Professional Documents
Culture Documents
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5.1. Victorian and Edwardian Britain
The Edwardian Era (1901-1910) still retained many of the characteristics of
the previous era regarding moral values and conduct. As king, Edward enabled the
modernisation and reorganization of the British Navy and Army, favored peace and
diplomatic relationship with the other European nations and embraced the new
technological advances.
There were many changes regarding the political sphere, with advancing
imperialism in Africa and Asia, for the control of raw resources, markets and trade
routes. For Britain, the control of the Suez Canal (from 1888) and strategic outposts
in the Mediterranean (Gibraltar) meant that Britain still ruled the seas.
There was also a development in the strength of workers and trade unions,
legalized in 1872.
Mary Wollstonecraft defended such views in the 18th century, although the
French Revolution and the extreme political conservatism in Britain due to the
Napoleonic Wars led to repression of any idea considered as radical.
The first organized women’s movements appeared around the 1850s to
demand the reform of the legal system.
The English feminist movement was influenced by French utopian socialist
thought and socialist thought that considered women’s situation as part of the
working-class situation. Women’s inequality was theorized by Engels as a direct
consequence of their exclusion from socially productive work.
The Utilitarian philosophy that influenced the English feminist movement
advocated for equality in education and the separation of all religious influence from
ethis, law, and politics.
In 1893 New Zealand became the first self-governing country to grant the vote
to all women over the age of 21.
In Britain, Emmeline Pankhurst founded in 1903 the British Women’s Social
and Political Union (WSPU), a women-only association that fought for the right to
vote. The term “suffragette” refers to members of this women’s rights organization
that were active through civil disobedience and radical actions.
With the outbreak of WWI, the movement focused on the war effort and
volunteered for many traditional male roles, emphasizing that women were capable
too.
In the 1918 general election, some women were able to vote for the first time
(those that were property owners and over 30). Women were also allowed to be
elected to parliament. In 1928 the voting suffrage for women was extended to all
women over 21.
In the American context, the demand for women’s suffrage began to gather
strength in the 1840s. During the Seneca Falls Convention (1848), considered as the
first women’s rights convention, a resolution was passed in favor of women’s
suffrage. The first national suffrage organizations were established in the 1870s and
mainly pursued women’s suffrage: the National American Woman Suffrage
Association (NAWSA), and The Women’s Christian Temperance Union (WCTU), and
later the National Woman’s Party (NWP). Their appeals to vote were rejected, and
they advocated for the amendment of the US Constitution state by state.
Women gained the franchise in the states of Washington in 1910, but not all
states allowed women to vote in the same conditions. In 1912 the Progressive PArty,
formed by Theodore Roosevelt, endorsed women’s suffrage.
It wasn’t until the outbreak of WWI in 1917 that the suffrage movement had a
significant influence, as women replaced men into workplaces in the home front.
By 1918 as consequence of the suffrage in Britain, women in most Canadian
provinces could vote and that pressured the US into passing the 19th Amendment to
the United States Constitution. By the end of 1919 women could vote for president in
most of the states in the US. The 1920 election became the first United States
presidential election in which women were allowed to vote in every state.
Feminist literature
Mary Wollstonecraft’s “A Vindication of the Rights of Woman” (1792) is
considered the earliest work of feminist philosophy.
During the 19th and 20th centuries, authors take positions regarding the role
of women and their rights in western society by writing foundational works of
feminism that supported the suffrage.
“The Yellow Wallpaper” is regarded as an important work in the American
feminist literature. It was written by Charlotte Perkins Gilman in 1892 and it portrays
the mainstream attitudes towards the mental health of women in the 19th century,
where hysteria was the main diagnosis for women.
In “A Room of One’s Own” (1928), Virginia Woolf gives the reasons why a
woman must have money and a room of her own to write fiction: the creation of the
creative space to produce their own reality.
The war period represents the end of all certainties and this traumatic
realization, the war to end all wars (no creo que sea importante pero me gustó jaja).
The detective story became popular in this period. Agatha Christie, “the
Queen of Crime” is the most successful. She wrote over 60 detective novels
featuring Hercule Poirot and Miss Marple.
- James Joyce wrote Ulysses, where he explored a rich variety of ideas. The
characters and episodes of the novel have parallels in ancient Greek stories
and the Homeric story. He contributed to the development of the novel in
English in the 20th century with new techniques of narrative and he wrote
about Dublin and its people as human universal experience. In “Dubliners”
(1914) he depicts the lives of ordinary people of the city with realism, and in
“The Portrait of the Artist as a Young Man” he uses the stream of
consciousness as a glimpse of the development of the genius towards
intellectual, and artistic adulthood.
- In “The Waste Land”, T. S. Eliot expresses the rupture in the psychological
state of humanity, with the rigid Victorian ideals and the trauma of WWI.
- D. H. Lawrence reflected how industrialization and modernity had
dehumanized society. He explored sexuality, vitality and instinct and his works
often scandalized British society. His works are: “Sons and Lovers” (1913);
“Women in Love” (1920); and “Lady Chatterley’s Lover” (1929).
- E. M. Forster in “Where Angels Fear to Tread” (1905) and “A Room With a
View” (1908), “Howards End” (1910) and “A Passage to India” (1924) focuses
on contrasts of different world views meeting and changing by the reflection
on the other and the hypocrisy of class difference.
- Virginia Woolf’s main novels are: “Mrs Dalloway” (1925); “To The Lighthouse”
(1927); and “The Waves” (1931). She used a styled version of stream of
consciousness that became a definitory characteristic of Modernism.
The Lost Generation experienced the war and survived it, being also aware of
how much was lost. This term refers in the British context to those who died in war,
but it also refers to the generation of expatriate American writers in Paris in the
1920s. Some are:
- Gertrude Stein who wrote “The Autobiography of Alice B. Toklas”
(1933) depicting the artistic scene of 1920s Paris with artists like
Picasso, Matisse or Cézanne.
- Hemingway’s “The Sun Also Rises” (1926) portrayed the experience
of the post-war generation.
- F. Scott Fitzgerald identifies as a writer from the Lost Generation. In
“The Great Gatsby” he wrote about the decadent and frivolous lifestyle
of the wealthy, the corruption and death of the American dream”.
- Ezra Pound was the editor of several American literary magazines that
helped discover the work of T. S. Eliot, Hemingway and Joyce.
In the US there were several important novelists like William Faulkner with
“The Sound and the Fury” (1929) and John Steinbeck with “The Grapes of Wrath”
(1939) portraying the Depression.
- Robert Frost and E. E. Cummings used free-form modernist poetry.
- Jack London was a pioneer of science fiction: “The Iron Heel” (1908)
is considered as the first example of a dystopian novel, and “Before
Adam” (1906), a hypothesis about life as a hominid. “White Fang” and
“Call of the Wild” about the Gold Rush in Alaska and the use of animals
as main characters.
By the 17th century English had replaced Latin as the instruction language
and the literature that was aimed for children was heavily influenced by Puritanism.
Children were taught to read but also instructed in religious values. This tendency
can be seen in James Janeway’s “A Token for Children” (1671). He defended the
idea that children should read only texts that had an exemplary didactic message.
In the 18th century this literature was influenced by the philosophical
tendencies of the Enlightenment. Emphasis was on the role of reason and the idea
of progress. It promoted the child as a future citizen and warned them of the dangers
of ignorance and superstition and defended the French philosopher Rousseau’s
ideas of preserving the children from the corruption of society’s evils.
In this century, some books specifically written for children appear, such as “A
little book for little children” and “A description of three hundred animals”, but it was
from 1740 onwards that the moral tone of the books for children changed for a more
didactic purpose, with illustrations and graphics and less religion.
- The first collection of children’s rhymes and nursery songs appears in 1744
with “Tommy Thumb’s Pretty Song” by Mary Cooper.
- The first book for children where enjoyment was more important was John
Newbery’s “A Little Pretty Pocket-book” that followed Locke’s ideas about
learning through enjoyment. Newbery is considered the father of English
children’s literature → The Lilliputian Magazine; The History of Little Goody
Two-Shoes.
5.5.3. The 19th century and first decades of the 20th century.
The Romantic period is the Golden Age of English children’s literature
because of the great literary value of the works and their illustrations. For many,
fantasy and fairy tales constitute the core of children’s literature.
- The Grimm Brothers fairy tales were published in German in 1812, and
translated into English in 1823.
- Hans Christian Andersen’s stories appeared in the 1830s.
- And Lewis Carroll’s “Alice Adventures in Wonderland” was published in 1865.
The male reader was expected to read adventure books like R. L Stevenson
Treasure Island (1881) or Kipling’s The Jungle Book (1894), while the female reader
was expected to read works where the main characters were girls in realistic
settings, faced with domestic issues, like Little Women (1868) or Heidi (translated
into English in 1884), or in the US Anne of Green Gables (1908) and Pollyanna
(1913). This would also be the general trend during the first decades of the twentieth
century.
The twentieth century is the beginning of great works of fantasy, starting with
L. F. Baum’s The Wonderful Wizard of Oz (1900) to Kenneth Grahame’s The Wind in
the Willows (1908), P. L. Travers’ Mary Poppins (1934), C.S. Lewis The Narnia
Chronicles, and J.R.R. Tolkien The Hobbit (1937)