Professional Documents
Culture Documents
Mr. Kehowski
Honors English IV
11/15/16
The Canterbury Tales Literary Analysis
long narrative poem in the format of a frame story. A frame story is one story
with several other stories inside of it. In Chaucer’s case, the pilgrimage sets
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up the main story, and it is surrounded by several individual stories told by
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the characters. The prologue of the story introduces the characters and the
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setting, which is the height of spring. Many of these characters who are
taking part on this religious journey are symbolic figures of the church. These
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religious characters are the Monk, Nun, Friar, Pardoner, Parson, the
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Summoner and the Oxford Cleric. Although they are known to be religious
figures, most of them do not live up to the standards that a devout Christian
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order to criticize and critique church officials and their use of power.
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to travel around and help people to confess their sins and receive penance.
Instead, he sells the church’s forgiveness in return for money and gifts and is
described as “[…] the finest beggar of his batch” (Chaucer 256). Chaucer
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explains that the Friar had “a special license from the Pope” (224), but it is
clear that he takes advantage of this power: “Sweetly he heard his penitents
long as he gets something in return: “It’s a sure sign whenever gifts are
given / To a poor Order that a man’s well shriven” (Chaucer 229-30). During
this time, a Friar would be very poor and willing to give up almost everything
in order to serve God and help his people without expecting anything in
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return. The Friar gives penance to the rich due to their wealth, “But only with
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the rich and victual-sellers. / But anywhere a profit might accrue. The Friar’s
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abuse of power is evident as he takes gifts from and it not genuine with the
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penance he gives away.
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Pope. Pardons are small strips of parchment with paper seals and they were
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sold as pardons for sins. He carries these around along with “holy relics” that
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he would sell by telling lies about them. Some of these relics include “[…] a
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cross of metal set with stones / And, in a glass, a rubble of pig’s bones”
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(Chaucer 719-20), and “with these relics, any time he found / Some poor up-
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between the acts of religious figures and their actual feelings toward
Christianity. Quinn suggests that “it is easy to lose one’s sense of the
rascals: they drink to excess, swear, quarrel, deceive, others and themselves
[…]” (79). As symbols of the church, these people are expected to serve God
and help their people. However, they are manipulative and deceiving and
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completing a penance imposed by one’s confessor” (Quinn 79). Clearly, they
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are not genuinely devout Christian figures, and the main motivation for
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everything they do is to benefit themselves. By developing a pilgrimage and
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these characters, Chaucer is able to “[…] express religious devotion or to
point out the need for reform” (Quinn 78). This shows Chaucer’s strong
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feelings towards the way religion was in the fourteenth century, and his
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contradicts the type of characters that embark on the journey. It is clear that
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these people who are symbols of the church do not portrayed in a negative
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way. They are abusing their power granted by church, and weakening
Christianity while doing it. Chaucer’s use of these characters truly creates an
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awareness of this abuse of power during his lifetime. Author Esther C. Quinn
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Works Cited
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