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I hope it will give you the information you need about the Rebel T7/2000D. I have been a
picture editor for over 25 years and I want to take the techno-babble out of photography
and put the fun back into what is a great hobby, skill, craft and art. Check out this guide
and let me know what you think.
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If you want to know more, subscribe to the Camerawize YouTube
channel HERE which will have regular videos about the Canon
Rebel T7 (EOS 2000D).
Remember, professional digital cameras were shooting 8 megapixel files only a few years
ago. Now you can get up to 24 megapixel files and not break the bank. Obviously, the
more features you want, the more you'll pay, but bells and whistles is not really what
photography is about, is it?
Even at the entry level, there is some variation, particularly at the extremes - low light or
frames per second, for example. And you may want to bear in mind availability and quality
of accessories and lenses. Nikon and Canon have long had good reputations when it
comes to glass. Other manufacturers can compete on single lenses, but the big two offer a
wider variety of good quality lenses through the sizes, particularly in the used market, and
that may be a factor in how you choose the body. Again, the type of pictures you want to
take could also influence your choice. Some support Wi-Fi connectivity, which is useful for
studio, fashion work and loading images to the web, some push their Burst speeds
(Frames Per Second), making them good for sport or action.
Either way, the fact that you have downloaded this PDF means you are ready to push the
boundaries of your photography. Here is a list of the key performance specs you should be
thinking about…
Megapixel ratings are the number of million pixels a camera can capture in a single shot.
The cameras here can all take pictures between 16 and 24 megapixels. That means files
sizes between 40 and 70 megabytes if the pictures are uncompressed. Obviously, these
sizes can have implications in terms of storage and editing. But it could also slow the
processing down, which could mean that the camera can’t achieve a very fast burst of
frames, or that it can’t sustain them for very long.
The sensor in a DLSR is the equivalent of what used to be film in a 35mm camera. The
sensor is exposed to the available light when you click your shutter. It is the main
component in capturing and storing this data. Consequently it is the most important Spec
you will want to consider. The higher end D-SLRs have full frame sensors, which means
that the camera will produce an image the same size as if it were 35mm film. Entry level D-
SLRs have smaller (APS-C) sensors, which means that there is a crop factor. However,
APS-C sensors are significantly larger than what’s available in a normal point-and-shoot
camera. While smaller sensors struggle with capturing enough light, larger sensors are
able to accommodate lower light situations. This in turn allows more flexibility in shooting
and gives better control over depth of field.
Crop factor refers to how a full-frame lens is magnified when attached to APS-C-based
cameras. For example, if you use a 28mm lens, it would be magnified (depending on the
crop factor) to produce images as if they are shot on a 36-45mm lens. In other words,
subjects are zoomed in a little bit more. While this isn’t such a big deal, you should be
aware of it, especially if you’re a landscape photographer who takes a lot of wide images.
While a good 28mm lens would look wide enough on a 35mm film or full frame camera, it
might be insufficient on a DSLR with an APS-C sensor. The manufacturers produce lenses
for full-frame cameras and for APS-C cameras. So it is worth checking thoroughly what
sort of lens it is before you buy. All the cameras in this guide have APS-C sensors.
A camera’s image processor takes the image just shot and formats it into something that
can be stored on the memory card. Consequently it can affect the camera’s performance
in different ways. The speed of the processor will affect how quickly your camera boots up
and how quickly you can shoot your frames (affecting burst speed). How it compresses
your images will affect the quality of the shot when it is opened up in editing software or for
printing. For example, compressing your pic into JPegs reduces the number of colors in
the re-opened image. Of course, this becomes less relevant if you’re shooting RAW
images and not JPegs. Raw images are completely unprocessed - just stored. This is
great if you want to process (color correct) the images yourself, later. However,
uncompressed images take up a lot of memory. Generally speaking, the big companies try
to improve the processor every couple of generations, as they know it is an important
factor.
The term ISO is a throw back to the days of film and refers to the sensitivity of the film. The
higher the ISO number, the more sensitive the film (sometimes called film speed - the
faster films could absorb light faster). So ISO 100 is less sensitive than ISO 2000.
However, the faster film reduces the quality of the final image, often making it grainy,
called ‘noise’. The huge advantage of digital is that you can change the ISO whenever you
want, taking account of lighting conditions. In the days of film, the highest “usable” ISO
was about 1600 and that was used for night sport. Now many DSLRs have astonishingly
high ISO sensitivity settings—perhaps up to ISO 12,800 or even 25,600 and the quality is
surprisingly good. The quality of the sensor will influence at what point noise will become
an issue. Whilst any DSLR will handle the upper reaches of the ISO range better than a
compact or point and shoot camera thanks to the bigger sensor, if low-light shots and fast
action are important to you a DSLR with good quality high-ISO settings is a must.
Not all “HD video” is the same. Similar to megapixel counts, “720” and “1080” simply refer
to the number of horizontal lines the video footage will scale to on an HDTV set. The
actual video quality depends on a lot of separate factors: the recording bitrate, the quality
of the lens and sensor, the frame rate of the video capture, progressive versus interlaced
video (don’t go near interlaced if you can help it), file compression, and other variables.
Video performance is hard to generalize across the board; it depends on the individual
camera.
LCD screen size and resolution: Compacts have led the drive to get rid of optical
viewfinders and DSLRs often offer both a viewfinder and a LCD screen (which may be
essential for shooting video). Most DSLR LCDs measure 3 inches or so on the diagonal
and are great for reviewing photos, performing basic shot composition and navigating the
menus. However the screen will drain the camera's battery faster, and a sharp, high-
resolution LCD can make image quality look better than it actually is. Some DSLRs have
LCD screens that are articulated, and so will tilt up and down and to the side. They are
especially useful for shooting video.
Autofocus points are what the camera uses to focus on a subject. DSLRs will offer a
choice of number of focus points. There is nothing wrong with leaving the camera to
focus automatically on the minimum number of focus points, particularly if you have a
single subject or shooting something static. However, if the subject is moving around, or
there are more than one of them, the camera can become confused, or simply not take
the picture you are hoping for. That is when multiple focus points becomes an advantage.
Having many autofocus points opens up the camera's capabilities because it can function
in different ways depending upon settings and camera features:
• You can select a single AF point (get precise with exactly which point you want to
use, without recomposing at all).
• You can select a group of AF points (a group of AF points means you don't need to
be as precise in your selection/aim, and that if the subject moves within the group
it'll still maintain focus).
• You can let the camera choose which AF points to use (it'll try to get the most area
in-focus at once).
• You can track subjects as they move across the frame (as the subject exits one AF
point or group of AF points and enters another, each point will keep the subject in
focus).
The reason some cameras offer more focus points (after all, why might you want more
than, say 9?) is that, if you are photographing something very fast and very small (a
butterfly in flight, say) then there is a danger that the subject will fly between the camera
focus points and confuse the camera. This results in the AF system "hunting" all over the
place for something to focus on. A larger number of focus points allows them to be packed
more densely, so that a moving target moves smoothly from one point to the next, without
falling into a gap and confusing the camera.
Canon T7/2000D
File Size 24.7 megapixels
View Screen 3 inch fixed
ISO 100- 12800
Shutter Speed 30secs - 1/4000sec
Max FPS 3 FPS
Processor DIGIC 4+
focus points 9
File Format RAW + JPEG
Full HD video Yes
The Canon Rebel T7 is not the only entry-level DSLR on the market. Take a
look at the alternatives below.
The Nikon D3400
Nikon D3400
File Size 24.2 megapixels
View Screen 3 inch fixed
ISO 100- 25600
Shutter Speed 30secs - 1/4000sec
Max FPS 5 FPS
Processor EXPEED 4
focus points 11
File Format RAW + JPEG
Full HD video Yes
The Nikon D3400 is an entry-level DSLR camera which is aimed at photographers moving
up from a compact or bridge camera. It is designed to be easy to use and intuitive with
simple menus which are easily navigated. At the same time, it offers all the basic functions
required by a photographer, and many more, allowing photographers of all abilities to take
superb ‘professional quality’ images and videos. It has a category leading 24.2 megapixel
sensor and a quick Sony EXPEED 4 processor which is derived from the D7000 range of
DSLR cameras. It has a clear and bright 3 inch LCD back screen for composing shots and
selecting the functions along with a more traditional viewfinder. The eleven point diamond
autofocus is fast and accurate, using phase detection (a little like binocular focusing). The
5 frames per second continual shutter make this a very competent sports and action
camera and it has plenty of auto modes to help the novice photographer to build their
skills. The ISO range is excellent for low light photography (25,600 allows you to
photograph at night) and the picture quality, even at high ISO speeds, is superb. None of
the technology is brand new or cutting edge, but much of it comes from Nikon’s semi-
professional range and is only a few years old. This is a really good camera for learning
the basics, extending knowledge and broadening skills. For the cost, the Nikon D3400 is a
great chance to get into Nikon DSLRs and all the quality and expertise they have to offer.
The D3400 can control the whole process of picture taking for you when you need to
concentrate on the composition of an image, it can be completely manual, or it can be
something in between allowing you to experiment and learn.
You can take great pictures with both the mode dial
options - in which the sensor is very good at
decided the best exposure - and the manual modes
where you can take more control. The advantage of
the live view screen is that you can compose the
shot, ensure the focus and refer to shoot
parameters (after taking the picture), like
histograms, whilst shooting. This means that you
can improve your pictures in real time.
Nikon D3300
File Size 24.2 megapixels
View Screen 3 inch fixed
ISO 100- 12800
Shutter Speed 30secs - 1/4000sec
Max FPS 5 FPS
Processor EXPEED 4
focus points 11
File Format RAW + JPEG
Full HD video Yes
The D3300 is Nikon’s entry level DSLR and is a recent update for the D3200. The many
small improvements that Nikon have made - removal of the Optical Low Pass Filter (which
has slightly improved rendition of fine details without introducing unwanted moire/noise
effects), faster 5fps burst shooting, faster EXPEED 4 processor, expanded ISO range to
12,800, 50/60p movie mode, improved battery life, and a new range of special effects
taken from the D5000-series - do add up to make the D3300 a better all round product.
The new retractable kit lens is also worth mentioning, making the D3300 much more
compact and portable when not in use, something that its target audience - many of whom
will be upgrading from a bridge or compact camera - will appreciate.
The 24 megapixel sensor makes this one of the highest-resolution APS-C DSLRs out there
and the extended ISO range makes the camera a little more adaptable in low-light. Nikon
have successfully provided a camera with a large file and superb image quality with vibrant
colors and and quick and accurate processor. The guide view, which explains many of the
functions in camera, is very useful for novice DSLR. There are still a few notable issues
with the D3300. It is a shame that it doesn’t have built in WiFi, and that it doesn’t have an
articulated screen like the D5000 series. However, the new Nikon D3300 is a good camera
for beginners who want a little more oomph from their DLSR, and who are prepared spend
a little extra to get it.
Canon 800D/T7i
File Size 24.2 megapixels
View Screen 3 inch articulated touch
screen
ISO 100- 25600
Shutter Speed 30secs - 1/4000sec
Max FPS 6 FPS
Processor DIGIC 7
focus points 45
File Format RAW + JPEG
Full HD Video Yes
Nikon raised the bar with their D3000 series (see above), but Canon bounced back with
this excellent camera. The 800D matches the 24 megapixel files and offers a splendid
articulated viewing screen, which is also touch sensitive - something Nikon D3000s have
yet to offer. This feature in itself means that the 800D should be on everyone’s shortlist. It
is particularly useful for shooting video. The sensor produces high quality detailed images
which avoid noise up until the higher ISO numbers. It also offers very competent hybrid AF,
LiveView and 45 AF cross-type focus points. Hybrid AF is a combination of Phase
detection (which is very good for tracking moving objects) and contrast detection (which
tends to be slower but more accurate).The 800D is very comfortable to hold and to use. All
the controls are within easy reach and the touch-control works really well. It's also very
useful to be able to pinch-zoom into images to check sharpness, set the AF point and/or
trip the shutter with a tap on the screen. It also has good WiFi connectivity, though it can
be difficult to set up. Canon have also improved on the battery life which is about 600
frames. Probably a little more than new DSLR photographer needs and that is reflected in
the price.
Nikon D5300
File Size 24.2 megapixels
View Screen 3 inch articulated
screen
ISO 100- 25600
Shutter Speed 30secs - 1/4000sec
Max FPS 5 FPS
Processor EXPEED 4
focus points 39
File Format RAW + JPEG
Full HD Video Yes
The D5300 came only a year after the D5200 and seemed to be a minor upgrade.
However the new sensor (EXPEED 4) and the removal of the low-pass filter (designed to
reduce noise, but also reduces detail) are real improvements - especially as the image
noise is minimal even at the higher ISOs. The processor offers great sharp, richly detailed
colors - particularly skin tones. Nikon also improved connectivity by offering WiFi and GPS.
The D5300 has a lot to offer and so the dials and buttons could seem daunting for
someone making the jump from a compact or bridge camera, but they are fairly straight
forward and intuitive. The video options are excellent and the vari-angle viewing screen is
extremely useful. The image quality is superb, with plenty of detail and good saturation.
There are plenty of effects to try and the modes are useful when shooting within unfamiliar
parameters.
The view screen and better processor make this a camera to think about especially if you
are a Nikonite. Not the cheapest camera out there, but a very solid contender for a good
price.
The Canon EOS 700D suffers from being an excellent camera that has been overtaken by
some of its competitors. It has a solid sensor capable of recording lots of detail, a
comprehensive feature set and a responsive vari-angle viewing screen. It would be an
excellent choice for anyone wanting to take their photography more seriously, shoot from
creative angles or start recording videos. The hybrid focus system is a definite
improvement on the 650D - quicker to respond and more sensitive - but it still struggles
with fast moving objects. The file size is smaller than many in this range, but is still big
enough for most purposes and the image quality is superb. However it doesn’t rank as well
for noise reduction as the Nikons. The modes are pretty good, particularly the HDR mode.
The 700D is a very capable video camera - the Movie servo AF, touchscreen and STM
lenses combining to give very smooth and silent focusing. In fact the integration of the
touchscreen is very good and would appeal to those who are stepping up from a compact
or bridge camera.
Pentax K-50
File Size 16.3 megapixels
View Screen 3 inch screen
ISO 100- 51,600
Shutter Speed 30secs - 1/6000sec
Max FPS 6 FPS
Process PRIME M
focus points 11
File Format RAW + JPEG
Full HD Video Yes
The EOS 100D / Rebel SL1 is the smallest, lightest, and perhaps the most surprising
DSLR camera that Canon have ever released - a very small body that retains the same
DSLR styling of its larger siblings, and, more importantly, produces impressive image
quality. That's quite a feat. However, whilst size can be a factor when people choose
cameras, there is often an advantage to having a larger body. It is more stable with bigger
lenses and it has room for the buttons (and large fingers). I think it would be fair to say that
this camera is designed to be a step-up for compact users who will, essentially, continue to
take the same sort of pictures and not branch out into long lens action or grand video
production. Alternatively, this could be an ideal camera for street or reportage photography
or videography - especially with the 40mm pancake lens. The Image quality is as good as
Canon’s other entry-level DSLRs with lots of detail and bright, punchy colours and the
touchscreen is excellent for focusing for both stills and video. Indeed, the 100D loses none
of the usual DSLR features despite it’s small size. However, the AF system is quite
sluggish in Live View auto-focusing. If you are trying to choose between a DSLR and a
compact system camera the 100D should be on your radar, but a CSC is much more fun
for casual photography and a larger DSLR will be more comfortable to use for the serious
stuff, especially with anything larger than the standard kit lens. Canon have produced a
great little camera here but there are other, cheaper, cameras are around.
The information in this guide is the best we can provide. Every precaution has been made in the preparation
of this guide and the author shall have no liability to any person or entity with respect to loss or damage
caused or allegedly caused directly or indirectly by the information or instructions contained in this book.