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Career Paths Art & Design TB
Career Paths Art & Design TB
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ISBN 978-1-4715-1887-4
Table of Contents
(7)
Answer Key .. . . ..... .. ... ..... ... ... .. .. ... . ... .. . ..... ...... .. . . .. . . .. . .. 4
Audioscripts . . . .. .... . .. .. .. .. ..... . . . ..... . .. . . . .. .. . . .......... . . . . . . .. 11
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Answer Key ... . . . ..... .. . . . . . .. .. . . . .. . .. . ... . ... ... .... . . . .... . . .. . .. . .. 14
Audioscripts . . . .. ... . .. .... . . . ...... . . .... . . . . .... .... . . . . . ...... . ... .. . . 22
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Answer Key . .. ... . .. . . .. . .... . . ... . . . . . .. . ........ . ....... . ...... .... . .. . 26
Audioscripts .... .. . .. ..... . . ... ... .. .. .. ... . ...... . ...... . ......... ... .. . 35
Book Answer Key
Unit 1 Unit 2
1 Suggested Answers 1 Suggested Answers
1 Rectangles, squares, circles, and triangles are some 1 Dark conditions are the opposite of bright conditions.
shapes. 2 Brightn ess and darkness are measured in value.
2 An angle is the measurement of a corner.
2 produces dark pictures, sometimes produces
2 D 2 A 3 A completely black pictures
2 does not produce enough contrast, might not show
3 1 angle 3 diagonal 5 lines enough detail
2 straight 4 shapes 3 produces clear, sharp pictures
4 Answer Key
Book Answer Key
2 1 T 2 F 3 T 4
Describing Describing
Describing
shorter longer
3 1 E 2 c 3 D 4 B 5 A
distances distances
heights
Unit4
Unit 5
1 Suggested Answers
1 Suggested Answers
1 We call two lines that run alongside each other
1 We can describe a painting with lots of images or
parallel lines.
shapes in it as cluttered .
2 Far is the opposite of near.
2 A pattern features repeated shapes or images.
Answer Key 5
Book 1 Answer Key
6 Answer Key
Book 1 Answer Key
Answer Key 7
Book 1 Answer Key
8 Answer Key
Book 1 Answer Key
6 1 B 2 A
3 concept 2 basic 3 details
9 Suggested Answer
Unit 14
Design Progress Report
Job: Wee dram Cafe 1 Suggested Answers
Materials used: mostly graphite, some charcoal 1 Screenprinting, lithography, offset printing, and
Current progress: The client liked the new concept woodcut are printing methods.
and the design we created. We are now creating a 2 A pen is the usual instrument used in calligraphy.
drawing with more details based on that concept.
2 1 F 2 F 3 T
Unit 13
3 1 E 3 B 5 F
1 Suggested Answers
2 A 4 c 6 D
1 Industrial design involves working with electronics.
2 Ceramics can be created from clay. 4 1 A Lithography B Relief printing
2 A graphic arts B printing ink
2 T 2 T 3 F
5 Suggested Answer
3 1 D 3 A 5 c Drawing, painting, and calligraphy are some two-
2 F 4 E 6 B
dimensional art forms.
Answer Key 9
Book 1 Answer Key
Unit 15
1 Suggested Answers
1 Statues are one form of sculpture.
2 Sculptures like statues are made by the carving of
stone.
2 T 2 F 3 F
3 E 2 D 3 B 4 A 5 c
4 three-dimensional 3 carve 5 statue
2 painting 4 medium
5 Suggested Answer
The artist used an extra-large kiln to make the clay
statues.
6 1 B 2 A
10 Answer Key
Audioscripts
Unit 1 Designer 1: Now they're sitting a little far from each other.
Move them nearer.
Designer 1 (M): Hey, what do you think of the new poster?
Designer 2: What about the picture? I moved it across
Designer 2 (F): Hmm. lt seems a little too simple.
from the shop name.
Designer 1: Really? I added some diagonal lines so that
Designer 1: Yes, keep the picture there. But I'd also place
it's not so rectangular.
the slogan lower. it's too close to the shop name.
Designer 2: I can see that, but I don't think that's enough.
Designer 2: Okay, I'll try it again. Thanks for your help.
You need some curved lines in there.
Designer 1: I don't know about that. I want a nice, clean
look. Unit 5
Designer 2: I think you can still do that with circular shapes. Visitor 1 (F): Hey, Norman. What do you think of this
That design just isn't very interesting. painting? it's called "Darkness."
Designer 1: Okay, if you say so. I'll keep working on it. Visitor 2 (M): I don't really like it. lt seems out of balance.
Visitor 1: You think so? I think it 's a lot more interesting
Unit 2 than the other paintings.
Visitor 2: Interesting? I call it ugly.
Editor (F): Hey, Paul. Are these your photographs of the
Visitor 1: Don 't you think the empty spaces work well with
mayor?
the cluttered areas?
Photographer (M): Yes, I took those yesterday. Why?
Visitor 2: No, the lines are too jagged for my taste. I prefer
Editor: There's way too much light in these pictures.
brushwork that seems to flow.
Photographer: Really? I was afraid they were going to be
Visitor 1: Oh, I see. That's okay. Not everybody appreciates
too dark. That's why I added an extra lamp.
this style.
Editor: Here, take a look. Do you see how there's almost
no contrast?
Photographer: Wow, you're right. You can hardly see the Unit 6
details in his face. Clerk (M): Welcome to the Art Barrel. Can I help you find
Editor: We can't print these. They're just not sharp enough. something?
Photographer: I'm really sorry. I'll be more careful next time. Customer (F): Yes, I need some colored pencils to fill in
my sketches.
Unit 3 Clerk: You've come to the right place. May I ask, are the
sketches done with pen or pencil?
Designer 1 (F): I'm not happy with the colors on this new
Customer: They're in pencil now. I'll probably go over them
book cover.
with a pen, though.
Designer 2 (M): Here, let me take a look. You're right,
Clerk: I'd recommend colored markers instead.
something's off.
Customer: Really? Do you think that would be better?
Designer 1: Do you think I should use green instead of
Clerk: Markers are bolder than pencils. And just so you
yellow?
know, the markers are on sale right now.
Designer 2: No, I think the calor is fine. But the intensity
Customer: Well, in that case, I'll give them a try.
might just be too dull.
Designer 1: Hmm. I see what you mean. So you think it
should be more vibrant? Unit 7
Designer 2: it's worth a try. And maybe add a second col or Manager (F): Robbie, were you here last night?
to make it more interesting. Artist (M): Yes, I was the last one to leave. Why?
Designer 1: Oh, that's a good idea. What should I use? Manager: These brushes didn't get cleaned properly.
Designer 2: How about a light shade of purple? That's a They're covered in oil-based paint.
complementary calor for yellow. Artist: Oh , no! I completely forgot about them.
Manager: They were brand new. Now I'll have to throw
Unit 4 them away.
Artist: Wow, I'm so sorry. Next time, I'll make sure I clean
Designer 1 (M): Is that the logo for the shop?
the brushes thoroughly.
Designer 2 (F): Yes, I just finished the new draft. What do
Manager: You'd better. And remember to use thinner.
you think of it?
Water won't work with that type of paint.
Designer 1: I don't know. lt doesn't seem quite balanced.
Designer 2: Really? I added more space between the letters.
Answer Key 11
Audioscripts
Unit 8 Designer: But do you see how they blend into the
background? lt looks like we filled the whole cover with
Clerk {F): How can I help you, Sir?
black.
Customer (M): I'm not sure which monitor to get for my
Editor: Oh , 1 see what you mean. Can you highlight the
new desktop.
edges of the trees with a lighter color?
Clerk: I can certainly help you. What do you use your
Designer: That's an idea. Let's see if just a touch of gray
computer for?
will help.
Customer: I'm a graphic designer. I work with detailed
images.
Clerk: The V280 has the highest screen resolution. On the Unit 12
other hand, the Blazer 10.1 has a larger screen size. Designer 1 {F): Did you finish up that drawing for the Water
Customer: Hmm, it's a tough choice. What do you Lily Cafe?
recommend? Designer 2 (M): Just about. I still want to add a few more
Clerk: Well, most designers seem to be happier with the details.
high resolution of the V280. Designer 1: Great. You used charcoal, right?
Customer: That sounds good. I'll go with that, then. Designer 2: Yes, for most of it. But I also used graphite to
make thin, light lines in a couple of places.
Unit 9 Designer 1: I'm sure that's fine. Are you happy with the
design?
Manager {M): Hey, Dana, I have some news for you .
Designer 2: I think so. I kept the original concept. I'm
Designer {F): Okay. What's going on?
pretty sure the client will like it.
Manager: I just ordered a new printer for your department.
Designer 1: I'm glad to hear it. Well, show it to me when
Designer: Really? I'm happy to hear it! Is it an inkjet printer?
it's completely finished.
Manager: lt sure is. Your laser printer has a high DPI, but
it's not great for everything.
Designer: You're absolutely right. We really need something Unit 13
that prints colors more accurately. Student {M): I'm confused about applied arts, Ms. Lewis.
Manager: That's what I figured. It'll be here on Thursday. Instructor {F): Okay, David. What's the problem?
Designer: Wow, thanks so much. It'll be a big help. Student: Well, I always thought that art and practical
objects were two different things.
Unit 10 Instructor: Some art is just for looking at. But applied arts
is both beautiful and practical.
Designer (F): JP Designs, this is Dolores.
Student: So how do you know which is which?
Client (M): Hi, Dolores. This is Robert from Fancy Foods.
Instructor: Anything that is beautiful or interesting is art. If
Designer: Oh, hi! Did you like the way we designed the
it also has a function, then it falls under applied arts.
new logo?
Student: So a painting on the wall is just art. But clothing
Client: Yes , it's much better. But I still want to edit it a little.
made from beautiful textiles is applied arts?
Designer: I don't know. Don't you want this done by
Instructor: You've got it.
tomorrow morning?
Client: Yes , I do. But it's a pretty simple adjustment.
Designer: I'll try. What do you want to change? Unit 14
Client: Can you erase the border around the picture? lt Artist 1 {M): Take a look at this print. I didn't know a
looks too cluttered . woodcut print could be so detailed.
Designer: That shouldn't take too long. I'll send you another Artist 2 {F): Let me see. I don't think that's woodcut.
draft this afternoon. Artist 1: Really? Why do you say that?
Artist 2: lt has to be another type of printmaking. What do
Unit 11 you notice about the outlines?
Artist 1: The outlines? Well, I guess they all blend together.
Editor (M): How are you doing on the Davis job?
Artist 2: Exactly. Relief printing produces clear, defined
Designer (F): I'm running into some trouble.
lines. That's why this can't be woodcut.
Editor: That's not good. What's the problem?
Artist 1: Oh, 1see what you mean. What do you think it is,
Designer: Well, you told me to darken the trees.
then?
Editor: That's right. The picture is supposed to show the
Artist 2: Lithography could produce those blended areas.
trees at night.
12 Answer Key
Audioscripts
Unit 15
Visitor (M): Excuse me. I'm here for the Peters opening.
Director (F): You're in the right place. Come on in!
Visitor: Great. Is she displaying her paintings tonight?
Director: Yes, a few. But this show mostly features her
sculptures.
Visitor: Oh, I read about the huge elephant statue. Where
can I find that?
Director: You'll find that in studio B, around the corner on
the left. it's very impressive.
Visitor: But I want to see the paintings first. Where are ...
those?
Director: They're in the main hall, straight ahead .
Answer Key 13
Book 2 Answer Key
Unit 1 The exhibit also showed works from the Pop Art
movement. These works feature images from popular
1 Suggested Answers
culture and contemporary life. I thought these works
1 Romanticism, Impressionism, Cubism, Art Deco, were too simple and seemed like advertising.
Abstract Impressionism, and Pop Art are some
important art movements.
Unit 2
2 I like Romanticism most because it of its thematic
use of subjective emotions and experiences. 1 Suggested Answers
1 Pictures are stored on film.
2 T 2 F 3 T 2 A flash is necessary when taking a photograph in
dark conditions.
3 F 3 E 5 c
2 B 4 A 6 D 2 T 2 F 3 F
14 Answer Key
Book 2 Answer Key
6 F 2 T 3 F 5 Suggested Answer
TIFF files are not supported on all devices.
7 1 attachable optical zoom
2 what that means 6 F 2 T 3 T
3 professional photographers
4 do you say 7 1 file format 4 image quality
5 automatically adjusts 2 as JPEGs 5 I can't use
6 point-and-shoot 3 I were you 6 a GIF instead
Answer Key 15
Book 2 Answer Key
6 F 2 T 3 F 5 Suggested Answer
72 point is the maximum font size on SharpWord.
7 1 wedding photos 4 too detailed
2 you could edit 5 blur the images 6 F 2 T 3 T
3 want to retouch 6 removing red eye
7 1 doesn't look right 4 twenty-four point
8 Suggested Answer
,. 2 immediately clear 5 much difference
A: Did you look at the graduation photos? 3 handle it 6 use a strikethrough
B: Some of them are a little blurry.
A: I can sharpen the images slightly. That'll make the 8 Suggested Answer
details a little clearer. A: I could use some help with the fonts for the
B: That'll help. And in some of the pictures, there's too convention flyer.
much of the background showing. B: What 's the trouble?
A: That's easy to fix. I'll just crop them to remove the A: They want to show a lot of information: a list of the
unnecessary space. events, the address, and contact information . But
B: Are there any other changes that you'd suggest? my design doesn't look right.
A: Some people like to remember the particular date. B: I see what you mean. lt looks really messy.
I can stamp that in the corner, if you want. A: How would you handle it?
16 Answer Key
OOK 2 Answer Key
B: You could use bold text for the really important B: I can definitely rework it. v\e car st: ~se a sc:-..s-::2-
information. Then maybe underline other parts. font. But we need to do some O[""a-<e
A: I tried that. lt made it look even more cluttered. interesting.
B: Maybe you could just put the details in lower point A: I don't want it to be too fancy. lt should S t 1 c:.."' ::.
type. simple look to it.
A: That's a good idea. Then the whole thing would B: I'd recommend putting the t itle in a heavier we 1 g~:
look a little cleaner. Then we'll leave the rest as it is.
2 1 F 2 F 3 T 2 D 2 B 3 B
4 1 A sans-serif B serif 4 B 2 A 3 A 4 A
2 A Roman type B character width
3 A Expanded B Ornamental 5 Suggested Answer
Lily began her career working at a type found ry.
5 Suggested Answer
Monospaced font gives the impression that it was 6 F 2 F 3 T
produced on a typewriter.
7 1 a few typefaces 4 old-fashioned letterpress
6 1 c 2 A 2 can you have 5 has to have
3 plenty oftime 6 you 'll be pleased
7 1 this might happen 4 formal look
2 as I suspected 5 serif font 8 Suggested Answer
3 flowing script 6 sounds pretty good A: How can I help you ?
B: I'm interested in some custom stationery.
8 Suggested Answer A: Is it for a particular event?
A: How does the new poster look? Did you use the B: No. Just someth ing to write notes on. The lettering
font we talked about? shou ld include my name at the top.
B: Yes. I used the Roman type that you picked. But it A: Let me show you our specialty type families.
looks boring. B: I like the one called "Baron ."
A: I see what you mean. A: That comes in a few typefaces. There's Regular
B: I don't think it suits the poster. Baron or Baron Wide.
A: So what should we do now? B: Let's go with Wide. When can you have 150 sheets
printed?
Answer Key 17
Book 2 Answer Key
A: It'll be about a day before these are ready. B: People might like to see our new items before they
B: I thought it would take longer. Don't you use an old- come in. And I'm hoping that customers can leave
fashioned letterpress? feedback on the website. Is that too complicated?
A: Yes, but all your sheets will be the same. We only A: Not at all. Navigation will be easy. It'll say "Contact
have to set the type once. Us" at the top of every page.
B: And how will people find us?
9 Suggested Answer A: We ensure excellent visibility. Your website will
Lily's Lovely Letters come up when people in your area put "clothing
Custom Order store" into their search engines.
Job/Quantity: 150 notepaper sheets
Type family and typeface: The client requested Baron 9 Suggested Answer
wide. R&J Web Solutions: Project Specifications
Did the client have any questions? Please describe: Client: Ryan's menswear
The client did not realize how quickly we could Main aim of website: To allow customers to place
produce his order. He thought that because we use an special orders, see products before they come into the
old-fashioned letterpress it would take longer, but I told store, and leave feedback.
him we only have to set the type once as all the sheets Visibility: Visibility will be strong. The website will come
are the same. up when people in the shop's area search for "clothing
store".
Unit 9
Unit 10
1 Suggested Answers
1 People use a search engine to search for information 1 Suggested Answers
on the Internet. 1 Web designers need to know programming
2 Web design and web development are some languages in order to design websites.
elements of building a website. 2 FTP is a security system that allows for the sharing
of Internet information.
2 c 2 B 3 D
2 F 2 F 3 T
3 1 A 3 D 5 F
2 c 4 E 6 B 3 F 3 D 5 A 7 E
2 c 4 H 6 B 8 G
4 1 website 4 appearance
2 usability 5 search engine 4 Markup Programming Security
3 content 6 web development languages languages systems
18 Answer Key
Book 2 Answer Key
2 F 2 T 3 T Unit 14
3 c 2 E 3 A 4 B 5 D 1 Suggested Answers
1 The document's kerning decides the distance
4 A clip art B batch mode between words on a document.
2 A comprehensive layout B desktop publishing 2 The master page is the template for all other pages.
3 A electronic paper B print
2 c 2 c 3 A
5 Suggested Answer
Business cards, letterheads, advertisements, and 3 1 master page 4 PDFs
banners are some things that can be designed with the 2 convert 5 paper size
help of Publiscapes. 3 find-and -replace
6 1 B 2 D
20 Answer Key
Book 2 Answer Key
22 Answer Key
Audioscripts
Client: That sounds good. I wouldn't want to lose the group Designer: You came to the right place. Is it for a particular
pictures, though. event?
Photographer: Don't worry about that. I'll copy the pictures Client: Yes. Invitations for my daughter's wedding. The
first, so you can have both. lettering should be simple but elegant.
Designer: Let me show you our specialty type families.
Unit 6 Client: Oh, these are nice. I like the one called "Fenestra."
Designer: That comes in a few typefaces. There's Regular
Designer (M): I could use some help. I'm formatting the Fenestra, Fenestra Narrow, or Fenestra Bold.
fonts for the Eddie's Electronics poster. Client: Let's go with Narrow. When can you have 150
Editor (F): Sure. What's the trouble? invitations printed?
Designer: They want to show two prices for their Designer: It'll be about a week before these are ready.
televisions: the regular price and the sale price. But my Client: Wow, I didn 't think it would take so long. lt's a good
design doesn't look right. thing I have plenty of time.
Editor: Let me take a look. I see what you mean. lt's not Designer: We use an old-fashioned letterpress. That
immediately clear which one is the current price. means we set the type by hand.
Designer: How would you handle it? Client: Oh , I see. And each invitation has to have a different
Editor: You could just make the regu lar price smaller. Use name on it.
18 point instead of 24 point. Designer: Exactly. But don't worry. I know you 'll be pleased
Designer: I tried that. I don't think it made much difference. with the result.
And if it's much smaller, people won't be able to read it
from a distance.
Unit 9
Editor: That's true. Maybe you could use a strikethrough
on the regular price. Designer (F): Let's talk about the website for your
Designer: Hey, that's a good idea. Then it would be obvious restaurant. What should visitors gain from it?
that it's not the current price. Client (M): A lot of people call us about our location. I want
Editor: Exactly. Then underline the sale price, just for some them to find that on the website instead.
extra emphasis. Designer: So we'll include a webpage with a map. What
Designer: That should solve the problem. Thanks. other content do you want to include?
Client: People might like to see our menu before they
Unit 7 come in.
Designer: Sure. We can also include a calendar of daily
Client (F): How does the new invitation look? specials. That's popular with our restaurant clients.
Designer (M): I don't think the font is going to work. Client: Good idea. And I'm hoping to take reservations on
Client: Really? Did you use the one we talked about? the website. Is that too complicated?
Designer: Yes. I used the calligraphy that you picked. But Designer: Not at all. Navigation will be easy. It'll say "Make
it's difficult to read. Here, take a look. a Reservation" at the top of every page.
Client: Oh, I see what you mean. Well, you warned me that Client: And what will the pages look like?
this might happen. Designer: That's up to you. What sort of appearance do
Designer: Yes, it's just as I suspected . you have in mind?
Client: Okay, so what should we do now? Client: lt's a seafood restaurant, so maybe an underwater
Designer: I can definitely rework it. We can still use a theme?
flowing script for the title. But I think the rest needs to Designer: Our web development team can definitely work
be simpler. with that.
Client: I don't want it to be too basic. lt should still have a
formal look to it.
Unit 10
Designer: Of course. I'd recommend a serif font. We can
even increase the angle to make it seem a little fancier. Instructor (F): Are you pretty comfortable with web design
Client: That sounds pretty good. Show me the new version concepts?
when it's ready. Student (M): Well, I haven't worked with them for a while.
I get confused about the languages.
Unit 8 Instructor: Okay. Well , do you remember what HTML is?
Student: Let's see. lt's a programming language, right?
Designer (F): Welcome to Li ly's Lovely Letters. How can I Instructor: Actually, it's a markup language. Can you tell
help you? me what that means?
Client (M): I'm interested in some custom stationery.
Answer Key 23
Audioscripts
Student: lt means that the language determines the basic Designer 2: Let's go with the standard one-inch margins.
content of the website. But I'm not sure about the gutter.
Instructor: Exactly. And speaking of content, how could Designer 1: That might depend on the total page count.
you access the content from alternate devices? Do you know what that is?
Student: Alternate devices? You mean like a mobile Designer 2: No, I don 't. You get started on the layout. I'll
phone? get some more information about the specifications.
Instructor: Yes , that's a good example. Designer 1: Okay. Get back to me as soon as you know
Student: You could use a QR code , if the webpage has more.
one.
Instructor: Right. And what will it look like on the mobile Unit 13
screen?
Student: lt might look the same as a computer screen. Or it Clerk (M): What can I help you with , Ma'am?
might look different. That depends on the programming Customer (F): I need a good desktop publishing program
language. for my office. I run a community center.
Instructor: You've got it. See, you know this stuff better Clerk: We have a few DTP options. What will you use it for?
than you thought. Customer: Well, we mail flyers to our members. We also
post them on the website
Clerk: So you 'll need both prints and electronic pages.
Unit 11
Customer: Right. I heard about a program called Self-
Designer 1 (F): Do you have a new draft of the memo Print. Do you recommend that one?
template ready? Clerk: The design options are a little limited . On the other
Designer 2 (M): Not quite. The new layout isn't working. hand, it's what-you-see-is-what-you-get. That makes
Designer 1: What 's the trouble? it really easy to use.
Designer 2: I enlarged that header, like you asked. Then I Customer: I'm actually pretty familiar with computer
added a footer. But now there 's hardly any space in programming. I'd rather work in a markup language.
between. Clerk: In that case, you don't want Self-Print. I'd recommend
Designer 1: Let me see. Hmm, you 're right. The header Publiscapes instead.
and footer take up almost half the page. Customer: What does that do?
Designer 2: Do we really need the footer? Clerk: it's a similar program . But you have the option to
Designer 1: Yes , I th ink it's appropriate. But maybe you use batch mode.
can use a smaller font. Put the whole address in one Customer: That sounds better. I'll go with that one.
row along the bottom .
Designer 2: That sounds reasonable. But the header still Unit 14
looks too big.
Designer 1: I agree with you . But that's what the client Designer 1 (M): Hi , Rebecca. This is Charlie, from work.
wanted . Designer 2 (F): Hi Charlie. What's up?
Designer 2: So you don 't think I should change it? Designer 1: I'm sorry to hear you're not feeling well. I hate
Designer 1: Let me check with the client first. We can 't do to bother you .
anything until I talk to them. Designer 2: That's okay, Charlie. What can I help you with?
Designer 2: Okay. Let me know what they say. Designer 1: it's the pamphlet for Roybal Foods. The new
paper size is eleven inches long , right?
Designer 2: Yes. We're changing it from the A4 size to the
Unit 12
letter size. That means we have to reduce the length
Designer 1 (M): What's on the schedule this afternoon? slightly.
Designer 2 (F): Let's~ see. We're presenting the sample Designer 1: Okay, so my adjustment was correct. But I'm
spread for the new textbook. not sure how to apply it to all the pages.
Designer 1: Have you started that yet? Designer 2: Do you have the master page open?
Designer 2: No, I thought you were doing it. Designer 1: Yes, it's on my computer screen now.
Designer 1: Not me. We'd better put something together. Designer 2: Click on "Document" at the top. Then select
What's it going to look like? "Apply Changes. "
Designer 2: Well, it has a few illustrations, but it's mostly Designer 1: Let's see. Oh , there it goes. Now I have to
text. update the style sheet, too.
Designer 1: So portrait is probably fine for the page Designer 2: Right. Just click on "Save New Style Sheet."
orientation. We can customize the dimensions. What Then save it as "Roybal Body Version 2."
about the margins? Designer 1: Got it. Okay, everything is updated.
24 Answer Key
Audioscripts
Unit 15
Manager (F): Hey, Don. You're pretty good with the
Sharplines software, right?
Designer (M): Yeah, I use it all the time. Why?
Manager: The Valdin Corporation hired us to design their
new office park. I want to send them some ideas this
week.
Designer: I can certainly work on that. Have you started
already?
Manager: Yes, I have several technical drawings ready to
go. You can enhance those with CAD, right?
Designer: Yeah, that's not a problem. The software lets me
upload hand-drawn designs.
Manager: Excellent. So you can make the images
interactive.
Designer: Exactly. So what kinds of images should I create?
Manager: We definitely want photorealistic renderings. Then
do an exploded view of one of the buildings. That way,
they can see what the different parts will look like.
Designer: I can handle that. Will they want anything in 3D?
Manager: We'll create a model eventually. But let's just
start with the diagrams for now.
Answer Key 25
Book 3 Answer Key
26 Answer Key
Book 3 Answer Key
B: You know you can do them at nights or on the A: Tell me more about what your respons ibilities '.'.ere
weekend. at the firm .
A: Yeah , that 's true. Maybe I'll look into it. B: I was responsible for editing page layouts ano
creating graphics.
9 Suggested Answer A: Have you done any freelance work between then
Great Woods University, Department of Continuing and now?
Education B: Yes. I've been doing a lot of free lan ce jobs for a
Continuing education courses offer adults a chance to different design firm.
take courses without the time commitment of a degree A: Well I'll need some time to look over your portfoli o.
program. The tuition rates for continuing education
classes are also much lower than for graduate school. 9 Suggested Answer ...
We offer courses on nights and weekends so that Large Design Firm Seeks Staffers-
students can continue working while they learn . We Our firm is looking for both specialists and generalists.
also offer intensive week-long workshops. Courses are We need people with a strong work history in this field
offered in introductory design, design technology, and and preferably a degree in design. We are worki ng on
design management. many large design commissions and we are short-
staffed, so we need people right away. Th is position
Unit 3 pays a competitive rate and comes with benefits . Please
send a resume and a portfolio of published works . We
1 Suggested Answers are looking for full-time employees, so please do not
1 Designers work in a studio. apply if you are looking for work as a freelan cer.
2 A freelance designer is not employed full-time by a
company. Unit 4
2 A 2 B 3 D 1 Suggested Answers
1 Broadcast design is involved in television production.
3 1 generalist 4 proprietor 7 firm 2 Animation involves moving pictu res.
2 freelancer 5 studio 8 staffer
3 promotional 6 specialist 2 B 2 A 3 A
Answer Key 27
Book 3 Answer Key
B: lt's a children's show. A: That's good . Have you had any trouble adjusting to
A: Have you thought about using animated titles? magazine work?
B: I hadn't considered it. lt sounds like a good idea B: A little. lt's hard to get used to working with writers.
though. A: Really? Didn't you have to do that before?
A: Have you started work on any bumpers yet? B: Yeah, but when I worked on newspapers the stories
B: Not yet. Would you recommend that I wait until the were short and concise.
titles are finished before that? A: You'll get used to the writers after a while.
A: Yes, I would. You may want to use elements from B: I hope so.
the titles in the bumpers. A: How are you handling deadlines?
B: Good idea. Do you design bumpers here as well? 8: Deadlines are fine for me, I'm used to it from my
A: Yeah we do. You can look at our work on our work with the newspaper.
website. A: Of course. Well, if you ever want any advice you
have my email address.
9 Suggested Answer B: I do. Thanks.
Our optical house provides the highest quality service
for your film or television show. We specialize in 9 Suggested Answer
creating title designs and trailers. Our designs can be Dear Eric,
abstract or narrative to suit your needs. We also design I'm just writing to see how things are going at the
bumpers, flying logos, and other kinetic designs for magazine. I know the first couple weeks can be a little
television shows. Prospective clients can view a reel crazy, so I thought I'd give you some pointers. Always
of our completed work by contacting us. Selected title remember to prioritize your deadlines. You don't want
and trailer clips are also available for viewing on our to work on one thing when the deadline for something
webs it e. else is coming up sooner. Also, remember to
communicate clearly with the writers. lt's important
UnitS you have a good woking relationship with them. Email
me if you have any problems.
1 Suggested Answers -Susan
1 Newspapers, magazines, and periodicals are some
publications designers work for. Unit 6
2 Newspapers work to deadlines.
1 Suggested Answers
2 A 2 c 3 B 1 Companies create a recognizable identity for their
company and products by branding .
3 1 G 3 H 5 E 7 D 2 Customers identify a product as being from a
2 B 4 A 6 c 8 F particular company by recognizing the logo.
8 Suggested Answer 6 1 A 2 D
A: How's your new job as a junior designer?
B: lt's pretty good. I'm really enjoying it.
28 Answer Key
Book Answer Key
7 1 logo designs 2 C 2 D 3 A
2 corporation definitely needs
3 silver typeface 3 album cover 2 jewel box 3 :x;.:::- :=:
4 business cards
5 report formula yet 4 1 A LP B CD
6 What do you think 2 A emblematic B co llectible
3 A genre B liner notes
8 Suggested Answer 4 A packaging B record label
A: Do you have any ideas about logo designs?
B: I think we need to go with something really traditional. 5 Suggested Answer
A: This corporation definitely needs a more The box set features extended liner notes .•, -:~
distinguished logo. information about an album and a band. lt a.sc
B: I agree. I was also thinking we could use navy blue features new photos of the band.
typeface to make it look classic.
A: That sounds good. I think that will also work well 6 F 2 F 3 F
on the stationary.
B: Me too. We can make up some samples later 7 1 at the cover ideas 4 I'll just have
today. 2 did you like 5 updated version
A: Have you started working on the business cards 3 for this album 6 back cover
yet?
B: Yes. What do you think of using the new logo on all 8 Suggested Answer
the business cards? A: Have you had a chance to take a look at the ideas
A: That sounds good. But can you still fit all the for the cover that I left you?
information on there? B: Yes. They looked really good.
B: I think so. We may need to do some rearranging. A: Which one did you like best?
A: We can't really edit the content of the business B: The second one was too bright for this album.
cards. A: Probably the first one would be better then.
B: No but we can eliminate some of the other graphics B: I liked the first one a lot. Can you take all of the
besides the logo. words off of it though?
A: That's a good idea. A: Don't you want the band's name to be on the
cover?
9 Suggested Answer B: No. I think people will know it's us.
Dear Mr. Wilson, A: I'll work on that and send you an updated versio n.
For your corporation I hope to create a traditional B: Can you sketch some ideas for the back cover too?
branding scheme. I will use classic typefaces in dark A: Sure. How soon do you want them done?
colors and simple but elegant layouts for report forms B: Can you try to finish them by the end of this week?
and business cards. I will also create a new corporate A: No problem. I'll probably send you them tomorrow.
logo that mimics an elaborate family crest. The logo
will be used on all printed goods, including corporate 9 Suggested Answer
stationery. These designs will reflect the corporation's Album Cover Review: "Gorgeous Blue" by Wilson &
prestigious history. Your new corporate identity will Nelson
give customers a sense of how old the corporation is This album has great packaging . lt comes in a standard
and how well respected it is. jewel box. However, the booklet included with the CD
Sincerely, has extensive liner notes. The notes not only list all of
Lisa Carmichael, D&D Designs the lyrics, but also a lot of information about the band
and the way the album was recorded. The cover of th is
Unit 7 album is also very interesting. lt is featured on the cover
of the CD booklet. lt is very emblematic of the cheerfu l
1 Suggested Answers
nature of the music on this album.
1 CD's are packaged in a jewel box.
2 A booklet usually comes included with a CD or LP.
Answer Key 29
Book 3 Answer Key
6 F 2 T 3 T 4 1 A map B chart
2 A Clutter B utility
7 background artist responsible 3 A Information graphics B Information flow
2 of the details
3 character changes 5 Suggested Answer
4 animation The document needs to be revised for clarity. Statistics
5 character artist should be presented in the form of charts or graphs,
6 anyone else and the map should be removed from the document
to reduce clutter.
8 Suggested Answer
A: The character's face in level seven is inconsistent. 6 F 2 F 3 T
Should I talk to the animator about that?
B: No. You should talk to the character artist. 7 1 clutter on the page 4 anything else
A: But isn't the animator responsible for controlling the 2 this many graphs 5 pictorial sign symbols
characters? 3 information as text 6 See what
B: The animator controls movements, but the
character artist controls the design. 8 Suggested Answer
A: I see. What about the background changes? B: Have you had a chance to look over the latest draft
B: lt depends. Are they notes about the specific of the brochure?
texture or the overall structure? A: I liked it overall, but I think you really need to reduce
A: These are about the appearance of the ocean the clutter on the page.
water. B: How do you recommend I do that?
B: Those go to th.e texture artist. But the background A: I don't think you really need this many maps.
artist might want to take a look at them as well. B: But if I take them out, people won't know how to
A: I'll send them to her when I forward them to the find the building.
other departments. A: You can take some of them out and just write some
of the directions as text.
9 Suggested Answer B: I'll work on it. Is there anything else?
Hi Jill, A: I think it will look a lot better if you remove some of
Just to remind you: The character artist is a designer the graphs.
who works on the appearance of a video game B: I thought they looked really good .
character. Character artists create 30 images of video A: Imagine how clean your document will look when
game characters using polygons. This technology is you remove them.
30 Answer Key
Book 3 Answer Key
B: I guess. I'm just not familiar with international style A: That's true. But on the other hand, you wouldn't
yet. have to deal with such quick deadlines.
A: Just remember that simpler is usually better, in B: That would be good.
terms of visual organization. A: I'd like to do more work with graphics if I can.
B: Can you do that in professional publishing?
9 Suggested Answer A: Maybe. I could always look into doing mass-market
Hi Louis, paperbacks, as well.
I think the document needs some editing. Remove all B: What about the money?
of the graphs. They are adding too much clutter to the A: I'd probably be able to make a little less than I'm
document. I think all of the test results from last month making now.
should be formatted this way. Reading them as text is B: Still, doing something you li):<e is important.
difficult and it takes up a lot of space. If you put them in A: I really want to stay in the publishing industry but I
a chart, the visual flow of the document will really be feel like I need a change of pace.
improved. Apart from that, I think the map can be
removed and text directions included instead. This will 9 Suggested Answer
make the document more professional looking. Designer Needed
-Jen Our publishing company has a job opening for a
professional books designer. This designer will work on
Unit 10 creating page layouts for the interior of our professional
books. This will include selecting typography, arranging
1 Suggested Answers graphics, and formatting large sections of text. This job
1 A book's interior, binding, and outside jacket are offers an opportunity for creative design . We are always
some parts of a book. looking for new ways to organize our pages more
2 An illustrator draws and colors pictures for books. effectively. Designers should have experience creating
page layouts for publications and selecting appropriate
2 B 2 D 3 B typography.
3 1 D 3 B 5 c 7 F Unit 11
2 E 4 A 6 G
1 Suggested Answers
4 1 jacket 3 binding 1 Print ads, billboards, flyers, and TV commercials
2 mass-market 4 house style are some types of advertising.
2 Advertising agencies buy ad space in newspapers.
5 Suggested Answer
The typography of the text decides how the text of a 2 1 F 2 F 3 T
book will look on the page.
3 1 c 3 F 5 A 7 G
6 T 2 F 3 T 2 B 4 E 6 H 8 D
Answer Key 31
Book 3 Answer Key
6 1 T 2 T 3 F 3 1 E 3 c 5 D 7 H
2 A 4 B 6 G 8 F
32 Answer Key
Book 3 Answer Key
Answer Key 33
Book 3 Answer Key
5 Suggested Answer
Text-based websites present functional design
challenges. Designers may have to add navigation for
collateral materials.
6 F 2 T 3 T
8 Suggested Answer
A: I understand you've worked in digital media for
some time now.
B: Yes, that's true. I've been in the field for about 15
years.
A: What attracted you to the field?
B: I guessed that interactive design would become
very important.
A: And has it?
B: Definitely. I soon realized this part of the industry
would continue to grow.
A: And has it lived el p to your expectations?
B: Absolutely. Time-based media and wireless devices
are revolutionizing design.
A: And do you expect that to continue?
B: Yes, definitely. I'm very excited.
34 Answer Key
Audioscripts
Unit 1 Unit 3
Student (F): Excuse me, I'm here to see the Dean of Employer (F): Hello. Please come in and have a seat.
admissions. Applicant (M): Thanks. I brought a copy of my resume.
Dean (M): Yes , that's me. Come in. You must be Cindy. Employer: Oh great. I'll take a look at it. Can you tell me a
Student: I am. it's nice to meet you. little about your education?
Dean: it's nice to meet you too. What interests you about Applicant: Sure. I studied design at South Lake College.
our design program? Employer: Okay. What was your specialization there?
Student: I studied design as an undergraduate. I think this Applicant: I specialized in print design, but I'm comfortable
program is a good fit for me to continue my studies. with all types of design.
Dean: Okay. What in particular interests you? Employer: What about you r work history?
Student: Well, I like how the program focuses on traditional Applicant: Well , I worked for a small design studio , but I'm
design forms like printing. hoping to work somewhere larger.
Dean: Yes, that is one of our strengths. Have you worked Employer: Okay. Tell me more about what your
with printing presses? responsibilities were at the studio.
Student: I have. I was an intern with a printing company Applicant: I was responsible for handling all the incoming
last year. referrals.
Dean: That's great! Are you familiar with digital design as Employer: I see. Have you done any freelance work
well? between then and now?
Student: Yes. I'm familiar with some digital design programs, Applicant: I've picked up a few projects here and there,
but I'm eager to learn more. but nothing major.
Dean: That's a good attitude. Do you have a portfolio? Employer: Well, I'll need some time to look over your
Student: Yes. My portfolio was included in my application. application materials.
Dean: Great. I'll take a look at it during the review process. Applicant: Okay. Do you have a copy of my portfolio?
Employer: Yes, there was one included in the application.
Unit 2 Applicant: Great. Thank you for your time and I look
forward to hearing from you.
Student 1 (M): Have you figured out your plans for after
graduation yet?
Unit 4
Student 2 (F): I'm waiting to hear from the graduate
programs I applied to. Designer (M): Tell me what kind of project you have for us
Student 1: Wow. Good for you. Where are you hoping to today.
go? Client (F): Well, I have a short film that I need titles for.
Student 2: Well, Seaside College is my top choice. Designer: Okay. Did you have any specific style in mind?
Student 1: Oh yeah . I've heard they have really great Client: Yeah. I definitely want the titles to be abstract.
professors there. Designer: Okay. Can you tell me a little about the film?
Student 2: Yeah, I visited and it was really nice. What are Client: it's a dark film. it's sort of a mystery.
you planning to do after graduation? Designer: I see. Have you thought about using animated
Student 1: I'm hoping to find a job. I can always take titles?
continuing education courses in the meantime. Client: I hadn't considered it. it sounds like a good idea
Student 2: That's a good plan. You didn't apply to any though.
graduate schools? Designer: Yeah . I think we can draw something that's
Student 1: No. The tuition is so high right now that I designed to frighten people.
wouldn't be able to afford it. Client: Okay. If you could draw a sample, that would be
Student 2: That's too bad. Well, at least you can still take great.
some classes. Designer: Sure. Have you started work on the trailer yet?
Student 1: Yeah. Hopefully I can get a job in design. Client: Not yet. Would you recommend that I finish the
Student 2: I'm sure you'll find something. You have a really titles first?
strong portfolio. Designer: Yes, I would. You may want to use elements
Student 1: Thanks. I haven't seen yours yet. Did you submit from the titles in the trailer.
the final version? Client: Good idea. Do you design trailers here as well?
Student 2: Not yet. I'm still putting the finishing touches Designer: We do. I can give you a reel DVD if you're
to it. interested.
Student 1: Wow. You 'd better get that in soon. Client: Yeah, I'd love to take a look at that.
Student 2: I know! The final portfolio deadline is next week.
Answer Key 35
Audioscripts
36 Answer Key
Audioscripts
Intern: I'll send them to him when I forward them to the Designer 2: I think so. Textbooks have more complicated
other departments. layouts. So they generally need more designers than
Designer: That's a good idea. paperbacks.
Intern: Thanks for all your help. Designer 1: What about the money?
Designer: No problem. Don't worry about being confused. Designer 2: I'd probably be able to make a little more than
You 'll learn as you go along. I'm making now.
Designer 1: That would be nice.
Unit 9 Designer 2: Yeah. I definitely want to stay in the publishing
industry. I'm ready for a different specialty, though.
Designer (M): Have you had a chance to look over the Designer 1: I feel that way too sometimes.
latest draft of the project?
Editor (F): Yeah. I have a few notes about how to improve
Unit 11
it.
Designer: Great. I'd love to hear them. Manager 1 (M): Hi Jennifer, are you ready to review the
Editor: I liked it overall, but I think you really need to reduce candidates for the creative director position?
the clutter on the page. Manager 2 (F): Sure, Michael. I'm ready. I was just going
Designer: Okay. How do you recommend I do that? over them.
Editor: Well, I don't think you really need this many graphs. Manager 1: Okay. lt seems to me that Christopher Leavitt
Designer: But if I take them out, some of the information and Amy Crane are the two best candidates.
will be missing. Manager 2: I agree. They definitely have the strongest
Editor: You can take some of them out and just write the resumes. Which one are you leaning towards?
information as text. Manager 1: it's a tough call. Either of them would do an
Designer: Okay. I'll work on it. Is there anything else? excellent job, I think.
Editor: Yeah. I think it will look a lot better if you remove Manager 2: I agree. But Christopher Leavitt has two more
some of the pictorial sign symbols. years of advertising experience than Amy Crane.
Designer: Really? I thought they looked really good. Manager 1: That's true, but Amy Crane has designed
Editor: Yeah, but imagine how clean your document will several successful viral advertising campaigns.
look when you remove them. See what I mean? Manager 2: Yes, she has. She's also done high profile
Designer: I guess. I don't have any experience using campaigns for Chess Footwear and Stephen Cross.
international style, so this is hard for me. Manager 1: Well, I think we should interview both of them.
Editor: I can send you some links that explain international Manager 2: Yes, definitely.
style in more details if you'd like. Manager 1: They have good credentials, but we don't
Designer: Yeah. That would be great. know if they'll fit in with the staff.
Editor: Okay. I'll send you that information. In the meantime, Manager 2: True. We also need to know if they'll be able
get started with these changes. to work with our copywriter.
Manager 1: Yeah. If they don't, they'll have a hard time
Unit 10 creating a good campaign.
Manager 2: Exactly. We don't need that kind of trouble
Designer 1 (M): Are you still looking for a new job? again.
Designer 2 (F): Yes. I'm pretty tired of mass-market Manager 1: Definitely not. We'll interview them and see
paperbacks. what we think.
Designer 1: I saw some great job listings in textbook
publishing.
Unit 12
Designer 2: I saw those. I don't know if I'm really qualified
for that, though. Planner 1 (F): Morning, David. What's on the agenda today?
Designer 1: I don't think it's too different from publishing Planner 2 (M): Well, the big issue today is the new
mass-market paperbacks. environmental design for University Hill.
Designer 2: Yeah, but I think you have to be more Planner 1: Yes, I heard something about signs falling down.
comfortable with graphics. What happened?
Designer 1: That's true. But on the other hand, you wouldn't Planner 2: Well, there were unusually strong winds last
have to deal with such quick deadlines. weekend. Three signs blew over and caused some
Designer 2: That would be good. I'm tired of designing property damage.
dust jackets. I'd like to do more interior layouts. Planner 1: Oh, no. That's terrible.
Designer 1: Can you do that in textbooks? Planner 2: Yeah, we have to come up with a replacement
design right away.
Answer Key 37
Audioscripts
Planner 1: Definitely. If we don't replace those before the Recruiter: Well , your qualifications are top notch . You
students come back in the fall, we'll be in big trouble. obviously have a lot of experience with both textiles
Planner 2: Exactly. We need signs that can stand up to the and pattern making.
weather conditions. Designer: Yes, I'm comfortable with both.
Planner 1: Right. What are you thinking of? Recruiter: If you ask me, I'd say you're a shoo-in for a
Planner 2: Well, for now we're going to put up temporary position as a pattern maker. But you'd also be a very
signs and banners. good candidate to be a textile designer.
Planner 1: Good idea. That gives us time to design the Designer: Fantastic. What do you recommend?
new signs. Recruiter: Well, I guess that depends. What are your long-
Planner 2: Yes. But we still need to decide on the new term career goals?
design soon. Designer: I'd like to have my own brand some day.
Planner 1: Absolutely. Should I send an em ail to the design Recruiter: Well, are you more interested in fabrics, or the
department? finished product?
Planner 2: Sure. Let them know what happened. Designer: I guess I'd rather design fabrics.
Planner 1: Okay. I'll ask them to start working on the new Recruiter: Okay. Well, if I were you, I would pursue that
signs right away. textile designer position.
Designer: Do you think I have a good chance?
Unit 13 Recruiter: With your experience, I'd say your chances are
very good.
Designer (M): Hi there, it's good to see you again. What
can I help you with today?
Unit 15
Client (F): Hi, I was hoping we could go over the drafts for
my loft. Journalist (F): Hello and welcome back to the show. I'm
Designer: Oh, absolutely. I have them right here. Lisa Rice, and I have Robert Ellis in the studio with me
Client: Oh, great. today.
Designer: What is it in particular you wanted to talk about? Designer (M): Hello, Lisa.
Client: Well, it's about the lighting in the bedroom area. My Journalist: Now Robert, I understand you're an expert in
husband wants more accent lighting. interactive design.
Designer: Okay, we can do that. Did he have anything Designer: Yes, I've been in the field for about twenty-two
specific in mind? years now.
Client: He didn't say specifically. it's not too late to make Journalist: So you got started in digital media around the
changes, is it? time it began, is that right?
Designer: No, you're fine. We have to finish removing the Designer: In a sense, yes.
current fixtures before we can start new construction Journalist: What attracted you to the field?
anyway. Designer: I was fascinated by the possibilities. I think I'm
Client: Oh, I see. How much longer before the construction still fascinated .
will be finished? Journalist: What do you mean by that?
Designer: At least three or four weeks. Designer: Well, back then, the web was just this interesting
Client: That's longer than I expected . When can I start new thing. I wanted to be a part of it.
talking to the interior decorator? Journalist: And today?
Designer: Well, you could do that right away if you like. Designer: Today? Well, I've become a huge fan of time-
The construction doesn't have to be finished . based media.
Client: Oh, really? Journalist: How has time-based media changed the way
Designer: Yeah, you ~ an start planning with the interior you work?
decorator any time. Designer: Well, I used to design brochures, logos, things
Client: That's great. I'll call her today. Thanks! like that. Now someone will ask you to design a logo
that moves when you pass the cursor over it. I think
Unit 14 it's great.
Journalist: Do you think the field will continue to expand
Designer (F): Hi, I'm Joanna. it's so nice to meet you, Mr. with technology?
Brenner. Designer: Oh, absolutely. it's all very exciting.
Recruiter (M): Please, call me Brian . I was just going over
your resume.
Designer: Oh, great. What do you think?
38 Answer Key
Career Paths: Art and Design is a new educational resource for art and design
professionals who want to improve their English communication in a work
environment. Incorporating career-specific vocabulary and contexts, each unit
offers step-by-step instruction that immerses students in the four key language
components: reading, listening, speaking, and writing. Career Paths: Art and
Design addresses topics including fundamentals of drawing, photography, digital
editing, web design, and career options.
The series is organized into three levels of difficulty and offers a minimum of 400
vocabulary terms and phrases. Every unit includes a test of reading comprehension,
vocabulary, and listening skills, and leads students through written and oral
production.
Included Features:
• A variety of realistic reading passages
• Career-specific dialogues
• 45 reading and listening comprehension checks
• Over 400 vocabulary terms and phrases
• Guided speaking and writing exercises
• Complete glossary of terms and phrases
The Teacher's book contains a full answer key and audio scripts.
The audio COs contain all recorded material in American English and British
English.
Books 1-3 of Career Paths: Art and Design are rated for the Common European
Framework of Reference for Languages at A1, A2 and B1 respectively.
4U~
Express Publishing
ISBN 978-1-4715-1887-4
111111111111111111111111
9 781471 518874