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Welcome to the Music Grade 7 Self-Learning Module 2 on Music of the Lowlands of Luzon:
Liturgical Music!
This Self-Learning Module was collaboratively designed, developed and reviewed by
educators from the Schools Division Office of Pasig City headed by its Officer-in-Charge
Schools Division Superintendent, Ma. Evalou Concepcion A. Agustin, in partnership with the
City Government of Pasig through its mayor, Honorable Victor Ma. Regis N. Sotto. The writers
utilized the standards set by the K to 12 Curriculum using the Most Essential Learning
Competencies (MELC) in developing this instructional resource.
This learning material hopes to engage the learners in guided and independent learning
activities at their own pace and time. Further, this also aims to help learners acquire the needed
21st century skills especially the 5 Cs, namely: Communication, Collaboration, Creativity,
Critical Thinking, and Character while taking into consideration their needs and circumstances.
In addition to the material in the main text, you will also see this box in the body of the
module:
As a facilitator you are expected to orient the learners on how to use this module. You
also need to keep track of the learners' progress while allowing them to manage their own
learning. Moreover, you are expected to encourage and assist the learners as they do the tasks
included in the module.
For the Learner:
Welcome to the MAPEH 7 Self-Learning Module 2 on Music of the Lowlands of
Luzon: Liturgical Music
This module was designed to provide you with fun and meaningful opportunities for
guided and independent learning at your own pace and time. You will be enabled to process
the contents of the learning material while being an active learner.
This module has the following parts and corresponding icons:
Expectations - This points to the set of knowledge and skills that you
will learn after completing the module.
Pretest - This measures your prior knowledge about the lesson at hand.
Recap - This part of the module provides a review of concepts and skills
that you already know about a previous lesson.
Posttest - This measures how much you have learned from the entire
module.
EXPECTATION
PRETEST
PRETEST : Identification
Instructions : Identify and write and English and Filipino translations of the Latin terms of
the Ordinary Hymns of the Catholic Mass. Choose your answer from the box and write it on
the space provided.
RECAP: Identification
Instructions : Read the following questions. Choose your answer from the box below and write it on
the space provided.
1. The songs passed down orally from generation to generation is called ________.
2. __________ is a Kapampangan Folksong that tells about a ring inherited from her mother but got
lost and whoever finds it will inherit her heart.
3. __________ is an Ilocano Folksong asking forgiveness from his love for telling humorous jokes
but his love is real and not merely a joke.
4. __________ is a Tagalog Folksong that tells the story of the farmers labouring during planting
season.
5. __________ is a Bicolano Folksong that tells about one evening a man thought he was dreaming
but opened his eyes and saw his love’s radiant face.
LESSON
Lesson 2:
Sacred Music : Philippine Liturical Music
Sacred Music (Religious Music) is music performed or composed for religious gatherings or
fellowship.
The Spanish colonial regime reshaped Philippine culture in general, particularly its
music. Every Spanish expedition to the country included a group of missionaries tasked to
bring the Christian faith to the natives. The religious orders believed that music was the most
powerful means to win the spirit of the people and make them understand the Christian ways
and beliefs.
Religious music of the Lowlands of Luzon reveals the impact of Spanish colonization
to the Philippines.
Introduction to Christianity came with the different Western forms of Music that are
used for religious rites.
General Classification of Sacred or Religious Music:
A. Liturgical Music, also called Church Music is written for performance in a religious
rite or worship commonly associated with the Christian tradition; is well known as part
of the Catholic Mass and other Christian services including the Divine Office or
Canonical Hours.
B. Devotional Music, which accompanies religious observances and rituals, and
traditionally has been part of Christian Music. Each major religion has its own tradition
with Devotional Music.
Mass – The celebration of the Liturgy in accordance with the traditional Latin Rite.
Main Parts of the Mass
A. Liturgy of the Word
B. Liturgy of the Eucharist
Liturgical Music Settings of the Mass
A. Ordinary of the Mass
B. Proper of the Mass
1. Proper of the Mass – the changing parts of the Mass according to the Proper Liturgical
Season.
Example of Proper Hymns in the Liturgy:
ENGLISH FILIPINO
Processional Pambungad
Offertory Pag-aalay
Communion Pakikinabang
Recessional Pangwakas
2. Ordinary of the Mass – the unchanging parts of the Mass according to Liturgical
Seasons.
Example of Ordinary Hymns in the Liturgy:
LATIN ENGLISH FILIPINO
Kyrie Lord, Have Mercy Panginoon, Maawa Ka
Gloria Glory to God Luwalhati sa Diyos
Credo Creed Sumasampalataya
Sanctus Holy Santo
Pater Noster Our Father Ama Namin
Agnus Dei Lamb of God Kordero ng Diyos
ACTIVITIES
Panginoon, Maawa Ka
Panginoon Maawa Ka, Panginoon Maawa Ka, Panginoon Maawa Ka
Kristo maawa Ka, Kristo Maawa Ka, Kristo, Kristo Maawaka
Panginoon Maawa Ka, Panginoon Maawa Ka
Panginoon Maawa Ka, Panginoon Maawa Ka.
4. Ama Namin – a sung prayer to the Heavenly Father in the words of our Lord and Saviour
Jesus Christ.
Ama Namin
Ama namin sumasalangit Ka, sambahin ang Ngalan Mo
Mapasaamin ang kaharian Mo, Sundin ang loob Mo
Dito sa lupa para nang sa langit
Bigyan Mo po kami ngayon n gaming kakanin sa araw-araw
At patawarin Mo kami sa aming mga sala
Para nang pagpapatawad naming sa nagkakasala sa amin
At huwag Mo kaming ipahintulot sa tukso
At iadya Mo kami sa lahat ng masama.
Note: Please search the link and listen to the following songs.
Link: Music Grade 7 Module 2 https://youtu.be/69MYrqSdOJg
Activity 2 – Analysis of Musical Elements
Instructions : After listening to examples of Philippine Liturgical Music, compare the
contrast of characteristics of the four given songs according to their musical elements:
Tempo
(Fast, Slow,
Moderate Speed)
Melody
(High, Low,
Middle Register)
Meter
(Duple, Triple,
Quadruple)
FINAL ACTIVITY
Level of
Sing-A-Long Ama Namin
Performance
Excellent
Good
Fair
Note: Please search the link and listen to the following songs.
Link: Ama Namin https://youtu.be/oYTFvoyuV3o
WRAP–UP
VALUING
VALUING :
Instructions : Read, reflect and answer the following questions?
1. Today, people of the world have different faith and religion, do you still believe that
Liturgical Music plays a vital role in the practice of your own belief?
_____________________________________________________________________
_____________________________________________________________________
_____________________________________________________________________
2. As a student, what important values and attitudes can you achieve by faithfully
observing the practice of Liturgical Music?
_____________________________________________________________________
_____________________________________________________________________
_____________________________________________________________________
POSTTEST
POSTTEST: Identification
Instructions : Identify and write the English and Filipino translations of the Latin terms of
the Ordinary Hymns of the Catholic Mass. Write your answers on the space provided.
Kyrie
Gloria
Credo
Sanctus
Pater Noster
Agnus Dei
PRETEST / POSTTEST
THE CATHOLIC MASS
LATIN ENGLISH FILIPINO
Kyrie Lord, Have Mercy Panginoon, Maawa Ka
Gloria Glory to God Luwalhati sa Diyos
Credo Creed Sumasampalataya
Sanctus Holy Santo
Pater Noster Our Father Ama Namin
Agnus Dei Lamb of God Kordero ng Diyos
RECAP
1. Folksong
2. Atin Cu Pung Singsing
3. Pamulinawen
4. Magtanim Ay Di Biro
5. Sarung banggi
ACTIVITY 2
Musical Purihin Ang Panginoon, Ama Namin Kordero Ng
Characteristics Panginoon Maawa Ka Diyos
Tempo
(Fast, Slow, Fast Slow Moderate Moderate
Moderate Speed)
Melody
(High, Low, Middle High Middle High
Middle Register)
Meter
(Duple, Triple, Triple Quadruple Duple Quadruple
Quadruple)
KEY TO CORRECTION
REFERENCES
References:
Books
Music and Arts 7 Department of Education – Republic of the Philippines
Teacher’s Guide
First Edition, 2017
EDISON P. CLET
Illustration
MARIVIC D. LISING
MAPEH Department Head
GILBERT O. INOCENCIO
Rizal High School
School Head
NORILYN D. CONDE
MAPEH Education Program Supervisor