Professional Documents
Culture Documents
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/
info/about/policies/terms.jsp
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content
in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship.
For more information about JSTOR, please contact support@jstor.org.
National Council of Teachers of English is collaborating with JSTOR to digitize, preserve and extend access to The English
Journal.
http://www.jstor.org
This content downloaded from 137.149.200.5 on Tue, 20 Oct 2015 15:11:48 UTC
All use subject to JSTOR Terms and Conditions
Professional
Links
ConnieS. Zitlow,Editor
OhioWesleyanUniversity
cszitlow@owu.edu
This content downloaded from 137.149.200.5 on Tue, 20 Oct 2015 15:11:48 UTC
All use subject to JSTOR Terms and Conditions
Exploring Our Shared Humanity
essays focus on ways educators can dents who are part of the continu- her students the opportunity to
teach for peace with the goal of ing refugee experience (6). Because view the war from the perspective
promoting "understanding of the Vietnam War was the defining of their countries of origin. Jack
others in relation to ourselves in di- experience of many people of their Huhtala and Elaine B. Coughlin
verse realms of life" (xv). The orga- parents' generation (9), young guided their tenth-grade English
nization of the book is one of the people find that adolescent litera- and government classes in "group
many features that teacherswill ap- ture focusing on the Vietnam War investigation" as they explored
preciate. The twenty chapters are has tremendous appeal. In it they ways peace might be achieved in
divided into three sections: "Peace read about teenagers like them- the Middle East (63-70).
and War," "Peace and the Arts," selves who need to understand the G. Lynn Nelson's words that
and "Peace and Our Schools." In past, their parents, and themselves open the section "Peace and the
the table of contents, Monseau has (10-11). Arts" illustrate the power and
written a brief summary of each emotion of his award-winning
chapter. Thus, teachers can readily In the table of contents, essay "Warriors with Words: To-
find ideas that fit a variety of units Monseau has written a brief ward a Post-Columbine Writing
and individual lessons. summary of each chapter. Thus, Curriculum":
A quotation from Randal W. teachers can readily find ideas In ourschools, at large,we
as in society
Withers, whose essay appears in that fit a variety of units and rushtowardcomputers andtheInternet
the first section, "Peace and War,"
individual lessons. of theInformation Agewithopenarms,
sets the stage for what is to follow: as thoughtowardsalvation.Wedon't
If weignorecontemporary antiwarlit- The chapters on teaching about seemto understand thatweareleaving
eratureand its applicationsin today's the Vietnam War, Civil War, our hearts,ourhumanity,ourstories
classroomsimplybecausesuchworks World War II, and the Middle East furtherandfurtherbehind.Wedon't
havenotyet beenlabeled'classic,'then include literary works that are cer- seemtounderstand thatourstorieswill
weruntheriskofallowingstudentsto tainly part of America's literature, getpublished,onewayoranother.(71;
graduateintoadulthoodwithouthav- whether taught individually or as a italics in original)
ing heededimportantlessonsfromthe part of interdisciplinary work such
not-so-distantpast, of whichtheyare, as that described by Rita Bornstein. He points out that there is one
at leastpartially, ignorant.(1; ital- powerful place to addressthe source
These chapters areparticularlyuse- of violence in our schools and in our
ics in original)
ful for English language arts teach- culture.
He notes that "Arthur Apple- ers who coordinate topics with
bee's 1993 researchon the teaching those being studied in other con- It is just down the hall in the En-
of literature in the secondaryschool tent areas. Carolyn Lott and glish department.It is the writing
reveals that the classics still prevail Stephanie Wasta discovered that class .... Itleaching writing is
and little contemporary literature, the power of literature can add a teaching the use of language, and
our language greatly determines
especially antiwar literature, is new dimension to events such as how we see the world and how we
being taught" (xvii). Withers does the Civil War, and students learn act in the world. Languageis both
not advocate discarding the litera- the facts as they learn "thatlooking the sourceof much violencein our
ture of "older" wars but believes at different perspectives on an issue
society-and its potential cure.
"that teaching fiction that focuses can help them better understand (104-05)
on more recent wars will enable why people assume firm stances for
students to better understand the their beliefs" (14). Joan Ruddi- Along with Nelson's essay about
impact of war on a variety of social man's school population has in- the deep human need to tell our
issues-from American history, to cluded students who spoke story are two chapters that demon-
United States foreign policy, to fifty-two different languages and strate how the arts are a medium
their own way of life" (43). dialects, and she points out that the for expression and can work to help
Larry R. Johannessen reminds "beginnings of the blending of reduce covert violence. The ap-
us that the legacies of the Vietnam multicultural, interracial families proach taken by Nancy Gorrell in
War continue to haunt us (3), and began" as World War II GIs re- teaching about the Holocaust, as
our multicultural classrooms are turned home "with war brides from demonstrated in her excellent
filled with Southeast Asian stu- far-flung countries" (23). She gives chapter about teaching empathy
94 January 2005
This content downloaded from 137.149.200.5 on Tue, 20 Oct 2015 15:11:48 UTC
All use subject to JSTOR Terms and Conditions