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‫ﺍﻝﻤﺨﺭﺝ ﺸﺎﺩﻯ ﻋﺒﺩ ﺍﻝﺴﻼﻡ‬ ‫ﻓﻴﻠﻡ ﺍﻝﻔﻼﺡ ﺍﻝﻔﺼﻴﺢ‬

‫ﻭﺼﻑ ﺍﻝﺼﻭﺕ‬ ‫ﻭﺼﻑ ﺍﻝﺼﻭﺭﺓ‬ ‫ﻡ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻤﺅﺜﺭﺍﺕ‬ ‫ﺍﻝﺤﻭﺍﺭ‬
‫‪Fade out‬‬

‫ﻝﻭﺤﺔ ﻋﻠﻴﻬﺎ ﻋﻼﻤﺔ ﻤﺭﻜﺯ ﺍﻝﻔﻴﻠﻡ ﺍﻝﺘﺠﺭﻴﺒﻰ‬

‫ﻭﻤﻜﺘﻭﺏ ﻋﻠﻴﻬﺎ‬

‫ﻭﺯﺍﺭﺓ ﺍﻝﺜﻘﺎﻓﺔ‬ ‫‪1‬‬

‫ﺍﻝﻤﺭﻜﺯ ﺍﻝﻘﻭﻤﻰ ﻝﻼﻓﻼﻡ ﺍﻝﺘﺴﺠﻴﻠﻴﺔ‬
‫ﺒﺎﻝﻘﺎﻫﺭﺓ‬

‫‪Dissolve‬‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﻠﻰ ﻝﻭﺤﺔ‬
‫ﺍﻝﺘﺘﺭﺍﺕ‬ ‫‪Ministry of Culture‬‬
‫ﺼﻭﺕ‬ ‫‪National Centre For‬‬
‫ﺍﻝﻬﺭﺏ‬ ‫‪Documentary Films‬‬
‫‪Cairo‬‬ ‫‪2‬‬

‫‪Dissolve‬‬
‫‪The Eloquent Peasant‬‬
‫‪From The Middle Kingdom‬‬
‫‪Papyrus‬‬
‫‪3‬‬
‫‪2200 B.C‬‬

‫‪Dissolve‬‬
‫ﺸﻜﺎﻭﻯ ﺍﻝﻔﻼﺡ ﺍﻝﻔﺼﻴﺢ‬
‫ﻤﻥ ﺍﻻﺩﺏ ﺍﻝﻔﺭﻋﻭﻨﻰ ﻓﻰ ﺍﻝﺩﻭﻝﺔ ﺍﻝﻭﺴﻁﻰ‬
‫ﺴﻨﺔ ‪ 2200‬ﻗﺒل ﺍﻝﻤﻴﻼﺩ‬ ‫‪4‬‬

‫‪Dissolve‬‬
‫ﺍﺤﻤﺩ ﻤﺭﻋﻰ ‪ ....‬ﻓﻰ ﺩﻭﺭ ﺍﻝﻔﻼﺡ‬
‫ﺍﺤﻤﺩ ﻋﻨﺎﻥ ‪ ....‬ﺍﻝﺤﺎﻜﻡ‬
‫ﺍﺤﻤﺩ ﺤﺠﺎﺯﻯ ‪ ....‬ﺘﺤﻭﺕ ﻨﺨﺕ‬
‫‪5‬‬
‫‪Fade out‬‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻲ ﺤﺘﻰ ﻨﺼل ﺍﻝﻰ ﺇﻅﻼﻡ ﺘﺎﻡ‬

‫‪Fade in‬‬
‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻲ‬

‫ﻤﻭﻨﺘﺎﺝ‬
‫ﻜﻤﺎل ﺃﺒﻭ ﺍﻝﻌﻼ‬ ‫‪6‬‬

‫ﻤﺴﺎﻋﺩ ﻤﻭﻨﺘﺎﺝ ‪ ....‬ﺭﺤﻤﺔ ﻤﻨﺘﺼﺭ‬

‫ﻤﻭﻨﺘﺎﺝ ﻨﻴﺠﺎﺘﻴﻑ ‪ ....‬ﻤﺎﺭﺴﻴل ﺼﺎﻝﺢ‬

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‫‪Dissolve‬‬
‫ﺩﻴﻜﻭﺭ ﻭﻤﻼﺒﺱ ﻭﺇﻜﺴﺴﻭﺍﺭ‬
‫ﺼﻼﺡ ﻤﺭﻋﻰ‬
‫ﻤﺎﻜﻴﺎﺝ‬
‫ﻋﺒﺩ ﺍﻝﻭﻫﺎﺏ ﻗﻁﺏ‬ ‫‪7‬‬

‫‪Dissolve‬‬
‫ﻤﻭﺴﻴﻘﻰ ﺘﺼﻭﻴﺭﻴﺔ‬
‫ﺴﻠﻴﻤﺎﻥ ﺠﻤﻴل‬
‫ﺘﺴﺠﻴل ﻤﻭﺴﻴﻘﻰ ﻭ ﺍﻝﻤﻜﺴﺎﺝ‬
‫‪8‬‬
‫ﺤﺴﻥ ﺍﻝﺘﻭﻨﻰ‬

‫‪Dissolve‬‬
‫ﺍﻝﻤﺨﺭﺝ ﺍﻝﺜﺎﻨﻰ‬
‫ﺴـﻤﻴﺭ ﻋـﻭﻑ‬
‫ﺴﺎﻋﺩ ﻓﻰ ﺍﻻﺨﺭﺍﺝ‬
‫ﻋﻠﻰ ﺒﺩﺭﺨﺎﻥ‬
‫‪9‬‬
‫ﻋﺎﻁﻑ ﺒﻜﺭﻯ‬
‫ﺴﻤﻴﺭ ﺴﻴﻑ‬

‫‪Dissolve‬‬
‫ﻤـﺩﻴـــﺭ ﺍﻝﺘﺼـﻭﻴـﺭ‬
‫ﻤﺼﻁﻔﻰ ﺇﻤﺎﻡ‬
‫‪10‬‬
‫‪Dissolve‬‬
‫ﺴﻴﻨﺎﺭﻴﻭ ﻭﺍﺨﺭﺍﺝ‬
‫ﺸﺎﺩﻯ ﻋﺒﺩ ﺍﻝﺴﻼﻡ‬
‫‪11‬‬
‫‪Fade out‬‬

‫ﻤﺸﻬﺩ )‪(1‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﻗﺭﻴﺔ ﺴﻘﺎﺭﺓ ‪ /‬ﺼﺤﺭﺍﺀ‬

‫ﻝﻘﻁﺔ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﺘل‬

‫ﺭﻤﻠﻰ ﻓﻰ ﺍﻝﺼﺤﺭﺍﺀ ﻴﻘﺴﻡ ﺍﻝﻜﺎﺩﺭ ﺇﻝﻰ‬
‫ﻨﺼﻔﻴﻥ ﺍﻝﻘﺴﻡ ﺍﻝﺴﻔﻠﻰ ﻭﺍﻝﻘﺴﻡ ﺍﻝﻌﻠﻭﻱ‬
‫ﺍﻝﺫﻯ ﺘﻅﻬﺭ ﻓﻴﻪ ﺍﻝﺴﻤﺎﺀ ﺼﺎﻓﻴﺔ ﻤﻥ ﺨﻠﻑ‬
‫ﺃﺼﻭﺍﺕ‬ ‫ﺍﻝﻔﻼﺡ ﻋﻠﻰ ﻗﻤﺔ ﺍﻝﺘل ﻭﻫﻭ ﻴﺤﻀﻥ ﺍﺒﻨﺔ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻭﻴﻅﻬﺭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻫﻭ ﻭﺯﻭﺠﺘﻪ ﻭﺃﻤﻪ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﺃﺼﻭﺍﺕ‬ ‫‪ 12‬ﻭﺍﺒﻨﺔ ﻭﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻗﺎﻓﻠﺘﻪ ﺤﻤﺎﺭﻴﻥ‬
‫ﺍﻝﻬﺎﺭﺏ‬ ‫ﺨﻁﻭﺍﺕ‬ ‫ﻤﺤﻤﻠﻴﻥ ﺒﺎﻝﻐﻼل ﻭ ﺍﻝﻌﺼﻲ ﻭﻴﻌﺘﺩل ﻭﻴﻘﻑ‬
‫ﺍﻝﻔﻼﺡ‬ ‫ﻤﻭﺩﻋﺎ ﺯﻭﺠﺘﻪ ﻭﻴﺘﺠﻪ ﺇﻝﻰ ﺍﻝﺤﻤﺎﺭﻴﻥ‬
‫ﻭﺍﻝﻘﺎﻓﻠﺔ‬ ‫ﻭﻴﺴﺤﺒﻬﻡ ﻨﺎﺯﻻ ﺍﻝﺘل ﻓﻰ ﺍﺘﺠﺎﻩ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭ ﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺍﻝﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪ ( Shot (MLS‬ﻭﻴﺘﻭﻗﻑ ﻝﺤﻅﺔ ﻭﻴﻨﻅﺭ‬
‫ﺇﻝﻰ ﻋﺎﺌﻠﺘﻪ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻭﺍﺼل‬
‫ﺍﻝﺴﻴﺭ ﻫﺎﺒﻁﺎ ﺒﺎﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭ ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪Pan left‬‬
‫ﻭﺘﺨﺘﻔﻲ ﻋﺎﺌﻠﺘﻪ ﻭﻴﺴﺘﻤﺭ ﺍﻝﻔﻼﺡ ﺒﺎﻝﺘﻘﺩﻡ‬
‫ﻫﻭ ﻭﻋﺎﺌﻠﺘﻪ ﺒﺎﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺩﺨل‬

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‫ﺘل ﻗﻠﻴل ﺍﻻﺭﺘﻔﺎﻉ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻓﻴﺤﺠﺏ‬

‫ﺍﻝﻔﻼﺡ ﺘﺩﺭﻴﺠﻴﺎ ﻤﻊ ﺍﺴﺘﻤﺭﺍﺭ ﺍل‪Pan left‬‬
‫ﻋﻠﻰ ﺍﻝﺭﻤﺎل ﻭﺍﻝﺤﺼﻰ ﻗﺒل ﺍﻥ ﻴﺘﻭﻗﻑ‬

‫‪Dissolve‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ ﺠﺩﺍ ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻘﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﺒﺭﻭﻓﻴل ‪side‬‬
‫ﺃﺼﻭﺍﺕ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫‪ angle‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻰ ﻨﻘﻁﺔ ﺒﻌﻴﺩﺓ ﻭﻗﺕ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﺃﺼﻭﺍﺕ‬ ‫ﺍﻝﻅﻬﻴﺭﺓ ﺒﻼ ﻅﻼل ﻭﺴﻁ ﺼﺤﺭﺍﺀ ﺸﺎﺴﻌﺔ‬
‫ﺍﻝﻬﺎﺭﺏ‬ ‫ﺨﻁﻭﺍﺕ‬ ‫‪ 13‬ﺘﻤﻼﺀ ﺍﻝﻜﺎﺩﺭ ﺒﻠﻭﻨﻬﺎ ﺍﻷﺼﻔﺭ ﺍﻝﻘﺎﻓﻠﺔ ﺘﺴﻴﺭ‬
‫ﺍﻝﻔﻼﺡ‬ ‫ﺒﻌﺭﺽ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﺍﻝﻰ ﺍﻝﺸﻤﺎل‬
‫ﻭﺍﻝﻘﺎﻓﻠﺔ‬
‫‪Dissolve‬‬
‫ﻝﻘﻁﺔ ﻋﺎﻤﺔ) ‪ Long Shot ( LS‬ﻝﻐﺎﺒﺔ‬
‫ﻤﻥ ﺘﻴﺠﺎﻥ ﺍﻝﻨﺨﻴل ﺘﻤﻼ ﺍﻝﺸﺎﺸﺔ ﺨﻀﺭﺓ ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺭﻜﺔ ‪ zoom out‬ﺒﻁﺊ‬
‫ﻝﻠﺨﻠﻑ ﻭﺘﻅﻬﺭ ﺤﺎﻓﺔ ﺍﻝﻬﻀﺒﺔ ﺍﻝﺼﺤﺭﺍﻭﻴﺔ‬
‫ﺘﻌﻠﻭ‬
‫ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺩﺨل ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﻤﻥ‬
‫ﺃﺼﻭﺍﺕ‬
‫ﺃﺴﻔل ﻤﻘﺩﻤﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﻌﺩ ﺘل‬
‫ﺍﻝﺭﻴﺎﺡ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺭﻤﻠﻰ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ‬
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‫ﺍﻝﻬﺎﺭﺏ‬ ‫‪ Pan left‬ﻓﻴﺘﻭﻗﻑ ﻭﻴﺘﺤﺭﻙ ﻨﺤﻭ ﻋﻤﻕ‬
‫ﺨﻁﻭﺍﺕ‬
‫ﺍﻝﻜﺎﺩﺭ ﺨﻠﻑ ﺍﻝﺘل ﺍﻝﺭﻤﻠﻰ ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻔﻼﺡ‬
‫ﻭﺍﻝﻘﺎﻓﻠﺔ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺭﻜﺔ ‪ zoom in‬ﻤﻊ ﺨﺭﻭﺠﻪ‬
‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺜﺒﺕ ﻋﻠﻰ ﺘﻴﺠﺎﻥ‬
‫ﺍﻝﻨﺨﻴل‬

‫‪Dissolve‬‬
‫ﻝﻘﻁﺔ ﻋﺎﻤﺔ ) ‪Long Shot ( LS‬‬
‫ﻋﺸﺏ ﻁﻭﻴل ﺍﺨﻀﺭ ﻓﻰ ﺠﺭﻑ ﻤﻨﺤﺩﺭ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪Pan‬‬
‫‪ left‬ﻋﻠﻰ ﺸﺠﺭﺓ ﺠﻤﻴﺯ ﻋﺘﻴﻘﺔ ﺃﻋﻠﻰ‬
‫ﺍﻝﺠﺭﻑ ﻓﺭﻭﻋﻬﺎ ﻭﺃﻭﺭﺍﻗﻬﺎ ﺘﻼﻤﺱ ﺍﻷﺭﺽ‬
‫ﺤﺘﻰ ﺘﺤﻭﺕ ﻨﺨﺕ ﺍﻝﺫﻯ ﻴﺠﻠﺱ ﻤﺘﺭﺍﺨﻴﺎ‬
‫ﺩﺍﺨل ﺍﻝﺸﺠﺭﺓ ﻭﺍﻝﻰ ﺠﻭﺍﺭﻩ ﻫﺎﺭﺏ ﻴﺩﺍﻋﺏ‬
‫ﺃﻭﺘﺎﺭﻩ ﺒﺄﺼﺎﺒﻌﻪ ﻭﻴﺎﺘﻰ ﺘﺎﺒﻌﺎﻩ ﻤﻥ ﺍﻝﺨﻠﻑ‬
‫ﻤﻊ ﺤﺭﻜﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ zoom in‬ﻴﺭﻜﻊ‬
‫ﺃﺼﻭﺍﺕ‬
‫ﺍﺤﺩﻫﻡ ﻭﻴﻬﻤﺱ ﻓﻰ ﺃﺫﻨﻪ ﻓﻴﻨﻬﺽ ﺘﺤﻭﺕ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺭﻴﺎﺡ‬
‫ﻨﺨﺕ ﻭﻴﺘﻘﺩﻡ ﺘﺠﺎﻩ ﺍﻝﻴﻤﻴﻥ ﻤﻊ ‪pan‬‬
‫ﺍﻝﻬﺎﺭﺏ‬ ‫ﻭﺃﺼﻭﺍﺕ‬
‫ﺘﺘﻼﺸﻰ ﺜﻡ‬ ‫ﺨﻁﻭﺍﺕ‬ ‫‪ right 15‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻴﺘﺎﺒﻌﻪ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ‬
‫ﺘﻌﻭﺩ‬ ‫ﺍﻝﻔﻼﺡ‬ ‫ﺇﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫ﻭﺍﻝﻘﺎﻓﻠﺔ‬ ‫)‪ MS‬ﻭﻴﻘﻑ ﻭ ﻴﺴﺘﻨﺩ ﻋﻠﻰ ﻋﻠﻰ ﺍﺤﺩ‬
‫ﻓﺭﻭﻉ ﺍﻝﺸﺠﺭﺓ ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﺘﻅﻬﺭ ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﻗﺎﺩﻤﺔ ﻤﻥ ﺍﻝﺼﺤﺭﺍﺀ‬
‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺒﺎﺘﺠﺎﻩ ﻴﻤﻴﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﻴﺘﺠﻪ ﺒﺴﺭﻋﺔ ﺍﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻤﻊ‬
‫ﺨﺭﻭﺝ ﺍﻝﻔﻼﺡ ﻤﻥ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺇﻝﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪Long‬‬
‫‪ Shot ( LS‬ﻤﺭﺓ ﺃﺨﺭﻯ ﺤﺘﻰ ﻴﺼل‬
‫ﺘﺤﻭﺕ ﻨﺨﺕ ﺇﻝﻰ ﺘﺎﺒﻌﺎﻩ ﻭﻤﻌﻪ ﺘﺘﺤﺭﻙ‬

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‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪ Pan left‬ﺜﻡ ﻴﺄﺨﺫ‬

‫ﺒﻌﺽ ﺍﻝﻜﺘﺎﻥ ﺍﻝﻤﻨﺸﻭﺭ ﻋﻠﻰ ﻓﺭﻭﻉ‬
‫ﺍﻝﺸﺠﺭﺓ ﻭﻴﺤﻤﻠﻪ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﺤﻘﻭل ﻭ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺭﺍﻓﻠﻨﺞ ‪ Traveling‬ﻤﻊ‬
‫ﺘﺤﻭﺕ ﻭ ﺍﻝﻜﺘﺎﻥ ﺍﻝﻤﺘﻁﺎﻴﺭ ﺤﺘﻰ ﻴﺨﺘﻔﻲ‬
‫ﺨﻠﻑ ﺸﺠﺭ ﺍﻝﺼﺒﺎﺭ‬

‫‪Dissolve‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻘﻨﺎﺓ ﺼﻐﻴﺭﺓ ﻤﻠﻴﺌﺔ ﺒﺎﻝﻤﺎﺀ ﺍﻝﺭﺍﻜﺩ‬
‫ﺘﻤﺘﺩ ﺍﻝﻰ ﺍﻝﻌﻤﻕ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﺘﻘﺭﻴﺒﺎ‬
‫ﻭﻴﺤﻔﻬﺎ ﻋﻠﻰ ﺍﻝﺠﺎﻨﺒﻴﻥ ﻀﻔﺘﺎﻥ ﺒﻴﻥ ﺍﺴﻭﺍﺭ‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺤﺩﺍﺌﻕ ﺍﻻﺸﺠﺎﺭ ﻭ ﺍﻝﻨﺨﻴل ﺍﻝﻁﻴﻨﻴﺔ ‪..‬‬
‫‪16‬‬
‫ﺍﻝﻬﺎﺭﺏ‬ ‫ﻭﺘﻅﻬﺭ ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﺍﺘﻴﺔ ﻤﻥ ﺍﻝﻌﻤﻕ ﻋﻠﻰ‬
‫ﺍﻝﻀﻔﺔ ﺍﻝﻴﻤﻨﻰ ﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺼﻭﺕ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ) ‪ Long Shot ( LS‬ﻝﺘﺎﺒﻌﺎ‬
‫ﺍﻝﺭﻴﺎﺡ ﻤﻊ‬ ‫ﺘﺤﻭﺕ ﻨﺨﺕ ﻭﻫﻡ ﻴﻬﺭﻭﻻﻥ ﻭﻴﻬﺒﻁﺎﻥ‬
‫ﻨﻐﻤﺎﺕ‬ ‫ﻭﻗﻊ ﺍﻻﻗﺩﺍﻡ‬ ‫ﺍﻝﺠﺭﻑ ﺒﻴﻥ ﺍﻝﻌﺸﺏ ﻭﻫﻤﺎ ﻴﺤﻤﻼﻥ ﺍﻗﻤﺸﺔ‬
‫ﺍﻝﻬﺎﺭﺏ‬ ‫ﻭ ﺍﻻﺤﺘﻜﺎﻙ‬ ‫ﺍﻝﻜﺘﺎﻥ ﻓﻰ ‪ Pan left‬ﻤﻊ ‪Tilt down‬‬ ‫‪17‬‬
‫ﺍﻋﻠﻰ‬ ‫ﺒﺎﻝﻌﺸﺏ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺼﻭﺕ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻭ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺭﻜﺔ ‪ Zoom out‬ﻤﻊ ﺘﺤﻭﺕ‬
‫ﻨﺨﺕ ﻭ ﺘﺎﺒﻌﻴﺔ ﻤﻬﺭﻭﻝﻴﻥ ﺘﺠﺎﺓ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻡ ﻴﺤﻤﻠﻭﻥ ﺍﻝﻜﺘﺎﻥ ﻭﺘﺭﺍﻓﻠﻴﻨﺞ ﻝﻠﻴﻤﻴﻥ ﻭﻫﻡ‬
‫ﻴﻌﺒﺭﻭﻥ ﻗﻨﻁﺭﺓ ﺨﺸﺒﻴﺔ ﺼﻐﻴﺭﺓ ﺤﺘﻰ ﻴﺼﻠﻭﺍ‬
‫ﺍﻝﻰ ﺍﻝﻀﻔﺔ ﺍﻝﻴﻤﻨﻰ ﻭﻴﺴﺭﻋﻭﺍ ﺒﻔﺭﺵ ﺍﻝﻜﺘﺎﻥ‬
‫ﻋﻠﻰ ﺍﻻﺭﺽ ﺜﻡ ﺘﻅﻬﺭ ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﺍﺘﻴﻪ‬
‫ﻤﻥ ﺍﻝﻌﻤﻕ ﻴﺴﺘﻤﺭ ﺘﺤﻭﺕ ﻨﺨﺕ ﻓﻰ ﻓﺭﺵ‬
‫ﺍﻝﻜﺘﺎﻥ ﻭﻫﻭ ﺠﺎﺜﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﻴﺨﺭﺝ‬
‫ﺍﻝﺘﺎﺒﻌﺎﻥ ﻤﻥ ﻴﻤﻴﻥ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻋﻨﺩﻤﺎ‬
‫ﺘﺘﻭﻗﻑ ﺍﻗﺩﺍﻡ ﺍﻝﻔﻼﺡ ﺍﻤﺎﻡ ﺍﻝﻜﺘﺎﻥ ﻭﻗﺩ ﻗﻁﻊ‬
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‫ﻋﻠﻴﺔ ﺍﻝﻁﺭﻴﻕ ‪..‬ﺘﺤﻭﺕ ﻨﺨﺕ ﺭﺍﻜﻊ ﻋﻠﻰ‬
‫ﺍﻻﺭﺽ ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻓﻰ ﺸﻤﺎل ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭ ﺴﺎﻕ ﺍﻝﻔﻼﺡ‬
‫ﺘﻅﻬﺭ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﻴﻘﻑ ﺘﺤﻭﺕ ﻨﺨﺕ ﺒﺒﻁﺊ ﻤﺘﺤﺩﻴﺎ ﻓﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ Tilt Up‬ﻤﻊ ‪Zoom In‬‬
‫ﻭﺘﺘﺤﻭل ﺍﻝﻠﻘﻁﺔ ﺍﻝﻰ ﻝﻘﻁﺔ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫‪ Over Shoulder Shot O S‬ﻝﻨﺭﻯ‬
‫ﺍﻝﻔﻼﺡ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻴﻨﻅﺭ ﺍﻝﻴﻪ‬
‫ﻤﻨﺩﻫﺸﺎ ﺜﻡ ﻴﺤﺎﻭل ﺍﻝﻌﺒﻭﺭ ﻤﻥ ﺠﺎﻨﺏ‬
‫ﺍﻷﻗﻤﺸﺔ ﻫﻭ ﻭ ﺍﻝﻘﺎﻓﻠﺔ ﻓﻴﺘﻭﻗﻑ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot (MS‬‬
‫ﻝﺭﺍﺱ ﺤﻤﺎﺭ ﻤﻥ ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ ﻴﻤﺩ ﻓﻤﻪ ﺍﻝﻰ‬
‫ﺴﻨﺎﺒل ﺍﻝﺸﻌﻴﺭ ﻓﻰ ﺍﻝﺤﻘل ﺍﻝﻤﺠﺎﻭﺭ ﻝﻠﻁﺭﻴﻕ‬
‫ﺼﻭﺕ ﺍﻝﺘﺎﺒﻊ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪:‬‬
‫ﻭﺫﺭﺍﻉ ﺍﻝﻔﻼﺡ ﺘﺠﺫﺏ ﺍﻝﺤﺒل ﺍﻝﻤﺭﺒﻭﻁ ﺍﻝﻰ‬
‫ﻫﻴﻪ ‪...‬ﻫﻴﻪ‬ ‫‪19‬‬
‫ﻋﻨﻘﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪ Long Shot (LS‬ﻭ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺭﻜﺔ ‪Zoom out‬‬
‫ﻝﺘﺎﺒﻌﺎﻥ ﻴﺠﺭﻴﺎﻥ ﻨﺎﺤﻴﺔ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻤﻊ‬
‫‪ Pan left‬ﻝﻬﻡ ﺤﺘﻰ ﻴﺼﻼ ﺍﻝﻰ ﺍﻝﺤﻤﺎﺭﻴﻥ‬
‫ﻭﻴﻀﺭﺒﻭﻫﻡ ﻭﻴﺴﺤﺒﻭﻫﻤﺎ ﻭﻴﺤﺎﻭل ﺍﻝﻔﻼﺡ‬
‫‪ 20‬ﻤﻨﻌﻬﻡ ﻓﻴﺩﻓﻊ ﺒﻪ ﺍﺤﺩﻫﻡ ﺍﻝﻰ ﺍﻝﻤﺎﺀ ﻤﻊ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪Pan left‬‬
‫ﻤﻊ ﺴﻘﻭﻁ ﺍﻝﻔﻼﺡ ﻓﻰ ﺍﻝﻤﺎﺀ‬

‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺘﻭﺘﺭ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪ Long Shot (LS‬ﻭ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Track out‬ﻤﻊ ‪Pan‬‬
‫‪ left‬ﻝﻠﺤﻤﺎﺭﺍﻥ ﻭ ﺍﻝﺘﺎﺒﻌﺎﻥ ﻴﻘﻭﺩﻫﻡ ﻓﻰ ﻤﻤﺭ‬
‫ﻀﻴﻕ ﻤﺤﺎﻁ ﺒﺎﻝﺸﺠﺎﺭ ) ﻨﻔﺱ ﺍﻝﻤﻤﺭ‬
‫ﺍﻝﺨﺎﺭﺠﻴﻥ ﻤﻨﻪ ( ﻭﻫﻡ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫‪ 21‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺩﺨل ﺍﻝﻔﻼﺡ ﺨﻠﻔﻬﻡ ﻤﻨﺩﻓﻌﺎ ﻤﻥ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻓﻴﺴﺘﺩﻴﺭ ﺍﺤﺩ ﺍﻝﺘﺎﺒﻌﻴﻥ‬
‫ﻓﻴﻀﺭﺒﻪ ﺒﺎﻝﻌﺼﺎ ﻋﻠﻰ ﺭﺃﺴﻪ ﻓﻴﺴﻘﻁ ﺍﻝﻔﻼﺡ‬
‫ﺨﺎﺭﺠﺎ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ‬ ‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻜﺎﺩﺭ ﻓﺎﻀﻲ ﻝﻸﺭﺽ ﺘﺴﻘﻁ‬
‫ﻭﺨﻁﻭﺍﺕ‬ ‫ﺩﺍﺨﻠﺔ ﺭﺍﺱ ﺍﻝﻔﻼﺡ ﻤﻥ ﺍﻋﻠﻰ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺜﺒﺕ‬
‫ﺍﻗﺩﺍﻡ ﺍﻝﻔﻼﺡ‬ ‫ﻝﺤﻅﺔ ﻋﻠﻰ ﻭﺠﻪ ﺍﻝﻔﻼﺡ ‪ ..‬ﺜﻡ ﻴﻔﻴﻕ ﺍﻝﻔﻼﺡ‬
‫ﻭﻴﻨﻬﺽ ﺒﺭﺃﺴﻪ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻭﻀﻊ ﻝﻘﻁﺔ‬
‫ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻠﻴﺎ ‪ High- angle shot‬ﺜﻡ‬
‫ﻴﻘﻑ ﻭﻴﺼﺒﺢ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫‪ 22‬ﻭﻴﺠﺭﻯ ﺩﺍﺨل ﺍﻝﻤﻤﺭ ﻭﺘﺘﺤﻭل ﺃﻝﻠﻘﻁﺔ ﺍﻝﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪Medium‬‬
‫‪ ( Long Shot (MLS‬ﻭ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ﺤﺭﻜﺔ ‪ Zoom in‬ﺒﻨﻔﺱ‬
‫ﺤﺠﻡ ﺃﻝﻠﻘﻁﺔ ﺤﺘﻰ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺼﻭﺍﺕ‬ ‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻭﺠﻪ ﺍﻝﻔﻼﺡ ﻭﻫﻭ ﻴﺘﻠﻔﺕ‬
‫ﺤﻭﻝﻪ ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺠﺭﻯ ﺒﺎﺘﺠﺎﻩ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ‪ :‬ﺍﻨﺘﻅﺭ ﺍﻨﺘﻅﺭ‬ ‫ﻤﻨﺯل ) ﻤﻨﺯل ﻜﺒﻴﺭ ﺍﺒﻴﺽ ﻤﻥ ﻁﺎﺒﻕ ﻭﺍﺤﺩ‬
‫ﻤﻨﺨﻔﺽ ( ﻴﺭﻯ ﻤﻥ ﺒﺎﺒﻪ ﺤﻤﺎﺭ ﻴﺩﺨل‬

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‫ﻭﺃﺼﻭﺍﺕ‬ ‫ﻓﻴﺼﺭﺥ ﻭ ﺘﺘﺤﻭل ﺍﻝﻠﻘﻁﺔ ﺍﻝﻰ ﻝﻘﻁﺔ‬

‫ﺍﻝﺩﻕ ﻋﻠﻰ‬ ‫ﻜﺒﻴﺭﺓ ) ‪ Long Shot (LS‬ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﺒﺎﺏ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ‪ pan right‬ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ‬
‫ﺍﻝﻤﻨﺯل ﺒﻌﺩ ﺍﻥ ﺃﻏﻠﻘﻭﺍ ﺍﻝﺒﺎﺏ ﺨﻠﻔﻬﻡ ﻓﻴﻁﺭﻕ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ‪ :‬ﻝﻡ ﺍﺨﻁﺊ ﺍﻝﻁﺭﻴﻕ‬ ‫ﻋﻠﻰ ﺍﻝﺒﺎﺏ ﺒﻌﻨﻑ ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻨﻬﺎ ﻁﺭﻴﻕ ﻝﻜل ﺍﻝﻨﺎﺱ‬ ‫‪ pan right‬ﻤﻊ ‪ zoom in‬ﻋﻠﻰ‬
‫ﺍﻨﻰ ﺍﻋﺭﻑ ﺼﺎﺤﺏ ﻫﺫﻩ ﺍﻝﻀﻴﻌﺔ‬ ‫ﺍﻝﻔﻼﺡ ﻭﻫﻭ ﻴﺘﺠﻪ ﺍﻝﻰ ﺍﻝﺒﺎﺏ ﺍﻝﺠﺎﻨﺒﻰ ﻓﻰ‬
‫ﺍﻨﻬﺎ ﻤﻠﻙ ﻝﻌﻅﻤﺔ ﺍﻝﻭﺍﻝﻰ ﺭﻴﻨﺯﻯ ﺒﻥ‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻁﺭﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ ﺒﻘﻭﺓ ﺜﻡ‬
‫ﻤﻴﺭﻭ‬ ‫ﻴﺘﺭﺍﺠﻊ ﻭﻴﺠﺭﻯ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ‬
‫ﻫﻭ ﺍﻝﺫﻯ ﻁﻬﺭ ﺍﻻﺭﺽ ﻤﻥ ﻜل‬ ‫‪23‬‬
‫ﻴﺼﺭﺥ ﻭﻴﻜﻭﻥ ﺨﻠﻔﻴﺔ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻠﺼﻭﺹ ! ﺃﺃﺴﺭﻕ ﻭﺍﻨﺎ ﻓﻰ ﺤﻤﺎﻩ‬ ‫ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ‪Medium .‬‬
‫؟‬ ‫‪ Close .Shot‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻤﺭﺓ‬
‫ﺍﺨﺭﻯ ﻭﻝﻜﻥ ﻭﻫﻭ ‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﺭﻴﺢ‬ ‫ﻤﺸﻬﺩ )‪(2‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻲ‬
‫ﺼﺤﺭﺍﺀ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬

‫‪VLS) 24‬ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﻴﺘﻘﺩﻡ ﻤﻥ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻓﻰ ﺍﻝﺼﺤﺭﺍﺀ ﺍﻻ ﻨﻬﺎﺌﻴﺔ ﺜﻡ‬
‫ﻴﻘﻑ ﻭﻴﺘﻠﻔﺕ ﺜﻡ ﻴﺠﺭﻯ ﺘﺠﺎﻩ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻤﻭﻜﺏ ﺍﻝﻤﻠﻙ ﻭﻫﻭ ﻴﺴﻴﺭ ﻓﻰ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻴﺎ‬ ‫ﻤﻭﻜﺏ ﻤﻬﻴﺏ ﻭﻫﻭ ﻤﺤﻤﻭل ﻋﻠﻰ‬
‫ﻋﻅﻤﺔ ﺍﻝﻭﺍﻝﻰ‬ ‫ﻤﺤﻔﺔ ﻭﻴﺘﻘﺩﻤﺔ ﺍﻝﺤﺭﺱ ﻭﺭﺍﻓﻌﻰ‬
‫‪25‬‬
‫ﻴﺎ ﺃﻋﻅﻡ ﺍﻝﻌﻅﻤﺎﺀ‬ ‫ﺍﻝﺭﺍﻴﺎﺕ ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺭﻜﺔ‬
‫‪ zoom in‬ﻤﻊ ﺼﺭﺍﺥ ﺍﻝﻔﻼﺡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪VLS‬ﻝﻠﻔﻼﺡ ﻭﺍﻗﻑ ﻓﻰ ﻭﺴﻁ‬
‫ﺍﻝﺼﺤﺭﺍﺀ‬
‫‪26‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺜﻼﺙ ﺩﻗﺎﺕ‬
‫ﻤﻨﺘﻅﻤﺔ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻤﻭﻜﺏ ﺍﻝﻤﻠﻙ ﻭﺍﻝﻤﻭﻜﺏ‬
‫ﺩﻗﺔ ﻤﻨﻔﺼﻠﺔ‬ ‫ﻴﺘﻭﻗﻑ ﻤﻊ ﺩﻗﺔ ﺒﺎﻝﻌﺼﺎ ﺩﻗﺎﺕ‬
‫ﻤﻨﺘﻅﻤﺔ ﻓﻴﻨﺯل ﺍﻝﺤﺭﺱ ﺍﻝﻤﺤﻔﺔ‬
‫ﺍﻝﻤﺤﻤﻭل ﻋﻠﻴﻬﺎ ﺍﻝﻤﻠﻙ‬
‫ﺜﻡ ﻴﺩﻕ ﺍﻝﻤﻠﻙ ﺩﻗﺔ ﻤﻨﻔﺼﻠﺔ ﻓﻴﻘﺘﺭﺏ‬
‫ﺍﺤﺩ ﺍﻻﺘﺒﺎﻉ ﻤﻥ ﺍﻝﻭﺍﻝﻰ ﻓﻰ ﺨﺸﻭﻉ‬

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‫ﻤﻁﺭﻗﺎ ﻭﻤﺼﻐﻴﺎ ﺒﺎﺩﺏ ﺜﻡ ﻴﺘﺠﻪ‬

‫ﻴﺴﺎﺭﺍ ﻨﺎﺯﻻ ﺍﻝﺘل ﻭﻤﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan left‬ﻤﻊ ﺤﺭﻜﺔ‬
‫‪ zoom in‬ﺜﻡ ﺘﺜﺒﺕ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﺘﺤﺭﻙ ﺍﻝﺘﺎﺒﻊ ﺇﻝﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺘﻘﺩﻡ ﻤﻥ ﻴﻤﻴﻥ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺤﺘﻰ‬
‫ﺍﻝﻔﻼﺡ ﺍﻝﺫﻱ ﻴﺘﻘﺩﻡ ﻤﻥ ﻋﻤﻕ ﺸﻤﺎل‬
‫‪27‬‬
‫ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺘﺤﺩﺙ ﻤﻌﻪ ﺜﻡ ﻴﻌﻭﺩ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺒﻴﻨﻤﺎ ﻴﺘﻘﺩﻡ‬
‫ﺍﻝﻔﻼﺡ ﻓﻰ ﺍﺘﺠﺎﻩ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻘﻑ ﻀﺎﻤﺎ ﻴﺩﻴﻪ ﻓﻰ ﺨﺸﻭﻉ ﻤﻨﺘﻅﺭﺍ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪VLS‬ﻝﻠﻤﻠﻙ ﻓﻭﻕ ﺍﻝﻤﺤﻔﺔ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ ﻭ ﻴﺭﻜﻊ ﺒﺠﺎﻨﺒﻪ ﺍﻝﺘﺎﺒﻊ ﻴﺤﻜﻰ‬
‫ﻝﻪ ﻭﺍﻝﻤﻠﻙ ﻴﻨﺼﺕ ﺒﺎﻫﺘﻤﺎﻡ ﺜﻡ‬
‫ﻴﻨﻬﺽ ﺍﻝﺘﺎﺒﻊ ﻭﻴﺘﺭﺍﺠﻊ ﺒﻅﻬﺭﺓ‬
‫ﺍﻝﺘﺎﺒﻊ ﺍﻷﻭل ‪ :‬ﺇﻥ ﻤﺎ ﺃﺨﺫﻩ ﺘﺤﻭﺕ‬ ‫ﻤﻨﺤﻨﻴﺎ ﻓﻰ ﺨﺸﻭﻉ ﻭﻴﺨﺭﺝ ﻤﻥ‬
‫ﺜﻼﺙ ﺩﻗﺎﺕ‬ ‫ﻨﺨﺕ ﻤﺠﺭﺩ ﻀﺭﺍﺌﺏ ﻤﺴﺘﺤﻘﺔ ﻝﻪ‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻓﻴﻔﻜﺭ ﺍﻝﻤﻠﻙ ﺜﻡ ﻴﺘﺤﺩﺙ‬
‫ﻤﻨﺘﻅﻤﺔ‬ ‫ﻗﺎﻨﻭﻨﺎ‬ ‫ﺇﻝﻴﻪ ﺘﺎﺒﻌﻴﻪ‬

‫ﺍﻝﺘﺎﺒﻊ ﺍﻝﺜﺎﻨﻲ ‪ :‬ﻫل ﻴﻌﺎﻗﺏ ﺘﺤﻭﺕ‬ ‫ﻴﻨﻅﺭ ﺍﻝﻤﻠﻙ ﺒﺎﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺩﻕ‬
‫ﺩﻗﺔ ﻤﻨﻔﺼﻠﺔ‬ ‫ﻨﺨﺕ ﻤﻥ ﺍﺠل ﺤﻔﻨﺔ ﻤﻥ ﺍﻝﻨﻴﺘﺭﻭﻥ ﻭ‬ ‫ﻝﻠﺤﻤﺎﻝﻴﻥ ﻝﻴﺭﻓﻌﻭﺍ ﺍﻝﻤﺤﻔﺔ‬
‫ﺍﻝﻤﻠﺢ ؟‬
‫ﻤﺭﻩ ﺃﻥ ﻴﺭﺩﻫﺎ ﻭﺴﻭﻑ ﻴﻔﻌل !‬ ‫ﻓﻴﺩﺨل ﺍﻝﺤﻤﺎﻝﻴﻥ ﺍﺜﻨﻴﻥ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪:‬‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﺜﻨﻴﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﻴﻬﺎ ﺍﻝﺤﺎﻜﻡ ﻋﻠﻰ ﻜل ﻤﻥ ﻓﻨﻲ ﻭﻤﻥ‬ ‫ﻭﻴﺒﺩﺃﻥ ﻓﻰ ﺭﻓﻊ ﺍﻝﻤﺤﻔﺔ‬ ‫‪28‬‬
‫ﻝﻡ ﻴﻔﻨﻰ‬ ‫ﻤﻊ ﺒﺩﺍﻴﺔ ﺍﻝﻔﻼﺡ ﻓﻰ ﺍﻝﻜﻼﻡ ﻴﺩﻕ‬
‫ﺇﺫﺍ ﺫﻫﺒﺕ ﺇﻝﻰ ﺒﺤﺭ ﺍﻝﻌﺩل ﻓﺎﻥ ﺍﻝﻬﻭﺍﺀ‬ ‫ﻝﻴﺒﺘﻌﺩﻭﺍ ﻭﻴﺴﺘﻤﻊ‬
‫ﻝﻥ ﻴﻤﺯﻕ ﻗﻠﻌﻙ ﻭﻝﻥ ﻴﺘﺒﺎﻁﺄ ﻗﺎﺭﺒﻙ‬
‫ﻭﻝﻥ ﺘﻜﺴﺭ ﻝﻙ ﻤﺭﺴﻰ ﻭﻝﻥ ﻴﺤﻤﻠﻙ‬
‫ﺍﻝﺘﻴﺎﺭ ﺒﻌﻴﺩﺍ ﻭﻝﻥ ﺘﺭﻯ ﻭﺠﻬﺎ ﻤﺭﺘﺎﻋﺎ‬
‫ﺫﻝﻙ ﻷﻨﻙ ﺃﺏ ﻝﻠﻴﺘﻴﻡ ﻭﺯﻭﺝ ﻝﻸﺭﻤﻠﺔ‬
‫ﻭﺃﺥ ﻝﻠﻤﻨﺒﻭﺫ ﻭﺭﺍﻉ ﻝﻤﻥ ﻻ ﺃﻡ ﻝﻪ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﻝﻔﻼﺡ ﻴﺘﺎﺒﻊ ﺤﺩﻴﺜﻪ ‪ :‬ﺩﻋﻨﻰ ﺍﺭﻓﻊ‬

‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﺍﺴﻤﻙ ﻓﻰ ﻫﺫﻩ ﺍﻷﺭﺽ‬
‫ﻓﻭﻕ ﻜل ﻗﺎﻨﻭﻥ ﻋﺎﺩل‬ ‫)‪VLS‬ﻝﻠﻔﻼﺡ ﻭﺍﻗﻑ ﻓﻰ ﻭﺴﻁ‬
‫ﺃﻴﻬﺎ ﺍﻝﺤﺎﻜﻡ ﺍﻝﻤﻨﺯﻩ ﻋﻥ ﺍﻝﺠﺸﻊ‬ ‫ﺍﻝﺼﺤﺭﺍﺀ ﺜﻡ ﻴﺭﻜﻊ ﻋﻠﻰ ﺭﻜﺒﺘﻪ‬
‫ﺍﻝﺨﺎﻝﻲ ﻤﻥ ﺍﻝﺨﻭﻑ‬ ‫ﻭﻴﺴﺘﻤﺭ ﻓﻰ ﺍﻝﺤﺩﻴﺙ ﻭﻫﻭ‬ ‫‪29‬‬
‫ﻴﺎ ﻤﻥ ﺘﺤﻁﻡ ﺍﻝﻅﻠﻡ‬ ‫ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﻭﺘﻘﻴﻡ ﺍﻝﻌﺩل‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﺴﺘﺠﺏ ﻝﺼﻴﺤﺘﻲ ﻋﻨﺩﻤﺎ ﻴﻨﻁﻕ ﻓﻤﻲ‬

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‫ﻭﻋﻨﺩﻤﺎ ﺃﺘﻜﻠﻡ ﺍﺴﻤﻌﻨﻲ‬ ‫ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ‬

‫ﺃﻗﻡ ﺍﻝﻌﺩل ﺃﻨﺕ ﻴﺎ ﻤﻥ ﻝﻙ ﺍﻝﺤﻤﺩ ﻭﻻ‬
‫ﻴﻤﺩﺤﻙ ﺇﻻ ﺍﻝﻤﻤﺩﻭﺤﻭﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬

‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻴﺘﺎﺒﻊ ﻤﻥ ﺨﺎﺭﺝ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻤﻠﻙ ﻭﻫﻭ ﺒﺭﻭﻓﻴل‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺨﻠﺼﻨﻲ ﻤﻥ ﺸﻘﺎﺌﻲ ﺍﻨﻅﺭ‬
‫‪ side angle‬ﻭﻴﻨﺼﺕ ﻤﻊ ﺤﺭﻜﺔ‬
‫ﺇﻝﻰ ‪ ..‬ﺇﻨﻰ ﻤﺜﻘل ﺒﺎﻝﻬﻤﻭﻡ ‪.‬‬ ‫‪30‬‬
‫‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ‬
‫ﺍﻨﺼﻔﻨﻲ ﺍﻨﻰ ﺘﺎﺌﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(3‬‬
‫ﺩﺍﺨﻠﻰ‬
‫ﻗﺼﺭ ﺍﻝﻔﺭﻋﻭﻥ‬

‫ﺼﺩﻯ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬

‫ﺍﻝﺼﻭﺕ‬ ‫ﻝﻠﻜﺎﻫﻥ ﻴﻘﻑ ﻭﺨﻠﻔﻪ ﺤﺎﺌﻁ ﻤﻌﺒﺩ‬

‫ﻴﺩﺨل ﺍﻝﻭﺍﻝﻲ ﺭﻴﻨﺯﻯ ﺒﻥ ﻤﻴﺭﻭ‬

‫ﺒﻅﻬﺭﻩ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﺘﺠﻬﺎ ﺇﻝﻰ‬
‫ﺍﻝﻜﺎﻫﻥ ﻭﻴﻘﻑ ﺃﻤﺎﻤﻪ ﺨﻠﻔﻴﺔ ‪Full‬‬
‫‪ rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻜﺎﻫﻥ ‪ :‬ﺍﺒﻕ ﻋﻠﻰ ﺍﻝﻔﻼﺡ ﺩﻭﻥ ﺍﻥ‬
‫ﺘﻔﺼل ﻓﻰ ﺍﻤﺭﻩ ﺤﺘﻰ ﻴﺘﻔﻭﻩ ﺒﻜل ﻤﺎ‬ ‫ﻴﻨﺤﻨﻴﺎﻥ ﺜﻡ ﻴﺒﺩﺃﻥ ﺍﻝﺴﻴﺭ ﻤﻌﺎ ﻨﺎﺤﻴﺔ‬
‫ﻋﻨﺩﻩ ﺭﻴﻨﺯﻯ ﺒﻥ ﻤﻴﺭﻭ ‪ :‬ﺍﻨﻪ ﺤﻘﺎ‬ ‫ﺒﺎﺘﺠﺎﻩ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺭﺠل ﻓﺼﻴﺢ‬ ‫ﺘﺭﺍﻓﻠﻴﻨﺞ ﻤﻌﻬﻡ ﻭﻴﻤﺭﺍﻥ ﺨﻠﻑ ﻋﻤﻭﺩ‬
‫ﺍﻝﻜﺎﻫﻥ ‪ :‬ﺴﺠل ﻜل ﻤﺎ ﻴﻨﻁﻕ ﺒﻪ ﺒﺩﻗﺔ‬ ‫ﻤﺭﺒﻊ ﺍﺴﻭﺩ ﻓﻴﺤﺠﺒﻬﻡ ﻋﻥ ﺍﻝﺭﺅﻴﺔ‬
‫ﻫﻜﺫﺍ ﻴﺄﻤﺭ ﺍﻝﻔﺭﻋﻭﻥ ﻭﻓﻰ ﻫﺫﻩ ﺍﻷﺜﻨﺎﺀ‬ ‫ﻝﻔﺘﺭﺓ ) ﻴﻌﺒﺭﺍﻥ ﻤﻥ ﺨﻼل ﻜﺎﺸﺔ‬
‫ﺴﻭﺩﺍﺀ (‬ ‫‪31‬‬
‫ﺯﻭﺩﻩ ﺒﺎﻝﻁﻌﺎﻡ ﻭ ﺍﻝﻌﻭﻥ ﻭﻝﻴﺭﺴل ﺨﺎﺩﻡ‬
‫ﺍﻝﻰ ﻗﺭﻴﺘﻪ ﻝﻴﺭﻯ ﻤﺎ ﺍﺫﺍ ﻜﺎﻨﺕ ﺃﺴﺭﺘﻪ‬ ‫ﺒﺩﺍﻴﺔ ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺘﻌﺎﻨﻰ ﻤﻥ ﺍﻝﺤﺎﺠﺔ ﺨﻼل ﻫﺫﻩ ﺍﻝﻔﺘﺭﺓ‬ ‫ﺒﻁﻴﺌﺔ ﺤﺘﻰ ﺘﺼل ﺍﻝﻠﻘﻁﺔ ﺍﻝﻰ ﻝﻘﻁﺔ‬
‫ﺘﻔﻀل ﻝﺘﺩﻝﻰ ﺒﺤﺩﻴﺜﻙ ﻫﺫﺍ ﺍﻝﻰ‬ ‫ﻭﺠﻬﺔ ﻨﻅﺭ ‪Over Shoulder‬‬
‫ﺍﻝﻔﺭﻋﻭﻥ ﺍﻝﻪ ﺍﻝﻭﺠﻬﻴﻥ ‪..‬‬ ‫‪ Shot O S‬ﺍﻤﺎﻡ ﺒﺎﺏ ﺍﻝﻔﺭﻋﻭﻥ‬
‫ﺍﻝﺫﻫﺒﻰ ﺍﻝﻜﺎﻫﻥ ﻭﺍﻗﻑ ﻤﻭﺍﺠﻬﻪ‬
‫ﺍﻝﺭﺏ ﺍﻝﻌﻅﻴﻡ ‪ ..‬ﺍﺒﻥ ﺍﻝﺸﻤﺱ ﺤﺎﻜﻡ‬ ‫‪Full Front Face‬‬
‫ﺍﻝﺘﻴﺠﺎﻥ ‪ ..‬ﺍﻝﺨﺎﻝﺩ ﺍﻝﻤﺨﻠﺩ ‪..‬‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﻭﺍﻝﻰ ﻴﻘﻑ ﺃﻤﺎﻤﻪ ﺨﻠﻔﻴﺔ‬
‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﻴﺘﺭﺍﺠﻊ ﺍﻝﻜﺎﻫﻥ ﻭﻫﻭ ﻴﺘﻜﻠﻡ ﻝﻴﺩﺨل‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ ﺍﻝﻤﺫﻫﺏ ﻭﻴﺨﺘﻔﻲ ﻭﻴﺩﺨل‬
‫ﺒﻌﺩﻩ ﺍﻝﻭﺍﻝﻲ ﺜﻡ ﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ﺨﻠﻔﻬﻡ‬
‫ﺜﻡ ﺤﺭﻜﺔ ‪ zoom in‬ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬
‫ﺍﻝﻤﻐﻠﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(4‬‬
‫ﺨﺎﺭﺠﻰ‬
‫ﺍﻝﻨﻬﺭ ﻭ ﺍﻝﺼﺤﺭﺍﺀ‬

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‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬

‫)‪ VLS‬ﻝﻘﺭﺹ ﺍﻝﺸﻤﺱ ﺍﻷﺤﻤﺭ ﻋﻠﻰ‬
‫ﺍﻷﻓﻕ ﻤﻊ ‪ Tilt down‬ﻋﻠﻰ ﺍﻝﻨﻴل‬
‫ﺒﻤﻭﺠﻪ ﺍﻝﻬﺎﺩﻯ ﻭ ﻝﻭﻨﻪ ﺍﻝﻤﺎﺌل ﻝﻠﺤﻤﺭﺓ‬
‫ﻭﺘﺴﺘﻤﺭ ﺤﺭﻜﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺍل ‪Tilt‬‬
‫ﺼﻭﺕ‬
‫‪ down‬ﻋﻠﻰ ﺍﻝﻤﺎﺀ ﺒﻌﺩ ﺍﺨﺘﻔﺎﺀ ﺍﻝﺸﻤﺱ‬
‫ﺴﻭﺒﺭﺍﻨﻭ‬ ‫‪32‬‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺃﻴﻬﺎ‬ ‫ﻤﺎﺭﺓ ﺒﺎﻋﺸﺎﺏ ﻗﺭﺏ ﺍﻝﺸﺎﻁﺊ ﺤﺘﻰ ﻨﺼل‬
‫ﻤﺘﺼﺎﻋﺩ‬
‫ﺍﻝﻭﺍﻝﻲ ﺍﻝﻌﻅﻴﻡ‬ ‫ﺍﻝﻰ‬
‫ﺃﻨﺕ ﺭﺍﻉ ﺭﺏ ﺍﻝﺴﻤﺎﺀ ﻓﻰ ﺼﺤﺒﺔ‬
‫‪Fade out‬‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻲ ﺤﺘﻰ ﻨﺼل ﺍﻝﻰ ﺇﻅﻼﻡ‬
‫ﺘﺎﻡ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﺨﻠﻔﻴﺔ ‪Full rear‬‬
‫ﺼﻭﺕ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﻊ ﺤﺭﻜﺔ ‪ Tilt down‬ﻤﻊ‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻴﺘﺎﺒﻊ ﺼﻭﺕ ﺍﻝﻔﻼﺡ ‪:‬‬ ‫ﺍﻝﻔﻼﺡ ﻭﻫﻭ ﻴﺭﻜﻊ ﻋﻠﻰ ﺭﻤﺎل ﻤﻨﺒﺴﻁﺔ‬
‫‪ ....‬ﺤﺎﺸﻴﺘﻙ‬ ‫ﺜﻡ ‪ Tilt up‬ﻤﻊ ﺤﺭﻜﺔ ‪zoom in‬‬
‫ﻜل ﻋﻭﻥ ﻝﻺﻨﺴﺎﻥ ﻫﻭ ﻤﻨﻙ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ ﻋﻠﻰ ﺍﻝﺭﻤﺎل ﻭﻴﺨﺘﻔﻰ‬
‫ﻓﺄﻨﺕ ﻜﺎﻝﻔﻴﻀﺎﻥ ﺍﻝﻐﺎﻤﺭ‬ ‫ﺍﻝﻔﻼﺡ ﻤﻊ ﺤﺭﻜﺔ ﺍل ‪ Tilt up‬ﻭﻴﺩﺨل‬
‫ﻜﺎﻝﻨﻴل ﺍﻝﺫﻱ ﻴﻜﺴﺏ ﺍﻝﺤﻘﻭل ﺨﻀﺭﺓ ‪.‬‬ ‫ﺍﻝﻜﺎﺩﺭ ﻫﻴﻜل ﺼﻐﻴﺭ ﻭﺴﻁ ﺍﻝﻨﺨﻴل ﺍﻤﺎﻤﺔ‬
‫ﻭﻴﺨﻀﺏ ﺍﻻﺭﺍﻀﻰ ﺍﻝﻘﺎﺤﻠﺔ‬ ‫ﻤﺫﺒﺢ ﺼﻐﻴﺭﻭﻴﺘﻘﺩﻡ ﺍﻝﻭﺍﻝﻰ ﻭﺤﺭﺴﺔ‬
‫‪33‬‬
‫ﺃﻗﻀﻰ ﻋﻠﻰ ﺍﻝﺴﺎﺭﻕ‬ ‫ﺤﺎﻤﻠﻴﻥ ﺍﻝﺒﺨﻭﺭ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻤﻥ‬
‫ﺃﺤﻤﻰ ﺍﻝﺘﻌﻴﺱ‬ ‫ﻤﺩﺨل ﺍﻝﻬﻴﻜل ﻭﻴﻘﻔﺎ ﺨﻠﻑ ﺍﻝﻤﺫﺒﺢ‬
‫ﻻﺘﻜﻥ ﻜﺎﻝﺴﻴل ﻴﺠﺭﻑ ﻤﻥ ﻴﺸﻜﻭ‬ ‫ﻴﺤﺭﻗﻭﺍ ﺍﻝﺒﺨﻭﺭ ﻭﺘﺘﺤﻭل ﺍﻝﻠﻘﻁﺔ ﺍﻝﻰ‬
‫ﺍﺤﺫﺭ ﻓﺎﻥ ﺍﻝﺤﻴﺎﺓ ﺍﻵﺨﺭﺓ ﺘﺩﻨﻭ ﻭﺍﻋﻤل‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﺒﺎﻝﻤﺜل ﺍﻝﺫﻱ ﻴﻘﻭل ‪:‬‬ ‫)‪VLS‬‬
‫ﺇﻗﺎﻤﺔ ﺍﻝﻌﺩل ﻜﺎﻝﺘﻨﻔﺱ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺘﺎﺒﻊ ﺍﻝﻔﻼﺡ ‪:‬‬
‫ﻫل ﻴﺨﻁﺊ ﺍﻝﻤﻴﺯﺍﻥ ‪.‬؟!‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫ﻫل ﻴﻤﻴل ﺫﺭﺍﻋﻪ ﺇﻝﻰ ﺠﺎﻨﺏ ‪.‬؟!‬ ‫ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫ﻻ ﺘﺨﺎﺩﻉ ﻷﻨﻙ ﻤﺴﺌﻭل‬ ‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺭﺍﻜﻌﺎ ﻋﻠﻰ ﺍﻝﺭﻤﺎل‬
‫ﻻ ﺘﺴﺘﻬﻴﻥ ﺒﺄﻤﺭ ﻷﻨﻙ ﻤﺘﺯﻥ‬ ‫‪34‬‬
‫ﻻ ﺘﺨﺎﺩﻉ ﻷﻨﻙ ﺍﻝﻤﻴﺯﺍﻥ‬
‫ﻻ ﺘﺤﻴﺩ ﻷﻨﻙ ﺍﻝﺤﻕ‬
‫ﺍﻨﻅﺭ ﻓﺄﻨﺕ ﺤﺎﻤﻰ ﺍﻝﻤﻭﺍﺯﻴﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﺫﺍ ﺍﻨﺤﺭﻓﺕ ‪..‬ﺍﻨﺤﺭﻓﺕ ﺃﻨﺕ‬
‫ﺼﻭﺕ‬ ‫ﻴﺘﺎﺒﻊ ﺍﻝﻔﻼﺡ ‪:‬‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻝﺴﺎﻨﻙ ﻤﺜﻘﺎل ﺍﻝﻤﻴﺯﺍﻥ ‪...‬‬ ‫)‪VLS‬‬
‫ﺼﻭﺕ‬ ‫ﻭﻗﻠﺒﻙ ﺜﻘﻠﻪ ‪...‬‬ ‫ﻝﻠﻭﺍﻝﻰ ﺨﻠﻑ ﺍﻝﻤﺫﺒﺢ ﻭﺴﻁ ﺍﺘﺒﺎﻋﺔ ﻤﻊ‬
‫ﺨﻁﻭﺍﺕ‬ ‫ﻭﺸﻔﺘﺎﻙ ﺫﺭﺍﻋﻪ‬ ‫ﺤﺭﻜﺔ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ ﺜﻡ‬
‫ﺍﻝﺘﺎﺒﻌﺎﻥ‬ ‫ﻴﺸﻴﺭ ﺍﻝﻭﺍﻝﻰ ﺒﻭﺠﻪ ﺍﻝﻰ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﻴﺘﺤﺭﻙ ﺘﺎﺒﻌﺎﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺍﻝﻰ‬
‫‪35‬‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﻤﻌﻬﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﺤﺘﻰ ﻴﺼﻼ ﺍﻝﻰ‬
‫ﺍﻝﻔﻼﺡ ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬
‫‪ Shot‬ﻭﺍﻝﻔﻼﺡ ﻴﻨﻅﺭ ﺍﻝﻴﻬﻡ ﻤﻔﺯﻭﻉ ﺜﻡ‬
‫ﻴﻘﻑ ﺒﺒﻁﺊ ﻭﻴﺘﺤﺭﻙ ﺒﺨﻁﻭﺍﺕ ﺍﻝﻰ‬

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‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ) ﺘﺭﺍﺠﻊ ( ﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫ﻤﻌﻪ ﻓﻰ ﺤﺭﻜﺔ ‪ pan left‬ﺤﺘﻰ‬
‫ﻴﺨﺘﻔﻰ ﺍﻝﺘﺎﺒﻌﺎﻥ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻠﺘﻔﺕ‬
‫ﻭﻴﻨﻅﺭ ﺍﻝﻰ ﺨﺎﺭﺝ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺩﻫﺵ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺼﻭﺍﺕ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫)‪ VLS‬ﻝﻠﻬﻴﻜل ﺨﺎﻝﻰ ﺘﻤﺎﻤﺎ ﻭﺍﻝﺒﺨﻭﺭ‬
‫‪36‬‬
‫ﻴﺘﺼﺎﻋﺩ ﻤﻥ ﺍﻝﻤﺫﺒﺢ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻴﺒﺩﺍﺀ ﻭﻫﻭ ﺨﻠﻔﻴﺔ‬
‫‪ Full rear‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺼﺒﺢ ﻤﻭﺍﺠﻬﻪ ‪Full Front Face‬‬
‫ﺜﻡ ﻴﺠﺭﻯ ﻓﻰ ﺍﺘﺠﺎﻩ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ‬
‫‪37‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ pan right‬ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬
‫)‪ MS‬ﻝﻪ ﻭﻫﻭ ﻴﺠﺭﻯ ﺜﻡ ﻴﻤﺴﻙ ﻓﻰ‬
‫ﺠﺯﻉ ﺸﺠﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪(5‬‬
‫ﻨﻬﺎﺭ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺴﻘﺎﺭﺓ‬
‫)ﻤﺩﺨل ﺍﻝﻤﺠﻤﻭﻋﺔ ﺍﻝﺠﻨﺎﺌﺯﻴﺔ ﻝﻠﻤﻠﻙ‬
‫ﺯﻭﺴﺭ (‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ) ‪Medium Shot‬‬

‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ‪ :‬ﻝﻘﺩ ﻋﻴﻨﺕ ﻝﻜﻰ‬ ‫)‪ MS‬ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﻴﺠﺭﻯ ﻭﻴﺩﺨل‬
‫ﺘﺴﻤﻊ ﺍﻝﺸﻜﺎﻭﻯ‬ ‫ﺭﺩﻫﺔ ﺜﻡ ﻴﻘﻑ ﻤﻊ ﺤﺭﻜﺔ ‪zoom out‬‬
‫ﻭﺘﻔﺼل ﺒﻴﻥ ﺨﺼﻤﻴﻥ‬ ‫ﺴﺭﻴﻌﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻝﻴﻅﻬﺭ ﺍﻝﻭﺍﻝﻲ ﻓﻰ‬
‫ﻭﺘﻜﺒﺢ ﺠﻤﺎﺡ ﺍﻝﺴﺎﺭﻕ‬ ‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫ﻭﻝﻜﻨﻙ ﺘﻨﺤﺎﺯ ﺍﻝﻰ ﺠﺎﻨﺒﻪ‬ ‫‪ Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻅﻬﺭﻩ ﻝﻠﻔﻼﺡ ﻭﺨﻠﻑ‬
‫ﺍﻝﻨﺎﺱ ﻴﺤﺒﻭﻨﻙ ﻭﻝﻜﻨﻙ ﻤﻌﺘﺩ‬ ‫ﺍﻝﻭﺍﻝﻲ ﻋﻠﻰ ﺍﻝﻴﻤﻴﻥ ﻭﻋﻠﻰ ﺍﻝﻴﺴﺎﺭ ﺒﻌﺽ‬
‫ﺍﻷﺘﺒﺎﻉ ﻭﻴﻅﻬﺭ ﺍﻝﻔﻼﺡ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻤﻥ‬
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‫ﺒﻴﻨﻬﻡ ﻭﺍﻗﻔﺎ ﺃﻤﺎﻡ ﺍﻝﺒﺎﺏ ﻓﻰ ﻤﻨﺘﺼﻑ‬
‫ﺍﻝﻜﺎﺩﺭ ﺘﻘﺭﻴﺒﺎ ﻭﻀﻭﺀ ﺍﻝﻨﻬﺎﺭ ﻤﻥ ﺨﻠﻔﻪ‬
‫ﻤﺒﻬﺭﺍ ﺒﺎﻝﻤﻘﺎﺭﻨﺔ ﻤﻊ ﺍﻝﻀﻭﺀ ﺍﻝﺨﺎﻓﺕ‬
‫ﺩﺍﺨل ﺍﻝﺭﺩﻫﺔ‬
‫ﺍﻝﻭﺍﻝﻰ ﻴﻠﺘﻔﺕ ﺒﻭﺠﻪ ﻭﻴﻨﻅﺭ ﺸﻤﺎل‬
‫ﻴﺭﺘﻔﻊ‬ ‫ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﻭﻤﻲ ﺒﺭﺃﺴﻪ ﻓﻴﺘﻘﺩﻡ ﺍﺜﻨﻴﻥ‬
‫ﺼﻭﺕ‬ ‫ﻤﻥ ﺃﺘﺒﺎﻋﻪ ﻴﺩﺨﻠﻭﻥ ﻤﻥ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻔﻼﺡ‬ ‫ﻝﻘﺩ ﻨﺼﺒﺕ ﻝﺘﻜﻭﻥ ﺴﺩﺍ ﻝﻠﻔﻘﺭﺍﺀ‬ ‫ﻭﻴﻤﺴﻜﺎﻥ ﺍﻝﻔﻼﺡ ﻓﻴﺼﺒﺢ ﻫﻭ ﻤﻭﺍﺠﻬﻪ‬
‫ﻴﻨﻘﺫﻫﻡ ﻤﻥ ﺍﻝﻐﺭﻕ‬ ‫‪ Full Front Face‬ﻭﺍﻝﺘﺎﺒﻌﺎﻥ ﻭﺍﺤﺩ‬
‫ﻴﻌﻠﻭ‬ ‫ﻭﻝﻜﻥ ﺍﻨﻅﺭ ﺃﺼﺒﺤﺕ ﺃﻨﺕ ‪..‬‬ ‫ﻋﻠﻰ ﻴﻤﻴﻨﻪ ﻭﺍﻷﺨﺭ ﻋﻠﻰ ﻴﺴﺎﺭﻩ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﺼﻭﺕ‬ ‫‪ Full rear‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺩﻓﻌﺎﻥ ﺍﻝﻔﻼﺡ‬
‫ﺍﻜﺜﺭ‬ ‫ﻝﻠﺨﺎﺭﺝ ﻤﻊ ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺴﺭﻴﻌﺔ ﺤﺘﻰ ﻨﺼل ﺍﻝﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ ‪Medium Long‬‬

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‫‪ Shot‬ﻝﻠﻔﻼﺡ ﻭﺍﻝﺘﺎﺒﻌﺎﻥ ﻭﻫﻡ ﻴﺠﺭﻭﻩ‬

‫ﺍﻝﻰ ﺍﻝﺨﺎﺭﺝ ﻨﺤﻭ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ‬ ‫ﻤﺸﻬﺩ )‪(6‬‬
‫ﺍﻝﺭﻴﺎﺡ‬ ‫ﻨﻬﺎﺭ‪ /‬ﺨﺎﺭﺠﻰ‬

‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻜﻤﻼ ‪ :‬ﺍﻝﻁﻭﻓﺎﻥ‬ ‫ﻜﺎﺩﺭ ﻓﺎﻀﻲ ﻝﻠﺭﻤﺎل ﺘﺴﻘﻁ ﻓﻴﻪ ﺭﺍﺱ‬
‫ﺍﻝﻔﻼﺡ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻝﺘﺼﻁﺩﻡ‬
‫)ﺼﻤﺕ (‬ ‫ﺒﺎﻷﺭﺽ ﻓﻰ ‪Medium . Close‬‬
‫‪ Shot.‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻤﻊ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﺴﺘﻤﺭ ‪ :‬ﺍﻗﻡ ﺍﻝﻌﺩل‬
‫ﺍﻨﺸﺭ ﺍﻝﺨﻴﺭ‬ ‫ﺤﺭﻜﺔ ‪ pan left‬ﺒﻁﻴﺌﺔ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻤﻊ‬
‫ﺩﻤﺭ ﻜل ﺸﺭ‬ ‫ﺍﺴﺘﻤﺭﺍﺭ ﺍﻝﻜﻼﻡ ﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺒﻌﺽ‬
‫ﻜﻥ ﻜﺎﻝﺭﺨﺎﺀ ﺍﻝﻘﺎﺩﻡ ﺍﻝﺫﻯ ﻴﻘﻀﻰ‬ ‫ﺍﻝﻌﺸﺏ ﺍﻝﻨﺎﻤﻲ ﻭﺘﺒﺩﺍﺀ ﺒﺈﻀﺎﺀﺓ ﺸﺩﻴﺩﺓ‬
‫ﻋﻠﻰ ﺍﻝﻤﺠﺎﻋﺔ‬ ‫ﻭﺘﻘل ﻓﻰ ﻨﻬﺎﻴﺔ ﺍل ‪ pan‬ﺤﺘﻰ ﻨﺼل ﺍﻝﻰ‬
‫ﻜﺎﻝﻜﺴﺎﺀ ﺍﻝﺫﻯ ﻴﻨﻬﻰ ﺍﻝﻌﺭﺍﺀ‬ ‫ﺒﺩﺍﻴﺔ ﻋﺘﻤﺔ‬
‫ﻜﺎﻝﺴﻤﺎﺀ ﺍﻝﺴﺎﻜﻨﺔ ﺒﻌﺩ ﻋﺎﺼﻔﺔ‬
‫ﻫﻭﺠﺎﺀ‬
‫ﺘﻤﻨﺢ ﺍﻝﺩﻑﺀ ﻝﻤﻥ ﻴﻘﺎﺴﻭﻥ ﺍﻝﺒﺭﺩ‬ ‫‪39‬‬
‫ﻜﻥ ﻜﺎﻝﻨﺎﺭ ﺍﻝﺘﻰ ﺘﻨﻀﺞ ﺍﻝﻨﻴﺊ‬
‫ﻜﺎﻝﻤﺎﺀ ﺍﻝﺫﻯ ﻴﺫﻫﺏ ﺒﺎﻝﻌﻁﺵ‬ ‫ﻴﺴﺘﻤﺭ ﺍل‪ pan‬ﺤﺘﻰ ﻨﺼل ﻤﺭﻩ ﺍﺨﺭﻯ‬
‫ﺃﻭﺘﻴﺕ ﺍﻝﻌﻠﻡ‬ ‫ﺍﻝﻰ ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﺒﺭﻭﻓﻴل ‪side angle‬‬
‫ﻭﺍﻜﺘﺴﺒﺕ ﺍﻝﺩﺭﺍﻴﺔ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﺭﺍﻜﻊ ﻋﻠﻰ ﺍﻝﺭﻤﺎل‬
‫ﻻ ﻝﺘﺴﻠﺏ ﺍﻝﻨﺎﺱ‬
‫ﻤﻊ ﺤﺭﻜﺔ ‪ Tilt up‬ﺍﻝﻰ ﻗﻤﺔ ﺍﻝﺘل‬
‫ﻓﻴﺨﺘﻔﻰ ﺍﻝﻔﻼﺡ ﻭﻴﻅﻬﺭ ﺍﻝﺤﺎﺸﻴﺔ ﻭ‬
‫ﺍﻋﺘﺩﺕ ﺴﻠﻭﻙ ﺍﻝﺒﺸﺭ‬ ‫ﺍﻝﻭﺍﻝﻰ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﻪ ﻋﺎﻤﺔ‬
‫ﻝﺫﻝﻙ ﻓﺄﻨﺕ ﻋﺭﻀﺔ ﻝﻠﺨﻁﺎﺀ‬ ‫) ‪ Very Long Shot (VLS‬ﻓﻭﻕ‬
‫ﺃﻓﻀﻴﻠﺔ ﺒﻨﻰ ﺍﻹﻨﺴﺎﻥ‬ ‫ﺍﻝﺘل ﻴﻨﺼﺘﻭﻥ ﺜﻡ ﻴﻠﺘﻔﺘﻭﻥ‬
‫ﺃﺼﺒﺢ ﺯﻋﻴﻡ ﺍﻝﻤﻌﺘﺩﻴﻥ ﻋﻠﻰ‬ ‫ﻭﻴﺒﺩﺍﺀ ﺍﻝﻭﺍﻝﻰ ﻭ ﺍﻝﺤﺎﺸﻴﺔ ﻓﻰ ﺍﻝﻨﺯﻭل‬
‫ﺍﻷﺭﺽ‬ ‫ﻤﻥ ﻋﻠﻰ ﺍﻝﺠﺎﻨﺏ ﺍﻷﺨﺭ ﻝﻠﺘل ﻭ ﻴﺨﺘﻔﻭﻥ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﺨﻠﻑ ﺍﻝﺘل ﺍﻝﺭﻤﻠﻰ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻝﻠﻔﻼﺡ ﻓﻭﻕ ﺍﻝﺘل ﻭﻫﻭ ﻓﻰ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ‪ :‬ﺍﻥ ﺯﺍﺭﻉ ﺍﻝﺸﺭ‬ ‫ﻭﻀﻊ ﺍﻝﺤﺒﻭ ﻴﺘﺤﺭﻙ ﺜﻡ ﻴﺭﻜﻊ ﻓﻰ‬
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‫ﻴﺭﻭﻯ ﺤﻘﻠﻪ ﺒﺎﻝﻅﻠﻡ‬ ‫ﺨﺸﻭﻉ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ ‪Full Front‬‬
‫‪Face‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻴﻅﻬﺭ ﺍﻝﺤﺎﺸﻴﺔ ﻭ ﺍﻝﻭﺍﻝﻰ ﻓﻰ ﺤﺠﻡ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪:‬‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ‬
‫ﻴﺎ ﻤﻥ ﺘﺎﻤﺭﻫﺎ‬ ‫) ‪ Very Long Shot (VLS‬ﻓﻭﻕ‬
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‫ﻓﺘﺼﺩﻉ ﻝﻤﺸﻴﺌﺘﻙ ﻭﺘﺒﺤﺭ‬ ‫ﺍﻝﺘل ﻴﻨﺼﺘﻭﻥ ﻭﻫﻡ ﻤﻠﺘﻔﺘﻭﻥ ﺒﺎﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﺩﻯ‬ ‫ﻤﺸﻬﺩ )‪(7‬‬
‫ﺼﻭﺕ‬ ‫ﻴﺘﺎﺒﻊ ﺍﻝﻔﻼﺡ ‪ :‬ﺍﻥ ﺠﻭﻓﻰ ﻴﻀﻴﻕ‬ ‫ﻨﻬﺎﺭ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺍﻝﻔﻼﺡ‬ ‫ﺒﻤﺎ ﻓﻴﺔ‬ ‫ﺩﻴﻜﻭﺭ ﻤﻘﺭ ﺍﻝﻭﺍﻝﻰ‬
‫ﻭﺍﻥ ﻗﻠﺒﻰ ﻤﺜﻘل‬

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‫ﻫﻨﺎﻙ ﺼﺩﻉ ﻓﻰ ﺍﻝﺴﺩ‬
‫ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﻴﻘﻑ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫ﻭﺍﻝﻤﻴﺎﻩ ﺘﻨﺩﻓﻊ ﻤﻨﻪ‬
‫ﻝﺫﻝﻙ ﺍﻓﺘﺢ ﻓﻤﻰ ﻻﺘﻜﻠﻡ‬
‫ﻝﻴﺱ ﻫﻨﺎﻙ ﻤﻥ ﺼﺎﻤﺕ ﺍﻻ ﻭﻗﺩ‬
‫ﺍﻨﻁﻘﺘﺔ‬
‫ﻭﻝﻴﺱ ﻫﻨﺎﻙ ﻤﻥ ﻨﺎﺌﻡ ﺍﻻ ﻭﻗﺩ‬
‫ﺍﻴﻘﻅﺘﻪ‬
‫ﺜﻡ ﻴﻅﻬﺭ ﻋﻤﻭﺩﺍﻥ ﻋﻠﻰ ﺠﺎﻨﺒﻰ ﻤﻘﺩﻤﺔ‬
‫ﻭﻝﻴﺱ ﻫﻨﺎﻙ ﻤﻥ ﺠﺎﻫل ﺍﻻ ﻭﻗﺩ‬
‫ﺠﻌﻠﺕ ﻤﻨﻪ ﺤﻜﻴﻤﺎ‬
‫ﺍﻥ ﺍﻝﺫﻴﻥ ﻨﺼﺒﻭﺍ ﻝﻜﻰ ﻴﺩﺭﺅﺍ ﺍﻝﺴﻭﺀ‬
‫ﺍﺼﺒﺤﻭﺍ ﻤﻠﺠﺎ ﻝﻠﻌﺎﺒﺜﻴﻥ‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪:‬‬
‫ﺍﻗﻡ ﺍﻝﻌﺩل ﻤﻥ ﺍﺠل ﺍﻻﻝﻪ‬
‫ﺍﻝﺫﻯ ﺍﺼﺒﺢ ﻋﺩﻝﻪ ﻗﺎﻨﻭﻨﺎ ﻝﻠﻌﺩل‬
‫‪ Front Face 43‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺴﻁ ﺍﻝﻘﺎﻋﺔ‬
‫ﻴﻀﻊ ﻗﺩﻤﻴﺔ ﻋﻠﻰ ﺍﻝﻤﻨﺼﺔ ﻴﻨﻅﺭ ﻝﻼﻤﺎﻡ‬
‫ﻴﺘﺎﺒﻊ ﺍﻝﻔﻼﺡ ‪ :‬ﻓﺎﻝﻌﺩل ﻝﻠﺨﻠﻭﺩ‬
‫ﻭﻫﻭ ﻴﻬﺒﻁ ﻤﻊ ﺼﺎﺤﺒﺔ ﺍﻝﻰ ﺍﻝﻘﺒﺭ‬
‫ﺤﻴﻨﻤﺎ ﻴﻠﻑ ﻓﻰ ﻜﻔﻨﻪ ﻭﻴﻭﻀﻊ ﻓﻰ‬
‫ﺍﻝﺘﺭﺍﺏ‬
‫ﻓﻼ ﻴﻤﺤﻰ ﺍﺴﻤﺔ ﻤﻥ ﺍﻻﺭﺽ‬
‫ﺒل ﻴﺫﻜﺭ ﻻﻨﻪ ﺍﻗﺎﻡ ﺍﻝﻌﺩل‬
‫ﺫﻝﻙ ﻫﻭ ﺸﺭﻉ ﺍﻻﻝﻪ‬
‫ﺍﻨﻙ ﻝﻡ ﺘﻜﺎﻓﺌﻨﻰ ﻋﻠﻰ ﻫﺫﻩ ﺍﻝﻜﻠﻤﺔ‬
‫ﺍﻝﻁﻴﺒﺔ‬
‫ﺍﻝﺘﻰ ﺨﺭﺠﺕ ﻤﻥ ﻓﻡ ﺭﻉ ﺫﺍﺘﻪ‬
‫ﻗل ﺍﻝﺤﻕ‬
‫ﺍﻓﻌل ﺍﻝﺤﻕ‬
‫ﻻﻨﻪ ﻋﻅﻴﻡ‬
‫ﻻﻨﻪ ﻫﻭ ﺍﻝﺒﺎﻗﻰ‬
‫ﻭﺴﻭﻑ ﻴﻨﺎﻝﻙ ﺍﻝﺜﻭﺍﺏ‬
‫ﻭﻴﺘﺒﻌﻙ ﺨﻼل ﻋﻤﺭﻙ ﺍﻝﻤﺩﻴﺩ‬
‫ﺍﻤﺎ ﻤﻥ ﻴﺘﻐﺎﻀﻰ ﻋﻥ ﺍﻝﺨﺩﻴﻌﺔ‬
‫ﻓﻠﻥ ﺘﻜﻥ ﻝﻪ ﺫﺭﻴﺔ‬
‫ﻭﻻ ﻭﺍﺭﺜﻭﻥ ﻋﻠﻰ ﺍﻻﺭﺽ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫ﺼﻭﺕ ﺍﻝﻔﻼﺡ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪:‬‬
‫ﺫﻝﻙ ﺍﻝﺫﻯ ﻴﺒﺤﺭ ﻭﻤﻌﻪ ﺍﻝﺨﺩﻴﻌﺔ‬
‫ﻝﻥ ﺘﺼل ﺴﻔﻴﻨﺘﻪ ﺍﻝﻰ ﻤﺭﻓﺄﻫﺎ‬
‫ﻝﻴﺱ ﻫﻨﺎﻙ ﺍﻤﺱ ﻝﻤﻥ ﻻ ﻴﺒﺎﻝﻰ‬
‫ﻭﻝﻴﺱ ﻫﻨﺎﻙ ﺼﺩﻴﻕ ‪..‬‬
‫ﻝﻤﻥ ﺼﻤﺕ ﺍﺫﻨﻪ ﻋﻥ ﺍﻝﻌﺩل‬
‫ﻭﻝﻴﺱ ﻫﻨﺎﻙ ﻴﻭﻡ ﻫﻨﻴﺊ ﻝﻠﺠﺸﻊ‬
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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺭﻜﻊ‬
‫ﺒﺩﺍﻴﺔ ﺤﺭﻜﺔ ‪ zoom out‬ﺒﻁﺊ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫‪42‬‬
‫ﺍﻝﻜﺎﺩﺭ ﺍﻤﺎﻤﻬﻤﺎ ﻜﺎﺘﺒﺎﻥ ﻴﺩﻭﻨﺎﻥ ﻭﺍﻝﻔﻼﺡ‬
‫ﺭﺍﻜﻊ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺒﻴﻥ ﺍﻻﻋﻤﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫ﻝﻠﻭﺍﻝﻰ ﺭﻴﻨﺯﻯ ﺒﻥ ﻤﻴﺭﻭ ﺠﺎﻝﺱ ﻋﻠﻰ‬
‫ﻜﺭﺴﻰ ﺍﻝﻭﻻﻴﺔ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫ﻤﺼﻐﻴﺎ ﻭﻫﻭ ﻴﻤﺴﻙ ﺒﻌﺼﻰ ﺍﻝﻭﻻﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ) ‪Long Shot (LS‬‬
‫ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﺭﺍﻜﻊ‬
‫ﻤﻊ ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ‬
‫ﺤﺘﻰ ﻨﺼل ﺍﻝﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ‬
‫‪ Medium Shot‬ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﺭﺍﻜﻊ‬
‫ﻴﻨﻜﺱ ﺍﻝﻔﻼﺡ ﺭﺃﺴﻪ‬
‫‪44‬‬
‫ﻴﺭﻓﻊ ﺭﺍﺴﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻠﻭﺍﻝﻰ ﺭﻴﻨﺯﻯ ﺒﻥ ﻤﻴﺭﻭ ﺠﺎﻝﺱ ﻋﻠﻰ‬
‫ﻜﺭﺴﻰ ﺍﻝﻭﻻﻴﺔ ﻤﻭﺍﺠﻬﻪ ‪Full‬‬
‫‪ Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺴﻁ ﺍﻝﻘﺎﻋﺔ‬
‫‪ 45‬ﻴﻀﻊ ﻗﺩﻤﻴﺔ ﻋﻠﻰ ﺍﻝﻤﻨﺼﺔ ﻴﻨﻅﺭ ﻝﻼﻤﺎﻡ‬
‫ﻤﺼﻐﻴﺎ ﻭﻫﻭ ﻴﻤﺴﻙ ﺒﻌﺼﻰ ﺍﻝﻭﻻﻴﺔ ﻤﻊ‬
‫ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ ﺤﺘﻰ‬
‫ﻨﺼل ﺍﻝﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ‬
‫‪Medium Shot‬‬
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‫ﻗﻁﻊ ‪Cut‬‬

‫ﻴﺘﺎﺒﻊ ﺍﻝﻔﻼﺡ ‪ :‬ﺍﻨﻰ ﺃﺸﻜﻭ ﺇﻝﻴﻙ‬ ‫‪ Medium . Close .Shot‬ﻝﻘﻁﺔ‬

‫ﻭﻝﻜﻨﻙ ﻻ ﺘﺴﻤﻊ ﺸﻜﻭﺍﻯ‬ ‫ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻔﻼﺡ ﻭﻫﻭ ﻤﻭﺍﺠﻬﻪ‬
‫ﺴﺄﺫﻫﺏ ﻭﺍﺤﻤل ﺸﻜﻭﺍﻱ ﻤﻨﻙ‬ ‫‪ Full Front Face‬ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻷﻨﻭﺒﻴﺱ ﺍﻝﻪ ﺍﻝﺠﺒﺎﻨﺔ‬ ‫ﺍﻝﻔﻼﺡ ﻴﺒﺩﺍﺀ ﺍﻝﻭﻗﻭﻑ ﻤﻊ ﺤﺭﻜﺔ ‪Tilt‬‬
‫ﺩﺨﻭل‬ ‫ﺼﻭﺕ‬ ‫‪ up‬ﻭﻴﺘﺭﺍﺠﻊ ﺜﻡ ﻴﻠﺘﻔﺕ ﻝﻴﺨﺭﺝ ﻤﻥ ﺸﻤﺎل‬
‫ﻤﻭﺴﻴﻘﻰ‬ ‫ﺨﻁﻭﺍﺕ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻊ ‪ pan left‬ﺒﺴﻴﻁﺔ ﻓﺘﺘﺤﻭل‬
‫ﻁﺒﻭل‬ ‫ﺃﻝﻠﻘﻁﺔ ﺍﻝﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﻪ ﻜﺒﻴﺭﺓ‬
‫‪ Medium Long Shot‬ﻓﻴﻅﻬﺭ ﻓﻰ‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺭﺩﻫﺔ ﺼﻐﻴﺭﺓ ﻴﻅﻬﺭ ﻤﻥ‬
‫ﺨﻼﻝﻬﺎ ﺘﺤﻭﺕ ﻨﺨﺕ ﻭﻴﺩﻴﻪ ﺨﻠﻑ ﻅﻬﺭﻩ‬
‫ﻴﻨﻅﺭ ﺇﻝﻴﻪ ﺍﻝﻔﻼﺡ ﺒﺎﻨﺩﻫﺎﺵ ﺜﻡ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻭﺍﻝﻰ ﺜﻡ ﻴﺘﻘﺩﻡ ﺨﻁﻭﺓ ﻝﻼﻤﺎﻡ ﻤﻊ ﺩﻓﻊ‬
‫ﺘﺤﻭﺕ ﻨﺨﺕ ﻤﻥ ﺤﺭﺴﻪ ﺇﻝﻰ ﺍﻷﻤﺎﻡ ﻭﻫﻭ‬
‫ﻴﻨﻅﺭ ﺸﺫﺭﺍ ﺍﻝﻰ ﺍﻝﻔﻼﺡ ﻴﺩﻓﻊ ﺒﺎﺘﺠﺎﻩ ﺸﻤﺎل‬
‫ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﺸﺎﺭﻴﻭﻩ ﻤﻊ ﺘﺤﻭﺕ ﻨﺨﺕ‬
‫ﺼﻭﺕ ﺩﻗﺔ‬ ‫‪ 46‬ﺒﺎﺘﺠﺎﻩ ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﺤﺘﻰ ﻨﺭﻯ ﺍﻝﻭﺍﻝﻰ‬
‫ﻋﺼﺎ‬ ‫ﻭﺘﺤﻭﺕ ﻨﺨﺕ ﻴﺭﻜﻊ ﺃﻤﺎﻤﻪ ﻭﻴﺩﻴﻪ ﻤﻜﺒﻠﻪ‬
‫ﺃﻗﻡ ﺍﻝﻌﺩل ﻤﻥ ﺍﺠل ﺍﻹﻝﻪ‬ ‫ﺒﺎﻝﺤﺒﺎل ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‬
‫) ‪Long Shot (LS‬‬
‫ﺜﻡ ﻴﻀﺭﺏ ﺍﻝﻭﺍﻝﻰ ﺒﻌﺼﺎﻩ ﻓﻴﺘﻘﺩﻡ ﺇﻝﻴﻪ ﻤﻥ‬
‫ﺍﻝﺫﻯ ﺃﺼﺒﺢ ﻋﺩﻝﻪ ﻗﺎﻨﻭﻨﺎ ﻝﻠﻌﺩل‬ ‫ﺍﻝﻴﻤﻴﻥ ﺤﺎﻤل ﺍﻝﺒﺭﺩﻴﺔ ﻭﻤﻥ ﺍﻝﺸﻤﺎل ﺘﺎﺒﻊ‬
‫ﻓﺎﻝﻌﺩل ﻝﻠﺨﻠﻭﺩ‬ ‫ﻴﺄﺨﺫ ﺍﻝﻌﺼﺎ ﻤﻨﻪ ﺍﻝﻭﺍﻝﻰ ﻴﻨﺸﺭ ﺍﻝﺒﺭﺩﻴﺔ‬
‫ﻭﻫﻭ ﻴﻬﺒﻁ ﻤﻊ ﺼﺎﺤﺒﺔ ﺍﻝﻰ ﺍﻝﻘﺒﺭ‬ ‫ﺤﺭﻜﺔ ‪ zoom in‬ﻝﻠﻜﺎﻤﻴﺭﺍ ﺒﻁﻴﺌﺔ‬
‫ﺤﻴﻨﻤﺎ ﻴﻠﻑ ﻓﻰ ﻜﻔﻨﻪ ﻭﻴﻭﻀﻊ ﻓﻰ‬
‫ﺍﻝﺘﺭﺍﺏ‬

‫ﺘﻭﻗﻑ ﺤﺭﻜﺔ ‪ zoom in‬ﺍﻝﺒﻁﻴﺌﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺸﻬﺩ )‪(8‬‬
‫ﻨﻬﺎﺭ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺴﻘﺎﺭﺓ ‪/‬ﺼﺤﺭﺍﺀ‬
‫ﺼﻭﺕ ﺍﻝﻭﺍﻝﻰ ﻤﺘﺎﺒﻌﺎ ﻤﻥ ﺨﺎﺭﺝ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻓﻼ ﻴﻤﺤﻰ ﺃﺴﻤﺔ ﻤﻥ‬ ‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫ﺍﻷﺭﺽ‬ ‫)‪ VLS‬ﺍﻝﻔﻼﺡ ﻴﺤﻤل ﻋﻨﺯﺓ ﺼﻐﻴﺭﺓ ﺍﻝﻰ‬
‫ﺒل ﻴﺫﻜﺭ ﻷﻨﻪ ﺃﻗﺎﻡ ﺍﻝﻌﺩل‬ ‫ﺼﺩﺭﻩ ﻭﻴﺴﺤﺏ ﺨﻠﻔﻪ ﺜﻼﺙ ﺤﻤﻴﺭ ﺘﺤﻤل‬
‫ﺼﻭﺕ‬ ‫ﻋﻠﻰ ﻅﻬﻭﺭﻫﺎ ﺴﻼل ﻤﺤﻤﻠﻪ ﺒﺎﻝﺨﻴﺭﺍﺕ‬
‫ﺴﻭﺒﺭﺍﻨﻭ‬ ‫ﻗل ﺍﻝﺤﻕ‬ ‫ﻭﻓﻭﻕ ﺍﺤﺩﻫﺎ ﻗﺭﺩ ﺼﻐﻴﺭ ﻭﻤﻥ ﺨﻠﻔﻬﺎ‬ ‫‪47‬‬
‫ﻤﺘﺼﺎﻋﺩ‬ ‫ﺍﻓﻌل ﺍﻝﺤﻕ‬ ‫ﺼﺒﻰ ﻭﻴﺘﻘﺩﻤﻭﻥ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻓﻰ‬
‫ﻷﻨﻪ ﻋﻅﻴﻡ‬ ‫ﺍﺘﺠﺎﻩ ﻤﻘﺩﻤﻪ ﺍﻝﻜﺎﺩﺭ ﺜﻡ ﻴﺘﺤﺭﻜﻭﺍ ﺘﺠﺎﻩ‬
‫ﻷﻨﻪ ﻫﻭ ﺍﻝﺒﺎﻗﻰ‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺴﻭﻑ ﻴﻨﺎﻝﻙ ﺍﻝﺜﻭﺍﺏ‬ ‫ﺘﺘﺤﺭﻙ ‪ pan right‬ﺜﻡ ﺘﺜﺒﺕ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻠﻰ ﺜﻼﺙ ﺘﺎﺒﻌﻴﻥ ﻝﻠﻤﻠﻙ ﻭﺍﻗﻔﻴﻥ ﻓﻰ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻴﻭﺩﻋﻭﻥ ﻭﻫﻡ ﻤﻤﺴﻜﻴﻥ ﺒﺸﺎﺭﺍﺕ‬
‫ﺍﻝﻭﻻﻴﺔ ﻭﻏﺎﺒﺔ ﻨﺨﻴل ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺨﻠﻑ‬
‫ﺍﻷﺘﺒﺎﻉ ﻭ ﻴﺨﺭﺝ ﺍﻝﻔﻼﺡ ﻭﻗﺎﻓﻠﺘﻪ ﻤﻥ ﻴﻤﻴﻥ‬

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‫ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻤﻨﻅﺭ ﺒﺄﻜﻤﻠﻪ ﺘﻜﺴﻭﻩ ﺃﺸﻌﺔ‬

‫ﺍﻝﺸﻤﺱ ﺒﻠﻭﻥ ﻭﺭﺩﻯ ﺒﻬﻴﺞ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻪ ﻋﺎﻤﺔ) ‪Very Long Shot‬‬
‫)‪ VLS‬ﻋﻠﻰ ﺘل ﻤﺭﺘﻔﻊ ﻭﻗﺭﺹ ﺍﻝﺸﻤﺱ‬
‫ﺼﻭﺕ‬ ‫ﻋﻠﻰ ﺃﻓﻕ ﺍﻝﺘل ‪ ..‬ﺘﺩﺨل ﻗﺎﻓﻠﺔ ﺍﻝﻔﻼﺡ‬
‫ﺼﻭﺕ ﺍﻝﻭﺍﻝﻰ ﻤﺴﺘﻤﺭ ﻤﻥ ﺨﺎﺭﺝ‬
‫ﺴﻭﺒﺭﺍﻨﻭ‬ ‫ﺴﻴﻠﻭﻴﺕ ﺤﺘﻰ ﺘﻌﺒﺭ ﺍﻝﻜﺎﺩﺭ ﺘﻤﺎﻤﺎ ﺃﻤﺎﻡ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ :‬ﻭﻴﺘﺒﻌﻙ ﺨﻼل ﻋﻤﺭﻙ‬
‫ﻴﻌﻠﻭﺍ‬ ‫ﻗﺭﺹ ﺍﻝﺸﻤﺱ‬ ‫‪48‬‬
‫ﺍﻝﻤﺩﻴﺩ‬
‫ﺍﻝﻜﺎﺩﺭ ﺨﺎﻝﻲ ﺘﻤﺎﻤﺎ ﻭﻗﺭﺹ ﺍﻝﺸﻤﺱ ﻴﺯﺩﺍﺩ‬
‫ﺘﻭﻫﺠﺎ ﺤﺘﻰ ﺘﺼﺒﺢ ﺍﻝﺸﺎﺸﺔ ﺒﻴﻀﺎﺀ ﺘﻤﺎﻤﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪Fade in‬‬
‫ﻅﻬﻭﺭ ﻝﻭﺤﺔ ﻤﻥ ﺍﻹﻅﻼﻡ ﺍﻝﺘﺎﻡ‬

‫ﺍﻝﻁﺒﻊ ﻭ ﺍﻝﺘﺤﻤﻴﺽ‬
‫ﻤﻌﺎﻤل ﺃﺴﺘﻭﺩﻴﻭ ﻤﺼﺭ‬
‫ﻤﺩﻴﺭ ﺍﻝﻤﻌﺎﻤل‬ ‫‪49‬‬
‫ﺴﻌﺩ ﻋﺒﺩ ﺍﻝﺭﺤﻤﻥ‬
‫ﺘﺼﺤﻴﺢ ﺃﻝﻭﺍﻥ‬
‫ﺴﻌﻴﺩ ﺍﻝﺠﺯﺍﺭ‬

‫ﺍﻝﻨﻬﺎﻴﺔ‬
‫‪THE END‬‬ ‫‪50‬‬

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