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‫ﺍﻝﻤﺨﺭﺝ ﻋﺎﻁﻑ ﺍﻝﻁﻴﺏ‬ ‫ﻓﻴﻠﻡ ﺴﻭﺍﻕ ﺍﻷﺘﻭﺒﻴﺱ‬

‫ﻭﺼﻑ ﺍﻝﺼﻭﺕ‬ ‫ﻭﺼﻑ ﺍﻝﺼﻭﺭﺓ‬ ‫ﻡ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻤﺅﺜﺭﺍﺕ‬ ‫ﺍﻝﺤﻭﺍﺭ‬
‫ﻤﺸﻬﺩ ) ‪( 1‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﻐﺭﻓﺔ ‪ L. S‬ﻭﺘﺘﺤﺭﻙ‬ ‫‪1‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan Right‬ﻝﺘﺼل‬
‫ﺇﻝﻰ ﺍﻝﺴﺭﻴﺭ ﻭﺘﺩﺨل ﻤﻘﺘﺭﺒﺔ ﻤﻥ ﺤﺴﻥ‬
‫ﺍﻝﺫﻯ ﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬
‫ﻭﻴﻘﻭﻡ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻝﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ﻨﺎﺌﻤﺔ ﺒﺠﻭﺍﺭﻩ ﻭﺘﻌﺘﺩل‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 2‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺍﻝﻤﻨﺯل‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﺤﺴﻥ‬ ‫‪2‬‬
‫‪ .M .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬
‫‪ Low angle‬ﻭﻫﻭ ﻴﻐﺴل ﻭﺠﻬﻪ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺴﺘﻤﺭ ﻤﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺍﻝﻤﺎﺀ‬
‫ﺘﺘﺎﺒﻌﻪ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻋﻜﺱ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Track in‬ﺤﺘﻰ ﻴﻘﻑ ﺍﻤﺎﻡ‬
‫ﻏﺭﻓﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﻁﻔل ‪ . L. S‬ﻭﻫﻭ ﻨﺎﺌﻡ‬ ‫‪3‬‬
‫ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫‪Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 3‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺍﻹﺒﻥ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪4‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﻝﻺﺒﻥ ﻨﺎﺌﻡ ﻭ ﻴﺘﺠﻪ ﺤﺴﻥ ﻨﺎﺤﻴﺔ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺤﺴﻥ‬ ‫ﺴﺭﻴﺭ ﺇﺒﻨﻪ ﻝﻴﻐﻁﻴﻪ ‪ .‬ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ‬
‫ﺍﻝﻐﺭﻓﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﻅل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻠﻰ ﺍﻹﺒﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 4‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺤﺴﻥ ﻴﻘﻑ ﺃﻤﺎﻡ‬ ‫‪5‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﻰ ﺍﻝﺴﺎﻋﺔ ﺒﻘﺕ ﻜﺎﻡ ؟‬
‫ﺍﻝﻤﺭﺁﺓ ﻴﺭﺘﺩﻯ ﻤﻼﺒﺴﻪ ﻭﻤﻴﺭﻓﺕ‬
‫ﺤﺴﻥ ‪4 :‬ﻭ ﻨﺹ ‪.‬‬
‫ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻋﻤل ﻝﻙ ﻜﺒﺎﻴﺔ ﺸﺎﻯ ؟‬

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‫ﺤﺴﻥ ﺍﻝﺫﻯ ﻴﻠﺘﻔﺕ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺤﺴﻥ ‪ :‬ﻤﺎ ﺒﻼﺵ ﺒﻜﺵ ﺒﻘﻰ !‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﺩﻭﻻﺏ ﻭﻴﻔﺘﺤﻪ ﻤﻴﺭﻓﺕ ‪ :‬ﻝﻴﻪ ﺒﻘﻰ ﻴﺎ ﺨﻭﻴﺎ ! ﻤﺎ ﺍﻨﺎ‬
‫ﻭﻴﺄﺨﺫ ﻜﻭﻓﻴﺔ ‪ .‬ﺜﻡ ﻴﻐﻠﻕ ﺍﻝﺩﻭﻻﺏ ﻜﻨﺕ ﺒﻘﻭﻡ ﻤﻌﺎﻙ ﻓﻰ ﺍﻝﺼﻴﻑ ‪.‬‬
‫ﻭﻴﺨﺭﺝ ﻭﻴﻐﻠﻕ ﻤﻔﺘﺎﺡ ﺍﻝﻀﻭﺀ ‪ .‬ﻫﺎﺃﻗﻭﻡ ﺃﻋﻤﻠﻬﺎﻝﻙ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻷ ﻤﺎﻓﻴﺵ ﺩﺍﻋﻰ ﻤﺵ ﻫﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻝﺤﻕ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ‪ .‬ﺃﻨﺎ ﻫﺎ ﺃﺭﻭﺡ‬
‫ﻋﻨﺩ ﻤﺎﻤﺎ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪.‬‬
‫ﺕ ﻋﻨﺩﻫﺎ ﺃﻭل‬ ‫ﺕ ﻤﺵ ﻜﻨ ِ‬ ‫ﺤﺴﻥ ‪ :‬ﺇﻨ ِ‬
‫ﺇﻤﺒﺎﺭﺡ !‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﻌﻠﺵ ‪ .‬ﺃﺼل ﺨﺎﺭﺠﻴﻥ‬
‫ﻨﺸﺘﺭﻯ ﺤﺎﺠﺎﺕ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﻰ ﻤﺎﺒﺘﺸﺒﻌﺵ ﺸﺭﺍ !‬
‫ﺍﻝﻤﻬﻡ ﻫﺎﺃﻻﻗﻰ ﻓﻰ ﺍﻝﺒﻴﺕ ﺃﻜل‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﻭﻻ ﻷ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﺘﻴﺠﻰ ﺘﺘﻐﺩﻯ ﻋﻨﺩ ﻤﺎﻤﺎ‬

‫ﺤﺴﻥ ‪ :‬ﻷ ﻫﺎﺃﻜل ﻓﻰ ﺍﻝﺸﻐل‬

‫ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻁﺏ ﻫﺎﺘﻔﻭﺕ ﺘﺎﺨﺩﻨﻰ‬
‫ﺇﻤﺘﻰ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻋﻠﻰ ﺁﺨﺭ ﺍﻝﻨﻬﺎﺭ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺒﺘﺩﻭﺭ ﻋﻠﻰ ﺁﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻋﻠﻰ ﺍﻝﻜﻭﻓﻴﺔ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﻨﺎﻙ ﻓﻰ ﺍﻝﺩﻭﻻﺏ‬
‫ﺤﺴﻥ ‪ :‬ﺴﻼﻡ‬
‫ﺼﻭﺕ ﻤﻔﺎﺘﻴﺢ‬ ‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﻊ ﺍﻝﺴﻼﻤﺔ ﻴﺎ ﺤﺴﻥ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 5‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺍﻝﻤﻨﺯل‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺤﺴﻥ ﻴﺨﺭﺝ‬ ‫‪6‬‬
‫ﻤﻥ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪Pan‬‬
‫‪ Left‬ﻭﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻝﺸﻘﺔ ﻭﻴﺨﺭﺝ‬
‫ﺼﻭﺕ ﻗﺩﻤﻰ ﺤﺴﻥ‬ ‫ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ﻭﺭﺍﺀﻩ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 6‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺸﻭﺍﺭﻉ ﺍﻝﻘﺎﻫﺭﺓ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ ﻭﺍﻝﺴﻴﺎﺭﺍﺕ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻋﻠﻰ ﺃﺤﺩ‬ ‫‪7‬‬
‫)‪( 1‬‬ ‫ﺍﻷﺒﺭﺍﺝ ‪ .‬ﺜﻡ ﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل‬
‫‪ Tilt down‬ﻝﻴﻅﻬﺭ ﻜﻭﺒﺭﻯ‬
‫ﻭﺴﻴﺎﺭﺍﺕ ﺘﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻭﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺩﺍﺨل ﺃﺤﺩ ﺍﻷﺘﻭﺒﻴﺴﺎﺕ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫ﻝﺘﻅﻬﺭ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﻅﻬﺭ ﻝﻭﺤﺎﺕ ﺍﻝﻔﻴﻠﻡ‬

‫ﻫﺎﺩﻴﺭﺍﻤﺎ ﻝﻺﻨﺘﺎﺝ ﻭﺍﻝﺘﻭﺯﻴﻊ ﻭﺍﻹﻋﻼﻡ‬

‫ﻤــﻴﺭﻓﺕ‬ ‫ﻨــﻭﺭ ﺍﻝﺸـﺭﻴﻑ‬

‫ﺃﻤﻴﻥ‬

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‫ﻋﻤــﺎﺩ ﺤﻤـﺩﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻷﺘﻭﺒﻴﺱ ﻨﻘل‬ ‫‪8‬‬

‫ﻋﺎﻡ ﻴﻅﻬﺭ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺃﻤﺎﻤﻪ‬
‫ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﺴﻴﺎﺭﺍﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻺﺘﻭﺒﻴﺱ ﻤﻥ‬ ‫‪9‬‬
‫ﺍﻝﺠﺎﻨﺏ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻌﻤﻕ ﻭﺘﻅﻬﺭ ﻝﻭﺤﺎﺕ ﺍﻝﻔﻴﻠﻡ‬
‫ﻨﺒﻴﻠﺔ ﺍﻝﺴﻴﺩ‬
‫ﻭﺤﻴﺩ ﺴﻴﻑ‬
‫ﺤﺴﻥ ﺤﺴﻨﻰ‬
‫ﻋـﺯﻴﺯﺓ ﺤﻠﻤﻰ‬
‫ﻋـﻠﻰ ﺍﻝﻐﻨﺩﻭﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﺩﺭﺍﺠﺔ ﺒﺨﺎﺭﻴﺔ‬ ‫‪10‬‬
‫ﺘﺘﺤﺭﻙ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪Pan‬‬
‫‪Left‬‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ‬ ‫‪11‬‬
‫ﺩﺍﺨل ﺍﻷﺘﻭﺒﻴﺱ ﻝﻴﻅﻬﺭ ﺍﻝﻜﻭﺒﺭﻯ‬
‫ﻭﺍﻝﻨﻴل ﻭﺘﻅﻬﺭ ﻝﻭﺤﺔ‬
‫ﻝﻴـﻠﻰ ﻴﺴﺭﻯ‬
‫ﻤﺤﻤﺩ ﺸﻭﻗﻰ‬
‫ﻋﻠﻴﺔ ﻋﺒﺩ ﺍﻝﻤﻨﻌﻡ‬
‫ﺍﺨﺘﻔﺎﺀ ﺍﺍﻝﻠﻭﺤﺔ‬
‫ﻭﻅﻬﻭﺭ ﻝﻭﺤﺔ‬
‫ﺸﻌﺒﺎﻥ ﺤﺴﻴﻥ‬ ‫ﺼﻔﺎﺀ ﺍﻝﺴﺒﻊ‬
‫ﻤﺤﻤﺩ ﻜﺎﻤل‬ ‫ﺤﻤﺩﻯ ﺍﻝﻭﺯﻴﺭ‬
‫ﺍﻝﻤﻨﺘﺼﺭﺒﺎﷲ‬ ‫ﺴﻤﻴﺭ ﻭﺤﻴﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﻓﻭﻕ‬ ‫‪12‬‬
‫ﻜﺘﻑ ﺤﺴﻥ ﻭﻫﻭ ﻴﻘﻭﺩ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻭﻴﻅﻬﺭ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺸﺎﺭﻉ‬
‫ﻭﺍﻝﺴﻴﺎﺭﺍﺕ ﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻋﻤﻕ‬
‫ﺍﻝﺼﻭﺭﺓ‬
‫ﻭﺘﻅﻬﺭ ﻝﻭﺤﺔ‬
‫ﻋﺒﺩ ﺍﷲ ﻤﺤﻤﻭﺩ‬ ‫ﻫﺩﻯ ﻜﻤﺎل‬
‫ﺃﺤﻤﺩ ﺸﺒﻜﺔ‬ ‫ﻋﺒﺩﻩ ﺍﻝﻭﺯﻴﺭ‬
‫ﻭﺍﻝﻁﻔل‬
‫ﺸﺭﻴﻑ ﻋﺒﺩ ﺍﻝﺤﻤﻴﺩ‬
‫ﻭﺘﺨﺘﻔﻰ ﺍﻝﻠﻭﺤﺔ ﻭﺘﻅﻬﺭ ﻝﻭﺤﺔ‬
‫ﺒﺎﻹﺸﺘﺭﺍﻙ ﻤﻊ ﺍﻝﻔﻨﺎﻨﺔ ﺍﻝﻜﺒﻴﺭﺓ‬
‫ﺯﻫــﺭﺓ ﺍﻝﻌــﻼ‬
‫ﺘﺨﺘﻔﻰ ﺍﻝﻠﻭﺤﺔ ﻭﺘﻅﻬﺭ ﻝﻭﺤﺔ‬
‫ﻗﺼﺔ‬
‫ﻤﺤﻤﺩ ﺨﺎﻥ‬
‫ﺴﻴﻨﺎﺭﻴﻭ ﻭﺤﻭﺍﺭ‬
‫ﺒﺸﻴﺭ ﺍﻝﺩﻴﻙ‬

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‫ﺍﺨﺘﻔﺎﺀ ﺍﻝﻠﻭﺤﺔ‬
‫ﻅﻬﻭﺭ ﻝﻭﺤﺔ‬
‫ﻤﺎﻜﻴﺎﺝ‬
‫ﺤﻤﺩﻯ ﺃﺤﻤﺩﻯ‬
‫ﻡ‪ .‬ﻤﺎﻜﻴﻴﺭ‬
‫ﻤﻨﺼﻭﺭ ﻋﺒﺩ ﺍﻝﻭﻫﺎﺏ‬
‫ﻜﻭﺍﻓﻴﺭ‬
‫ﻤﺤﻤﺩ ﻋﺒﺩ ﺍﻝﻭﻫﺎﺏ‬
‫ﻤﺴﺠل ﺤﻭﺍﺭ‬
‫ﻋﺒﺎﺱ ﺒﺴﻴﻭﻨﻰ‬
‫ﻤﺅﺜﺭﺍﺕ ﺤﻴﺔ‬
‫ﺤﺴﻥ ﺍﻝﺸﺎﻋﺭ‬
‫ﻡ ‪ .‬ﺼﻭﺕ‬
‫ﺴﻴﺩ ﺭﺤﻴﻡ‬
‫ﺭﻴﺠﻴﺴﻴﺭ‬
‫ﺴﻴﺩ ﻋﻠﻰ‬
‫ﻡ ‪ .‬ﺇﻜﺴﺴﻭﺍﺭ‬
‫ﻤﺠﺩﻯ ﻋﺒﺩ ﺍﻝﻠﻁﻴﻑ‬
‫ﻡ ‪ .‬ﺭﻴﺠﻴﺴﻴﺭ‬
‫ﻋﺯﺕ ﻤﺼﻁﻔﻰ‬
‫ﻤﻨﺴﻕ ﻤﻨﺎﻅﺭ‬
‫ﻓﺎﺭﻭﻕ ﺨﻭﺭﺸﻴﺩ‬
‫ﻜﻼﻜﻴﺕ‬
‫ﺃﺤﻤﺩ ﻋﺒﺩ ﺍﻝﻤﺤﺴﻥ‬
‫ﻡ ‪ .‬ﻤﺼﻭﺭ‬
‫ﺸﺭﻴﻑ ﺇﺤﺴﺎﻥ‬
‫ﻓﻭﺘﻭﻏﺭﺍﻓﻴﺎ‬
‫ﻓﺎﺭﻭﻕ ﺇﺒﺭﺍﻫﻴﻡ‬
‫ﻤﺴﺎﻋﺩﻭ ﺍﻹﺨﺭﺍﺝ‬
‫ﻤﺤﻤﺩ ﺍﻝﻨﺠﺎﺭ‬
‫ﻴﻭﺴﻑ ﺭﺯﻕ‬
‫ﻤﻨﻔﺫ ﺍﻹﻨﺘﺎﺝ‬
‫ﻏﻁﺎﺱ ﻗﻠﺘﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﺅﺜﺭ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ﻤﻥ ﺩﺍﺨل ﻤﻘﻬﻰ ﻭ‬ ‫‪13‬‬
‫)‪(1‬‬ ‫ﻴﺘﺤﺭﻙ ﺸﺎﺏ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻌﺒﺭ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺤﻤل ﻜﻭﺒ ﹰﺎ ﻤﻥ ﺍﻝﺸﺎﻯ ﻭ ﻭﻴﺼﺒﺢ‬
‫ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﺨﺭﺝ ﺇﻝﻰ ﺍﻝﺸﺎﺭﻉ‬
‫ﻭﻴﺼﻌﺩ ﺍﻝﻰ ﺍﻷﺘﻭﺒﻴﺱ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﺤﺴﻥ ﻭﻫﻭ‬ ‫‪14‬‬
‫ﺩﺍﺨل ﺍﻷﺘﻭﺒﻴﺱ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻤﺎﻡ‬
‫ﺍﻝﺯﺠﺎﺝ ﺍﻷﻤﺎﻤﻰ ﻝﻸﺘﻭﺒﻴﺱ ﻭﻴﺘﺤﺩﺙ‬
‫ﻤﻊ ﺍﻝﺭﻜﺎﺏ ‪ .‬ﻭﻴﻨﻌﻜﺱ ﺍﻝﺸﺎﺭﻉ ﻋﻠﻰ‬
‫ﺯﺠﺎﺝ ﺍﻷﺘﻭﺒﻴﺱ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ) ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ (‬ ‫‪15‬‬
‫ﻝﻀﻴﻑ ﺍﻝﻜﻤﺴﺭﻯ ﻭﻫﻭ ﻴﻘﻁﻊ ﺍﻝﺘﺫﺍﻜﺭ ﻀﻴﻑ ‪ :‬ﺘﺫﺍﻜﺭ ﻴﺎ ﺤﻀﺭﺍﺕ ‪.‬‬
‫ﻝﻠﺭﻜﺎﺏ ‪ ,‬ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ‬

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‫ﻴﺘﺤﺭﻙ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﺤﺴﻥ ﻭﻫﻭ‬ ‫‪16‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻌﺩل‬
‫ﻤﻥ ﻭﻀﻊ ﺍﻝﻤﺭﺁﺓ ﺍﻝﺠﺎﻨﺒﻴﺔ ﻭﻴﻅﻬﺭ‬
‫ﻭﺠﻬﻪ ﻓﻰ ﺍﻝﻤﺭﺁﺓ ﻨﺎﻅﺭﹰﺍ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻭﺘﻅﻬﺭ ﺍﻝﻠﻭﺤﺎﺕ‬
‫ﻤﺭﻜﺏ ﺍﻝﻔﻴﻠﻡ‬
‫ﻤﺤﻤﺩ ﻫﺎﺸﻡ‬
‫ﻡ ‪ .‬ﺤﺴﻴﻥ ﻤﺴﻌﻭﺩ‬
‫ﻨﻴﺠﺎﺘﻴﻑ‬
‫ﻋﺎﺩل ﺸﻜﺭﻯ‬
‫ﺍﺨﺘﻔﺎﺀ ﺍﻝﻠﻭﺤﺔ‬
‫ﻭﻅﻬﻭﺭ ﻝﻭﺤﺔ‬
‫ﺍﻝﺘﻭﺯﻴﻊ ﺩﺍﺨل ﺠﻤﻬﻭﺭﻴﺔ ﻤﺼﺭ‬
‫ﺍﻝﻌﺭﺒﻴﺔ‬
‫ﺠﻴﺒﺘﻜﻭ ﻝﺘﻭﺯﻴﻊ ﺍﻷﻓﻼﻡ‬
‫ﺘﺎﻜﻔﻭﺭ ﺃﻨﻁﻭﻨﻴﺎﻥ ﻭﺸﺭﻜﺎﻩ‬
‫‪8‬ﺃ ﺸﺎﺭﻉ ‪ 26‬ﻴﻭﻝﻴﻭ ‪ -‬ﺍﻝﻘﺎﻫﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻤﺠﻤﻭﻋﺔ ﻤﻥ‬ ‫‪17‬‬
‫ﺍﻝﺭﻜﺎﺏ ﻴﺘﺤﺭﻜﻭﻥ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻝﻴﺭﻜﺒﻭﺍ ﺍﻷﺘﻭﺒﻴﺱ ﺍﻝﺫﻯ ﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﻥ ﺍﻝﻴﺴﺎﺭ ‪ ,‬ﻭﻴﻘﻑ ‪ .‬ﺜﻡ ﻴﻨﺯل ﺒﻌﺽ‬
‫ﺍﻝﺭﻜﺎﺏ ﻭﻴﺼﻌﺩ ﺃﺨﺭﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻹﺸﺎﺭﺓ ﻤﺭﻭﺭ‬ ‫‪18‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪19‬‬
‫ﻅﻬﺭﻩ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ‪16‬‬
‫ﻭﺘﻅﻬﺭ ﻝﻭﺤﺔ‬
‫ﺍﻝﺘﻭﺯﻴﻊ ﻝﺠﻤﻴﻊ ﺃﻨﺤﺎﺀ ﺍﻝﻌﺎﻝﻡ‬
‫ﻓﺎﻝﻜﻭﻥ ﻝﻠﺴﻴﻨﻤﺎ ﺭﻴﺎﺽ ﺍﻝﻌﻘﺎﺩ‬
‫ﻭﺸﺭﻜﺎﻩ‬
‫‪ 336‬ﺸﺎﺭﻉ ﺍﻝﻬﺭﻡ ‪ -‬ﺍﻝﺠﻴﺯﺓ‬
‫ﺍﻝﻤﻴﺭ ﺍﻝﻔﻨﻰ ﺭﺸﺩﻯ ﺤﺎﻤﺩ‬
‫ﻤﺩﻴﺭ ﺍﻹﻨﺘﺎﺝ‬
‫ﻓﺘﺤﻰ ﻴﺴﺭﻯ‬
‫ﻤﻬﻨﺩﺱ ﺍﻝﺼﻭﺕ‬
‫ﻤﺠﺩﻯ ﻜﺎﻤل‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ ﺍﻝﺘﺼﻭﻴﺭﻴﺔ‬
‫ﻜﻤﺎل ﺒﻜﻴﺭ‬
‫ﺍﻝﻤﻨﺘﺞ ﺍﻝﻔﻨﻰ‬
‫ﺼﺒﺤﻰ ﺇﻤﺎﻡ‬
‫ﻤﻭﻨﺘﺎﺝ‬
‫ﻨﺎﺩﻴﺔ ﺸﻜﺭﻯ‬
‫ﻤﺩﻴﺭ ﺍﻝﺘﺼﻭﻴﺭ ﺴﻌﻴﺩ ﺸﻴﻤﻰ‬
‫ﺇﺨـﺭﺍﺝ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﺎﻁـﻑ ﺍﻝﻁﻴـﺏ‬

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‫) ‪(1‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻴﺩ ﺘﻤﺘﺩ‬ ‫‪20‬‬
‫ﻋﻠﻰ ﺤﻘﻴﺒﺔ ﺴﻴﺩﺓ ﻭﺘﺄﺨﺫ ﻜﻴﺱ‬
‫ﺍﻝﻨﻘﻭﺩ ‪ .‬ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‪Tilt‬‬
‫‪ up‬ﻝﻠﺴﻴﺩﺓ ﻭﻫﻰ ﺘﺘﺤﺩﺙ ﻤﻊ ﺴﻴﺩﺓ‬
‫ﺠﺎﻝﺴﺔ ﺩﺨل ﺍﻷﺘﻭﺒﻴﺱ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻴﺩ ‪ Close up‬ﺘﺄﺨﺫ‬ ‫‪21‬‬
‫ﺤﺎﻓﻅﺔ ﺍﻝﻨﻘﻭﺩ ‪ .‬ﺜﻡ ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Tilt up‬ﻝﻴﻅﻬﺭ ﺍﻝﻠﺹ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻨﺎﻅﺭﹰﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ‬ ‫‪22‬‬
‫ﺍﻝﺴﻴﺩﺓ ﺘﻨﻅﺭ ﻷﺴﻔل ﺍﻝﻜﺎﺩﺭ ﻭﺘﻠﺘﻔﺕ ﺍﻝﺴﻴﺩﺓ ‪ :‬ﻴﺎ ﻝﻬﻭﻯ ﻜﻴﺱ ﺍﻝﻔﻠﻭﺱ‬
‫ﺇﺘﺴﺭﻕ !‬ ‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻅﻬﺭ ﺍﻝﻠﺹ‬ ‫‪23‬‬
‫ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪24‬‬
‫ﻅﻬﺭﻩ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﻀﺠﺔ ﺍﻝﺭﻜﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻸﺘﻭﺒﻴﺱ ﻤﻥ‬ ‫‪25‬‬
‫ﺩﺍﺨل ﺍﻝﺘﻭﺒﻴﺱ ﻭﻀﻴﻑ ﺍﻝﻜﻤﺴﺭﻯ ﻓﻰ‬
‫ﻤﻘﺩﻤﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻠﺹ ﺒﻴﻥ‬
‫ﺍﻝﺴﻴﺩﺓ ‪ ) :‬ﺘﺒﻜﻰ (‬
‫ﺍﻝﺭﻜﺎﺏ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺴﻴﺩﺓ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ ﻭﻫﻭ‬ ‫‪26‬‬
‫ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Pan Left‬ﻴﺩﻩ ﻭﻫﻰ ﺘﻤﺘﺩ ﻨﺎﺤﻴﺔ‬
‫ﻤﻔﺘﺎﺡ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻠﺹ ﻭﻫﻭ‬ ‫‪27‬‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﺍﻝﺨﻠﻔﻰ‬
‫ﻝﻸﺘﻭﺒﻴﺱ ﻴﺤﺎﻭل ﺍﻝﻨﺯﻭل ﻭﻴ‪‬ﻐﻠﻕ‬
‫ﺍﻝﺒﺎﺏ ﻓﻰ ﻭﺠﻬﻪ ﺜﻡ ﻴﻌﺒﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺭﻜﺎﺏ ﻭﻴﻘﻔﺯ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪28‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﻘﺩﻡ ﺤﺴﻥ‬
‫ﻭﻫﻰ ﺘﻀﻐﻁ ﻋﻠﻰ ﺍﻝﻔﺭﺍﻤل ﺒﺸﺩﺓ‬
‫ﺼﻭﺕ ﺍﻝﻔﺭﻤﻠﺔ ﺍﻝﺸﺩﻴﺩﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﺹ ﻴﻘﻔﺯ ﻤﻥ‬ ‫‪29‬‬
‫ﻨﺎﻓﺫﺓ ﺍﻷﺘﻭﺒﻴﺱ ‪ ,‬ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺎﺭﺝ‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﺒﻴﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﻴﺠﺭﻯ‬
‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪30‬‬

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‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻝﺤﺴﻥ‬

‫ﻭﻫﻭ ﺒﺎﺏ ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺘﻭﺒﻴﺱ ﻭﻫﻭ‬ ‫‪31‬‬
‫ﻭﺍﻗﻔﹰﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻴﻅﻬﺭ ﺍﻝﻠﺹ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﺠﺭﻯ‬
‫ﺒﻴﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﺤﺴﻥ‬ ‫‪32‬‬
‫ﻭﻫﻭ ﻴﻨﻅﺭ ﺍﻝﻰ ﺩﺍﺨل ﺍﻷﺘﻭﺒﻴﺱ ﻜﻤﺎ‬
‫ﺼﻭﺕ ﺃﺤﺩ ﺍﻝﺭﻜﺎﺏ ‪ :‬ﻴﺎﻝﻸ ﻴﺎﺴﻁﻰ‬
‫ﻓﻰ ﻝﻘﻁﺔ ‪ . 30‬ﺜﻡ ﻴﻌﻭﺩ ﻝﻜﺭﺴﻴﻪ‬
‫ﺒﻘﻰ!‬
‫ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ‪ .‬ﻭﻴﺘﺤﺭﻙ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﺤﺴﻥ ‪ :‬ﻁﻴﺏ ‪ .‬ﻁﻴﺏ ‪.‬‬
‫ﻤﺒﺘﻌﺩﹰﺍ ﻋﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L . S‬ﻝﻸﺘﻭﺒﻴﺱ ﻓﻰ‬ ‫‪33‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭ ﻭﻴﺘﺤﺭﻙ ﻤﺒﺘﻌﺩﹰﺍ ﻋﻥ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 7‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺃﻤﺎﻡ ﺃﺤﺩ ﻤﺤﻼﺕ ﺍﻝﻤﻼﺒﺱ‬
‫ﺍﻷﻡ ‪ :‬ﺃﻨﺎ ﻤﺵ ﻗﺎﺩﺭﺓ ﺃﻓﻬﻡ ﺇﻨﺘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M . L .S‬‬ ‫‪34‬‬
‫ﻤﺴﺘﺤﻤﻠﺔ ﻋﻴﺸﺘﻙ ﺇﺯﺍﻯ ﻤﻊ ﺤﺴﻥ‬ ‫ﻝﻤﻴﺭﻓﺕ ﻭﺍﻷﻡ ﻴﺨﺭﺠﺎ ﻤﻥ ﺃﺤﺩ‬
‫ﺼﻭﺕ ﺠﻭ ﺍﻝﺸﺎﺭﻉ‬
‫ﺍﻝﺯﻓﺕ‬ ‫ﺍﻝﻤﺤﻼﺕ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻴﺎ ﻤﺎﻤﺎ ﺤﺭﺍﻡ ﻋﻠﻴﻜﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻡ ‪ :‬ﻋﺎﺠﺒﻙ ﺍﻝﻔﺴﺘﺎﻥ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S 2‬ﻝﻤﻴﺭﻓﺕ‬ ‫‪35‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺘﻔﺘﻜﺭﻯ ﻫﺎ ﻴﺒﻘﻰ ﺤﻠﻭ‬ ‫ﻭﺍﻷﻡ ﻭﺍﻗﻔﺘﻴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻰ‬
‫ﻋﻠ ‪‬‬ ‫ﺃﻤﺎﻡ ﺃﺤﺩ ﺍﻝﻤﺤﻼﺕ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺩﺍﺨل‬
‫ﺍﻷﻡ ‪ :‬ﺘﻌﺎﻝﻰ ﻨﺩﺨل ﻨﻘﻴﺴﻪ ‪,‬‬ ‫ﺍﻝﻤﺤل ﻤﻥ ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ‬
‫ﻫﺎﻴﺒﻘﻰ ﺤﻠﻭ ﻋﻠﻴﻜﻰ ﻓﻰ ﺤﻔﻠﺔ ﺃﺨﺘﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﻴﺭﻓﺕ ‪ :‬ﻷ ﺒﻼﺵ ﺒﻌﺩﻴﻥ‬

‫ﺍﻷﻡ ‪ :‬ﻤﺎﻴﻬﻤﻴﻜﻴﺵ ﺃﻨﺎ ﻤﻌﺎﻴﺎ ﻓﻠﻭﺱ‬

‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪36‬‬

‫ﻝﻤﻴﺭﻓﺕ ﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﻭﺍﻷﻡ‬
‫ﺍﻷﻡ ‪ :‬ﻤﻴﺭﻓﺕ ‪ .‬ﻤﺎﻫﺭ ﺇﺒﻥ ﺨﺎﻝﺘﻙ‬
‫ﺘﻤﺴﻙ ﺒﺎﻝﻁﻔل ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺼﺒﺤﻭﺍ‬
‫ﺭﺠﻊ ﺇﻤﺒﺎﺭﺡ ﻤﻥ ﺒﻼﺩ ﺒﺭﻩ ‪ ,‬ﻜﻠﻤﻨﻰ‬
‫ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ ,M . S. 3‬ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﺒﻴﺴﻠﻡ ﻋﻠﻴﻜﻰ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﷲ ﻴﺴﻠﻤﻪ ‪.‬‬ ‫ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﺍﻷﻡ ‪ :‬ﺒﻴﻘﻭل ﺇﻨﻪ ﻨﺎﻭﻯ ﻴﻌﻤل‬ ‫‪Pan Left‬‬
‫ﻤﺸﺎﺭﻴﻊ ﻫﻨﺎ ﻭﻤﺵ ﻫﺎﻴﺴﺎﻓﺭ ﺒﻼﺩ‬
‫ﺒﺭﻩ ﺘﺎﻨﻰ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻓﺘﻜﺭ ﺇﻥ ﺍﻝﻜﻼﻡ ﺩﻩ ﻓﺎﺕ‬
‫ﺃﻭﺍﻨﻪ ﺨﻼﺹ ‪ .‬ﺃﻨﺎ ﺩﻝﻭﻗﺘﻰ ﺴﺕ‬
‫ﻤﺘﺠﻭﺯﺓ ﻭﻤﺨﻠﻔﺔ ﻭﺒﺄﺤﺏ ﺠﻭﺯﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪37‬‬

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‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻝﻬﺎﻨﻰ ﺍﻷﺒﻥ‬

‫ﻫﺎﻨﻰ ‪ :‬ﺘﻴﺘﺔ ‪ .‬ﺇﻨﺘﻰ ﻤﺵ‬
‫ﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻫﺎﺘﺠﻴﺒﻴﻠﻰ ﺸﻭﻜﻭﻻﺘﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻤﻴﺭﻓﺕ ﻴﻤﻴﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﺇﻨﺕ ﻜل ﺸﻭﻴﺔ ﻋﺎﻴﺯ‬ ‫‪38‬‬
‫ﻜﺎﺩﺭ ﺘﻨﻅﺭ ﻷﺴﻘل ﻭﺍﻷﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﺎﺠﺔ ؟‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﻝﻜﻴﺵ ﺩﻋﻭﺓ ﺒﺎﻝﻭﻝﺩ ‪.‬‬
‫ﺘﻌﺎﻝﻰ ﻨﻘﻌﺩ ﻓﻰ ﺃﻯ ﻤﺤل ﻨﺎﻜل ﺁﻴﺱ‬
‫ﻜﺭﻴﻡ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻷ ‪ .‬ﻤﺎﻓﻴﺵ ﺩﺍﻋﻰ ﺤﺴﻥ‬
‫ﻴﺯﻋل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 8‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺩﺍﺨﻠﻰ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ .M. S‬ﻤﻥ‬ ‫‪39‬‬
‫ﻓﻭﻕ ﻅﻬﺭ ﺤﺴﻥ ) ﺃﻤﻭﺭﺱ ( ﻭﻀﻴﻑ‬
‫ﻴﻅﻬﺭ ﻓﻰ ﻋﻤﻕ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﺴﺘﻨﺩﹰﺍ‬
‫ﻋﻠﻰ ﻤﻘﺩﻤﺔ ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﻅﻬﺭ ﻭﺠﻪ‬
‫ﺤﺴﻥ ﻓﻰ ﺍﻝﻤﺭﺁﺓ ﺍﻷﻤﺎﻤﻴﺔ‬
‫ﻝﻸﺘﻭﺒﻴﺱ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺘﻭﺒﻴﺱ ﻴﺼل‬ ‫‪40‬‬
‫ﺇﻝﻰ ﺍﻝﻤﺤﻁﺔ ﻭﻴﺠﺭﻯ ﺨﻠﻔﻪ ﻤﺠﻤﻭﻋﺔ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫ﻤﻥ ﺍﻝﻨﺎﺱ ﻭﻴﻨﺯل ﻀﻴﻑ ﻤﻥ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬
‫ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪41‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫) ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ( ‪Hand‬‬
‫‪ Camera‬ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﻔﺘﺢ ﺒﺎﺏ‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﻨﺯل ﻤﻨﻪ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﺒﺘﻌﺩﹰﺍ ﻋﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ‬
‫ﻴﺼل ﺇﻝﻰ ﺒﺭﻤﻴل ﻤﺎﺀ ﻭﻴﻨﺤﻨﻰ ﻋﻠﻴﻪ‬
‫ﻝﻴﻐﺴل ﻭﺤﻬﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﻤﺎﺀ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪42‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺴﻴﺩ ‪ :‬ﺇﺯﻴﻙ ﺒﺎﺃﺒﻭ ﻋﻠﻰ‬
‫ﻼ ﻴﺎ ﺴﻴﺩ ‪ .‬ﻫﺎﻩ ﺇﺒﻨﻙ‬
‫ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺃﻫ ﹰ‬
‫ﻭﻫﻭ ﻤﻨﺤﻨﻰ ﻭﻤﻥ ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ ‪ .‬ﻋﺎﻤل ﺁﻴﻪ !‬
‫ﺜﻡ ﻴﻘﻑ ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺴﻴﺩ ‪ :‬ﺨﺭﺝ ﺇﻤﺒﺎﺭﺡ ﻤﻥ ﻤﺴﺘﺸﻔﻰ‬
‫ﺃﻤﺭﻴﻜﻴﺔ ‪ American Shot‬ﻭﻴﻨﻅﺭ ﺍﻝﺤﻤﻴﺎﺕ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ ﺴﺎﺌﻕ ﺃﺨﺭ ﺤﺴﻥ ‪ :‬ﻴﺎﻻ ﻴﺎ ﻀﻴﻑ ‪ .‬ﺇﺭﺠﻊ‬
‫ﻭﻴﺘﺤﺭﻜﺎ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﻝﻤﺭﺍﺘﻙ ﻴﺎ ﺴﻴﺩ ﻭﺇﺨﺯﻯ ﺍﻝﺸﻴﻁﺎﻥ ‪.‬‬
‫ﺜﻡ ﻴﺨﺭﺝ ﺴﻴﺩ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺩﻯ ﻋﺸﺭﺓ ﻋﻤﺭ ‪.‬‬
‫ﻭﻴﺼﻌﺩ ﺤﺴﻥ ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ﺴﻴﺩ ‪ :‬ﻫﻰ ﺍﻝﻠﻰ ﻤﺭﻭﻭﺸﺔ ‪ .‬ﻫﻭ ﺃﻨﺎ‬
‫ﻗﻠﺕ ﻝﻬﺎ ﺘﺴﻴﺏ ﺍﻝﺒﻴﺕ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺘﻭﻜل ﻋﻠﻰ ﺍﷲ ﻭﺇﻥ ﺸﺎﺀ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﷲ ﺨﻴﺭ ‪ .‬ﻤﺎﺘﻴﺎﻻ ﻴﺎ ﻀﻴﻑ ‪.‬‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﺃﻤﺭﻴﻜﻴﺔ ‪American‬‬ ‫‪43‬‬
‫‪ Shot‬ﻤﻥ ﺩﺍﺨل ﺍﻷﺘﻭﺒﻴﺱ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﻭﻴﺼﻌﺩ‬

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‫ﻀﻴﻑ ﻤﻥ ﺍﻝﺒﺎﺏ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺤﺴﻥ‬

‫ﺨﻠﻑ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ) ﺃﻤﻭﺭﺱ (‬
‫ﻼ‬
‫ﻭﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺒﺘﻌﺩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﺤﺴﻥ ‪ :‬ﺠﺒﺕ ﻝﻨﺎ ﻝﻘﻤﺔ ﻨﺎﻜﻠﻬﺎ ؟‬
‫ﻭﻴﺼﺒﺤ ﹰﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪.L .S‬‬
‫ﻀﻴﻑ ‪ :‬ﻓﻰ ﺍﻝﺘﺎﺒﻠﻭﻩ ﻤﻥ ﺒﺩﺭﻯ ‪.‬‬
‫ﻭﻴﺘﺤﺭﻙ ﺍﻷﺘﻭﺒﻴﺱ ‪ .‬ﺜﻡ ﺘﻅﻬﺭ ﻤﻥ‬
‫ﺘﺎﻜل ﺩﻝﻭﻗﺕ ؟‬
‫ﻭﺭﺍﺀ ﺍﻝﺯﺠﺎﺝ ﻓﺘﺎﺓ ﺘﺭﺘﺩﻯ ﻤﻼﺒﺱ‬
‫ﺤﺴﻥ ‪ :‬ﻻ ‪ .‬ﻝﻤﺎ ﻨﻭﺼل ﺍﻝﺠﺎﺭﺍﺝ ‪.‬‬
‫ﻤﺩﺭﺴﻴﺔ ﻭﺘﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻝﺘﺒﺘﻌﺩ‬
‫ﻜﻭﺜﺭ ‪ :‬ﺍﻝﺤﻤﺩﷲ ﺇﻨﻰ ﻝﺤﻘﺘﻙ‬
‫ﻋﻥ ﺍﻷﺘﻭﺒﻴﺱ ﻭﺘﻘﺘﺭﺏ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ‬
‫ﺤﺴﻥ ‪ :‬ﻓﻴﻪ ﺤﺎﺠﺔ ؟‬
‫ﺤﺴﻥ ﻭﻴﺨﺭﺝ ﻀﻴﻑ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻜﻭﺜﺭ ‪ :‬ﻤﺎﻤﺎ ﻋﺎﻭﺯﺍﻙ ﻀﺭﻭﺭﻯ‬
‫ﻭﻴﺼﺒﺢ ﺤﺴﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻝﻔﺘﺎﺓ‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻝﻔﻰ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺤﺴﻥ‬
‫ﻷﻋﻠﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻠﻔﺘﺎﺓ ﺘﺩﺨل‬ ‫‪44‬‬
‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻷﺘﻭﺒﻴﺱ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ﻭﺘﺼﻌﺩ ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﺄﺘﻰ ﺨﻠﻔﻬﺎ‬
‫ﻤﺠﻤﻭﻋﺔ ﺭﻜﺎﺏ ﻴﺤﺎﻭﻝﻭﻥ ﺍﻝﺼﻌﻭﺩ‬
‫ﻭﺭﺍﺀﻫﺎ ﻭﻴﻅﻬﺭ ﻀﻴﻑ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ ﻀﻴﻑ ‪ :‬ﺠﺎﺭﺍﺝ‬
‫ﻭﻴﺸﻴﺢ ﺒﻴﺩﻩ ﻨﺎﺤﻴﺔ ﺍﻝﺭﻜﺎﺏ ﻭﻴﻐﻠﻕ‬
‫ﺍﻝﺒﺎﺏ‪ .‬ﻭﻴﺘﺤﺭﻙ ﺍﻷﺘﻭﺒﻴﺱ ﻨﺎﺤﻴﺔ‬
‫ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻜﻭﺜﺭ ﺘﻘﻑ‬ ‫‪45‬‬
‫ﺒﺭﻭﻓﻴل ‪ Profile‬ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻜﻭﺜﺭ ‪ :‬ﺍﻝﻭﺭﺸﺔ ﻫﺎ ﻴﺘﺤﺠﺯ‬
‫ﻋﻠﻴﻬﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪46‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺭﺸﺔ ﺁﻴﻪ !‬ ‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻜﻭﺜﺭ ﻤﻥ‬ ‫‪47‬‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻜﻭﺜﺭ ‪ :‬ﺇﻤﺒﺎﺭﺡ ﺠﺎﻝﻨﺎ ﺠﻭﺍﺏ ﻤﻥ‬
‫ﻤﺼﻠﺤﺔ ﺍﻝﻀﺭﺍﻴﺏ ﻴﺎ ﺍﻝﺩﻓﻊ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺤﺴﻥ ﻴﺴﺎﺭ ﺼﻭﺕ ﻜﻭﺜﺭ ‪ :‬ﻴﺎ ﺍﻝﺤﺒﺱ ‪.‬‬ ‫‪48‬‬
‫ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺴﻥ ‪ :‬ﻫﻭ ﺃﺒﻭﻴﺎ ﻤﺎﺒﻴﺩﻓﻌﺵ‬
‫ﻀﺭﺍﻴﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻜﻭﺜﺭ ‪ :‬ﺍﻝﺠﻭﺍﺏ ﻤﻜﺘﻭﺏ ﻓﻴﻪ‬
‫ﺇﻨﻪ ﻤﺘﺄﺨﺭ ﻋﺎﺍﻝﻭﺭﺸﺔ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻜﻭﺜﺭ‬ ‫‪49‬‬
‫ﻭﺠﻬﻬﺎ ﻜﺎﻤل ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻜﻭﺜﺭ ‪ 20 :‬ﺃﻝﻑ ﺠﻨﻴﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻓﺭﻤﻠﺔ ﺸﺩﻴﺩﺓ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L .S‬ﻤﻥ ﺃﺨﺭ‬ ‫‪50‬‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﺒﻌﺩﺴﺔ ﻭﺍﺴﻌﺔ ‪Wide‬‬
‫‪ Angle‬ﻭﻴﻅﻬﺭ ﺍﻝﺜﻼﺜﺔ ﻓﻰ ﻋﻤﻕ ﺤﺴﻥ ‪ :‬ﻴﺎ ﺨﺒﺭ ﺇﺴﻭﺩ ﻝﻴﻪ؟‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻜﻭﺜﺭ ﻤﻥ‬ ‫‪51‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﻭﺘﻅﻬﺭ ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﺃﺤﺩ ﺍﻝﻤﻘﺎﻋﺩ‬
‫ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻜﻭﺜﺭ ‪ :‬ﻀﺭﺍﻴﺏ ﻤﺘﺄﺨﺭﺓ ﻤﻥ ﻋﺸﺭ‬

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‫ﺴﻨﻴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ‬ ‫‪52‬‬

‫ﺤﺴﻥ ‪ :‬ﻭﺃﺒﻭﻴﺎ ﻜﺎﻥ ﻓﻴﻥ ﺍﻝﻤﺭﺓ ﺩﻯ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﺭﻓﻊ ﻴﺩﻩ ﻭﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻜﻠﻬﺎ ‪.‬‬
‫ﻴﺩﻩ ‪ Pan Right‬ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ‬
‫ﻜﻭﺜﺭ ‪ :‬ﻤﺎﺍﻨﺕ ﻋﺎﺭﻑ ﻴﺎﺁﺒﻴﻪ ‪.‬‬
‫ﻝﻴﻌﺩل ﻭﻀﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻅﻬﺭ ﻜﻭﺜﺭ‬
‫ﺴﺎﻴﺏ ﻜل ﺤﺎﺠﺔ ﻝﻌﻭﻨﻰ ‪.‬‬
‫ﻓﻰ ﺍﻝﻤﺭﺁﺓ ﻨﺎﻅﺭﺓ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﻋﻤﻠﻬﺎ ﺍﻝﻜﻠﺏ ‪.‬‬
‫ﻭﻀﻴﻑ ﺠﺎﻝﺱ ﺨﻠﻔﻬﺎ ‪ .‬ﺜﻡ ﺘﺘﺎﺒﻊ‬
‫ﺼﻭﺕ ﻜﻭﺜﺭ ‪ :‬ﻤﺎﻤﺎ ﻗﺎﻝﺕ ﻝﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺩﻩ ‪ Pan Left‬ﻭﻫﻭ ﻴﺘﺭﻙ‬
‫ﻤﺎﺃﺭﺠﻌﺵ ﺇﻻ ﺒﻴﻙ ‪.‬‬
‫ﺍﻝﻤﺭﺁﺓ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻝﻴﻅﻬﺭ ﺤﺴﻥ‬
‫ﺤﺴﻥ ‪ :‬ﻭﺃﺒﻭﻜﻰ ﻋﺎﻤل ﺁﻴﻪ ؟‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ ﺒﺭﻭﻓﻴل ‪. Profile‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪53‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻜﻤﺎ ﻓﻰ ﻜﻭﺜﺭ ‪ :‬ﺒﺎﺒﺎ ﻤﻥ ﺴﺎﻋﺔ ﻤﺎ ﺴﻤﻊ‬
‫ﺍﻝﺨﺒﺭ ﻭﻫﻭ ﺤﺎﻝﺘﻪ ﻭﺤﺸﺔ ﻗﻭﻯ ‪.‬‬ ‫ﻝﻘﻁﺔ ‪ 51‬ﻝﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪54‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻤﺎﻡ ﺯﺠﺎﺝ ﺍﻷﺘﻭﺒﻴﺱ ﺤﺴﻥ ‪ :‬ﻫﻭ ﺍﻝﻠﻰ ﺴﺎﺒﻠﻪ ﺍﻝﺤﺒل ﻋﺎ‬
‫ﺍﻝﺴﺎﻴﺏ ﻝﺤﺩ ﻤﺎﺨﺩ ﻜل ﺤﺎﺠﺔ ‪.‬‬ ‫ﻭﻴﺠﻠﺱ ﺨﻠﻑ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 9‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻤﻭﻗﻑ ﺴﻴﺎﺭﺍﺕ‬
‫ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪55‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﻔﺘﻰ ﻴﺤﻤل‬
‫ﺩﻝﻭ ﻤﺎﺀ ﺒﺠﻭﺍﺭ ﺍﻝﻨﻴل ﻭﻴﺼﻌﺩ ﻓﻰ‬
‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﺤﺘﻰ ﻴﺼل ﺇﻝﻰ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﺴﻴﺎﺭﺓ ﺃﺠﺭﺓ ﻭﻴﺄﺘﻰ ﺤﺴﻥ ﻭﻜﻭﺜﺭ ﻤﻥ‬
‫ﺤﺴﻥ ‪ :‬ﺍﷲ ﻴﻨﻭﺭ ﻴﺎ ﺒﻴﻭﻤﻰ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺒﺎﺒﻰ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﻌﺩﺍ ﺍﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻭﻴﻐﻠﻕ ﺍﻝﻔﺘﻰ ﺒﺎﺏ ﺍﻝﺴﻴﺎﺭﺓ ﺜﻡ ﻴﻌﻭﺩ‬
‫ﻴﺸﻴﺭ ﻝﻠﺴﻴﺎﺭﺍﺕ ﻭﺤﺘﻰ ﻴﺭﺠﻊ ﺤﺴﻥ‬
‫ﺍﻝﻰ ﺍﻝﺨﻠﻑ ﻭﻴﺘﺤﺭﻙ ﺒﻌﺩ ﺫﻝﻙ ﻨﺎﺤﻴﺔ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 10‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻭﺭﺸﺔ ﺍﻝﺨﺸﺏ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L. S‬ﻝﻠﻌﻤﺎل ﺩﺍﺨل‬ ‫‪56‬‬
‫ﺍﻝﻭﺭﺸﺔ ﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﺤﺩ ﺍﻝﻌﻤﺎل‬
‫ﻴﺤﻤل ﺒﺎﺒ ﹰﺎ ﻭﻴﺘﺤﺭﻙ ﻓﻰ ﺍﺘﺠﺎﻫﻬﺎ ‪ ,‬ﺜﻡ‬
‫ﻴﻌﺒﺭﻫﺎ ﻝﻠﻴﻤﻴﻥ ‪ Pan Right‬ﻝﻴﺨﺭﺝ‬
‫ﻤﻥ ﻤﻥ ﺒﺎﺏ ﺍﻝﻭﺭﺸﺔ ﻭﺘﺩﺨل ﺴﻴﺎﺭﻩ‬
‫ﺼﻭﺕ ﺍﻝﻌﻤﺎل ﻭﺍﻝﻤﺎﻜﻴﻨﺎﺕ‬
‫ﺤﺴﻥ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﺘﺨﺭﺝ‬
‫ﻤﺅﺜﺭ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻜﻭﺜﺭ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﺤﺴﻥ ﺍﻝﻭﺭﺸﺔ ﻝﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻭﻴﻘﻑ ﺃﻤﺎﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻼ ﻴﺎ ﺃﺴﻁﻰ ﺤﺴﻥ ‪.‬‬ ‫ﺍﻝﺭﺠل ‪ :‬ﺃﻫ ﹰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﺭﺠل ﻴﺄﺘﻰ‬ ‫‪57‬‬
‫ﻋﺎﺵ ﻤﻥ ﺸﺎﻓﻙ ﻜﺭﺴﻰ ﻴﺎﻻ ‪.‬‬ ‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﻻ ﻤﺎﻓﻴﺵ ﺩﺍﻋﻰ ‪ .‬ﺃﻤﺎل‬ ‫ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﻭﻴﺩﺨل ﺤﺴﻥ‬
‫ﻓﻴﻥ ﻋﻭﻨﻰ ؟‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ‬
‫ﺍﻝﺭﺠل ‪ :‬ﻭﺼل ﻝﺤﺩ ﻤﻐﻠﻕ ﺍﻝﺨﺸﺏ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺒﻴﻌﻤل ﺁﻴﻪ ﻓﻰ ﻤﻜﻐﻠﻕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺨﺸﺏ ؟‬
‫ﺍﻝﺭﺠل ‪ :‬ﻤﺎﻫﻭ ﻻﻤﺅﺍﺨﺫﺓ ﺒﻴﺸﺘﻐل‬
‫ﻓﻰ ﺍﻝﺨﺸﺏ ﺍﻝﻴﻭﻤﻴﻥ ﺩﻭل‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪58‬‬
‫ﺍﻝﺭﺠل ‪ :‬ﻤﺎﺘﻘﻌﺩ ﺘﺸﺭﺏ ﺤﺎﺠﺔ‬ ‫ﻜﺎﺩﺭ‬ ‫ﻝﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﺭﺠل ﻴﺴﺎﺭ‬
‫ﻭﺒﺠﻭﺍﺭﻩ ﻤﻨﺸﺎﺭ ﺨﺸﺏ ﻜﻬﺭﺒﺎﺌﻰ ﻓﻰ ﺤﺴﻥ ‪ :‬ﻤﺘﺸﻜﺭ ﻴﺎ ﺒﻨﺩﻕ‬
‫ﻤﻘﺩﻤﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﺃﻤﺎل ﺍﻝﻤﻨﺸﺎﺭ ﺩﻩ ﻭﺍﻗﻑ ﻝﻴﻪ؟‬
‫ﺒﻨﺩﻕ ‪ :‬ﻤﺎﻫﻭ ﺍﻝﻤﻭﺘﻭﺭ ﻓﻴﻪ ﻋﻁل‬ ‫ﻼ ﻨﺎﺤﻴﺔ ﺍﻝﻤﻘﺩﻤﺔ‬
‫ﺤﺴﻥ ﻗﻠﻴ ﹰ‬
‫ﻭﻋﺎﻴﺯ ﻴﺘﺼﻠﹶﺢ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﻥ ﺇﻤﺘﻰ ؟‬
‫ﺒﻨﺩﻕ ‪ :‬ﺒﻘﻰ ﻝﻪ ﺇﺴﺒﻭﻋﻴﻥ ﻋﻠﻰ‬
‫ﻜﺩﻩ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻝﻴﻪ ﻤﺎﺠﺒﺘﻭﺵ ﺤﺩ ﻴﺼﻠﺤﻪ‬
‫؟‬
‫ﺒﻨﺩﻕ ‪ :‬ﻗﻠﺕ ﻝﻸﺴﻁﻰ ﻋﻭﻨﻰ ﻜﺫﺍ‬
‫ﻤﺭﺓ ﻭﺍﻝﻅﺎﻫﺭ ﺇﻨﻪ ﺒﻴﻨﺴﻰ ‪.‬‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺤﺴﻥ ‪ :‬ﻁﺏ ﺃﻨﺎ ﻁﺎﻝﻊ ﺍﻝﺒﻴﺕ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪ pan Right‬ﻭﻴﻘﻑ ﻭﻝﻤﺎ ﻴﻴﺠﻰ ﻗﻭﻝﻪ ﺇﻨﻰ ﻋﺎﻭﺯﻩ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻀﺭﻭﺭﻯ‬ ‫ﻝﻴﻨﻅﺭ ﺤﻭﻝﻪ‬
‫)‪(2‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪59‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﺤﺴﻥ ﻴﻘﻑ‬
‫ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻋﻤﺎل ﺍﻝﻭﺭﺸﺔ‬
‫ﻴﺘﺤﺭﻜﻭﻥ ﺤﻭﻝﻪ ‪ .‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻝﻴﺨﺭﺝ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪( 11‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺃﻫل ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺼﻭﺭﺓ‬ ‫‪60‬‬
‫ﻓﻭﺘﻭﻏﺭﺍﻓﻴﺔ ﻤﻌﻠﻘﺔ ﻋﻠﻰ ﺍﻝﺤﺎﺌﻁ ﻭ‬
‫ﻭﻴﻅﻬﺭ ﻓﻴﻬﺎ ﺃﺴﺭﺓ ﺤﺴﻥ ﻭﻫﻡ ﺍﻷﻡ ‪ :‬ﺇﺯﻴﻙ ﻴﺎ ﺤﺴﻥ ﺇﺯﻴﻙ ﻴﺎﻀﻨﺎﻴﺎ‬
‫ﺍﻁﻔﺎل ‪ .‬ﻭﺘﺩﺨل ﺍﻝﻜﺎﺩﺭ ﺭﺌﻴﻔﺔ ﺃﻡ‬
‫ﺤﺴﻥ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan‬ﺤﺴﻥ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﺃﻤﻪ ‪.‬‬
‫ﻯ ﻤﻴﺭﻓﺕ ﻭﺍﻝﻭﻝﺩ ‪.‬‬ ‫‪ Left‬ﻭﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨل ﺤﺴﻥ ﺍﻷﻡ ‪ :‬ﺇﺯ ‪‬‬
‫ﻭﻴﻘﺒﻠﻬﺎ ﻭﻴﺤﻀﻨﻬﺎ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ ﺤﺴﻥ ‪ :‬ﻜﻭﻴﺴﻴﻥ ﺍﻝﺤﻤﺩﷲ ‪.‬ﺃﻤﺎل‬
‫ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﺍﻝﺤﺎﺝ ﻓﻴﻥ ؟‬
‫‪ Right‬ﺜﻡ ﻴﻘﻔﺎ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﺍﻷﻡ ‪:‬ﻓﻰ ﺃﻭﻀﺘﻪ ‪ .‬ﻤﻥ ﺴﺎﻋﺔ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ . American Shot‬ﻤﺎﺴﻤﻊ ﺍﻝﺨﺒﺭ ﻭﻫﻭ ﻗﺎﻓل ﻋﻠﻰ‬
‫ﻨﻔﺴﻪ ﺍﻝﺒﺎﺏ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺯﺍﻯ ﺍﻝﻜﻼﺭﻡ ﺩﻩ ﺤﺼل !‬
‫ﻤﺎﻫﻰ ﺍﻝﻭﺭﺸﺔ ﻤﺎﺸﻴﺔ ﻭﺸﻐﺎﻝﺔ ﺯﻯ‬
‫ﺍﻝﻨﺎﺭ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﻫﻭ ﺩﻩ ﺍﻝﻠﻰ ﻤﺒﺭﺠل ﺃﺒﻭﻙ‬
‫ﻭﻤﺨﻠﻴﻪ ﻤﺵ ﻋﺎﻴﺯ ﻴﻘﺎﺒل ﺤﺩ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﻭ ﺍﻝﻠﻰ ﺴﻠﻡ ﻨﻔﺴﻪ‬

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‫ﻝﻌﻭﻨﻰ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻫﺎﻴﻌﻤل ﺁﻴﻪ ﺒﻘﻰ ‪ .‬ﻭﺇﻨﺕ‬
‫ﺸﺎﻴل ﺇﻴﺩﻙ ﻤﻥ ﺯﻤﺎﻥ ‪,‬ﻭﺍﻝﺭﺍﺠل‬
‫ﻜﺒﺭ ﺒﺭﻀﻪ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﺍﻝﻠﻰ ﺸﻠﺕ ﺇﻴﺩﻯ‬
‫ﻴﺎﺃﻤﻪ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺵ ﻭﻗﺕ ﻋﺘﺎﺏ ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺨﺵ ﻷﺒﻭﻙ ﺩﻝﻭﻗﺕ ﻫﻭ‪‬ﻥ ﻋﻠﻴﻪ‬
‫ﺒﻜﻠﻤﺘﻴﻥ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻫﺎﺘﺘﻐﺩﻯ ﻤﻌﺎﻴﺎ ﻴﺎﺁﺒﻴﻪ ؟‬
‫ﻭﺘﺨﺭﺝ ﻜﻭﺜﺭ ﻤﻥ ﺒﺎﺏ ﻏﺭﻓﺔ ﻴﺴﺎﺭ ﺤﺴﻥ ‪ :‬ﺃﻴﻭﺓ ﻴﺎﻜﻭﺜﺭ ‪.‬‬
‫ﻼ ﻭﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﺍﻷﻡ ‪ :‬ﺤﺴﻥ!‬ ‫ﻜﺎﺩﺭ ‪ ,‬ﺘﻘﻑ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻜﺎﺩﺭ ﻴﺴﺎﺭﹰﺍ ﻭﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻋﻜﺱ‬
‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪,‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻸﻡ ﺘﻨﻅﺭ‬ ‫‪61‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﺘﻘﻠﺒﺵ ﻋﻠﻴﻪ ﺍﻝﻤﻭﺍﺠﻊ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻴﺎﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ﻴﺴﺎﺭ‬ ‫‪62‬‬
‫ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬ ‫ﺤﺴﻥ ‪ :‬ﺤﺎﻀﺭ ﻴﺎﺃﻤﻪ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨل ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪( 12‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺍﻝﺤﺎﺝ‬
‫ﺴﻠﻁﺎﻥ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪63‬‬
‫)‪(2‬‬ ‫ﻝﻸﺏ ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻓﻰ ﻭﻀﻊ ﺒﺭﻭﻓﻴل ‪. Profile‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ﻴﺴﺎﺭ‬ ‫‪64‬‬
‫ﻜﺎﺩﺭ ﻴﺨﻔﺽ ﺭﺃﺴﻪ ﺜﻡ ﻴﺭﻓﻌﻬﺎ ﺜﺎﻨﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻸﺜﻨﻴﻥ ‪.‬‬ ‫‪65‬‬
‫ﺍﻷﺏ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺄﺘﻰ ﺤﺴﻥ ﻤﻥ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻴﺴﺎﺭﹰﺍ ﻓﻰ ﺤﺴﻥ ‪ :‬ﺴﻼﻤﺘﻙ ﻴﺎﺒﺎ ‪ .‬ﻤﺎﺘﻌﻭﻝﺵ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬ﺜﻡ ﻴﻤﺴﻙ ﻴﺩ ﺍﻷﺏ ﻫ ‪‬ﻡ ‪.‬‬
‫ﻭﻴﻘﺒﻠﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪66‬‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ‬
‫ﺃﻤﻭﺭﺱ ﻭﻴﻅﻬﺭ ﺍﻷﺏ ﻓﻰ ﺒﺅﺭﺓ ﺴﻠﻁﺎﻥ ‪ :‬ﺍﻝﺯﻤﻥ ﺠﺭﻯ ‪.‬‬
‫ﺍﻝﻌﺩﺴﺔ ‪, Net‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪M .S .2‬‬ ‫‪67‬‬
‫ﻴﻅﻬﺭ ﺍﻷﺏ ﺒﺭﻭﻓﻴل ﺨﺎﺭﺝ ﺒﺅﺭﺓ ﺤﺴﻥ ‪ :‬ﻤﺎﺘﻌﻤﻠﺵ ﻜﺩﻩ ﻴﺎﺒﺎ ﻓﻰ‬
‫ﺍﻝﻌﺩﺴﺔ ‪ Flow‬ﻭﺤﺴﻥ ﻴﺠﻠﺱ ﻨﻔﺴﻙ ‪ .‬ﻤﻌﻠﺵ ﺃﻨﺎ ﻫﺎﺃﺭﻭﺡ‬
‫ﻼ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻤﺤﺎﻤﻰ ﻴﺸﻭﻑ ﻝﻨﺎ ﺘﺼﺭﻴﻔﺔ‬ ‫ﺒﻭﺠﻬﻪ ﻜﺎﻤ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺎﻫﻭ ﻝﻭ ﻜﻨﺕ ﻓﻀﻠﺕ‬ ‫‪68‬‬
‫ﻤﻌﺎﻴﺎ ﻤﺎﻜﺎﻨﺵ ﺩﻩ ﺤﺼل ‪.‬‬ ‫ﺃﻤﻭﺭﺱ ﻤﻥ ﺴﻠﻁﺎﻥ ﻝﺤﺴﻥ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 13‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﺍﻝﻤﻨﺯل‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺒﺎﺏ ﺍﻝﺸﻘﺔ ﻤﻥ‬ ‫‪69‬‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻭﻴﺨﺭﺝ ﺤﺴﻥ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﻨﺯل‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﻌﺒﺭﻫﺎ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﺤﺘﻰ ﻴﺨﺭﺝ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﻥ ﺒﺎﺏ ﺍﻝﻤﻨﺯل‬
‫)‪(2‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 14‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﻋﻭﻨﻰ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺨﺩﻴﺠﺔ ﻭﻫﻰ‬ ‫‪70‬‬
‫ﺘﺤﻤل ﺍﻝﻔﺎﻜﻬﺔ ﻭﺘﻀﻌﻪ ﻋﻠﻰ ﺍﻝﻤﺎﺌﺩﺓ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﺤﺘﻰ‬
‫ﻰ‬
‫ﺘﺠﻠﺱ ﻭﻴﺠﻠﺱ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻭﻨﻰ ‪ :‬ﺃﺨﻭﻜﻰ ﺴﺄل ﻋﻠ ‪‬‬
‫ﻋﻭﻨﻰ ﻴﺘﻨﺎﻭل ﺍﻝﻁﻌﺎﻡ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺍﻝﻨﻬﺎﺭﺩﺓ ﻓﻰ ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S .2‬ﺨﺩﻴﺠﺔ ‪ :‬ﺤﺴﻥ !‬
‫ﻋﻭﻨﻰ ‪ :‬ﻫﻭ ﺇﻨﺘﻰ ﻝﻴﻜﻰ ﺃﺨﻭﺍﺕ‬
‫ﻏﻴﺭﻩ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﺭﺒﻨﺎ ﻴﺨﻠﻴﻠﻰ ﺃﺨﻭﺍﺘﻰ‬
‫ﺍﻝﺒﻨﺎﺕ ‪ .‬ﻜﺎﻥ ﻋﺎﻴﺯ ﺤﺎﺠﺔ !‬
‫ﻋﻭﻨﻰ ‪ :‬ﻤﺎﺸﻔﺘﻭﺵ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﻝﻴﻪ ﻤﺎﺸﻔﺘﻭﺵ‪ .‬ﻤﺵ‬
‫ﻴﻤﻜﻥ ﻜﺎﻥ ﻋﺎﻴﺯﻙ ﻓﻰ ﺤﺎﺠﺔ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺨﺩﻴﺠﺔ ﻤﺎﻻ ﺘﺯﻋﻠﻨﻴﺵ ‪.‬‬
‫ﺒﻘﻠﻙ ﻤﺎﺸﻔﺘﻭﺵ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﺠﺭﻯ ﺁﻴﻪ ﻴﺎﻋﻭﻨﻰ ﺇﻨﺕ‬
‫ﻤﺎﺒﻘﻴﺘﺵ ﻁﺎﻴﻘﻨﻰ ﻝﻴﻪ ! ﻫﻭ ﺃﺤﻨﺎ‬
‫ﻀﺭﺍﻴﺭ ﻭ ﹶﻻ ﺁﻴﻪ !‬
‫ﻋﻭﻨﻰ ‪ :‬ﻗﻭﻤﻰ ﺇﻓﺘﺤﻰ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺒﺎﺏ‬ ‫ﺜﻡ ﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺸﻭﻓﻰ ﻤﻴﻥ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ) ﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺩﻴﺠﺔ ‪ :‬ﺤﺴﻥ ! ﺇﺯﻴﻙ ﻴﺎ‬
‫ﻤﺤﻤﻭﻝﺔ ( ‪ Hand Camera‬ﺤﺴﻥ ‪.‬‬
‫ﻭﻴﺩﺨل ﺤﺴﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺤﺴﻥ ‪ :‬ﺇﺯﻴﻙ ﻴﺎ ﺨﺩﻴﺠﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ . M .S .2‬ﺨﺩﻴﺠﺔ ‪ :‬ﺘﻌﺎﻝﻰ ﺇﺘﻐﺩﻯ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻻ ﺃﻨﺎ ﺇﺘﻐﺩﻴﺕ ﻋﻨﺩ ﺃﺒﻭﻴﺎ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﻫﻭ ﺃﻨﺕ ﻜﻨﺕ ﻫﻨﺎﻙ !‬
‫ﺇﺯﻯ ﺃﺒﻭﻴﺎ‬
‫ﺤﺴﻥ ‪ :‬ﻫﻭ ﺍﻷﺴﻁﻰ ﻤﺎﻗﻠﻴﻜﻴﺵ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﻗﺎﻝﻰ ﻋﻠﻰ ﺁﻴﻪ ؟‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻌﻭﻨﻰ ﻭﻫﻭ‬ ‫‪71‬‬
‫ﻴﺘﻘﺩﻡ ﺤﺘﻰ ﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻼ ﻴﺎ ﺃﺒﻭ ﻋﻠﻰ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺃﻫ ﹰ‬
‫ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﺜﻡ ﻴﺘﺤﺭﻙ ﺤﺴﻥ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﻭﺍﺠﺏ ﺒﺭﻀﻪ ﺘﻘﻭل‬
‫ﻭﻋﻭﻨﻰ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫﻤﺎ‬
‫ﻝﻤﺭﺍﺘﻙ ﺇﻥ ﺃﺒﻭﻫﺎ ﻋﻴﺎﻥ ‪.‬‬

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‫ﺨﺩﻴﺠﺔ ‪ :‬ﻴﺎﻝﻬﻭﻯ !‬ ‫ﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻨﹰﺎ ‪Pan Right‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﺤﺴﻥ ﺨﺩﻴﺠﺔ ‪ :‬ﻋﻴﺎﻥ ﻋﻨﺩﻩ ﺁﻴﻪ ؟‬ ‫‪72‬‬
‫ﻭﻋﻭﻨﻰ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ﻋﻭﻨﻰ ‪ :‬ﺩﻯ ﺤﺎﺠﺔ ﺒﺴﻴﻁﺔ ﻴﻘﻭﻡ‬
‫ﻤﻨﻬﺎ ﺇﻨﺸﺎﺀﺍﷲ ‪ .‬ﺇﻋﻤﻠﻰ ﻝﻨﺎ ﻗﻬﻭﺓ‬ ‫‪Pan Right‬‬
‫ﻭﺤﺼﻠﻴﻨﺎ ﻋﺎﺍﻝﺼﺎﻝﻭﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﺃﻨﺎ ﺭﺍﻴﺤﺔ ﻷﺒﻭﻴﺎ ﻭﺇﺒﻘﻰ‬
‫ﺇﻋﻤل ﺃﻨﺕ ﺍﻝﻘﻬﻭﺓ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 15‬‬
‫ﻨﻬﺎﺭ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﺼﺎﻝﻭﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺘﻘﺩﺭ ﺘﻘﻭﻝﻰ ﻴﺎﻋﻭﻨﻰ ﺁﻴﻪ‬ ‫‪73‬‬
‫ﻭﻋﻭﻨﻰ ﻴﺩﺨﻼ ﺍﻝﻐﺭﻓﺔ ﻭﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻨ ﹰﺎ ﺍﻝﻠﻰ ﺤﺼل ﻭﺤﺼل ﺇﺯﺍﻯ ؟‬
‫‪ Pan Right‬ﻝﻴﺠﻠﺴﺎ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺕ ﺒﺎﻝﻙ ﻋﻠﻰ ﺤﻜﺎﻴﺔ‬
‫ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺼﺒﺢ ﻋﻭﻨﻰ ﺍﻝﻀﺭﺍﻴﺏ ﻴﻌﻨﻰ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺤﺴﻥ ‪ :‬ﺁﻩ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺸﻭﻑ ﻴﺎﺃﺨﻰ ‪ .‬ﻷ ﻭﻤﺒﻠﻎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻘﻁﻡ ﺍﻝﻭﺴﻁ ‪ .‬ﻴﺎﻤﺎ ﻗﻠﺕ ﻝﻠﻤﻌﻠﻡ‬
‫ﻨﺴﺩﺩ ﺍﻝﻀﺭﺍﻴﺏ ﺃﻭل ﺒﺄﻭل ﻋﺸﺎﻥ‬
‫ﻨﺭﻴ‪‬ﺢ ﺩﻤﺎﻏﻨﺎ ﻭﺃﻫﻭ ﻜﻠﻪ ﻝﻴﻜﻡ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﻭ ﻤﺎﻜﺎﻨﺵ ﺒﻴﺭﻀﻰ ؟‬
‫ﻋﻭﻨﻰ ‪ :‬ﻻ ﻤﺵ ﺍﻝﻘﺼﺩ ‪ .‬ﺘﺎﻩ ﻤﻥ‬
‫ﺒﺎﻝﻪ ﻴﻌﻨﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﻫﻭ ﻜﺎﻥ ﻤﻤﺴﻜﻙ ﻜل‬
‫ﺤﺎﺠﺔ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻭﺃﻨﺎ ﻋﺒﺩ ﺍﻝﻤﺄﻤﻭﺭ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﺤﺴﻥ ﻭﻫﻭ ﺤﺴﻥ ‪ :‬ﻁﺏ ﻗﻭﻝﻰ ﻴﺎﺃﺴﻁﻰ ﻋﻭﻨﻰ‬ ‫‪74‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺇﺫﺍ ﻜﺎﻨﺕ ﺍﻝﻭﺭﺸﺔ ﺒﻘﺎﻝﻬﺎ ﻋﺸﺭ‬
‫ﺴﻨﻴﻥ ﻤﺎﺴﺩﺩﺘﺵ ﻀﺭﺍﻴﺏ ﻭﻤﺎﻓﻴﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻻ ﻤﻠﻴﻡ ﺇﺘﺤﻭ‪‬ﺵ ‪ .‬ﻤﻤﻜﻥ ﺘﻔﻬﻤﻨﻰ‬
‫ﺍﻹﻴﺭﺍﺩ ﻜﻠﻪ ﺭﺍﺡ ﻓﻴﻥ ؟‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﻌﻭﻨﻰ ﻭﻫﻭ ﻋﻭﻨﻰ ‪ :‬ﺍﷲ ﺃﻜﺒﺭ ‪ .‬ﺃﻨﺕ ﻨﺎﺴﻰ‬ ‫‪75‬‬
‫ﺠﻭﺍﺯﺍﺕ ﺇﺨﻭﺍﺘﻙ ‪ .‬ﻨﺎﺴﻰ ﻤﺼﺎﺭﻴﻑ‬ ‫ﻴﺸﻌل ﺴﻴﺠﺎﺭﺓ‬
‫ﺼﻭﺕ ﺇﺸﻌﺎل ﺍﻝﻜﺒﺭﻴﺕ‬ ‫ﺍﻝﺒﻴﺕ ﺁﻴﻪ ﻨﻴل ﺒﻴﺠﺭﻯ ﺩﻩ ﺍﻝﺤﻤﺩﷲ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻜﺘﺭ ﺃﻝﻑ ﺨﻴﺭﻫﺎ ﺇﻨﻬﺎ ﻓﺎﺘﺤﺔ ﻝﺤﺩ‬
‫ﺩﻝﻭﻗﺘﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﻋﺎﻴﺯ ﺘﻔﻬﻤﻨﻰ ﺇﻥ ﺇﻴﺭﺍﺩ‬ ‫‪76‬‬
‫ﺍﻝﻭﺭﺸﺔ ﻜﻠﻪ ﺭﺍﺡ ﻝﻤﺼﺎﺭﻴﻑ ﺃﺒﻭﻴﺎ‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻭﺃﻤﻰ ﻭﻜﻭﺜﺭ ‪ .‬ﺠﺭﻯ ﺁﻴﻪ ﻴﺎﻋﻭﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻨﺕ ﻓﺎﻜﺭﻨﻰ ﻜﺭﻭﺩﻴﺎ ﻭ ﹶﻻ ﺁﻴﻪ ! ﺃﻨﺎ‬
‫ﺃﻋﺭﻑ ﺃﺼﺤﺎﺏ ﻭﺭﺵ ﺃﺼﻐﺭ ﻤﻥ‬
‫ﻭﺭﺸﺘﻨﺎ ﺩﻝﻭﻗﺘﻰ ﺃﺼﺤﺎﺏ ﻋﻤﺎﺭﺍﺕ‬
‫ﻭﺭﺍﻜﺒﻴﻥ ﻤﺭﺴﻴﺩﺱ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﺤﺴﻥ ﻭﻋﻭﻨﻰ ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺕ ﻤﺤﻤﻭﻕ ﻗﻭﻯ ﻋﻠﻰ‬ ‫‪77‬‬
‫ﺁﻴﻪ ؟‬ ‫ﻭﻫﻤﺎ ﺠﺎﻝﺴﺎﻥ‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻤﺵ ﻤﻬﻡ ﺍﻝﻠﻰ ﻓﺎﺕ‬
‫ﻴﺎﺴﻁﻰ ‪ .‬ﻗﻠﻰ ﻫﺎﺘﻌﻤل ﺁﻴﻪ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﺼﻴﺒﺔ ﺩﻯ‬
‫ﻋﻭﻨﻰ ‪ :‬ﺍﻝﻌﻤل ﻋﻤل ﺭﺒﻨﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ ؟‬
‫ﻋﻭﻨﻰ ‪ :‬ﻴﻌﻨﻰ ﺁﺩﻯ ﺍﷲ ﻭﺁﺩﻯ‬

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‫ﺤﻜﻤﺘﻪ ‪.... .‬‬

‫ﻋﻭﻨﻰ ‪ :‬ﻭﺇﻥ ﻜﺎﻥ ﻓﻴﻙ ﺍﷲ ﻴﻌﺎﻓﻴﻙ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻌﻭﻨﻰ‬ ‫‪78‬‬
‫ﻭﺤﺴﻥ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺃﻤﻭﺭﺱ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻜﺩﻩ ‪ .‬ﻭﺇﻨﺕ ﻋﺎﺭﻑ ﺍﻝﺒﻴﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻏﻁﺎﻩ ‪ .‬ﺜﻡ ﺃﻨﺎ ﺴﺎﻴﺒﻠﻙ ﺍﻝﻭﺭﺸﺔ‬
‫ﻤﻥ ﺯﻤﺎﻥ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻝﻴﺎ ﺃﻨﺎ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻁﺒﻌﹰﺎ ‪ .‬ﻤﺵ ﺃﻨﺕ ﺍﻝﻠﻰ‬
‫ﻓﻀﻠﺕ ﻭﺭﺍﻴﺎ ﻭﻭﺭﺍ ﺃﺒﻭﻴﺎ ﻭﻜﺭﻫﺘﻨﻰ‬
‫ﻓﻰ ﺍﻝﻭﺭﺸﺔ ﻭﺍﻝﺼﻨﻌﺔ ﺒﺤﺎﻝﻬﺎ ‪.‬‬
‫ﻤﺵ ﺃﻨﺕ ﺍﻝﻠﻰ ﺴﻌﻴﺕ ﺇﺘﻰ ﺃﻫﺭﺏ‬
‫ﻤﻥ ﺍﻝﺒﻴﺕ ﻭﺃﺭﻭﺡ ﺃﺘﻁﻭﻉ ﻓﻰ‬
‫ﺍﻝﺠﻴﺵ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪79‬‬
‫ﻭﻋﻭﻨﻰ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻓﻰ ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺕ ﺠﺎﻯ ﺘﺤﺎﺴﺒﻨﻰ ﻋﻠﻰ‬
‫ﻜﻼﻡ ﺒﻘﺎﻝﻪ ﻋﺸﺭﻴﻥ ﺴﻨﺔ ‪.‬‬ ‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﺴﺎﺭﹰﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﺃﻤﻭﺭﺱ ﺤﺴﻥ ‪ :‬ﻤﺎﻫﻭ ﻨﺘﻴﺠﺘﻪ ﺃﻫﻴﻪ ﺃﻨﺎ‬ ‫‪80‬‬
‫ﻝﻌﻭﻨﻰ ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﻓﻰ ﺨﻠﻔﻴﺔ ﻜﻨﺕ ﻓﻰ ﺍﻝﺠﻴﺵ ﺃﺨﻠﺹ ﻤﻥ ﺤﺭﺏ‬
‫ﺃﺨﺵ ﻓﻰ ﺤﺭﺏ ﻭﺃﻨﺕ ﻫﻨﺎ ﺒﺘﻜﻭﺵ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻋﻠﻰ ﻜل ﺤﺎﺠﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪ Close up‬ﻝﻭﺠﻪ‬ ‫‪81‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻤﺎﺘﻨﺴﺎﺵ ﻨﻔﺴﻙ ﻴﺎ‬
‫ﻋﻭﻨﻰ‬
‫ﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬ ‫‪82‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻠﻰ ﻋﻤﺭﻯ ﻤﺎﻫﺎﻨﺴﻬﻭﻝﻙ‬
‫ﻝﻭﺠﻪ ﺤﺴﻥ‬
‫ﺇﻨﻙ ﺒﺘﺤﺎﻭل ﺘﻬﺩﻨﻰ ﻭﺘﻬﺩ ﺃﺒﻭﻴﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻌﻭﻨﻰ‬ ‫‪83‬‬
‫ﺼﻭﺕ ﺤﺴﻥ ‪ :‬ﻗﻭﻝﻰ ﻴﺎﻋﻭﻨﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺍﻝﺨﺸﺏ ﺍﻝﻠﻰ ﺃﻨﺕ ﺒﺘﺎﺠﺭ‬ ‫‪84‬‬
‫ﻓﻴﻪ ﻓﻠﻭﺴﻪ ﻤﻨﻴﻥ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪ M . S .2‬ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺕ ﺠﺎﻯ ﺘﺤﺎﺴﺒﻨﻰ ‪.‬‬ ‫‪85‬‬
‫‪.‬ﻴﺘﺤﺭﻜﺎ ﻨﺎﺤﻴﺔ ﺍﻝﺼﺎﻝﺔ ﻭﻴﻌﺒﺭﺍ ﺒﺎﺏ ﺤﺴﻥ ‪ :‬ﺃﻴﻭﺓ ﺠﺎﻯ ﺃﺤﺎﺴﺒﻙ ‪ .‬ﺃﻨﺕ‬
‫ﺍﻝﻐﺭﻓﺔ ﺍﻝﻰ ﺍﻝﺼﺎﻝﺔ ‪. Pan Right‬ﺜﻡ ﺠﻴﺕ ﻤﻠﺤﻠﺘﺎﻜﺵ ﺤﺎﺠﺔ ﻭﺩﻝﻭﻗﺘﻰ‬
‫ﻴﻘﻔﺎ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺒﻌﺽ ﺤﺴﻥ ﻴﻤﻴﻥ ﺒﻘﻰ ﻋﻨﺩﻙ ﺒﻴﺕ ﻤﻠﻙ ﻭﺒﺘﺎﺠﺭ ﻓﻰ‬
‫ﺍﻝﺨﺸﺏ ﺘﻘﺩﺭ ﺘﻘﻭﻝﻰ ﻤﻨﻴﻥ ؟‬ ‫ﻭﻋﻭﻨﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻋﻭﻨﻰ ‪ :‬ﻤﻥ ﻋﺭﻗﻰ ﻤﻥ ﺸﻐل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺴﻨﻴﻥ ﺍﻝﻠﻰ ﻓﺎﺘﺕ ﺩﻯ ﻜﻠﻬﺎ ‪ .‬ﺃﻨﺕ‬
‫ﻋﺎﻴﺯﻨﻰ ﺃﻓﻀل ﻫﻨﺎ ﻴﻌﻨﻰ ﻁﻭل‬
‫ﻋﻤﺭﻯ ﻓﻰ ﻭﺭﺸﺔ ﺃﺒﻭﻙ ‪ .‬ﻤﺵ‬
‫ﻜﻔﺎﻴﺔ ﺸﺒﺎﺒﻰ ﺍﻝﻠﻰ ﻀﻴﻌﺘﻪ ﻋﻨﺩﻜﻡ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻋﻭﻨﻰ ‪ .‬ﺃﻨﺕ ﻋﺎﺭﻑ ﺇﻥ‬
‫ﺍﻝﺭﺍﺠل ﻜﺒﺭ ﻭﻤﺎﻴﺴﺘﺤﻤﻠﺵ ﻀﺭﺒﺔ‬
‫ﺯﻯ ﺩﻯ ‪ .‬ﻭﺃﻨﺕ ﺒﺎﻝﺫﺍﺕ ﻋﺎﺭﻑ ﺇﻥ‬
‫ﺍﻝﻭﺭﺸﺔ ﻫﻰ ﺤﻴﺎﺘﻪ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻴﻌﻨﻰ ﻋﺎﻴﺯﻨﻰ ﺃﻋﻤل ﺁﻴﻪ‬
‫ﻭﺃﻨﺎ ﺃﻗﺩﺭ ﻋﻠﻴﻪ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺘﺩﻓﻌﻠﻪ ﺍﻝﻀﺭﺍﻴﺏ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺃﺩﻓﻊ ﻋﺸﺭﻴﻥ ﺃﻝﻑ ‪ .‬ﻤﻨﻴﻥ‬
‫؟ ﻭﻋﺸﺎﻥ ﺁﻴﻪ !‬
‫ﺤﺴﻥ ‪ :‬ﻋﺸﺎﻥ ﺩﻩ ﻫﻭ ﺍﻝﺭﺍﺠل ﺍﻝﻠﻰ‬

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‫ﺘﻭﺍﻙ ﻭﺸﻐﻠﻙ ﻭﺠﻭ‪‬ﺯﻙ ﺒﻨﺘﻪ ‪.‬‬

‫ﻋﻭﻨﻰ ‪ :‬ﻤﺎﻴﻘﺩﺭ ﻋﺎ ﺍﻝﻘﺩﺭﺓ ﺇﻻ‬
‫ﺭﺒﻨﺎ ‪ .‬ﺜﻡ ﺃﻨﺎ ﺃﺩﻓﻊ ﺒﺘﺎﻉ ﺁﻴﻪ ﻫﻰ‬
‫ﻭﺭﺸﺘﻰ ﻭﻻ ﻭﺭﺸﺘﻙ‬
‫ﺤﺴﻥ ‪ :‬ﺩﻯ ﺒﻘﻰ ﺴﺭﻗﺔ ﻋﻴﻨﻰ‬
‫ﻋﻴﻨﻙ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺇﺤﺘﺭﻡ ﻨﻔﺴﻙ ﻴﺎ ﺤﺴﻥ ﻭﻝﻡ‬
‫ﻝﺴﺎﻨﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪86‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﻫﺎﺍﻝﻡ ﻝﺴﺎﻨﻰ‬ ‫ﻝﺤﺴﻥ ﻭﻋﻭﻨﻰ ‪.‬‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻴﺴﺘﺩﻴﺭ ﺤﺴﻥ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﺨﺭﺝ ﻴﺎﻋﻭﻨﻰ ‪ .‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﺍﻝﻭﺭﺸﺔ ﺩﻯ‬
‫ﺍﻭﻋﻰ ﺘﻌﺘﺒﻬﺎ ﺘﺎﻨﻰ ‪ .‬ﻤﻔﻬﻭﻡ ‪.‬‬ ‫ﻤﻥ ﺍﻻﺏ ﻭﻴﻐﻠﻘﻪ ﺒﺸﺩﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻌﻭﻨﻰ ﻭﻫﻭ‬ ‫‪87‬‬
‫ﻴﺩﺨﻥ ﺍﻝﺴﻴﺠﺎﺭﺓ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 16‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻷﺒﻭ ﻋﻤﻴﺭﺓ‬ ‫‪88‬‬
‫ﻴﺩﺨل ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﺍﻝﻰ ﺍﻝﻴﻤﻴﻥ ‪ Pan‬ﺃﺒﻭﻋﻤﻴﺭﺓ ‪ :‬ﺃﻝﻑ ﺃﻝﻑ ﺤﻤﺩﺍﷲ ﻋﻠﻰ‬
‫‪ Right‬ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺍﻝﺴﻼﻤﺔ ﺃﻨﺎ ﺃﻭل ﻤﺎ ﻋﺭﻓﺕ ﺇﻨﻙ‬
‫ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ M .S .2‬ﻤﻊ ﺒﻌﺎﻓﻴﺔ ﺸﻭﻴﺔ ﻗﻠﺕ ﻻﺯﻡ ﺁﺠﻰ‬
‫ﺴﻠﻁﺎﻥ ﻭﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻩ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﺃﻁﻤﺌﻥ ﻋﻠﻴﻙ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪89‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺘﻌﻴﺵ ﻴﺎ ﻋﻤﻴﺭﺓ‬ ‫‪ up‬ﻝﻭﺠﻪ ﺍﻝﺤﺎﺝ ﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪90‬‬
‫‪ up‬ﻝﻭﺠﻪ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L .S‬‬ ‫‪91‬‬
‫ﻝﻜﻭﺜﺭ ﺘﺩﺨل ﻭﻫﻰ ﺘﺤﻤل ﺼﻨﻴﺔ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺘﺴﻠﻡ ﺇﻴﺩﻴﻜﻰ ﻴﺎ‬
‫ﺍﻝﻘﻬﻭﺓ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻋﺭﻭﺴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪ Pan Right‬ﻭﻴﺼﺒﺢ‬
‫ﺍﻝﺜﻼﺜﺔ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪.L .S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪92‬‬
‫‪ up‬ﻝﻭﺠﻪ ﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪93‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺭﺒﻨﺎ ﻴﺨﻠﻰ‬ ‫‪ up‬ﻝﻭﺠﻪ ﻋﻤﻴﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L .S‬ﻝﺴﻠﻁﺎﻥ ﻭﻜﻭﺜﺭ‬ ‫‪94‬‬
‫ﻭﺃﺒﻭ ﻋﻤﻴﺭﺓ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺤﻁﻰ ﺍﻝﺼﻴﻨﻴﺔ ﻴﺎﺒﺕ‬
‫‪ Low Angle‬ﻭﺘﺨﺭﺝ ﻜﻭﺜﺭ ﻤﻥ‬
‫ﻭﺨﻠﺼﻰ ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪95‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﻴﺎ ﺤﺎﺝ ﺃﻨﺎ‬

‫ﺴﻤﻌﺕ ﺇﻥ ﺍﻨﺕ ﻓﻰ ﻭﺭﻁﺔ ﻭﺃﻨﺎ‬ ‫‪ up‬ﻝﻭﺠﻪ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻓﻠﻭﺴﻰ ﺤﺎﻀﺭﺓ ﻭﺭﻗﺒﺘﻰ ﺴﺩﺍﺩﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺇﺫﺍ ﻤﺎﻭﻗﻔﺘﺵ ﺠﻨﺒﻙ ﻓﻰ ﺯﻨﻘﺔ ﺯﻯ‬
‫ﺩﻯ ﻫﺎ ﺃﺒﻘﻰ ﺇﺒﻥ ﺤﺭﺍﻡ ‪ .‬ﺃﻨﺎ ﺭﻗﺒﺘﻰ‬
‫ﺴﺩﺍﺩﺓ ﻭﻓﻠﻭﺴﻰ ﻜﻠﻬﺎ ﺘﺤﺕ ﺃﻤﺭﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪96‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺸﺎﻴﻠﻙ ﻝﻌﻭﺯﺓ ﻴﺎﺃﺒﻭ‬
‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻋﻤﻴﺭﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪ M .S. 2‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﺍﷲ ﻻ ﺃﻨﺕ ﻗﺎﻴل ﻤﺎ‬ ‫‪97‬‬
‫ﺜﻡ ﻴﻘﻑ ﻋﻤﻴﺭﺓ ﻭﻴﺤﺎﻭل ﺴﻠﻁﺎﻥ ﺘﺘﻜﺴﻔﺵ ‪.‬‬
‫ﺍﻝﻭﻗﻭﻑ ‪.‬ﺜﻡ ﻴﻤﻨﻌﻪ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ﺴﻠﻁﺎﻥ ‪ :‬ﻝﻤﺎ ﺃﺤﺘﺎﺝ ﻝﻙ ﻫﺎ ﺃﺒﻘﻰ‬
‫ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﻤﻥ ﺃﻗﻭﻝﻙ ‪.‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺒﻘﻰ ﺃﻨﺕ ﻋﺎﻤل‬ ‫ﺍﻝﺒﺎﺏ ‪.‬‬
‫ﺘﻜﻠﻴﻑ ﺒﺭﻀﻪ ﺒﺱ ﺒﻘﻰ ﻤﺎﺘﻨﺴﺎﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﻨﻰ ﺃﻨﺎ ﺃﺨﻭﻙ ﻭﺘﺤﺕ ﺃﻤﺭﻙ ﻓﻰ ﺃﻯ‬
‫ﻭﻗﺕ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺘﺸﻜﺭ ﻴﺄﺒﻭ ﻋﻤﻴﺭﺓ ‪.‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻁﺏ ﺃﻨﺎ ﻫﺎ ﺃﺴﺘﺄﺫﻥ‬
‫ﻻﺤﺴﻥ ﺴﺎﻴﺏ ﺍﻝﻤﺤل ﻝﻭﺤﺩﻩ ‪ .‬ﻻ‬
‫ﻭﺍﷲ ﻤﺎﺃﻨﺕ ﻗﺎﻴﻡ ﺨﻠﻴﻙ ﻤﺭﺘﺎﺡ ‪.‬‬
‫ﺴﻼﻤﻭ ﻜﻠﻴﻜﻡ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻭﻋﻠﻴﻜﻭﺍ ﺍﻝﺴﻼﻡ‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻴﺎ ﺴﺎﺘﺭ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 17‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺤﺎﻤﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻁﺎﻝﻤﺎ ﻤﺼﻠﺤﺔ‬ ‫‪98‬‬
‫ﺍﻝﻀﺭﺍﻴﺏ ﺒﻌﺘﺘﻠﻜﻭﺍ ﺍﻝﺠﻭﺍﺏ ﻴﺒﻘﻰ‬ ‫‪ up‬ﻝﻭﺠﻪ ﺍﻝﻤﺤﺎﻤﻰ‬
‫ﻤﺎ ﻓﻴﺵ ﻓﺎﻴﺩﺓ ﻫﺎﻴﺤﺠﺯﻭﺍ ﻋﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪99‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﻤﻤﻜﻥ ﻨﻁﻌﻥ ؟‬ ‫‪ up‬ﻝﻭﺠﻪ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M .L .S‬ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻤﻴﻌﺎﺩ ﺍﻝﻁﻌﻥ ﻋﺩﻯ‬ ‫‪100‬‬
‫ﺨﻼﺹ ‪ .‬ﺍﻝﻤﺼﻠﺤﺔ ﺒﻌﺘﺘﻠﻜﻭﺍ ﺍﻝﺭﻗﻡ‬ ‫ﻝﺤﺴﻥ ﻭﺍﻝﻤﺤﺎﻤﻰ‬
‫ﻭﺇﻨﺘﻭﺍ ﻭﺍﻓﻘﺘﻭﺍ ﻋﻠﻴﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪101‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﺒﻭﻴﺎ ﻤﺎﻭﺼﻠﺘﻭﺵ ﺃﻯ‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺠﻭﺍﺒﺎﺕ ﻗﺒل ﺍﻝﺠﻭﺍﺏ ﺩﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪102‬‬
‫ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻻ ﻴﻤﻜﻥ ﻴﺎﺇﻤﺎ ﻭﺼﻠﻪ‬
‫ﻝﻠﻤﺤﺎﻤﻰ‬
‫ﻭﻨﺴﻰ ﻴﺎﺇﻤﺎ ﺤﺩ ﺘﺎﻨﻰ ﺍﺴﺘﻠﻤﻪ ﺒﺩﺍﻝﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﺤﺴﻥ‬ ‫‪103‬‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻭﺍﻝﺤل ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻠﻤﺤﺎﻤﻰ ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻫﻭ ﺃﻗﺼﻰ ﺸﻰﺀ ﺇﻨﻨﺎ‬ ‫‪104‬‬
‫ﻨﻁﻠﺏ ﺘﻘﺴﻴﻁ ﺍﻝﻤﺒﻠﻎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 18‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪ 105‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﺤﺴﻥ ﺨﻠﻑ‬

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‫)‪(3‬‬ ‫ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺭﺍﺀ ﻅﻬﺭﻩ‬

‫) ﺃﻤﻭﺭﺱ ( ﻭﻴﻅﻬﺭ ﻤﻥ ﻭﺭﺍﺀ‬
‫ﺍﻝﺯﺠﺎﺝ ﺭﺠﻼ ﻴﺸﻴﺭ ﻝﺤﺴﻥ ﻝﻴﻘﻑ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻭﻴﺼل ﺤﺴﻥ ﺍﻝﻴﻪ ﻴﻘﻑ ﺒﺠﻭﺍﺭﻩ ﺍﻝﺭﺠل ‪ :‬ﻤﺼﺭ ﺍﻝﺠﺩﻴﺩﺓ ﻴﺎﺴﻁﻰ ؟‬
‫ﻭﻴﻅﻬﺭ ﻭﺠﻪ ﺍﻝﺭﺠل ﻤﻥ ﺨﻼل ﺯﺠﺎﺝ‬
‫ﺍﻝﺒﺎﺏ ﺍﻝﺠﺎﻨﺒﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 106‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻤﻥ ﻭﺭﺍﺀ‬
‫ﻜﺘﻑ ﺍﻝﺭﺠل ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﺠﺎﻝﺴﹰﺎ‬
‫ﺤﺴﻥ ‪ :‬ﺁﺴﻑ ‪ .‬ﻤﺵ ﺴﻜﺘﻰ ﺃﺼﻠﻰ‬
‫ﺨﻠﻑ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺘﻪ ‪.‬‬
‫ﺘﻌﺒﺎﻥ ﺸﻭﻴﺔ ﻭﻋﺎﻭﺯ ﺃﻨﺎﻡ ‪.‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺜﻡ ﻴﺩﻴﺭ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫)‪(3‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 19‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﻤﺎﺓ ﺤﺴﻥ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﻬﺎﻨﻰ ﻭﻫﻭ ﻫﺎﻨﻰ ‪ :‬ﺴﺘﻭ ﺴﺘﻭ ﺘﺭﻜﺒﻰ ﻤﻌﺎﻴﺎ‬ ‫‪107‬‬
‫ﻴﺭﻜﺏ ﺍﻝﺩﺭﺍﺠﺔ ﻭﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺍﻝﻌﺠﻠﺔ ‪.‬‬
‫ﻭﻴﺼل ﺍﻝﻰ ﺍﻝﺠﺩ ﻭﻫﻭ ﻴﻘﺭﺃ ﺍﻝﺠﺭﻴﺩﺓ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﻋﺎﻴﺯﺓ ﻜﺘﺎﺏ ﺃﺒﻠﺔ‬
‫ﻭﺍﻝﺠﺩﺓ ﺘﺤﻴﻙ ﻗﻁﻌﺔ ﻗﻤﺎﺵ ﻭﻤﻴﺭﻓﺕ ﻨﻅﻴﺭﺓ‬
‫ﺍﻝﺠﺩ ‪ :‬ﺒﻼﺵ ﺩﻭﺸﺔ ﻴﺎﻫﺎﻨﻰ ‪.‬‬ ‫ﺍﻝﺘﻰ ﺘﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺍﻝﺠﺩﺓ ‪ :‬ﻋﻴﻨﻴﻙ ﻫﺎﺘﺘﻤﻘﻕ ﻤﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻘﺭﺍﻴﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺠﻤﻴﻊ ‪ . L .S‬ﻭﺘﻅﻬﺭ‬ ‫‪108‬‬
‫ﻤﻴﺭﻓﺕ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻰ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻜﺩﻩ ﺍﻝﻤﻘﺎﺩﻴﺭ ﻏﻠﻁ ﺨﺎﻝﺹ‬
‫ﺘﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﻩ ﻴﺎ ﻋﺯﺓ ﻫﺎﺘﻌﻤﻠﻰ ﺁﻴﻪ‬ ‫‪109‬‬
‫ﻏﻴﺭ ﺍﻝﺘﻭﺭﺘﺔ ‪ .‬ﺃﻨﺎ ﻤﻤﻜﻥ ﺃﻋﻤﻠﻙ‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﺴﻭﻴﺴﺭل ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺼﺎﻝﺔ ‪ .. L .S‬ﻭﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﺃﺠﻴﺒﻠﻙ ﺍﻝﺤﺎﺠﺎﺕ ﻜﻠﻬﺎ‬ ‫‪110‬‬
‫ﻤﻴﺭﻓﺕ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﻁﻔل ﻴﻠﻌﺏ ﻤﻌﺎﻴﺎ ‪ ..‬ﺒﺎﺒﺎ ﺠﻪ ﻴﺎﻫﺎﻨﻰ ‪.‬ﻫﺎﺃﻜﻭﻥ‬
‫ﺒﺎﻝﺩﺭﺍﺠﺔ ﻭﺍﻷﺏ ﻭﺍﻷﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻋﻨﺩﻙ ﺍﻝﺴﺎﻋﺔ ﺨﻤﺴﺔ‬
‫ﺼﻭﺕ ﻨﻔﻴﺭ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺒﺎﻯ ﺩﻝﻭﻗﺕ ﻴﺎﻻ ﻴﺎﻫﺎﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻡ ‪ :‬ﺴﻴﺒﻰ ﺍﻝﻭﻝﺩ ﺩﻩ ﻭﺍﺨﺩ ﺤﻤﺎﻡ‬
‫ﺴﺨﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪112‬‬
‫ﺍﻷﻡ ‪ :‬ﻁﺒﻌﹰﺎ ﻤﺎﻨﺘﻴﺵ ﻤﺭﻭﺤﺔ ﺍﻝﻠﻴﻠﺔ‬
‫‪ up‬ﻝﻸﻡ‬
‫ﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L . S‬ﻝﻤﻴﺭﻓﺕ ﺘﺘﺤﺭﻙ ﺍﻷﺏ ‪ :‬ﺴﻴﺒﻰ ﺍﻝﻭﺍﺩ ﻴﺸﻭﻑ ﺃﺒﻭﻩ ‪.‬‬ ‫‪113‬‬
‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ ﺍﻷﻡ ‪ :‬ﺒﻘﻭﻝﻙ ﻭﺍﺨﺩ ﺤﻤﺎﻡ ﺴﺨﻥ ‪.‬‬
‫ﺍﻷﺏ ‪ :‬ﺩﻩ ﻜﺎﻥ ﻤﻥ ﺘﻼﺕ ﺴﺎﻋﺎﺕ ‪.‬‬ ‫ﻭﻴﻅﻬﺭ ﺍﻝﺠﻤﻴﻊ ﻓﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﺍﻷﻡ ‪ :‬ﻫﻭ ﺃﻨﺕ ﻋﺎﻴﺯ ﺘﻌﺎﻨﺩﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺨﻼﺹ ﻴﺎﻋﺒﺩ ﺍﻝﺴﻼﻡ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 20‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﻨﺯل ﺃﻫل‬
‫ﻤﻴﺭﻓﺕ‬
‫‪114‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﻴﺭﻓﺕ ﺘﺨﺭﺝ‬
‫ﻤﻥ ﺒﺎﺏ ﺍﻝﻌﻤﺎﺭﺓ ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan‬ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﺨﻴﺭ ‪.‬‬

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‫‪ Right‬ﻝﺘﺼل ﺍﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺤﺴﻥ ‪ :‬ﻤﺎﺠﺒﺘﻴﺵ ﻫﺎﻨﻰ ﻝﻴﻪ ؟‬

‫ﻭﻴﺼﺒﺢ ﺤﺴﻥ ﺃﻤﻭﺭﺱ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﺼﻠﻪ ﻭﺍﺨﺩ ﺤﻤﺎﻡ‬
‫ﻭﺭﺍﺀ ﻅﻬﺭﻩ ﻭﺘﺼﺒﺢ ﻤﻴﺭﻓﺕ ﻓﻰ ﺤﺠﻡ ﺴﺨﻥ ‪.‬‬
‫ﺼﻭﺕ ﻗﺩﻤﻰ ﻤﻴﺭﻓﺕ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫‪ up‬ﺘﺼﻌﺩ ﺍﻝﻰ ﺍﻝﺴﻴﺎﺭﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪N. Close‬‬ ‫‪115‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺘﻰ ﻤﺵ ﻤﺭﻭ‪‬ﺤﺔ ﻤﻌﺎﻴﺎ‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻭ ﹶﻻ ﺁﻴﻪ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪116‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﻤﻌﻠﺵ ‪ .‬ﺒﻼﺵ ﺍﻝﻠﻴﻠﺔ‬
‫ﺩﻯ ‪.‬‬ ‫) ﺃﻤﻭﺭﺱ (‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪ . M . S‬ﻓﻰ‬ ‫‪117‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﻠﻑ ﺍﻝﺯﺠﺎﺝ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﺼل ﺒﻜﺭﺓ ﻋﻴﺩ ﺠﻭﺍﺯ‬
‫ﺍﻷﻤﺎﻤﻰ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺎﺭﺝ ﺍﻝﺴﻴﺎﺭﺓ ﻋﺯﺓ ﺒﻨﺕ ﺨﺎﻝﺘﻰ ‪ .‬ﻫﻭ ﺃﻨﺕ ﻤﺵ‬
‫ﻭﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻫﺎﺘﻴﺠﻰ ؟‬
‫‪ Profile‬ﻭﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺠﻬﻪ ﺤﺴﻥ ‪ :‬ﺃﻨﺘﻰ ﻋﺎﺭﻓﺔ ﺇﻨﻰ ﻤﺎﻝﻴﺵ‬
‫ﺘﻘل ﻋﺎﺍﻝﺤﺎﺠﺎﺕ ﺩﻯ ‪.‬‬ ‫ﻼ‬
‫ﻜﺎﻤ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪118‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﻝﻙ ﻴﺎ ﺤﺴﻥ ؟‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M Close up‬‬ ‫‪119‬‬
‫ﻝﺤﺴﻥ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ ﺤﺴﻥ ‪ :‬ﻤﺘﻀﺎﻴﻕ ﺸﻭﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪120‬‬
‫ﻝﻤﻴﺭﻓﺕ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺼل ﺤﺎﺠﺔ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪121‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺭﺸﺔ ﺃﺒﻭﻴﺎ ﻫﺎﺘﺘﺒﺎﻉ ﻓﻰ‬
‫)‪(4‬‬ ‫‪ up‬ﻝﺤﺴﻥ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ ‪.‬‬
‫ﺍﻝﻤﺯﺍﺩ ‪..... .‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪ M.S. 2‬ﻜﻤﺎ ﺤﺴﻥ ‪ :‬ﻋﻠﻴﻬﺎ ﻀﺭﺍﻴﺏ ﻤﺘﺄﺨﺭﺓ‬ ‫‪122‬‬
‫ﻋﺸﺭﻴﻥ ﺃﻝﻑ ﺠﻨﻴﻪ‬ ‫ﻝﻘﻁﺔ ‪117‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺒﻌﺩﻴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺤﺴﻥ ‪Close up‬‬ ‫‪123‬‬
‫ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﻥ ﻭﺠﻬﺔ‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﺘﻌﺒﺎﻥ ﻴﺎ ﻤﻴﺭﻓﺕ‬
‫ﻨﻅﺭ ﻤﻴﺭﻓﺕ ‪ .‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ‬
‫ﻭﻤﺤﺘﺎﺠﻠﻙ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪124‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻁﻴﺏ ﻴﺎﺤﺴﻥ ‪ .‬ﺃﻨﺎ ﻁﺎﻝﻌﺔ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺒﺎﺏ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﺃﺠﻴﺏ ﻫﺎﻨﻰ ﻭﺠﺎﻴﺔ ﻋﻠﻰ ﻁﻭل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪124‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‪.‬‬
‫)‪(4‬‬ ‫ﺒﺭﻭﻓﻴل ‪Profile‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 21‬‬
‫ﻓﺠﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻤﻭﻗﻑ ﺍﻷﺘﻭﺒﻴﺱ‬

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‫ﺼﻭﺕ ﻤﺤﺭﻜﺎﺕ ﺍﻷﺘﻭﺒﻴﺴﺎﺕ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻤﻭﻗﻑ ﺍﻷﺘﻭﺒﻴﺱ‬ ‫‪125‬‬

‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﺘﺴﺘﻌﺭﺽ‬
‫ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻷﺘﻭﺒﻴﺴﺎﺕ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻴﻤﻴﻥ ‪. Pan Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺘﻭﺒﻴﺴﺎﺕ ﻤﻥ‬ ‫‪126‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪High Angle‬‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ‬
‫‪Tracking‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﺩﺍﺨل‬ ‫‪127‬‬
‫ﺃﺤﺩ ﺃﻜﺸﺎﻙ ﺍﻝﻤﺤﻁﺔ ﻭﻴﻅﻬﺭ ﻅﻬﺭ‬
‫ﺍﻝﻌﺎﻤل ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺤﺴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﺎﻷﺘﻭﺒﻴﺱ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺜﻡ ﻴﺨﺭﺝ‬
‫ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺘﻭﺒﻴﺱ ﻭﻫﻭ‬ ‫‪128‬‬
‫ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻭﺭﺍﺌﻪ ﺍﺘﻭﺒﻴﺱ‬
‫ﺁﺨﺭ ﻤﻥ ﻨﻔﺱ ﺍﻷﺘﺠﺎﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 22‬‬
‫ﻓﺠﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﺼﻭﺕ ﺴﻌﺎل ﺤﺴﻥ‬ ‫‪ 129‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺘﻭﺒﻴﺱ ﻤﻥ‬
‫ﺼﻭﺕ ﺭﺍﺩﻴﻭ ﺘﻼﻭﺓ ﻗﺭﺁﻥ‬ ‫ﺍﻝﺩﺍﺨل ﺍﻝﻌﺩﺴﺔ ﻭﺍﺴﻌﺔ ‪Wide‬‬
‫‪ Angle‬ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﺨﻠﻑ ﻋﺩﺴﺔ‬
‫ﻀﻴﻑ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻔل ﻴﺎﺴﻁﻰ‬ ‫ﺍﻝﻘﻴﺎﺩﺓ ﻭﻀﻴﻑ‬
‫ﻴﺘﻭﻗﻑ ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﺼﻌﺩ ﻤﺠﻤﻭﻋﺔ ﺤﺴﻥ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻨﻭﺭ‬
‫ﻤﻥ ﺍﻝﺠﻨﻭﺩ ﻭﺒﻌﺽ ﺍﻝﺭﻜﺎﺏ‬
‫ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 23‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺃﺒﻨﺔ ﺨﺎﻝﺔ‬
‫ﻤﻴﺭﻓﺕ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪. L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪130‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﻤﺠﻤﻭﻋﺔ‬
‫ﻤﻥ ﺃﻓﺭﺍﺩ ﺃﺴﺭﺓ ﻤﻴﺭﻓﺕ ﺃﻤﺎﻡ ﻤﺎﺌﺩﺓ‬
‫ﻤﻭﺴﻴﻘﻰ ﻫﺎﺩﺌﺔ ﻤﻥ‬ ‫ﻼ‬
‫ﻋﻴﺩ ﺍﻝﺯﻭﺍﺝ ﻭﺘﻌﻠﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﺼﻭﺕ ﺍﻝﺘﺼﻔﻴﻕ‬
‫ﺃﺤﺩ ﺍﻝﺘﺴﺠﻴﻼﺕ‬ ‫‪ Tilt Up‬ﻝﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ﺘﺘﺤﺭﻙ‬
‫ﻨﺎﺤﻴﺔ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻝﺘﺠﻠﺱ ﻋﻠﻰ ﺃﺤﺩ‬
‫ﺍﻝﻤﻘﺎﻋﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 131‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻌﺯﺓ ﻭﺯﻭﺠﻬﺎ‬
‫ﺠﻼل ﻴﺤﻤﻼﻥ ﻁﺒﻘﻰ ﺍﻝﺘﻭﺭﺘﺔ ﻭﻴﻨﻅﺭﺍ‬
‫ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﺩﺨل ﻤﺎﻫﺭ ﻋﺯﺓ ‪ :‬ﻋﻠﻰ ﻓﻜﺭﺓ ﻴﺎ ﺠﻤﺎﻋﺔ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﺒﻨﺤﺘﻔل ﺒﻌﻴﺩ ﺠﻭﺍﺯﻨﺎ‬ ‫ﺃﺒﻥ ﺍﻝﺨﺎﻝﺔ ﻭﻴﻘﻑ ﺒﻴﻨﻬﻤﺎ‬
‫ﻭﻤﺎﻫﺭ ﻫﺎﻴﻌﺯﻤﻨﺎ ﻋﻠﻰ ﺍﻝﻌﺸﺎ‬
‫ﺒﻤﻨﺎﺴﺒﺔ ﺍﺴﺘﻘﺭﺍﺭﻩ ﻓﻰ ﻤﺼﺭ‬
‫ﻤﺎﻫﺭ ‪ :‬ﺃﻨﺎ ﻤﻭﺍﻓﻕ ﺒﺱ ﺒﺸﺭﻁ ﻋﻠﻰ‬
‫ﺤﺴﺎﺒﻰ ‪.‬‬

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‫ﺠﻼل ‪ :‬ﻴﻌﻨﻰ ﺍﻝﻌﺯﻭﻤﺔ ﺩﻯ ﻫﻰ‬

‫ﺍﻝﻠﻰ ﺘﻨﻘﺹ ﺍﻝﻤﻠﻴﻭﻥ ‪.‬‬
‫ﻭﻴﺘﺤﺭﻜﻭﺍ ﺠﻤﻴﻌﹰﺎ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻤﺎﻫﺭ ‪ :‬ﻫﻭ ﻨﻅﺎﻡ ﻗﺭ ﻭ ﹶﻻ ﺁﻴﻪ ‪ .‬ﻭ ﹶﻻ‬
‫ﻤﺵ ﻋﻠﻰ ﺍﻝﻜﻴﻑ ‪ .‬ﺤﺎﻀﺭ‬
‫‪ Pan Left‬ﺤﺘﻰ ﻴﺼﻠﻭﺍ ﻨﺎﺤﻴﺔ‬
‫ﻴﺎﺴﺘﻰ ‪ .‬ﺒﺱ ﺃﺭﺤﻤﻭﻨﻰ ﻤﻥ ﻋﻴﻨﻴﻙ‬
‫ﻤﻴﺭﻓﺕ ﻭﺍﻷﻡ ﻭﻴﺠﻠﺴﻭﺍ‬
‫ﺃﻨﺕ ﻭﻤﺭﺍﺘﻙ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﻴﺎﻤﺎﻫﺭ ‪ .‬ﺁﻴﻪ‬
‫ﺍﻝﻤﺸﺭﻭﻉ ﺍﻝﻠﻰ ﺃﻨﺕ ﻨﺎﻭﻯ ﺘﻌﻤﻠﻪ‬
‫ﻓﻰ ﻤﺼﺭ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﻫﻭ ﻤﺸﺭﻭﻉ ﺼﻐﻴﺭ‬
‫ﻫﺎﺃﺠﺭﺏ ﻓﻴﻪ ﺤﻅﻰ‬
‫ﺍﻷﻡ ‪ :‬ﻤﺸﺭﻭﻉ ﺁﻴﻪ ﻴﻌﻨﻰ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺒﺭﻓﺎﻨﺎﺕ ﻋﻠﻰ ﻜﻭﻝﻭﻨﻴﺎﺕ‬
‫ﻋﻠﻰ ﺍﻝﻀﻴ‪‬ﻕ ﻜﺩﻩ ‪ .‬ﺼﻐﻴﺭ ﻜﺩﻩ ‪.‬‬
‫ﻭﻝﻤﺎ ﺭﺒﻨﺎ ﻴﻜﺭﻤﻨﺎ ﺇﻥ ﺸﺎﺀ ﺍﷲ‬
‫ﻫﻨﻜﺒﺭﻩ‬
‫ﻭﻴﻨﻅﺭ ﻤﺎﻫﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﻤﺎﻫﺭ ‪ :‬ﺇﺯﻴﻙ ﻴﺎ ﻤﻴﺭﻓﺕ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﻝﺤﻤﺩﷲ ‪.‬‬ ‫ﻤﻴﺭﻓﺕ ﺍﻝﺠﺎﻝﺴﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺎﻫﺭ ‪ :‬ﻤﺒﺴﻭﻁﺔ ﻤﻊ ﺠﻭﺯﻙ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻗﻭﻯ ﻗﻭﻯ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺃﻴﻭﺓ ‪ .‬ﻫﺎﻨﻰ‬
‫ﺍﻷﻡ ‪ :‬ﻭﺃﻨﺕ ﻨﺎﻭﻯ ﺘﺘﺠﻭﺯ ﺇﻤﺘﻰ‬
‫ﻴﺎﻤﺎﻫﺭ ؟‬
‫ﻤﺎﻫﺭ ‪ :‬ﻭﺍﷲ ﺃﻨﺎ ﻨﺎﻭﻯ ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻗﺒل ﺒﻜﺭﺓ ‪ .‬ﺒﺱ ﺍﻝﻭﺍﺤﺩ ﻴﻼﻗﻰ‬
‫ﺍﻝﻌﺭﻭﺴﺔ ﺍﻝﻠﻰ ﺘﻨﺎﺴﺒﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﻋﺯﺓ ‪ :‬ﻤﺎﻫﺭ ﺩﻝﻭﻗﺕ ﺒﻘﻰ ﺠﺎﻫﺯ ﻤﻥ‬ ‫‪132‬‬
‫ﻤﺠﺎﻤﻴﻌﻪ ‪ .‬ﻋﻨﺩﻩ ﺸﻘﺔ ﻓﻰ ﻤﺼﺭ‬ ‫‪ up‬ﻝﻌﺯﺓ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﺠﺩﻴﺩﺓ ﻭﺍﻝﻌﺭﺒﻴﺔ ‪ .‬ﻭﺍﻝﻤﺸﺭﻭﻉ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻠﻰ ﻫﺎﻴﻌﻤﻠﻪ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺼﻭﺕ ﻋﺯﺓ ‪ :‬ﻴﻌﻨﻰ ﺍﻝﻌﺭﻭﺴﺔ ﺍﻝﻠﻰ‬ ‫‪133‬‬
‫ﻫﺎﻴﺘﺠﻭﺯﻫﺎ ﻤﺵ ﻫﺎﻴﻜﻠﻔﻬﺎ ﻭﻻ‬ ‫‪ up‬ﻝﻭﺠﻪ ﻤﻴﺭﻓﺕ‬
‫ﻤﻠﻴﻡ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﻓﺎﻜﺭﺓ ﻴﺎﻤﻴﺭﻓﺕ ﻗﺒل‬ ‫‪M.‬‬ ‫‪Close‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬ ‫‪134‬‬
‫ﺕ ﺩﺍﻴﻤﺎ ﺘﻘﻭﻝﻴﻠﻰ‬
‫‪ up‬ﻝﻤﺎﻫﺭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﻤﺎﺃﺴﺎﻓﺭ ‪ .‬ﻜﻨ ِ‬
‫ﻴﺎﻓﺎﺸل ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻭﺠﻪ‬ ‫‪135‬‬
‫ﺼﻭﺕ ﻤﺎﻫﺭ ‪ :‬ﻁﻭل ﻤﺎﺃﻨﺎ ﺒﺭﻩ‬
‫ﻤﻴﺭﻓﺕ‬
‫ﻤﺎﻨﺴﻴﺘﺵ ﺍﻝﻜﻠﻤﺔ ﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺠﻤﻴﻊ ‪. .L .S‬‬ ‫‪136‬‬
‫ﺜﻡ ﺘﻘﻑ ﻤﻴﺭﻓﺕ ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﺍﻷﻡ ‪ :‬ﻤﺎﺤﺩﺵ ﻜﺎﻥ ﻴﻌﺭﻑ ﺃﺒﺩﹰﺍ ﺇﻥ‬
‫ﺃﻨﺕ ﻫﺎﺘﺒﻘﻰ ﺒﺎﻝﺸﻜل ﺩﻩ ‪ .‬ﺩﻩ ﻭﻻ‬ ‫ﻜﺎﺩﺭ ﻤﻊ ﺍﻷﻡ‬
‫ﻓﻰ ﺍﻷﺤﻼﻡ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻁﺏ ﻴﺎﻋﺯﺓ ﺍﻝﻭﻗﺕ ﺇﺘﺄﺨﺭ‬
‫ﻭﺃﻨﺎ ﻫﺎﺃﻤﺸﻰ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺘﻤﺸﻰ ﺇﺯﺍﻯ ﻭﺍﻝﻌﺯﻭﻤﺔ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﻌﻠﺵ ﺃﻨﺎ ﺠﻴﺕ ﻋﻠﺸﺎﻥ‬
‫ﻋﺯﺓ ‪.‬‬
‫ﺕ ﻤﺵ ﻫﺎﺘﺭﻭ‪‬ﺤﻰ ﺍﻝﻠﻴﻠﺔ‬ ‫ﺍﻷﻡ ‪ :‬ﺃﻨ ِ‬
‫ﺩﻯ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻷ‪ .‬ﻴﺎﻤﺎﻤﺎ ﻫﺎﺭﻭ‪‬ﺡ ‪.‬‬

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‫ﻤﺎﻫﺭ ‪ :‬ﻁﺏ ﻤﻤﻜﻥ ﺃﻭﺼﻠﻙ ؟‬

‫ﻤﻴﺭﻓﺕ ‪ :‬ﻻ ﻤﺘﺸﻜﺭﺓ ﻫﺎﺃﺨﺩ‬
‫ﺍﻷﺘﻭﺒﻴﺱ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺎﻫﺭ‬ ‫‪137‬‬
‫ﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Pan‬‬
‫‪ . Right‬ﺜﻡ ﻴﻘﻑ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 23‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺸﻘﺔ ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻤﻴﺭﻓﺕ ﺘﻔﺘﺢ‬ ‫‪138‬‬
‫ﺒﺎﺏ ﺍﻝﺸﻘﺔ ﻭﺘﺩﺨل ﻭﺤﺴﻥ ﻴﺠﻠﺱ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﺨﻴﺭ ﻴﺎﺤﺴﻥ‬ ‫ﻴﺠﻠﺱ ﺃﻤﺎﻡ ﺍﻝﻤﺎﺌﺩﺓ ﻝﻴﺘﻨﺎﻭل ﻁﻌﺎﻡ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﻨﻭﺭ‬‫ﺍﻝﻌﺸﺎﺀ ﻭﺘﺠﻠﺱ ﺒﺠﻭﺍﺭﻩ ﻭﺘﺼﺒﺢ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﻭ ﺃﻨﺕ ﺤﻀﺭﺕ ﺍﻝﻌﺸﺎ‬ ‫ﻤﻴﺭﻓﺕ ﻓﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻓﻰ‬
‫ﺒﻨﻔﺴﻙ ‪.‬‬ ‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻜﻨﺕ ﻤﻴﺕ ﻤﻥ ﺍﻝﺠﻭﻉ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﺁﺴﻔﺔ ﻴﺎﺤﺒﻴﺒﻰ‬
‫ﻤﺎﻜﻨﺘﺵ ﻋﺎﺭﻓﺔ ﺇﻨﻰ ﻫﺎﺃﺘﺄﺨﺭ ﻜﺩﻩ ‪.‬‬
‫‪.‬ﺁﻴﻪ ﺃﺨﺒﺎﺭ ﺍﻝﻭﺭﺸﺔ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻝﺴﻪ ‪ .‬ﻤﻴﻥ ﻭﺼﻠﻙ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﻤﺎ ‪ .‬ﻭﺼﻠﺘﻨﻰ‬
‫ﻭﻤﺸﻴﺕ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺁﻴﻪ ﺃﺨﺒﺎﺭ ﻋﺯﺓ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﺴﻜﺕ ﻴﺎﺤﺴﻥ ﻋﺎﺭﻑ‬
‫ﺸﻔﺕ ﻤﻴﻥ ﻫﻨﺎﻙ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺸﻔﺘﻰ ﻤﻴﻥ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺸﻔﺕ ﻤﺎﻫﺭ ﺇﺒﻥ ﺨﺎﻝﺘﻰ ‪.‬‬
‫ﺃﺴﻜﺕ ‪ .‬ﻤﺎﻫﺭ ﺒﻘﻰ ﺤﺎﺠﺔ ﺘﺎﻨﻴﺔ‬
‫ﺜﻡ ﺘﻨﻬﺽ ﻤﻴﺭﻓﺕ ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺨﺎﻝﺹ ﻭﻋﺎﻤﻠﻰ ﻓﻴﻬﺎ ﻓﻭﻨﺕ ﻭﻋﻨﺩﻩ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺩﺨل ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻋﺭﺒﻴﺔ ‪ .‬ﻭﻋﺯﺓ ﻓﻀﻠﺕ ﺘﻠﻘﺢ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Right‬ﺒﺎﻝﻜﻼﻡ ﻭﺘﻘﻭل ﺩﻩ ﺒﻘﻰ ﻋﻨﺩﻩ ﻭﻋﻨﺩﻩ‬
‫ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ﻋﺭﺒﻴﺔ‬
‫‪.American Shot‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M .L‬ﺤﺴﻥ ‪ :‬ﻤﺎﻗﻠﺘﻴﺵ ﺒﻘﻰ ﺃﻨﻪ ﺠﻪ ؟‬ ‫‪139‬‬
‫ﻝﺤﺴﻥ ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻝﻤﺎﺌﺩﺓ ﺜﻡ ﻤﻴﺭﻓﺕ ‪ :‬ﺩﻩ ﻝﺴﻪ ﻭﺍﺼل ﻤﻥ ﺒﺭﻩ‬
‫ﻴﻨﻬﺽ ﻭﻴﺘﺠﻪ ﻨﺎﺤﻴﺔ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻤﺎﺒﻘﻠﻭﺵ ﻴﻭﻤﻴﻥ ‪.‬‬
‫ﻭﻴﻘﻑ ﺃﻤﺎﻡ ﺍﻝﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺴﻥ ‪ :‬ﻭﻤﺎﻝﻙ ﻓﺭﺤﺎﻨﺔ ﻜﺩﻩ ﻭﺃﻨﺘﻰ‬
‫‪ Pan Right‬ﻭﺘﺼﺒﺢ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺒﺘﺘﻜﻠﻤﻰ ﻋﻨﻪ ‪.‬‬
‫ﻓﻭﻕ ﻜﺘﻔﻪ ﻭﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ﻭﻫﻰ ﺘﻜﻤل ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺍﺤﺸﻨﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻗﻠﺕ ﻝﻙ ﻗﺒل ﻜﺩﻩ‬ ‫ﺇﺭﺘﺩﺍﺀ ﻤﻼﺒﺴﻬﺎ‬
‫ﻤﺎﺘﺸﻭﻓﻴﺵ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪140‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻭﺍﺩ ﺩﻩ ﺨﺎﻝﺹ‬
‫ﻭﻤﻴﺭﻓﺕ ﻤﻌﻁﻴﺔ ﻅﻬﺭﻫﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪141‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﺒﺘﻐﻴﺭ ﻋﻠﻴﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪142‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺩﺍﻡ ﻋﺭﻓﺘﻰ ﺃﻨﻪ ﻤﻭﺠﻭﺩ‬

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‫‪ up‬ﻝﺤﺴﻥ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ ﻤﺎﻜﻨﺘﻴﺵ ﺭﺤﺘﻰ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻤﻴﺭﻓﺕ ﻤﻥ‬ ‫‪143‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺒﺘﻔﻜﺭﻨﻰ ﺒﺄﻴﺎﻡ ﺯﻤﺎﻥ ﻴﺎ‬
‫ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ‬
‫ﺤﺴﻥ ﺍﻭل ﻤﺎﺤﺒﻴﻨﺎ ﺒﻌﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L. S‬ﻤﻥ‬ ‫‪144‬‬
‫ﺤﺴﻥ ‪ :‬ﺩﻤﻰ ﺒﻴﺘﺤﺭﻕ ﻝﻤﺎ ﺒﺄﺴﻤﻊ‬
‫ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ‬
‫ﺃﺴﻡ ﺍﻝﻭﺍﺩ ﺩﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M . L. S‬ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺃﻨﺎ ﻤﺎﻜﺎﻨﺵ ﻤﺎﻝﻰ ﻋﻠ ‪‬‬ ‫‪145‬‬
‫ﻝﻤﻴﺭﻓﺕ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ‪ .‬ﺍﻝﺩﻨﻴﺎ ﺩﻯ ﻜﻠﻬﺎ ﻏﻴﺭﻙ ‪ .‬ﻜﺎﻥ‬
‫ﺠﺴﻤﻰ ﻜﻠﻪ ﺒﻴﺭﺘﻌﺵ ﺃﻭل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﺃﺸﻭﻓﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﻓﻭﻕ ﺤﺴﻥ ‪ :‬ﻝﻤﺎ ﺃﻤﻙ ﻤﺎﻭﺍﻓﻘﺘﺵ ﻋﻠﻰ‬ ‫‪146‬‬
‫ﺠﻭﺍﺯﻨﺎ ﻜﺎﻥ ﺒﺭﺝ ﻤﻥ ﺩﻤﺎﻏﻰ‬ ‫ﻜﺘﻑ ﻤﻴﺭﻓﺕ ﻝﺤﺴﻥ‬
‫ﻫﺎﻴﻁﻴﺭ ‪ .‬ﻋﻤﻠﺕ ﺨﻨﺎﻗﺔ ﻤﻊ ﺍﻝﻘﺎﺌﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺸﺎﻥ ﺁﺨﺩ ﺃﺠﺎﺯﺓ ‪ 24‬ﺴﺎﻋﺔ‬
‫ﺃﺘﺠﻭﺯﻙ ﻓﻴﻬﻡ ﻭﺃﺭﺠﻊ ﺘﺎﻨﻰ ‪...‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﻓﻭﻕ ﻤﻴﺭﻓﺕ ‪ :‬ﻴﻭﻤﻴﻬﺎ ﺭﺤﺕ ﻤﻌﺎﻙ‬ ‫‪147‬‬
‫ﻜﺘﻑ ﺤﺴﻥ ﻝﻤﻴﺭﻓﺕ ﻭﻴﺘﺤﺭﻜﺎ ﻭﻴﺠﻠﺴﺎ ﺠﺭﻯ ﻝﻠﻤﺄﺫﻭﻥ ‪ .‬ﻜﺎﻥ ﻨﻔﺴﻰ‬
‫ﺘﺨﻁﻔﻨﻰ ﻭﻜل ﺍﻝﻨﺎﺱ ﺘﻌﺭﻑ ‪.‬‬ ‫ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻭﻴﺤﻀﻨﻬﺎ ﺤﺴﻥ‬
‫ﺤﺴﻥ ‪ :‬ﺭﺍﺤﺕ ﻓﻴﻥ ﺍﻷﻴﺎﻡ ﺩﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﺎﻥ ﻜل ﺍﻝﻠﻰ ﺒﻨﻔﻜﺭ ﻓﻴﻪ ﺒﻨﻌﻤﻠﻪ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﻝﺯﻤﻥ ﺇﺘﻐﻴﺭ ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺯﻤﻥ ﺍﺘﻐﻴﺭ ﻭﺍﻝﻨﺎﺱ‬
‫ﺇﺘﻐﻴﺭﺕ ﻭﻤﺎﻓﻴﺵ ﺤﺎﺠﺔ ﻋﻠﻰ ﺤﺎﻝﻬﺎ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪ Big Close up‬ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ‪ .‬ﺃﻨﺎ ﻋﺎﺭﻓﺔ ﺇﻥ‬ ‫‪148‬‬
‫ﻝﻭﺠﻪ ﻤﻴﺭﻓﺕ ﻭﺤﺴﻥ ﺒﺭﻭﻓﻴل ‪ .‬ﺃﻨﺕ ﺒﺘﺘﻌﺏ ‪ .‬ﺁﻴﻪ ﺭﺃﻴﻙ ﻝﻭ ﺃﺸﺘﻐل‬
‫ﺒﺎﻝﺜﺎﻨﻭﻴﺔ ﺍﻝﻌﺎﻤﺔ ﻭﺃﺴﺎﻋﺩﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬ ‫‪149‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﺎﺘﺎﺨﺩﻯ ﻜﺎﻡ ﻴﻌﻨﻰ ‪ .‬ﺒﻴﺘﻙ‬
‫ﻝﺤﺴﻥ ﻭﻤﻴﺭﻓﺕ ﺒﺭﻭﻓﻴل‬
‫ﺃﻫﻡ ﻭﺇﺒﻨﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ‬ ‫‪150‬‬
‫ﻤﻴﺭﻓﺕ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 24‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﺍﻝﺤﺎﺝ‬
‫ﺴﻠﻁﺎﻥ‬
‫‪ 151‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺤﺴﻥ ﻭﺴﻠﻁﺎﻥ‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﺴﻠﻁﺎﻥ ‪ :‬ﺯﻫﻘﺕ ﻤﻥ ﻗﻌﺩﺓ ﺍﻝﺒﻴﺕ‬
‫ﻴﺨﺭﺠﺎ ﻤﻥ ﺒﺎﺏ ﺍﻝﺸﻘﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺵ ﻭﺍﺨﺩ ﻋﻠﻴﻬﺎ ‪.‬‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ‬ ‫ﻭﺨﻠﻔﻬﻤﺎ ﻜل ﻤﻥ ﺍﻷﻡ ﻭﻤﻴﺭﻓﺕ ﻭﻴﻨﺯﻻ ﺭﺌﻴﻔﺔ ‪ :‬ﻝﺤﻘﺕ ﺘﺯﻫﻕ ﻤﻨﻨﺎ ﻴﺎﺤﺎﺝ‬
‫ﺼﻭﺕ ﻋﺼﺎ ﺴﻠﻁﺎﻥ‬ ‫ﺍﻝﺴﻼﻝﻡ ﻭﻴﺨﺭﺠﺎ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺴﻠﻁﺎﻥ ‪ :‬ﻫﺎﺕ ﺇﻴﺩﻙ ﻴﺎ ﺤﺴﻥ ‪.‬‬
‫ﻭﺘﻅل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﻜل ﻤﻥ ﻤﻴﺭﻓﺕ ﺤﺴﻥ ‪ :‬ﺨﺩﺕ ﺍﻝﺩﻭﺍ ؟‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻴﻭﺓ ﺨﺩﺘﻪ ‪.‬‬ ‫ﻭﺍﻷﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 25‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻭﺭﺸﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬ ‫‪152‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﺎ ﺍﻝﺴﻼﻤﺔ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬
‫ﻴﺄﺴﻁﻰ ‪ .‬ﺃﻭﺼﻴﻠﻙ ﻋﺎ ﺍﻝﺒﻭﻝﺔ ‪.‬‬

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‫‪ Camera‬ﻝﻌﻭﻨﻰ ﻴﺠﻠﺱ ﻴﺩﺨﻥ ﺴﻠﻁﺎﻥ ‪ :‬ﻻ ‪.‬‬

‫ﺍﻝﺸﻴﺸﺔ ﺜﻡ ﻴﻘﻑ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻋﻭﻨﻰ ‪ :‬ﻁﺏ ﺤﺎﺠﺔ ﺴﺎﻗﻌﺔ ‪ .‬ﺩﻩ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﺃﻨﺕ ﻨﻭﺭﺕ ﺍﻝﻤﻁﺭﺡ‪.‬‬
‫ﻭﻴﺼل ﺇﻝﻰ ﺤﺴﻥ ﻭﺴﻠﻁﺎﻥ ‪ .‬ﺜﻡ ﺴﻠﻁﺎﻥ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ ﺨﻼﺹ ﺒﻘﻴﺕ‬
‫ﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻜل ﻤﻥ ﻋﻭﻨﻰ ﻭﺴﻠﻁﺎﻥ ﻀﻴﻑ ﻴﺎﻋﻭﻨﻰ ‪ .‬ﺨﻼﺹ ﺭﻭﺡ‬
‫ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‪ Pan Left‬ﺸﻭﻑ ﺸﻐﻠﻙ ‪.‬‬
‫ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻋﻭﻨﻰ ‪ :‬ﻤﺎﺸﻰ ﻴﺎﺴﻁﻰ ‪.‬‬
‫ﻫﺎﺃﺒﻌﺘﻠﻜﻭﺍ ﺍﻝﻭﺍﺩ ﻴﺸﻭﻑ ﺘﺸﺭﺒﻭﺍ‬ ‫ﻷﺜﻨﻴﻥ ‪. M . S . 2‬‬
‫ﺁﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺠﺩﻉ ﺩﻩ ﺃﻨﺎ ﻗﻠﺘﻠﻪ‬
‫ﻤﺎﻴﻌﺘﺒﺵ ﺍﻝﻭﺭﺸﺔ ﺘﺎﻨﻰ ‪ .‬ﺒﺭﻀﻪ‬
‫ﺴﺎﻕ ﺍﻝﺭﺨﺎﻤﺔ ﻭﺠﻪ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺒﻌﺩ ﺁﻴﻪ ﻤﺎﺨﻼﺹ ﺍﻝﻔﺎﺱ‬
‫ﻭﻗﻌﺕ ﻓﻰ ﺍﻝﺭﺍﺱ ‪.‬‬
‫‪ 153‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ﺯﺍﺭﻨﻰ‬
‫‪ up‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻝﺴﻠﻁﺎﻥ‬
‫ﺇﻤﺒﺎﺭﺡ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 154‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺩﻩ ﻋﺎﻴﺯ ﺁﻴﻪ ﺩﻩ ﻜﻤﺎﻥ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 155‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺎﻫﻭ ﺍﻝﺘﻭﺭ ﻝﻤﺎ ﻴﻘﻊ‬
‫ﺒﺘﻜﺘﺭ ﺴﻜﺎﻜﻴﻨﻪ ‪ .‬ﺒﻴﻌﺭﺽ ﻋﻠﻴﺎ‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ ‪.‬‬
‫ﻓﻠﻭﺱ ﻋﺸﺎﻥ ﻨﻔﻙ ﺯﻨﻘﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 156‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺩﻩ ﺭﺍﺠل ﻨﺠﺱ‬
‫ﻭﻤﺎﻴﺤﻁﺵ ﺇﻴﺩﻩ ﻏﻴﺭ ﻓﻰ ﺤﺎﺠﺔ‬ ‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻨﺠﺴﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 157‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺴﻠﻁﺎﻥ ‪ .‬ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺎ ﻜﻤﺎﻥ ﻗﻠﺘﻠﻪ ﺸﺎﻴﻠﻙ‬
‫ﻝﻌﻭﺯﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺘﺼﻠﻰ ﻋﻠﻰ ﺍﻝﻨﺒﻰ ﻴﺎﺒﺎ ‪.‬‬ ‫‪.‬‬ ‫ﻝﺤﺴﻥ‬ ‫ﻗﺭﻴﺒﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬ ‫‪158‬‬
‫ﺨﻼﺹ ﺍﻝﻤﺤﺎﻤﻰ ﻗﺩﻡ ﻁﻠﺏ‬
‫ﻝﻠﻤﺼﻠﺤﺔ ﻭﻫﺎﻴﻘﺴﻁﻭﺍ ﻝﻨﺎ ﺍﻝﻤﺒﻠﻎ‬
‫ﻯ ﻭﻓﻭﻕ ﻝﺼﺤﺘﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 159‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺴﻠﻁﺎﻥ ﻭﻫﻭ‬
‫ﻓﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺴﻨﺩ ﻴﺩﻴﻪ ﻭﺭﺃﺴﻪ‬
‫ﻋﻠﻰ ﺍﻝﻌﺼﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 26‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺤﺎﻤﻰ‬
‫‪ 160‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﺍﻝﻤﺼﻠﺤﺔ ﻭﺍﻓﻘﺕ ﻝﻜﻭﺍ‬
‫‪ up‬ﻝﻠﻤﺤﺎﻤﻰ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻋﻠﻰ ﺍﻝﺘﻘﺴﻴﻁ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 161‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻫﺎﻨﺩﻓﻊ ﻜﺎﻡ ﻭﻨﻘﺴﻁ‬
‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻜﺎﻡ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 162‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻫﺎﻨﺩﻓﻊ ﻨﺹ ﺍﻝﻤﺒﻠﻎ‬
‫‪ up‬ﻝﻠﻤﺤﺎﻤﻰ‬
‫ﻭﻨﻘﺴﻁ ﺍﻝﺒﺎﻗﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪163‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﻴﻌﻨﻰ ﻋﺸﺭ ﺘﻼﻑ ﺠﻨﻴﻪ !‬
‫‪ up‬ﻝﺤﺴﻥ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 164‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ M . S. 2‬ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﺩﻯ ﺃﻗﺼﻰ ﺤﺎﺠﺔ ﻗﺩﺭﻨﺎ‬
‫ﻨﻌﻤﻠﻬﺎ ‪ .‬ﺃﻨﺎ ﻋﻤﻠﺕ ﻜل ﺠﻬﻭﺩﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻗﺩﺍﻤﻨﺎ ﻗﺩ ﺁﻴﻪ ﻋﺸﺎﻥ‬
‫ﻨﺩﻓﻊ ‪.‬‬
‫ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﺨﻼل ﺸﻬﺭ ﻴﻜﻭﻥ‬
‫ﺍﻝﻤﺒﻠﻎ ﻤﺩﻓﻭﻉ ﻭﺇﻻ ﻫﺎﻴﺘﺤﺠﺯ‬
‫ﻋﺎﻝﻭﺭﺸﺔ ‪...‬‬
‫‪ 165‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫‪ up‬ﻝﻠﻤﺤﺎﻤﻰ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‬
‫‪ . Pan Right‬ﺜﻡ ﻴﻘﻑ ﺤﺴﻥ‬
‫ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺍﻝﻤﺤﺎﻤﻰ ‪ :‬ﻭﻫﺎﺘﺘﺒﺎﻉ ﻓﻰ ﺍﻝﻤﺯﺍﺩ ‪.‬‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﻔﺘﺤﻪ ﺜﻡ ﻴﺸﻴﺭ ﺒﻴﺩﻩ‬
‫ﻝﻠﻤﺤﺎﻤﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 27‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺼﺎﻝﺔ ﻭﺘﺠﻠﺱ‬ ‫‪166‬‬
‫ﻤﻴﺭﻓﺕ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺴﻠﻁﺎﻥ‬
‫ﻭﺍﻷﻡ ﺭﺌﻴﻔﺔ ﻓﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺄﺘﻰ ﺴﻠﻁﺎﻥ ‪ :‬ﺘﻌﺎﻝﻰ ﻴﺎﺤﺒﻴﺒﻰ ‪ .‬ﺘﻌﺎﻝﻰ‬
‫ﻤﻴﺭﻓﺕ ﻤﻥ ﺍﻝﺨﻠﻑ ﻭﻓﻰ ﻴﺩﻫﺎ ﺯﺠﺎﺠﺔ ﻝﺠﺩﻭ ‪.‬‬
‫ﺩﻭﺍﺀ ﻭﺘﻌﻁﻴﻬﺎ ﻝﺴﻠﻁﺎﻥ ﻭﻴﺘﺤﺭﻙ ﻤﻴﺭﻓﺕ ‪ :‬ﺒﺱ ﻴﺎﻫﺎﻨﻰ ﺴﻴﺏ ﺍﻝﻌﺠﻠﺔ‬
‫ﻫﺎﻨﻰ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺩ ﺴﻠﻁﺎﻥ ﺠﺩﻙ ﺘﻌﺒﺎﻥ ‪ .‬ﻭﻋﻤﺘﻙ ﻜﻭﺜﺭ ﺒﺘﺫﺍﻜﺭ‬
‫ﻴﺩﻩ ﻭﻴﺄﺨﺫ ﻫﺎﻨﻰ ﺒﻴﻥ ﺯﺭﺍﻋﻴﻪ ‪..‬ﺜﻡ ﺒﺎﻝﺸﻔﺎ ﺇﻥ ﺸﺎﺀ ﺍﷲ ‪.‬‬
‫ﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫىﺘﺘﺤﺭﻙ ﻴﺴﺎﺭ ﺴﻠﻁﺎﻥ ‪ :‬ﺘﻌﺎﻝﻰ ﻴﺎﻫﺎﻨﻰ ﺘﻌﺎﻝﻰ ‪.‬‬
‫ﻜﺎﺩﺭ ‪ Pan left‬ﻝﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨل ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻴﻭﻩ ﺃﻴﻭﺓ ‪.‬‬
‫ﺤﺴﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺤﺴﻥ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﺨﻴﺭ‬
‫ﺼﻭﺕ ﺍﻝﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬ ‫ﻜﺒﻴﺭﺓ ‪.‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪167‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﻨﻭﺭ ‪.‬‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪168‬‬
‫)‪(5‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪169‬‬
‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪170‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﻨﺯل ﻴﺎﻫﻨﻰ‬ ‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻝﺴﻠﻁﺎﻥ ﻭﺭﺌﻴﻔﺔ‬ ‫‪171‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻤﻴﺭﻓﺕ ﻭﺤﺴﻥ ﻴﺴﺎﺭ‬
‫ﺤﺴﻥ ‪ :‬ﻴﺎﻝﻼ ﻋﺸﺎﻥ ﻨﺭﻭ‪‬ﺡ ‪.‬‬
‫ﻜﺎﺩﺭ ﻭﻴﺄﺘﻰ ﻫﺎﻨﻰ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺍﻝﻰ‬
‫ﺼﻭﺕ ﺍﻝﺩﺭﺍﺠﺔ‬ ‫ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﻴﺤﻤل ﺤﺴﻥ ﺍﻝﺩﺭﺍﺠﺔ ﻭﺘﺤﻤل‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻤﻴﺭﻓﺕ ‪ :‬ﺘﺼﺒﺤﻭﺍ ﻋﻠﻰ ﺨﻴﺭ‬
‫ﻤﻴﺭﻓﺕ ﺍﻝﺤﻘﻴﺒﺔ ﻭﻴﺨﺭﺠﻭﺍ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﻊ ﺍﻝﺴﻼﻤﺔ ‪.‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 28‬‬

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‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬

‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫‪ 172‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫‪ up‬ﻝﻴﺩ ﺤﺴﻥ ﺘﻐﻴﺭ ﺍﻝﻌﺩﺍﺩ ﻓﻰ‬
‫ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 173‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺸﺎﺭﻉ ﻁﺭﻴﻕ‬
‫ﻋﺎﻡ ﻭﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﺘﺄﺘﻰ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﺼﺒﺢ ﺍﻝﺴﻴﺎﺭﺓ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﻅﻬﺭ ﻋﻠﻰ ﺠﺎﻨﺏ ﺍﻝﻁﺭﻴﻕ ﻻﻓﺘﺔ‬
‫ﻋﻠﻴﻬﺎ ﺒﻭﺭﺴﻌﻴﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 174‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﻤﻴﻨﺎﺀ ﻭﺘﻨﺯل‬
‫ﺼﻭﺕ ﻨﻔﻴﺭ ﺴﻔﻴﻨﺔ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ﻝﺘﻅﻬﺭ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺼﻭﺕ ﺠﻭ ﺍﻝﺸﺎﺭﻉ‬ ‫ﺍﻷﺠﺭﺓ ﺒﻴﻥ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻭﺘﺩﺨل ﻤﻥ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 29‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺃﻤﺎﻡ ﺸﻘﺔ ﺴﻤﻴﺤﺔ‬
‫ﺃﺨﺕ ﺤﺴﻥ‬
‫‪ 175‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ ﺘﻔﺘﺢ ﺸﺭﺍﻋﺔ ﺍﻝﺒﺎﺏ‬
‫ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺒﺘﺴﻡ ﺴﻤﻴﺤﺔ ‪ :‬ﻤﻴﻥ ! ﺤﺴﻥ‬
‫ﻭﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 30‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺸﻘﺔ‬
‫ﺼﻭﺕ ﺍﻝﺯﻏﺭﻭﺩﺓ‬ ‫ﻼ ﺩﻩ ﺍﻝﺒﻴﺕ ﻨﻭ‪‬ﺭ‬‫ﻼ ﺃﻫ ﹰ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺃﻫ ﹰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M . L. S‬‬ ‫‪178‬‬
‫ﺩﻩ ﺇﺤﻨﺎ ﺯﺍﺭﻨﺎ ﺍﻝﻨﺒﻰ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪ .‬ﺁﻩ‬ ‫ﻝﺤﺴﻥ ﻭﺴﻤﻴﺤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻝﻭ ﺃﻋﺭﻑ ﺃﺯﻏﺭﺕ ‪...‬ﻋﺭﻓﺕ ﻴﺎ‬ ‫ﻭﺘﺤﻀﻨﻪ ﺜﻡ ﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺤﺴﻥ ‪.‬‬ ‫ﻝﻴﺩﺨﻼ ﺍﻝﻰ ﺍﻝﺼﺎﻝﺔ ﻭﻴﺠﻠﺴﺎ ﻴﺴﺎﺭ‬
‫ﻼ ‪ .‬ﻤﻌﻠﺵ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬ ‫ﻼ ﺃﻫ ﹰ‬
‫ﺃﻫ ﹰ‬ ‫ﻜﺎﺩﺭ ﺒﺠﻭﺍﺭ ﺒﻌﻀﻬﻤﺎ ﺴﻤﻴﺤﺔ ﻴﻤﻴﻥ‬
‫ﻼ ﻴﺎﺨﻭﻴﺎ‬‫ﺍﻝﺒﻴﺕ ﻤﻜﺭﻜﺏ ﺸﻭﻴﺔ ‪ .‬ﺃﻫ ﹰ‬ ‫ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻴﺴﺎﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﻼ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬‫ﺃﻫ ﹰ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺸﺎﺀ ﺍﷲ ﺒﻴﺘﻙ ﺍﺘﻤﻠﻰ‬
‫ﺃﻫﻭﻩ ﻴﺎ ﺴﻤﻴﺤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺩﻯ ﺒﻀﺎﻋﺔ ﻴﺎﺨﻭﻴﺎ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ﻗﺎﻝﺒﻠﻰ ﺍﻝﺒﻴﺕ ﻤﺨﺯﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺯﻴﻪ ﻭﺇﺯﻯ ﺍﻝﻭﻻﺩ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺤﻠﻭﻴﻥ ﺒﻴﺒﻭﺴﻭﺍ ﺇﻴﺩﻴﻙ ‪.‬‬
‫ﻨﺯﻝﻭﺍ ﺍﻝﺴﻭﻕ ﺒﻴﺸﺘﻐﻠﻭﺍ ﻤﻊ‬
‫ﺃﺒﻭﻫﻡ ‪.‬‬
‫‪ 179‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻝﻴﻪ ؟ ﻫﻤﺎ ﻤﺎﻋﻨﺩﻫﻤﺵ‬
‫‪ up‬ﻝﺤﺴﻥ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺴﻤﻴﺤﺔ‬
‫ﺩﺭﺍﺴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 180‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺴﻤﻴﺤﺔ ﻤﻥ ﺴﻤﻴﺤﺔ ‪ :‬ﺩﺭﺍﺴﺔ ﺁﻴﻪ ﻴﺎ ﺤﺴﻥ ﺩﺍ‬
‫ﺍﻝﻌﻴل ﻤﻥ ﺩﻭل ﺒﻴﻜﺴﺏ ﻓﻰ ﺍﻝﻴﻭﻡ‬ ‫ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ‪.‬‬
‫‪ 20‬ﺃﻭ ‪ 30‬ﺠﻨﻴﻪ ﺒﺎﻝﻤﻴﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 181‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺴﻤﻴﺤﺔ‬
‫ﻭﺤﺴﻥ ‪ .‬ﺜﻡ ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﺘﺘﺎﺒﻊ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻴﺒﻘﻰ ﻴﺭﻭﺡ ﺍﻝﻤﺩﺭﺴﺔ‬

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‫ﺴﻤﻴﺤﺔ ‪ Tilt up‬ﻭﻫﻰ ﻭﻫﻰ ﺘﻘﻑ ﻴﻌﻤل ﺁﻴﻪ ! ﺃﻝﻑ ﺨﻁﻭﺓ ﻋﺯﻴﺯﺓ‬
‫ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ ﻭﺘﺤﻀﺭ ﻋﻠﺒﺔ ﺒﻭﺭﺴﻌﻴﺩ ﻜﻠﻬﺎ ﻨﻭ‪‬ﺭﺕ ‪ .‬ﻗﻭﻝﻰ ﺇﺯﻯ‬
‫ﻋﺼﻴﺭ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻫﺎﻨﻰ ﻭﺇﺯﻯ ﻤﻴﺭﻓﺕ ﻭﺇﺯﻯ ﻤﺼﺭ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﻭﻫﻰ ﺘﺠﻠﺱ ﻭﺍﻝﻠﻰ ﻓﻰ ﻤﺼﺭ ﻜﻠﻬﻡ ‪.‬‬
‫ﺜﺎﻨﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 182‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺴﻤﻴﺤﺔ ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺍﻝﺤﻤﺩﷲ ﻜﻭﻴﺴﻴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 183‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻜل ﻤﻥ ﺴﻤﻴﺤﺔ ‪ :‬ﻗﻭﻡ ﻴﺎﺤﺴﻥ ﺇﻏﺴل ﻭﺸﻙ‬
‫ﺴﻤﻴﺤﺔ ﻭﺤﺴﻥ ﺴﻤﻴﺤﺔ ﻴﻤﻴﻥ ﻭﺤﺴﻥ ﻭﻏﻴ‪‬ﺭ ﻫﺩﻭﻤﻙ ﻋﻠﻰ ﺒﺎل ﻤﺎﺃﻋﻤﻠﻙ‬
‫ﻝﻘﻤﺔ ﺘﺎﻜﻠﻬﺎ ‪ .‬ﺃﺼل ﻴﻤﻜﻥ ﺍﻝﺒﺭﻨﺱ‬ ‫ﻴﺴﺎﺭ‬
‫ﻴﺘﺄﺨﺭ ﻓﻰ ﺍﻝﺴﻭﻕ ﺸﻭﻴﺔ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﻝﻤﺎ ﺃﺨﻠﺹ ﺍﻝﺒﺘﺎﻋﺔ‬
‫ﺍﻝﻠﻰ ﺇﻨﺘﻰ ﺠﺎﻴﺒﺎﻫﺎ ﺩﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻴﻭﻩ ﻴﺎ ﺤﺴﻥ ﺩﻩ ﺃﻨﺎ‬
‫ﺍﻝﻔﺭﺤﺔ ﺍﻝﻨﻬﺎﺭﺩﺓ ﻤﺵ ﺴﻴﻌﺎﻨﻰ ‪.‬‬
‫ﻤﺵ ﺒﺎﻴﻥ ﻋﻠﻴﺎ ﺍﻝﻔﺭﺤﺔ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻷ ‪ .‬ﺒﺎﻴﻥ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺇﺤﻜﻰ ﻝﻰ ﺇﺯﻯ ﺃﻤﻙ‬
‫ﻭﺃﺒﻭﻙ ﻭﺃﺨﻭﺍﺘﻙ ﺇﺤﻜﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺘﻰ ﺒﻘﺎﻝﻙ ﻗﺩ ﺁﻴﻪ ﻤﺎ‬
‫ﺭﺤﺘﻴﺵ ﻷﺒﻭﻜﻰ ؟‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺃﺼل ﻭﺍﻝﻨﺒﻰ ﻴﺎ ﺤﺴﻥ‬
‫ﺍﻝﺩﻨﻴﺎ ﻤﺸﺎﻏل ﻭﺍﻝﺒﻴﺕ ﻤﺎ‬
‫ﺒﻴﺴﺘﻐﻨﺎﺵ ﻋﻨﻰ ‪ .‬ﺃﺴﻜﺕ ﻤﺵ‬
‫ﺍﻝﺒﺭﻨﺱ ﺃﺨﺩ ﺩﻜﺎﻨﺔ ﺠﺩﻴﺩﺓ ﻓﻰ‬
‫ﺍﻝﺴﻭﻕ ﻭﺍﻝﺸﻐل ﻨﺎﺯل ﻋﻠﻴﻪ ﻴﺭﻑ‬
‫ﻤﺎﺒﻴﻬﻤﺩﺵ ﻝﻴل ﻭﻻ ﻨﻬﺎﺭ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻋﺎل ﻋﺎل ﺍﻝﺤﻤﺩﷲ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻭﻗﺎل ﺁﻴﻪ ﻴﺎﺨﻭﻴﺎ ﺍﻝﺭﺍﺠل‬
‫ﻁﺎﻝﻌﺔ ﻓﻰ ﺩﻤﺎﻏﺔ ﻗﺎل ﺁﻴﻪ ﻴﺎﺨﺩ‬
‫ﺘﻭﻜﻴل ﻤﻥ ﺒﺘﺎﻉ ﺒﺭﻩ ﺃﺴﻤﻪ ﺁﻴﻪ ‪.‬‬
‫ﺃﺼل ﺃﻨﺕ ﻋﺎﺭﻑ ﺘﻌﻠﻴﻤﻰ ﻋﺭﺒﻰ‬
‫ﻝﻤﺎ ﻴﻴﺠﻰ ﺇﺒﻘﻰ ﺇﺴﺄﻝﻪ‬

‫ﺤﺴﻥ ‪ :‬ﺭﺒﻨﺎ ﻴﺴﻌﺩﻙ‬

‫ﻯ ﺼﺤﺘﻪ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺇﻻ ﺃﺒﻭﻙ ﺇﺯ ‪‬‬
‫ﺼﻭﺕ ﻀﺤﻙ ﺴﻤﻴﺤﺔ‬ ‫ﻭﺃﻤﻙ ‪.‬‬
‫‪ 184‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺴﻤﻴﺤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 185‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫‪ up‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺴﻜﺕ ﻝﻴﻪ ؟‬
‫ﻝﺴﻤﻴﺤﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺤﺴﻥ ‪M . S‬‬ ‫‪186‬‬
‫ﺤﺴﻥ ‪ :‬ﻴﻌﻨﻰ ﺃﺒﻭﻜﻰ ﺒﻌﺎﻓﻴﺔ‬
‫ﺸﻭﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 187‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻴﺎﻤﺼﻴﺒﺘﻰ ‪.‬ﺃﺒﻭﻴﺎ‬

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‫ﺘﻌﺒﺎﻥ ‪ .‬ﻋﻨﺩﻩ ﺁﻴﻪ ؟‬ ‫‪ up‬ﻝﺴﻤﻴﺤﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 188‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﻫﻭ ﺩﻩ ﺍﻝﻤﻭﻀﻭﻉ ﺍﻝﻠﻰ‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺃﻨﺎ ﺠﺎﻴﻠﻙ ﻋﻠﺸﺎﻨﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 189‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻤﻭﻀﻭﻉ ﺁﻴﻪ ؟‬ ‫‪ up‬ﻝﺴﻤﻴﺤﺔ‬
‫ﻭﻏﻭﺸﺘﻨﻰ ﻴﺎ ﺤﺴﻥ ‪ ....‬ﺩﻩ‬
‫ﺍﻝﺒﺭﻨﺱ‪.‬‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻼ ﻴﺎﺒﺭﻨﺱ‬ ‫‪ 190‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺼﺎﻝﺔ ﻭﻓﻰ ﺴﻤﻴﺤﺔ ‪ :‬ﺃﻫ ﹰ‬
‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺴﻤﻴﺤﺔ ﺘﺘﺤﺭﻙ ﻭﺘﺄﺘﻰ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻓﻀﻰ ﺍﻝﺴﻜﺔ ﻴﺎﺴﻤﻴﺤﺔ ‪.‬‬
‫ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻝﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺃﺩﺨل ﻴﺎﻭﺍﺩ ﺒﺭﺠﻠﻙ ﺍﻝﻴﻤﻴﻥ ‪ .‬ﺘﻌﺎل‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﻭﺘﺼﺒﺢ ﺃﺩﺨل ‪.‬‬
‫ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M.‬ﺴﻤﻴﺤﺔ ‪ :‬ﺁﻴﻪ ﺩﻩ ﻴﺎﺒﺭﻨﺱ ﺩﻩ ﻤﺵ‬
‫‪ .L. S‬ﻫﻰ ﻭﺍﻝﺒﺭﻨﺱ ﺍﻝﺫﻯ ﻴﺩﺨل ﺘﺸﻭﻑ ﻝﻙ ﻤﺨﺯﻥ ﺒﺩل ﻤﺎﺃﻨﺕ‬
‫ﻭﻭﺭﺍﺀﻩ ﺭﺠﻼﻥ ﻴﺤﻤﻼﻥ ﺃﺩﻭﺍﺕ ﻤﺒﻬﺩﻝﻰ ﺍﻝﺒﻴﺕ ﺒﺎﻝﺸﻜل ﺩﻩ !‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻴﺎﺭﻴﺕ ﺘﺭﻁﺭﺕ ﻭﻻ‬ ‫ﻜﻬﺭﺒﺎﺌﻴﺔ‬
‫ﺘﻅﻠﻭﻁ ‪ .‬ﻴﺎﺭﻴﺕ ﻨﻨﺎﻡ ﻋﺎ ﺍﻷﺭﺽ‬
‫ﺤﺘﻰ ﻭﻻ ﻋﻠﻰ ﺍﻝﺴﻼﻝﻡ ‪ .‬ﺨﺵ ﻴﺎﻝﻪ‬
‫ﺨﺵ ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺒﺎﻝﺭﺤﺔ ﻴﺎﻭﺍﺩ ﻭﺍﻝﻨﺒﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺨﺵ ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺒﺎﻝﺭﺍﺤﺔ ﻫﻭ ﺃﻨﺘﻭﺍ‬
‫ﻫﺎﻤﻤﻜﻡ ﺤﺎﺠﺔ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻤﻴﻥ ! ﺃﺒﻭ ﻋﻠﻰ‬
‫ﺤﺴﻥ ‪ :‬ﺼﺒﺎﺤﻴﻥ ﻴﺎ ﺒﺭﻨﺱ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺼﺒﺎﺤﻴﻥ ﻭﻓﻠﺔ ‪ .‬ﺇﺯﻴﻙ‬
‫ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 31‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻁﻌﺎﻡ‬
‫ﻤﻨﺯل ﺴﻤﻴﺤﺔ‬
‫‪ 191‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻴﺩ ﺍﻝﺒﺭﻨﺱ‬
‫ﻓﻰ ﻁﺒﻕ ﺍﻝﺠﻤﺒﺭﻯ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺤﺭﻜﺔ ﺃﻁﺒﺎﻕ‬ ‫ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ‪ Pan Left‬ﻝﺘﺘﺎﺒﻊ ﻴﺩﻩ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻤﺎﺘﺎﻜل ﺠﻤﺒﺭﻯ ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﻭﻫﻭ ﻴﻀﻊ ﺍﻝﺠﻤﺒﺭﻯ ﻓﻰ ﻁﺒﻕ ﺁﺨﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 192‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺩﻩ ﻤﺎﺘﺎﻜﻠﻬﻭﺵ ﻓﻰ‬
‫‪ up‬ﻝﻭﺠﻪ ﺍﻝﺒﺭﻨﺱ ‪.‬‬
‫ﻤﺼﺭ ﻭﻻ ﺏ‪ 7 , 6‬ﺃﻭ ‪ 10‬ﺠﻨﻴﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 193‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪194‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﻐﺭﻓﺔ ﻭﻴﻅﻬﺭ ﺴﻤﻴﺤﺔ ‪ :‬ﻤﺎﺘﻤﺩ ﺇﻴﺩﻙ ﻴﺎ ﺤﺴﻥ ‪.‬‬
‫ﻓﻰ ﺍﻝﻴﻤﻴﻥ ﺤﺩﻤﻰ ﺍﻷﺒﻥ ﻭﺴﻤﻴﺤﺔ ﺃﻨﺕ ﻤﻜﺴﻭﻑ ﻴﺎﺨﻭﻴﺎ ﻭ ﹶﻻ ﺁﻴﻪ ؟‬
‫ﻭﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺒﺭﻨﺱ ﻭﺤﺴﻥ ﻓﻰ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺘﺎﺨﺩ ﻝﻙ ﻜﻭﺒﺎﻴﺔ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻋﻠﻰ ﺍﻷﺒﻥ ﺍﻷﻜﺒﺭ ﻴﺎﺒﺭﻨﺱ ‪.‬‬

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‫ﺤﺴﻥ ‪ :‬ﻤﺎﻴﻀﺭﺵ ﻴﺎﺒﺭﻨﺱ‬ ‫ﻓﻰ ﺃﻗﺼﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻴﺩ ﺍﻝﺒﺭﻨﺱ‬ ‫‪195‬‬
‫ﺼﻭﺕ ﺼﺏ ﺍﻝﻨﺒﻴﺫ‬ ‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻁﺏ ﺨﺩ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬ ‫ﺘﺼﺏ ﺍﻝﻨﺒﻴﺫ ﻓﻰ ﻜﻭﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻌﻠﻰ ﻴﻨﻅﺭ‬ ‫‪196‬‬
‫ﻋﻠﻰ ‪ :‬ﻫﺎﺕ ﻜﻭﺒﺎﻴﺔ ﻴﺎﺒﺎ ‪.‬‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺴﻤﻴﺤﺔ‬ ‫‪197‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻭﺍﺩ ﻴﺎ ﻋﻠﻰ‬ ‫ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﻓﻭﻕ ﻅﻬﺭ ﻋﻠﻰ ‪ :‬ﺁﻴﻪ ﻫﻭ ﺨﺎﻝﻰ ﺤﺴﻥ‬ ‫‪198‬‬
‫ﺴﻤﻴﺤﺔ ﻝﻌﻠﻰ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﻏﺭﻴﺏ ‪ .‬ﻤﺎ ﺘﺼﺏ ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺸﻤﺎ ﹰﻻ ‪ Pan Left‬ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺨﺩ ﻴﺎﺩ ﺨﺩ ﻤﺵ ﺨﺴﺎﺭﺓ‬
‫ﻤﻊ ﻋﻠﻰ ﻝﺘﺘﺎﺒﻌﻪ ﻭﻫﻭ ﻴﻘﻑ ﻭﻴﺫﻫﺏ ﻓﻴﻙ ﻭﺃﻨﺕ ﻴﺎﻝﻪ ﻴﺎﺤﻤﺩﻯ ﻤﺩ ﻴﺎﻝﻪ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻝﺒﺭﻨﺱ ﺴﻤﻴﺤﺔ ‪ :‬ﺁﻴﻪ ﻴﺎﺒﺭﻨﺱ ‪.‬‬
‫ﻭﺤﺴﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺃﻨﺘﻰ ﻤﺎﻝﻙ ﻭﻻ ﺃﻨﺘﻰ‬
‫ﻋﺎﻴﺯﺓ ﺃﻨﺘﻰ ﻜﻤﺎﻥ ‪ .‬ﻫﺎﺘﻰ‬ ‫ﻤﺘﻭﺴﻁﺔ ‪. M . S‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻫﻭ ﻋﻠﻰ ﻁﻭل ﻜﺩﻩ ﻤﺒﻭ‪‬ﻅ‬ ‫ﺜﻡ ﻴﺨﺭﺝ ﻋﻠﻰ ﻤﻥ ﺍﻝﺒﺎﺏ ‪.‬‬
‫ﺍﻝﻌﻴﺎل ‪ .‬ﺁﻴﻪ ﻴﺎﻭﻝﻪ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻠﻰ ‪ :‬ﺸﺒﻌﺕ ‪ ...‬ﺃﻨﺎ ﺴﺎﺒﻕ‬
‫ﻋﺎﻝﺩﻜﺎﻥ ﻋﺎﻭﺯ ﺤﺎﺠﺔ ﻴﺎﺒﺎ ؟‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺃﻴﻭﺓ ﻴﺎﻝﻪ ﺭﻭﺡ ﻋﻠﻰ‬
‫ﻤﻨﺼﻭﺭ ﻗﻭﻝﻪ ﻴﺤﻀﺭ ﻋﺭﺒﻴﺔ ﻨﺹ‬
‫ﻨﻘل ﻋﺸﺎﻥ ﺘﺎﺨﺩ ﺍﻝﺒﻀﺎﻋﺔ ‪.‬‬
‫ﻋﻠﻰ ‪ :‬ﻁﻴﺏ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻭﺍﺩ ﻴﺎﻋﻠﻰ ﺨﺩ ﺒﺎﻝﻙ‬
‫ﻭﺃﻨﺕ ﻤﺎﺸﻰ ‪ ,‬ﻭﺒﻌﺩﻴﻥ ﺒﻼﺵ ﻝﻑ‬
‫ﻭﺩﻭﺭﺍﻥ ﺃﻴﻭﺓ ﻤﺎﺃﻨﺎ ﻋﺎﺭﻓﻙ ﺯﻯ‬
‫ﺃﻤﻙ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺍﷲ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﻤﺩﻯ ‪ :‬ﻋﻠﻰ ﻓﻜﺭﺓ ﻴﺎﺒﺎ ﺍﻝﻭﺍﺩ ﻋﻠﻰ‬ ‫‪199‬‬
‫‪ up‬ﻝﺤﻤﺩﻯ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺍﻝﻴﻭﻤﻴﻥ ﺩﻭل ﻤﺎﺸﻴﻠﻪ ﻤﻊ ﺒﺕ ﺁﺨﺭ‬
‫ﻝﺒﻁ ﻭﺒﻴﺼﺭﻑ ﻋﻠﻴﻬﺎ ﻤﺼﺎﺭﻴﻑ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺎﻝﻬﺒل ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻤﺎﻝﻜﺵ ﺩﻋﻭﺓ ﺃﻨﺕ ﺨﻠﻴﻙ‬ ‫‪200‬‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﺒﺭﻨﺱ ﻓﻰ ﺤﺎﻝﻙ ‪ .‬ﻭﺃﻨﺕ ﻴﺎﺤﺴﻥ ﺇﺯﻯ‬
‫ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﺤﺴﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺍﻝﺤﺎﺝ ﻭﺍﻝﺤﺎﺠﺔ ﻭﺍﺤﺸﻴﻨﻰ ﻗﻭﻯ‬
‫ﺍﻹﺘﻨﻴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺤﻤﺩ ﷲ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺤﺴﻥ ﺒﻴﻘﻭل ﺃﺒﻭﻴﺎ ﺘﻌﺒﺎﻥ‬
‫ﻗﻭﻯ ﻴﺎﺒﺭﻨﺱ‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺇﺴﻡ ﺍﷲ ﻋﻠﻴﻪ ﺴﻼﻤﺘﻪ‬
‫ﺃﻝﻑ ﺴﻼﻤﺔ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﷲ ﻴﺴﻠﻤﻙ ‪.‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﻋﺎﻭﺯﺓ ﺃﻨﺯل‬
‫ﻤﺼﺭ ﺃﺯﻭﺭﻩ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺇﻨﺸﺎﺀ ﺍﷲ ﻝﻤﺎ ﻴﺒﻘﻰ‬
‫ﻋﻨﺩﻨﺎ ﻓﻀﻰ ﻫﺎﻨﻁﺏ ﻋﻠﻴﻬﻡ‬
‫ﺩﻭﻏﺭﻯ ‪ .‬ﻤﺎﻫﻭ ﺍﻝﺒﻴﺠﻭ ﺘﺤﺕ‬
‫ﺃﻤﺭﻨﺎ ‪.‬‬

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‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪201‬‬

‫ﺤﻤﺩﻯ ‪ :‬ﺍﻝﺒﻴﺠﻭ ﺩﻯ ﺒﺘﺎﻋﺘﻰ‬ ‫‪ up‬ﻝﺤﻤﺩﻯ‬
‫ﺃﺸﺘﺭﻯ ﻝﻙ ﻋﺭﺒﻴﺔ ﻴﺎﻁﻴﺏ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪202‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻁﻴﺏ ﻴﺎﺨﻭﻴﺎ‬ ‫‪ up‬ﻝﻠﺒﺭﻨﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪203‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻭﻻﺩﻙ ﺩﻭل ﻻﺯﻡ ﺘﺭﺒﻴﻬﻡ‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ‬
‫ﻴﺎﺒﺭﻨﺱ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪204‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺨﻠﻰ ﺍﻝﺴﻭﻕ ﻭﺍﻷﻴﺎﻡ‬
‫‪ up‬ﻝﻠﺒﺭﻨﺱ‬
‫ﺘﺭﺒﻴﻬﻡ ﻴﺎﺴﻤﻴﺤﺔ ‪ .‬ﻤﺎﺘﺎﻜل ﻴﺎﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺍﻝﺤﻤﺩ ﷲ ﺘﻤﺎﻡ ﻜﺩﻩ‬ ‫‪205‬‬
‫ﺍﻝﺤﻘﻴﻘﺔ ﺃﻨﺎ ﺠﺎﻴﻠﻜﻡ ﻓﻰ ﻤﻭﻀﻭﻉ‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺒﺎﻴﺦ ﺸﻭﻴﺔ ﺒﺱ ﻻﺯﻡ ﻨﺘﻜﻠﻡ ﻓﻴﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪206‬‬
‫‪ up‬ﻝﻠﺒﺭﻨﺱ ﻭﺴﻤﻴﺤﺔ ﻴﻨﻅﺭﺍ‬
‫ﻝﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 32‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﺤل ﺍﻝﺒﺭﻨﺱ‬
‫‪ 207‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﻤﺤل ﻭﻴﻅﻬﺭ‬
‫ﺤﻤﺩﻯ ﻭﻋﻠﻰ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺩﺨل ﻜل ﻤﻥ ﺍﻝﺒﺭﻨﺱ ﻭﺤﺴﻥ ﻓﻰ‬
‫ﺸﻤﺎل ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻜﺎ ﺤﺘﻰ ﻴﺼﺒﺤﺎ‬
‫ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺘﺤﺭﻜﺎ‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻜﺎﻥ ﻋﻠﻰ ﻋﻴﻨﻰ ﻴﺎﺤﺴﻥ‬
‫ﻨﺎﺤﻴﺘﻬﺎ ‪ .‬ﺜﻡ ﻴﻘﻑ ﺍﻝﺒﺭﻨﺱ ﻭﻭﺠﻬﻪ‬
‫ﻭﺍﷲ ﻴﺎﺃﺒﻭ ﻋﻠﻰ ﺩﻩ ﺍﻝﻤﻌﻠﻡ ﺍﺍﻝﻜﺒﻴﺭ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ‪.‬‬
‫ﻤﻌﺯﺘﻪ ﻜﺒﻴﺭﺓ ﻋﻨﺩﻯ ﻗﻭﻯ ‪ .‬ﻝﻜﻥ‬
‫ﻓﻠﻭﺴﻰ ﻜﻠﻬﺎ ﻓﻰ ﺍﻝﺴﻭﻕ ‪ .‬ﺇﺤﻨﺎ‬
‫ﺼﺤﻴﺢ ﺒﻨﻜﺴﺏ ﻜﻭﻴﺱ ﻗﻭﻯ ‪ .‬ﻝﻜﻥ‬
‫ﻤﺒﻠﻎ ﺯﻯ ﺩﻩ ﻴﻀﻠﻌﻨﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻤﺎﻗﻠﺘﻠﻜﺵ ﺘﺩﻓﻊ ﺍﻝﻤﺒﻠﻎ‬
‫ﻜﻠﻪ ‪ .‬ﺍﻝﻠﻰ ﺘﻘﺩﺭ ﻋﻠﻴﻪ ﺸﺎﺭﻙ ﺒﻴﻪ‬
‫ﻭﺃﻭﻋﺩﻙ ﺃﻭل ﻤﺎ ﺍﻝﻭﺭﺸﺔ ﺘﺸﺘﻐل‬
‫ﻫﺎﺃﺠﻴﺏ ﻝﻙ ﻓﻠﻭﺴﻙ ﺒﻨﻔﺴﻰ ‪ .‬ﺩﻩ‬
‫ﺍﻝﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ ﻴﺎﺒﺭﻨﺱ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺍﻝﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ‬
‫ﻋﻠىﺭﺍﺴﻰ ﻤﻥ ﻓﻭﻕ ﺇﻨﻤﺎ ﺍﻝﻌﻴﻥ‬
‫ﺒﺼﻴﺭﺓ ﻭﺍﻹﻴﺩ ﻤﺘﻨﻴﻠﺔ ﻋﻠﻰ ﻋﻴﻨﻬﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺁﻩ ‪ ...‬ﺼﺤﻴﺢ‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬
‫ﻤﺎﺘﺩﻴﻨﻰ ﻤﻬﻠﺔ ﺃﻓﻜﺭ ﻴﻌﻨﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﻓﻴﺵ ﻭﻗﺕ ﻝﻠﺘﻔﻜﻴﺭ ‪.‬‬
‫ﺍﻝﻭﺭﺸﺔ ﻫﺎﻴﺘﺤﺠﺯ ﻋﻠﻴﻬﺎ ‪,‬‬
‫ﻭﻫﺎﺘﺘﺒﺎﻉ ﻓﻰ ﺍﻝﻤﺯﺍﺩ ‪.‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻴﺎﺭﺍﺠل ﺘﺘﺒﺎﻉ ﺁﻴﻪ ‪.‬‬
‫ﺼﻠﻰ ﻋﻠﻰ ﺍﻝﻨﺒﻰ ﺭﺒﻨﺎ ﺇﻥ ﺸﺎﺀ ﺍﷲ‬
‫ﻫﺎﻴﺴﻬﻠﻬﺎ ‪ .‬ﻫﻭ ﻤﻌﻘﻭل ﻋﻭﻨﻰ‬
‫ﻴﺴﻴﺏ ﺍﻝﻭﺭﺸﺔ ﺘﺘﺒﺎﻉ ؟‪ .‬ﺃﻫﻭ‬

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‫ﻋﻭﻨﻰ ﺩﻩ ﻋﻠﻰ ﻓﻜﺭﺓ ﻫﻭ ﺍﻝﻠﻰ ﻜﺎﻥ‬

‫ﺤﻘﻪ ﻴﺩﻓﻊ ﺍﻝﻤﺒﻠﻎ ﻜﻠﻪ ‪ .‬ﺃﻨﺎ ﺴﺎﻤﻊ‬
‫ﺇﻥ ﺍﻝﺤﺎﻝﺔ ﻤﺸﻴﺕ ﻤﻌﺎﻩ ‪ .‬ﺒﻘﻭﻝﻙ‬
‫ﺁﻴﻪ ﻴﺎﺃﺒﻭ ﻋﻠﻰ ﺼﻠﻰ ﻋﺎﺍﻝﻨﺒﻰ‬
‫ﻤﺎﺘﺯﻋﻠﺵ ‪ .‬ﻤﺎﺘﻴﺠﻰ ﺘﻀﺭﺏ ﻤﻌﺎﻴﺎ‬
‫ﻴﻌﺒﺭ ﺤﺴﻥ ﻤﻥ ﻭﺭﺍﺀ ﺍﻝﺒﺭﻨﺱ ﻭﻴﻅﻬﺭ ﺤﺠﺭﻴﻥ ﻭ ﹶﻻ ﺘﺎﺨﺩ ﻝﻙ ﻜﺎﺴﻴﻥ ‪.‬‬
‫ﻓﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻤﻥ ﻅﻬﺭﻩ ‪ .‬ﺜﻡ ﺘﻨﺯل ﺤﺴﻥ ‪ :‬ﻷ ﺨﻠﻴﻙ ﺒﺭﺍﺤﺘﻙ ﻴﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ‪ Tilt down‬ﻋﻠﻰ ﺒﺭﻨﺱ ‪.‬ﺃﻨﺎ ﻫﺎ ﺃﺴﺒﻘﻙ ﻋﺎ ﺍﻝﺒﻴﺕ ‪.‬‬
‫ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﻜﺭﺍﺘﻴﻥ ﺍﻝﻔﺎﺭﻏﺔ ‪ .‬ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻁﻴﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺤﺴﻥ‬

‫ﻤﺸﻬﺩ ) ‪( 33‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻤﻨﺯل‬
‫ﺴﻤﻴﺤﺔ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺒﺎﺏ ﺍﻝﻐﺭﻓﺔ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪208‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺨﺩ ﻴﺎﺨﻭﻴﺎ ﺍﻝﺤﺘﺘﻴﻥ‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻭﻴﻅﻬﺭ‬
‫ﺩﻭل ﻷﻤﻰ ﻭﺍﻝﺤﺘﺘﻴﻥ ﺩﻭل ﻝﻜﻭﺜﺭ‬
‫ﺤﺴﻥ ﻨﺎﺌﻡ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻭﺘﺩﺨل‬
‫ﻭﺍﻝﺤﺘﺔ ﺍﻝﺼﻭﻑ ﺩﻯ ﻷﺒﻭﻙ‬
‫ﺴﻤﻴﺤﺔ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺘﺠﻠﺱ‬
‫ﻭﺍﻝﺤﺎﺠﺎﺕ ﺩﻯ ﻝﻴﻙ ﻭﻝﻤﺭﺍﺘﻙ‬
‫ﺒﺠﻭﺍﺭﻩ‬
‫ﻭﺇﺒﻨﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻤﻥ ﻓﻭﻕ ﺤﺴﻥ ‪ :‬ﻤﺎﻝﻭﺵ ﻝﺯﻤﺔ ﺍﻝﺘﻌﺏ ﺩﻩ ﻴﺎ‬ ‫‪209‬‬
‫ﺴﻤﻴﺤﺔ ‪.‬‬ ‫ﻜﺘﻑ ﺴﻤﻴﺤﺔ ﻝﺤﺴﻥ‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻫﻭ ﻓﻴﻥ ﺍﻝﺘﻌﺏ ﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﺤﺴﻥ ﺴﻤﻴﺤﺔ ‪ :‬ﺤﺴﻥ ﺸﻴل ﻋﻥ‬ ‫‪210‬‬
‫ﺩﻤﺎﻏﻙ ‪ ,‬ﺃﻨﺕ ﺼﻐﻴﺭ ﻋﺎﺍﻝﻬﻡ ﺩﻩ ﻴﺎ‬ ‫ﻝﺴﻤﻴﺤﺔ‬
‫ﺨﻭﻴﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺤﺴﻥ ‪ :‬ﻝﻭ ﺸﻔﺘﻰ ﻗﻌﺩﺓ ﺃﺒﻭﻜﻰ ﻓﻰ‬ ‫‪211‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻌﺘﺩل ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﺍﻝﺒﻴﺕ ‪ ,‬ﻫﺎﺘﺸﻴﻠﻰ ﺍﻝﻬﻡ ﺯﻴﻲ ‪ .‬ﺒﻘﻰ‬
‫ﺍﻝﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ ﺍﻝﻠﻰ ﻜﺎﻨﺕ ﻜﻠﻤﺘﻪ‬ ‫ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺨﻔﺽ ﺭﺃﺴﻪ ‪.‬‬
‫ﺘﻬﺯ ﺍﻝﺤﺘﺔ ﻴﺤﺼﻠﻪ ﻜﺩﻩ ‪ .‬ﻭﺇﺤﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺍﻗﻔﻴﻥ ﻨﺘﻔﺭﺝ ﻋﻠﻴﻪ ‪ ,‬ﺩﻩ ﺍﻝﻭﺍﺤﺩ‬
‫ﻴﺩﻓﻥ ﻨﻔﺴﻪ ﺒﺎﻝﺤﻴﺎ ﺃﺤﺴﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺴﻤﻴﺤﺔ ‪ :‬ﺒﻌﺩ ﺍﻝﺸﺭ ﻋﻠﻴﻙ ﻴﺎ ﺤﺴﻥ‬ ‫‪212‬‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﻥ ﻭﺠﻬﺔ ﺒﻘﻭﻝﻙ ﺁﻴﻪ ﻤﺎﺘﺨﻁﻑ ﺭﺠﻠﻙ ﻝﺤﺩ‬
‫ﺃﺨﺘﻙ ﻓﻭﺯﻴﺔ ﻓﻰ ﺩﻤﻴﺎﻁ ‪ .‬ﺩﺍ‬ ‫ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺒﻴﻘﻭﻝﻭﺍ ﺠﻭﺯﻫﺎ ﺒﻘﻰ ﻏﻨﻰ ﻗﻭﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺃﻨﺘﻰ ﻋﺎﺭﻓﺔ ﺇﻨﻰ ﻤﺎﻝﻴﺵ‬ ‫‪213‬‬
‫ﺩﻻل ﻋﻠﻴﻬﺎ ﺩﻯ ﺇﺘﺠﻭﺯﺕ ﻭﺃﻨﺎ‬ ‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﺼﻐﻴﺭ ‪ .‬ﺃﻨﺎ ﻤﺎﺍﻓﺘﻜﺭﺵ ﺇﻨﻰ ﻗﻌﺩﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻌﺎﻫﺎ ﺨﻤﺱ ﻤﺭﺍﺕ ﻋﻠﻰ ﺒﻌﺽ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺴﻤﻴﺤﺔ ‪ :‬ﻫﻰ ﻜﺩﻩ ﻤﻥ ﻴﻭﻡ‬ ‫‪214‬‬
‫ﻤﺎﺇﺘﺠﻭﺯﺕ ﻭﻫﻰ ﻗﺎﻋﺩﺓ ﻓﻰ ﺒﻴﺕ‬ ‫‪ up‬ﻝﺴﻤﻴﺤﺔ ‪.‬‬
‫ﺠﻭﺯﻫﺎ ﻋﻠﻰ ﻁﻭل ﺍﻝﻠﻰ ﻤﺎﻏﻀﺒﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻭﻡ ‪ .‬ﻤﻊ ﺇﻨﻰ ﻓﺎﻜﺭﺓ ﻤﻥ ﺯﻤﺎﻥ ﻤﻥ‬
‫ﻴﻭﻡ ﻤﺎ ﺇﺘﺠﻭﺯﺘﻪ ﻭﻫﻰ ﺒﺘﻜﺭﻫﻪ‬
‫ﻋﻤﻰ ‪ ,‬ﻝﻜﻥ ﺃﺨﺘﻙ ﺒﺭﻀﻪ ﻤﻬﻤﺎ‬
‫ﻜﺎﻥ ﻫﻤﺎ ﺍﻹﺨﻭﺍﺕ ﺒﻴﻌﺭﻓﻭﺍ ﺒﻌﺽ‬
‫ﺇﻻ ﻭﻗﺕ ﺍﻝﺯﻨﻘﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪215‬‬

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‫‪ up‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬

‫ﺤﺴﻥ ‪ :‬ﻤﺎ ﺃﻨﺘﻰ ﺃﺨﺘﻰ ﺒﺭﻀﻪ‬
‫‪ Camera‬ﻝﺤﺴﻥ ﺒﺭﻭﻓﻴل ﻭﻴﻨﻬﺽ‬
‫ﻭﺃﻨﺘﻰ ﺃﻭﻝﻰ ﺘﻘﻔﻰ ﺠﻨﺏ ﺃﺒﻭﻜﻰ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫ﺃﻨﺘﻰ ﻨﺴﻴﺘﻰ ﺃﻨﻙ ﻗﻌﺩﺘﻰ ﻋﻨﺩﻩ ﺃﻨﺘﻰ‬
‫ﻭﻴﻌﺒﺭ ﺴﻤﻴﺤﺔ ﻭﻴﺼﺒﺢ ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺠﻭﺯﻙ ﻭﻭﻻﺩﻙ ﻁﻭل ﺴﻨﻴﻥ‬
‫ﺒﻤﻔﺭﺩﻩ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﺍﻝﻬﺠﺭﺓ ﺒﻌﺩ ﺍﻝﻨﻜﺴﺔ ﺸﺎﺭﺒﻴﻥ‬
‫‪.M. S‬‬
‫ﻭﺍﻜﻠﻴﻥ ﻨﺎﻴﻤﻴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 216‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫ﺼﻭﺕ ﺤﺴﻥ ‪ :‬ﻨﺴﻴﺘﻰ ﻴﺎﺴﻤﻴﺤﺔ‪...‬‬ ‫‪ High Angle‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ .... :‬ﻨﺴﻴﺘﻰ ﺇﻥ ﺍﻝﺒﺭﻨﺱ‬ ‫‪ 217‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﻤﺎﻜﺎﻨﺵ ﺒﻴﻜﺴﺏ ﻗﺭﺵ ﻭﺍﺤﺩ ‪,‬‬ ‫‪ up‬ﻝﺤﺴﻥ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬
‫ﻭﻜﺎﻥ ﻁﺠﻭل ﺍﻝﻨﻬﺎﺭ ﻗﺎﻋﺩ ﻋﻠﻰ‬ ‫‪Low Angle‬‬
‫ﺍﻝﻘﻬﻭﺓ ﻴﻨﻌﻰ ﺤﻅﻪ ‪ ,‬ﻭﺤﺘﻰ ﻫﺩﻭﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻻﺩﻙ ﻭﻤﺼﺭﻭﻑ ﺠﻭﺯﻙ ﺃﺒﻭﻜﻰ‬
‫ﻤﺎﻜﺎﻨﺵ ﺒﻴﻨﺴﺎﻫﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪218‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﻤﺎﻨﺴﻴﺘﺵ ﻴﺎﺤﺴﻥ‬
‫‪ up‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low‬‬
‫ﻤﺎﻨﺴﻴﺘﺵ ﻴﺎﺃﺨﻭﻴﺎ ‪ .‬ﺒﺱ ﻗﻭﻝﻰ‬
‫‪ Angle‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺒﺈﻴﺩﻯ ﺁﻴﻪ ﺃﻋﻤﻠﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺒﺈﻴﺩﻙ ﺃﻨﻙ ﺘﻜﻠﻤﻰ ﺠﻭﺯﻙ‬ ‫‪219‬‬
‫ﺃﻨﺘﻰ ﻓﺎﻜﺭﺓ ﺃﻨﻬﺎ ﺴﻬﻠﺔ ﻋﺸﺎﻥ‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺃﺠﻴﻠﻙ ﺃﻭ ﺃﺭﻭﺡ ﻷﺨﺘﻙ ﺍﻝﺘﺎﻨﻴﺔ ﺃﻭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺘﺎﻝﺘﺔ ﻋﺸﺎﻥ ﺃﺸﺤﺕ ﻤﻨﻜﻡ ‪.‬‬
‫ﺃﺒﻭﻜﻰ ﻫﺎﻴﻤﻭﺕ ﻝﻭ ﺍﻝﻭﺭﺸﺔ‬
‫ﺇﺘﺒﺎﻋﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪220‬‬
‫‪ up‬ﻝﺴﻤﻴﺤﺔ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﺴﻤﻴﺤﺔ ‪ :‬ﺤﺒﻴﺒﻰ ﻴﺎﺒﺎ ﻭﺍﻝﻨﺒﻰ ﻤﺎﻓﻰ‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﺤﺩ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ﺒﺤﻨﻴﺘﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪221‬‬
‫ﺴﻤﻴﺤﺔ ‪ :‬ﺇﺴﻤﻊ ﻴﺎﺤﺴﻥ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺴﻤﻴﺤﺔ ‪ :‬ﺃﻨﺎ ﻫﺎﺃﻜﻠﻡ ﺍﻝﺒﺭﻨﺱ ‪,‬‬ ‫‪222‬‬
‫ﺒﺱ ﺃﻨﺕ ﺒﺎﻝﻤﺭﺓ ﺃﺒﻘﻰ ﻋﺩﻯ ﻋﻠﻰ‬ ‫‪up‬‬
‫ﻓﻭﺯﻴﺔ ﺃﺨﺘﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪( 34‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﺴﻥ‬
‫‪ 223‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﺸﺭﻓﺔ ﻏﺭﻓﺔ‬
‫ﻨﻭﻡ ﺤﺴﻥ ﻭﺘﻅﻬﺭ ﻤﻴﺭﻓﺕ ﻭﻫﻰ ﺘﻘﻭﻡ‬
‫ﺼﻭﺕ ﺍﻝﺘﻨﻅﻴﻑ‬
‫ﺒﺘﻨﻅﻴﻑ ﺍﻝﺴﺠﺎﺩﺓ ﻭﺘﺘﺠﻪ ﻨﺎﺤﻴﺔ‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺒﺎﺏ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻡ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﺨﻴﺭ ‪.‬‬ ‫ﻭﺘﻅﻬﺭ‬ ‫ﻝﻠﺼﺎﻝﺔ‬ ‫‪ 224‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪.L .S‬‬
‫ﻤﻴﺭﻓﺕ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺠﻪ ﻨﺎﺤﻴﺔ ﻤﻴﺭﻓﺕ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻨﻭﺭ ‪.‬‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﻔﺘﺤﻪ ﻭﺘﺩﺨل ﺍﻷﻡ ﻭﺘﻌﻭﺩﺍ ﻤﻥ ﺍﻷﻡ ‪ :‬ﺃﻨﺘﻰ ﻝﺴﻪ ﻨﺎﻴﻤﺔ ‪ .‬ﺁﻴﻪ ﺩﻩ !‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻝﺘﻘﻔﺎ ﻓﻰ ﻤﻨﺘﺼﻑ ﺁﻴﻪ ﺍﻝﻠﻰ ﺃﻨﺘﻰ ﻋﻤﻼﻩ ﻋﺎﻝﺼﺒﺢ ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﺒﺩﹰﺍ ﺃﺼل ﺍﻝﺸﻘﺔ ﺒﻘﺎﻝﻬﺎ‬

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‫ﻤﺩﺓ ﻤﺎﺘﻨﻀﻔﺘﺵ‬ ‫‪.M .L. S‬‬

‫ﺍﻷﻡ ‪ :‬ﻤﺎﺘﺠﻴﺒﻰ ﺤﺩ ﻴﻨﻀﻔﻬﺎ ﻭﺃﻨﺘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻤل ﺍﻝﺸﻘﺔ ﺩﻯ ﻜﻠﻬﺎ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﻋﻠﻰ ﺁﻴﻪ ﻴﻌﻨﻰ ﻴﺎﻤﺎﻤﺎ‬
‫ﺍﻷﻡ ‪ :‬ﺃﻤﺎل ﻓﻴﻥ ﻫﺎﻨﻰ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻨﺎﻴﻡ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻁﺏ ﻴﺎﻻ ﺃﻝﺒﺴﻰ ﻋﺸﺎﻥ‬
‫ﻨﺨﺭﺝ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﻨﺭﻭﺡ ﻓﻴﻥ ؟‬
‫‪ 225‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬
‫ﺍﻷﻡ ‪ :‬ﺨﺩﻯ ﺃﻗﺭﻯ ﺍﻹﻋﻼﻥ ﺩﻩ ‪.‬‬ ‫ﻝﻸﻡ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺇﻋﻼﻥ ﺁﻴﻪ !‬ ‫ﻭﺘﻌﻁﻴﻬﺎ ﺠﺭﻴﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 226‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﻤﻴﺭﻓﺕ ‪ :‬ﺍﻝﻤﻌﻬﺩ ﺍﻝﺒﺭﻴﻁﺎﻨﻰ ﻝﻠﻐﺎﺕ‬
‫‪ up‬ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺍﻷﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺎﻝﻪ ؟‬
‫ﻤﺤﻤﻭﻝﺔ ‪ . Hand Camera‬ﺜﻡ ﺍﻷﻡ ‪ :‬ﻫﺎﺘﻘﺩﻤﻰ ﻓﻴﻪ ﻋﺸﺎﻥ ﺘﺘﻌﻠﻤﻰ‬
‫ﺘﻠﺘﻔﺕ ﺍﻷﻡ ﻭﺘﺘﺠﻪ ﻨﺎﺤﻴﺔ ﻤﻘﺩﻤﺔ ﻝﻐﺎﺕ ‪ ,‬ﻭﻤﺎﻫﺭ ﺃﺒﻥ ﺨﺎﻝﺘﻙ‬
‫ﺍﻝﻜﺎﺩﺭ ﺍﻷﻤﺎﻤﻰ ‪ .‬ﺜﻡ ﺘﻘﻑ ﻭﺘﺼﺒﺢ ﻓﻰ ﻫﺎﻴﺸﻭﻓﻠﻙ ﺸﻐﻼﻨﺔ ‪.‬‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ M . S..‬ﻤﻴﺭﻓﺕ ‪ :‬ﺘﺎﻨﻰ ﻤﺎﻫﺭ !‬
‫ﺍﻷﻡ ‪ :‬ﻤﺵ ﻜﺘﺭ ﺨﻴﺭﻩ ﺃﻨﻪ ﺒﻴﺩﻭﺭ‬ ‫‪2‬‬
‫ﻋﻠﻰ ﻤﺼﻠﺤﺘﻙ ‪ ,‬ﻭﻜﻤﺎﻥ ﺩﻩ ﻤﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻏﺭﻴﺏ ‪ ,‬ﺩﻩ ﺃﺒﻥ ﺨﺎﻝﺘﻙ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ ﻫﺎﻴﺸﻐﻠﻨﻰ‬
‫ﻋﻨﺩﻩ‬
‫‪ 227‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﺘﻴﻥ ‪M . S .2‬‬
‫ﺍﻷﻡ ‪ :‬ﻴﺎﺴﺘﻰ ﻷ‪ .‬ﻫﻭ ﻴﻌﺭﻑ ﻨﺎﺱ‬
‫ﺒﺭﻭﻓﻴل‬
‫ﺃﺼﺤﺎﺏ ﺸﺭﻜﺎﺕ ﻭﺒﻨﻭﻙ ﺃﺠﻨﺒﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺒﻴﺸﻐل ﺃﻯ ﻭﺍﺤﺩﺓ ﺒﺘﻌﺭﻑ ﻝﻐﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺍﷲ ﻓﻜﺭﺓ ‪ .‬ﻤﻨﻬﺎ ﺃﻗﺩﺭ‬ ‫‪228‬‬
‫ﺃﺴﺎﻋﺩ ﺤﺴﻥ ﻭﻤﻨﻬﺎ ﺃﺸﻐٍل ﻭﻗﺘﻰ‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ ‪.‬‬
‫ﺍﻝﻔﺎﻀﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪229‬‬
‫ﺍﻷﻡ ‪ :‬ﻭﺘﺒﻘﻰ ﺇﻨﺴﺎﻨﺔ ﻤﺘﻌﻠﻤﺔ ﻤﺵ‬
‫‪. up‬ﻝﻸﻡ ‪.‬‬
‫ﺸﻐﺎﻝﺔ ﻓﻰ ﺒﻴﺕ ﺴﻭﺍﻕ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪230‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﻨﻔﺴﻰ ﺃﻋﺭﻑ ﺒﺘﻜﺭﻫﻰ‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ‪.‬‬
‫ﺤﺴﻥ ﻝﻴﻪ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪231‬‬
‫ﺍﻷﻡ ‪ :‬ﻋﺸﺎﻥ ﻋﻤﺭﻯ ﻤﺎﻫﺎﺃﻨﺴﻰ ﺇﻨﻪ‬
‫‪ up‬ﻝﻸﻡ‬
‫ﺨﻁﻔﻙ ﻏﺼﺏ ﻋﻨﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪232‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻴﺎﻤﺎﻤﺎ ﺃﻨﺎ ﺍﻝﻠﻰ ﺭﺤﺘﻠﻪ ‪.‬‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﻤﻤﺭ ﺩﺍﺨل‬ ‫‪233‬‬
‫ﺍﻝﺸﻘﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‪ Low‬ﺍﻷﻡ ‪ :‬ﺃﻨﺘﻰ ﻜﻨﺘﻰ ﻫﺒﻠﺔ ﻭﻋﺒﻴﻁﺔ ‪.‬‬
‫‪ Angle‬ﻭﻴﻅﻬﺭ ﻜل ﻤﻥ ﺍﻷﻡ ﻤﻴﺭﻓﺕ ‪ :‬ﻴﺎﻤﺎﻤﺎ ﺤﺴﻥ ﻁﻴﺏ ﻗﻭﻯ‬
‫ﻭﻤﻴﺭﻓﺕ‪ ,‬ﻭﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﺩﺨل ﻭﻗﻠﺒﻪ ﻁﻴﺏ ﻭﺯﻯ ﺍﻝﻔل ‪.‬‬
‫ﻫﺎﻨﻰ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺘﺠﻪ ﻨﺎﺤﻴﺔ ﺍﻷﻡ ‪ :‬ﻁﻴﺏ ﻴﺎﻝﻼ ﺇﻝﺒﺴﻰ ﻫﺩﻭﻤﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan‬ﻋﺸﺎﻥ ﻤﺎﻨﺘﺄﺨﺭﺵ ‪.‬‬
‫ﺱ ﺃﻨﺎ ﻨﺴﻴﺕ ﺍﻹﻨﺠﻠﻴﺯﻯ‬ ‫ﻤﻴﺭﻓﺕ ‪ :‬ﺒ ‪‬‬
‫‪ Right‬ﻭﻫﻭ ﻴﺩﺨل ﺍﻝﺤﻤﺎﻡ ﻭﻴﻌﻁﻰ‬
‫ﺨﺎﻝﺹ ‪.‬‬

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‫ﺍﻷﻡ ‪ :‬ﻓﺎﻝﺤﺔ ‪ .‬ﺃﻨﺎ ﻫﺎﺃﺴﺎﻋﺩﻙ ﺃﻨﺘﻰ‬ ‫ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ‬

‫ﻨﺴﻴﺘﻰ ﺇﻨﻰ ﻤﻔﺘﺸﺔ ﺇﻨﺠﻠﻴﺯﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﻫﺎﻨﻰ !‬
‫ﺍﻷﻡ ‪ :‬ﺃﻨﺎ ﻫﺎﺃﺨﻠﻴﻪ ﻋﻨﺩﻯ ‪ .‬ﻝﻐﺎﻴﺔ‬
‫ﺼﻭﺕ ﺍﻝﻤﺎﺀ‬ ‫ﻤﺎﺘﺨﻠﺼﻰ ﺍﻝﻜﻭﺭﺱ ﺒﺘﺎﻋﻙ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 35‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﻁﺭﻴﻕ ﻝﺩﻤﻴﺎﻁ‬
‫‪ 234‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﺠﺩﹰﺍ ‪Big Close up‬‬
‫ﻝﻴﺩ ﺤﺴﻥ ﺘﺤﺭﻙ ﻋﺩﺍﺩ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬

‫ﺼﻭﺕ ﺍﻝﻌﺩﺍﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 235‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L . S‬ﻝﻠﻁﺭﻴﻕ ﺘﻅﻬﺭ‬
‫ﻓﻴﻪ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ‬
‫ﺸﺎﻁﻰﺀ ﻝﺴﺎﻥ ﺍﻝﻤﺎﺀ ﺒﺩﻤﻴﺎﻁ‬
‫ﺼﻭﺕ ﺍﻷﻤﻭﺍﺝ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 236‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺤﺴﻥ ﺨﻠﻑ‬
‫ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻤﺎﻡ ﺍﻝﺯﺠﺎﺝ‬
‫ﺍﻷﻤﺎﻤﻰ ﻝﻠﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻭﻴﻅﻬﺭ ﻓﻰ‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺸﺎﻁﻰﺀ ﻭﺍﻝﻠﺴﺎﻥ‬
‫ﻭﺍﻷﻤﻭﺍﺝ ﺘﺼﻁﺩﻡ ﺒﺼﺨﻭﺭ‬
‫ﺍﻝﺸﺎﻁﻰﺀ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 237‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺸﺎﺭﻉ ﻁﻭﻴل‬
‫ﻋﻠﻰ ﺠﺎﻨﺒﻴﻪ ﻴﻅﻬﺭ ﺍﻝﺒﺤﺭ ﻤﻥ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻴﺴﺎﺭ ﻓﻰ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻝﺴﻴﺎﺭﺓ ﺘﺘﻘﺩﻡ ﻤﻥ‬
‫ﺍﻝﻤﺅﺨﺭﺓ ﺇﻝﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻓىﺎ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺒﺘﻌﺩ ﻓﻰ ﺍﻝﻌﻤﻕ ﻭﻴﻌﺒﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 36‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻤﺩﻴﻨﺔ ﺩﻤﻴﺎﻁ‬
‫‪ 238‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻤﺩﻴﻨﺔ ﺩﻤﻴﺎﻁ‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﻭﻴﻅﻬﺭ ﺍﻝﻜﻭﺒﺭﻯ ﻓﻭﻕ ﺍﻝﻨﻴل ﻭﻴﺘﺴﻊ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫ﺍﻝﻜﺎﺩﺭ ﻝﺘﻅﻬﺭ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻗﺎﺩﻤﺔ‬
‫ﻤﻥ ﺨﻠﻔﻴﺔ ﺍﻝﺸﺎﺭﻉ ﻭﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 37‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻌﺭﺽ ﺍﻝﻤﻭﺒﻴﻠﻴﺎ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﻤﻌﺭﺽ ﺘﺎﺒﻌﻰ ‪ :‬ﺸﻴﻙ ﻴﺎﺤﺎﺝ ﻭﻫﻭ ﺇﺤﻨﺎ ﻓﻴﻪ‬ ‫‪239‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﺒﻴﻨﺎ ﻭﺒﻴﻥ ﺒﻌﺽ ﺸﻴﻜﺎﺕ ‪ .‬ﺃﻨﺕ‬
‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻭﺘﺘﺤﺭﻙ ﺘﺎﺨﺩ ﺍﻝﻠﻰ ﺃﻨﺕ ﻋﺎﻴﺯﻩ ﻴﺎﺠﺩﻉ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻸﻤﺎﻡ ﻨﺎﺤﻴﺔ ﻤﻜﺘﺏ ﻓﻰ ﻋﻤﻕ ﻋﺭﻓﺔ ﺁﻴﻪ ﺒﻼ ﻝﻌﺏ ﻋﻴﺎل ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻭﺭﺍﺀﻩ ﺍﻝﺤﺎﺝ ﺘﺎﺒﻌﻰ ﺨﻤﺴﺔ ﻋﻨﺩﻯ ﺨﻤﺴﺔ ﻋﻨﺩﻙ‬
‫ﻤﺎﺘﻔﺭﻗﺵ ‪ ..‬ﺍﻝﺴﻼﻡ ﻴﺎﺤﺎﺝ‬ ‫ﻴﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ‪.‬‬
‫ﻨﻌﻡ ﻴﺎﺴﻴﺩﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 240‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬
‫ﻝﺤﺴﻥ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺘﺎﺒﻌﻰ ﻤﻥ ﺤﺴﻥ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﺤﺎﺝ ﺘﺎﺒﻌﻰ ‪.‬‬

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‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪. M . L. S‬‬ ‫‪241‬‬
‫ﻝﺘﺎﺒﻌﻰ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻤﻥ‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺍﷲ ﻴﺴﻠﻤﻙ ‪.‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪high Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M . L .S‬‬ ‫‪242‬‬
‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺘﺎﺒﻌﻰ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﺤﺴﻥ ‪.‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﺘﺎﺒﻌﻰ ﻤﻥ‬ ‫‪243‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻭﻤﺎﻝﻪ ﻤﺎﻴﻀﺭﺵ ‪.‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺴﻼﻤﺎﺕ ﻴﺎ ﺴﻰ ﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪244‬‬
‫ﻝﺤﺴﻥ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺘﺎﺒﻌﻰ ﻤﻥ ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﺤﺴﻥ ﺇﺒﻥ ﺍﻝﻤﻌﻠﻡ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﺴﻠﻁﺎﻥ ﻭﺃﺨﻭ ﺍﻝﺤﺎﺠﺔ ﻓﻭﺯﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻼ ﻴﺤﺴﻥ ﺃﻨﺕ‬ ‫ﻼ ﺃﻫ ﹰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺤﺴﻥ ﻴﻤﻴﻥ ﺘﺎﺒﻌﻰ ‪ :‬ﺃﻫ ﹰ‬ ‫‪245‬‬
‫ﻜﺎﺩﺭ ﻭﺍﻗﻑ ﻭﺘﺎﺒﻌﻰ ﺠﺎﻝﺴ ﹰﺎ ﺨﻠﻑ ﻜﺒﺭﺕ ﺍﺘﻐﻴﺭﺕ ﻗﻭﻯ ﺇﺯﻴﻙ ﻭﺇﺯﻯ‬
‫ﺍﻝﻤﻜﺘﺏ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻘﻑ ﺴﺭﻴﻌ ﹰﺎ ﺃﺒﻭﻙ ﻭﺇﺨﻭﺍﺘﻙ ‪.‬‬
‫ﺼﻭﺕ ﺠﺭﺱ‬ ‫ﺘﺎﺒﻌﻰ ﻭﻴﺼﺎﻓﺢ ﺤﺴﻥ ‪ ,‬ﺜﻡ ﻴﻌﻭﺩ ﺍﻝﻰ ﺤﺴﻥ ‪ :‬ﺍﻝﺤﻤﺩﷲ ﺒﺨﻴﺭ ‪.‬‬
‫ﻤﻘﻌﺩﻩ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻭﻴﻤﺩ ﻴﺩﻩ ﻋﻠﻰ ﺘﺎﺒﻌﻰ ‪ :‬ﺇﻴﺎﻙ ﻫﺎﺘﻜﻭﻥ ﻫﺎﺘﻘﻌﺩ‬
‫ﻤﻌﺎﻨﺎ ﻴﻭﻡ ﻭ ﹶﻻ ﺇﺘﻨﻴﻥ ‪ .‬ﺘﺸﻭﻑ‬ ‫ﺠﺭﺱ ﺒﺠﻭﺍﺭ ﺍﻝﻤﻜﺘﺏ‬
‫ﺍﻝﻭﻻﺩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 38‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺘﺭﺍﺱ ﺍﻝﻤﻨﺯل‬
‫ﺒﺠﻭﺍﺭ ﺍﻝﺒﺤﺭ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﺤﺭﻜﺔ ﺒﺎﻨﻭﺭﺍﻤﻴﺔ‪Pan‬‬ ‫‪246‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻝﻜﻥ ﻫﻭ ﻤﺒﻠﻎ ﺍﻝﻀـﺭﺍﻴﺏ‬ ‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‪Hand‬‬
‫‪ Camera‬ﺘﺴﺘﻌﺭﺽ ﺃﺒﻨﺎﺀ ﺘﺎﺒﻌﻰ ﻜﺎﻡ ﻴﺎﺴﻰ ﺤﺴﻥ‬
‫ﻭﻓﻭﺯﻴﺔ ‪ ,‬ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺯﻭﺠﺔ ﺃﺤﺩ ﺤﺴﻥ ‪ :‬ﻋﺸﺭﻴﻥ ﺃﻝﻑ ﺠﻨﻴﻪ ﺒـﺱ‬
‫ﺇﺤﻨﺎ ﻋﻤﻠﻨﺎ ﻤﺤﺎﻭﻝﺔ ﻤﻊ ﺍﻝﻀﺭﺍﻴﺏ‬ ‫ﺍﻷﺒﻨﺎﺀ ﺘﻘﻭﻡ ﺒﺸﻭﺍﺀ ﺍﻝﻠﺤﻡ ‪.‬‬
‫ﺘﺴﺘﻘﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺤﺴﻥ ﻴﻤﻴﻥ ﺘﺎﺒﻌﻰ ‪ :‬ﺃﺴﺘﻨﻰ ﻴﺎﺴﺎﻤﻰ ‪.‬ﺃﻨﺕ ﺭﺍﻴﺢ‬
‫ﻜﺎﺩﺭ ﻭﺘﺎﺒﻌﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻹﺜﻨﻴﻥ ﻓﻰ ﻓﻴﻥ ‪.‬‬
‫ـﻰ‬‫ـﻰ ﻓـ‬‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺴﺎﻤﻰ ‪ :‬ﻨﺴﻴﺕ ﺍﻝﻌﺭﺒﻴﺔ ﻓـ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‪ Pan Left‬ﻝﺘﺘﺎﺒﻊ ﺩﻤﻴﺎﻁ ‪.‬‬
‫ﺴﺎﻤﻰ ﺍﻹﺒﻥ ﻭﺯﻭﺠﺘﻪ ﻭﻫﻤﺎ ﻴﺘﺤﺭﻜﺎ ﺘﺎﺒﻌﻰ ‪ :‬ﻫﺎﺘﺭﻭﺡ ﺍﻝﺠﺏ ﺘﻌﻤل ﺁﻴـﻪ‬
‫ـل‬‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺘﺎﺒﻌﻰ ﺃﻗﻌﺩ ﻴﺎﺨﻰ ‪ ,‬ﺃﻗﻌـﺩ ﻋ ﻠﻰ ﺍﻷﻗـ‬
‫ﺘﺭﺤﺏ ﺒﺨﺎﻝﻙ‬ ‫ﻴﺼﺒﺢ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﺤﺴﻥ‬ ‫‪247‬‬
‫ﻭﺃﺤﺩ ﺃﺒﻨﺎﺀ ﺘﺎﺒﻌﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ ﺘﺎﺒﻌﻰ ‪ :‬ﻻ ﻤﺅﺍﺨﺫﺓ ﻴﺎﺤﺴﻥ ﻗﻁﻌﻨﺎﻙ‬
‫ﺍﻝﺨﻠﻔﻴﺔ ﻭﻴﻠﺘﻔﺕ ﺤﺴﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻓﻰ ﺍﻝﻜﻼﻡ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪248‬‬
‫‪ up‬ﻝﺘﺎﺒﻌﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺘﺎﺒﻌﻰ ‪ :‬ﺇﺘﻔﻀل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﺤﺴﻥ‬ ‫‪249‬‬
‫ﻭﺨﻠﻔﻪ ﻴﺠﻠﺱ ﺍﻹﺒﻥ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﺤﺴﻥ ‪ :‬ﺍﻝﻀﺭﺍﻴﺏ ﻭﺍﻓﻘﺕ ﺇﻥ ﺇﺤﻨﺎ‬
‫ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻨﻘﺴﻁ ﺍﻝﻤﺒﻠﻎ ‪ ,‬ﻨﺩﻓﻊ ﻋﺸﺭ ﺘـﻼﻑ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/64.htm‬‬ ‫‪9/22/2011‬‬
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‫ﺠﻨﻴﻪ ﺍﻷﻭل ﻭﺍﻝﺒﺎﻗﻰ ﻋﻠﻰ ﺇﻗﺴﺎﻁ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺴﺭﺓ ﻭﻤﻌﻬﻡ ﺘﺎﺒﻌﻰ ‪ :‬ﺘﺎﻜل ﻓﻁﻴﺭ ﻴﺎﺴﻰ ﺤﺴﻥ ؟‬ ‫‪250‬‬
‫ﺤﺴﻥ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High‬ﻓﻭﺯﻴﺔ ‪ :‬ﻓﻁﻴﺭ ﺁﻴﻪ ﻴﺎﺤـﺎﺝ ﺃﻨـﺕ‬
‫ﻨﺎﺴﻰ ﺃﻥ ﻋﻨﺩﻙ ﺍﻝﺴﻜﺭ ‪.‬‬ ‫‪ Angle‬ﻋﻠﻰ ﺸﻜل ﺩﺍﺌﺭﺓ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻋﻠﻰ ﺭﺃﻴﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪251‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻫﻰ ﻤﺴﺎﺤﺔ ﺍﻝﻭﺭﺸﺔ ﻗـﺩ‬
‫‪ up‬ﻝﺘﺎﺒﻌﻰ ﻭﻴﺨﺭﺝ ﺴﻴﺠﺎﺭﺓ‬
‫ﺁﻴﻪ ﻴﺎﺴﻰ ﺤﺴﻥ ؟‬
‫ﻭﻴﺸﻌﻠﻬﺎ ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪252‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ‪ .‬ﺜﻡ ﻴﻠﺘﻔﺕ ﺼﻭﺕ ﻓﻭﺯﻴﺔ ‪ :‬ﻤﺎﻜﻔﺎﻴﺔ ﺴـﺠﺎﻴﺭ‬
‫ﻴﺎﺤﺎﺝ ‪.‬‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪253‬‬
‫ـﺩﻜﺘﻭﺭ ﻤﻨﻌـﻙ‬ ‫ـﺵ ﺍﻝـ‬ ‫‪ up‬ﻝﻔﻭﺯﻴﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻭﺯﻴﺔ ‪ :‬ﻤـ‬
‫ﻭﻭﺠﻬﻬﺎ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﻋﻨﻬﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻤﻥ ﻭﺭﺍﺀ ﻅﻬﺭ ﺘﺎﺒﻌﻰ ‪ :‬ﻤﻠﺵ ﻴﺎﺤﺎﺠﺔ ﺩﻯ ﺴﻴﺠﺎﺭﺓ‬ ‫‪254‬‬
‫ﻓﻭﺯﻴﺔ ﺍﻝﺘﻰ ﺘﺠﻠﺱ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﻗﺒل ﺍﻝﻐﺩﺍ ‪ .‬ﺴﻴﺠﺎﺭﺓ ﻴﺎﺴﻰ ﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ﻭﺘﺎﺒﻌﻰ ﺍﻝﺫﺍﻥ ﻴﻅﻬﺭﺍ ﻓﻰ ﺨﻠﻔﻴﺔ ﺤﺴﻥ ‪ :‬ﺸﻜﺭﹰﺍ ﻴﺎﺤﺎﺝ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺍﺼل ﺃﻨﺎ ﺒﺄﺸﺭﺏ ﺴﻴﺠﺎﺭﺓ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﺒل ﺍﻝﻐﺩﺍ ﻭﺴـﻴﺠﺎﺭﺓ ﺒ ﻌﺩ ﺍﻝﻐـﺩﺍ‬ ‫ﻭﺤﻭﻝﻬﻤﺎ ﺍﻷﺒﻨﺎﺀ ‪.‬‬
‫ﻭﺍﻝﺴﻴﺠﺎﺭﺓ ﺍﻝﺘﺎﻨﻴﺔ ﺒﺄﺸـﺭﺒﻬﺎ ﻓـﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻠﻴل ‪ .‬ﻤﺎﻗﻠﺘﻠﻴﺵ ﺒﻘﻰ ﻴﺎﺤﺴﻥ ﻫﻰ‬
‫ﺍﻝﻭﺭﺸﺔ ﻤﺴﺎﺤﺘﻬﺎ ﻗﺩ ﺁﻴﻪ ؟‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ‪ .‬ﺤﺴﻥ ‪ :‬ﻭﺇﻨﺕ ﻋﺎﻴﺯ ﺘﻌﺭﻑ‬ ‫‪255‬‬
‫ﻤﺴﺎﺤﺘﻬﺎ ﻝﻴﻪ ﻴﺎﺤﺎﺝ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺘﺎﺒﻌﻰ ﻴﻨﻅﺭ ﺘﺎﺒﻌﻰ ‪ :‬ﺒﺴﺄل ﻴﻌﻨﻰ ‪ .‬ﺃﺼل ﺃﻨﺎ‬ ‫‪256‬‬
‫ﺒﺄﻓﻜﺭ ﺃﻋﻤل ﻤﻌﺭﺽ ﻤﻭﺒﻴﻠﻴﺎ ﻓﻰ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺼﺭ ﻭﺍﻝﺤﺘﺔ ﺒﺘﺎﻋﺘﻜﻭﺍ ﻤﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺤﺸﺔ‬
‫ﺤﺴﻥ ‪ :‬ﻗﺼﺩﻙ ﺁﻴﻪ ؟‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺇﺫﺍ ﻜﺎﻨﺕ ﺍﻝﺤﻜﺎﻴﺔ ﻜﺩﻩ‬
‫ﺃﺸﺘﺭﻯ ﺍﻝﻭﺭﺸﺔ ﺒﺘﺎﻋﺘﻜﻭﺍ ﻭﺃﺒﻨﻰ‬
‫ﻤﻁﺭﺤﻬﺎ ﻋﻤﺎﺭﺓ ﺠﺩﻴﺩﺓ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﺘﺎﺒﻌﻰ ‪ :‬ﻭﺘﺤﺘﻬﺎ ﻤﻌﺭﺽ ﻤﻭﺒﻴﻠﻴﺎ ‪.‬‬ ‫‪257‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﻤﻴﻥ ﻗﺎﻝﻙ ﺇﻥ ﺇﺤﻨﺎ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﻫﺎﻨﺒﻴﻊ ﺍﻝﻭﺭﺸﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻸﺴﺭﺓ ﻤﻥ‬ ‫‪258‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﺘﺎﺒﻌﻰ ‪ :‬ﺃﺼل ﺃﻨﺎ ﺴﻤﻌﺕ ﺇﻥ‬
‫ﻭﻴﺠﻠﺴﻭﻥ ﻓﻰ ﺩﺍﺌﺭﺓ ﻤﺜل ﻝﻘﻁﺔ ‪ 250‬ﺍﻝﺨﻠﻭﺍﺕ ﻋﻨﺩﻜﻭﺍ ﺒﻘﺕ ﻨﺎﺭ ﺍﻷﻴﺎﻡ‬
‫ﺩﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻹﺒﻥ ‪ :‬ﻭ ﹰﻻ ﻨﻌﻤﻠﻬﺎ ﺘﻤﻠﻴﻙ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻋﻠﻰ ﺭﺃﻴﻙ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻤﺵ ﺨﺎﺒﻁﻠﻙ ﺍﻝﻤﺸﻭﺍﺭ‬
‫ﺩﻩ ﻜﻠﻪ ﻋﺸﺎﻥ ﺃﺒﻴﻊ ﺍﻝﻭﺭﺸﺔ ‪ .‬ﻝﻭ‬
‫ﻜﻨﺕ ﻋﺎﻴﺯ ﺃﺒﻴﻊ ﺍﻝﻭﺭﺸﺔ ﻜﻨﺕ ﺒﻌﺘﻬﺎ‬
‫ﻓﻰ ﻤﺼﺭ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺍﷲ ﺍﷲ ﺃﻨﺕ ﻤﺯﻋل ﻨﻔﺴﻙ‬
‫ﻜﺩﻩ ﻝﻴﻪ ؟‬
‫ﻓﻭﺯﻴﺔ ‪ :‬ﻤﺎﺍﻝﺤﺎﺝ ﻋﻨﺩﻩ ﺤﻕ‬
‫ﻴﺎﺤﺴﻥ ‪ .‬ﻫﻭ ﺃﺒﻭﻙ ﻋﺎﻭﺯ ﻝﻴﻪ ؟‬

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‫ﻤﺎﻴﺭﻴﺢ ﻨﻔﺴﻪ ﺒﻘﻰ ‪.‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﻋﻨﺩﻙ ﺤﻕ ﻤﺎﺍﻨﺘﻰ ﺒﻘﻴﺘﻰ‬ ‫‪259‬‬
‫ﻤﺎﺘﻌﺭﻓﻬﻭﺵ ‪ .‬ﺃﺒﻭﻜﻰ ﻴﺎﺤﺎﺠﺔ ﻝﻭ‬ ‫ﻴﻠﺘﻔﺕ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻝﺴﻪ ﻓﺎﻜﺭﺓ ﻤﺎﻴﻘﺩﺭﺵ ﻴﻘﻌﺩ ﻝﻭ ﻗﻌﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻤﻭﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M . Close‬ﺘﺎﺒﻌﻰ ‪ :‬ﻤﺎﺘﺯﻋﻠﺵ ﻴﺎﺴﻴﺩﻯ‬ ‫‪260‬‬
‫ﻤﺎﺘﺯﻋﻠﺵ ‪ .‬ﺃﻨﺎ ﻤﺴﺘﻌﺩ ﻴﻘﻌﺩ ﻓﻰ‬ ‫‪ up‬ﻝﺘﺎﺒﻌﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺍﻝﻤﻌﺭﺽ ﻤﻊ ﺠﻼل ﺇﺒﻨﻰ ﺃﻫﻭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻏﺎﻭﻯ ﻤﺼﺭ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ ﻓﻰ‬ ‫‪261‬‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﺠﺎﻝﺴﹰﺎ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﺴﻥ ‪ :‬ﺃﻨﺕ ﻋﺎﻴﺯ ﺍﻝﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ‬
‫ﻭﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺍﺒﻥ ﺘﺎﺒﻌﻰ ﻴﺸﺘﻐل ﻋﻨﺩﻙ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪262‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻴﺸﺘﻐل ﻋﻨﺩﻯ ﺩﻩ ﺁﻴﻪ ! ﺩﻩ‬
‫‪ up‬ﻝﺘﺎﺒﻌﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺇﺤﻨﺎ ﺃﻫل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪263‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺕ ﺨﻠﻴﺕ ﻓﻴﻬﺎ ﺃﻫل ﻭﻻ‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺯﻓﺕ ‪ .‬ﺇﺴﻤﻊ ﻴﺎﺤﺎﺝ ﺒﻘﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻸﺴﺭﺓ ﻭﻴﻅﻬﺭ ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻤﺵ ﺠﺎﻯ ﺃﺸﺤﺕ ﻤﻨﻙ‬ ‫‪264‬‬
‫ﺤﺴﻥ ﻭﺘﺎﺒﻌﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺁﻴﻪ ﻴﺎﺤﺴﻥ ﺩﻯ ﻤﺼﺎﻝﺢ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﻜﺩﻩ ﺇﺫﺍ ﻜﺎﻨﺕ ﺍﻝﺤﻜﺎﻴﺔ‬
‫ﻤﺼﺎﻝﺢ ‪..‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﺤﺴﻥ ‪ .‬ﺤﺴﻥ ‪ .. :‬ﻴﺒﻘﻰ ﺍﻷﻭل ﺘﺩﻓﻊ ﺍﻝﺩﻴﻥ‬ ‫‪265‬‬
‫ﺍﻝﻠﻰ ﻋﻠﻴﻙ ﻷﺒﻭﻴﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪266‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺩﻴﻥ ! ﻝﻬﻭ ﺃﻨﺎ ﻜﻨﺕ‬
‫‪ up‬ﻝﺘﺎﺒﻌﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺩﻴﻭﻥ ﻝﺤﺩ !‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . Close‬‬ ‫‪267‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻭﺨﻠﻔﻪ ﺴﺎﻤﻰ ﻭﺯﻭﺠﺘﻪ ‪ .‬ﺤﺴﻥ ‪ :‬ﺁﻴﻪ ! ﻜﺒﻴﺭﺓ ﻋﻠﻴﻙ ﻝﻤﺎ‬
‫ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﻤﻴﻥ ‪ Pan‬ﺘﻜﻭﻥ ﻤﺩﻴﻭﻥ ﻝﻠﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ ‪.‬‬
‫‪ Right‬ﻓﻰ ﺤﺭﻜﺔ ﺒﺎﻨﻭﺭﺍﻤﻴﺔ ﻭﺘﻘﻑ ﺘﺎﺒﻌﻰ ‪ :‬ﺃﻨﺎ ﻝﻬﻭ ﻤﺩﻴﻭﻥ ﻝﺤﺩ ‪.‬‬
‫ﺃﻤﺎﻡ ﻓﻭﺯﻴﺔ ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺤﺴﻥ ‪ :‬ﺇﻥ ﻜﻨﺕ ﻨﺎﺴﻰ ﺃﻅﻥ‬
‫ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ . .M .L. S‬ﺍﻝﺤﺎﺠﺔ ﻓﻭﺯﻴﺔ ﻝﺴﻪ ﻤﺎﻨﺴﻴﺘﺵ ‪.‬‬
‫ﻓﻭﺯﻴﺔ ‪ :‬ﻗﺼﺩﻙ ﻋﻠﻰ ﺁﻴﻪ ﻴﺎﺤﺴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺍﻝﻨﺒﻰ ﻤﺎﺃﻨﻰ ﻓﺎﻜﺭﺓ ﺤﺎﺠﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺤﺴﻥ ‪ :‬ﻝﻤﺎ ﺠﺭﻴﺘﻰ ﻋﻠﻰ ﺃﺒﻭﻜﻰ‬ ‫‪268‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﻭﻗﻭﻝﺘﻴﻠﻪ ﺇﻥ ﺍﻝﺨﺸﺏ ﻤﻀﺭﻭﺏ ﻭﺇﻥ‬
‫ﺠﻭﺯﻙ ﻗﻔل ﻭﺭﺸﺘﻪ ﻭﻤﺵ ﻋﺎﺭﻑ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻌﻴﺵ ﺇﺯﺍﻯ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪269‬‬
‫ﻓﻭﺯﻴﺔ ‪ :‬ﺁﻩ ‪ .‬ﺃﻴﺎﻡ ﺍﻝﻨﻜﺴﺔ ‪ .‬ﺍﷲ‬
‫‪ up‬ﻝﻔﻭﺯﻴﺔ‬
‫ﻤﺎﻴﺭﺠﻌﻬﺎ ﺃﻴﺎﻡ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺃﺩﻴﻜﻰ ﻓﺎﻜﺭﺓ ﻴﺎﺤﺎﺠﺔ ‪.‬‬ ‫‪270‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺃﺒﻭﻜﻰ ﻋﻤل ﺁﻴﻪ ! ﻤﺩ ﻝﻙ ﺇﻴﺩﻩ ﻭ ﹶﻻ‬
‫ﺒﺎﻉ ﻭﺇﺸﺘﺭﻯ ﻓﻴﻜﻰ ‪ .‬ﻤﺎﺘﺘﻜﻠﻡ‬ ‫ﺜﻡ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻴﺎﺤﺎﺝ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﻘﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻸﺴﺭﺓ ﻤﻥ‬ ‫‪271‬‬
‫ﺤﺴﻥ ‪ :‬ﻗﻭل ﻴﺎﺤﺎﺝ ﺍﻝﻤﺒﻠﻎ ﺇﻝﻠﻰ‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻤﺜل‬
‫ﺃﺒﻭﻴﺎ ﺒﻌﺘﻬﻭﻝﻙ ﻜﺎﻥ ﻜﺎﻡ ؟‬

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‫ﺘﺎﺒﻌﻰ ‪ :‬ﺃﻝﻑ ﺠﻨﻴﻪ‬ ‫ﻝﻘﻁﺔ‬

‫ﺤﺴﻥ ‪ :‬ﺍﻝﻑ ﺠﻨﻴﻪ ﻤﻥ ﺴﻨﺔ ‪67‬‬ ‫‪250‬‬
‫ﻴﺴﺎﻭﻯ ﻜﺎﻡ ﻝﻐﺎﻴﺔ ﺩﻝﻭﻗﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ ﺃﻨﺎ ﻜﻨﺕ ﺴﺎﻝﻔﻬﻡ‬‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺘﺎﺒﻌﻰ ‪ :‬ﺒ ‪‬‬ ‫‪272‬‬
‫ﻤﻨﻪ ‪ ,‬ﻭﺃﻨﺎ ﻜﻨﺕ ﺒﺘﺎﺠﺭ ﻝﻪ ﻓﻴﻬﻡ‬ ‫‪ up‬ﻝﺘﺎﺒﻌﻰ‬
‫ﻭﺨﺴﺭﺍ ‪ .‬ﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻝﺒﻠﺩ ﺍﻴﺎﻤﻴﻬﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﺎﻨﺕ ﻤﻀﺭﻭﺒﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪273‬‬
‫ﺤﺴﻥ ‪ :‬ﻻ ﻤﺎﺨﺴﺭﻭﺵ ‪ ,‬ﻭﺃﺒﻭﻴﺎ‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻘﻑ ﻭﺘﺼﺒﺢ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ‬
‫ﻤﺎﻁﺎﻝﺒﺵ ﺒﻴﻬﻡ ﻷﻨﻬﻡ ﺭﺍﻴﺤﻴﻥ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ .‬ﻭﻴﺘﺤﺭﻙ ﺤﺴﻥ‬
‫ﻝﺒﻨﺘﻪ ‪ .‬ﺍﻝﺨﻴﺭ ﺍﻝﻠﻰ ﺃﻨﺕ ﻓﻴﻪ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺒﺘﻌﺩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Track‬‬
‫ﻭﻤﺭﺍﺘﻙ ﻭﻭﻻﺩﻙ ﻤﻥ ﻤﺎل ﺃﺒﻭﻴﺎ‬
‫‪out‬‬
‫ﻭﻤﻥ ﺨﻴﺭﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪274‬‬
‫‪ up‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﺘﺨﻔﺽ‬
‫ﺤﺴﻥ ‪ :‬ﻤﻥ ﻓﻠﻭﺱ ﺃﺒﻭﻴﺎ ﺍﻝﻠﻰ‬
‫ﺭﺃﺴﻬﺎ ﺜﻡ ﺘﺭﻓﻌﻬﺎ ﺜﺎﻨﻴﺔ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﺩﺍﺭﺕ ﺍﻷﻴﺎﻡ ﻭﻋﺎﻴﺯ ﺘﺸﻐﻠﻪ ﻋﻨﺩﻙ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪275‬‬
‫‪ up‬ﻷﺤﺩ ﺃﺒﻨﺎﺀ ﺘﺎﺒﻌﻰ ﻭﻫﻭ ﻴﻨﻅﺭ ﻓﻰ‬
‫ﺇﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺴﺎﻤﻰ‬ ‫‪276‬‬
‫ﻭﺯﻭﺠﺘﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﺤﺴﻥ ﻭﺍﻗﻑ ﺘﺎﺒﻌﻰ ‪ :‬ﺸﻭﻑ ﻴﺎﺒﻨﻰ ﺍﻝﺤﻤﻘﺔ‬ ‫‪277‬‬
‫ﻓﻰ ﻭﺴﻁ ﺍﻷﺴﺭﺓ ﻭﻴﻘﻑ ﺘﺎﺒﻌﻰ ﺒﺘﺎﻋﺘﻙ ﺩﻯ ﻤﺵ ﻫﺎﺘﺠﻴﺏ ﻨﺘﻴﺠﺔ ‪.‬‬
‫ﺒﺠﻭﺍﺭﻩ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﺘﺎﺒﻌﻰ ﻴﺴﺎﺭ ﺍﻝﻠﻰ ﺍﻨﺎ ﻗﻠﺘﻪ ﻫﻭ ﺍﻝﻜﻼﻡ ﺍﻝﻤﻭﺯﻭﻥ ‪.‬‬
‫ﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﻤﻨﻪ ﻭﻴﻠﺘﻔﺕ ﺤﺴﻥ ﻓﻰ ﻝﻭ ﻜﻨﺘﻭﺍ ﻫﺎﺘﺒﻴﻌﻭﺍ ﺍﻝﻭﺭﺸﺔ ﺍﻨﺎ‬
‫ﺴﺩﺍﺩ ﻭﻓﻠﻭﺴﻰ ﻋﻠﻰ ﺍﻝﺘﺭﺍﺒﻴﺯﺓ ‪.‬‬ ‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻏﻴﺭ ﺍﻝﻜﻼﻡ ﺍﻝﻠﻰ ﻗﻠﺘﻪ ‪ .‬ﺃﺤﺴﻥ ﺍﻨﺎ‬ ‫ﻭﺘﺒﺘﻌﺩ ﻋﻨﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﺎﺭﺝ‬
‫ﻫﺎﺭﻭﺡ ﺃﺼﻠﻰ ﻗﺒل ﻭﻀﻭﻯ‬ ‫‪Track out‬‬
‫ﻤﺎﻴﻨﻘﻀﻰ ‪ .‬ﻴﺎ ﺤﺎﺠﺔ ﺍﻨﺘﻰ ﺼﻠﻴﺘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﻭﺯﻴﺔ ‪ :‬ﻻ ﻝﺴﻪ ﻭﺍﻝﻨﺒﻰ ﻴﺎﺤﺎﺝ ‪.‬‬
‫ﻤﺎﺘﻴﺠﻰ ﺘﺼﻠﻰ ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺼﻭﺕ ﺍﻷﻤﻭﺍﺝ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﺤﺴﻥ‬ ‫‪278‬‬
‫ﻤﻥ ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ ﻭﻴﻅﻬﺭ ﻓﻰ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺃﻓﺭﺍﺩ ﺍﻷﺴﺭﺓ ﻭﻫﻡ‬
‫)‪(6‬‬
‫ﻴﻨﺼﺭﻓﻭﺍ ﻤﻥ ﺤﻭﻝﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺸﺎﻝﻴﻪ ﻓﻰ‬ ‫‪279‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﻅﻬﺭ ﺍﻝﺒﺤﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 39‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫‪280‬‬
‫)‪(6‬‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﺴﻠﻁﺎﻥ ﺴﻠﻁﺎﻥ ‪ :‬ﻜﻭﺜﺭ ﻓﻴﻥ ؟‬

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‫ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﺭﺌﻴﻔﺔ ‪ :‬ﻓﻰ ﺍﻭﻀﺘﻬﺎ ﺒﺘﺫﺍﻜﺭ ‪ .‬ﻤﺎﻝﻙ‬

‫ﺒﺠﺎﻨﺏ ﺭﺌﻴﻔﺔ ﺯﻭﺠﺘﻪ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ‪ .‬ﻴﺎﺤﺎﺝ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪281‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺴﻠﻁﺎﻥ‬
‫ﺘﻅﻬﺭ ﺭﺌﻴﻔﺔ ﺨﺎﺭﺝ ﺒﺅﺭﺓ ﺍﻝﻌﺩﺴﺔ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻗﻠﻘﺎﻥ ﻴﺎﺭﺌﻴﻔﺔ ﻭﻤﺵ‬
‫ﻭﺴﻠﻁﺎﻥ ﻴﻅﻬﺭ ﻓﻰ ﺍﻁﺎﺭ ﻓﺘﺤﺔ‬
‫ﺠﺎﻯ ﻝﻰ ﻨﻭﻡ‬
‫ﺍﻝﻌﺩﺴﺔ ‪Focus‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪282‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬
‫ﻝﺭﺌﻴﻔﺔ ﻭﻴﻅﻬﺭ ﺴﻠﻁﺎﻥ ﺒﺭﻭﻓﻴل ﻭﻫﻰ‬
‫ﺭﺌﻴﻔﺔ ‪ :‬ﺃﻗﻭﻡ ﺃﻋﻤﻠﻙ ﻜﺒﺎﻴﺔ ﻝﻤﻭﻥ‬
‫ﻼ‬
‫ﺘﻅﻬﺭ ﺒﻭﺠﻬﻬﺎ ﻜﺎﻤ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺴﻠﻁﺎﻥ ﻴﺴﺎﺭ‬ ‫‪283‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻷ ‪ .‬ﺤﺴﻥ ﺒﻘﺎﻝﻪ ﻴﻭﻤﻴﻥ‬ ‫ﻜﺎﺩﺭ ﻭﺭﺌﻴﻔﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻤﺎﺠﺎﺵ ‪ .‬ﻴﺎﺘﺭﻯ ﺁﻴﻪ ﺍﻝﻠﻰ ﺤﺎﺸﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻨﻨﺎ ‪.‬‬
‫ﺭﺌﻴﻔﺔ ‪ :‬ﻤﺎﻫﻭ ﻜﻤﺎﻥ ﻋﻨﺩﻩ ﺒﻴﺘﻪ‬
‫ﻭﺃﻜل ﻋﻴﺸﻪ ‪ .‬ﻴﺎﺤﺎﺝ ﻤﺎﺘﻘﻠﻘﺵ‬
‫ﺒﻜﺭﺓ ﻫﺎﺨﻠﻰ ﻜﻭﺜﺭ ﺘﻌﺩﻯ ﻋﻠﻴﻪ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺒﻼﺵ ﺨﻠﻴﻪ ﻴﺠﻴﻲ ﻤﻥ‬
‫ﻨﻔﺴﻪ ‪ .‬ﺇﺤﻨﺎ ﺘﻘﻠﻨﺎ ﻋﻠﻴﻪ ﺍﻝﻴﻭﻤﻴﻥ‬
‫ﺩﻭل ‪.‬‬

‫‪ 284‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬

‫ﺭﺌﻴﻔﺔ ‪ :‬ﺘﻘﻠﻨﺎ ﻋﻠﻴﻪ ﺁﻴﻪ ‪ .‬ﺩﻩ‬ ‫‪ up‬ﻝﺭﺌﻴﻔﺔ‬
‫ﺇﺒﻨﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 285‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬

‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺎ ﺍﻝﻠﻰ ﺒﻌﺩﺘﻪ ﻋﻨﻰ‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻭﺴﻤﻌﺕ ﻜﻼﻡ ﻜﻠﺏ ﺯﻯ ﻋﻭﻨﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻁﺭﺩﺘﻪ ﻤﻥ ﺍﻝﻭﺭﺸﺔ ‪ .‬ﻝﻭ ﻜﺎﻥ‬
‫ﻓﻀل ﻤﻌﺎﻴﺎ ﻤﺎﻜﺎﻨﺵ ﺍﻝﻠﻰ ﺒﻴﺤﺼل‬
‫ﺩﻩ ﺤﺼل ‪.‬‬

‫‪ 286‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬

‫ﺭﺌﻴﻔﺔ ‪ :‬ﺇﺤﻨﺎ ﻫﺎﻨﻘﻠﺏ ﻓﻰ ﺍﻝﻠﻰ‬ ‫‪ up‬ﻝﺭﺌﻴﻔﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻓﺎﺕ ﻤﺵ ﻫﺎﻴﺠﻴﻲ ﻤﻨﻪ ﺩﻝﻭﻗﺘﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 287‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪..M . L .S‬‬

‫ﻝﺴﻠﻁﺎﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺜﻡ ﻴﻨﻬﺽ‬
‫ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﻏﺭﻓﺘﻪ‬
‫ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻓﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﺴﻠﻁﺎﻥ ‪ :‬ﻋﻠﻰ ﺭﺍﻴﻙ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand Camera‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫)‪(6‬‬
‫ﻤﺸﻬﺩ ) ‪( 40‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﺍﻝﻁﺭﻴﻕ‬

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‫‪ 288‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬

‫ﻝﻴﺩ ﺤﺴﻥ ﺘﻤﺘﺩ ﻝﺘﻐﻴﺭ ﻋﺩﺍﺩ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺼﻭﺕ ﺍﻝﻌﺩﺍﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L . S‬ﻝﻠﺴﻴﺎﺭﺓ‬ ‫‪289‬‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺼﻭﺕ‬ ‫ﺍﻷﺠﺭﺓ ﻭﻫﻰ ﺁﺘﻴﺔ ﻤﻥ ﺍﻝﻌﻤﻕ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﺸﺎﺭﻉ‬ ‫ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 290‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M . S‬ﻤﻥ ﺩﺍﺨل‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ ﻭﻴﻅﻬﺭ‬
‫ﻭﻫﻭ ﻴﻘﻭﺩ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 41‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﺼﺎﻝﺔ ﻭﺘﻅﻬﺭ‬ ‫‪291‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ! ﺤﻤﺩﺍﷲ ﻋﻠﻰ‬
‫ﻤﻴﺭﻓﺕ ﺠﺎﻝﺴﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺨﻠﻑ ﻤﺎﺌﺩﺓ‬
‫ﺍﻝﺴﻼﻤﺔ‬
‫ﺍﻝﻁﻌﺎﻡ ﻭﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻝﺸﻘﺔ‬
‫ﺤﺴﻥ ‪ :‬ﺍﷲ ﻴﺴﻠﻤﻙ‬
‫ﻭﻴﺩﺨل ﺤﺴﻥ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺍﻝﻤﻔﺘﺎﺡ‬ ‫ﻤﻴﺭﻓﺕ ‪ :‬ﺇﺘﺄﺨﺭﺕ ﻝﻴﻪ؟‬
‫ﻓﻰ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻭﺘﺘﺤﺭﻙ ﻤﻴﺭﻓﺕ‬
‫ﺤﺴﻥ ‪ :‬ﺇﻀﻁﺭﻴﺕ ﺃﺒﻴ‪‬ﺕ ﻓﻰ ﺩﻤﻴﺎﻁ‬
‫ﻭﺘﺴﻠﻡ ﻋﻠﻴﻪ ﻭﻴﻘﻔﺎ ﺍﻷﺜﻨﺎﻥ ﺃﻤﺎﻡ ﺒﻌﺽ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻋﻨﺩ ﺍﻝﺤﺎﺠﺔ ﻓﻭﺯﻴﺔ ؟‬
‫ﺤﺴﻥ ‪ :‬ﺃﻴﻭﺓ ‪ .‬ﺃﻤﺎل ﻓﻴﻥ ﻫﺎﻨﻰ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪292‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﻴﺭﻓﺕ ‪ :‬ﻋﻨﺩ ﻤﺎﻤﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪293‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻠﺘﻔﺕ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺴﻥ ‪ :‬ﺁﻴﻪ ﻤﻥ ﺃﻤﺘﻰ ﻭﺒﻴﻌﻤل ﺁﻴﻪ‬
‫ﻋﻨﺩ ﺃﻤﻙ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪294‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺘﺘﻐﺩﻯ ﺍﻷﻭل ﻭ ﹶﻻ ﺘﺎﺨﺩ‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﺤﻤﺎﻡ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪295‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺵ ﺃﻨﺎ ﻗﺩﻤﺕ ﻓﻰ‬
‫ﻝﻤﻴﺭﻓﺕ ﻭﺤﺴﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬
‫ﺍﻝﻤﻌﻬﺩ ﺍﻝﺒﺭﻴﻁﺎﻨﻰ‬
‫‪Low Angle‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻤﻌﻬﺩ ﺍﻝﺒﺭﻴﻁﺎﻨﻰ‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺁﻩ ﻫﺎﺘﻌﻠﻡ ﺇﻨﺠﻠﻴﺯﻯ ‪.‬‬
‫ﻝﻴﺼﺒﺢ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺠﻠﺱ‬
‫ﺃﺼل ﻤﺎﻤﺎ ﺸﺎﻓﺕ ﻝﻰ ﺸﻐﻠﺔ ﻓﻰ ﻓﻰ‬
‫ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﺘﺄﺘﻰ ﻤﻴﺭﻓﺕ ﻭﺘﺠﻠﺱ‬
‫ﺸﺭﻜﺔ ﺍﺴﺘﺜﻤﺎﺭ ﻋﺎﻴﺯﻴﻥ ﻭﺍﺤﺩﺓ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺜﺎﻨﻭﻴﺔ ﻋﺎﻤﺔ ﺒﺱ ﺍﻝﻤﻬﻡ ﺘﻜﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺘﻌﺭﻑ ﺇﻨﺠﻠﻴﺯﻯ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﻰ ﺃﻤﻙ ﻤﺵ ﻨﺎﻭﻴﺔ‬
‫ﺘﺴﻴﺒﻨﺎ ﻓﻰ ﺤﺎﻝﻨﺎ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺭﺓ ﻤﺎﻫﺭ ﻭﺍﻝﻤﺼﻨﻊ‬
‫ﺒﺘﺎﻋﻪ ﻭﻤﺭﺓ ﺇﻨﺠﻠﻴﺯﻯ ﻭﺸﺭﻜﺔ‬
‫ﺍﺴﺘﺜﻤﺎﺭ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻁﺏ ﻓﻴﻬﺎ ﺁﻴﻪ ﻴﻌﻨﻰ ﻤﺎﻤﺎ‬
‫ﻋﺎﻴﺯﺓ ﻤﺼﻠﺤﺘﻰ ﻭﻤﺎﻤﺎ ﻋﺎﻴﺯﺓ‬
‫ﺘﺴﺎﻋﺩﻨﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺘﺴﺎﻋﺩ ﻨﻔﺴﻬﺎ ﻴﺎﺴﺘﻰ ‪.‬‬

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‫ﻫﻰ ﻤﺎﺒﺘﺤﺒﻨﻴﺵ ﻭﺃﻨﺎ‬

‫ﻤﺎﺒﺄﻁﻴﻘﻬﺎﺵ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﷲ ﻫﻭ ﺃﻨﺕ ﺠﺎﻯ ﻤﻥ‬
‫ﺒﺭﺓ ﻤﺘﻨﺭﻓﺯ ﻭﺠﺎﻯ ﺘﻁﻠﻊ ﻨﺭﻓﺯﺘﻙ‬
‫ﻰ‪.‬‬‫ﻋﻠ ‪‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪296‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﺒﺘﻘﻭﻝىﻠﻰ ﺃﻨﺠﻠﻴﺯﻯ ‪.‬‬
‫ﻭﻤﻴﺭﻓﺕ ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﻭ ﻋﻴﺏ ﻝﻤﺎ ﺃﺸﺘﻐل ﻋﻠﻰ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻴﺭﻓﺕ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ‬
‫ﺍﻷﻗل ﺃﺤﺴﻥ ﺘﻌﻠﻴﻤﻰ ﻭﻤﺭﻜﺯﻯ‬
‫ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﻭﺃﺴﺎﻋﺩﻙ ﻓﻰ ﻤﺼﺎﺭﻴﻑ ﺍﻝﺒﻴﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻤﻥ ﻓﻭﻕ‬ ‫‪297‬‬
‫ﺤﺴﻥ ‪ :‬ﻝﻤﺎ ﺃﺸﺘﻜﻰ ﻝﻙ ﺇﺒﻘﻰ‬
‫ﻜﺘﻑ ﺤﺴﻥ ﻝﻤﻴﺭﻓﺕ‬
‫ﺴﺎﻋﺩﻴﻨﻰ ‪ .‬ﻭﺇﻨﺕ ﻨﺎﻗﺼﻙ ﺤﺎﺠﺔ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﺤﺴﻥ ﻭﺃﻤﺎﻤﻪ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻴﻭﺓ ﻨﺎﻗﺼﻨﻰ ﻜﺘﻴﺭ ‪.‬‬ ‫‪298‬‬
‫ﻤﻴﺭﻓﺕ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻓﻰ ﻨﺎﻗﺼﻨﻰ ﺃﺤﺱ ﺇﻥ ﻝﻴﻪ ﻗﻴﻤﺔ ﻤﺵ‬
‫ﻤﺠﺭﺩ ﺸﻐﺎﻝﺔ ﻓﻰ ﺒﻴﺘﻙ ‪ .‬ﺩﻩ ﺃﻨﺎ‬ ‫ﺍﻝﻤﻘﺩﻤﺔ ‪.‬‬
‫ﺯﻤﺎﻴﻠﻰ ﺒﻘﻭﺍ ﻋﺎﻴﺸﻴﻥ ﺤﻴﺎﺓ ﺘﺎﻨﻴﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺨﺎﻝﺹ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪299‬‬
‫ﺤﺴﻥ ‪ :‬ﺤﺩ ﻗﺎﻝﻙ ﺘﺴﻴﺒﻰ‬
‫ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ ‪.‬‬
‫ﺍﻝﻤﺩﺭﺴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﻴﺭﻓﺕ ﻤﻥ‬ ‫‪300‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻫﻭ ﺍﻝﻠﻰ ﺤﺼل ﺒﻘﻰ‬
‫ﻓﻭﻕ ﻜﺘﻑ ﺤﺴﻥ‬
‫ﻨﺼﻴﺏ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪301‬‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﺤﺴﻥ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺎﻭل ﺘﻔﻬﻤﻨﻰ ﻴﺎﺤﺴﻥ ﺩﻩ‬ ‫‪302‬‬

‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺃﻨﺎ ﻤﺎﺼﺩﻗﺕ ﻝﻤﺎ ﻝﻘﻴﺕ ﻓﺭﺼﺔ ﺯﻯ‬
‫ﺩﻯ ﻋﺸﺎﻥ ﺨﺎﻁﺭﻯ ﻴﺎﺤﺴﻥ ﻫﻭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻨﺕ ﺘﺯﻋل ﻝﻤﺎ ﻤﺭﺍﺘﻙ ﺘﺒﻘﻰ ﻤﻭﻅﻔﺔ‬
‫ﻓﻰ ﺸﺭﻜﺔ ﻤﺤﺘﺭﻤﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪303‬‬
‫ﺤﺴﻥ ‪ :‬ﺒﺘﺘﻜﻠﻡ ﺇﻨﺠﻠﻴﺯﻯ ‪.‬‬ ‫ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪304‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺇﺨﺹ ﻋﻠﻴﻙ ﻋﺸﺎﻥ‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ‪.‬‬
‫ﺨﺎﻁﺭﻯ ﻭﺍﻓﻕ ﺒﻘﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M . L. S‬ﺤﺴﻥ ‪ :‬ﻁﺏ ﻴﺎﻝﻼ ﻗﻭﻤﻰ ﺇﻋﻤﻠﻰ‬ ‫‪305‬‬
‫ﻝﺤﺴﻥ ﻭﻤﻴﺭﻓﺕ ﺠﺎﻝﺴﺎﻥ ﻭﺘﻨﻬﺽ ﺍﻝﻐﺩﺍ ﻭﻻ ﺍﻹﻨﺠﻠﻴﺯﻯ ﺸﻐﻠﻙ ﻋﻥ‬
‫ﻤﻴﺭﻓﺕ ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺍﻝﻤﻁﺒﺦ ‪..‬‬
‫ﻭﻴﻠﺘﻔﺕ ﺤﺴﻥ ﻨﺎﺤﻴﺘﻬﺎ ‪ .‬ﺜﻡ ﻴﻌﻭﺩ ﻤﻴﺭﻓﺕ‪ :‬ﺇﺯﺍﻯ ﺒﻘﻰ ﺩﻩ ﺃﻨﺎ ﻋﺎﻤﻠﺔ‬
‫ﻝﻙ ﻓﺘﺔ ﻜﻭﺍﺭﻉ ﺒﺎﻝﺨل ﻭﺍﻝﺘﻭﻡ ﺇﻨﻤﺎ‬ ‫ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻷﺭﺽ ‪.‬‬
‫ﺁﻴﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 42‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ‬
‫‪ 306‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻭﺒﻌﺩﻴﻥ ﻴﺎﺤﺎﺝ ﺍﻝﻭﻗﺕ‬

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‫‪ up‬ﻝﻌﻭﻨﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺒﻴﻌﺩﻯ ﻭﻤﻴﻌﺎﺩ ﺍﻝﺤﺠﺯ ﻗﺭﺏ ‪,‬‬

‫ﻭﺍﻝﻭﺭﺸﺔ ﻝﻭ ﺇﺘﺒﺎﻋﺕ ﻓﻰ ﺍﻝﻤﺯﺍﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻻﻗﺩﺭ ﺍﷲ ﻫﺎﺘﺭﻭﺡ ﻓﻁﻴﺱ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M . Close‬ﺴﻠﻁﺎﻥ ‪ :‬ﺇﻴﺭﺍﺩﺍﺕ ﺍﻝﻭﺭﺸﺔ ﻜﺎﻨـﺕ‬ ‫‪307‬‬
‫‪ up‬ﻝﺴﻠﻁﺎﻥ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺒﺘﺭﻭﺡ ﻓﻴﻥ ﻴـﺎﻋﻭﻨﻰ ؟ ﺠﻭﺍ ﺒﺎﺕ‬
‫ﺍﻝﻀﺭﺍﻴﺏ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﻋﻭﻨﻰ ‪ :‬ﻭﺃﻨﺎ ﺇﻴﺵ ﻋﺭﻓﻨﻰ ﻴﺎﺴﻁﻰ‬ ‫‪308‬‬
‫ﻤﺎﺃﻨﺕ ﻋﺎﺭﻑ ﻴﺎﻤﺎ ﺠﻭﺍﺒﺎﺕ ﺒﺘﻀﻴﻊ‬ ‫‪ up‬ﻝﻌﻭﻨﻰ‬
‫ﻓﻰ ﺍﻝﺒﻭﺴﻁﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ـﻰ ﺇﻥ‬‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﻐﺭﻓﺔ ﻭﻴﻅﻬﺭ ﻋﻭﻨﻰ ‪ :‬ﻭﺒﻌﺩﻴﻥ ﺃﻨـﺕ ﻨﺎﺴـ‬ ‫‪309‬‬
‫ـﻥ ﻗﻴﻤـﺔ‬ ‫ﺴﻠﻁﺎﻥ ﻭﻋﻭﻨﻰ ﺠﺎﻝﺴﺎﻥ ﻋﻠﻰ ﺍﻝﺭﻴﻁﺔ ﻤﺄﻤﻭﺭ ﺍﻝﻀﺭﺍﻴﺏ ﺠﻪ ﻤـ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ high‬ﺴﻨﺘﻴﻥ ﺇﻥ ﺍﻝﻭﺭﺸﺔ ﻋﻠﻴﻬﺎ ﺍﻝﺸـﻰﺀ‬
‫‪ . Angle‬ﻭﻴﻨﻬﺽ ﻋﻭﻨﻰ ﻭﻴﻘﻑ ﺍﻝﻔﻼﻨﻰ ‪.‬‬
‫ﺃﻤﺎﻡ ﺴﻠﻁﺎﻥ ﻭﻴﺼﺒﺢ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺕ ﻗﻠﺘﻠﻰ ﺇﻨﻙ ﻫﺎﺘﻁﻌـﻥ‬
‫ـل‬
‫ﻴﺎﻋﻭﻨﻰ ﻭﺃﻨﺎ ﺼﺩﻗﺘﻙ ﻭﺴﺒﺘﻠﻙ ﻜـ‬ ‫ﻭﺴﻠﻁﺎﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﺤﺎﺠﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻫﻭ ﺃﻨﺎ ﻜﻨﺕ ﺃﺒﻭﻜﺎﺘﻭ ﻴﻌﻨﻰ‬
‫ﻭ ﻭﻻ ﻤﺨﻰ ﺩﻓﺘﺭ ‪ .‬ﺍﻝﻤﻬﻡ ﻫﺎﺘﻌﻤل‬
‫ﺁﻴﻪ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪310‬‬
‫‪ up‬ﻝﺴﻠﻁﺎﻥ ﻭﻫﻭ ﻴﻨﻅﺭ ﺍﻝﻰ‬
‫ﻷﻋﻠﻰ ‪.‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫‪ High Angle‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫ﻋﻭﻨﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪311‬‬
‫‪ up‬ﻝﻌﻭﻨﻰ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺴﻠﻁﺎﻥ‬
‫ﻭ ﻴﻨﻅﺭ ﻝﻸﺭﺽ ﺜﻡ ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low‬‬
‫‪Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﺴﻠﻁﺎﻥ ﻤﻥ‬ ‫‪312‬‬
‫ﻓﻭﻕ ﻜﺘﻑ ﻋﻭﻨﻰ ﻭﻫﻭ ﺠﺎﻝﺱ ﻴﺴﺎﺭ ﺴﻠﻁﺎﻥ ‪ :‬ﺁﻴﻪ ﺍﻝﻠﻰ ﻓﻰ ﺒﺎﻝﻙ‬
‫ﻴﺎﻋﻭﻨﻰ ؟‬ ‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺴﻠﻁﺎﻥ ﺠﺎﻝﺱ ﻋﻭﻨﻰ ‪ :‬ﻤﺎﻓﻴﺵ ‪ .‬ﺒﺱ ﻓﻴﻪ ﻭﺍﺤﺩ‬ ‫‪313‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻋﻭﻨﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻋﺭﻑ ﺍﻝﺤﻜﺎﻴﺔ ﻭﻤﺴﺘﻌﺩ ﻴﺩﻓﻊ ‪10‬‬
‫ﺘﻼﻑ ﺠﻨﻴﻪ ﻭﻴﺸﻐل ﻨﺼﻑ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﻴﻥ ﺩﻩ ؟‬
‫ﻋﻭﻨﻰ ‪ :‬ﻁﻠﺏ ﻤﻨﻰ ﻤﺎﻗﻠﺵ ﺇﺴﻤﻪ‬
‫ﻝﻐﺎﻴﺔ ﻤﺎﺘﻭﺍﻓﻕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪314‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻭﺃﻨﺕ ﺁﻴﻪ ﺭﺃﻴﻙ ؟‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﻋﻭﻨﻰ ‪ :‬ﺍﻝﺭﺃﻯ ﺭﺃﻴﻙ ﻴﺎﺤﺎﺝ ‪ .‬ﺒﺱ‬ ‫‪315‬‬
‫‪ up‬ﻝﻌﻭﻨﻰ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻝﻴﺠﻠﺱ ﺃﻨﺎ ﺒﻘﻭل ﻴﻌﻨﻰ ﻤﺎﺩﺍﻡ ﻤﺎﻓﻴﺵ ﻓﺎﻴﺩﺓ‬
‫ﺘﻘﺒل ﺍﻝﻤﻭﻀﻭﻉ ﻭﻤﺎﻓﻴﺵ ﺩﺍﻋﻰ‬ ‫ﻤﻜﺎﻨﻪ ﺜﺎﻨﻴﺔ ‪.‬‬
‫ﺘﻔﺭﺝ ﺍﻝﻨﺎﺱ ﻋﻠﻴﻨﺎ ‪ .‬ﻗﻠﺕ ﺁﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﺤﺎﺝ ؟‬

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‫ﺴﻠﻁﺎﻥ ‪ :‬ﻻ ﺇﻝﻪ ﺍﻹ ﺍﷲ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪316‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻋﻠﻰ ﺍﻝﻌﻤﻭﻡ ﻝﻭ ﻀﺎﻗﺕ‬ ‫ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﺴﻠﻁﺎﻥ ﻝﻌﻭﻨﻰ ‪.‬‬
‫ﺇﺩﻴﻨﻰ ﺨﺒﺭ ‪ .‬ﻭﻜل ﺤﺎﺠﺔ ﻫﺎﺘﻡ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺴﺭ ﻭﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻝﺴﻭﻕ ﻭﻜﻼﻡ‬
‫ﺍﻝﻨﺎﺱ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻝﻤﺎ ﻴﻴﺠﻰ ﺤﺴﻥ ‪.‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪317‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺤﺴﻥ ﺇﻴﺩﻩ ﻓﻰ ﺍﻝﺨل‬ ‫ﻝﻌﻭﻨﻰ ﻭﺴﻠﻁﺎﻥ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ‪.‬‬
‫ﻴﺎﺴﻁﻰ ‪ .‬ﻫﺎﻴﻌﻤل ﺁﻴﻪ ﻴﻌﻨﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺤﺴﻥ ﻫﺎﻴﺒﻘﻰ ﺭﺍﺠل‬
‫ﺍﻝﻌﻴﻠﺔ ﻤﻥ ﺒﻌﺩﻯ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻋﻴﻠﺔ ﻤﻴﻥ ﻴﺎﻋﻡ ﺍﻝﺤﺎﺝ‬
‫ﻤﺎﻫﻭ ﺭﺍﺡ ﻝﺨﻭﺍﺘﻪ ﺍﻝﺒﻨﺎﺕ ﻴﺸﺤﺕ‬
‫ﻤﻨﻬﻡ ﻭﺯﻯ ﻤﺎﺭﺍﺡ ﺯﻯ ﻤﺎﺭﺠﻊ ‪.‬‬
‫‪ 318‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺒﺘﻘﻭل ﺁﻴﻪ ؟‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 319‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻫﻭ ﻤﺎﻗﺎﻝﻜﺵ ﻭﺍﷲ ﻜﻨﺕ‬ ‫‪up‬‬
‫ﻓﺎﻜﺭﻩ ﻗﺎﻝﻠﻙ ‪.‬‬ ‫ﻝﻌﻭﻨﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 320‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬
‫ﻝﺴﻠﻁﺎﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬
‫‪ Camera‬ﻴﻨﻬﺽ ﻭﻴﻤﺸﻰ ﻨﺎﺤﻴﺔ ﺴﻠﻁﺎﻥ ‪ :‬ﺒﺭﻀﻪ ﻝﻤﺎ ﻴﻴﺠﻰ ﺤﺴﻥ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻭﺭﺍﺀﻩ ﻋﻭﻨﻰ ﻭﻴﺨﺭﺝ ﻨﺭﺍﺠﻌﻪ ‪.‬‬
‫ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﺴﻠﻁﺎﻥ ﻓﻭﻕ ﻋﻭﻨﻰ ‪ :‬ﺍﻝﻠﻰ ﺘﺸﻭﻓﻪ ﻴﺎﺤﺎﺝ ﻓﻭﺘﻙ‬
‫ﺍﻝﺴﺭﻴﺭ ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺒﻌﺎﻓﻴﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M .L. S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 43‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺸﺎﺭﻉ ﺃﻤﺎﻡ‬
‫ﻤﺤﻁﺔ ﺃﺘﻭﺒﻴﺱ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L. S‬ﻝﻠﺸﺎﺭﻉ ﻭﻤﺠﻤﻭﻋﺔ‬ ‫‪321‬‬
‫ﻤﻥ ﺍﻝﻔﺘﻴﺎﺕ ﻴﺘﺤﺭﻜﻥ ﻤﻥ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻜﺎﺩﺭ ﻭﻴﻘﻔﻥ ﻋﻨﺩ ﻤﺤﻁﺔ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻭﺒﻴﻨﻬﻥ ﺘﻘﻑ ﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻀﻴﻑ ﻭﺍﻗﻔﺎ ﺒﺠﻭﺍﺭ‬ ‫‪322‬‬
‫ﺸﺠﺭﺓ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L .S‬ﻝﻠﻔﺘﻴﺎﺕ ﺃﻤﺎﻡ‬ ‫‪323‬‬
‫ﺍﻝﻤﺤﻁﺔ ﻭﻴﺩﺨل ﺍﻷﺘﻭﺒﻴﺱ ﻤﻥ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻀﺒﻑ ﻴﺘﺤﺭﻙ ﻤﻥ ﻴﻤﻴﻥ‬ ‫‪324‬‬
‫ﻜﺎﺩﺭ ﺍﻝﻰ ﺍﻝﻴﺴﺎﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻝﻜﻭﺜﺭ ﺒﻤﻔﺭﺩﻫﺎ‬ ‫‪325‬‬
‫ﻋﻠﻰ ﺍﻝﻤﺤﻁﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L. S‬ﻝﻠﺸﺎﺭﻉ ﻭﻴﻌﺒﺭ ﻀﻴﻑ ‪ :‬ﺁﻨﺴﺔ ﻜﻭﺜﺭ ! ﺁﻴﻪ‬ ‫‪326‬‬

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‫ﻀﻴﻑ ﺍﻝﺸﺎﺭﻉ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﻅﺭﻭﻑ ﺍﻝﺤﻠﻭﺓ ﺩﻯ ‪ .‬ﺃﻨﺎ ﻜﻨﺕ‬

‫ﻴﺴﺎﺭﺍﹰﺍ ‪ Pan Left‬ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭ ﻋﻨﺩ ﻭﺍﺤﺩ ﺼﺎﺤﺒﻰ ﺒﺄﺨﺩ ﻤﻨﻪ‬
‫ﻜﺸﺎﻜﻴل ﻤﺤﺎﻀﺭﺍﺕ ﺘﺼﻭﺭﻯ ﻨﺹ‬ ‫ﻜﻭﺜﺭ ‪.‬‬
‫ﺍﻝﺴﻨﺔ ﻗﺭﺏ ﻭﻝﺴﻪ ﻤﺎﺍﺫﺍﻜﺭﺘﺵ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 327‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L . S‬ﻝﻠﺸﺎﺭﻉ ﻭﻨﺭﻯ ﻜﻭﺜﺭ ‪ :‬ﻋﻥ ﺇﺫﻨﻙ ﺒﻘﻰ‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﻴﺼل ﺍﻝﻰ ﺍﻝﻤﺤﻁﺔ ‪ .‬ﻀﻴﻑ ‪ :‬ﻤﺎ ﺘﺎﺨﺩﻯ ﺍﻝﻠﻰ ﺒﻌﺩﻩ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﺃﺼﻠﻰ ﻤﺴﺘﻌﺠﻠﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M . L. S‬ﻀﻴﻑ ‪ :‬ﻤﺵ ﻫﺎ ﺃﻋﻁﻠﻜﻜﺘﻴﺭ ﻫﻤﺎ‬ ‫‪328‬‬

‫ﻝﻀﻴﻑ ﻭﻜﻭﺜﺭ ﻭﻀﻴﻑ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻜﻠﻤﺘﻴﻥ ﺒﺱ ﻫﺎ ﺃﻗﻭﻝﻬﻤﻠﻙ ﻭﺒﻌﺩﻴﻥ‬
‫ﻫﺎﺴﻴﺒﻙ ﺘﻤﺸﻰ ‪.‬‬ ‫ﻭﻜﻭﺜﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻀﻴﻑ ‪ :‬ﺁﻨﺴﺔ ﻜﻭﺜﺭ ﺃﻨﺎ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻴﺴﺎﻨﺱ ﺤﻘﻭﻕ ﺍﻝﺴﻨﺔ ﺩﻯ ﻭﻝﻭ‬
‫ﺠﺒﺕ ﺘﻘﺩﻴﺭ ﻫﺎﻴﻌﻴﻨﻭﻨﻰ ﻭﻜﻴل ﻨﻴﺎﺒﺔ‬
‫ﻭﻝﻭ ﻤﺎﺠﺒﺘﺵ ﻫﺎﺃﻜﻤل ﻝﻐﺎﻴﺔ ﻤﺎﺁﺨﺩ‬
‫ﺍﻝﺩﻜﺘﻭﺭﺍﻩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M .L. S‬‬ ‫‪329‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﺭﺒﻨﺎ ﻴﻘﻭﻴﻙ ‪.‬‬ ‫ﻝﻀﻴﻑ ﻭﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪330‬‬
‫ﻀﻴﻑ ‪ :‬ﺃﺼل ﺃﻨﺎ ﺒﺄﺤﺏ ﺍﻷﺴﻁﻰ‬
‫‪ up‬ﻝﻀﻴﻑ‬
‫ﺤﺴﻥ ﻭﺒﺄﻋﺘﺒﺭﻩ ﺃﺨﻭﻴﺎ ﺍﻝﻜﺒﻴﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪331‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﺃﺒﻴﻪ ﺤﺴﻥ ﻤﺎﻓﻴﺵ ﺯﻴﻪ ‪.‬‬ ‫‪ up‬ﻝﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪332‬‬
‫ﻀﻴﻑ ‪ :‬ﻜﻭﻴﺱ ‪ .‬ﻴﺒﻘﻰ ﺇﺘﻔﻘﻨﺎ ‪.‬‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪333‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻋﻠﻰ ﺁﻴﻪ ؟‬ ‫‪ up‬ﻝﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . close‬‬ ‫‪334‬‬
‫ﻀﻴﻑ ‪ :‬ﻋﻠﻰ ﺍﻷﺴﻁﻰ ﺤﺴﻥ ﻁﺒﻌﹰﺎ‪.‬‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪335‬‬
‫ﻀﻴﻑ ‪ :‬ﻋﺸﺎﻥ ﻜﺩﻩ ﺃﻨﺎ ﻨﻔﺴﻰ‬
‫‪ up‬ﻝﻜﻭﺜﺭ ﺘﻨﻅﺭ ﻷﺴﻔل‬
‫ﺃﻨﺎﺴﺒﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪336‬‬
‫ﻝﻜﻭﺜﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪337‬‬
‫ﻀﻴﻑ ‪ :‬ﺁﻴﻪ ﺭﺃﻴﻙ ؟‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L .S‬ﻝﻸﺜﻨﻴﻥ ‪ .‬ﺜﻡ ﻜﻭﺜﺭ ‪ :‬ﻋﻥ ﺇﺫﻨﻙ ‪.‬‬ ‫‪338‬‬
‫ﻀﻴﻑ ‪ :‬ﻤﺎﻗﻠﺘﻠﻴﺵ ﺁﻴﻪ ﺭﺃﻴﻙ ؟‬ ‫ﺘﺘﺤﺭﻙ ﻝﺘﺭﻜﺏ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻜﻭﺜﺭ ‪ :‬ﺃﻨﺎ ﻤﺎﻝﻴﺵ ﺭﺃﻯ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺤﺎﺠﺎﺕ ﺩﻯ ‪ .‬ﺘﻜﻠﻡ ﺁﺒﻴﻪ ﺤﺴﻥ ﻓﻰ‬
‫ﺍﻝﻤﻭﻀﻭﻉ ﺩﻩ ‪.‬‬

‫ﻤﺸﻬﺩ ) ‪( 44‬‬

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‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﻌﻬﺩ ﺘﻌﻠﻴﻡ‬

‫ﺍﻝﻠﻐﺎﺕ‬
‫‪ 339‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺤﺴﻥ ﺠﺎﻝﺱ‬
‫ﻓﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ‪ .‬ﺜﻡ ﻴﻨﺯل ﻤﻥ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ ﻭﺨﻁﻭﺍﺕ ﺤﺴﻥ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺘﺠﻪ ﻨﺎﺤﻴﺔ ﻤﺒﻨﻰ ﻭﻴﺼﻌﺩ‬
‫ﺴﻼﻝﻡ ﺍﻝﻤﺒﻨﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 45‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﻌﻬﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺩﺨل ﺍﻝﻤﻌﻬﺩ‬ ‫‪340‬‬
‫ﻭﺘﺠﻠﺱ ﺴﻜﺭﺘﻴﺭﺓ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺨﻠﻑ‬
‫ﺍﻝﻤﻜﺘﺏ ﻭﺤﺴﻥ ﻴﺼﻌﺩ ﺍﻝﺴﻠﻡ ﻴﺴﺎﺭ ﺤﺴﻥ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﺨﻴﺭ ‪ .‬ﺃﻨﺎ ﺃﺼل‬
‫ﺼﻭﺕ ﺠﺭﺱ‬
‫ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan‬ﺍﻝﻤﺩﺍﻡ ﻫﻨﺎ ﻭﺍﻝﺴﺎﻋﺔ ﺩﻝﻭﻗﺘﻰ ‪..‬‬
‫‪ right‬ﻭﻴﻘﻑ ﺍﻤﺎﻡ ﺍﻝﺴﻜﺭﺘﻴﺭﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪341‬‬
‫ﻀﺠﺔ‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﺤﻭﻝﻪ ‪.‬‬
‫ﺼﻭﺕ ﺍﻝﻁﻠﺒﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺠﻤﻭﻋﺔ‬ ‫‪342‬‬
‫ﺍﻝﻁﻠﺒﺔ ﻭﺍﻝﻁﺎﻝﺒﺎﺕ ﻭﺒﻴﻨﻬﻡ ﺘﻅﻬﺭ‬
‫ﻤﻴﺭﻓﺕ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪343‬‬
‫ﻝﺤﺴﻥ ﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻨﺯل‬
‫ﺍﻝﺴﻠﻡ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M .L .S‬‬ ‫‪344‬‬
‫ﻝﻤﻴﺭﻓﺕ ﺘﺠﺭﻯ ﻨﺎﺤﻴﺔ ﺍﻝﺴﻠﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 46‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪345‬‬
‫ﺼﻭﺕ ﺘﻐﻴﻴﺭ ﺍﻝﻌﺩﺍﺩ‬ ‫‪ up‬ﻝﻴﺩ ﺤﺴﻥ ﺘﺤﺭﻙ ﺍﻝﻌﺩﺍﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪346‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﻋﻨﺩﻜﺵ ﻓﻜﺭﺓ ﻴﺎﺤﺴﻥ‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﺘﺠﻠﺱ ﻓﻰ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺃﻨﺎ ﺤﺎﺴﺔ ﺇﻨﻰ ﺼﻐﺭﺕ ﻋﺸﺭ ﺴﻨﻴﻥ‬
‫ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻭﺭﺠﻌﺕ ﺘﺎﻨﻰ ﻝﻠﻤﺫﺍﻜﺭﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪347‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﻘﻭﺩ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻭﻴﻅﻬﺭ ﺒﺭﻭﻓﻴل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﻝﻨﻬﺎﺭﺩﺓ ﻝﻤﺎ ﺸﻐﻠﻭﺍ ﻝﻨﺎ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪348‬‬
‫ﻓﻴﻠﻡ ﻭﺍﻝﺩﻨﻴﺎ ﻀﻠﻤﺕ ﻭﺒﻘﻴﻨﺎ ﻜﻠﻨﺎ‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻓﺭﺤﺎﻨﻴﻥ ﻭﻻ ﺍﻝﻌﻴﺎل ﺍﻝﺼﻐﻴﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ﻤﺎﻝﻙ ﺴﺎﻜﺕ ﻝﻴﻪ ؟‬
‫‪ 349‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﺒﺩﹰﺍ ﻤﺎﻓﻴﺵ‬ ‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬

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‫‪ 350‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬

‫ﻤﻴﺭﻓﺕ ‪?How are you :‬‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 351‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻜﻭﻴﺱ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 47‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻤﻭﻗﻑ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺸﺎﺭﻉ‬ ‫‪352‬‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻌﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ﺜﻡ‬ ‫‪353‬‬
‫ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt Up‬ﺤﺴﻥ ‪ :‬ﻴﺎﻝﻶ ﻴﺎﻀﻴﻑ ﺇﻋﻤﻠﻙ‬
‫ﺼﻭﺕ ﺃﻏﻨﻴﺔ ﻋﺒﺩ ﺍﻝﺤﻠﻴﻡ‬ ‫ﻭﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﻝﻴﻅﻬﺭ ﻫﻤﺔ ‪.‬‬
‫ﺼﻭﺕ ﻀﻴﻑ ‪ :‬ﺤﺎﻀﺭ‬ ‫ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻀﻴﻑ ﻭﻫﻭ‬ ‫‪354‬‬
‫ﻴﻨﺯل ﻤﻥ ﺍﻷﺘﻭﺒﻴﺱ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ ) Pan Right‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‬
‫‪Hand Camera‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻜﻭﺜﺭ ﻭﻫﻰ ﻜﻭﺜﺭ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﺨﻴﺭ ﻴﺎﺁﺒﻴﻪ ‪.‬‬ ‫‪355‬‬
‫ﻼ ﻴﺎﻜﻭﺜﺭ ‪ .‬ﺨﻴﺭ ﻓﻴﻪ‬ ‫ﺤﺴﻥ ‪ :‬ﺃﻫ ﹰ‬ ‫ﺘﺼﻌﺩ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﺤﺎﺠﺔ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻭﻓﺎﺀ ﺒﻌﺘﺕ ﺘﻠﻐﺭﺍﻑ ﺇﻨﻬﺎ‬
‫ﺠﺎﻴﺔ ﻤﻥ ﺍﻝﻜﻭﻴﺕ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺁﻴﻪ ﺍﻝﻠﻰ ﺠﺎﻴﺒﻬﺎ ﺒﺩﺭﻯ‬
‫ﻜﺩﻩ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻤﺵ ﻋﺎﺭﻓﺔ ﻴﺎﺁﺒﻴﻪ ‪ .‬ﺃﻨﺎ‬
‫ﺭﺍﻴﺤﺔ ﺍﻝﻤﺩﺭﺴﺔ ﺒﻘﻰ ﺃﺤﺴﻥ‬
‫ﺇﺘﺄﺨﺭﺕ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 48‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺸﻭﺍﺭﻉ ﺍﻝﻘﺎﻫﺭﺓ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫‪ 356‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﺼﻭﺕ ﺍﻝﻌﺩﺍﺩ‬
‫‪ up‬ﻝﻠﻌﺩﺍﺩ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 357‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﻀﻴﻑ ‪ :‬ﺒﺄﻗﻭل ﺁﻴﻪ ﻴﺎﺃﺴﻁﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻴﻭﺓ ﻴﺎﻀﻴﻑ‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﻀﻴﻑ ‪ :‬ﻜﻨﺕ ﻋﺎﻴﺯ ﺃﻓﺎﺘﺤﻙ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻭﻀﻭﻉ ﻜﺩﻩ ‪ .‬ﺒﺱ ﺨﺎﻴﻑ ﺘﺼﺩﻨﻰ‬
‫‪ 358‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻗﻭل ﻴﺎﻀﻴﻑ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 359‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﻀﻴﻑ ‪ :‬ﻜﻨﺕ ﺒﺄﻗﻭل ﺇﺫﺍ ﻤﺎﻜﺎﻨﺵ‬
‫ﻋﻨﺩﻙ ﻤﺎﻨﻊ ‪.‬‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺤﺘﺎﺝ ﻓﻠﻭﺱ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 360‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﻀﻴﻑ ‪ :‬ﻷ ﺨﻴﺭﻙ ﻤﻐﺭﻗﻨﻰ ‪.‬‬ ‫‪ up‬ﻝﻀﻴﻑ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪361‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﻤﺎل ﺁﻴﻪ ؟‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪362‬‬
‫ﺃﻨﺎ ﻁﺎﻝﺏ ﺍﻝﻘﺭﺏ ﻤﻨﻙ ‪.‬‬ ‫‪ up‬ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪363‬‬
‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪364‬‬
‫ﻭﻀﻴﻑ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺵ ﻝﻤﺎ ﺘﺨﻠﺹ ﺍﻝﺠﺎﻤﻌﺔ‬
‫ﺍﻷﻭل ﻴﺎﻀﻴﻑ ﺘﺒﻘﻰ ﺘﻔﻜﺭ ﻓﻰ‬
‫ﺍﻝﺤﻜﺎﻴﺔ ﺩﻯ !‬
‫ﻀﻴﻑ ‪ :‬ﻤﺎ ﺃﻨﺎ ﻤﺵ ﻫﺎﺘﺠﻭﺯ‬
‫ﺩﻝﻭﻗﺘﻰ ﻴﺎﺴﻁﻰ ﺇﺤﻨﺎ ﻋﺎﻴﺯﻴﻥ ﻨﺭﺒﻁ‬
‫ﻜﻼﻡ ﺩﻝﻭﻗﺘﻰ ‪ .‬ﻭﻝﻤﺎ ﻨﺨﻠﺹ ﻨﺒﻘﻰ‬
‫ﻨﻔﻜﺭ ﻓﻰ ﺍﻝﺠﻭﺍﺯ ‪ .‬ﻴﻌﻨﻰ ﺨﻁﻭﺒﺔ‬
‫ﺱ‪.‬‬‫ﺒ ‪‬‬ ‫ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪Pan‬‬
‫‪ Right‬ﻝﺭﺍﻜﺒﺔ ﺘﺸﻴﺭ ﻝﻠﺴﻴﺎﺭﺓ‬
‫ﺍﻷﺠﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺭﺍﻜﺒﺔ ‪ :‬ﺍﻝﺒﻠﺩ ﻴﺎﺴﻁﻰ ؟‬ ‫‪ 365‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﻓﻭﻕ‬
‫ﺱ ﻫﺎﻨﻔﻭﺕ ﻋﺎﺍﻝﺠﺎﻤﻌﺔ‬‫ﺤﺴﻥ ‪ :‬ﺒ ‪‬‬ ‫ﻜﺘﻑ ﺍﻝﺭﺍﻜﺒﺔ ﻭﻴﻅﻬﺭ ﻜل ﻤﻥ ﺤﺴﻥ‬
‫ﺍﻷﻭل‬ ‫ﻭﻀﻴﻑ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫ﺍﻝﺭﺍﻜﺒﺔ ‪ :‬ﺯﻯ ﺒﻌﻀﻪ ‪.‬‬ ‫‪. Angle‬‬
‫ﺤﺴﻥ ‪ :‬ﻀﻴﻑ ‪ .‬ﻨﺒﻘﻰ ﻨﺘﻜﻠﻡ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﻭﻀﻭﻉ ﺩﻩ ﺒﻌﺩﻴﻥ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 49‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺍﻝﻤﻁﺎﺭ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻋﻠﻰ ﺤﻘﺎﺌﺏ‬ ‫‪366‬‬
‫ﻓﻭﻕ ﻋﺭﺒﺔ ﺍﻝﺤﻘﺎﺌﺏ ﺜﻡ ﺘﺭﺘﻔﻊ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪High Angle‬‬
‫ﺼﻭﺕ ﺠﻭ ﺍﻝﻤﻁﺎﺭ‬
‫ﻝﺘﻅﻬﺭ ﻭﻓﺎﺀ ﻭﺭﺯﻕ ﺯﻭﺠﻬﺎ ﻴﺠﺭﺍ‬
‫ﺍﻝﻌﺭﺒﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪367‬‬
‫ﺘﺘﺤﺭﻙ ﻝﺘﺴﺘﻌﺭﺽ ﺍﻝﻤﻨﺘﻅﺭﻴﻥ ﻝﻠﻴﺴﺎﺭ‬
‫‪ . Tracking‬ﺜﻡ ﺘﺘﻭﻗﻑ ﻭﺘﻌﻭﺩ‬
‫ﺤﺴﻥ ‪ :‬ﻭﻓﺎﺀ‬
‫ﻝﺤﺴﻥ ﺍﻝﻭﺍﻗﻑ ﺒﻴﻥ ﺍﻝﻤﻨﺘﻅﺭﻴﻥ‬
‫ﻝﻠﻴﻤﻴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻭﻓﺎﺀ ﻤﻥ‬ ‫‪368‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﻓﺎﺀ ‪ :‬ﺤﺴﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﺤﺴﻥ‬ ‫‪369‬‬
‫ﻴﺠﺭﻯ ﺒﻴﻥ ﺍﻝﻨﺎﺱ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Tracking‬ﻝﻠﻴﺴﺎﺭ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻭﻓﺎﺀ ﻤﻥ‬ ‫‪370‬‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻭﻫﻰ ﺘﺠﺭﻯ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tracking‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪371‬‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻭﻓﺎﺀ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻭﻓﺎﺀ ﻭﺴﻁ‬ ‫‪372‬‬
‫ﺍﻝﻤﺴﺎﻓﺭﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻭﺠﻪ‬ ‫‪373‬‬
‫ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﺠﺭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ’ ‪ . M . S‬ﻝﻭﻓﺎﺀ‬ ‫‪374‬‬
‫ﻭﺤﺴﻥ ﻭﻫﻤﺎ ﻴﺤﻀﻨﺎ ﺒﻌﻀﻬﻤﺎ ﺤﺴﻥ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬
‫ﻭﻓﺎﺀ ‪ :‬ﺍﷲ ﻴﺴﻠﻤﻙ ﻴﺎﺨﻭﻴﺎ ‪.‬‬ ‫ﺍﻝﺒﻌﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 50‬‬
‫ﻨﻬﺎﺭ ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻝﻠﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬ ‫‪375‬‬
‫ﻭﻫﻰ ﺘﻤﺭ ﻤﻥ ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﺼﻭﺕ ﺤﺴﻥ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﺭﺯﻕ‬
‫ﻭﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪pan Left‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . close up‬‬ ‫‪376‬‬
‫ﺭﺯﻕ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬
‫ﻝﺭﺯﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪377‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺤﻤﺩ ﷲ ﺃﻫﻰ ﻤﺎﺸﻴﺔ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ ‪ M . S . 3‬ﺭﺯﻕ ‪ :‬ﻤﺎﺸﻔﺘﺵ ﺤﺩ ﻤﻥ ﺸﻠﺔ‬ ‫‪378‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﻅﻬﺭ ﺍﻝﺠﻴﺵ ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺭﺯﻕ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﺴﻥ ‪ :‬ﺃﺒﺩﹰﺍ ﻤﺎﺤﺩﺵ ﺒﻘﻰ ﻓﺎﻀﻰ‬
‫ﻭﻭﻓﺎﺀ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻓﻰ ﺍﻝﻤﻘﻌﺩ ﻴﺎﺭﺯﻕ ‪.‬‬
‫ﺭﺯﻕ ‪ :‬ﻴﺎﺨﻰ ﻭﺤﺸﻭﻨﻰ ﻭﻻﺩ ﺍﻹﻴﻪ‬ ‫ﺍﻝﺨﻠﻔﻰ‬
‫ﺤﺴﻥ ‪ :‬ﺸﻠﺔ ﺍﻝﻘﺭﻭﺍﻨﺔ ‪!.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﺯﻕ ‪ :‬ﻋﺒﺩﺍﷲ ﺍﻝﺼﻔﺘﻰ ﻭﺴﻤﻌﺎﻥ‬
‫ﻭﺴﻼﻤﺔ ﻭﺍﻝﻭﺍﺩ ﺼﺩﻴﻕ ‪ .‬ﻤﺎﺘﻴﺠﻰ‬
‫ﻨﺸﻭﻓﻬﻡ ﻴﺎﺤﺴﻥ ‪.‬‬

‫‪ 379‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﻭﻓﺎﺀ ‪ :‬ﻤﺎﺘﺴﻴﺒﻭﻨﺎ ﻤﻥ ﺫﻜﺭﻴﺎﺘﻜﻭﺍ‬

‫‪ up‬ﻝﻭﻓﺎﺀ ﻤﻥ ﺯﺍﻭﻴﺔ ﺠﺎﻨﺒﻴﺔ ﺩﻯ ‪ .‬ﻭﻗﻭﻝﻰ ﻴﺎﺤﺴﻥ ﺒﺎﺒﺎ ﻋﺎﻤل‬
‫ﺁﻴﻪ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 51‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫‪ 380‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬

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‫ﻴﺎﻭﻓﺎﺀ ‪.‬‬ ‫‪ up‬ﻝﺴﻠﻁﺎﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪381‬‬
‫‪ up‬ﻝﻭﻓﺎﺀ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺭﺯﻕ ﻭﻓﺎﺀ ‪ :‬ﺴﻼﻤﺘﻙ ﻴﺎﺒﺎﺒﺎ ﺃﻝﻑ ﺴﻼﻤﺔ‬
‫ﻭﻻﻴﻬﻤﻙ ‪.‬‬ ‫ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L . S‬‬ ‫‪382‬‬
‫ﻝﻸﺴﺭﺓ ﻭﻓﺎﺀ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺒﺠﻭﺍﺭﻫﺎ ﻭﻓﺎﺀ ‪ :‬ﻤﺎﺤﺩﺵ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ﻴﻘﺩﺭ‬
‫ﺭﺯﻕ ﻭﺴﻠﻁﺎﻥ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﺤﺴﻥ ﻴﺤﺭﻤﻙ ﻤﻥ ﻭﺭﺸﺘﻙ ﻭﺇﺤﻨﺎ‬
‫ﻭﻤﻴﺭﻓﺕ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻋﻭﻨﻰ ﻋﺎﻴﺸﻴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻴﻨﺼﺭ ﺩﻴﻨﻙ ﻴﺎﻭﻓﺎﺀ‬ ‫ﻭﻓﻰ ﺃﻗﺼﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪383‬‬
‫ﺤﺴﻥ ‪ :‬ﺸﻔﺕ ﻴﺎﺒﺎ ﺍﻝﺠﺩﻋﻨﺔ ﺒﺘﺎﻋﺕ‬
‫‪ up‬ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻻﺩﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ . M . L. S‬ﻋﻭﻨﻰ ‪ :‬ﺃﺴﺘﺄﺫﻥ ﺃﻨﺎ ﺒﻘﻰ ‪.‬‬ ‫‪384‬‬
‫ﻤﺜل ﻝﻘﻁﺔ ‪ 382‬ﻭﻴﻘﻑ ﻋﻭﻨﻰ ﺨﺩﻴﺠﺔ ‪ :‬ﻤﺎﺒﺩﺭﻯ ﻴﺎﻋﻭﻨﻰ ‪.‬‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺯﻭﺠﺘﻪ ﺨﺩﻴﺠﺔ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻭﻨﻰ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬
‫ﻴﻤﻴﻨ ﹰﺎ ‪ Pan Right‬ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﺎﺴﺕ ﻭﻓﺎﺀ ‪ ,‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ‬
‫ﺍﻝﺴﻼﻤﺔ ﻴﺎﺴﻰ ﺭﺯﻕ ‪.‬‬ ‫ﺍﻝﺒﺎﺏ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺎﺃﻨﺕ ﻗﺎﻋﺩ ﻴﺎﻋﻭﻨﻰ‬ ‫ﻗﻁﻊ‪Cut‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻋﻭﻨﻰ ‪ :‬ﺍﻝﻭﺍﺤﺩ ﻴﺎﺩﻭﺏ ﻴﺼﻠﻰ‬
‫ﺍﻝﻌﺸﺎ ﻋﺸﺎﻥ ﻴﻨﺎﻡ ‪.‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﺒﻘﻭﻝﻙ ﺁﻴﻪ ‪ .‬ﺃﻨﺎ ﻤﺵ‬
‫ﺠﺎﻴﺔ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺃﻨﺎ ﻫﺎﺒﺎﺕ ﻤﻊ‬
‫ﻭﻓﺎﺀ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺒﺭﺍﺤﺘﻙ ﺴﻼﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬ ‫‪385‬‬
‫ﻤﺜل ﻝﻘﻁﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ high‬ﺴﻠﻁﺎﻥ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬
‫ﻴﺎﻭﻓﺎﺀ ‪ .‬ﺇﺯﻴﻙ ﻴﺎﺭﺯﻕ ‪.‬‬ ‫‪Angle 382‬‬
‫ﺭﺯﻕ ‪ :‬ﺇﺯﻴﻙ ﺃﻨﺕ ﻴﺎﻋﻤﻰ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺒﺴﻭﻁﻴﻥ ﻫﻨﺎﻙ ؟‬
‫ﺤﺴﻥ ‪ :‬ﺇﻻ ﻤﺒﺴﻭﻁﻴﻥ ‪ .‬ﺠﺩﹰﺍ ﻭﻫﻤﺎ‬
‫ﻁﻭل ﺍﻝﺴﻨﺔ ﺘﺤﻭﻴﺵ ﻭﻤﻜﺴﺏ‬
‫ﻭﺘﻼﻗﻴﻬﻡ ﺒﻴﺩﻭﺍ ﺩﺭﻭﺱ ﺨﺼﻭﺼﻴﺔ‬
‫ﺭﺯﻕ ‪ :‬ﻷ ﻝﺴﻪ ﻤﺎﻋﻤﻠﻨﻬﺎﺵ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺇﺸﻤﻌﻨﻰ ﺍﻝﺴﻨﺔ ﺩﻯ ﺍﻝﻠﻰ‬
‫ﺠﻴﺘﻭﺍ ﻓﻰ ﻨﺹ ﺍﻝﺴﻨﺔ ‪ ,‬ﻤﻊ ﺇﻥ‬
‫ﻋﺒﻨﺎﻭل ﻤﺎ ﺠﻴﺘﻭﺵ ﻓﻰ ﺍﻷﺠﺎﺯﺓ‬
‫ﺍﻝﻜﺒﻴﺭﺓ‬
‫ﻭﻓﺎﺀ ‪ :‬ﻋﺸﺎﻥ ﻨﻭﻓﺭ ﻓﻰ‬
‫ﺍﻝﻤﺼﺎﺭﻴﻑ ﻴﺎﺒﺎﺒﺎ ﻝﻜﻥ ﺃﻭل ﻤﺎﻜﻤﻠﻨﺎ‬
‫ﻓﻠﻭﺱ ﺍﻝﺸﻘﺔ ﺠﻴﻨﺎ ﻋﻠﻰ ﻁﻭل ﻗﺒل‬
‫ﻤﺎ ﺍﻝﻔﻠﻭﺱ ﻤﺎ ﺘﻁﻴﺭ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﺘﻁﻴﺭ ﻓﻰ ﺁﻴﻪ ﻫﻨﺎﻙ‬
‫ﺱ ﻴﺎﻭﻓﺎﺀ ‪.‬‬‫ﺒ ‪‬‬
‫ﺕ ﻝﻭ ﻤﻌﺎﻜﻰ ‪50‬‬ ‫ﻭﻓﺎﺀ ‪ :‬ﺃﻭﻭﻩ ﺃﻨ ٍ‬
‫ﺃﻝﻑ ﻭﻓﺘﺤﺘﻰ ﻓﻰ ﺍﻝﺸﺭﺍ ﻤﺵ‬
‫ﻫﺎﻴﻜﻔﻭﻜﻰ ‪.‬‬
‫ﺭﺯﻕ ‪ :‬ﻨﻔﺴﻰ ﻨﺠﻴﺏ ﻓﻴﺩﻴﻭ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺸﻔﺘﻰ ! ﻭﻏﻴﺭﻩ ﻭﻏﻴﺭﻩ ‪.‬‬

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‫ﺃﻨﺎ ﻗﻠﺕ ﻨﻠﺤﻕ ﺍﻝﻘﺭﺸﻴﻥ ﻭﻨﺤﻁﻬﻡ‬

‫ﻓﻰ ﺍﻝﺸﻘﺔ ﻋﺸﺎﻥ ﺃﺨﻠﺹ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻁﻭل ﻋﻤﺭﻙ ﻋﺎﻗﻠﺔ‬
‫ﻴﺎﻭﻓﺎﺀ ﻭﺩﻤﺎﻏﻙ ﻜﺒﻴﺭﺓ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺒﻨﺘﻙ ﻴﺎﺤﺎﺝ ‪.‬‬
‫ﺭﺌﻴﻔﺔ ‪ :‬ﺍﻝﻌﺸﺎ ﺠﺎﻫﺯ ﻴﺎﺠﻤﺎﻋﺔ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻴﺎﻝﻼ ﻋﺸﺎﻥ ﻨﺘﻌﺸﻰ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﻤﺎﻤﺎ ﻭﺤﺸﺎﻨﻰ‬
‫ﻤﻭﺕ ‪.‬‬
‫ﺭﺌﻴﻔﺔ ‪ :‬ﺃﻨﺘﻰ ﺍﻝﻠﻰ ﻭﺤﺸﺎﻨﻰ ‪ .‬ﻜﺩﻩ‬
‫ﺒﺭﻀﻪ ﺘﻐﻴﺒﻰ ﺍﻷﻴﺎﻡ ﺩﻯ ﻜﻠﻬﺎ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻜﺎﻨﺕ ﺒﺘﺤﻭﺵ ‪ .‬ﻗﻭﻝﻴﻠﻰ‬
‫ﺠﺒﺘﻴﻠﻰ ﺁﻴﻪ ؟‬
‫ﺱ‬
‫ﻭﻓﺎﺀ ‪ :‬ﺤﺎﺠﺎﺕ ﻜﺘﻴﺭ ﻗﻭﻯ ﺒ ‪‬‬
‫ﻭﻴﻘﻑ ﺍﻝﺠﻤﻴﻊ ﻭﻴﺘﺤﺭﻜﻭﺍ ﻨﺤﻭ ﺍﻝﻌﻤﻕ ﺃﻨﺘﻰ ﻜﺒﺭﺘﻰ ﻗﻭﻯ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻁﺏ ﻴﺎﻝﻼ ﻨﻔﺘﺢ ﺍﻝﺸﻨﻁ ‪.‬‬
‫ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Tracking‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺃﺒﻠﻊ ﺭﻴﻘﻰ ﺍﻷﻭل ﺍﻝﺩﻨﻴﺎ‬
‫ﻭﺘﻘﻑ ﺃﻤﺎﻡ ﺭﺌﻴﻔﺔ ﻭﻓﺎﺀ ‪.‬ﻭﺘﺄﺘﻰ‬
‫ﻤﺎﻁﺎﺭﺘﺵ ‪ .‬ﻗﻭﻝﻴﻠﻰ ﻴﺎﻤﺎﻤﺎ ﺁﻴﻪ‬
‫ﻜﻭﺜﺭ ﻤﻥ ﺍﻝﻌﻤﻕ ﻝﺘﻘﻑ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ‬
‫ﺍﻝﻠﻰ ﺤﺼل ﺒﺎﻝﻅﺒﻁ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 51‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﻠﻌﺩﺍﺩ ﻭﻴﺩ‬ ‫‪386‬‬
‫ﺼﻭﺕ ﺍﻝﻌﺩﺍﺩ‬ ‫ﺤﺴﻥ ﺘﻤﺘﺩ ﻝﺘﻐﻴﺭﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺭﺯﻕ ‪ :‬ﺃﻤﺎل ﻫﺎﻨﻰ ﻓﻴﻥ ﻴﺎﺃﺒﻭﻋﻠﻰ‬ ‫‪387‬‬
‫ﻨﺴﻴﺕ ﺃﺴﺄﻝﻜﻡ ﻋﻠﻴﻪ ‪.‬‬ ‫‪ up‬ﻝﺭﺯﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪388‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺴﺄل ﺍﻝﻤﺩﺍﻡ ‪.‬‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪389‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﺍﻝﺨﻠﻔﻰ ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ !‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ ‪ . M.S. 3‬ﺤﺴﻥ ‪ :‬ﻗﺎل ﺁﻴﻪ ﻴﺎﺴﻴﺩﻯ ﻤﻴﺭﻓﺕ‬ ‫‪390‬‬
‫ﻤﺵ ﻓﺎﻀﻴﺔ ﻝﻪ ‪ .‬ﺒﺎﺸﻭﻓﻪ ﻤﺭﺓ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﺴﺒﻭﻉ ‪ .‬ﺯﻯ ﺍﻝﺨﻭﺍﺠﺎﺕ ﺃﻭﺍﻤﺭ‬
‫ﺍﻝﺴﺕ ﻤﺎﻤﺎ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﻭ ﺃﻨﺕ ﻜل ﺤﺎﺠﺔ ﻻﺯﻡ‬
‫ﺘﻘﻭل ﻤﺎﻤﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﻫﻰ ﺤﺎﺠﺔ ﺘﺠﻨﻥ ‪ .‬ﺤﺩ‬
‫ﻴﻘﻭل ﻜﺩﻩ ‪.‬‬
‫ﺭﺯﻕ ‪ :‬ﻫﻰ ﺍﻝﺤﻜﺎﻴﺔ ﺁﻴﻪ ﺩﻝﻭﻗﺘﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻤﺩﺍﻡ ﻋﺎﻴﺯﺓ ﺘﺎﺨﺩ‬
‫ﺍﻝﻠﻴﺴﺎﻨﺱ ﻤﻥ ﺠﺩﻴﺩ ‪.‬‬
‫ﺭﺯﻕ ‪ :‬ﺒﺘﺫﺍﻜﺭﻯ ﻴﺎﻤﻴﺭﻓﺕ ؟‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺒﺄﻋﻤل ﻜﻭﺭﺴﺎﺕ‬
‫ﺇﻨﺠﻠﻴﺯﻯ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close‬ﺤﺴﻥ ‪ :‬ﻤﺵ ﺒﺄﻗﻭﻝﻙ ﺒﻌﺩ ﻤﺎﺸﺎﺏ‬ ‫‪391‬‬
‫‪ up‬ﻝﺤﺴﻥ ﺒﺭﻭﻓﻴل ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺩﻭﻩ ﺍﻝﻜﺘﺎﺏ ﻭﻜﻠﻪ ﻴﻴﺠﻰ ﻋﻠﻰ‬

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‫ﺩﻤﺎﻏﻰ ﺃﺘﺤﺭﻡ ﻤﻥ ﺃﺒﻨﻰ ﻭﻤﻥ ﻝﻘﻤﺔ‬

‫ﺴﺨﻨﺔ ﺃﻜﻠﻬﺎ ﻓﻰ ﺒﻴﺘﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪392‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺘﻬﻴﺄﻝﻰ ﻤﺵ ﻤﻥ ﺍﻝﺫﻭﻕ‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﺇﻨﻙ ﺘﺘﻜﻠﻡ ﺒﺎﻝﻁﺭﻴﻘﺔ ﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺁﻩ ﻤﺎ ﺃﺤﻨﺎ ﺒﻘﻴﻨﺎ ﺤﺎﺠﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪393‬‬
‫ﺘﺎﻨﻴﺔ ‪ .‬ﻤﻌﻠﺵ ﺃﺴﻑ ﻴﺎﻤﺩﺍﻡ‬ ‫‪ up‬ﻝﺤﺴﻥ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﻴﺭﻓﺕ‬
‫‪sorry‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬ ‫‪394‬‬
‫ﺭﺯﻕ ‪ :‬ﺠﺭﻯ ﺁﻴﻪ ﻴﺎﺠﻤﺎﻋﺔ‬
‫‪ up‬ﻝﺭﺯﻕ‬
‫ﻤﺘﺼﻠﻭﺍ ﻋﻠﻰ ﺍﻝﻨﺒﻰ ﺃﻤﺎل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺴﻴﺎﺭﺓ ﻤﻥ‬ ‫‪395‬‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﺭﺯﻕ ‪ :‬ﺘﺼﺒﺤﻭﺍ ﻋﻠﻰ ﺨﻴﺭ ‪.‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ ﻭﺼﻭﺕ‬ ‫ﻭﻴﻨﺯل ﺭﺯﻕ ﻤﻥ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﻔﺘﺢ‬
‫ﺤﺴﻥ ‪ :‬ﻭﺃﻨﺕ ﻤﻥ ﺃﻫﻠﻪ‬
‫ﺩﻭﺭﺍﻥ ﺍﻝﻤﺤﺭﻙ‬ ‫ﺍﻝﺒﺎﺏ ﺍﻝﺨﻠﻔﻰ ﻭﻴﺄﺨﺫ ﺍﻝﺤﻘﻴﺒﺔ‬
‫ﺭﺯﻕ ‪ :‬ﺭﻭ‪‬ﻗﻭﺍ ﻜﺩﻩ ﻭﺒﻼﺵ ﺩﻝﻊ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 396‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬

‫‪ up‬ﻝﺤﺴﻥ ﻴﻠﺘﻔﺕ ﻝﻠﻭﺭﺍﺀ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 397‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 398‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺴﻴﺎﺭﺓ ﻤﻥ‬
‫ﺍﻝﺨﺎﺭﺝ ﻤﻥ ﺍﻝﺨﻠﻑ ﻭﻴﻅﺭ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻤﻔﺘﻭﺡ ﻭﻴﻤﺩ ﻴﺩﻩ ﻝﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺍﻝﺨﻠﻔﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 399‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﺴﻴﺎﺭﺓ ﻭﻫﻰ‬
‫ﺼﻭﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺕ ﺇﺯﺍﻯ ﺘﻜﻠﻤﻨﻰ‬
‫ﺘﺘﺤﺭﻙ‬
‫ﺒﺎﻝﺸﻜل ﺩﻩ ﻗﺩﺍﻡ ﻭﺍﺤﺩ ﻏﺭﻴﺏ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 52‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﺴﻥ‬
‫‪ 400‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺤﺴﻥ ﻴﺩﺨل ﺤﺴﻥ ‪ :‬ﺃﻭ ﹰﻻ ﺭﺯﻕ ﻤﺵ ﻏﺭﻴﺏ ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪ Pan‬ﻭﺒﻌﺩﻴﻥ ﺩﻯ ﺒﻘﻰ ﻝﻬﺠﺘﻰ ﻁﻭل‬
‫ﻋﻤﺭﻯ ﺁﻴﻪ ﻤﺎﺒﻘﺘﻴﺵ ﺘﺴﺘﺤﻤﻠﻴﻬﺎ‬ ‫‪Right‬‬
‫ﺨﻼﺹ ‪ .‬ﻭﻻ ﺍﻝﻜﻠﻤﺘﻴﻥ ﺍﻹﻨﺠﻠﻴﺯﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻠﻰ ﺒﺘﺘﻌﻠﻤﻴﻬﻡ ﻫﺎﻴﺨﻠﻭﻜﻰ‬
‫ﺘﺘﻘﻨﺯﺤﻰ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺕ ﻋﺎﻴﺯﻨﻰ ﺃﻓﻀل‬
‫ﺠﺎﻫﻠﺔ ﻁﻭل ﻋﻤﺭﻯ ‪ .‬ﻤﺵ ﻋﺎﻭﺯ‬
‫ﻴﺒﻘﻰ ﻝﻰ ﺸﺨﺼﻴﺔ‬
‫ﺤﺴﻥ ‪ :‬ﻋﺎﻭﺯﻙ ﺘﺘﻠﻔﺘﻰ ﻝﺒﻴﺘﻙ‬
‫ﻭﻷﺒﻨﻙ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺃﻨﺕ ﻨﺎﻗﺼﻙ ﺁﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻨﺎﻗﺼﻨﻰ ﺍﻨﺘﻰ ﺍﻝﻠﻰ‬
‫ﻨﺎﻗﺼﺎﻨﻰ ‪ .‬ﻨﺎﻗﺼﻨﻰ ﻤﻴﺭﻓﺕ ﺍﻝﻠﻰ‬
‫ﻜﺎﻨﺕ ﺒﺘﺭﻋﺎﻨﻰ ﻭﺒﺘﺤﺒﻨﻰ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺕ ﺒﺘﻐﺎﻝﻁﻨﻰ ﻭﻻ ﺒﺘﻐﺎﻝﻁ‬

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‫ﻨﻔﺴﻙ ‪.‬ﻫﻭ ﺃﻨﺕ ﺃﻤﺘﻰ ﺒﺘﺸﻭﻓﻰ ﻭﻻ‬

‫ﺒﺘﺸﻭﻑ ﺇﺒﻨﻙ ‪ .‬ﺃﻨﺕ ﺒﺘﺨﺭﺝ ﻭﺇﺤﻨﺎ‬
‫ﻨﺎﻴﻤﻴﻥ ﻭﺒﺘﺭﺠﻊ ﻭﺇﺤﻨﺎ ﻨﺎﻴﻤﻴﻥ‬
‫‪ 401‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺤﺴﻥ ‪ :‬ﻭﺩﻩ ﻜﻠﻪ ﻋﺸﺎﻥ ﻤﻴﻥ ؟‬
‫‪ up‬ﻝﺤﺴﻥ ‪.‬‬
‫ﻤﺵ ﻋﺸﺎﻨﻜﻭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻻ ﻴﺎﺴﻰ ﺤﺴﻥ ﻋﺸﺎﻥ‬ ‫‪ 402‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫ﺃﻫﻠﻙ ﺩﻩ ﺤﺘﻰ ﺍﻝﺘﺎﻜﺴﻰ ﺍﻝﻠﻰ‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﺘﻠﺘﻔﺕ ﻭﺘﻨﻅﺭ ﻨﺎﺤﻴﺔ‬
‫ﺠﺎﻴﺒﻴﻨﻭﺍ ﻋﺸﺎﻥ ﻨﺤﺴﻥ ﻤﺴﺘﻭﺍﻨﺎ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﻤﺴﺘﻌﻤﻠﻪ ﻋﺸﺎﻥ ﺃﻫﻠﻙ ﻤﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﻭﺭﺴﻌﻴﺩ ﻭﻤﺭﺓ ﺩﻤﻴﺎﻁ ﻭﻤﺭﺓ‬
‫ﺍﻝﻤﻁﺎﺭ ‪ .‬ﻭﻜل ﻴﻭﻡ ﻭﺍﻝﺘﺎﻨﻰ ﻓﻰ‬
‫ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪. M. L‬‬ ‫‪403‬‬
‫ﻝﺤﺴﻥ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﺼﻭﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺍﷲ ﺃﻋﻠﻡ ﻓﻴﻪ ﺁﻴﻪ‬
‫‪ Left‬ﺤﺘﻰ ﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺘﺎﻨﻰ ‪.‬‬
‫ﻤﺘﻭﺴﻁﺔ ‪ . . M. S‬ﻭﻴﻐﻠﻕ ﻤﻔﺘﺎﺡ ﺤﺴﻥ ‪ :‬ﻁﺏ ﻨﺎﻤﻰ ‪ .‬ﺃﻨﺎ ﺘﻌﺒﺎﻥ‬
‫ﻭﻋﻨﺩﻯ ﺸﻐل ﻤﻥ ﺒﺩﺭﻯ ‪.‬‬ ‫ﺍﻷﻀﺎﺀﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﻝﻤﻴﺭﻓﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻭﻋﻰ ﺘﻜﻭﻥ ﻓﺎﻜﺭ ﺍﻝﻠﻰ‬ ‫‪404‬‬
‫ﻭﻫﻰ ﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻫﻰ ﺘﻀﻰﺀ ﺃﻨﺕ ﺒﺘﻌﻤﻠﻪ ﺩﻩ ﺃﺴﻤﻪ ﺸﻐل ‪ .‬ﺩﻩ‬
‫ﺍﻝﻤﻔﺘﺎﺡ ﻭﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻯ ﻋﻴل ﺼﻐﻴﺭ ﺒﻴﻜﺴﺏ ﺍﻝﻠﻰ‬
‫ﺒﺘﻜﺴﺒﻪ ﻋﺸﺭ ﻤﺭﺍﺕ ‪ .‬ﺘﻘﺩﺭ‬ ‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬
‫ﺘﻔﻬﻤﻨﻰ ﺇﻴﺭﺍﺩ ﺍﻝﺘﺎﻜﺴﻰ ﺒﻴﺭﻭﺡ‬ ‫‪Camera‬‬
‫ﻓﻴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬ ‫‪405‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﺤﺴﻥ ‪ :‬ﺃﺩﻴﻨﻰ ﻫﺎﺃﺒﻴﻌﻪ ﻋﺸﺎﻥ‬
‫ﻝﺤﺴﻥ ﻨﺎﺌﻡ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻭﻴﻐﻁﻰ‬
‫ﺘﺴﺘﺭﻴﺤﻰ‬
‫ﺭﺃﺴﻪ ﺍﻝﻐﻁﺎﺀ‬
‫ﻗﻁﻊ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻤﻴﺭﻓﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﺁﻴﻪ ﻭﺩﻴﻨﻰ ﻤﺎﺘﻘﺩﺭ‬ ‫‪406‬‬
‫ﺍﻝﺘﺎﻜﺴﻰ ﺩﻩ ﺒﺘﺎﻋﻰ ﺠﻪ ؟ﺃﻨﺎ ﺍﻝﻠﻰ‬ ‫ﺘﺭﻓﻊ ﺍﻝﻐﻁﺎﺀ ﻋﻥ ﺤﺴﻥ‬
‫ﺼﻭﺕ ﻤﻔﺘﺎﺡ ﺍﻹﻀﺎﺀﺓ‬
‫ﺩﺍﻓﻌﺔ ﻝﻙ ﻓﻠﻭﺴﻪ ﻤﻥ ﺍﻝﺼﻴﻐﺔ ﺍﻝﻠﻰ‬
‫ﺠﺎﻴﺒﺎﻫﺎﻝﻰ ﻤﺎﻤﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﺤﺴﻥ ﻭﻫﻭ ﺤﺴﻥ ‪ :‬ﺃﻭﻋﻰ‬ ‫‪407‬‬
‫ﻴﻐﻠﻕ ﺍﻹﻀﺎﺀﺓ ﺜﻡ ﺘﺄﺘﻰ ﻤﻴﺭﻓﺕ ﻝﺘﻘﻑ ﻤﻴﺭﻓﺕ ‪ :‬ﻻ ﻴﺎﺴﻰ ﺤﺴﻥ ﻤﺎﻓﻴﺵ‬
‫ﻨﻭﻡ ﺇﻻ ﻝﻤﺎ ﺃﻋﺭﻑ ﺃﻨﺕ ﻨﺎﻭﻯ ﻋﻠﻰ‬ ‫ﺃﻤﺎﻤﻪ‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻴﻤﻴﻨﹰﺎ ﺍﻝﻰ ﺍﻝﺴﺭﻴﺭ ﺁﻴﻪ‬
‫ﻭﺘﺄﺘﻰ ﻤﻴﺭﻓﺕ ﻭﻴﻤﺴﻜﻬﺎ ﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺒﻘﻭﻝﻙ ﻨﺎﻤﻰ ﻭﺇﻻ ﺃﻜﺴﺭ ﻝﻙ‬
‫ﺭﺍﺴﻙ ﻝﻭ ﻤﺎﻨﻤﺘﻴﺵ ‪.‬‬ ‫ﻴﺼﻔﻌﻬﺎ ﻋﻠﻰ ﻭﺠﻬﻬﺎ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺍﷲ ﻤﺎﺘﻘﺩﺭ ﺘﻤﺱ ﺸﻌﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻥ ﺸﻌﺭ ﺭﺍﺴﻰ‬
‫ﺤﺴﻥ ‪ :‬ﻤﻤﻜﻥ ﺘﻨﺎﻤﻰ ﺒﻘﻰ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻷ ﻤﺵ ﻫﺎﺃﻨﺎﻡ ﺇﻻ ﻝﻤﺎ‬
‫ﺃﻋﺭﻑ ﺃﻨﺕ ﻨﺎﻭﻯ ﻋﻠﻰ ﺁﻴﻪ !‬
‫ﺤﺴﻥ ‪ :‬ﻷ ﻫﺎﺘﻨﺎﻤﻰ ‪.‬‬
‫ﺼﻭﺕ ﺍﻝﺼﻔﻌﺔ‬
‫ﻤﺸﻬﺩ ) ‪( 53‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻭﺭﺸﺔ‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻌﻭﻨﻰ ﻴﺠﻠﺱ‬ ‫‪408‬‬

‫ﺩﺍﺨل ﺍﻝﻭﺭﺸﺔ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪Pan Right‬‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ ﻭﺍﻝﻌﻤﺎل‬
‫ﻝﺘﺼل ﺍﻝﻰ ﺤﺴﻥ ﺍﻝﺠﺎﻝﺱ ﻭﻅﻬﺭﻩ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪409‬‬
‫‪ up‬ﻝﻌﻭﻨﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺜﻡ‬
‫ﻼ‬
‫ﻴﺭﻓﻊ ﺭﺃﺴﻪ ﻷﻋﻠﻰ ﻗﻠﻴ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪410‬‬
‫ﻝﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺭﺯﻕ ﻤﻥ‬
‫ﺭﺯﻕ ‪ :‬ﺃﻨﺕ ﻫﻨﺎ ﻭﺃﻨﺎ ﻗﻠﺒﺕ ﻋﻠﻴﻙ‬
‫ﺍﻝﺒﺎﺏ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭ‬
‫ﺍﻝﺩﻨﻴﺎ ‪ .‬ﻤﺎﺭﺤﺘﺵ ﺍﻝﺸﻐل ﻝﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ .‬ﻭﻴﻬﻡ ﺤﺴﻥ ﺒﺎﻝﻭﻗﻭﻑ ‪ .‬ﺜﻡ‬
‫ﺤﺴﻥ ‪ :‬ﻤﺘﻀﺎﻴﻕ ‪.‬‬
‫ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭ ﻴﺨﺭﺝ ﻓﻰ‬
‫ﺭﺯﻕ ‪ :‬ﻤﺎﺘﻴﺠﻰ ﻨﺨﺭﺝ ﺸﻭﻴﺔ ؟‬
‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﻰ ﻋﻤﻕ‬
‫ﺤﺴﻥ ‪ :‬ﻴﺎﺭﻴﺕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﺭﺯﻕ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . close up‬‬ ‫‪411‬‬
‫ﻝﻌﻭﻨﻰ ﻴﻨﻅﺭ ﺒﻐﻴﻅ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻴﻤﺴﺢ ﺫﻗﻨﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 54‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻗﺎﻋﺔ ﻤﺤﻜﻤﺔ‬
‫‪ 412‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻋﺒﺩﺍﷲ ﻴﻘﻑ ﻋﺒﺩ ﺍﷲ ‪ :‬ﻭﺍﻝﻨﻴﺎﺒﺔ ﻓﻰ ﻫﺫﻩ‬
‫ﻋﻠﻰ ﺍﻝﻤﻨﺼﺔ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺍﻝﻘﻀﻴﺔ ‪ .‬ﺇﺫ ﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﻠﻑ ﻓﻰ ﺤﺭﻜﺔ ﺍﻝﻤﺠﺭﻡ ﺍﻝﺤﻘﻴﻘﻰ ‪ .‬ﻤﻘﺩﻤﺔ ﺍﻷﺩﻝﺔ‬
‫ﺩﺍﺌﺭﻴﺔ ‪ Tracking‬ﻭﻴﻅﻬﺭ ﺍﻝﻘﻀﺎﺓ ﻭﺍﻝﺒﺭﺍﻫﻴﻥ ﻋﻠﻰ ﺒﺭﺍﺀﺓ ﺫﻝﻙ‬
‫ﻭﺍﻝﺠﻤﻬﻭﺭ ﻭﻴﺼﺒﺤﻭﺍ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺍﻝﻤﺴﻜﻴﻥ ‪ .‬ﺍﻝﻤﺎﺜل ﺃﻤﺎﻡ ﻋﺩﺍﻝﺘﻜﻡ‬
‫ﻜﺒﻴﺭﺓ ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﻭﺭﺯﻕ ﻭﻅﻬﺭﻫﻤﺎ ﻭﺍﻝﺫﻯ ﻝﻡ ﻴﻜﻥ ﺴﻭﻯ ﻜﺒﺵ ﻓﺩﺍﺀ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺼﻔﻘﺎ ﻭﻴﻨﻅﺭﺍ ﻝﺒﻌﻀﻬﻤﺎ ﻝﻤﺠﺭﻡ ﺨﻁﻴﺭ ﻭﺃﻋﺘﻰ ﺨﻁﻭﺭﺓ ‪.‬‬
‫ﺍﻝﺒﻌﺽ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt‬ﻤﺎﺯﺍل ﺤﺭﹰﺍ ﻁﻠﻴﻘ ﹰﺎ ‪ .‬ﻭﻝﻬﺫﺍ ﻓﺎﻝﻨﻴﺎﺒﺔ‬
‫‪ up‬ﻝﺘﺘﺎﺒﻌﻬﻤﺎ ﻭﻫﻤﺎ ﻴﻘﻔﺎ ﻭﻴﺨﺭﺠﺎ ﺘﻁﺎﻝﺏ ﻋﺩﺍﻝﺘﻜﻡ ﺒﺈﻋﺎﺩﺓ ﻓﺘﺢ ﻤﻠﻑ‬
‫ﺍﻝﻘﻀﻴﺔ ﻭﺇﻋﺎﺩﺓ ﺇﺴﺘﺠﻭﺍﺏ ﺸﻬﻭﺩ‬ ‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﺍﻹﺜﺒﺎﺕ ﻭﺍﻝﻨﻔﻰ ﻋﻠﻰ ﻀﻭﺀ ﻤﺫﻜﺭﺓ‬
‫ﺍﻝﻨﻴﺎﺒﺔ ﺍﻝﻤﻘﺩﻤﺔ ﻓﻰ ﻫﺫﺍ ﺍﻝﺸﺄﻥ ‪,‬‬
‫ﺼﻭﺕ ﺍﻝﺘﺼﻔﻴﻕ‬ ‫ﻜﻤﺎ ﺘﻁﻠﺏ ﺇﻁﻼﻕ ﺴﺭﺍﺡ ﻫﺫﺍ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﺘﻬﻡ ﺒﻀﻤﺎﻥ ﻤﺤل ﻭﻅﻴﻔﺘﻪ ‪.‬‬
‫ﻭﺸﻜﺭﹰﺍ‬
‫ﻤﺸﻬﺩ ) ‪( 55‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺒﻬﻭ ﺍﻝﻤﺤﻜﻤﺔ‬
‫‪ 413‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻌﺒﺩ ﺍﷲ‬
‫ﻴﺨﺭﺝ ﻤﻥ ﺃﺤﺩ ﺍﻷﺒﻭﺍﺏ ﻭﻴﺘﺤﺭﻙ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﺤﺴﻥ ‪ :‬ﻓﻰ ﺍﻝﺼﻑ ﻴﺎﻋﺴﻜﺭﻯ ﻤﻨﻙ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫‪ Right‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻴﺴﺎﺭﹰﺍ ﻭﻴﺘﺤﺭﻙ ﻝﻪ ‪.‬‬
‫ﻴﺴﺎﺭﹰﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 414‬ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬
‫ﻝﺤﺴﻥ ﻭﺭﺯﻕ ﻭﻴﺩﺨل ﻋﺒﺩﺍﷲ ﻓﻰ ﻋﺒﺩﺍﷲ ‪ :‬ﻤﻴﻥ ﺸﻠﺔ ﺍﻝﻘﺭﻭﺍﻨﺔ ؟‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺤﻀﻨﻬﻤﺎ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 56‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺃﺤﺩ ﺍﻝﻤﻁﺎﻋﻡ‬
‫‪ 415‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻠﺜﻼﺜﺔ ﺃﻤﺎﻡ‬
‫ﺇﺤﺩﻯ ﺍﻝﻤﻭﺍﺌﺩ ﻓﻰ ﺍﻝﻤﻁﻌﻡ ﻭﻴﻨﻅﺭﺍ ﻓﻰ ﺭﺯﻕ ‪ :‬ﻝﻭ ﺴﻤﺤﺕ ﻴﺎﻤﺘﺭ‬
‫ﺼﻤﻭﺌﻴل ‪ :‬ﻤﻴﻥ ! ﺍﻝﻘﺭﺍﻭﻨﺔ‬ ‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 57‬‬
‫ﻝﻴل‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻸﺭﺒﻌﺔ ﻓﻰ ﻋﺒﺩﺍﷲ ‪ :‬ﻫﺎﺘﺘﻌﺸﻭﺍ ﻓﻴﻥ ﻴﺎﻁﻠﺒﺔ‬ ‫‪416‬‬
‫ﺼﻤﻭﻴل ‪ :‬ﺃﻨﺎ ﻤﺘﻌﻭﺩ ﺃﻜل ﻓﻰ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﺍﻝﺸﻴﺭﺍﺘﻭﻥ ﻭﺍﻝﻬﻴﻠﺘﻭﻥ ﺸﺒﺭﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻴﺭﻴﺩﻴﻥ ‪ .‬ﺁﻴﻪ ﺭﺃﻴﻙ ﻴﺎﺃﺒﻭ ﻋﻠﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺃﻅﻨﺵ ﻫﺎﻨﺎﺨﺩ ﺭﺍﺤﺘﻨﺎ‬
‫ﻓﻰ ﺍﻷﻤﺎﻜﻥ ﺩﻯ‬
‫ﻋﺒﺩﺍﷲ ‪ :‬ﺒﺭﺍﻓﻭ ﻋﻠﻴﻙ ﻴﺎﺃﺒﻭ ﻋﻠﻰ‬
‫ﺃﻨﺎ ﻜﻨﺕ ﺨﺎﻴﻑ ﻻ ﺘﻭﺍﻓﻕ ‪.‬‬
‫ﺼﻤﻭﻴل ‪ :‬ﺃﻨﺕ ﻤﺵ ﺒﻘﻴﺕ ﻭﻜﻴل‬
‫ﻨﻴﺎﺒﺔ ﻗﺩ ﺍﻝﺩﻨﻴﺎ ﻤﺎﺘﺤل ﺍﻝﻜﻴﺱ ﺒﻘﻰ‬
‫ﻴﺎﺃﺨﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺭﺯﻕ ‪ :‬ﺃﻨﺎ ﻫﺎﺃﻗﻭﻝﻜﻭﺍ ﻋﻠﻰ ﺃﻜﻠﺔ‬ ‫‪417‬‬
‫‪ Up‬ﻝﺭﺯﻕ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻜﺎﻥ ﻨﻔﺴﻰ ﻓﻴﻬﺎ ﻤﻥ ﺯﻤﺎﻥ ‪ .‬ﺁﻴﻪ‬
‫ﺭﺃﻴﻜﻭﺍ ﻨﺎﻜل ﻜﻭﺍﺭﻉ ﻓﻰ ﺍﻝﺤﺴﻴﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺒﺩﺍﷲ ‪ :‬ﻴﺎﺴﻼﻡ ﻴﺎﺭﺯﻕ ﺃﺼﻴل‬
‫ﻁﻭل ﻋﻤﺭﻙ ﻴﺎﻝﻼ ﺒﻴﻨﺎ ﻋﺎ ﺍﻝﺤﺴﻴﻥ‬
‫ﻴﺎﺃﺒﻭﻋﻠﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺤﺴﻥ‬ ‫‪418‬‬
‫ﺤﺴﻥ ‪ :‬ﻝﻜﻥ ﻗﻭﻝﻰ ﺃﻴﻪ ﺍﻝﻠﻰ ﺠﺎﺏ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺎﺭﺝ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺤﺴﻥ ﻓﻰ‬
‫ﺍﻝﻔﻨﻭﻥ ﺍﻝﺠﻤﻴﻠﺔ ﻭﺍﻝﺭﺴﻡ ﻝﺸﻐﻼﻨﺔ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﺠﺭﺴﻭﻥ ﻴﺎﻋﻡ ﺼﻤﻭﻴل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺭﺯﻕ ﻴﺴﺎﺭ ﺼﻤﻭﺌﻴل ‪ :‬ﻴﺎﺴﻼﻡ ﺃﻨﺕ ﺠﺎﻯ ﺘﺴﺄل‬ ‫‪419‬‬
‫ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺩﻝﻭﻗﺕ ﺃﻫﻭ ﻜﻠﻪ ﺭﺴﻡ ﻓﻰ ﺭﺴﻡ‬
‫ﻭﺼﻤﻭﺌﻴل ﻓﻰ ﺍﻝﻌﻤﻕ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻴﺎﺃﺒﻭﻋﻠﻰ ‪ .‬ﻤﺎﺘﺴﻤﻌﻭﻨﺎ ﺤﺎﺠﺔ‬
‫ﺤﻠﻭﺓ ﺃﻤﺎل ﻭ ﹶﻻ ﻏﺎﻭﻴﻴﻥ ﺘﻐﻤﻭﻨﺎ‬ ‫ﻜﺎﺩﺭ‬
‫ﻋﺎﻝﻤﺴﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close‬‬ ‫‪420‬‬
‫‪ up‬ﻝﻴﺩ ﺤﺴﻥ ﺘﻤﺘﺩ ﻝﺘﺩﻴﺭ ﺍﻝﻜﺎﺴﻴﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﺠﺩﹰﺍ ‪Extremely L.‬‬ ‫‪421‬‬
‫‪S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺃﻏﻨﻴﺔ‬
‫ﻝﻠﺴﻴﺎﺭﺓ ﺘﺄﺘﻰ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ‬
‫ﻋﺒﺩ ﺍﻝﺤﻠﻴﻡ ﻴﺎﻗﻠﺒﻰ ﺨﺒﻰ‬
‫ﺍﻝﻴﻤﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 58‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺃﺤﺩ ﻤﻁﺎﻋﻡ ﺍﻝﺤﺴﻴﻥ‬
‫‪ 422‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﻤﺠﻤﻭﻋﺔ‬
‫ﻴﺘﻨﺎﻭﻝﻭﺍ ﻁﻌﺎﻡ ﺍﻝﻌﺸﺎﺀ ﻭﻴﺄﻜﻠﻭﻥ ﻴﺴﺎﺭ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬ ‫ﻜﺎﺩﺭ ﻭﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻷﺸﺨﺎﺹ ﻓﻰ‬
‫ﺍﻝﻤﻁﻌﻡ ﺤﻭل ﺍﻝﻤﻭﺍﺌﺩ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 59‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﺤل ﺤﻠﻭﻴﺎﺕ ﻓﻰ‬
‫ﺍﻝﺤﺴﻴﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬ ‫‪423‬‬
‫ﻝﻠﺤﻠﻭﻯ ﺩﺍﺨل ﺜﻼﺠﺔ ﻭﺘﺘﺭﺘﻔﻊ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt Up‬ﻝﻴﻅﻬﺭ‬
‫ﺍﻝﻤﺠﻤﻭﻋﺔ ﻭﻫﻡ ﻴﺘﻨﺎﻭﻝﻭﺍ ﺍﻝﺤﻠﻭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 60‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺸﺎﺭﻉ ﺍﻝﻬﺭﻡ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻠﺴﻴﺎﺭﺓ ﺘﺄﺘﻰ‬ ‫‪424‬‬
‫ﻤﻥ ﻴﺴﺎﺭ ﻭﺘﻌﺒﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻴﻤﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺸﺎﺭﻉ ﻭﺘﻅﻬﺭ‬ ‫‪425‬‬
‫ﺍﻷﻫﺭﺍﻤﺎﺕ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﻭﻗﻑ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻷﺒﻭﺍﺏ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﻨﺯل ﺍﻝﻤﺠﻤﻭﻋﺔ ﻤﻥ‬
‫ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﻘﻤﺭ ﻤﻥ‬ ‫‪426‬‬
‫ﺼﻭﺕ ﺼﻤﻭﺌﻴل ‪ :‬ﻫﻰ ﺍﻝﻠﻴﻠﺔ ﺩﻯ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻝﻴﻠﺔ ‪ 14‬ﻭ ﹰﻻ ﺁﻴﻪ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺯﻤﺎﻥ ﻝﻤﺎ ﻜﻨﺎ ﻨﺸﻭﻓﻪ ﻜﺩﻩ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻠﺠﻤﻴﻊ ﻴﻠﺘﻔﻭﻥ‬ ‫‪427‬‬
‫ﻜﻨﺎ ﻨﻘﻭﻝﻪ ﻓﻰ ﺴﺭﻨﺎ ﻴﺠﻌل ﻨﻭﺭﻙ‬ ‫ﺤﻭل ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺘﺤﺭﻙ ﺤﺴﻥ ﺤﻭل‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﻓﻰ ﻋﻨﻴﻨﺎ ﻭﺼﻤﺘﻙ ﺘﺤﺕ ﺭﺠﻠﻴﻨﺎ ‪.‬‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺠﻠﺱ ﻓﻭﻕ ﺍﻝﻤﻘﺩﻤﺔ‬
‫ﺒﻼﺩﻯ ﺒﻼﺩﻯ‬
‫ﻋﺒﺩﺍﷲ ‪ :‬ﻜل ﺤﺎﺠﺔ ﻜﺎﻨﺕ ﺯﻤﺎﻥ‬ ‫ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫) ‪(7‬‬
‫ﺭﺯﻕ ‪ :‬ﺒﻴﻔﻜﺭﻨﻰ ﺒﻠﻴﺎﻝﻰ ﺍﻹﻨﺘﻅﺎﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻁﻭﻴﻠﺔ ﻗﺒل ‪ 73‬ﻓﺎﻜﺭﻴﻨﻬﺎ ؟‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪428‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻝﻠﻘﻤﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪429‬‬
‫ﻝﺼﻤﻭﺌﻴل ﻴﺘﺤﺭﻙ ﻝﻠﻴﺴﺎﺭ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt Down‬ﻭﻫﻭ ﻴﻨﺯل‬
‫ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻴﺠﻠﺱ ‪.‬ﻴﺨﻁ ﺍﻷﺭﺽ‬
‫ﺒﺤﺠﺭ ﻓﻰ ﻴﺩﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺤﺴﻥ‬ ‫‪430‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺼﻤﻭﻴل‬ ‫‪431‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺭﺯﻕ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺒﺭﻭﻓﻴل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻴﺩ ﺼﻤﻭﺌﻴل‬ ‫‪432‬‬
‫ﻭﻫﻭ ﻴﺨﻁ ﻓﻰ ﺍﻷﺭﺽ ﻭﻴﻘﻑ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt up‬ﻭﻴﺼﺒﺢ‬
‫ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪M . S‬‬
‫ﻭﻴﻨﻅﺭ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 433‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﺤﺴﻥ ﻤﻥ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺜﻡ ﻴﻠﺘﻔﺕ ﻴﻤﻴﻥ ﺤﺴﻥ ‪ :‬ﻭﺍﷲ ﺴﻼﻤﺎﺕ ‪.‬‬
‫ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 434‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻸﺭﺒﻌﺔ ﻤﻥ ﺭﺯﻕ ‪ :‬ﻤﺎﺤﺩﺵ ﺴﻤﻊ ﺤﺎﺠﺔ ﻋﻥ‬
‫ﻨﻌﻤﺎﻥ‬ ‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﺽ ‪Low Angle‬‬
‫ﻭﻫﻡ ﻭﺍﻗﻔﻴﻥ ﻭﻴﻅﻬﺭﻭﺍ ﺴﻠﻭﻴﺕ ﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﻝﺴﻪ ﻓﻰ ﻤﺭﻜﺯ ﺍﻝﺘﺄﻫﻴل‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻭﻕ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺼﻤﻭﺌﻴل ﻋﻤﻠﻭﺍ ﻝﻪ ﻜﺭﺴﻰ ﺒﻌﺠل ‪.‬‬
‫ﻓﻰ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺭﺯﻕ ﻴﻤﻴﻥ ﺼﻤﻭﺌﻴل ‪ :‬ﻤﺵ ﻫﺎﻨﺯﻭﺭﻩ!‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﻓﻴﺵ ﺩﺍﻋﻰ ﺁﺨﺭ ﻤﺭﺓ‬ ‫ﻜﺎﺩﺭ‬
‫ﺭﺤﻠﺘﻪ ﻜﺎﻨﺕ ﺤﺎﻝﺘﻪ ﻭﺤﺸﺔ ﻗﻭﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭ ﻤﺎﺭﻀﻴﺵ ﻴﻘﺎﺒﻠﻨﻰ ‪.‬‬
‫‪ 435‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻸﺭﺒﻌﺔ ﻤﻥ ﺼﻤﻭﻴل ‪ :‬ﻓﺎﻜﺭﻴﻥ ﺍﻝﻨﻘﻴﺏ ﺼﺒﺤﻰ ‪.‬‬
‫ﺤﺎﺯﻯ ﻴﺎﻋﺴﻜﺭﻯ ﻤﻨﻙ ﻝﻪ ﺃﺭﺒﻌﺎﺕ‬ ‫ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ‬
‫ﺘﺸﻜﻴل ﻴﺎﻏﺠﺭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ ﻜﺎﻥ ﺭﺍﺠل ﻁﻴﺏ ﻭﺍﷲ‬ ‫ﺤﺴﻥ ‪ :‬ﺒ ‪‬‬

‫ﻋﺒﺩﺍﷲ ‪ :‬ﺘﻼﻗﻴﻪ ﻁﻠﻊ ﻋﻠﻰ‬

‫ﺍﻝﻤﻌﺎﺵ ‪.‬‬
‫ﺼﻤﻭﻴل ‪ :‬ﻴﻭﻭﻩ ﻤﻥ ﺯﻤﺎﻥ ‪ .‬ﺃﻨﺎ‬
‫ﺴﻤﻌﺕ ﺃﻨﻪ ﺭﺠﻊ ﺒﻠﺩﻫﻡ ﻭﻓﺘﺢ ﻤﺤل‬
‫ﻴﻤﻙ ‪ ) .‬ﻀﺤﻙ (‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺯﻕ ‪M .S‬‬ ‫‪436‬‬

‫ﺭﺯﻕ ‪ :‬ﻭ ﹶﻻ ﺼﺎﺩﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﺍﷲ ﻴﺭﺤﻤﻪ ‪ .‬ﺃﻨﺎ ﺤﻀﺭﺕ‬ ‫‪437‬‬
‫‪ Up‬ﻝﺤﺴﻥ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻭﺘﺘﺎﺒﻌﻪ ﺤﺭﺏ ﺍﻝﻴﻤﻥ ﻭ‪ 76‬ﻭﻗﻀﻴﺕ ﺘﻼﺕ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﺍ ‪ pan Left‬ﺤﺘﻰ ﺴﻨﻴﻥ ﺭﺍﻗﺩ ﻓﻰ ﺍﻝﺨﻨﺩﻕ ﻭﻋﺩﻴﺕ ﻤﻊ‬
‫ﻴﺼل ﺍﻝﻰ ﺼﻤﻭﻴل ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻠﻰ ﻋﺩﻭﺍ ﻓﻰ ﺤﺭﺏ ‪ 73‬ﻓﻰ ﺍﻝﻤﺩﺓ‬
‫ﺩﻯ ﻜﻠﻬﺎ ﻗﺎﺒﻠﺕ ﻜﺘﻴﺭ ﻭﻋﺎﺸﺭﺕ‬ ‫ﻋﺒﺩ ﺍﷲ‬
‫ﻜﺘﻴﺭ ‪ .‬ﻝﻜﻥ ﻋﻤﺭﻯ ﻤﺎﻗﺎﺒﻠﺕ ﺭﺍﺠل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺯﻯ ﺼﺎﺩﻕ ﺩﻩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ’‪M . Close‬‬ ‫‪438‬‬
‫ﻋﺒﺩﺍﷲ ‪ :‬ﻜﺎﻥ ﺭﺍﺠل ﻤﻥ ﻀﻬﺭ‬
‫‪ up‬ﻝﻌﺒﺩﺍﷲ‬
‫ﺭﺍﺠل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪439‬‬
‫ﺭﺯﻕ ‪ :‬ﻜﺎﻥ ﻭﺵ ﻤﻭﺕ ﻤﻊ ﺇﻨﻪ‬
‫‪ up‬ﻝﺭﺯﻕ‬
‫ﻜﺎﻥ ﺒﻴﺤﺏ ﺍﻝﺤﻴﺎﺓ ﺒﺠﻨﻭﻥ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺼﻤﻭﻴل ‪ :‬ﻴﻭﻡ ﻤﺎﺇﺒﺘﺩﺕ ﺍﻝﺤﺭﺏ‬ ‫‪440‬‬
‫ﻜﻨﺎ ﻓﻰ ﻓﺎﻴﺩ ﻭﺠﺕ ﺍﻷﻭﺍﻤﺭ ﻗﺎﻡ‬ ‫‪ up‬ﻝﺼﻤﻭﺌﻴل‬
‫ﻴﻭﻤﻬﺎ ﺭﻗﺹ ﺭﻗﺹ ﻭﻤﺎﻜﺎﻨﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻌﺭﻑ ﺇﻨﻪ ﻫﺎﻴﺴﺘﺸﻬﺩ ﺒﻌﺩ ﺴﺎﻋﺔ‬
‫ﻭﺍﺤﺩﺓ ﻭﻴﻨﺠﻴﻨﻰ ﺃﻨﺎ ﻭﻴﺎﺨﺩ ﺩﻓﻌﺔ‬
‫ﺍﻝﺭﺸﺎﺵ ﺒﺩﺍﻝﻰ ﻋﺸﺎﻥ ﺃﻋﻴﺵ‬
‫ﻭﻴﻤﻭﺕ ﻫﻭ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﺠﺩﹰﺍ ‪Extremely L .‬‬ ‫‪441‬‬
‫ﺤﺯﻴﻨﺔ‬ ‫‪ S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High‬ﻋﺒﺩﺍﷲ ‪ :‬ﻫﺎﻨﺸﻭﻑ ﺒﻌﺽ ﺘﺎﻨﻰ ؟‪.‬‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺃﺒﻭﺍﺏ ﺍﻝﺴﻴﺎﺭﺓ‬
‫)‪(8‬‬ ‫‪ Angle‬ﻭﻫﻡ ﻴﺘﺤﺭﻜﻭﺍ ﻝﻴﺭﻜﺒﻭﺍ ﺼﻤﻭﻴل ‪ :‬ﺇﻤﺘﻰ ؟‬
‫ﺤﺴﻥ ‪ :‬ﺇﻥ ﺸﺎﺀ ﺍﷲ ﻗﺭﻴﺏ ‪.‬‬

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‫ﺍﻝﺴﻴﺎﺭﺓ ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻝﺘﺨﺘﻔﻰ ﺼﻤﻭﻴل ‪ :‬ﺇﺯﺍﻯ ؟‬

‫ﺤﺴﻥ ‪ :‬ﻨﺴﻴﺒﻬﺎ ﻝﻠﻅﺭﻭﻑ ﺒﻘﻰ ‪.‬‬ ‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 61‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L. S‬ﻝﻁﻔل ﻴﺼﻌﺩ ﺍﻝﻁﻔل ‪ :‬ﻴﺎﻋﻡ ﺴﻠﻁﺎﻥ ‪ ...‬ﻴﺎﻋﻡ‬ ‫‪442‬‬
‫ﺴﻼﻝﻡ ﺍﻝﻤﻨﺯل ﺒﺴﺭﻋﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻥ ﺴﻠﻁﺎﻥ‬
‫ﺼﻭﺕ ﺍﻝﻁﺭﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬
‫ﺇﻓﺘﺢ ﻴﺎﻋﻡ ﺴﻠﻁﺎﻥ ﺇﻓﺘﺢ ﻴﺎﻋﻡ‬ ‫ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﺴﻠﻁﺎﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 62‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫‪ 443‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺼﺎﻝﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﺤﻤﻭﻝﺔ‪ Hand Camera‬ﻤﻥ ﺭﺌﻴﻔﺔ ‪ :‬ﻓﻴﻪ ﺁﻴﻪ ﻴﺎﻭﺍﺩ ﻓﻴﻪ ﺁﻴﻪ ؟‬
‫ﻭﺭﺍﺀ ﻜﺘﻔﻬﻥ ﻭﺘﺩﺨل ﺭﺌﻴﻔﺔ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻁﻔل ‪ :‬ﻴﺎﻋﻡ ﺴﻠﻁﺎﻥ ﺍﻝﺤﻜﻭﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻭﺭﺍﺀﻫﺎ ﻭﻓﺎﺀ ﻭﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﺒﺘﺤﺠﺯ ﻋﻠﻰ ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 444‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M . S‬ﻝﻸﻡ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻥ ﺨﻠﻔﻬﺎ ﻭﻓﺎﺀ ﻭﺒﺎﻗﻰ‬
‫ﺍﻝﻌﺎﺌﻠﺔ ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺴﻠﻁﺎﻥ ﻭﻴﺩﻭﺥ ‪.‬‬
‫ﺭﺌﻴﻔﺔ ‪ :‬ﻴﺎﻤﺼﻴﺒﺘﻰ !‬
‫ﺜﻡ ﻴﺴﻨﺩﻭﻩ ﻭﻴﺨﺭﺠﻭﺍ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 63‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﺍﻝﻭﺭﺸﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L .S‬ﻝﻠﺸﺎﺭﻉ‬ ‫‪445‬‬
‫ﻭﻴﺠﺭﻯ ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﻨﺎﺱ ﻴﺴﺎﺭ‬
‫ﺼﻭﺕ ﻫﻤﻬﻤﺔ ﻭﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻜﺎﺩﺭ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫‪ Angle‬ﺤﺘﻰ ﺒﺎﺏ ﺍﻝﻭﺭﺸﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 64‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻭﺭﺸﺔ‬
‫‪ 446‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‬
‫‪ Hand Camera‬ﻝﺭﺠل ﺍﻝﺤﺠﺯ‬
‫ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻅﻬﺭ ﻤﺎﻜﻴﻨﺔ ﻓﻰ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ ﻭﻴﺼل‬
‫ﺭﺠل ﺍﻝﺤﺠﺯ ‪ :‬ﻋﻠﻘﻪ ﺒﺭﻩ ‪.‬‬
‫ﺍﻝﻰ ﺭﺠﻼﻥ ﺁﺨﺭﺍﻥ ﻭﻴﻌﻁﻴﻬﻤﺎ‬
‫ﺍﻹﻋﻼﻥ ﻭﻴﺘﺤﺭﻜﻭﺍ ﻓﻰ ﻋﻜﺱ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 65‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﺒﺎﺏ ﺍﻝﻭﺭﺸﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪447‬‬
‫ﺍﻝﻤﺤﻀﺭ ‪ :‬ﻤﻴﻥ ﺼﺎﺤﺏ ﺍﻝﻭﺭﺸﺔ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪Low‬‬ ‫‪Angle‬‬ ‫ﻤﻨﺨﻔﻀﺔ‬
‫ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﻭﺘﺩﺨل ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺎ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﻴﻪ ‪.‬‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﻨﺯل ﺍﻝﻤﺤﻀﺭ ‪ :‬ﺍﺴﻤﻙ ﺁﻴﻪ ؟‬
‫ﺤﺴﻥ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‪Tilt‬‬

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‫‪ up‬ﻭﻴﺴﺎﺭﹰﺍ‪ Pan Left‬ﺤﺘﻰ ﻴﺼل‬

‫ﻨﺎﺤﻴﺔ ﻋﻭﻨﻰ ﻭﺍﻝﻤﺤﻀﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 448‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺤﺴﻥ ﻓﻰ ﺤﺴﻥ ‪ :‬ﺍﻨﺎ ﺼﺎﺤﺏ ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻋﻭﻨﻰ ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺍﻝﻤﺤﻀﺭ ‪ :‬ﺃﻨﺕ ﺼﺎﺤﺏ ﺍﻝﻭﺭﺸﺔ ؟‬
‫ﻭ ﺍﻝﻤﺤﻀﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻭﺃﻫل ﺍﻝﺸﺎﺭﻉ ﺃﻤﺎل ﺩﻩ ﻴﻁﻠﻊ ﺁﻴﻪ !‬
‫ﺤﻭﻝﻬﻡ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻨﺎﺤﻴﺔ ﺤﺴﻥ ‪ :‬ﺩﻩ ﻋﺎﻤل ﻤﻥ ﺍﻝﻭﺭﺸﺔ‬
‫ﺍﻝﻤﺤﻀﺭ ‪ :‬ﻁﺏ ﻴﺎﺴﻴﺩﻯ ﺃﺴﻤﻙ ﺁﻴﻪ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻭﺭﺍﺀﻩ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺤﺴﻥ ﺴﻠﻁﺎﻥ ﺃﺒﻭ ﺍﻝﻌﻼ ‪,‬‬
‫ﺍﻝﻤﺤﻀﺭ ‪ :‬ﺤﺴﻥ ﺴﻠﻁﺎﻥ ﺃﺒﻭ ﺍﻝﻌﻼ‬
‫ﺇﻤﻀﻰ ﻫﻨﺎ ﺃﻨﺕ ﺍﻝﺤﺎﺭﺱ‬
‫ﻭﺍﻝﻤﺴﺌﻭل ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻁﻠﻊ ﺍﻝﻤﻔﺎﺘﻴﺢ ﻭﺇﻗﻔل‬
‫ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﻻ ﻴﻬﻤﻙ ﻤﺎﺃﻨﺎ ﻗﻠﺕ‬
‫ﻝﻙ ﺭﻗﺒﺘﻰ ﺴﺩﺍﺩﺓ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 66‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫‪ 449‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ L. S‬ﻝﻭﻓﺎﺀ ﻓﻰ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﺠﺎﻝﺴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 450‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . close up‬‬
‫ﻝﻭﺠﻪ ﻭﻓﺎﺀ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 451‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M . S‬ﻝﻭﺠﻪ ﺭﺯﻕ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪452‬‬
‫ﻝﺤﺴﻥ ﻴﻘﻑ ﺃﻤﺎﻡ ﺍﻝﻨﺎﻓﺫﺓ ﻭﻴﻨﻅﺭ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬
‫ﻝﻠﺨﻠﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺇﺴﻤﻊ ﻴﺎﺤﺴﻥ ‪ .‬ﺃﻨﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻭﻓﺎﺀ ‪.M . S‬‬ ‫‪453‬‬
‫ﻋﺎﺭﻑ ﺇﺤﻨﺎ ﺠﺎﻴﻴﻥ ﻨﺎﺨﺩ ﺸﻘﺔ ﺒﺩل‬ ‫ﺠﺎﻝﺴﺔ‬
‫ﻤﺎﺃﺤﻨﺎ ﻗﺎﻋﺩﻴﻥ ﻋﻨﺩ ﻤﺎﻤﺔ ﺭﺯﻕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﺯﻕ ‪ :‬ﻭﺸﻘﺔ ﻤﺎﻤﺎ ﻤﺎﻝﻬﺎ ﻭﺍﺴﻌﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺯﻕ ‪.M . S‬‬ ‫‪454‬‬
‫ﻭﺒﺭﺤﺔ ﻭﻤﺎﻤﺎ ﻗﺎﻋﺩﺓ ﻝﻭﺤﺩﻫﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪455‬‬
‫ﻝﺤﺴﻥ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻭﻓﺎﺀ ﻭﺭﺯﻕ‬
‫ﻭﻓﺎﺀ ‪ :‬ﺇﺤﻨﺎ ﻤﺵ ﻤﻤﻜﻥ ﻨﺸﻭﻑ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻠﻰ ﺒﻴﺤﺼل ﻭﻨﻘﻌﺩ ﺴﺎﻜﺘﻴﻥ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻴﺴﺎﺭ ‪. Pan Left‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﺯﻕ ‪ :‬ﺇﺴﻤﻊ ﻴﺎﺤﺴﻥ ﺍﻝﻤﺒﻠﻎ ﺍﻝﻠﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺭﺯﻕ ‪M . S‬‬ ‫‪456‬‬
‫ﺤﻭﺸﻨﺎﻩ ﺤﻭﺍﻝﻰ ﺃﺭﺒﻌﺔ ﺘﻼﻑ ﺠﻨﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺨﺩﻫﻡ ﻴﻤﻜﻥ ﻴﺴﺎﻋﺩﻭﺍ‬
‫‪ 457‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . close‬‬
‫ﺼﻭﺕ ﺭﺯﻕ ‪ :‬ﺍﻝﻤﻬﻡ ﻨﻔﻜﺭ ﻓﻰ‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﺒﺘﺴﻡ‬
‫ﺍﻝﻤﺒﻠﻎ ﺍﻝﺒﺎﻗﻰ ﻫﺎﻨﺩﺒﺭﻩ ﺇﺯﺍﻯ !‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 458‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﺜﻼﺜﺔ ﻭﺘﺩﺨل ﻜﻭﺜﺭ ‪ :‬ﺍﻝﺒﺎﻗﻰ ﻻﺯﻡ ﺃﺒﻠﺔ ﺴﻤﻴﺤﺔ‬
‫ﻜﻭﺜﺭ ﺍﻝﺤﺠﺭﺓ ‪ .‬ﺜﻡ ﻴﻘﻑ ﺤﺴﻥ ﻭﻴﺘﺠﻪ ﻭﻓﻭﺯﻴﺔ ﻴﺩﻓﻌﻭﻩ ‪ .‬ﻫﻭ ﻤﺵ ﺃﺒﻭﻫﻡ‬

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‫ﺒﺭﻀﻪ ‪.‬‬ ‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﺨﺭﺝ ‪.‬‬

‫ﺤﺴﻥ ‪ :‬ﺃﻨﺘﻰ ﻜﻨﺘﻰ ﺒﺘﺘﺠﺴﺴﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﺒﺕ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﺃﻋﻤل ﺁﻴﻪ ﻴﺎﺁﺒﻴﻪ ﻤﺎﻫﻰ‬
‫ﺤﺎﺠﺔ ﺘﻀﺎﻴﻕ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺤﻨﺎ ﻤﺵ ﻫﺎﻨﺸﺤﺕ ﻤﻥ‬
‫ﺤﺩ ‪ .‬ﺩﻝﻭﻗﺘﻰ ﺇﺤﻨﺎ ﻤﻌﺎﻨﺎ ﺃﺭﺒﻌﺘﻼﻑ‬
‫ﺠﻨﻴﻪ ﻭﺍﻝﺒﺎﻗﻰ ﻻﺯﻡ ﻴﺘﺩﺒﺭ ‪ .‬ﺴﻼﻤﻭﺍ‬
‫ﻋﻠﻴﻜﻭﺍ ‪.‬‬
‫ﺭﺯﻕ ‪ :‬ﻤﻊ ﺍﻝﺴﻼﻤﺔ ﻴﺎ ﺭﺯﻕ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻤﺵ ﻫﺎﺘﺸﻭﻑ ﺒﺎﺒﺎﺒﺎ ﻴﺎﺁﺒﻴﻪ‬
‫ﺩﻯ ﺤﺎﻝﺘﻪ ﻭﺤﺸﺔ ﻗﻭﻯ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 67‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪ 459‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M . L‬ﻤﻥ‬
‫ﺤﺯﻴﻨﺔ‬ ‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ high Angle‬ﻝﻠﻐﺭﻓﺔ‬
‫ﺘﺠﻠﺱ ﺭﺌﻴﻔﺔ ﺃﻤﺎﻡ ﺴﻠﻁﺎﻥ ﺍﻝﻨﺎﺌﻡ‬
‫ﻭﺘﻀﻊ ﻝﻪ ﻜﻤﺎﺩﺍﺕ ﻋﻠﻰ ﺠﺒﻬﺘﻪ‬
‫ﻭﻴﺩﺨل ﺤﺴﻥ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 460‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . close up‬‬
‫ﻝﻭﺠﻪ ﺴﻠﻁﺎﻥ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫‪ High Angle‬ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 461‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬
‫‪ up b‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻷﺴﻔل ﺜﻡ ﻴﺨﺭﺝ ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 68‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫‪ 462‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L . S‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‬
‫ﺼﻭﺕ ﻁﻔﻠﺔ ‪ :‬ﺤﺎﺴﺏ ﻴﺎﺤﺴﻥ ﺒﺎﺒﺎ‬
‫‪ Hand Camera‬ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻴﺸﻭﻓﻙ ‪ .‬ﻭﺃﻨﺕ ﺒﺘﺘﺯﺤﻠﻕ ‪.‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻨﻅﺭﺓ ﺫﺍﺘﻴﺔ‬
‫ﺤﺴﻥ ‪ :‬ﺁﻴﻪ ﻴﻌﻨﻰ ﻝﻤﺎ ﻴﺠﻴﻰ‬
‫ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﻨﺯل ﺍﻝﺴﻼﻝﻡ ﻭﻴﻭﺠﺩ‬
‫ﺍﻝﻌﺼﺎﻓﻴﺭ ﻤﻌﺸﺸﺔ ﻫﻨﺎ‬
‫ﻓﻠﺘﺭ ﻋﻠﻰ ﺍﻝﻌﺩﺴﺔ ‪ .‬ﺜﻡ ﻴﻅﻬﺭ ﺤﺴﻥ‬
‫ﺍﻝﻁﻔﻠﺔ ‪ :‬ﺤﺎﺴﺏ ﻫﺎﺘﻭﻗﻌﻨﻰ‬
‫ﻤﻥ ﻅﻬﺭﻩ ﻭﻴﻨﺯل ﺍﻝﺴﻠﻡ ﻭﺘﺼﺒﺢ‬
‫ﻭﻫﺘﻭﻗﻌﻬﺎ ‪ .‬ﻻ ﺤﺭﺍﻡ ﻋﻠﻴﻙ ﺩﻯ‬
‫ﺍﻝﻠﻘﻁﺔ ﺒﺩﻭﻥ ﻓﻠﺘﺭ ﻭﻴﺨﺭﺝ ﺤﺴﻥ ﻤﻥ‬
‫ﻝﺴﻪ ﻝﺤﻡ ‪.‬‬
‫ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 69‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﻤﻭﻗﻑ ﺴﻴﺎﺭﺍﺕ ﺍﻷﺠﺭﺓ‬
‫‪ 463‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .l. S‬ﻝﻤﺠﻤﻭﻋﺔ ﻤﻥ‬
‫ﺍﻝﺴﺎﺌﻘﻴﻥ ﺠﺎﻝﺴﻴﻥ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﺜﻡ ﺘﺭﺘﻔﻊ ﻷﻋﻠﻰ‬
‫‪ tilt Up‬ﻝﺘﺼل ﺇﻝﻰ ﺤﺴﻥ ﺍﻝﻤﺴﺘﻨﺩ ﺭﺠل ‪ : 1‬ﻜل ﺍﻝﺴﻭﺍﻗﻴﻥ ﺴﺎﻓﺭﻭﺍ‬
‫ﻋﻠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺩﺨﻥ ﺜﻡ ﻴﺘﺠﻪ ﻨﺎﺤﻴﺘﻪ ﻭﺴﺎﺒﻭﺍ ﺍﻝﺒﻠﺩ‬
‫ﺭﺠل ‪ : 2‬ﺃﺼﻠﻬﻡ ﺒﻴﺩﻭﺍ ﻤﺭﺘﺒﺎﺕ‬ ‫ﺴﻴﺩ ﻭﻴﻘﻑ ﻭﻴﺘﺤﺩﺙ ﻤﻌﻪ ‪.‬‬
‫ﻤﺵ ﻤﻌﻘﻭﻝﺔ ‪.‬‬

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‫ﺭﺠل ‪ : 1‬ﺍﻝﻭﺍﺤﺩ ﻴﺴﺎﻓﺭ ﻝﻪ ﺴﻨﺔ‬

‫ﻭﺍﺤﺩﺓ ﻭﻴﺭﺠﻊ ﻴﺸﺘﺭﻯ ﻝﻪ ﻋﺭﺒﻴﺔ‬
‫ﺒﺩل ﺍﻝﺸﻐﻠﺔ ﻫﻨﺎ ﻋﻨﺩ ﺍﻝﻌﺎﻝﻡ ‪.‬‬
‫ﺴﻴﺩ ‪ :‬ﺩﻩ ﻜﻼﻡ ﺒﻴﻘﻭﻝﻭﻩ ﻓﻰ‬
‫ﺍﻷﻭل ‪ .‬ﻋﻥ ﺇﺫﻨﻜﻭﺍ ﻴﺎﺠﻤﺎﻋﺔ ‪.‬‬
‫ﻤﺎﻓﻜﺭﺘﺵ ﺘﺴﺎﻓﺭ ﺒﺭﻩ ﻴﺎﺃﺒﻭ ﻋﻠﻰ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻗﻭﻝﻠﻰ ﻴﺎﺴﻴﺩ ﻤﺎﺘﻌﺭﻓﺵ‬
‫ﺤﺩ ﻴﺸﺘﺭﻯ ﻋﺭﺒﻴﺘﻰ ‪.‬‬
‫ﺴﻴﺩ ‪ :‬ﻤﺵ ﻝﻤﺎ ﺘﺴﺩﺩ ﺃﻗﺴﺎﻁﻬﺎ‬
‫ﺍﻷﻭل ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﺎﺃﺒﻘﻰ ﺃﺴﺩﺩ ﺃﺴﺩﺩ‬
‫ﺃﻗﺴﺎﻁﻬﺎ ﻤﻥ ﺘﻤﻨﻬﺎ ‪.‬‬
‫ﺜﻡ ﻴﻠﻑ ﺴﻴﺩ ﺤﻭل ﺍﻝﺴﻴﺎﺭﺓ ﻭﺘﺘﺎﺒﻌﻪ ﺴﻴﺩ ‪ :‬ﻫﻰ ﻤﻭﺩﻴل ﻜﺎﻡ ؟‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan Right‬ﻫﻭ ﺤﺴﻥ ‪ 78 :‬ﺒﺱ ﺒﺤﺎﻝﺘﻬﺎ ‪.‬‬
‫ﺴﻴﺩ ‪ :‬ﺘﺠﻴﺏ ﻝﻙ ﺍﺭﺒﻌﺔ ﺃﺭﺒﻌﺔ‬ ‫ﻴﻌﻭﺩ ﻨﺎﺤﻴﺔ ﺤﺴﻥ ‪.‬‬
‫ﻭﻨﺹ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻝﻴﻪ ﺃﻨﺎ ﺠﺎﻴﺒﻬﺎ ﺏ‪8‬‬
‫ﺴﻴﺩ ‪ :‬ﻫﺎﺘﺒﻴﻊ ﺍﻝﺘﺎﻜﺴﻰ ﻫﺎﺘﻨﻘﺹ‬
‫ﻜﺘﻴﺭ ‪ .‬ﺒﺱ ﺃﻨﺎ ﺭﺃﻴﻰ ﺨﺴﺎﺭﺓ ﺇﻨﻙ‬
‫ﺘﺒﻴﻌﻬﺎ ‪.‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 70‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺃﻫل ﻤﻴﺭﻓﺕ‬
‫ﺍﻝﺼﺎﻝﻭﻥ‬
‫‪ 464‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L. S‬ﺍﻷﻡ ‪ :‬ﻫﻰ ﺤﺼﻠﺕ ﻝﺤﺩ ﻜﺩﻩ ‪ .‬ﺒﻨﺘﻰ‬
‫ﻝﻭﻓﺎﺀ ﻭﺭﺯﻕ ﻭﺃﻡ ﻤﻴﺭﻓﺕ ﻭﻤﺎﻫﺭ ﺃﻨﺎ ﺘﻨﻀﺭﺏ ﻭﻤﻥ ﻤﻴﻥ ﻤﻥ ﺴﻰ‬
‫ﺠﺎﻝﺴﻴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺴﻥ !‬
‫ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan‬ﺭﺯﻕ ‪ :‬ﻴﺎﻤﺎ ﺒﻴﺤﺼل ﻓﻰ ﺍﻝﺒﻴﻭﺕ‬
‫‪ Right‬ﻝﻠﺘﺎﺒﻊ ﻜل ﻤﻥ ﻭﻓﺎﺀ ﻭﺍﻷﻡ ‪ .‬ﻴﺎﺠﻤﺎﻋﺔ‬
‫ﻭﻓﺎﺀ ‪ :‬ﻭﻤﺎﻝﻪ ﻴﺎﻁﻨﻁ ﻤﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺠﻭﺯﻫﺎ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﻻ ﻻ ﻻ ﻤﺵ ﻤﻤﻜﻥ‬
‫ﻴﺎﻭﻓﺎﺀ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻝﻭ ﺭﺠﻌﺕ ﻝﻪ ﻴﺒﻘﻰ ﻜل ﺤﺎﺠﺔ‬
‫ﺘﻨﻜﺘﺏ ﺒﺈﺴﻤﻬﺎ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺃﻴﻭﺓ ﺩﻯ ﺃﻗل ﺤﺎﺠﺔ ﻤﻤﻜﻥ‬
‫ﻴﺜﺒﺕ ﺒﻴﻬﺎ ﺤﺴﻥ ﻨﻴﺘﻪ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﻤﻤﻜﻥ ﺤﻀﺭﺘﻙ ﺘﻜﻭﻥ‬
‫ﻤﺤﻀﺭ ﺨﻴﺭ‬
‫ﺭﺯﻕ ‪ :‬ﻴﺎﻁﻨﻁ ﻤﺵ ﻤﻤﻜﻥ ﺍﻝﻜﻼﻡ‬
‫ﺩﻩ ﺒﻌﺩ ﺍﻝﻌﺸﺭﺓ ﺩﻯ ﻜﻠﻬﺎ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﺘﺄﺨﺫﻨﻴﺵ ﻴﺎﺒﻨﻰ ﺒﻌﺩ ﻤﺎﻤﺩ‬
‫ﺇﻴﺩﻩ ﻋﻠﻴﻬﺎ ﻴﺒﻘﻰ ﻤﺎﻝﻭﺵ ﺃﻤﺎﻥ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺘﺴﻤﺤﻰ ﻝﻰ ﺃﺨﺵ ﻝﻬﺎ‬
‫ﻴﺎﻁﻨﻁ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﺇﺘﻔﻀﻠﻰ ‪.....‬ﺘﺎﻨﻰ ﺍﻭﻀﺔ‬
‫ﻤﺸﻬﺩ ) ‪( 71‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻭﻓﺎﺀ ‪ :‬ﺁﻴﻪ ﻴﺎﺒﺕ ﻴﺎﺃﻡ ﻤﺦ ﻁﺎﻗﻕ‬ ‫‪465‬‬

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‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻝﻤﻴﺭﻓﺕ ﻤﺨﺼﻤﺎﻨﻰ ﺃﻨﺎ ﻜﻤﺎﻥ ؟‬

‫ﻭﻅﻬﺭﻫﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺩﺨل ﻭﻓﺎﺀ ﻤﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺵ ﺇﻨﺘﻰ ﺍﻝﺴﺒﺏ ﻓﻰ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ﻓﻰ ﺍﻝﺠﻭﺍﺯﺓ ﺩﻯ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﺁﻴﻪ ﻝﻴﻪ ؟ ﻀﺭﺒﺘﻙ ﻋﻠﻰ‬ ‫‪Tracking‬‬
‫ﺇﻴﺩﻙ ﻭ ﹶﻻ ﺃﻨﺘﻰ ﺍﻝﻠﻰ ﻜﻨﺘﻰ ﻭﺍﻗﻌﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﺸﻭﺸﺘﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M . Close‬‬ ‫‪466‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻜﻨﺕ ﺒﺤﺒﻪ ‪.‬‬ ‫‪ up‬ﻝﻭﺠﻪ ﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M . Close‬ﻭﻓﺎﺀ ‪ :‬ﻤﺵ ﻋﺎﺭﻓﺔ ﻴﺎﻭﻓﺎﺀ ‪ .‬ﻝﻜﻥ‬ ‫‪467‬‬
‫ﺤﺎﺴﺔ ﺇﻥ ﻓﻴﻪ ﺤﺎﺠﺎﺕ ﻜﺘﻴﺭ‬ ‫‪ up‬ﻝﻭﺠﻪ ﻭﻓﺎﺀ‬
‫ﺇﺘﻐﻴﺭﺕ ‪ .‬ﺃﻨﺎ ﻨﻔﺴﻰ ﻤﺵ ﻗﺎﺩﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻓﻬﻤﻬﺎ ‪ .‬ﺯﻤﺎﻥ ﻜﻨﺕ ﺒﺄﺤﺏ ﺤﺴﻥ‬
‫ﺒﺠﻨﻭﻥ ‪ ,‬ﻭﺩﻝﻭﻗﺘﻰ ﺒﺄﻓﻜﺭ ﻓﻰ‬
‫ﺍﻝﻤﻭﻀﻭﻉ ﺒﺄﺤﺱ ﺇﻨﻪ ﻜﻠﻪ ﻜﺎﻥ‬
‫ﻏﻠﻁ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﻴﺎﺴﻼﻡ ﻜل ﺩﻩ ﻋﺸﺎﻥ‬
‫ﺨﻨﺎﻗﺔ ﻫﺎﻴﻔﺔ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻤﻴﺭﻓﺕ ﻭﻭﻓﺎﺀ ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﻴﻔﺔ ! ﻻ ﻴﺎﻭﻓﺎﺀ ﺩﻩ‬ ‫‪468‬‬
‫ﻀﺭﺒﻨﻰ ﻋﺸﺎﻥ ﺒﺄﺤﺎﻓﻅ ﻋﻠﻰ‬ ‫ﺃﻤﻭﺭﺱ‬
‫ﺒﻴﺘﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M .S‬ﻝﻭﻓﺎﺀ ﻤﻴﺭﻓﺕ ‪ :‬ﻻ ﻴﺎﻭﻓﺎﺀ ﻭﻀﺭﺒﻨﻰ ﻝﻴﻪ ؟‬ ‫‪469‬‬
‫ﻭﻋﺸﺎﻥ ﺁﻴﻪ ﺒﺄﺤﺎﻓﻅ ﻋﻠﻰ ﺒﻴﺘﻰ ‪.‬‬ ‫ﻭﻤﻴﺭﻓﺕ ﺃﻤﻭﺭﺱ‬
‫ﻫﻭ ﺍﻝﺘﺎﻜﺴﻰ ﺠﺎﻴﺒﻴﻨﻪ ﻝﻴﻪ ؟ ﻤﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺸﺎﻥ ﻨﺤﺴﻥ ﻤﺴﺘﻭﺍﻨﺎ ‪ .‬ﻴﺒﻘﻰ ﺩﻩ‬
‫ﺠﺯﺍﺌﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻭﻓﺎﺀ ﻤﻥ‬ ‫‪470‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﻤﺎﺘﻨﺴﻴﺵ ﻴﺎﻤﻴﺭﻓﺕ ﺇﺒﻨﻙ ‪.‬‬
‫ﻓﻭﻕ ﻜﺘﻑ ﻤﻴﺭﻓﺕ‬
‫ﻫﻭ ﺩﻩ ﺍﻫﻡ ﺤﺎﺠﺔ ﻓﻰ ﺤﻴﺎﺘﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻭﺠﻪ‬ ‫‪471‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻭﺃﻨﺎ !‬ ‫ﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻭﺠﻪ ﻭﻓﺎﺀ ﻭﻓﺎﺀ ‪ :‬ﺃﻨﺘﻰ ﺍﻝﻤﻔﺭﻭﺽ ﺘﻘﻔﻰ ﺠﻨﺒﻪ‬ ‫‪472‬‬
‫ﻭﺘﻌﻴﺸﻰ ﻤﺸﺎﻜﻠﻪ ‪,‬ﺃﻨﺘﻰ ﺃﻜﺘﺭ ﻭﺍﺤﺩﺓ‬
‫ﻋﺎﺭﻓﺔ ﻅﺭﻭﻓﻪ ﻴﺎﻤﻴﺭﻓﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American Shot‬ﻤﻴﺭﻓﺕ ‪ :‬ﻅﺭﻭﻓﻪ ﻅﺭﻭﻓﻪ ﻫﻰ ﻜل‬ ‫‪473‬‬
‫ﺤﺎﺠﺔ ﻅﺭﻭﻓﻪ ﻫﻭ ‪ .‬ﺃﻨﺎ ﻤﺵ ﺒﻨﻰ‬ ‫ﻝﻤﻴﺭﻓﺕ ﻭﻭﻓﺎﺀ‬
‫ﺃﺩﻤﻪ ﻭﻋﻨﺩﻯ ﺇﺤﺴﺎﺱ ﻤﺎﻴﺭﺍﻋﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻅﺭﻭﻓﻰ ﺃﻨﺎ ﻜﻤﺎﻥ ‪.‬‬
‫ﻭﻓﺎﺀ ‪ :‬ﻤﻌﻠﺵ ﻴﺎﻤﻴﺭﻓﺕ ﺨﻠﻴﻜﻰ‬
‫ﻋﺎﻗﻠﺔ ﻭﺇﻓﻬﻤﻰ ﺍﻝﻜﻼﻡ ‪ .‬ﻴﺎﻝﻼ‬
‫ﻋﺸﺎﻥ ﺘﻐﻴﺭﻯ ﻫﺩﻭﻤﻙ ﻭﺘﻴﺠﻰ‬
‫ﻤﻌﺎﻴﺎ ﻴﺎﻝﻼ ﺒﻘﻰ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻻ ﻴﺎﻭﻓﺎﺀ ﺍﻝﻤﺭﺓ ﺩﻯ ﻷ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 72‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺸﻘﺔ ﺤﺴﻥ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺼﻭﺕ ﺍﻝﺒﺎﺏ‬ ‫‪ 474‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻠﺼﺎﻝﺔ ﻭﻴﺩﺨل‬
‫ﺤﺴﻥ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﺒﺎﺏ ﻏﺭﻓﺔ‬ ‫‪475‬‬

‫ﺍﻝﻨﻭﻡ ﻤﻀﺎﺀ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ‬ ‫‪476‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﻴﺒﺘﺴﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻠﻤﺎﺌﺩﺓ‬ ‫‪477‬‬
‫ﻭﻋﻠﻴﻬﺎ ﺍﻷﻁﺒﺎﻕ ﻭﻁﻌﺎﻡ ﺍﻝﻌﺸﺎﺀ‬
‫ﻭﻓﺎﻜﻬﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫‪Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪478‬‬
‫ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻨﺤﻭ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﺘﺎﺒﻌﻪ‪ Pan Left‬ﺤﺘﻰ ﻴﺼل‬
‫ﺤﺴﻥ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﺨﻴﺭ ‪.‬‬
‫ﺍﻝﻐﺭﻓﺔ ﻭﻴﺩﺨﻠﻬﺎ ﻭﻨﺭﻯ ﻤﻴﺭﻓﺕ ﺠﺎﻝﺴﺔ‬
‫ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M . S‬ﻝﻤﻴﺭﻓﺕ‬ ‫‪479‬‬
‫ﺠﺎﻝﺴﺔ ﺘﻨﻅﺭ ﺍﻝﻰ ﺍﻷﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﻭﺤﺸﺘﻴﻨﻰ‬ ‫‪480‬‬
‫ﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﻴﻘﺘﺭﺏ ﻤﻥ ﻤﻴﺭﻓﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﻋﺸﺎﻥ ﻜﺩﻩ ﺠﻴﺕ ﺠﺭﻯ‬
‫ﻭﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻫﺎ ﻭﻴﺤﻀﻨﻬﺎ ﻭﺘﻨﺯل ﺘﺼﺎﻝﺤﻨﻰ ‪ .‬ﻝﻜﻥ ﻤﻌﻠﺵ ﺃﻨﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﺘﺘﺎﺒﻌﻪ ‪ Tilt Down‬ﺍﻝﻐﻠﻁﺎﻨﺔ ‪ .‬ﺍﻝﻅﺎﻫﺭ ﺇﻨﻙ ﺒﻘﻴﺕ‬
‫ﺘﻌﺭﻑ ﺘﺴﺘﻐﻨﻰ ﻋﻨﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺨﺹ ﻋﻠﻴﻜﻰ ﺃﻨﺘﻰ ﻋﺎﺭﻓﺔ‬
‫ﺃﻨﻰ ﻤﺎﺍﺴﺘﻐﻨﺎﺵ ﻋﻨﻙ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻋﺸﺎﻥ ﻜﺩﻩ ﺘﻀﺭﺒﻨﻰ‬
‫ﻴﺎﺤﺴﻥ ‪ .‬ﺇﻴﺩﻙ ﺘﻁﺎﻭﻋﻙ ‪.‬ﻭﺘﻤﺩﻫﺎ‬
‫ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﻌﻠﺵ ﺃﻋﺼﺎﺒﻰ ﻤﺸﺩﻭﺩﺓ‬
‫ﺍﻷﻴﺎﻡ ﺩﻯ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M. S‬ﻤﻥ ﻓﻭﻕ‬ ‫‪481‬‬
‫ﺤﺴﻥ ‪ :‬ﻫﻪ‬ ‫ﻅﻬﺭ ﻤﻴﺭﻓﺕ ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪482‬‬
‫ﺤﺴﻥ ‪ :‬ﺘﻜﺘﺏ ﺍﻝﻌﺭﺒﻴﺔ ﺒﺈﺴﻤﻰ ‪.‬‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻫﺎﺃﺒﻴﻊ ﺍﻝﻌﺭﺒﻴﺔ‬ ‫‪483‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻝﻭ ﺍﻝﻌﺭﺒﻴﺔ ﺇﺘﺒﺎﻋﺕ ﻴﺒﻘﻰ‬ ‫‪ up‬ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﺤﻀﻨﻬﺎ ﺜﻡ‬
‫ﻭﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻭﺘﺘﺎﺒﻌﻪ ﺍﺍﻝﻜﺎﻤﻴﺭﺍ ﻜل ﺍﻝﻰ ﺒﻴﻨﻰ ﻭﺒﻴﻨﻙ ﺇﻨﺘﻬﻰ ‪.‬‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺤﺴﻥ ‪ :‬ﺍﻝﻭﺭﺸﺔ ﻫﺎﺘﻀﻴﻊ‬ ‫‪ tracking‬ﻭﻴﺼﺒﺢ ﺒﺭﻭﻓﻴل‬
‫ﻴﺎﻤﻴﺭﻓﺕ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺍﻝﻤﻬﻡ ﺇﻥ ﺒﻴﺘﻰ‬
‫ﻤﺎﻴﻀﻴﻌﺵ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 73‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻷﺘﻭﺒﻴﺱ‬
‫‪ 484‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M. L. S‬ﻤﻥ‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬

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‫ﻝﻀﻴﻑ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﺒﻴﻥ ﺍﻝﺭﻜﺎﺏ‬

‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪ Pan Right‬ﻀﻴﻑ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻔل ‪.‬‬
‫ﺃﻏﻨﻴﺔ ﻝﻌﺒﺩ ﺍﻝﺤﻠﻴﻡ‬ ‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ ﻭﺍﻝﺸﺎﺭﻉ‬ ‫ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺤﺴﻥ ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺤﺴﻥ ‪ :‬ﺸﻜﻠﻙ ﻋﺎﻴﺯ ﺘﻘﻭل ﺤﺎﺠﺔ !‬
‫ﻀﻴﻑ ‪ :‬ﻨﻔﺴﻰ ﻴﺎﺴﻁﻰ ﻭﺨﺎﻴﻑ ‪.‬‬ ‫ﺍﻝﺘﺎﺒﻠﻭﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 485‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻀﻴﻑ ﻤﻥ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 486‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻭﻀﻴﻑ ﻴﺸﻌل ﻝﻪ‬
‫ﺤﺴﻥ ‪ :‬ﺇﺘﻜﻠﻡ ﻴﺎﻀﻴﻑ‬
‫ﺍﻝﺴﻴﺠﺎﺭﺓ‬
‫ﻤﺎﺍﻨﺕ ﻋﺎﺭﻑ ﻴﺎﺴﻁﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 487‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻀﻴﻑ‬

‫ﻀﻴﻑ ‪ :‬ﻤﺎﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻝﻠﻰ ﻋﺎﻴﺯ‬
‫ﻴﺸﻌل ﺴﻴﺠﺎﺭﺘﻪ‬
‫ﺃﺘﻜﻠﻡ ﻓﻴﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 488‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M .Close‬‬
‫ﺤﺴﻥ ‪ :‬ﺒﺱ ﺩﻯ ﻻﺯﻡ ﺘﻜﻤل‬
‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺘﻌﻠﻴﻤﻬﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻀﻴﻑ ‪ :‬ﻫﻭ ﺃﻨﺎ ﻗﻠﺕ ﻷ ﺃﻨﺎ‬ ‫‪ 489‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬
‫ﻫﺎﺃﺴﺎﻋﺩﻫﺎ ﻤﺵ ﻫﺎﺃﻋﻁﻠﻬﺎ ﻭﻜل‬ ‫ﻤﻥ ﻓﻭﻕ ﻅﻬﺭ ﺤﺴﻥ ﻝﻀﻴﻑ‬
‫ﺍﻝﻠﻰ ﻨﻔﺴﻰ ﻓﻴﻪ ﻨﻘﺭﺍ ﺍﻝﻔﺎﺘﺤﺔ ﻭﻨﻘﺩﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺸﺒﻜﺔ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻴﺒﻘﻰ ﻤﺎﻓﻴﺵ ﺠﻭﺍﺯ ﺍﻻ ﻝﻤﺎ‬
‫ﺘﺨﻠﺹ ﺠﺎﻤﻌﺔ‬
‫ﻀﻴﻑ ‪ :‬ﻁﺒﻌﹰﺎ ﻴﺎﺴﻁﻰ ﺃﻨﺎ ﻜل ﺍﻝﻠﻰ‬
‫ﻋﺎﻴﺯﻩ ﺃﺤﺠﺯﻫﺎ ﺒﺱ ‪ .‬ﻫﺎﻩ ﺃﻨﺯل‬
‫ﺃﺸﺘﺭﻯ ﺍﻝﺸﺒﻜﺔ ﺇﻤﺘﻰ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻀﻴﻑ ﻓﻰ ﻤﻘﺩﻤﺔ‬ ‫‪490‬‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻭﺤﺴﻥ ﻓﻰ ﻋﻤﻕ ﺤﺴﻥ ‪ :‬ﻤﺵ ﻝﻤﺎ ﺍﻝﻌﺭﻭﺴﺔ ﺘﻭﺍﻓﻕ‬
‫ﺍﻷﻭل‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﺤﺴﻥ‬ ‫‪491‬‬
‫ﻀﻴﻑ ‪ :‬ﻤﺎﻫﻰ ﻤﻭﺍﻓﻘﺔ ﻴﺎﺴﻁﻰ‬ ‫ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﻓﻭﻕ‬ ‫‪492‬‬
‫ﻜﺘﻑ ﻀﻴﻑ ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ‬
‫ﻀﻴﻑ ‪ :‬ﺃﻨﺕ ﻤﺎﺴﺄﻝﺘﻬﺎﺵ ‪....‬‬
‫ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﻀﻴﻑ ﻭﻴﺨﺭﺝ ﻀﻴﻑ ﻤﻥ‬
‫ﻭﺭﻕ ﻴﺎﺤﻀﺭﺍﺕ ﺘﺫﺍﻜﺭ‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ﻝﻀﻴﻑ ﻭﻫﻭ ﻴﻘﻁﻊ‬ ‫‪493‬‬
‫ﻨﻬﺎﻴﺔ ﺃﻏﻨﻴﺔ ﻋﺒﺩ‬
‫ﻀﻴﻑ ‪ :‬ﻭﺭﻕ ‪.‬‬ ‫ﺍﻝﺘﺫﺍﻜﺭ ﻝﻠﺭﻜﺎﺏ‬
‫ﺍﻝﺤﻠﻴﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 74‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫‪ 494‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻷﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻴﺼﻌﺩ ﺴﻼﻝﻡ ﺍﻝﻤﻨﺯل ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﻝﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻴﺎﻤﻌﻠﻡ ﺴﻠﻁﺎﻥ ‪.‬‬
‫ﻼ ‪ .‬ﺇﺘﻔﻀل‬
‫ﻼ ﻭﺴﻬ ﹰ‬‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﺭﺌﻴﻔﺔ ‪ :‬ﺃﻫ ﹰ‬

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‫‪ up‬ﻭﻴﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ ﻭﺘﻅﻬﺭ ﺭﺌﻴﻔﺔ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻴﺎﺴﺎﺘﺭ ‪ ..‬ﺇﺯﺍﻯ‬

‫ﻤﻥ ﺨﻠﻑ ﺍﻝﺸﺭﺍﻋﺔ ﻭﺘﻔﺘﺢ ﻝﻪ ﺍﻝﺒﺎﺏ ﺼﺤﺔ ﺍﻝﻤﻌﻠﻡ ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ )‪( 75‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ‬
‫ﺴﻠﻁﺎﻥ‬
‫‪ 495‬ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American Shot‬ﻜﻭﺜﺭ ‪ :‬ﺁﻴﻪ ﺍﻝﻠﻰ ﺠﺎﺏ ﺍﻝﺭﺍﺠل ﺩﻩ‬
‫ﻷﺒﻭ ﻋﻤﻴﺭﺓ ﻴﺩﺨل ﻏﺭﻓﺔ ﻨﻭﻡ ﺩﻝﻭﻗﺘﻰ ؟‬
‫ﻭﺘﺨﺭﺝ ﻜﻭﺜﺭ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﺴﺘﻘﺒﻠﻪ ﺴﻠﻁﺎﻥ ‪ :‬ﺭﻭﺤﻰ ﺃﻨﺘﻰ ‪.‬‬
‫ﻼ ﺴﺕ‬ ‫ﻼ ﺃﻫ ﹰ‬
‫ﺴﻠﻁﺎﻥ ﻭﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻩ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺃﻫ ﹰ‬
‫ﺍﻝﻌﺭﺍﻴﺱ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺭﻭﺤﻰ ﻴﺎﻜﻭﺜﺭ ﺇﻋﻤﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻼ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬‫ﻗﻬﻭﺓ ‪ .‬ﺃﻫ ﹰ‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻋﻴﻨﻰ ﻋﻠﻴﻙ ﺒﺎﺭﺩﺓ ‪.‬‬
‫ﻗﻭﻡ ﻴﺎﺨﻰ ‪ .‬ﺘﺸﻭﻑ ﻤﺼﻠﺤﺘﻙ ﺒﺩل‬
‫ﺍﻝﻘﻌﺩﺓ ﺩﻯ‬
‫ﻤﺸﻬﺩ ) ‪( 76‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺼﺎﻝﺔ‬
‫‪ 496‬ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﺔ ﻝﻭﻓﺎﺀ ﺘﺤﻤل ﺼﻴﻨﻴﺔ ﻭﻓﺎﺀ ‪ :‬ﺨﺩﻯ ﺩﺨﻠﻰ ﺍﻝﻘﻬﻭﺓ ‪.‬‬
‫ﺍﻝﻘﻬﻭﺓ ﻭﺘﺘﺠﻪ ﻨﺎﺤﻴﺔ ﻜﻭﺜﺭ ‪ .‬ﺜﻡ ﻜﻭﺜﺭ ‪ :‬ﻷ ﺩﺨﻠﻴﻬﺎ ﺇﻨﺘﻰ ‪.‬‬
‫ﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻭﻓﺎﺀ ‪ :‬ﻝﻴﻪ ؟‬
‫ﻜﻭﺜﺭ ‪ :‬ﺍﻝﺭﺍﺠل ﺩﻩ ﻤﺵ ﻁﺎﻴﻘﺔ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﺃﺒﺹ ﻓﻰ ﺨﻠﻘﺘﻪ ‪.‬‬ ‫ﻗﻁﻊ‬
‫ﻤﺸﻬﺩ ) ‪( 77‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻭﻓﺎﺀ ﻭﻫﻰ ﺘﻔﺘﺢ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻤﺎﻫﻭ ﻤﺵ ﻤﻌﻘﻭﻝﺔ‬ ‫‪497‬‬
‫ﻼ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﻀﻊ ﺍﻝﻘﻬﻭﺓ ﻋﻠﻰ ﺍﻝﻤﻨﻀﺩﺓ ﺃﺸﻭﻓﻙ ﻜﺩﻩ ﻭﺃﻗﻌﺩ ﺴﺎﻜﺕ ‪ ...‬ﺃﻫ ﹰ‬
‫ﺒﻸﺴﺘﺎﺫﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻴﻭﺓ ﻴﺄﺒﻭ ﻋﻤﻴﺭﺓ ‪.‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻤﺎﻫﻭ ﻤﺵ ﻤﻌﻘﻭﻝﺔ‬
‫ﺃﺴﻴﺏ ﺍﻝﻭﺭﺸﺔ ﺍﻝﻠﻰ ﺒﻨﻴﺘﻬﺎ ﻁﻭﺒﺔ‬
‫ﻁﻭﺒﺔ ﺘﻀﻴﻊ ﻤﻨﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺴﻠﻁﺎﻥ‬ ‫‪498‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻗﺼﺩﻙ ﺁﻴﻪ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺇﺤﻨﺎ ﺇﺨﻭﺍﺕ ﻭﺍﻝﻠﻰ‬ ‫‪499‬‬
‫‪ up‬ﻷﺒﻭ ﻋﻤﻴﺭﺓ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺠﻴﺒﻰ ﻓﻰ ﺠﻴﺒﻙ ‪ .‬ﺍﻝﻌﺸﺭﻴﻥ‬
‫ﻷﺴﻔل ‪ Tilt down‬ﻝﺘﺘﺎﺒﻊ ﻴﺩﻩ ﻭﻫﻭ ﺃﻝﻑ ﺍﻝﻠﻰ ﻋﺎﺍﻝﻭﺭﺸﺔ ﻤﻭﺠﻭﺩﻴﻥ‬
‫ﻴﺨﺭﺝ ﻨﻘﻭﺩﹰﺍ ﻭﻴﻀﻌﻬﺎ ﻋﻠﻰ ﺍﻝﻤﺎﺌﺩﺓ ﻭ ﻭﺘﺤﺕ ﺃﻤﺭﻙ ‪ .‬ﺍﷲ ﻤﺎﺘﻤﺩ ﺇﻴﺩﻙ‬
‫ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﺴﺎﺭ ‪ Pan‬ﻴﺎﻤﻌﻠﻡ ﺩﻭل ﻋﺸﺭ ﺘﻼﻑ ﻭﺍﻝﺼﺒﺢ‬
‫ﻫﺎﻴﻜﻭﻥ ﻋﻨﺩﻙ ﺯﻴﻴﻬﻡ ‪ .‬ﺩﻭل ﺤﻼل‬ ‫‪Left‬‬
‫ﻴﺎﻤﻌﻠﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻭﺠﻪ ﺴﻠﻁﺎﻥ‬ ‫‪500‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﻤﻥ ﻋﺭﻕ ﺠﺒﻴﻨﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺃﻨﺕ ﻋﺎﺭﻑ ﺃﻨﻰ‬ ‫‪501‬‬
‫ﺒﻁﻠﺕ ﺘﺠﺎﺭﺓ ﺍﻝﻤﺨﺩﺭﺍﺕ ﻤﻥ ﺯﻤﺎﻥ‬ ‫‪ up‬ﻝﻭﺠﻪ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻭﺩﻝﻭﻗﺘﻰ ﺍﻝﺤﻤﺩﷲ ﻤﺤل ﺇﻜﺴﺴﻭﺍﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻌﺭﺒﻴﺎﺕ ﺒﻴﺄﻜﻠﻨﻰ ﺍﻝﺸﻬﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪502‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻁﺏ ﺒﺱ ﺩﻭل ﻫﺎﺴﺩﺩﻫﻡ‬

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‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻭﻓﻰ ﻤﻘﺩﻤﺔ ﺇﺯﺍﻯ ؟‬

‫ﺍﻝﻜﺎﺩﺭ ﻴﻅﻬﺭ ﺍﻝﺴﺭﻴﺭ ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﻤﻴﻥ ﻗﺎﻝﻙ ﺃﻨﻙ‬
‫ﺴﻠﻁﺎﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺃﺒﻭ ﻋﻤﻴﺭﺓ ﻴﺴﺎﺭ ﻫﺎﺘﺴﺩﺩﻫﻡ ﻭﺃﻨﺕ ﻝﻭ ﻋﺎﻴﺯ ﻓﻭﻗﻬﻡ‬
‫ﻜﻤﺎﻥ ﺃﺩﻴﻠﻙ ‪.‬‬ ‫ﻜﺎﺩﺭ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺎﺘﻘﻭﻝﻰ ﺃﻨﺕ ﻋﺎﻴﺯ ﺃﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺎﻝﻅﺒﻁ ؟‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺼﻠﻰ ﻋﻠﻰ ﺍﻝﻨﺒﻰ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻋﻠﻴﻪ ﺍﻝﺼﻼﺓ ﻭﺍﻝﺴﻼﻡ ‪.‬‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺃﻨﺕ ﻋﺎﺭﻑ ﺃﻨﻰ‬
‫ﻗﻀﻴﺕ ﻤﻌﻅﻡ ﺸﺒﺎﺒﻰ ﻓﻰ ﺍﻝﻠﻭﻤﺎﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺴﻠﻁﺎﻥ ‪ M.S‬ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﺃﻫﻭ ﺠﻪ ﺍﻝﻴﻭﻡ ﺍﻝﻠﻰ‬ ‫‪503‬‬
‫ﻰ ﻓﻴﻪ ‪ .‬ﻭﻨﻔﺴﻰ ﺃﻜﻤل‬ ‫ﺭﺒﻨﺎ ﺘﺎﺏ ﻋﻠ ‪‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﻘﻰ ﻨﺹ ﺩﻴﻨﻰ ‪...‬ﻨﻔﺴﻰ ‪.‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M.S‬ﻷﺒﻭ ﻋﻤﻴﺭﺓ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻨﻔﺴﻰ ﺃﺸﻭﻑ ﻝﻰ‬ ‫‪504‬‬
‫ﺒﻘﻰ ﺤﺘﺔ ﻋﻴل ﻭﺃﺭﺒﻴﻪ ﺩﻩ ﺃﻨﺎ ﻝﻭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻔﻴﺕ ﺍﻝﺩﻨﻴﺎ ﺒﺤﺎﻝﻬﺎ ﻤﺵ ﻫﺎﺃﻻﻗﻰ‬
‫ﺃﺤﺴﻥ ﻤﻨﻙ ﺃﺒﺩﹰﺍ ﻋﺸﺎﻥ ﺃﻨﺎﺴﺒﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺴﻠﻁﺎﻥ‬ ‫‪505‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﻨﻰ ﺃﻨﺎ ﻴﺄﺒﻭ ﻋﻤﻴﺭﺓ ‪.‬‬
‫ﻗﻁﻊ‬
‫ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﺃﻋﺘﺒﺭ ﺍﻝﻌﺸﺭﻴﻥ ﺃﻝﻑ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺒﻭ ﻋﻤﻴﺭﺓ‬ ‫‪506‬‬
‫ﺩﻭل ﻤﻬﺭ ﺍﻷﻤﻭﺭﺓ ﺍﻝﺼﻐﻴﺭﺓ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻼﻭﺓ ﻋﻠﻰ ﻜﺩﻩ ﺃﻨﺎ ﻤﺵ ﻋﺎﻴﺯ‬
‫ﻤﻨﻙ ﺤﺎﺠﺔ ‪ .‬ﺃﻨﺎ ﺃﺸﺘﺭﻴﺕ ﺒﻴﺕ ‪,‬‬
‫ﻴﻌﻨﻰ ﻻﻤﺅﺍﺨﺫﺓ ﻜﺩﻩ ﻋﺎﻴﺯﻫﺎ‬
‫ﺱ‪.‬‬‫ﺒﺎﻝﻬﺩﻤﺔ ﺍﻝﻠﻰ ﻋﻠﻴﻬﺎ ﺒ ‪‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺴﻠﻁﺎﻥ ﻴﻘﻑ ﺴﻠﻁﺎﻥ ‪ :‬ﺸﻴل ﻓﻠﻭﺴﻙ ﻴﺄﺒﻭ ﻋﻤﻴﺭﺓ‬ ‫‪507‬‬
‫ﻭﻴﻘﻑ ﻤﻌﻪ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt up‬ﻭﻴﺘﺤﺭﻙ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪ :‬ﻭﻁﺏ ﻭﺤﻴﺎﺓ ﺍﻝﻨﺒﻰ‬
‫ﺍﻝﻠﻰ ﺃﻨﺕ ﺼﻠﻴﺕ ﻋﻠﻰ ﻤﻘﺎﻤﻪ ﻤﺎﺘﺭﺩ‬ ‫ﺴﻠﻁﺎﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻰ ﺩﻝﻭﻗﺘﻰ ﺩﻭﺭﻫﺎ ﻓﻰ ﺩﻤﺎﻏﻙ‬ ‫ﻋﻠ ‪‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻰ ‪......‬‬
‫ﻭﺒﻌﺩﻴﻥ ﺃﺒﻘﻰ ﺭﺩ ﻋﻠ ‪‬‬
‫ﻴﺎﺴﺎﺘﺭ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 78‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺸﻘﺔ ﺤﺴﻥ ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪L. M. S‬‬ ‫‪508‬‬
‫ﻝﻜﻭﺜﺭ ﺘﺩﺨل ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﻭﺤﺴﻥ ﻭﻤﻴﺭﻓﺕ ﺠﺎﻝﺴﻴﻥ ﻴﺘﻨﺎﻭﻻ‬
‫ﻁﻌﺎﻡ ﺍﻷﻓﻁﺎﺭ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﻭﺩﻴﻨﻰ ﻝﻭ ﺩﻩ ﺤﺼل ﻷﺩﻝﻕ‬
‫ﻋﻠﻰ ﻨﻔﺴﻰ ﺠﺎﺯ ﻭﺃﻭﻝﻊ ﻓﻰ‬
‫ﻨﻔﺴﻰ ‪.‬‬
‫ﺼﻭﺕ ﺍﻝﺒﺎﺏ‬ ‫ﻤﻴﺭﻓﺕ ‪ :‬ﺨﺵ ﺃﻨﺕ ﻴﺎﺤﺴﻥ ﺠﻭﻩ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺤﺎﺝ ﻗﺎل ﺁﻴﻪ ؟‬
‫ﻜﻭﺜﺭ ‪ :‬ﺃﺒﻭﻴﺎ ﺘﻌﺒﺎﻥ ﻭﺨﺎﻴﻑ ﻋﻠﻰ‬
‫ﺍﻝﻭﺭﺸﺔ ﺘﻀﻴﻊ ‪ .‬ﻭﺃﻨﺎ ﺨﺎﻴﻔﺔ ‪ .‬ﺃﻨﺎ‬
‫ﺃﻨﺎ ﺍﺘﺠﻭﺯ ﺭﺍﺠل ﺒﻴﺎﻉ ﻤﺨﺩﺭﺍﺕ ﺩﻩ‬
‫ﻋﻨﺩﻩ ﻴﻴﺠﻰ ﺴﺘﻴﻥ ﺴﻨﺔ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺘﺨﺎﻓﻴﺵ ﺃﻨﺎ ﻫﺎﺘﺼﺭﻑ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﺘﺘﺼﺭﻑ ! ﻫﺎﺘﻌﻤل‬
‫ﺁﻴﻪ ! ﻫﺎﺘﺩﻭﺭ ﻋﻠﻰ ﺍﺨﻭﺍﺘﻙ ﺘﺎﻨﻰ ‪.‬‬

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‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻫﺎﺘﺼﺭﻑ ‪ ..... .‬ﺁﻩ‬

‫ﺼﺤﻴﺢ ﻴﺎﻜﻭﺜﺭ ﺁﻴﻪ ﺭﺃﻴﻙ ﻓﻰ ﺍﻝﻭﺍﺩ‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻫﻭ ﻭﻜﻭﺜﺭ ﻀﻴﻑ ‪ ..‬ﻁﺏ ﻤﻊ ﺍﻝﺴﻼﻤﺔ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﺘﺨﻔﺽ ﺭﺃﺴﻬﺎ ﻭﺘﺨﺭﺝ‬
‫ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ) ‪( 79‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﺍﻝﻭﺭﺸﺔ‬
‫‪ 509‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻤﻥ ﺩﺍﺨل‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻭﻴﻅﻬﺭ ﺒﺎﺏ ﺍﻝﻭﺭﺸﺔ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ ﻭﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻤﻔﺘﻭﺡ ﺜﻡ ﻴﻌﻭﺩ ﻝﻠﺨﻠﻑ ﺒﺎﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 510‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺴﻴﺎﺭﺓ‬
‫ﻭﻫﻰ ﺘﺭﺠﻊ ﻝﻠﺨﻠﻑ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺎﺒﻌﻪ‬
‫ﻝﻠﻴﻤﻴﻥ ‪Pan Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 80‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻭﺭﺸﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﺤﺴﻥ ‪ :‬ﺃﺒﺎ ﺁﻴﻪ ﺍﻝﻠﻰ ﻤﻘﻌﺩﻙ ﻫﻨﺎ ؟‬ ‫‪511‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺎ ﻤﺎﻝﻴﺵ ﻤﻁﺭﺡ ﻏﻴﺭ‬ ‫‪High‬‬ ‫‪Angle‬‬ ‫ﻤﺭﺘﻔﻌﺔ‬
‫ﻝﻠﻭﺭﺸﺔ ‪.‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‪ Hand‬ﺩﻩ ﻴﺎﺤﺴﻥ ‪.‬‬
‫‪ Camera‬ﺜﻡ ﻨﺭﻯ ﺤﺴﻥ ﻴﺩﺨل ﺤﺴﻥ ‪ :‬ﻋﺎﺭﻑ ﻴﺎﺒﺎ ﺒﺱ ﺃﻨﺕ‬
‫ﻨﺎﺤﻴﺔ ﺴﻠﻁﺎﻥ ﻭﻫﻭ ﺠﺎﻝﺱ ﻋﻠﻰ ﻤﻘﻌﺩ ﺘﻌﺒﺎﻥ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻗﻔﻠﺘﻬﺎ ﻝﻴﻪ ﻴﺎﺤﺴﻥ ﺩﻯ‬ ‫ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻁﻭل ﻋﻤﺭﻫﺎ ﻤﻔﺘﻭﺤﺔ ‪.‬‬ ‫ﻼ‬
‫ﹰ‬ ‫ﻗﻠﻴ‬ ‫ﺎ‬
‫ﹰ‬ ‫ﻴﻤﻴﻨ‬ ‫ﺜﻡ ﻴﻘﻑ ﺴﻠﻁﺎﻥ ﻴﺘﺤﺭﻙ‬
‫ﺤﺴﻥ ‪ :‬ﺤﺴﻴﺕ ﺇﻨﻬﺎ ﻝﺤﻤﻰ ﻭﻻﺯﻡ‬ ‫ﻭﻴﺘﺤﺭﻙ ﺤﺴﻥ ﻨﺎﺤﻴﺘﻪ ‪.‬‬
‫ﺃﺨﺒﻴﻬﺎ ﻋﻥ ﻋﻴﻭﻥ ﺍﻝﻨﺎﺱ ‪ .‬ﻭﻻ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻬﻤﻙ ﻫﺎﺘﺭﺠﻊ ﺘﺎﻨﻰ ﻭﺘﺸﺘﻐل‬
‫ﻜﻤﺎﻥ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﻊ ﺼﺎﺤﺏ ﺍﻝﻨﺼﻴﺏ‬
‫ﺒﻘﻰ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﻌﺎﻙ ﺃﻨﺕ ‪ .‬ﺃﻨﺕ ﺍﻝﻠﻰ‬
‫ﻫﺎﺘﻘﻑ ﻓﻴﻬﺎ ﻭﺘﺸﺘﻐل ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺎ ﺨﻼﺹ ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻤﺎﺘﻘﻠﺵ ﻜﺩﻩ ﺃﻨﺕ ﺍﻝﻠﻰ‬
‫ﻫﺎﺘﻘﻑ ﻓﻴﻬﺎ ﻭﻫﺎﺘﺭﺠﻊ ﺯﻯ ﺍﻷﻭل‬
‫ﻭﺃﺤﺴﻥ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﻨﺎ ﻫﺎﺒﻴﻊ ﺍﻝﻭﺭﺸﺔ‬
‫ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻻ ﻴﺎﺒﺎ ﺍﻝﻭﺭﺸﺔ ﻤﺵ‬
‫ﻫﺎﺘﺘﺒﺎﻉ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺃﺤﺴﻥ ﻤﺎﺃﺒﻴﻊ ﺃﺨﺘﻙ ‪.‬‬
‫ﻤﺵ ﺩﻩ ﺍﻝﻠﻰ ﺠﺎﻯ ﻋﺸﺎﻨﻪ ‪ .‬ﺃﻭل‬
‫ﻤﺎﻓﺘﺤﺘﻬﺎ ﻜﺎﻨﺕ ﺃﻭل ﻭﺭﺸﺔ ﻓﻰ‬
‫ﺍﻝﻤﻨﻁﻘﺔ ‪ .‬ﻜﺎﻨﻭﺍ ﺒﻴﻘﻭﻝﻭﺍ ﻓﻰ ﺤﺩ‬
‫ﻴﺸﻕ ﺍﻝﺨﺸﺏ ﺒﺎﻝﻜﻬﺭﺒﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻻ ﺍﻝﻭﺭﺸﺔ ﻫﺎﺘﺘﺒﺎﻉ ﻭﻻ‬
‫ﻜﻭﺜﺭ ﻫﺎﺘﺘﺠﻭﺯ ﺃﺒﻭ ﻋﻤﻴﺭﺓ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻝﻤﺎ ﺇﺘﺨﺎﻨﻘﺕ ﻤﻊ ﺍﻝﻅﺎﺒﻁ‬
‫ﺍﻹﻨﺠﻠﻴﺯﻯ ﻓﻰ ﺍﻝﺘل ﺍﻝﻜﺒﻴﺭ ﻭﺸﺘﻤﻨﻰ‬

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‫ﻤﺎﺃﺴﺘﺤﻤﻠﺘﺵ ﻀﺭﺒﺘﻪ ﺒﺎﻝﺸﺎﻜﻭﺵ‬

‫ﻭﻫﺭﺒﺕ ﻭﺠﻴﺕ ﻤﺼﺭ ﻋﻠﻰ ﺠﻭﺯ‬
‫ﺨﺎﻝﺘﻙ ﻭﺸﺭﺤﺕ ﻝﻪ ﻓﻜﺭﺓ ﺍﻝﻤﺎﻜﻨﺔ‬
‫ﺍﻝﻠﻰ ﺒﺎﻝﻜﻬﺭﺒﺎ ﻭﻓﻀﻠﺕ ﻤﻌﺎﻩ ﻝﺤﺩ‬
‫ﻤﺎﻋﻤﻠﻨﺎﻫﺎ ﺴﻭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﻝﻭ ﻜﺎﻥ ﻻﺯﻡ ﺤﺎﺠﺔ ﺘﺘﺒﺎﻉ‬
‫ﻴﺒﻘﻰ ﺍﻝﺒﻴﺕ ﻤﺵ ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺒﻴﺕ ﺁﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ :‬ﺃﻨﺎ ﻋﺎﺭﻑ ﺃﻨﻪ ﺼﻌﺏ ﻋﻠﻴﻙ‬
‫ﻝﻜﻥ ﻤﻌﻠﺵ ﺍﻝﻭﺭﺸﺔ ﻫﺎﺘﺸﺘﻐل‬
‫ﻭﻫﺎﻨﻌﻭﻀﻪ ‪.‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻭﻨﻘﻌﺩ ﻓﻴﻥ ﺍﻨﺎ ﻭﺃﻤﻙ‬
‫ﻭﺇﺨﻭﺍﺘﻙ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﻥ ﺸﺎﺀ ﺍﷲ ﻨﺒﻨﻰ ﺃﻭﻀﺔ‬
‫ﻓﻭﻕ ﺍﻝﻭﺭﺸﺔ ‪ .‬ﺍﻝﺒﻴﺕ ﺩﻝﻭﻗﺘﻰ‬
‫ﻴﺠﻴﺏ ﺴﻌﺭ ﺤﻠﻭ ‪ .‬ﻨﺩﻓﻊ ﺍﻝﻀﺭﺍﻴﺏ‬
‫ﻭﺒﺎﻝﺒﺎﻗﻰ ﻨﺒﻨﻰ ﺸﻘﺔ ‪ .‬ﻗﻠﺕ ﺁﻴﻪ ؟‬
‫ﻤﺸﻬﺩ ) ‪( 81‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺨﺩﻴﺠﺔ‬
‫ﻭﻋﻭﻨﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M. S‬ﻝﻌﻭﻨﻰ ﻋﻭﻨﻰ ‪ :‬ﺒﻴﺕ ﺁﻴﻪ ﺍﻝﻠﻰ ﻫﺎﻴﺒﻴﻌﻪ ؟‬ ‫‪512‬‬
‫ﻴﺭﺘﺩﻯ ﺍﻝﺠﻠﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺩﻴﺠﺔ ‪ :‬ﺒﻴﺕ ﺃﺒﻭﻴﺎ ‪.‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻫﻭ ﺇﺘﺠﻨﻥ ﺩﻩ ﻤﺎﻴﻤﻠﻜﺵ‬ ‫ﻴﻤﻴﻨﺎ ‪ً Pan Right‬‬
‫ﻴﺘﺼﺭﻑ ﻓﻴﻪ ﻝﻭﺤﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺨﺩﻴﺠﺔ ‪ :‬ﻫﺎﺘﻌﻤل ﺁﻴﻪ ؟‬
‫ﻋﻭﻨﻰ ‪ :‬ﻫﺎﺃﻁﺭﺒﻘﻬﺎ ﻓﻭﻕ ﺩﻤﺎﻏﻪ ‪.‬‬

‫ﻤﺸﻬﺩ ) ‪( 82‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫‪ 513‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺸﺎﺭﻉ ﻭﺴﻴﺎﺭﺓ ﻋﻭﻨﻰ ‪ :‬ﺇﺘﻔﻀﻠﻰ ﻋﻠﻰ ﻤﻬﻠﻙ ‪....‬‬
‫ﻤﺭﺴﻴﺩﺱ ﺘﺩﺨل ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﷲ ﺩﻩ ﺍﻝﺒﺭﻨﺱ ﺴﺒﻘﻨﺎ ﺃﻫﻭ ﺇﺘﻔﻀل‬
‫ﺼﻭﺕ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺍﻝﺸﺎﺭﻉ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﻭﺘﻘﻑ ﻴﺎﺤﺎﺝ ‪.‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻏﻠﻘﻪ‬ ‫ﻭﻴﻨﺯل ﻋﻭﻨﻰ ﻭﺘﺎﺒﻌﻰ ﻭﻤﻌﻬﻤﺎ ﻓﻭﺯﻴﺔ ﺘﺎﺒﻌﻰ ‪ :‬ﻜﻭﻴﺱ ‪ .‬ﺨﻠﻴﻨﺎ ﻨﺨﻠﺹ‬
‫ﺒﻘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﺇﺘﻔﻀل ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 83‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺃﺴﺭﺓ ﻤﻴﺭﻓﺕ‬
‫ﻝﻘﻁﺔ ﺍﻤﺭﻴﻜﻴﺔ ‪American shot‬‬ ‫‪514‬‬
‫ﺍﻷﺏ ‪ :‬ﺃﻗﻭﻡ ﺃﻨﺎﻡ ﺃﻨﺎ ﺒﻘﻰ ‪.‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺇﺘﻔﻀل ﺃﻨﺕ ﻴﺎﻋﻤﻰ ﺨﺩ‬
‫ﻝﻠﺨﺎﺩﻤﺔ ﺘﺤﻤل ﺍﻝﻤﺸﺭﻭﺒﺎﺕ ﻭﺘﺘﺎﺒﻌﻬﺎ‬
‫ﺭﺍﺤﺘﻙ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ ﺘﺼل ﺍﻝﻰ ﺍﻷﺴﺭﺓ‬
‫ﺍﻷﻡ ‪ :‬ﺇﺘﻔﻀل ‪ .‬ﻭﺒﻌﺩﻴﻥ ﻤﻌﺎﻜﻰ‬
‫ﻭﺘﻀﻊ ﺍﻝﺼﻴﻨﻴﺔ ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺇﻨﺘﻰ ﻫﺎﺘﻔﻀﻠﻰ ﻤﻌﻘﺩﺍﻫﺎ ﻤﺎﺘﻔﺭﺠﻴﻬﺎ‬
‫ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﺒﻘﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﻫﺎﺘﻌﻤﻠﻰ ﺁﻴﻪ ﻴﺎﻤﻴﺭﻓﺕ ؟‬ ‫‪.‬‬ ‫‪M.‬‬ ‫‪S‬‬ ‫ﻝﻤﺎﻫﺭ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬ ‫‪515‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪ 516‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬

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‫ﻤﺎﻫﺭ ‪ :‬ﺒﺘﺫﺍﻜﺭﻯ ﻭ ﹶﻻ ﻷ ؟‬ ‫‪ up‬ﻝﻤﻴﺭﻓﺕ‬

‫ﺍﻷﻡ ‪ :‬ﻻﺒﺘﺫﺍﻜﺭ ﻭﻻ ﺤﺎﺠﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻸﻡ ﺘﺸﺭﺏ‬ ‫‪517‬‬
‫ﺍﻷﻡ ‪ :‬ﻭﺃﻫﻭ ﺍﻹﻤﺘﺤﺎﻥ ﻗﺭﺏ‬
‫ﺍﻝﺸﺎﻯ‬
‫ﺨﻼﺹ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M . L. s‬ﻤﺎﻫﺭ ‪ :‬ﻻ ﻻ ﻴﺎﻤﻴﺭﻓﺕ ﺃﻨﺎ ﻜﻠﻤﺕ‬ ‫‪518‬‬
‫ﻝﻠﺜﻼﺜﺔ ﺍﻷﻡ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻤﺎﻫﺭ ﻴﺴﺎﺭ ﺍﻝﺭﺍﺠل ﻭﻫﻭ ﻤﺴﺘﻨﻴﻜﻰ ‪ .‬ﺁﻴﻪ ﻫﺎ‬
‫ﻜﺎﺩﺭ ﻭﻤﻴﺭﻓﺕ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ‪ .‬ﺘﻜﺴﻔﻴﻨﻰ ﻭﻻ ﺁﻴﻪ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﻴﻥ ﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﺩﻩ ﻤﺩﻴﺭ ﺍﻝﺒﻨﻙ ﺍﻝﻠﻰ ﺃﻨﺎ‬
‫ﺒﺄﺘﻌﺎﻤل ﻤﻌﺎﻩ ‪ .‬ﺭﺍﺠل ﺼﺩﻴﻘﻰ‬
‫ﻭﻴﺘﻤﻨﻰ ﻝﻰ ﺃﻯ ﺨﺩﻤﺔ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻜﺩﻩ ﺒﺭﻀﻪ ﺘﻀﻴﻌﻰ ﻓﺭﺼﺔ‬
‫ﺯﻯ ﺩﻯ ﻤﻥ ﺇﻴﺩﻙ ‪.‬‬
‫ﻤﺎﻫﺭ ‪ :‬ﻭﺘﻀﻴﻌﻴﻬﺎ ﻝﻴﻪ ﻫﻰ ﺒﺱ‬
‫ﻨﺸﺩ ﺤﻴﻠﻬﺎ ﻭﻓﻭﻕ ﺩﻩ ﺃﻨﺎ ﺘﺤﺕ‬
‫ﺃﻤﺭﻫﺎ ﺭﻗﺒﺘﻰ ﺴﺩﺍﺩﺓ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺘﺸﻜﺭﺓ ﻴﺎﻤﺎﻫﺭ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻤﻥ ﻭﺠﻬﺔ‬ ‫‪519‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﺃﺼﻠﻰ‬
‫ﻨﻅﺭ ﻤﻴﺭﻓﺕ ﻝﻔﻨﺠﺎﻥ ﺍﻝﻘﻬﻭﺓ‬
‫ﻤﺎﻫﺭ ‪ :‬ﻻ ﺃﺼل ﻭﻻ ﻓﺼل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻤﺎﻫﺭ‬ ‫‪520‬‬
‫ﻴﺸﺭﺏ ﺍﻝﻘﻬﻭﺓ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﻴﺭﻓﺕ ﻤﺎﻫﺭ ‪ :‬ﻗﻭﻤﻰ ﻫﺎﺘﻰ ﺍﻝﻜﺘﺎﺏ ﺒﺘﺎﻋﻙ‬
‫ﻭﺇﺒﺘﺩﻯ ﻤﻥ ﺍﻝﻭﻗﺘﻰ ‪.‬‬ ‫ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻤﻴﺭﻓﺕ ﺘﻨﻅﺭ‬ ‫‪521‬‬
‫ﺍﻷﻡ ‪ :‬ﻗﻭﻤﻰ ﻴﺎﺒﻨﺘﻰ ‪.‬‬ ‫ﺃﺴﻔل ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﻨﺠﺎﻥ‬ ‫‪522‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﺘﻀﻴﻌﻴﺵ ﺍﻝﻔﺭﺼﺔ ﺩﻯ ﻤﻥ‬
‫ﺍﻝﻘﻬﻭﺓ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﻴﺭﻓﺕ‬
‫ﺇﻴﺩﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 84‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺇﺫﺍ ﻜﺎﻨﺕ ﺍﻝﺤﻜﺎﻴﺔ ﺒﻴﻊ ﺒﻴﻊ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪523‬‬
‫ﻨﺘﻜﻠﻡ ﻋﻠﻰ ﺍﻝﺒﻴﺕ ﻭﺍﻝﻭﺭﺸﺔ ‪.‬‬ ‫ﻤﺭﺘﻘﻌﺔ ‪ high angle‬ﻷﻓﺭﺍﺩ‬
‫ﻋﻭﻨﻰ ‪ :‬ﺃﻨﺎ ﻤﺴﺘﻌﺩ ﺃﺘﻜﻠﻡ ﻋﻥ‬ ‫ﺍﻷﺴﺭﺓ‬
‫ﺍﻝﻭﺭﺸﺔ ﺒﻤﺎ ﻴﺭﻀﻰ ﺍﷲ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻭﺃﻨﺎ ﻤﺴﺘﻌﺩ ﺍﺸﻴل ﺍﻝﻭﺭﺸﺔ‬
‫ﻭﺍﻝﺒﻴﺕ ﺴﻭﺍ ﻭﺃﺩﻓﻊ ﺴﻌﺭ ﻴﺸﺭﻑ‬
‫ﻭﻜﺎﺵ ‪.‬‬
‫‪ 524‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺴﻤﻴﺤﺔ‬
‫ﻭﺨﺩﻴﺠﺔ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ﺴﻤﻴﺤﺔ ‪ :‬ﻻ ﺃﻨﺎ ﺒﻴﺕ ﺃﺒﻭﻴﺎ‬
‫‪ Pan right‬ﺘﻤﺭ ﻋﻠﻰ ﻭﺠﻭﻩ ﻤﺎﻴﺘﺒﺎﻋﺵ ﺃﺒﺩﹰﺍ ‪.‬‬
‫ﻼ ‪ Tilt down‬ﺨﺩﻴﺠﺔ ‪ :‬ﻭﺃﻨﺎ ﻤﻊ ﺴﻤﻴﺤﺔ ﺇﻓﺭﻀﻭﺍ‬ ‫ﺍﻝﺠﺎﻝﺴﻴﻥ ﻭﺘﻨﺯل ﻗﻠﻴ ﹰ‬
‫ﺤﺘﻰ ﺘﺼل ﺍﻝﻰ ﺤﺴﻥ ﻭﺴﻠﻁﺎﻥ ﻭﺍﺤﺩﺓ ﻤﻨﺎ ﻻ ﻗﺩﺭ ﺍﷲ ﺯﻋﻠﺕ ﻤﻊ‬
‫ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﺠﻭﺯﻫﺎ ﻭ ﹶﻻ ﻭﻻﺩﻫﺎ ‪ ,‬ﻤﺎﺘﻼﻗﻴﺵ‬
‫ﺤﺘﻪ ﺘﺘﺎﻭﻯ ﻓﻴﻬﺎ ‪.‬‬ ‫‪M.S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 525‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺒﺭﻨﺱ ﻴﺴﺎﺭ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻭﺍﷲ ﻴﺎﺠﻤﺎﻋﺔ ﺃﻨﺎ ﻝﻴﺎ‬
‫ﻜﺎﺩ ﻭﺘﺎﺒﻌﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﻭﺘﺘﺤﺭﻙ ﺭﺃﻯ ‪ .‬ﺇﺤﻨﺎ ﻨﺠﻴﺏ ﺤﺩ ﻴﺘﻤﻥ ﺍﻝﺒﻴﺕ‬

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‫ﻭ ﺍﻝﻭﺭﺸﺔ ﻭﺍﻝﻠﻰ ﻴﻘﺩﺭ ﻴﺘﻜل ﻋﻠﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬

‫ﻝﺘﺴﻌﺭﺽ ﻭﺠﻭﻩ ﺍﻷﺴﺭﺓ ﺜﻡ ﺘﻘﻑ ﺍﷲ ﻫﻭ ﻴﺸﻴل ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻴﺸﻴل ﺁﻴﻪ ﻴﺎﺒﺭﻨﺱ ﺇﺤﻨﺎ‬ ‫ﺃﻤﺎﻡ ﻭﺠﻪ ﺭﺌﻴﻔﺔ‬
‫ﻫﺎﻨﺒﻴﻊ ﺍﻝﺒﻴﺕ ﺒﺱ َ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻰ ﺃﻥ ﺒﻴﺕ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American shot‬ﺤﺴﻥ ‪ :‬ﻓﻜﺭﻙ ﺴﻬل ﻋﻠ ‪‬‬ ‫‪526‬‬
‫ﻝﺴﻠﻁﺎﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻓﻰ ﺃﺒﻭﻴﺎ ﻴﺘﺒﺎﻉ ‪ ,‬ﺜﻡ ﺃﻨﺎ ﻤﺎﻓﻜﺭﺘﺵ ﻓﻰ‬
‫ﺍﻝﻤﻨﺘﺼﻑ ﻭﻭﻓﺎﺀ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻜﺩﺍ ﻏﻴﺭ ﻝﻤﺎ ﻤﺎﺤﺩﺵ ﻓﻴﻜﻡ ﻤﺩ‬
‫ﺃﻴﺩﻩ ‪ .‬ﻤﺎﺍﻨﺎ ﻓﻭﺕ ﻋﻠﻴﻜﻡ ﻭﺍﺤﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺍﺤﺩ ﺤﺩ ﺴﺄل ‪....‬ﺃﺴﻴﺏ ﺍﻝﻭﺭﺸﺔ‬
‫ﺘﺭﻭﺡ !‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American shot‬‬ ‫‪527‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻭﺭﺸﺔ ﺁﻴﻪ ﺩﻯ ﺩﻯ ﺒﻘﺕ‬
‫ﻝﻔﻭﺯﻴﺔ ﻭﺘﺎﺒﻌﻰ ﻭﺍﻝﺒﺭﻨﺱ‬
‫ﺨﺭﺩﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ﻝﺴﻠﻁﺎﻥ ‪American‬‬ ‫‪528‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺩﻯ ﻻﺯﻡ ﺘﻨﻬﺩﻡ ﻭﻴﺘﺒﻨﻰ‬
‫‪shot‬‬
‫ﻤﻜﺎﻨﻬﺎ ﻋﻤﺎﺭﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻻ ﻤﺅﺍﺨﺫﺓ ﻴﺎﻤﻌﻠﻡ ﻤﺎﺩﺍﻡ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺘﺎﺒﻌﻰ‬ ‫‪529‬‬
‫ﺴﻰ ﺤﺴﻥ ﺤﻁ ﺍﻝﻌﻘﺩﺓ ﻓﻰ ﺍﻝﻤﻨﺸﺎﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺒﻘﻰ ﻨﻌﺭﺽ ﺍﻷﻤﺭ ﻋﻠﻰ ﺍﻝﻤﺤﻜﻤﺔ‬
‫ﻭﺍﻝﻠﻰ ﺘﻘﻭﻝﻪ ﻴﻤﺸﻰ ﻋﻠﻰ ﺍﻝﻜل ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺤﺴﻥ ‪ .M . S‬ﺤﺴﻥ ‪ ) :‬ﻴﺼﺭﺥ ( ﻫﺎﺘﺭﻓﻊ ﻗﻀﻴﺔ‬ ‫‪530‬‬
‫ﻋﻠﻰ ﺍﻝﺤﺎﺝ ﻴﺎﻤﻌﻠﻡ ﺘﺎﺒﻌﻰ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻠﺘﺎﺒﻌﻰ ﺜﻡ‬ ‫‪531‬‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺍﻝﺤﻕ ﻤﺎﻴﺯﻋﻠﺵ ﺤﺩ ‪.‬‬
‫ﻝﺘﺩﺨل ﻓﻭﺯﻴﺔ ﻓﻰ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﻭﺘﺘﺤﺭﻙ‬
‫ﺯﻯ ﻤﺎﺍﻝﺒﻴﺕ ﺩﻩ ﻝﻙ ﻓﻴﻪ ﺃﺨﻭﺍﺘﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪ Pan Right‬ﻝﺘﺼل‬
‫ﺍﻝﺒﻨﺎﺕ ﻝﻬﻡ ﻓﻴﻪ‬
‫ﺍﻝﻰ ﺴﻤﻴﺤﺔ ﻭﺨﺩﻴﺠﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪532‬‬
‫ﺱ ﺍﻝﺤﺎﺝ ﺴﻠﻁﺎﻥ ﻝﺴﻪ‬ ‫ﺤﺴﻥ ‪ :‬ﺒ ‪‬‬
‫ﻭﺒﺠﻭﺍﺭﻩ ﺴﻠﻁﺎﻥ ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﻓﻰ‬
‫ﻋﺎﻴﺵ ﻴﺎﺤﺎﺝ ﻤﺎﻤﺎﺘﺵ ‪ .‬ﻫﺘﻘﺴﻤﻭﺍ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻭﺭﺜﻪ ﻗﺩﺍﻡ ﻋﻴﻨﻴﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American shot‬ﻓﻭﺯﻴﺔ ‪ :‬ﺁﻩ ﻭﺍﻝﻨﺒﻰ ﺍﻝﺤﺎﺝ ﺘﺎﺒﻌﻰ‬ ‫‪533‬‬
‫ﻋﻨﺩﻩ ﺤﻕ ﻫﻰ ﻻﺯﻤﺎﻙ ﻓﻰ ﺁﻴﻪ ‪.‬‬ ‫ﻝﻔﻭﺯﻴﺔ ﻭﺘﺎﺒﻌﻰ ﻭﺍﻝﺒﺭﻨﺱ‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺃﻨﺎ ﻋﻨﺩ ﺭﺃﻴﻰ ﻨﺒﻴﻊ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻭﺭﺸﺔ ﻭﺍﻝﺒﻴﺕ ﻭﻜل ﻭﺍﺤﺩ ﻴﺎﺨﺩ‬
‫ﻨﺼﻴﺒﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪534‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻭﺭﺸﺔ ﻤﺵ ﻫﺎﺘﺘﻬﺩ‬
‫‪ up‬ﻝﻭﺠﻪ ﺤﺴﻥ‬
‫ﻴﺎﺒﺭﻨﺱ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻋﻭﻨﻰ ‪ :‬ﻤﺎﺃﻨﺎ ﻗﻠﺕ ﻝﻠﻤﻌﻠﻡ ﻤﻥ‬ ‫‪535‬‬
‫ﺍﻷﻭل ﻋﻨﺩﻯ ﺍﻝﻠﻰ ﻴﺴﺩﺩ ﺍﻝﻀﺭﺍﻴﺏ‬ ‫ﻝﻭﺠﻪ ﻋﻭﻨﻰ‬
‫ﻭﻴﺎﺨﺩ ﻨﺹ ﺍﻝﻭﺭﺸﺔ ﻤﺎﺴﻤﻌﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﻼﻤﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪536‬‬
‫ﻼ ﺤﺴﻥ ‪ :‬ﻭﻤﻴﻥ ﺍﻝﻠﻰ ﻫﺎ ﻴﺴﺩﺩ‬ ‫‪ up‬ﻝﺤﺴﻥ ﻴﻨﺤﻨﻰ ﻷﺴﻔل ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻀﺭﺍﻴﺏ ﺍﻝﻠﻰ ﻝﻬﻔﻬﺎ ﻤﻥ ﺍﻷﻭل !‬ ‫ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻌﻭﻨﻰ ﻴﻘﻑ‬ ‫‪537‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻝﻡ ﻨﻔﺴﻙ ﻴﺎﺤﺴﻥ ﻭﺇﺤﺘﺭﻡ‬
‫ﻏﺎﻀﺒﹰﺎ‬
‫ﺍﻝﺭﺠﺎﻝﺔ ﺍﻝﻠﻰ ﻗﺎﻋﺩﺓ‬

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‫ﺱ ﻴﺎﻋﻭﻨﻰ ‪.‬‬ ‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﺃﻗﻌﺩ ﺒ ‪‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺼﻠﻭﺍ ﻋﻠﻰ ﺍﻝﻨﺒﻰ ﻴﺎﺠﻤﺎﻋﺔ ﺃﻨﺎ‬
‫ﻋﻨﺩﻯ ﺭﺃﻯ ﺘﺎﻨﻰ ‪ ...‬ﺇﺤﻨﺎ ﻜﻠﻨﺎ‬
‫ﻨﺴﺩﺩ ﺍﻝﻀﺭﺍﻴﺏ ﻭﺍﻝﻭﺭﺸﺔ ﺘﺒﻘﻰ‬
‫ﺒﺘﺎﻋﺘﻨﺎ ﻜﻠﻨﺎ ‪ ,‬ﻜل ﻭﺍﺤﺩ ﻋﻠﻰ ﻗﺩ‬
‫ﺍﻝﻠﻰ ﺩﻓﻌﻪ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﺃﻨﺎ ﻤﺵ ﻤﻭﺍﻓﻕ‬
‫ﻋﻭﻨﻰ ‪ :‬ﻭﺃﻨﺎ ﻤﺵ ﻤﻭﺍﻓﻕ‬
‫ﺤﺴﻥ ‪ :‬ﻋﻠﻰ ﺃﻯ ﺃﺴﺎﺱ ﺘﻭﺍﻓﻘﻭﺍ‬
‫ﻭﻻ ﻤﺎﺘﻭﺍﻓﻘﻭﺵ ‪ .‬ﺩﻩ ﺒﻴﺕ ﺃﺒﻭﻴﺎ‬
‫ﻭﺃﻨﺎ ﺍﻝﻠﻰ ﻫﺎﺃﺒﻴﻌﻪ ‪.‬‬
‫ﺘﺎﺒﻌﻰ ‪ :‬ﻜﺩﻩ ﻴﺒﻘﻰ ﻤﺎﻓﻴﺵ ﻗﺩﺍﻤﻨﺎ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﺘﺎﺒﻌﻰ ‪.M. S‬‬ ‫‪538‬‬
‫ﻏﻴﺭ ﺍﻝﻤﺤﻜﻤﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪539‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻤﺤﻜﻤﺔ ﻴﺎﺘﺎﺒﻌﻰ !‬ ‫‪ up‬ﻝﻭﺠﻪ ﺴﻠﻁﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ﺘﺎﺒﻌﻰ ‪ :‬ﺍﻝﻜﻼﻡ ﺩﻩ ﻜﻠﻪ ﻴﺘﻘﺎل ﻗﺩﺍﻡ‬ ‫‪540‬‬
‫‪ Hand Camera‬ﺍﻷﺨﻭﺍﺕ ﻴﻤﻴﻥ ﺍﻝﻘﺎﻀﻰ ‪ .‬ﻤﺎﺤﺩﺵ ﻀﺎﻤﻥ ﻋﻤﺭﻩ‬
‫ﻜﺎﺩﺭ ﻭﺤﺴﻥ ﻴﺴﺎﺭ ‪ .‬ﺜﻡ ﻴﻘﻑ ﺤﺴﻥ ﻴﺎﺴﻰ ﺤﺴﻥ ‪ .‬ﺍﻝﺒﻨﺎﺕ ﻝﻬﻡ ﺤﻕ‬
‫ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻻﺯﻡ ﻴﺘﺤﺎﻓﻅ ﻋﻠﻴﻪ ‪ .‬ﺩﻭل ﻭﻻﻴﺎ ‪.‬‬
‫ﻭﺩﻩ ﺤﻕ ﺭﺒﻨﺎ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻴﺎﺠﻤﺎﻋﺔ ﺍﻝﺤﻜﺎﻴﺔ‬
‫ﻤﺎﺤﺼﻠﺘﺵ ‪ .‬ﺇﻫﺩﻭﺍ ﺒﺎﷲ ﻭﺨﻠﻭﻨﺎ‬
‫ﻨﻔﻜﺭ ﺒﺎﻝﻌﻘل ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺒﻼ ﻋﻘل ﺒﻼ ﺯﻓﺕ ﻤﺎﺤﺩﺵ‬
‫ﻤﻨﻜﻭﺍ ﻝﻪ ﺤﻜﻡ ﻭﺍﻝﻠﻰ ﻤﺵ ﻋﺎﺠﺒﻪ‬
‫ﻴﺘﻔﻀل ﺍﻝﺒﺎﺏ ﻴﺴﺎﻉ ﺠﻤل ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪541‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻤﻥ ﻭﺠﻬﺔ‬
‫ﻨﻅﺭ ﺤﺴﻥ ﻝﺴﻠﻁﺎﻥ ﻭﺒﺎﻗﻰ ﺃﻓﺭﺍﺩ‬
‫ﺍﻷﺴﺭﺓ ﻭﻴﻘﻑ ﺴﻠﻁﺎﻥ ﻭﺭﺌﻴﻔﺔ ﺘﺴﻨﺩﻩ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﻭﻴﺨﺭﺠﺎ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan Left‬‬
‫) ﻋﺩﺴﺔ ﻭﺍﺴﻌﺔ ‪( Fish Eye‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 85‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺴﻠﻁﺎﻥ‬
‫‪ 542‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺴﻠﻁﺎﻥ‬
‫ﻴﺩﺨل ﺍﻝﻐﺭﻓﺔ ﻭﻭﺭﺍﺀﻩ ﺭﺌﻴﻔﺔ ﻭﺘﺘﺎﺒﻊ‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﺇﻗﻔﻠﻰ ﺍﻝﺸﻴﺵ ﻴﺎﺭﺌﻴﻔﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺭﺌﻴﻔﺔ ‪ Pan Left‬ﻭﻫﻰ‬
‫ﺍﻷﻡ ‪ :‬ﺤﺎﻀﺭ ‪.‬‬
‫ﺘﺫﻫﺏ ﻨﺎﺤﻴﺔ ﺍﻝﻨﺎﻓﺫﺓ ﻭﺘﻐﻠﻘﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 543‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﻝﻭﺠﻪ ﺴﻠﻁﺎﻥ ﻨﺎﺌﻡ ﻭﻴﻐﻤﺽ ﻋﻴﻨﻴﻪ‬
‫ﻗﻁﻊ ‪. Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 86‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺸﺎﺭﻉ ﺍﻝﻬﺭﻡ‬
‫ﺍﻝﺭﺍﻜﺒﺔ ‪ :‬ﺍﻝﻬﺭﻡ ﻴﺎﺴﻁﻰ ﺍﷲ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺸﺎﺭﻉ‬ ‫‪544‬‬
‫ﺼﻭﺕ ﻓﺭﻤﻠﺔ ﺸﺩﻴﺩﺓ‬
‫ﻭﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻭﻴﻘﻑ ﻷﺤﺩ ﺍﻝﺭﻜﺎﺏ ﻴﺴﺘﺭﻙ‬

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‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 545‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁ ‪ .M. S‬ﻝﺤﺴﻥ ﻤﻥ‬
‫ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﺇﺭﻜﺒﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 546‬ﻝﻘﻁﺔ ﺍﻤﺭﻴﻜﻴﺔ ‪American shot‬‬
‫ﻝﻠﺴﻴﺎﺭﺓ ﻤﻥ ﺍﻝﺨﻠﻑ ﻭﺘﺭﻜﺏ ﺍﻝﺭﺍﻜﺒﺔ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﻨﻁﻠﻕ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺘﻐﻴﻴﺭ ﺍﻝﻌﺩﺍﺩ‬ ‫‪ 547‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻝﻴﺩ ﺤﺴﻥ ﺘﻐﻴﺭ ﺍﻝﻌﺩﺍﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﺸﺎﺭﻉ ﻭﺘﺩﺨل ﺤﺴﻥ ‪ :‬ﺍﻝﺒﺎﻗﻰ !‬ ‫‪548‬‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻘﻑ ﺜﻡ ﺘﻨﺯل ﺍﻝﺴﻴﺩﺓ ‪ : 1‬ﺨﻠﻠﻰ ﺍﻝﺒﺎﻗﻰ ﻋﻠﺸﺎﻨﻙ‬
‫ﺍﻝﺴﻴﺩﺓ ‪ .‬ﻭﺘﺭﻜﺏ ﺴﻴﺩﻩ ﺃﺨﺭﻯ ‪ .‬ﺜﻡ ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺍﻝﻤﻌﺎﺩﻯ ﻴﺎﺴﻁﻰ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻷ ‪.‬‬ ‫ﻴﺭﻜﺏ ﺭﺠﻼﻥ‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﻤﻌﻠﺵ ﻋﺸﺎﻥ ﻤﺘﺄﺨﺭﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ‪.‬‬‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻋﻠﻰ ﺍﻝﺸﺎﺭﻉ ﺒ ‪‬‬
‫ﺍﻝﻔﺘﺎﺓ ‪OK :‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪549‬‬
‫ﻴﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺍﻝﻔﺘﺎﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪550‬‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﻤﻌﻠﺵ ﺩﻭل ﻭﻻﺩ ﺨﺎﻝﺘﻰ ‪.‬‬ ‫ﻝﻠﻔﺘﺎﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ‬ ‫‪551‬‬
‫ﺤﻭﻝﻪ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﻌﺩﺍﺩ‬
‫ﺼﻭﺕ ﺍﻝﻌﺩﺍﺩ‬ ‫ﻝﺘﺘﺎﺒﻊ ﻴﺩﻩ ‪ Pan Right‬ﻭﻫﻰ ﺘﻐﻴﺭ‬
‫ﺍﻝﻌﺩﺍﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﺤﺴﻥ ﺒﺭﻭﻓﻴل‬ ‫‪552‬‬
‫ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺃﺤﺩ ﺍﻝﺭﺠﻠﻴﻥ ﻓﻰ ﺭﺠل ‪ : 1‬ﺒﺄﻗﻭﻝﻙ ﺁﻴﻪ ﻤﺎﺘﺴﻠﻔﻨﻰ‬
‫ﻋﺭﺒﻴﺘﻙ ﻨﺹ ﺴﺎﻋﺔ ‪.‬‬ ‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻠﻔﺘﺎﺓ ﺘﻨﻅﺭ‬ ‫‪553‬‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺩﻩ ﻓﺎﻜﺭ ﺇﻨﻙ ﺒﺘﻬﺯﺭ ‪.‬‬ ‫ﺃﻤﺎﻤﻬﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺭﺠل‪ .M. S 1‬ﺭﺠل ‪ : 1‬ﻷ ﺒﺄﺘﻜﻠﻡ ﺠﺩ ﻤﺤﺘﺎﺠﻴﻨﻬﺎ‬ ‫‪554‬‬
‫ﻓﻰ ﻤﺸﻭﺍﺭ ﺼﻐﻴﺭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪555‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻝﻠﺴﻴﺎﺭﺓ‬
‫ﺼﻭﺕ ﻓﺭﻤﻠﺔ ﺸﺩﻴﺩﺓ‬
‫ﻭﻫﻰ ﺘﻠﺘﻔﺕ ﻓﺠﺄﺓ ﻭﺘﻔﺭﻤل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ ﺤﺴﻥ ‪ :‬ﺇﺘﻔﻀﻠﻭﺍ ﺒﻘﻰ ﺇﻨﺯﻝﻭﺍ ﻫﻨﺎ‬ ‫‪556‬‬
‫ﻭﻜﻔﺎﻴﺔ ﻋﻠﻴﻜﻭﺍ ﻜﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪557‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻝﻠﺴﻴﺎﺭﺓ ﻭﻴﻨﺯل ﻤﻨﻬﺎ ﺍﻝﺭﺠل‬
‫ﺍﻝﺠﺎﻝﺱ ﻓﻰ ﺍﻝﺨﻠﻑ‬

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‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻴﺩ ﺤﺴﻥ‬ ‫‪558‬‬

‫ﺘﻤﺘﺩ ﻝﺘﺎﺒﻠﻭﻩ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺘﺩﺨل ﻴﺩ‬
‫ﻭﺘﻀﺭﺒﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ‬ ‫‪559‬‬
‫ﻴﻤﺴﻙ ﻴﺩﻩ ﻭﺘﻀﻊ ﺍﻝﻔﺘﺎﺓ ﻓﻰ ﺭﻗﺒﺘﻪ‬
‫ﺍﻝﻔﺘﺎﺓ ‪ :‬ﺇﻨﺯل ﺒﺎﻝﺫﻭﻕ ﺃﺤﺴﻥ ﻝﻙ‬
‫ﻤﻥ ﺍﻝﺨﻠﻑ ﻤﺴﺩﺴ ﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪560‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬
‫‪ Camera‬ﻝﻠﺴﻴﺎﺭﺓ ﻤﻥ ﺍﻝﺨﺎﺭﺝ‬
‫ﻭﺤﺴﻥ ﻴﻀﺭﺏ ﺍﻝﻤﺴﺩﺱ ﻭ ﺍﻝﺭﺠل‬
‫ﺍﻝﺠﺎﻝﺱ ﺒﺠﻭﺍﺭﻩ ﻭﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﺨﺭﺝ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻝﻴﻀﺭﺏ ﺍﻝﺭﺠل ﺍﻝﻭﺍﻗﻑ ﺨﺎﺭﺝ‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺜﻡ ﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ﻓﻰ ﻭﺠﻪ‬
‫ﺍﻝﺭﺠل ﺍﻝﺠﺎﻝﺱ ﻋﻨﺩﻤﺎ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪561‬‬
‫ﻤﺤﻤﻭﻝﺔ ‪Hand Camera‬‬
‫ﻝﺤﺴﻥ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺃﻤﺎﻡ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻭﻴﺩﺨل ﺍﻝﺭﺠل ﻝﻴﻀﺭﺒﻪ ﻭﻴﻤﺴﻜﻪ‬
‫ﺤﺴﻥ ﻤﻥ ﺍﻝﺠﺎﻜﻴﺕ ﻭﻴﻠﻜﻤﻪ ﻭﻴﻠﻘﻴﻪ‬
‫ﻋﻠﻰ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M . S‬ﻝﺴﺎﻗﻰ ﺤﺴﻥ‬ ‫‪562‬‬
‫ﺤﺴﻥ ‪ :‬ﺁﻩ ‪.‬‬ ‫ﻭﻴﻀﺭﺒﻪ ﺍﻝﺭﺠل ﻓﻴﻬﻤﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪563‬‬
‫ﻝﻠﺭﺠل ﻭﻫﻭ ﻴﻤﺴﻙ ﺤﺴﻥ ﻤﻥ ﻭﺴﻁﻪ‬
‫ﻭﻴﺩﻓﻌﻪ ﻨﺎﺤﻴﺔ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﺭﺃﺱ ﺤﺴﻥ‬ ‫‪564‬‬
‫ﻭﻫﻰ ﺘﺼﻁﺩﻡ ﺒﺠﺎﻨﺏ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺭﺠل‬ ‫‪565‬‬
‫ﺍﻝﺭﺍﻗﺩ ﻓﻰ ﺍﻝﻤﻘﻌﺩ ﺍﻷﻤﺎﻤﻰ ﺒﺎﻝﺴﻴﺎﺭﺓ‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﻴﻌﺘﺩل ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ‬
‫ﻭﻴﺩﻴﺭ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪566‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬
‫‪ Camera‬ﻝﺤﺴﻥ ﺒﻴﻥ ﺍﻝﺭﺠﻠﻴﻥ‬
‫ﺼﻭﺕ ﺍﻝﻠﻜﻤﺎﺕ‬
‫ﻭﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﺍﻝﺴﻴﺎﺭﺓ ﺘﺒﺘﻌﺩ ﻋﻥ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺒﻴﻨﻤﺎ ﻴﻘﻭﻡ ﺍﻝﺭﺠﻼﻥ ﺒﻠﻜﻤﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪567‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬

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‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ ‪Hand‬‬

‫‪Camera‬‬
‫ﻗﻁﻊ ﻝﺤﺴﻥ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻴﺴﻘﻁ ﻋﻠﻰ ﺍﻝﺭﺠل ﻻﺫﻯ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻴﻘﻭﻡ ﺒﻠﻜﻤﻪ ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ‬ ‫‪568‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻭﺠﻬﻪ ﻤﻠﻰﺀ ﺒﺎﻝﺩﻤﺎﺀ ﺯ‬
‫ﻭﻴﻠﻜﻤﻪ ﺍﻝﺭﺠل ﺍﻷﺨﺭ ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻤﺭﺘﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺍﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪569‬‬
‫ﻝﺤﺴﻥ ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﺭﺠل ﻴﻠﻜﻤﻪ‬
‫ﻓﻰ ﺒﻁﻨﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺒﻁﻥ ﺤﺴﻥ‬ ‫‪570‬‬
‫ﻭﻫﻰ ﺘﺘﻠﻘﻰ ﺍﻝﻠﻜﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪571‬‬
‫ﻝﺤﺴﻥ ﻤﻨﺤﻨﻰ ﻭﻋﻠﻰ ﻴﻤﻴﻨﻪ ﻭﻴﺴﺎﺭﻩ‬
‫ﺍﻝﺭﺠﻼﻥ ﻭﺘﻘﺘﺭﺏ ﺍﻝﺴﻴﺎﺭﺓ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺠﺭﻯ ﺍﻝﺭﺠﻼﻥ ﻨﺎﺤﻴﺔ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ ﻭﺼﻭﺕ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺭﻜﺒﺎﻫﺎ ﻭﺘﻨﻁﻠﻕ ﻤﺒﺘﻌﺩﺓ‬
‫ﺤﺴﻥ ‪ :‬ﻴﺎﻭﻻﺩ ﺍﻝﻜﻠﺏ ‪.‬‬
‫ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻋﺎﻝﻰ‬ ‫ﻋﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺤﺴﻥ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ ﻷﺴﻔل‪Tilt‬‬
‫‪ Down‬ﺜﻡ ﺘﺭﺘﻔﻊ ﻤﻌﻪ ‪Tilt up‬‬
‫ﻭﻫﻭ ﻴﺤﺎﻭل ﺍﻝﻭﻗﻭﻑ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 86‬‬
‫ﻝﻴل ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻀﺎﺒﻁ ﺒﻘﺴﻡ‬
‫ﺍﻝﺒﻭﻝﻴﺱ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺼﻭﺭ‬ ‫‪572‬‬
‫ﺼﻭﺕ ﺍﻝﻭﺭﻕ‬ ‫ﻤﺸﺘﺒﻪ ﻓﻴﻬﻡ ﻓﻰ ﻤﻠﻑ ﺍﻝﺸﺭﻁﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 573‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﻝﺤﺴﻥ ﺍﻝﻀﺎﺒﻁ ‪ :‬ﺩﻯ ﻜل ﺼﻭﺭ ﺍﻝﻤﺴﺠﻠﻴﻥ‬
‫ﻴﺠﻠﺱ ﺃﻤﺎﻡ ﻤﻜﺘﺏ ﺍﻝﻀﺎﺒﻁ ﻭﻴﺘﺤﺭﻙ ﻋﻨﺩﻨﺎ ‪.‬‬
‫ﺍﻝﻀﺎﺒﻁ ﺒﺎﻝﻤﻠﻑ ﻨﺎﺤﻴﺔ ﺩﻭﻻﺏ ﻴﻤﻴﻥ ﺤﺴﻥ ‪ :‬ﺍﻝﻠﻰ ﻀﺭﺒﻭﻨﻰ ﺸﻜﻠﻬﻡ‬
‫ﻤﺵ ﺴﻭﺍﺒﻕ ﺩﻭل ﻭﻻﺩ ﻨﺎﺱ‬ ‫ﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻌﻤﻕ ‪.‬‬
‫ﻋﺎﺩﻴﻴﻥ ﺠﺩﹰﺍ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻀﺎﺒﻁ ‪ :‬ﺴﻴﺠﺎﺭﺓ ‪ ! .‬ﻝﻭ ﺸﻔﺘﻬﻡ‬
‫ﻫﺎﺘﻘﺩﺭ ﺘﺘﻌﺭﻑ ﻋﻠﻴﻬﻡ‬
‫‪ 574‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻝﺤﺴﻥ ﻭ ﺍﻝﻀﺎﺒﻁ ﻴﺸﻌل ﻝﻪ ﺤﺴﻥ ‪ :‬ﺃﻁﻠﻌﻬﻡ ﻭﻝﻭ ﻓﻰ ﻭﺴﻁ‬
‫ﻤﻠﻴﻭﻥ ‪.‬‬ ‫ﺍﻝﺴﻴﺠﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 87‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﺴﻥ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪575‬‬
‫ﻝﻤﻴﺭﻓﺕ ﻨﺎﺌﻤﺔ ﻓﻰ ﺍﻝﺴﺭﻴﺭ ﻭﺘﺴﺘﻴﻘﻅ‬

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‫ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ tilt up‬ﻭﺘﺘﺠﻪ‬

‫ﻨﺎﺤﻴﺔ ﺒﺎﺏ ﺍﻝﻐﺭﻓﺔ ﻭﻤﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺴﻥ ‪ :‬ﻤﻴﻥ ؟‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﺤﺴﻥ ‪ :‬ﺇﻓﺘﺤﻰ ‪.‬‬ ‫ﻴﺴﺎﺭﹰﺍ ‪. Pan Left‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 576‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻤﻴﺭﻓﺕ‬
‫ﺘﻌﺒﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻴﺴﺎﺭﹰﺍ‪ Pan‬ﺤﺴﻥ ‪ :‬ﺇﻓﺘﺤﻰ ﺍﻨﺎ ﺤﺴﻥ‬
‫‪ Left‬ﻭﻫﻰ ﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﻌﺒﺭ ﺤﺴﻥ ﻤﻴﺭﻓﺕ ‪ :‬ﺤﺴﻥ ! ﺃﻤﺎل ﻓﻴﻥ ‪...‬‬
‫ﺃﻤﺎﻤﻬﺎ ﻤﺘﺠﻬ ﹰﺎ ﻨﺎﺤﻴﺔ ﺍﻝﻐﺭﻓﺔ ‪ .‬ﺇﻴﻪ ﺩﻩ ﻤﺎﻝﻙ ﻴﺎﺤﺴﻥ ‪ ....‬ﺤﺴﻥ !‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 88‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ‬
‫‪ 577‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L . S‬ﻝﺤﺴﻥ ﻤﻥ‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﻫﻭ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﻝﻙ ﻴﺎﺤﺴﻥ ! ﺁﻴﻪ ﺍﻝﻠﻰ‬
‫ﻨﺎﺌﻡ ﻓﻭﻕ ﺍﻝﺴﺭﻴﺭ ﻭﺘﺩﺨل ﻤﻴﺭﻓﺕ ﻤﻥ‬
‫ﺤﺼل !‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺠﻠﺱ ﺒﺠﻭﺍﺭﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 578‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻭﺠﻪ ﺤﺴﻥ‬
‫ﺸﺒﻪ ﻏﺎﺌﺏ ﻋﻥ ﺍﻝﻭﻋﻰ ﻴﻨﻅﺭ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻭﺠﻪ‬ ‫‪579‬‬
‫ﻤﻴﺭﻓﺕ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﻜﻠﻡ ﺒﺩﻥ‬
‫ﺼﻭﺕ ﺴﺭﻴﻨﺔ‬ ‫ﺼﻭﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 89‬‬
‫ﻓﺠﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻁﺭﻴﻕ ﺼﺤﺭﺍﻭﻯ‬
‫‪ 580‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬
‫ﻝﺴﻴﺎﺭﺓ ﺍﻝﺸﺭﻁﺔ ﺘﻘﻁﻊ ﺍﻝﻁﺭﻴﻕ‬
‫ﻭﺘﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﻭﻗﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 581‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L. S‬‬
‫ﻝﺴﻴﺎﺭﺓ ﺤﺴﻥ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺘﻘﺩﻡ ﺍﻝﻀﺎﺒﻁ ﻭﺤﺴﻥ ﻨﺎﺤﻴﺘﻬﺎ‬
‫ﻭﻤﻌﻬﻤﺎ ﺭﺯﻕ ‪ .‬ﻭﻴﺼﻌﺩ ﺤﺴﻥ ﺍﻝﻰ ﺍﻝﻀﺎﺒﻁ ‪ :‬ﻫﻰ ﺩﻯ ﻤﺵ ﻜﺩﺍ !‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺠﻠﺱ ﺃﻤﺎﻡ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ ‪ .‬ﺤﺴﻥ ‪ :‬ﻫﻰ‬
‫ﻭﻴﻘﺘﺭﺏ ﺍﻝﻀﺎﺒﻁ ﻤﻨﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 90‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻀﺎﺒﻁ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M . L‬‬ ‫‪582‬‬
‫ﻝﻠﺼﻭﺹ ﻴﻘﺘﺭﺒﻭﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻀﺎﺒﻁ ‪ :‬ﻫﻤﺎ ﺩﻭل ؟‬
‫ﻭﻴﻌﺒﺭﻭﻨﻬﺎ ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﺤﺴﻥ ‪ :‬ﺃﻴﻭﺓ ‪.‬‬
‫‪ Pan Left‬ﺤﺘﻰ ﻴﺩﺨﻠﻭﻥ ﺤﺠﺭﺓ‬
‫ﺍﻝﻀﺎﺒﻁ ‪ :‬ﺇﺤﻨﺎ ﻗﺒﻀﻨﺎ ﻋﻠﻴﻬﻡ‬
‫ﺍﻝﻀﺎﺒﻁ ﻭﻴﻘﻔﻭﺍ ﻭﻅﻬﺭﻫﻡ ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺒﻴﺴﺭﻗﻭﺍ ﺸﻘﺔ ﻓﻰ ﺍﻝﺯﻤﺎﻝﻙ ‪,‬‬
‫ﻭﻴﻘﺘﺭﺏ ﺤﺴﻥ ﻤﻨﻬﻡ ﻭﻴﺒﺩﺃ ﻓﻰ ﻀﺭﺏ‬
‫ﻭﺇﺘﻀﺢ ﺇﻨﻬﻡ ﻁﻠﺒﺔ ﻓﻰ ﺍﻝﺠﺎﻤﻌﺔ ‪.‬‬
‫ﺃﺤﺩﻫﻡ ﻭﻴﻤﺴﻜﻪ ﺭﺯﻕ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 91‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺴﻠﻁﺎﻥ‬

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‫‪ 584‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M . S‬ﻝﻜﻭﺜﺭ ﺘﺩﺨل ﻜﻭﺜﺭ ‪ :‬ﺒﺎﺒﺎ ﺃﻨﺎ ﻓﻜﺭﺕ ﻜﻭﻴﺱ ‪ .‬ﺃﺒﻭ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ﻋﻤﻴﺭﺓ ﻤﺵ ﻭﺤﺵ ﻴﺎﺒﺎﺒﺎ ‪ ,‬ﺃﻨﺎ‬
‫‪ Pan Right‬ﺤﺘﻰ ﺘﺼل ﺍﻝﻰ ﺴﺄﻝﺕ ﻋﻠﻴﻪ ﻭﻋﺭﻓﺕ ﺇﻨﻪ ﺒﻁل ﻴﺒﻴﻊ‬
‫ﺴﻠﻁﺎﻥ ﺍﻝﺠﺎﻝﺱ ﻭﺘﺼﺒﺢ ﺒﺭﻭﻓﻴل ﻭﻫﻭ ﻤﺨﺩﺭﺍﺕ ﻤﻥ ﺯﻤﺎﻥ ﻭﺒﻘﻰ ﻜﻭﻴﺱ ‪,‬‬
‫ﻭﻫﺎﻴﻌﻴﺸﻨﻰ ﻜﻭﻴﺱ ﻭﻫﺎﻴﺠﻴﺏ ﻝﻰ‬ ‫ﻜﺫﻝﻙ ‪.‬ﺜﻡ ﺘﺤﻀﻨﻪ‬
‫ﻋﺭﺒﻴﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺴﻠﻁﺎﻥ ‪ :‬ﻷ ﺭﻭﺤﻰ ﺫﺍﻜﺭﻯ ‪.‬‬
‫ﻜﻭﺜﺭ ‪ :‬ﺼﺩﻗﻨﻰ ﻴﺎﺒﺎﺒﺎ ‪ .‬ﺃﻨﺎ ﺇﻗﺘﻨﻌﺕ‬
‫ﺒﻴﻪ ﻤﻥ ﻏﻴﺭﺅ ﺃﻯ ﻀﻐﻁ ‪.‬‬
‫ﺃﻨﺎ ﺭﺤﺕ ﻝﻪ ﻭﻓﺭﺡ ﻗﻭﻯ ﻭﻜﺎﻥ‬
‫ﻋﺎﻴﺯ ﻴﺠﻴﺏ ﺍﻝﻤﺄﺫﻭﻥ ﺩﻝﻭﻗﺘﻰ ﺒﺱ‬
‫ﺍﻨﺎ ﻗﻠﺕ ﻝﻪ ﺒﻌﺩ ﺃﺴﺒﻭﻉ ﻋﻠﻰ ﺒﺎل ﻤﺎ‬
‫ﺃﺠﻬﺯ ﻓﺴﺘﺎﻥ ﺍﻝﻔﺭﺡ ‪ ) .‬ﺘﺒﻜﻰ (‬
‫ﻤﺸﻬﺩ ) ‪( 92‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪585‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﻠﺴﻴﺎﺭﺓ‬
‫ﺍﻷﺠﺭﺓ ﻤﺘﻭﻗﻔﺔ ﻓﻰ ﻁﺭﻴﻕ ﺯﺭﺍﻋﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ‬ ‫‪586‬‬
‫ﺩﺍﺨل ﺍﻝﺴﻴﺎﺭﺓ ﻭﺭﺃﺴﻪ ﻋﻠﻰ ﻋﺠﻠﺔ‬
‫ﺍﻝﻘﻴﺎﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪587‬‬
‫‪ up‬ﻝﺭﺯﻕ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻫﻭ ﺭﺯﻕ ‪ :‬ﻤﺎﺨﻼﺹ ﺒﻘﻰ ﻴﺎﺤﺴﻥ ﻴﺎﻝﻼ‬
‫ﺒﻴﻨﺎ ﻨﺭﻭ‪‬ﺡ ‪.‬‬ ‫ﺠﺎﻝﺱ ﺒﺠﻭﺍﺭ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪588‬‬
‫‪ up‬ﻝﻀﻴﻑ ﺍﻝﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﻀﻴﻑ ‪ :‬ﺍﻝﺴﻜﻭﺕ ﺩﻩ ﻤﺵ ﻫﺎﻴﺤل‬
‫ﺃﻨﺴﻰ ﺍﻝﻤﻭﻀﻭﻉ ﻭﻓﻜﺭ ﻓﻰ ﺍﻝﻭﺭﺸﺔ‬ ‫ﺍﻝﺨﻠﻔﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪589‬‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻀﻴﻑ ﻭﻴﻅﻬﺭ ﺠﺎﻨﺏ ﻤﻥ‬
‫ﻀﻴﻑ ‪ :‬ﺃﻨﺎ ﺃﺨﻭﻙ ﺍﻝﺼﻐﻴﺭ‬
‫ﻅﻬﺭﻩ ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻤﻨﺤﻨﻰ‬
‫ﻴﺎﺴﻁﻰ ‪.‬‬
‫ﻓﻭﻕ ﻋﺠﻠﺔ ﺍﻝﻘﻴﺎﺩﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close‬ﻀﻴﻑ ‪ :‬ﻭﺇﻨﺕ ﻋﺎﺭﻑ ﻤﻌﺯﺘﻙ‬ ‫‪590‬‬
‫ﻋﻨﺩﻯ ﺃﺩ ﺁﻴﻪ ‪ .‬ﺃﻨﺎ ﻋﺭﻓﺕ ﻜل‬ ‫‪ up‬ﻝﻀﻴﻑ ﻴﻅﻬﺭ ﺒﺭﻭﻓﻴل‬
‫ﺤﺎﺠﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﻭﺠﻬﺔ‬ ‫‪591‬‬
‫ﻨﻅﺭ ﻀﻴﻑ ﻝﺤﺴﻥ ﻴﻌﺘﺩل ﺤﺴﻥ ﻀﻴﻑ ‪ :‬ﺃﺭﺠﻭﻙ ﻴﺎﺴﻁﻰ‬
‫ﻤﺎﺘﻜﺴﻔﻨﻴﺵ ‪.‬‬ ‫ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﻝﻤﺭﺁﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻀﻴﻑ ﻴﺭﻓﻊ ﻀﻴﻑ ‪ :‬ﺩﻭل ﺃﻝﻑ ﺠﻨﻴﻪ ﻜﻨﺕ‬ ‫‪592‬‬
‫ﻤﺤﻭ‪‬ﺸﻬﻡ ﻋﻠﺸﺎﻥ ﺸﺒﻜﺔ ﻜﻭﺜﺭ ‪,‬‬ ‫ﺍﻝﻨﻘﻭﺩ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﺨﺩﻫﻡ ﻴﺎﺴﻁﻰ ﻭﺍﻝﺸﺒﻜﺔ ﻨﺒﻘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﺠﻴﺒﻬﺎ ﺒﺭﺍﺤﺘﻨﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪593‬‬
‫‪ up‬ﻝﺤﺴﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﺎﺭﺝ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻭﻴﻅﻬﺭ ﺤﺴﻥ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬

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‫ﻭﻀﻴﻑ ﻓﻰ ﺍﻝﻤﻘﻌﺩ ﺍﻝﺨﻠﻔﻰ ﻓﻰ ﺨﻠﻔﻴﺔ‬

‫ﺤﺴﻥ ‪ :‬ﺸﻴل ﻓﻠﻭﺴﻙ ﻴﺎﻀﻴﻑ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺭﺯﻕ ﺭﺯﻕ ‪ :‬ﺍﷲ ﺠﺭﻯ ﺁﻴﻪ ﻴﺎﺤﺴﻥ ‪...‬‬ ‫‪594‬‬
‫ﺍﻝﺭﺍﺠل ﺒﻘﻰ ﻤﻨﻨﺎ ﺨﻼﺹ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﻀﻴﻑ ﻀﻴﻑ ‪ :‬ﺤﺘﻰ ﻤﻥ ﻏﻴﺭ ﻤﻭﻀﻭﻉ‬ ‫‪595‬‬
‫ﻜﻭﺜﺭ ﻴﺎﺃﺴﺘﺎﺫ ﺭﺯﻕ ‪ ,‬ﺍﻷﺴﻁﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺴﻥ ﻴﺒﻘﻰ ﺃﺨﻭﻴﺎ ﺍﻝﻜﺒﻴﺭ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﺭﺯﻕ ﻴﺄﺨﺫ ﺭﺯﻕ ‪ :‬ﻫﺎﺕ ﻴﺎﻀﻴﻑ ‪ ,‬ﻋﻠﻰ‬ ‫‪596‬‬
‫ﺍﻷﺭﺒﻌﺔ ﺍﻝﻠﻰ ﻤﻌﺎﻴﺎ ﻴﺒﻘﻭﺍ ﺨﻤﺴﺔ‬ ‫ﺍﻝﻨﻘﻭﺩ ﻤﻥ ﻀﻴﻑ‬
‫ﻋﻠﻰ ﺤﻕ ﺍﻝﻌﺭﺒﻴﺔ ﻴﺒﻘﻭﺍ ﺘﺴﻌﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺍﻷﻝﻑ ﺍﻝﺒﺎﻗﻴﺔ ﻫﺎﺃﺩﺒﺭﻫﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪597‬‬
‫‪ up‬ﻝﺤﺱ ﻴﻨﻅﺭ ﻝﻀﻴﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 93‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺤﺴﻥ ﻏﺭﻓﺔ‬
‫ﺍﻝﻨﻭﻡ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪598‬‬
‫‪ up‬ﻝﻤﻴﺭﻓﺕ ﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻝﺴﺭﻴﺭ ﻤﻴﺭﻓﺕ ‪ :‬ﻋﺭﺒﻴﺔ ﺁﻴﻪ ﺍﻝﻠﻰ ﻋﺎﻴﺯ‬
‫ﺘﺒﻴﻌﻬﺎ ﻴﺎﺤﺴﻥ ؟‬ ‫ﻭﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪599‬‬
‫ﺤﺴﻥ ‪ :‬ﻋﺭﺒﻴﺘﻰ !‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪M. Close up‬‬ ‫‪600‬‬
‫ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻝﻤﻴﺭﻓﺕ ﻤﻴﺭﻓﺕ ‪ :‬ﻗﺼﺩﻙ ﻋﺭﺒﻴﺘﻨﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪601‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪ up‬ﻝﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M. L. S‬ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﻗﻠﺕ ﻝﻙ ﻝﻭ ﺒﻌﺕ‬ ‫‪602‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﺍﻝﻌﺭﺒﻴﺔ ﺘﻁﻠﻘﻨﻰ ‪.‬‬
‫ﻝﺤﺴﻥ ﻭﻤﻴﺭﻓﺕ ﻭﻴﺠﻠﺱ ﺤﺴﻥ ﻴﻤﻴﻥ ﺤﺴﻥ ‪ :‬ﺩﻩ ﺭﺯﻕ ﺤﻁ ﺍﻷﺭﺒﻊ ﺘﻼﻑ‬
‫ﻭﻤﻴﺭﻓﺕ ﻴﺴﺎﺭ ‪ .‬ﺜﻡ ﻴﻘﻑ ﺤﺴﻥ ﺠﻨﻴﻪ ﺒﺘﻭﻉ ﺍﻝﺸﻘﺔ ‪ ,‬ﺤﺘﻰ ﺍﻝﻭﺍﺩ‬
‫ﻀﻴﻑ ﺍﻝﻐﻠﺒﺎﻥ ﺤﻁ ﻜل ﺍﻝﻠﻰ‬ ‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺤﻴﻠﺘﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺎ ﻤﺎﻝﻴﺵ ﺩﻋﻭﺓ ﺒﺤﺩ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺇﺘﻐﻴﺭﺘﻰ ﻜﺘﻴﺭ ﻗﻭﻯ‬
‫ﻴﺎﻤﻴﺭﻓﺕ‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻤﺎﻓﻴﺵ ﺤﺎﺠﺔ ﺒﺘﻔﻀل‬
‫ﻋﻠﻰ ﺤﺎﻝﻬﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﻁﺏ ﻭﺍﻝﻭﻝﺩ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﻫﺎﻴﻌﻴﺵ ﻤﻌﺎﻴﺎ ﻋﻨﺩ‬
‫ﻤﺎﻤﺎ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﻅﺎﻫﺭ ﺇﻨﻙ ﻤﻭﻀﺒﺔ ﻜل‬
‫ﺤﺎﺠﺔ ‪.‬‬
‫ﻤﻴﺭﻓﺕ ‪ :‬ﺃﻨﺕ ﺍﻝﻠﻰ ﺩﻓﻌﺘﻨﻰ ﻝﻜل ﺩﻩ‬
‫ﻴﺎﺤﺴﻥ ‪.‬‬
‫ﺤﺴﻥ ‪ :‬ﺍﻝﺴﺕ ﺍﻝﻤﺭﻓﻭﺽ ﺘﻘﻑ‬

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‫ﺠﻨﺏ ﺠﻭﺯﻫﺎ ‪.‬‬

‫ﻤﻴﺭﻓﺕ ‪ :‬ﻝﻤﺎ ﺠﻭﺯﻫﺎ ﻴﻘﻑ ﺠﻨﺏ‬
‫ﺒﻴﺘﻪ ﻭﺃﻭﻻﺩﻩ ﺍﻷﻭل ‪ ........‬ﻝﻭ‬
‫ﺒﻌﺕ ﺍﻝﻌﺭﺒﻴﺔ ﻁﻠﻘﻨﻰ ‪.‬‬
‫ﺕ‬
‫ﺤﺴﻥ ‪ :‬ﺤﺘﻰ ﻝﻭ ﻤﺎﺒﻌﺘﻬﺎﺵ ﺃﻨ ٍ‬
‫ﻁﺎﻝﻕ ‪ ..‬ﻁﺎﻝﻕ ‪.‬‬
‫‪ 603‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬
‫‪ up‬ﻝﺼﻭﺭﺓ ﻓﻭﺘﻭﻏﺭﺍﻓﻴﺔ ﻝﻤﻴﺭﻓﺕ‬
‫ﻭﺤﺴﻥ ﻭﻫﺎﻨﻰ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫ﻤﻴﺭﻓﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 94‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .l. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪604‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﺘﺎﺒﻌﻰ ﺘﺎﺒﻌﻰ ‪ :‬ﺍﻝﺠﻜﺎﻴﺔ ﺩﻯ ﻻﺯﻡ ﺘﺭﺴﻴﻠﻬﺎ‬
‫ﻭﺍﻝﺒﺭﻨﺱ ﻭﻋﻭﻨﻰ ﻴﺼﻌﺩﻭﻥ ﺍﻝﺴﻼﻝﻡ ﻋﻠﻰ ﺒﺭ ‪.‬ﺃﻨﺎ ﻤﺵ ﻓﺎﻀﻰ ﻝﻠﻌﻁﻠﺔ‬
‫ﻭﻴﻘﺘﺭﺒﻭﻥ ﻤﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺎﺒﻊ ﻋﻭﻨﻰ ﺩﻯ ‪.‬‬
‫ﻭﻫﻭ‪ Pan Left‬ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺭﻨﺱ ‪ :‬ﻭﻻ ﺃﻨﺎ ﻓﺎﻀﻰ ﻴﺎﺤﺎﺝ ‪.‬‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺍﷲ ﻤﺎﺃﻨﺎ ﺴﺎﻴﺏ ﻤﺼﻠﺤﺘﻰ ﻓﻰ‬
‫ﺇﻴﺩﻴﻥ ﺍﻝﻌﻴﺎل ‪ .‬ﻭﻻ ﻋﺎﺭﻑ ﻋﻤﻠﻭﺍ‬ ‫ﻤﺘﻭﺴﻁﺔ ‪.M.S‬‬
‫ﻓﻴﻬﺎ ﺁﻴﻪ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻭﻨﻰ ‪ :‬ﻴﺒﻘﻰ ﻻﺯﻡ ﺘﻠﺤﻘﻭﺍ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﻭﺍﻹ ﺍﻝﻤﻭﻀﻭﻉ ﻴﺘﻘﺩﻡ‬
‫ﻝﻠﻨﻴﺎﺒﺔ ‪ .‬ﺃﻨﺎ ﻋﺎﺭﻑ ﺤﺴﻥ ﺩﻤﺎﻏﻪ‬
‫ﻨﺎﺸﻔﺔ ﻭﻤﺵ ﻨﺎﻭﻯ ﻴﺠﻴﺒﻬﺎ ﻝﺒﺭ ‪.‬‬
‫ﺼﻭﺕ ﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬
‫ﻤﺸﻬﺩ ) ‪( 95‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻌﺭﺽ ﺴﻴﺎﺭﺍﺕ‬
‫‪ 605‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺴﻴﺎﺭﺓ ‪ .L. S‬ﺍﻷﺠﺭﺓ‬
‫ﺘﻘﻑ ﺍﻤﺎﻡ ﺒﺎﺏ ﺍﻝﻤﻌﺭﺽ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﻥ ﺍﻝﺩﺍﺨل ﻭﻴﻨﺯل ﺸﺎﺏ ﻤﻥ ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻭﻴﺩﺨل ﺍﻝﻤﻌﺭﺽ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‪Pan Right‬‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﻤﻜﻴﺏ ﻴﺠﻠﺱ ﺃﻤﺎﻤﻪ‬
‫ﺤﺴﻥ ﻭﺼﺎﺤﺏ ﺍﻝﻤﻌﺭﺽ ﻭﻴﻌﻁﻴﻪ‬
‫ﺍﻝﻤﻔﺎﺘﻴﺢ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﺩﻓﻊ ﺼﺎﺤﺏ ﺍﻝﻤﻌﺭﺽ ﻨﻘﻭﺩﹰﺍ‬
‫ﻝﺤﺴﻥ ﻭﻴﺒﺩﺃ ﺤﺴﻥ ﻓﻰ ﻋﺩﻫﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 96‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺒﻬﻭ ﺍﻝﻤﺤﻜﻤﺔ‬
‫‪ 606‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻋﺒﺩﺍﷲ ‪ :‬ﺃﻫ ﹰ‬
‫ﻼ ﻴﺎﺭﺯﻕ ‪ .‬ﻤﺎﻝﻙ ﻓﻴﻪ‬
‫ﻝﻌﺒﺩ ﺍﷲ ﻭﻜﻴل ﺍﻝﻨﻴﺎﺒﺔ ﻭﻫﻭ ﻴﺨﺭﺝ ﺤﺎﺠﺔ !‬
‫ﻤﻥ ﺃﺤﺩ ﺍﻷﺒﻭﺍﺏ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺭﺯﻕ ‪ :‬ﺃﻨﺎ ﻋﺎﻭﺯ ﻤﻨﻙ ﺃﻝﻑ ﺠﻨﻴﻪ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬ ‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Right‬ﺴﻠﻑ ‪.‬‬
‫ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺭﺯﻕ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﻋﺒﺩﺍﷲ ‪ :‬ﺨﻴﺭ ﺇﻨﺸﺎﺀ ﺍﷲ !‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American‬ﺭﺯﻕ ‪ :‬ﻤﺤﺘﺎﺠﺎﻫﻡ ﻓﻰ ﻤﻭﻀﻭﻉ‬
‫‪ Shot‬ﻭﻴﺼﺎﻓﺤﺎ ﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ‪ .‬ﻤﻬﻡ ﺠﺩﹰﺍ ‪ .‬ﻤﻌﺎﻙ ﻭ ﹶﻻ ﻤﺎﻤﻌﺎﻜﺵ ؟‬
‫ﺜﻡ ﻴﺘﺤﺭﻜﺎ ﻤﺒﺘﻌﺩﻴﻥ ﻋﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﻋﺒﺩﺍﷲ ‪ :‬ﺩﻝﻭﻗﺘﻰ ‪.‬‬

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‫ﺭﺯﻕ ‪ :‬ﻫﺄﺒﻌﺘﻬﻤﻠﻙ ﺃﻭل ﻤﺎﺃﺴﺎﻓﺭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻋﺒﺩﺍﷲ ‪ :‬ﻁﺏ ﻴﺎﻝﻼ ﺒﻴﻨﺎ ﻨﻠﺤﻕ‬
‫ﺍﻝﺒﻨﻙ ‪.‬‬

‫ﻤﺸﻬﺩ ) ‪( 97‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺴﻴﺎﺭﺓ ﺃﺠﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close‬‬ ‫‪607‬‬
‫ﺭﺯﻕ ‪ :‬ﻝﻭ ﻜﻨﺎ ﻗﺒل ﺍﻝﺴﺎﻋﺔ ﺇﺘﻨﻴﻥ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫‪ Up‬ﻝﺭﺯﻕ ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻜﻨﺎ ﺩﻓﻌﻨﺎ ﺍﻝﻔﻠﻭﺱ ﻭﻝﻐﻴﻨﺎ ﺍﻝﺤﺠﺯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M . Close‬ﺤﺴﻥ ‪ :‬ﻴﺎﺴﻴﺩﻯ ﺒﻜﺭﺓ ﻨﺩﻓﻊ ‪.‬‬ ‫‪608‬‬
‫‪ Up‬ﻝﺤﺴﻥ ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﻤﻬﻡ ﺩﻝﻭﻗﺘﻰ ﻨﺭﻭﺡ ﻨﻔﺭ‪‬ﺡ ﺃﺒﻭﻴﺎ ‪.‬‬
‫ﻴﻤﺴﻙ ﺍﻝﻨﻘﻭﺩ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻫﺎﺃﺨﺩﻩ ﻤﻥ ﺇﻴﺩﻩ ﻭﺃﻨﺯﻝﻪ ﺍﻝﻭﺭﺸﺔ ‪.‬‬
‫ﻭﺃﻨﺎ ﻤﺘﺄﻜﺩ ﺃﻨﻪ ﻫﺎﻴﺨﻑ ﻭﻴﺸﺘﻐل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻥ ﺒﻜﺭﺓ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪609‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻝﻠﺴﻴﺎﺭﺓ‬
‫ﺍﻷﺠﺭﺓ ﺘﺩﺨل ﺍﻝﺸﺎﺭﻉ ﻭﺘﻘﻑ ﺃﻤﺎﻡ‬
‫ﺍﻝﻤﻨﺯل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻤﻥ ﺩﺍﺨل‬ ‫‪610‬‬
‫ﺍﻝﺴﻴﺎﺭﺓ ﺍﻷﺠﺭﺓ ﻝﻠﻤﻨﺯل ﻤﻥ ﻭﺠﻬﺔ ﺤﺴﻥ ‪ :‬ﺩﻯ ﺍﻝﻌﺼﺎﺒﺔ ﻜﻠﻬﺎ ﻫﻨﺎ‬
‫ﺒﺭﺍﺒﻁﺔ ﺍﻝﻤﻌﻠﻡ ‪.‬‬ ‫ﻨﻅﺭ ﺭﺯﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺜﻼﺜﺔ ‪ .L . S‬ﺤﺴﻥ‬ ‫‪611‬‬
‫ﻭﺭﺯﻕ ﻭﻀﻴﻑ ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻷﺒﻭﺍﺏ‬
‫ﺍﻝﺴﻴﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 98‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل‬
‫ﺴﻠﻁﺎﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪612‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻝﻠﺜﻼﺜﺔ‬
‫ﻴﺩﺨﻠﻭﻥ ﺍﻝﻤﻨﺯل ﻭﻴﺼﻌﺩﻭﻥ ﺍﻝﺴﻼﻝﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﻭﺠﻪ ﺤﺴﻥ‬ ‫‪613‬‬
‫ﻭﻫﻭ ﻴﻨﻅﺭ ﻷﻋﻠﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ ‪M . S‬‬ ‫‪614‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺍﻝﺨﻠﻑ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﺼﻭﺕ ﺼﺭﺍﺥ‬ ‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻭﻴﺼﻌﺩﻭﻥ‬
‫ﺍﻝﺴﻠﻡ ﺒﺴﺭﻋﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﺜﻼﺜﺔ ‪ . L . S‬ﻤﻥ‬ ‫‪615‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﻫﻡ‬
‫ﻴﺼﻌﺩﻭﻥ ﺍﻝﺴﻠﻡ ﻭﻴﺼﻠﻭﻥ ﺍﻝﻰ ﺒﺎﺏ‬
‫ﺍﻝﺸﻘﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 99‬‬

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‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﺴﻠﻁﺎﻥ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﺤﺴﻥ‬ ‫‪616‬‬
‫ﻭﻀﻴﻑ ﻭﺨﻠﻔﻬﻡ ﻴﻘﻑ ﻀﻴﻑ ﻴﻨﻅﺭﻭﻥ‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M . S‬ﻋﺩﺴﺔ‬ ‫‪617‬‬
‫ﻭﺍﺴﻌﺔ ‪ Fish eye angle‬ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﺒﻴﻥ‬
‫ﺃﻓﺭﺍﺩ ﺍﻷﺴﺭﺓ ﻭﺘﻅﻬﺭ ﻜﻭﺜﺭ ﻭﻫﻰ‬
‫ﺘﺒﻜﻰ ﻭﺘﻀﺭﺏ ﻭﺠﻬﻬﺎ ﺒﻴﺩﻫﺎ ﻭﺍﻝﺠﻤﻴﻊ‬
‫ﻴﺒﻜﻭﻥ ﺤﻭل ﺴﻠﻁﺎﻥ ﺍﻝﺭﺍﻗﺩ ﻤﻴﺘﹰﺎ ﻋﻠﻰ‬
‫ﺍﻝﻤﻘﻌﺩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪618‬‬
‫ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low Angle‬‬
‫ﻝﺤﺴﻥ ﻭﻫﻭ ﻴﺴﻘﻁ ﺒﺠﻭﺍﺭ ﺴﻠﻁﺎﻥ ﺤﺴﻥ ‪ :‬ﺁﺒﻪ‬
‫ﻭﻴﻤﺩ ﻴﺩﻩ ﺒﺎﻝﻨﻘﻭﺩ ﺘﺠﺎﻩ ﺴﻠﻁﺎﻥ‬
‫ﻭﻴﺭﻓﻌﻭﻩ ﻤﻥ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M . S‬ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪619‬‬
‫ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﻤﻥ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ ﻋﺩﺴﺔ ﻭﺍﺴﻌﺔ‪fish‬‬
‫ﺼﻭﺕ ﺇﻤﺭﺃﺓ ‪ :‬ﻴﺎﻝﻬﻭﻯ ﺇﺘﺴﺭﻗﺕ‬
‫‪ eye angle‬ﻭﻫﻭ ﻴﻨﻅﺭ ﻓﻰ ﻭﺠﻭﻩ‬
‫ﻴﺎﻨﺎﺱ ﺇﻝﺤﻘﻭﻨﻰ ‪.‬‬
‫ﺃﻓﺭﺍﺩ ﺍﻷﺴﺭﺓ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻴﻬﻡ‬
‫ﺠﻤﻴﻌ ﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪(100‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻷﻤﺭﺃﺓ ﺘﻠﺘﻔﺕ‬ ‫‪620‬‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ ﻭﺃﺼﻭﺍﺕ‬
‫ﺍﻝﻤﺭﺃﺓ ‪ :‬ﻴﺎﻝﻬﻭﻯ ‪.‬‬ ‫ﺤﻭﻝﻬﺎ ﻓﻰ ﺯﻋﺭ‬
‫ﺍﻝﺭﻜﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻭﻫﻭ ﻴﻘﻭﺩ‬ ‫‪621‬‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﻠﺘﻔﺕ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M .L .S‬‬ ‫‪622‬‬
‫ﻝﻠﺹ ﻭﻫﻭ ﻴﻨﺩﺱ ﺒﻴﻥ ﺍﻝﺭﻜﺎﺏ ﻭﻴﺘﺤﻪ‬
‫ﻓﻰ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺒﺎﺏ‬
‫ﺍﻷﺘﻭﺒﻴﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻭﺠﻪ ﺤﺴﻥ‬ ‫‪623‬‬
‫ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻠﺹ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪624‬‬
‫ﻝﻠﺹ ﻴﺘﺠﻪ ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M. S‬ﻝﺤﺴﻥ‬ ‫‪625‬‬
‫ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ tilt down‬ﻤﻊ ﻴﺩﻩ‬
‫ﻭﻫﻭ ﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬

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‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American shot‬‬ ‫‪626‬‬

‫ﻝﻠﺹ ﻴﻬﺒﻁ ﺴﻼﻝﻡ ﺍﻝﺒﺎﺏ ﻭﻴﻐﻠﻕ‬
‫ﺍﻝﺒﺎﺏ ﻓﻰ ﻭﺠﻬﻪ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻌﻪ‬
‫ﻷﺴﻔل ‪ Tilt Down‬ﺜﻡ ﺘﺘﺎﺒﻌﻪ ﻭﻫﻭ‬
‫ﻴﺼﻌﺩ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫ﻨﺎﺤﻴﺔ ﺍﺤﺩﻯ ﺍﻝﻨﻭﺍﻓﺫ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻝﻸﺘﻭﺒﻴﺱ ﻤﻥ‬ ‫‪627‬‬
‫ﺍﻝﺨﺎﺭﺝ ﻴﻘﻑ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ‬
‫ﺼﻭﺕ ﻓﺭﻤﻠﺔ ﺸﺩﻴﺩﺓ ﻭﺼﻭﺕ‬
‫ﺍﻝﻠﺹ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ ﻭﻴﻘﻔﺯ ﺍﻝﻰ ﺍﻷﺭﺽ‬
‫ﺃﺒﻭﺍﻕ ﺍﻝﺴﻴﺎﺭﺍﺕ ﻓﻰ ﺍﻝﺸﺎﺭﻉ‬
‫ﻭﻴﺠﺭﻯ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M . L .S‬‬ ‫‪628‬‬
‫ﻝﺤﺴﻥ ﻴﻨﺯل ﻤﻥ ﺍﻷﺘﻭﺒﻴﺱ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻭﻴﻨﻅﺭ ﻓﻰ‬
‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L .S‬ﻝﺤﺴﻥ ﻴﻨﺯل ﻤﻥ‬ ‫‪629‬‬
‫ﺍﻷﺘﻭﺒﻴﺱ ﻭﻴﺠﺭﻯ ﺨﻠﻑ ﺍﻝﻠﺹ ﻓﻰ‬
‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L . S‬ﻝﻠﺹ ﻴﺠﺭﻯ ﻓﻰ‬ ‫‪630‬‬
‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻭﺭﺍﺀﻩ ﻴﻅﻬﺭ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪631‬‬
‫ﻤﻨﺨﻔﻀﺔ‪ Low Angle‬ﻝﺤﺴﻥ‬
‫ﻴﺠﺭﻯ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﻭﻝﺔ‬
‫‪hand Camera‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ﻝﺤﺴﻥ ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ‬ ‫‪632‬‬
‫ﻭﺍﻝﻠﺹ ﻴﺠﺭﻯ ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺒﺠﻭﺍﺭ ﺃﺤﺩ ﺍﻷﺴﻭﺍﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪633‬‬
‫ﻤﺤﻤﻭﻝﺔ‪ Hand Camera‬ﻝﻠﺹ‬
‫ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻓﻰ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﺼﻭﺕ ﺍﻷﻗﺩﺍﻡ‬ ‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﺒﻼﺩﻯ ﺒﻼﺩﻯ‬
‫ﻭ ﻴﺨﺭﺝ ﻤﻁﻭﺍﺓ ﻤﻥ ﺠﻴﺒﻪ ﻭﻴﺤﺭﻜﻬﺎ‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﺍﻝﻜﺎﻤﻴﺭﺍ‬ ‫‪634‬‬
‫ﻤﺤﻤﻭﻝﺔ ‪ Hand Camera‬ﻝﺤﺴﻥ‬
‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻠﺹ ﻭﻫﻭ ﻴﺘﻔﺎﺩﻯ‬
‫ﺍﻝﺴﻜﻴﻥ ﺍﻝﺘﻰ ﺘﻅﻬﺭ ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American shot‬‬ ‫‪635‬‬
‫ﻝﻠﺹ ﻴﺤﺎﻭل ﺇﺼﺎﺒﺔ ﺤﺴﻥ ﻤﻥ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺤﺴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American shot‬‬ ‫‪636‬‬

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‫ﻝﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﻠﺹ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬

‫ﻭﻫﻭ ﻴﺭﻓﻊ ﻴﺩﻩ ﻷﻋﻠﻰ ﻭﻴﺤﺭﻙ ﺤﺴﻥ‬
‫ﺠﺴﺩﻩ ﻴﻤﻴﻨﹰﺎ ﻭﻴﺴﺎﺭﹰﺍ ﻭﺘﻨﺯل ﺍﻝﻀﺭﺒﺔ‬
‫ﻓﻰ ﺍﻝﻬﻭﺍﺀ ﻭﻴﻤﺴﻙ ﺍﻝﻠﺹ ﻤﻥ ﺠﺎﻨﺒﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M . S‬ﻝﺤﺴﻥ‬ ‫‪637‬‬
‫ﻴﻤﺴﻙ ﺒﺎﻝﻠﺹ ﻭﻭﻴﻀﻊ ﻴﺩﻴﻪ ﺒﻴﻥ‬
‫ﺯﺭﺍﻋﻰ ﺍﻝﻠﺹ ﻭﺭﺃﺴﻪ ﻭﻴﺩﻓﻌﻪ ﻨﺤﻭ‬
‫ﺍﻝﻭﺭﺍﺀ ﻭﺤﺴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺍﻝﻠﻜﻤﺎﺕ‬
‫ﻫﻭ ﻭﺍﻝﻠﺹ ‪ .‬ﺜﻡ ﻴﻌﺩﻝﻪ ﻝﻴﺼﺒﺢ ﺍﻝﻠﺹ‬
‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺒﺩﺃ ﻓﻰ ﻝﻜﻤﻪ‬
‫ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪638‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻝﺤﺴﻥ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﻠﺹ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻰ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M . S‬ﻝﺤﺴﻥ‬ ‫‪639‬‬
‫ﻴﻜﻤل ﻝﻜﻡ ﺍﻝﻠﺹ ﻭﻴﻘﻊ ﺍﻝﻠﺹ ﻋﻠﻰ‬
‫ﺍﻷﺭﺽ ﻓﻴﺠﺫﺒﻪ ﺤﺴﻥ ﻭﻴﻠﻜﻤﻪ ﻓﻰ‬
‫ﻭﺠﻬﻪ ﻤﺭﺘﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪.M . S. 2‬‬ ‫‪640‬‬
‫ﺤﺴﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﻠﺹ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﻠﻜﻡ ﺒﺼﺩﻯ‬ ‫) ﺤﺭﻜﺔ ﺒﻁﻴﺌﺔ ‪ ( Slow Motion‬ﺤﺴﻥ ‪ :‬ﻴﺎﻭﻻﺩ ﺍﻝﻜﻠﺏ‬
‫ﻭﻴﻠﻜﻤﻪ ﺤﺴﻥ ﻓﻰ ﻭﺠﻬﻪ ﺜﻼﺙ ﻤﺭﺍﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺤﺴﻥ ﻤﻥ‬ ‫‪641‬‬
‫ﺍﻝﺯﺍﻭﻴﺔ ﺍﻝﻌﻜﺴﻴﺔ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻓﻰ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﻠﺹ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺤﺴﻥ ‪ :‬ﻴﺎﻭﻻﺩ ﺍﻝﻜﻠﺏ‬
‫ﻭﻴﻠﻜﻤﻪ ﻭﻴﺨﺭﺝ ﺍﻝﻠﺹ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺼﺒﺢ ﺤﺴﻥ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ ‪M . S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﺤﺴﻥ‬ ‫‪642‬‬
‫ﺒﺭﻭﻓﻴل ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﻠﺹ ﻴﺴﺎﺭ‬
‫ﺤﺴﻥ ‪ :‬ﻴﺎﻭﻻﺩ ﺍﻝﻜﻠﺏ‬
‫ﻜﺎﺩﺭ ﻭﻴﻠﻜﻤﻪ ﻤﺭﺘﻴﻥ ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺘﻌﻠﻭ ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M . S‬ﻝﺤﺴﻥ ﻓﻰ‬ ‫‪643‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻀﺭﺏ ﺍﻝﻠﺹ ‪ ,‬ﺜﻡ‬
‫ﻴﻀﺭﺒﻪ ﺜﺎﻨﻴﺔ ﻭﻴﺜﺒﺕ ﺍﻝﻜﺎﺩﺭ ‪Freeze‬‬
‫ﺒﻌﺩ ﺍﻝﻀﺭﺒﺔ ﻭﻴﺼﺒﺢ ﺍﻝﻠﺹ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ﻭﺭﺃﺴﻪ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ﻭﺤﺴﻥ‬
‫ﻤﺨﻔﻀﺎ ﻴﺩﻴﻪ ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻠﺹ‬
‫ﻭﺘﻅﻬﺭ ﺘﻴﺘﺭﺍﺕ ﺍﻝﻔﻴﻠﻡ ﺍﻝﻨﻬﺎﺌﻴﺔ ﻋﻠﻰ‬
‫ﺍﻝﻜﺎﺩﺭ ﺍﻝﺜﺎﺒﺕ‬
‫ﺤﺴﻥ‬ ‫ﻨﻭﺭ ﺍﻝﺸﺭﻴﻑ‬
‫ﻤﻴﺭﻓﺕ‬ ‫ﻤﻴﺭﻓﺕ ﺃﻤﻴﻥ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/64.htm‬‬ ‫‪9/22/2011‬‬
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‫ﻋﻤﺎﺩ ﺤﻤﺩﻯ ﺍﻝﺤﺎﺝ ﺴﻠﻁﺎﻥ‬

‫ﻨﺒﻴﻠﺔ ﺍﻝﺴﻴﺩ ﺴﻤﻴﺤﺔ‬
‫ﻭﺤﻴﺩ ﺴﻴﻑ ﺍﻝﺒﺭﻨﺱ‬
‫ﺯﻫﺭﺓ ﺍﻝﻌﻼ ﻭﺍﻝﺩﺓ ﻤﻴﺭﻓﺕ‬
‫ﻋﺯﻴﺯﺓ ﺤﻠﻤﻰ ﻭﺍﻝﺩﺓ ﺤﺴﻥ‬
‫ﻋﻭﻨﻰ‬ ‫ﺤﺴﻥ ﺤﺴﻨﻰ‬
‫ﻋﻠﻰ ﺍﻝﻐﻨﺩﻭﺭ ﺍﻝﺤﺎﺝ ﺘﺎﺒﻌﻰ‬
‫ﻤﺤﻤﺩ ﺸﻭﻗﻰ ﺃﺒﻭ ﻋﻤﻴﺭﺓ‬
‫ﻝﻴﻠﻰ ﻴﺴﺭﻯ ﺨﺩﻴﺠﺔ‬
‫ﻋﻠﻴﺔ ﻋﺒﺩ ﺍﻝﻤﻨﻌﻡ ﺍﻝﺤﺎﺠﺔ ﻓﻭﺯﻴﺔ‬
‫ﺭﺯﻕ‬ ‫ﺸﻌﺒﺎﻥ ﺤﺴﻴﻥ‬
‫ﻭﻓﺎﺀ‬ ‫ﺼﻔﺎﺀ ﺍﻝﺴﺒﻊ‬
‫ﺤﻤﺩﻯ ﺍﻝﻭﺯﻴﺭ ﻀﻴﻑ‬
‫ﻋﺒﺩﺍﷲ‬ ‫ﻤﺤﻤﺩ ﻜﺎﻤل‬
‫ﺴﻤﻴﺭ ﻭﺤﻴﺩ ﺼﻤﻭﺌﻴل‬
‫ﻜﻭﺜﺭ‬ ‫ﻫﺩﻯ ﻜﺎﻤل‬
‫ﻋﻠﻰ ﺍﻝﺒﺭﻨﺱ‬ ‫ﻋﺒﺩﺍﷲ ﻤﺤﻤﻭﺩ‬
‫ﺤﻤﺩﻯ ﺍﻝﺒﺭﻨﺱ‬ ‫ﻋﺒﺩﻩ ﺍﻝﻭﺯﻴﺭ‬
‫ﺯﻤﻴل ﺤﺴﻥ‬ ‫ﺃﺤﻤﺩ ﺸﺒﻜﺔ‬
‫ﺍﻝﻨﻬﺎﻴﺔ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/64.htm‬‬ ‫‪9/22/2011‬‬