No

Bounds
14——16.10:22
Event
Programme
Introduction
Joe Muggs

It’s déjà vu all over again. For the second year running I’m writing this intro having
just had to bail out of No Bounds at the very last minute, and for the second year
running the pangs are fearsome. More so, even. This isn’t just plain old FOMO,
either: there’s a huge tugging on my heartstrings at the realisation that I can’t join
in person something I’ve participated in and watched grow from its very first trial
weekend into the incredible nexus event it is now. I feel part of No Bounds, and it
is part of me, and the way I think about music, culture and everything else.

Last year I wrote about the bittersweet hope that the festival represented, in
particular as a symbolic rebuilding of infrastructure and connections after the
shock of Covid lockdowns. This year that hope is getting harder and harder to
access. Looking around us, threats not only to our culture but to life and limb
abound. Putin’s Fascism, red in tooth and claw, is devastating Ukraine, and his
useful idiots worldwide spread conspiracy theory in praise of brutal imperialism.
In America, Fascism creeps too with the courts striking down basic rights and
literal book-banning all too common. From Brazil to Thailand to Eritrea, threats to
freedom are proliferating – while tech giants rich enough to fix the planet are at
best indifferent to suffering and at worst cultivate it as good for business. All this
while CO2 and methane continue to billow into the ever heating atmosphere.

Here in Britain the mask of civility is long since gone from the grifters and bullies
in power – scorched earth corruption and attempts to panic-monger around the
most vulnerable barely even bother to pretend to offer fixes for our crumbling
infrastructure and economy. Fuck-witted puffing on the “war on woke” crackpipe
normalises extremist hate speech in the most mainstream of channels, corrod-
ing education and free speech with the most 1984-ish of bile, while the blaggers
in government try their hardest to chip away at the mechanisms of justice and
democracy. Poverty is rising like a tide, and our most important structures are
cracking up – not least the National Health Service which looks terrifyingly unfit
to handle another Covid wave. And our culture, still bruised from those lock-
downs, faces challenges just as harsh as fewer and fewer people can afford
tickets, travel, downloads and all the other things that keep creativity moving.

But hope IS there. Everywhere these forces are in evidence, people are fighting
them. We might not all be taking up arms to protect our homes like Ukrainians or
risking torture or death to demonstrate the simplest of freedoms like the women
and girls of Iran, but in every sphere of life, on every level, battles are afoot. There
a few more heartening sights than communities blocking roads and surrounding

1
vans to prevent their neighbours being snatched away by immigration author-
ities – and the legal, procedural battles to ground deportation flights, while not
as great a spectacle are as vital as demonstrations of solidarity and refusals of
regressive politics. Likewise in labs, council offices, company boardrooms and
many more places, the small, unglamorous bits of work needed to decarbonise
continue. And our understanding of our bodies, minds, history and universe is in a
phase of unimaginable pace of discovery.
On the ground level, when we respond to the pandemic and economic crisis by
checking in on our neighbours or helping a mutual aid effort, we are fighting and
offering hope. Even just gently correcting a harmful conspiracy lie, futile though it
might seem sometimes, can be reshaping the world for the better in its tiny way.
And as was saw through the first waves of the Covid crisis, our culture and sub-
culture matter more now than ever: while infrastructure and businesses might be
in danger, the succour and sense of connection people get from being connected
via music, art and the community around them have been electrified by stark
signals of what life might be like without them. What we do matters, all the time.
tions about AI, humanity and identity. Even that concert on its own embodies the
inseparability of the gut level musical experience and the cerebral, imaginative
aspects: from the Mancunian street level art rap of Blackhaine to the audiovisual
techno headfuck of Blawan to the interdisciplinary group “Patterns in between
intelligences”, each part of the session adds a new dimension of thought.
The insane quantity of work put in to all of this by Liam and the No Bounds crew
join the thousands and thousands of cultural dots, and as ever the fact that it’s
Sheffield, techno city, holds it all together. I am really, really sad to be missing this,
but I’m really, really happy that it’s happening. This matters. People being togeth-
er in one place and doing something so ridiculous, so ambitious, so idealistic, so
mind-melting and so much FUN matters. So please, once again, if you’re there,
get stuck all the way in.

It’s tiring, though! It’s tiring even for those privileged enough to have food and
heating and a roof over their head, let alone those who have to dedicate constant
mental effort to just staying afloat. In this everthing-all-at-once weird wired
world where we can feel like we’re aware of every struggle and conflict simulta-
neously – but where misinformation is a global industry – just keeping track of
what we believe and what we’re fighting for can be overwhelming. We are just
apes, we’re not built to process this degree of planetary information.

Our culture, however, is. And especially the kind of forward-thinking grassroots
culture, not hewn to the sluggish supertankers of academia and big instutions,
that No Bounds represents. What we suffer from when we try and comprehend
the crazed information flows of the post-post-modern 21st century world is what
Alvin Toffler – that great inspiration to the original Detroit techno generation –
called Future Shock. And to deal with that shock, Toffler prescribed thinking in a
science fiction way: a way that would allow us instinctually to get to grips with the
high tech world and “cultivate the habit of anticipation” to deal with implausible
futures.

Our culture, the No Bounds culture, is rooted in mind expansion. Not only in the
conceptual artworks that will be sneaking into new spaces throughout the city
over the weekend with the theme of “Data, Architecture and Otherness”, but with
every artist playing in every context. Like those Detroit techno explorers, the
seething, multiplicitous, erratic aesthetic that joins all the artists playing here is
one that creates new futures in your brain as you’re experiencing it.

Raving to Bukem or Craig Richards or the Off Me Nut crew is as important to

that mind expansion as the opening concert which expressly addresses ques-

2 3
Box Office Friday 14 October
Wristband Exchanges Data, Architecture, and Otherness:
No Bounds 2022 Opening Concert
Sheffield Cathedral curated by Liam O’Shea
Friday 14 October • 18:30 → 23:00
18:30 → 23:30 • Sheffield Cathedral
• Patterns In Between Intelligences
Hope Works (Live) [19:15-20:00]
Friday 14 October • Deena Abdelwahed (Live)
22:00 → 02:00 [20:15-21:05]
• Blackhaine (Live) [21:25-22:20]
Sheffield Cathedral • Blawan (Live AV) [22:40-23:40]
Saturday 15 October This year we are thrilled to be working
13:00 → 17:00 in the magnificent surroundings of
Sheffield Cathedral. We have the world
Hope Works premiere of Patterns In Between
Saturday 15 October Intelligences where this multicultural,
22:00 → 02:00 multidiscipline collective explore the
idea “can AI be used to transcend
Sheffield Cathedral itself?” This project challenges the
Sunday 16 October ideas of commercial-centric AI, which
18:00 → 21:00 looks at emulating human neural path-
ways as the method of creating new
Hope Works intelligences. Instead, we look to a
Sunday 16 October collective view of intelligence. Through
19:00 → 22:00 the ritualist frame the spiritual and
social dimension of AI is questioned
and machine learning reconnected
with ancient patterning techniques.
In the search for a new artificial spirit,
the final performance seeks to exceed
our understanding of intelligence in a
collective cathartic rhythm from which
a new mystic code emerges.
Tunisian visionary Deena Abdelwahed
brings her innovative and idiosyncratic
sound to the cathedral with a live
performance. Manchester’s Black-
haine explores the experience of being
and artist from a UK working class
background through a lease ranging
from Noise to Drill via poetry and rap.
4 5
Friday 14 October
SOYO native Blawan ends the concert
with his new solo live show with visual
art by Bernhard Holaschke. Modular
driven technoid subversions by this
singular artist.
Opening Rave
• 23:00 → 06:00
• Hope Works
• Mothership
• Polinski (Live) [23:30-00:00]
• The Black Dog (Live) [00:00-00:50]
• Helena Hauff [01:00-03:00]
• Batu b2b Skee Mask [03:00-05:00]
• Blasha & Allatt [05:00-06:00]
• Courtyard Anomaly
• MYNA [23:00-23:45]
• Rian Treanor × Ocen (Live)
[23:45-00:30]
• TSVI [00:30-01:15]
• Scratchclart [01:15-02:00]
• SHERELLE b2b Kode 9 [02:00-
05:30]
• Kuiper Belt
• Konx-Om-Pax (Live) [23:00-00:00]
• Dj Fart In The Club [00:00-01:30]
• Saoirse [01:30-03:15]
• Job Jobse [03:15-05:00]
• Jansky Room
• Proteus [00:00-01:00]
• Grove (Live) [01:00-02:00]
• Mal Hombre [02:00-03:00]
• MARRØN [03:00-05:00]
• High Density Energy Chamber
• Steel City Chiptune [23:00-00:30]
• Lvcky [00:30-01:00]
• Gracie T [01:00-02:00]
• Tim Reaper [02:00-03:00]
• Tekkers b2b2b [03:00-04:30]
• YT Records-D.E.A [04:30-05:30]
Saturday 15 October
• Premiere of newly commissioned
works by Sheffield artist Mikk
Murray
• JG Graves Woodland Discovery
Centre
• 10:00 → 16:00
My work is about connectedness,
the relationships within nature that
surround me and my experience within
the whole. Through movement in,
working on and living in the landscape
I am constantly reminded that I am not
separate from nature, but connected
to it in many ways. Our ancient wood-
land fascinates me. In my time ex-
ploring these wonderful places I often
think about how they are rich, complex
and the perfect setting for commu-
nities of fungi and insects along with
the many species of plants and other
animals and birds. Like the symbiotic
relationships within woodland, my
work is a collection of drawings, walks,
observations and explorations that
work together as a whole.
Through a process of drawing outside
and then working in my studio, there
is a sense of ancestry being created.
A sketch whilst walking through wood-
land will spawn a series of drawings,
which then multiply, creating their own
images. Eventually these evolve into
the shapes, marks and patterns that
make a painting. Sometimes my work
resembles the trees and habitats I
have visited and other times they are
their own shapes and patterns that
result from exploring materials and
marks. As an organic market gardener,
I’m a part of the land and connected to
the relationships between the soil food
6 7
web, weather, solar and lunar cycles
and my own interactions with the
plants just as each plant and creature
in the woodland is.
It is as a painter I try to make sense
of these relationships and my role
within them, as I align my practice with
my personal values. Exploring these
connections with materials, line, rep-
etition and with process. I am trying to
connect my presence as a naturalist
and as a painter, trying to make sense
of things that might not ever be fully
understood. — Mikk Murray
• Art Workshop with Mikk Murray
• JG Graves Woodland Discovery
Centre
• 10:15 → 13:00
Mikk gives a guided workshop show-
ing his practice and processes (12
people max – Booking required). For
those of us enthralled by simple maths
and amateur coding at the millennium,
the promise of Artificial Life, was a
tantalising intellectual concept. In
2001, Steve Grand’s new book, ‘Cre-
ation: Life and How to Make it’ was a
requirement on all our shelves. Twenty
years on, a pandemic allowed all of us
to become familiar with the sinister
meaning of R values, climate change
has meant that we contextualise our
summers with global weather model-
ling and cyber-attacks have made us
aware of algorithmic manipulation of
our data.
Coder or consumer, we now accept
that we consume vast data visualis-
ations and dream of viral simulations.
Saturday 15 October
We are now all aware that our lived ex-
perience is, to some extent, informed
by the abstraction of the big data that
our small actions contribute to. From
micro-simulation of traffic to mod-
elling of disease, we have developed
a societal relationship with coded
abstraction. This immersive project-
ed artwork returns to the nostalgic
playground of artificial life to explore
again, the way in which we accept the
representation of our actions, and the
way that we attempt to anthropomor-
phise the visualisation of our data.
Aspects of the visualisation influence
an algorithmically generated sound
installation by Shelly Knotts. The syn-
thesised soundscape moves with its
own rhythm, at times converging with
patterns in the visual simulation.
David Cotterrell is an installation artist
working across media and technolo-
gies to explore the social and political
tendencies of a world at once shared
and divided.
The practice is typified by an interest
in intersection: whether fleeting en-
counter or heavily orchestrated event,
Cotterrell’s works explore the human
condition and the breaks or nuances
that can lead to a less ambiguous un-
derstanding of the world they inhabit.
Encapsulating the roles of program-
mer, producer and director, Cotterrell
works to develop projects that can
embrace the quiet spaces that are
the sites for action, which might (or
might not) be clearly understood in the
future.
Cotterrell’s work has been com-
missioned and shown extensively in
Europe, the United States and Asia.
He is Research Professor of Fine Art
at Sheffield Hallam University and is
represented by Danielle Arnaud.
Shelly Knotts is an improviser who
performs with computers and other
humans. Interests in code, data and
networks have lead her down strange
and diverse musical paths from
electroacoustic composition, through
jazz and noise music to algorave.
She experiments with generative
and AI techniques and opinionated
algorithms to make music. She has
performed at numerous Algoraves and
other live coding events worldwide,
solo and with collaborative projects
including algo-pop duo ALGOBABEZ.
In 2017 she was a winner of BBC
Radiophonic Workshop and PRSF ‘The
Oram Awards’ for innovation in sound
and music. Previously she was an aca-
demic, researching on projects around
the use of AI, data and networks in
improvisation and composition and
related social themes.
• David Cotterrell: God’s Eye View IV
(Conflict) ft. Shelly Knotts
• Sadacca
• 10:00 → 17:00
FREE access to all (inc non-ticket
holders) David Cotterrell will also
speak in person about the work at
13:00-13:15. Introducing the piece
and its conception.
Saturday 15 October
• Lise Autogena & Joshua Portway:
‘196.85 ml/hr’
• Sadacca
• 12:00 → 17:00
The room is filling with oil at the same
rate that the oceans are rising. A
computer controlled laboratory pump
produces a precisely calibrated drip of
oil which forms a puddle on the floor
at the rate of 196.85 ml/hr at this rate
the level of oil in the room will rise at
3.6mm per year, the current rate that
the oceans are rising.
The oil drips at a rate of almost one
drop per second, a quiet and insistent
rhythm that is meditative and yet
relentless, reminiscent of hourglasses
and of taps dripping in the night.
Lise Autogena and Joshua Portway
(UK) have worked together since the
early 90s, developing large-scale
multimedia installations, site-specific
works, films and performances. Their
projects include Growing Cities Like
Plants, a project using the regulatory
system of plant growth for city plan-
ning (Sainsbury Plant Laboratory/
Cambridge University, 2016). Most
Blue Skies, a project locating and vis-
ualising the bluest skies in the world
(Domaine de Chamarande, Paris 2012,
Arts Catalyst, 2011,Tensta Kunsthal,
2010, Nikolaj Kunsthal/COP15,
2009, Gwangju Biennial, 2006).
Black Shoals; Dark Matter-Stock
Market Planetarium (Somerset House,
ArtScience Museum Singapore, 2016;
Nikolaj Kunsthal, 2004; Tate Britain,
2000). Untitled; superorganism-a
simulated ant mill (Anthropocene
8 9
Monument-Les Abattoirs Museum
of Modern and Contemporary Art,
Globale: Exo-Evolution, ZKM 2015)
and Foghorn Requiem, a concert for
a disappearing sound, performed by
Souter Lighthouse foghorn, 3 brass
bands and 50 ships on the North Sea.
Since 2014 they documented the
challenges in the siting of a rare earth
/ uranium mine in South Greenland,
which resulted in the establishment of
Narsaq International Research Station
(NIRS). For the past two years they
have worked with The European Com-
mission’s Joint Research Centre (JRC)
on projects that explored the idea of a
‘slow crisis room’.
Joshua Portway is a UK born multime-
dia artist and game designer and Lise
Autogena is a Danish born artist and
Professor of Cross-Disciplinary Art at
The Art, Design and Media Research
Centre (ADMRC) at Sheffield Hallam
University.
• Noemie Soula: Mythical Living Data
• Moore Street Electricity Substation
• 12:00 → 17:00
Mythical Living Data: an inquiry into
the future of data storage is a re-
search-driven and interdisciplinary
project, interweaving life sciences,
storytelling, and craft. Mixing legend
with science by examining the concept
of chimaeras, the project investigates
how our polluted environment can
interact and alter our life code, the
DNA (Deoxyribonucleic acid). It also
explores the blurring lines between
emerging biotechnology, genetics
engineering, and what is defined as
Saturday 15 October
human and non-human. Our world is
changing rapidly, and the increasing
pollution is not without impact on
human lives. But can it also be one
of the drivers of evolution? Or will
pollution become an integral part of
our bodies, sneaking into our core?
Using storytelling as a creative tool to
extrapolate current scientific research
and gather more insight through
active exchange with scientists and
experts, the project gives tangibility
to concepts with photography, video,
and 3D artefacts. These artefacts be-
come a space for conversation where
the public can imagine and debate
bio-ethical questions. Concentrating
on three main contaminants – micro-
plastics, cadmium (heavy metal) and
uranium (radioactive waste) – six
speculative scenarios are presented
during the exhibition. A first set of
three scenarios explore how the
human skin microbiome (the bacteria
living on our skin) has adapted in con-
tact with the pollutants while the other
three depicts a more extreme adap-
tation within our bodies, our organs.
3D Artefacts, photographs, prints and
videos give life to the scenarios.
• Drone Yoga
• Sadacca
• 17:00 → 18:00
Sarah Cotton conducts a Vinyasa flow
yoga session set to ambient drones
and sonic washes (please bring your
own yoga mat).
• Discourse, Workshop and Dance
• DINA
• 14:00 → 00:00
• Velocity Press | Out of Space | How
UK Cities Shaped Rave Culture
• DINA (Cafe)
• 14:00 → 15:00
(Talk/Panel) ft. Alex Deadman, James
(Groundwork), Jim Ottewill, Rebecca
Salvadori, Solid State, STEPHANIE.
• DJ Workshop (Intermediate-
Advanced)
• Hope Works (Janksy Room)
• 15:00 → 16:30
Diessa & Gracie T will conduct an
intermediate-advanced DJ workshop.
on the system that will be used later
that evening for the festival. Learn pro
tips in a pro setting. Session: Prep-
ping for a set, rekordbox, beatgrids,
tagging, and how to use preparation
to make sets easier/more fun/spon-
taneous and less stressfully searching
for a tune or playing an entirely pre-
planned set.
• INTERVENTION
• DINA (Downstairs)
• 15:30 → 17:00
Beginners DJ workshop hosted by
Ifeoluwa. Booking required.
• Circuit Connection
• DINA (Cafe)
• 17:15 → 18:45
The Beatriarchy-Workshop/Talk.
Networking your way from bedroom to
club. The Beatriarchy started off as an
online tune share group for underrep-
resented artists to make connections
during the Covid-19 lockdown. Two
years later, it has now evolved into a
collective championing talented cre-
atives and amplifying the underrepre-
Saturday 15 October
sented voices of black, brown crea-
tives, creatives of colour, queer, trans
and non-binary creatives, femme and
female identifying creatives in the mu-
sic scene and surrounding industries.
Booking required.
• Evening Party
• DINA (Downstairs)
• Linnemann (DJ) [19:00-21:00]
• Groundwork (DJ) [21:00-23:00]
• Bal Fashions
• 16:00 → 17:00
• NikNak (Live AV)
• Dorothy Pax × No Bounds
• Dorothy Pax
• 19:00 → 23:00
• Solid State [19:00-22:00]
• Pattern + Push Showcase ft. Alice
Ede + more [22:00-23:00]
• No Bounds × Apricot Ballroom
• Bal Fashions
• 23:00 → 05:00
• Ash Grimshaw [23:00-00:30]
• Donna Leake [00:30-03:30]
• Joi La Frique + Nonna Fab
[03:30-05:00]
• Delicious Clam × No Bounds
• Delicious Clam
• 19:00 → 00:00
• Kalter (Live) [19:30-20:00]
• South Yorkshire Mick Hucknall (Live) and on certain medications cannot
[20:30-21:00]
• Romeo Taylor (Live) [21:30-22:00]
• PC World (Live) [22:30-23:15]
10
• Plot 22 × No Bounds-Wub Club
Takeover
• Plot 22
• 23:00 → 05:00
• Dalts [00:00-01:00]
• Tailor Jae [01:00-02:00]
• FORCA [02:00-03:30]
• Mr Dubz [03:30-05:00]
• No Bounds × Debbie Chia:
• Light and Sound Bath
• Sheffield Cathedral, Conrad
Hilton Room
• 16:00 → 18:00
• Linnemann [16:00-16:30]
• Debbie Chia [16:45-17:15]
• Lupini (Heavy Texture)
[17:30-18:00]
An immersive light and sound journey
into your inner world. Laying down and
with eyes closed, participants are
bathed in flickering light and experi-
ence a personal visible frequency en-
trainment of rich colours and geomet-
ric patterns, guided by sound works
from festival artists. The experience
uses photic entrainment technology
born and developed in the festival’s
hometown of Sheffield. 3 × 30 minute
sessions: Sound artists on rotation,
Debbie Chia, Interworld, Heavy Texture
with Lupini. Note: This session is highly
stimulating and not for everybody.
Dress comfortably. Precaution neces-
sary. People with epilepsy, pregnant
undergo this. You will need to sign a
disclaimer. Sign up via our website for
a place. Booking Required.
Saturday 15 October
• Zaron Mizmeras: Mind/Body/Soul • Jansky Room
• 18.15 → 18.45 • Lupini [23:00-00:00]
• Sheffield Cathedral, Conrad • 96 Back (Live) [00:00-01:00]
Hilton Room • Ifeoluwa [01:00-02:00]
A short (15 mins) audio-visual per- • Mun Sing [02:00-03:00]
formance examining the ideal mind/ • Tom Boogizm (DJ) [03:00-04:30]
body/soul, through the creation of an • De Schuurman [04:30-06:00]
interchangeable avatar dependent on
the interplay between these elements • High Density Energy Chamber
via brain – computer interfaces and • The Beatriarchy Showcase
bio-data sonification. Zaron Mizmeras • Bradley Snape (SHF) [23:00-12:00]
is a cyborg artist whose work seeks • d. Clemente (MCR) [12:00-01:00]
to illustrate and exacerbate the often • Kitsta (LDN) [01:00-02:00]
ridiculous experience of owning a hu- • Yazzus [02:00-03:00]
man body. Booking Required. • DJ Soyboi (MCR) [03:00-04:00]
• Shannon from Admin (MCR)
• Saturday Rave [04:00-05:00]
• Mothership • Seyk & Creola [05:00-06:00]
• LYZZA (Live) [22:00-23:00]
• dBridge presents Black Electric
(Live) [23:00-00:00]
• Nia Archives [00:00-01:00]
• Craig Richards b2b Calibre
[01:00-04:00]
• LTJ Bukem [04:00-05:30]
• Wanton Witch (Live) [05:30-06:30]
• ??????????? [06:30-07:00]
• Courtyard Anomaly
• Tom Ravenscroft [22:30-00:00]
• Palms Trax [00:00-02:00]
• I.JORDAN [02:00-03:30]
• LCY b2b Diessa [03:30-05:30]
• Kuiper Belt
• Algorave [22:00-00:00]
• Sample Junkee [00:00-00:40]
• Yeahbuzz [00:40-01:20]
• Phatworld [01:20-02:10]
• Spinee [02:10-03:00]
• Samurai Breaks [03:00-04:00]
• Scott Brown [04:00-05:00]
11
Sunday 16 October
• Premiere of newly commissioned and geometric patterns, guided by
works by Sheffield artist Mikk
Murray
• 10:00 → 16:00
• JG Graves Woodland Discovery
Centre
• David Cotterrell “God’s Eye View IV
(Conflict) ft. Shelly Knotts
• 11:00 → 16:00
• Sadacca
FREE access to all (inc non-ticket
holders)
• Drone Yoga
• 16:15 → 17:15
• Sadacca
Sarah Cotton conducts a Vinyasa flow
yoga session set to ambient drones
and sonic washes (bring a yoga mat).
• Amy Carter Curates: Noemie Soula
“Mythical Living Data”
• 12:00 → 17:00
• Moore Street Substation
FREE access to all (inc non-ticket
holders)
• Debbie Chia: Light and Sound
Bath Pt2
• 16:00 → 18:00
• Sheffield Cathedral - Conrad
Hilton Room
• Phoneutrian [16:00-16:30]
• Sleepsang [16:45-17:15]
• Debbie Chia [17:30-18:00]
An immersive light and sound journey
into your inner world. Laying down
and with eyes closed, participants
arebathed in flickering light and
experience a personal visible fre-
quency entrainment of rich colours
12
sound works from festival artists. The
experience uses photic entrainment
technology born and developed in the
festival’s hometown of Sheffield. 3
× 30 minute sessions: Sound artists
on rotation, Debbie Chia, Interworld,
Heavy Texture with Lupini. Note: This
session is highly stimulating and not
for everybody. Dress comfortably.
Precaution necessary. People with
epilepsy, pregnant and on certain
medications cannot undergo this. You
will need to sign a disclaimer. Sign up
via our website for a place.
Closing Sequence Venues
• Zero as a Limit: Mark Fell Hope Works
• 19.00 → 22.00 Unit 1A Sussex Road, Sheffield,
• Sheffield Cathedral S4 7YQ
• Nakul Krishnamurthy: new work
(Premiere) [19:00-19:30] Sheffield Cathedral
• Beatrice Dillon: new work (Premiere) Church St, Sheffield City Centre,
[19:30-20:00] Sheffield S1 1HA
• Morton Feldman: Crippled
Symmetry* [20:30-22:00] Moore Street Electricity Substation
Mark Fell curates an evening of 8 Street Mary’s Gate
acoustic music performed by Explore Broomhall, Sheffield, S1 4LW
Ensemble. It features new commis-
sions by Beatrice Dillon and Nakul SADACCA – GMill
Krishnamurthy as well as Morton 48 Wicker, Sheffield, S3 8JB
Feldman’s masterpiece Crippled
Symmetry which was first performed JG Graves Woodland Discovery
in 1983. The new works focus on the Centre
role of systems in musical practice, 260 Abbey Lane, Sheffield, S11 9NW
making or rethinking relationships with
western minimalism. Krishnamurthy’s DINA
piece combines Carnatic singing with 12 Fitzalan Square, City Centre,
a western classical music ensemble to Sheffield, S1 2AZ
ask questions about the organisation
of pitch and time. Dillon by contrast Delicious Clam
draws from approaches in visual prac- 12 Exchange Street, Sheffield City
tice. A meditative and thought provok- Centre, S2 5TS
ing evening of blissful music.
*in collaboration with GBSR Duo Bal Fashions
16 Exchange Street, Sheffield City
• No Bounds 2022 Closing Party Centre, Sheffield, S2 5TR
• 19:30 → 00:00
• Hope Works Plot 22
• Winston b2b Pipes [19:30-21:30] 20-22 Exchange Street, Sheffield City
• Working Men’s Club (Live) Centre, Sheffield, S2 5TS
[21:30-22:30]
• Charla Green [22:30-23:30] The Dorothy Pax
• Lo Shea [23:30-00:00] Arch 17, Wharf Street, Victoria Quays,
Sheffield, S2 5SY
13
 ———————————————— ————————————————
SAT.01.OCT (12-6am) SAT.05.NOV
Hope Works Presents Skari & Zeki present

H10PEWORKS MELLA DEE Kessler

————————————————
S4 7YQ SALLY C FRI.11.NOV

>>>>AUTUMN/WINTER
Gracie T Manilla
+ Double O

2022
Skari & Zeki DJ HEARTSTRING
Steel Selektions + Residents
Omaueze ———————————————
——————————————————————————— ———————————————— FRI.18.NOV
tickets / info — AUTUMN WINTER/2022 FRI.07.OCT
METALHEADZ
www.hope-works.co.uk #HOPEWORKS Boiler Room
DOC SCOTT
SHEFFIELD S4 7YQ SKIN ON SKIN
Sheffield RAVE COMMIX
#tenyearsoftonkingit
CENTRAL
SOLID BLAKE Trex
Lo Shea

tickets / info — www.hope-works.co.uk

( see reverse for listings... ) ———————————————— Diverge
———————————————— + Futureheadz
FRI.23.SEP
14/15/16.OCT production workshop
Hope Works Presents
No Bounds Festival ————————————————
FOLAMOUR Batu B2B Skee Mask SAT.19.NOV
Blackhaine (live) Texture (TBA)
HUGO LX Craig Richards
————————————————
MYNA B2B Calibre
+ Apricot Ballroom De Schuurman SAT.25.NOV (12-6am)
Kyla C Helena Hauff Hope Works Presents
Sarinity Jones (live) I.JORDAN
Yanik LTJ Bukem O’FLYNN
MARRØN + more
————————————————
Nia Archives
SAT.24.SEP Nyege Nyege ————————————————
G-Town Records Palms Trax SAT.26.NOV
Saoirse CERTi Records
KETTAMA Scratchclart
SHAMPAIN SHERELLE B2B Kode 9 OBLIG
Working Mens Club
SURUSINGHE (live) Mixtress
Lvcky
+ Manilla + SO much more!
DJ Wanderlei + more
————————————————
B2B TSHN ————————————————
FRI.21.OCT
Jacob Beswick
Texture FRI.02.DEC
Jacob Flint Hope Works

design — www.jonathanwaring.uk
Skari & Zeki 10th Birthday!
HOLL3 CHLOÉ
———————————————— ROBINSON DJ BONE
FRI.30.SEP ———— —
Tribal
———————————————— TASHA FRI.16.DEC
FRI.28.OCT Tekkers
Halloween Special STEEVIO Mad Friday
ELI BROWN & SUZYBEE Special
+ Residents BEN SIMS VIL
———————————————— BLASHA & ALLATT Gracie T ———— —
SAT.01.OCT (6-11pm) Diessa SAT.31.DEC
LEA OCCHI
+ Diessa
Lupini HW vs NYE
MASTURBATRIX Gracie T
Lo Shea “we go to
+ DJ Shitmat STI eleven”
Lo Shea
Spinee + 10 Years CPU ft
STEPHANIE
DJ Genepool 96 Back
STI
Sasha B Chris Smith
Don’t Care ————————————————
Nullptr
+ More FRI.04.NOV John Shima (Live)
———————————————— Tekkers ————————————————
————————————————
 Festival Director We would like to sincerely thank all our funders,
Liam O’Shea partners, supportersand sponsors for their
continued support. This wouldn’t happen without
Head of Programming you all doing your bit. We are truly grateful.
Liam O’Shea
Special Thanks To
Co-Curators Sophie O’Shea, Maureen O’Shea,Thomas O’Shea
Mark Fell (R.I.P), Sheena O’Shea, Mat Steel, Mark Fell, Joe
Amy Carter-Gordon Gilmore, Chloe Pensavalle, Helen Featherstone,
Alex McLean Lauren and Ludo, Neuron AV, Kavan and Debbie,
Auriel Majumdar-Swift, Alex Mclean, David
Graphic Design Cotterrell, Noémie Soula, Gracie T, The Beatriarchy,
Joe Gilmore Joe Muggs, Eleanor Wienel, Carin Abdulla Nick
Clark, Raff Latif, Sarah Brooksbank, Syd Minsky-
Graphic Sargent, Liam O’Reilly, Jamie Wilkins, Sophie
Konx-Om-Pax Stone, Luke Wilde, Mikie Powell, Intervention,
Raze Soundsystem and Paul Teare, Sam
PR Nethercot, Rob Chadwick for your help and

WHITE CLAW
Modern Matters support.
Jukebox PR
A huge shout to our fantastic team of volunteers
Photography and crew. It’s a monumental effort to make this
Frankie Casillo thing happen. We are so grateful for your hard
Hayley Rawlings work.

AVAILABLE
James Ward
Misha Warren Note From Our Director
I would like to thank YOU, the No Bounds audi-
Video ence from the bottom of my heart. No Bounds is
Hayley Rawlings a labour of love for me, a passion, a feeling, an

THROUGHOUT
Luke Moody approach, something often unspoken.

Production We come together asking questions and often

Neuron AV our answers are yet more questions.
Shine AV

THE FESTIVAL
Mat Steel The importance in shared experience, analogue
Raze Soundsystem moment by moment reality is ever more acute
CVC as we, as a species wrestle with the fruits of
Purple Wave individualism and an ever more data driven
digital/virtual existence. Our coming together
Operations as a full festival is just once a year, but in this
Sabina Sarin weekend we share a purpose and rejoice in the
Eleanor Wienel ancient, the ritual, the communal. Remembering
Hope Works Bar Team what matters and why.

Web At least, that’s how it is for me, I dearly hope

93FT this weekend brings you a similar depth of
experience, it’s why I do it, and I feel fortunate I
still can.

We are all fortunate to be here.

Enjoy every moment.
Love and respect.
Liam O’Shea.
No Bounds

16 17
Sheffield

18 19
noboundsfestival.co.uk