©

2021 Q. Rebecca Yang, Dylan Rowe

 Deafinitely Perfect

        
Rebecca Yang

   
Composed January-May 2021

             
(+ contributions from Dylan Rowe)

    
  
 = 80

 
         
      
  
 




         

6

 
       
    

  


    
rit...

      
              

     
a tempo
9

 
     
 
         
  
  

             
      
13

   
   
       
 

    
           
      
    
16 

         
          
 

      
rit...

 

2 © 2021 Q. Rebecca Yang, Dylan Rowe

                    
         
   
 

19

     
         


        
   
       
           
      
    
23


                


    


   


                                 
26

     
            

   

                                 
28

   
        
    


    
                                  
30

          
        

© 2021 Q. Rebecca Yang, Dylan Rowe 3

  
          


     
                  
32

 
                    


     
 

    
              
        
    
34

                  
            
 


              
    
          

36


                              
 
 
             
    
        
38


 
             
    
  rit.

        


               
         
41

   
 
3 3 3 3


3 3 3 3


 



4 © 2021 Q. Rebecca Yang, Dylan Rowe
                                  
                
42


 

 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


 

   
                    
    
44

    
     
3 3 3 3 3 3 3 3

  

                                  
                 
45

       
   
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3








                                            
 
47

       
3 3


3 3 3 3 3 3 3 3 3 3 3 3


   
                 
     
    
49 

 
            
    
 


 

© 2021 Q. Rebecca Yang, Dylan Rowe 5

  
         
 
54

  
    
        



    
rit...

            
            

 
57

  
   
      



          
        
  
   

60

      
           

         
 
   
 
      
 

64


                
    

                          
            
  
68




                         
  


     
    
 
6 © 2021 Q. Rebecca Yang, Dylan Rowe
        
    

          
   
72


      
              
   

      
          
                            
76

 
     



              


  
  
 
 
  

            

                            
80

         


             
  
   

         

                  
 
82

               
               
 

     
         
  
       

84


                              
 
 
© 2021 Q. Rebecca Yang, Dylan Rowe 7
     
             
        
86


   
         

  
          
  rit.

  


                 
          
3 3
89

 
     
    
3 3 3 3 3 3
3 3 3 3 3 3 3 3

   


  

           
             
        
    
91

   

3 3

       
3 3 3 3 3 3 3 3 3 3 3 3
3 3

       
   
                     
 
93

   
  
3 3 3 3


3 3 3 3


   

                 

   
   

94


3 3 3

 
3 3 3

    
3 3

  

8 © 2021 Q. Rebecca Yang, Dylan Rowe

      
   
         

        

95


   
3 3

    
 3 3


3 3 3 3

    

  
               
                
96

     
                         


    

           
           
         

98

               
              
 

         

 
    
    
      
 
100


  
                
         
    


    
             
 
102

 
      
       
       
  rit.



© 2021 Q. Rebecca Yang, Dylan Rowe 9

                 
           
104

      

3 3 3 3 3 3 3 3

   


 

                             
 
105


    
3 3 3 3 3 3 3 3

 

                           
 
106

 
   

3 3 3 3 3 3 3 3
 

 

                

         
107

     
3 3 3 3

      
3 3 3 3


 

                
          
108


     
3 3 3 3 3 3 3 3

  

10 © 2021 Q. Rebecca Yang, Dylan Rowe

                             
 
109

     
 
   
 3 3 3 3 3 3 3 3



                            
 
110

  
  
3 3 3 3 3 3 3 3



     
               

   
111

  
3 3 3 3


3 3 3 3

  
 

  
 

© 2021 Q. Rebecca Yang, Dylan Rowe 11