrates, argues, etc.].
5. Connect the literature to your own area of research and investigation: how does your
own work draw upon, depart from, synthesize, or add a new perspective to what has been
said in the literature?
Specify the research operations you will undertake and the way you will interpret the
results of these operations in relation to the research problem. Don't just describe what
you intend to achieve from applying the methods you choose, but state how you will
spend your time while applying these methods [e.g., coding text from interviews to find
statements about the need to change school curriculum; running a regression to determine
if there is a relationship between campaign advertising on social media sites and election
outcomes in Europe].
Keep in mind that a methodology is not just a list of tasks; it is an argument as to why
these tasks add up to the best way to investigate the research problem. This is an
important point because the mere listing of tasks to be performed does not demonstrate
that, collectively, they effectively address the research problem. Be sure you explain this.
Anticipate and acknowledge any potential barriers and pitfalls in carrying out your
research design and explain how you plan to address them. No method is perfect so you
need to describe where you believe challenges may exist in obtaining data or accessing
information. It's always better to acknowledge this than to have it brought up by your
reader.
What might the results mean in regards to the theoretical framework that underpins the
study?
What suggestions for subsequent research could arise from the potential outcomes of the
study?
What will the results mean to practitioners in the natural settings of their workplace?
Will the results influence programs, methods, and/or forms of intervention?
How might the results contribute to the solution of social, economic, or other types of
problems?
Will the results influence policy decisions?
In what way do individuals or groups benefit should your study be pursued?
What will be improved or changed as a result of the proposed research?
How will the results of the study be implemented, and what innovations will come about?
NOTE: This section should not delve into idle speculation, opinion, or be formulated on the
basis of unclear evidence. The purpose is to reflect upon gaps or understudied areas of the
current literature and describe how your proposed research contributes to a new understanding of
the research problem should the study be implemented as designed.
VI. Conclusion
The conclusion reiterates the importance or significance of your proposal and provides a
brief summary of the entire study. This section should be only one or two paragraphs long,
emphasizing why the research problem is worth investigating, why your research study is
unique, and how it should advance existing knowledge.
Someone reading this section should come away with an understanding of:
VII. Citations
As with any scholarly research paper, you must cite the sources you used in composing your
proposal. In a standard research proposal, this section can take two forms, so consult with your
professor about which one is preferred.
1. References -- lists only the literature that you actually used or cited in your proposal.
2. Bibliography -- lists everything you used or cited in your proposal, with additional
citations to any key sources relevant to understanding the research problem.
In either case, this section should testify to the fact that you did enough preparatory work to
make sure the project will complement and not duplicate the efforts of other researchers. Start a
new page and use the heading "References" or "Bibliography" centered at the top of the page.
Cited works should always use a standard format that follows the writing style advised by the
discipline of your course [i.e., education=APA; history=Chicago, etc] or that is preferred by your
professor. This section normally does not count towards the total page length of your research
proposal.