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1. Barros, M., Duarte, J. P., & Chaparro, B. M. (2015). A grammar-based model for the
mass customisation of chairs: Modelling the optimisation part. Nexus
2. Buddie Joseph Pine II 1980 Paradigm Shift: From Mass Production to Mass
Customization,
3. Design and the Big Five: Linking Product Aesthetics to Product PersonalityFrederic F.
Brunel and Rishtee Kumar (2007)
4. Esperanza, J. S. (2008). Outsourcing otherness: Crafting and marketing culture in the
global handicrafts market. In Hidden hands in the market: Ethnographies of fair trade,
ethical consumption, and corporate social responsibility. Emerald Group Publishing
Limited.
5. Jadhav, A. K. (2021). The Future of Design: Craft an Emerging Movement. Descriptio,
3(1).
6. Kebede, A. A. (2018). Opportunities and challenges to highland bamboo-based
traditional handicraft production, marketing and utilization in Awi Zone, Northwestern
Ethiopia. International Journal of History and Cultural Studies, 4(4), 57-67.
7. Ketaki Jadhav, 2018. Impact and Need of Craft Design Collaborations for Craft Practices
in India.
8. Networks of Design: Proceedings of the 2008 Annual International Conference of the
Design History Society (UK) University College Falmouth, 3-6 Septem. (2010). United
States: Universal Publishers.
9. Pujiarti, R., Nilansari, R., Kasmudjo, S. S., Kusumadewi, A., & Purba, B. A. V. (2022).
10. Schillaci 2017 Digital arts and crafts Encouraging mass customization as a relational
model of production
11. Tong Wu (ICADCE 2018) Proceedings of the 4th International Conference on Arts,
Design and Contemporary Education (ICADCE 2018)
12. Tucker, B. (2021). The Influence of German Tubular Steel on Soviet Furniture at the
VKhUTEMAS